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Sin is like wine. The more it is hidden from sunlight, the more it ferments, growing more potent.
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Ken Liu (Invisible Planets: An Anthology of Contemporary Chinese SF in Translation)
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Pretending that the fake is real only makes the real seem fake.
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Ken Liu (Invisible Planets: An Anthology of Contemporary Chinese SF in Translation)
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But they remain opaque to each other, unaware that when it comes to time, everyone is only measuring the universe using the ruler of their own lifespan.
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Ken Liu (Invisible Planets: An Anthology of Contemporary Chinese SF in Translation)
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If happiness and time are the two axes of a graph, then I’m afraid the curve of my life has already passed the apex and is on its inexorable way down to the bottom.
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Ken Liu (Invisible Planets: An Anthology of Contemporary Chinese SF in Translation)
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Time flows like a river, halting for no one. There’s nothing in this world that can outlast time itself.
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Ken Liu (Invisible Planets: An Anthology of Contemporary Chinese SF in Translation)
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Yes, what you say sounds like Truth. But the world is full of Truths. So what if you have a Truth?
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Ken Liu (Invisible Planets: An Anthology of Contemporary Chinese SF in Translation)
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No single factor means anything. Everything has to be contextualized. There are too many hidden relationships, too many disguised opportunities for profit, too many competing concerns.
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Ken Liu (Invisible Planets: An Anthology of Contemporary Chinese SF in Translation)
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For the God Civilization, the first sign of her senescence was the extreme lengthening of each individual member’s life span. By then, each individual in the God Civilization could expect a life as long as four thousand Earth years. By age two thousand, their thoughts had completely ossified, losing all creativity. Because individuals like these held the reins of power, new life had a hard time emerging and growing. That was when our civilization became old.
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Ken Liu (Invisible Planets: An Anthology of Contemporary Chinese SF in Translation)
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If the plan succeeded, it would be a step to bring about the kind of golden age envisioned by Confucius millennia ago: “And then men would care for all elders as if they were their own parents, love all children as if they were their own children. The aged would grow old and die in security; the youthful would have opportunities to contribute and prosper; and children would grow up under the guidance and protection of all. Widows, orphans, the disabled, the diseased—everyone would be cared for and loved.
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Ken Liu (Invisible Planets: An Anthology of Contemporary Chinese SF in Translation)
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Now I’m back. I have a car, a house—everything a man should have, including erectile dysfunction and insomnia. If happiness and time are the two axes of a graph, then I’m afraid the curve of my life has already passed the apex and is on its inexorable way down to the bottom.
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Ken Liu (Invisible Planets: An Anthology of Contemporary Chinese SF in Translation)
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A myth has been bowdlerized to mass entertainment.
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Ken Liu (Invisible Planets: An Anthology of Contemporary Chinese SF in Translation)
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technology is neutral. But the progress of technology will cause a free world to become ever freer, and a totalitarian world to become ever more repressive.
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Ken Liu (Invisible Planets: An Anthology of Contemporary Chinese SF in Translation)
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Imagining that the political concerns of Chinese writers are the same as what the Western reader would like them to be is at best arrogant and at worst dangerous. Chinese writers are saying something about the globe, about all of humanity, not just China, and trying to understand their works through this perspective is, I think, the far more rewarding approach.
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Ken Liu (Invisible Planets: An Anthology of Contemporary Chinese SF in Translation)
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Big Sister Shen tells me this used to be a sleepy fishing village. But with the economic reforms and the opening up of China, urbanization brought construction everywhere. To get more compensation when the government exercised its eminent domain powers, villagers raced to build tall towers on their land so as to maximize the square footage of the residential space. But before they could cash in, real estate prices had risen to the point where even the government could no longer afford to pay compensation. These hastily erected buildings remain like historical ruins, witnesses to history.
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Ken Liu (Invisible Planets: An Anthology of Contemporary Chinese SF in Translation)
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In my view, “what if” is at the heart of science fiction. Starting with reality itself, the writer applies plausible and logically consistent conditions to play out a thought experiment, pushing the characters and plot toward an imagined hyperreality that evokes a sense of wonder and estrangement. Faced with the absurd reality of contemporary China, the writer cannot fully explore or express the possibilities of extreme beauty and extreme ugliness without resorting to science fiction.
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Ken Liu (Invisible Planets: An Anthology of Contemporary Chinese SF in Translation)
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Since the 1990s, the ruling class of China has endeavored to produce an ideological fantasy through the machinery of propaganda: development (increase in GDP) is sufficient to solve all problems. But the effort has failed and so created even more problems. In the process of this ideological hypnosis of the entire population, a definition of “success” in which material wealth is valued above all has choked off the younger generation’s ability to imagine the possibilities of life and the future. This is a dire consequence of the policy decisions of those born in the 1950s and 1960s, a consequence which they neither understand nor accept responsibility for.
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Ken Liu (Invisible Planets: An Anthology of Contemporary Chinese SF in Translation)
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Science” is itself one of the greatest utopian illusions ever created by humankind. I am by no means suggesting that we should take the path of antiscience—the utopia offered by science is complicated by the fact that science disguises itself as a value-neutral, objective endeavor. However, we now know that behind the practice of science lie ideological struggles, fights over power and authority, and the profit motive. The history of science is written and rewritten by the allocation and flow of capital, favors given to some projects but not others, and the needs of war. While micro fantasies burst and are born afresh like sea spray, the macro fantasy remains sturdy. Science fiction is the byproduct of the process of gradual disenchantment with science. The words create a certain vision of science for the reader. The vision can be positive or full of suspicion and criticism—it depends on the age we live in.
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Ken Liu (Invisible Planets: An Anthology of Contemporary Chinese SF in Translation)
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bits are just ones and zeros, but some will make them into useful tools while others will make them into malicious viruses?
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Ken Liu (Invisible Planets: An Anthology of Contemporary Chinese SF in Translation)