Sex At Dawn Quotes

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But depression wasn't the word. This was a plunge encompassing sorrow and revulsion far beyond the personal: a sick, drenching nausea at all humanity and human endeavor from the dawn of time. The writhing loathsomeness of the biological order. Old age, sickness, death. No escape for anyone. Even the beautiful ones were like soft fruit about to spoil. And yet somehow people still kept fucking and breeding and popping out new fodder for the grave, producing more and more new beings to suffer like this was some kind of redemptive, or good, or even somehow morally admirable thing: dragging more innocent creatures into the lose-lose game. Squirming babies and plodding, complacent, hormone-drugged moms. Oh, isn't he cute? Awww. Kids shouting and skidding in the playground with no idea what future Hells await them: boring jobs and ruinous mortgages and bad marriages and hair loss and hip replacements and lonely cups of coffee in an empty house and a colostomy bag at the hospital. Most people seemed satisfied with the thin decorative glaze and the artful stage lighting that sometimes, made the bedrock atrocity of the human predicament look somewhat more mysterious or less abhorrent. People gambled and golfed and planted gardens and traded stocks and had sex and bought new cars and practiced yoga and worked and prayed and redecorated their homes and got worked up over the news and fussed over their children and gossiped about their neighbors and pored over restaurant reviews and founded charitable organizations and supported political candidates and attended the U.S. Open and dined and travelled and distracted themselves with all kinds of gadgets and devices, flooding themselves incessantly with information and texts and communication and entertainment from every direction to try to make themselves forget it: where we were, what we were. But in a strong light there was no good spin you could put on it. It was rotten from top to bottom.
Donna Tartt (The Goldfinch)
Societies in which women have lots of autonomy and authority tend to be decidedly male-friendly, relaxed, tolerant, and plenty sexy. Got that, fellas? If you're unhappy at the amount of sexual opportunity in your life, don't blame the women. Instead, make sure they have equal access to power, wealth and status. Then watch what happens.
Cacilda Jethá (Sex at Dawn: The Prehistoric Origins of Modern Sexuality)
But with trust we can strive to accept even what we cannot understand.
Christopher Ryan (Sex at Dawn: The Prehistoric Origins of Modern Sexuality)
I want to be your last thought at night, and your first taste at dawn.
Nenia Campbell (Horrorscape (Horrorscape, #2))
And yet, despite repeated assurances that women aren't particularly sexual creatures, in cultures around the world men have gone to extraordinary lengths to control female libido: female genital mutilation, head-to-toe chadors, medieval witch burnings, chastity belts, suffocating corsets, muttered insults about "insatiable" whores, pathologizing, paternalistic medical diagnoses of nymphomania or hysteria, the debilitating scorn heaped on any female who chooses to be generous with her sexuality...all parts of a worldwide campaign to keep the supposedly low-key female libido under control. Why the electrified high-security razor-wire fence to contain a kitty-cat?
Christopher Ryan (Sex at Dawn: The Prehistoric Origins of Modern Sexuality)
Darwin says your mother’s a whore. Simple as that.
Cacilda Jethá (Sex at Dawn: The Prehistoric Origins of Modern Sexuality)
One wonders, in fact, why marriage is a legal issue at all - apart from its relevance to immigration and property laws. Why would something so integral to human nature require such vigilant legal protection?
Christopher Ryan (Sex at Dawn: The Prehistoric Origins of Modern Sexuality)
This isn't sex." I blinked. "Oh. Then what is it?" "An emergency!" I started to argue and then thought twice about it. Considering what Mircea would do to Pritkin if he ever found out about this...Yeah. Emergency sounded good.
Karen Chance (Curse the Dawn (Cassandra Palmer, #4))
the bigger the society is, the less functional shame becomes.
Christopher Ryan (Sex at Dawn: The Prehistoric Origins of Modern Sexuality)
Marriage," "mating," and "love" are socially constructed phenomena that have little or no transferable meaning outside any given culture. The examples we've noted of rampant ritualized group sex, mate-swapping, unrestrained casual affairs, and socially sanctioned sequential sex were all reported in cultures that anthropologists insist are monogamous simply because they've determined that something they call "marriage" takes place there. No wonder so many insist that marriage, monogamy, and the nuclear family are human universals. With such all-encompassing interpretations of the concepts, even the prairie vole, who "sleeps with anyone," would qualify.
Christopher Ryan (Sex at Dawn: The Prehistoric Origins of Modern Sexuality)
His lips slowly twitched. “As a gentleman, I think you should sleep off the drugs in your system.” Again, his wide, full lips curved wickedly. “Unless you plan to move your hand lower, then I might forget I’m acting the gentleman because, really, I’m not all that gentlemanly.
Scarlett Dawn (King Cave (Forever Evermore, #2))
I was a young black man, light-skinned enough so that four out of five people who met me, of whatever race, assumed I was white.... I was a homosexual who now knew he could function heterosexually. And I was a young writer whose early attempts had already gotten him a handful of prizes.... So, I thought, you are neither black nor white. You are neither male nor female. And you are that most ambiguous of citizens, the writer. There was something at once very satisfying and very sad, placing myself at this pivotal suspension. It seemed, in the park at dawn, a kind of revelation--a kind of center, formed of a play of ambiguities, from which I might move in any direction.
Samuel R. Delany (The Motion of Light in Water: Sex and Science Fiction Writing in the East Village)
But not you, O girl, nor yet his mother, stretched his eyebrows so fierce with expectation. Not for your mouth, you who hold him now, did his lips ripen into these fervent contours. Do you really think your quiet footsteps could have so convulsed him, you who move like dawn wind? True, you startled his heart; but older terrors rushed into him with that first jolt to his emotions. Call him . . . you'll never quite retrieve him from those dark consorts. Yes, he wants to, he escapes; relieved, he makes a home in your familiar heart, takes root there and begins himself anew. But did he ever begin himself?
Rainer Maria Rilke (Duino Elegies)
And in the stillness before dawn, on the brink of a war that could tear us apart, our auras danced and twined in the darkness, coiling around each other until they finally merged, becoming one.
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
Before the war on drugs, the war on terror, or the war on cancer, there was the war on female sexual desire. It’s a war that has been raging far longer than any other, and its victims number well into the billions by now. Like the others, it’s a war that can never be won, as the declared enemy is a force of nature. We may as well declare war on the cycles of the moon.
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
The cats sleep for days at a time and make love from the first star until dawn. Their pleasures are fierce, and their sleep impenetrable. And they know that the body has a soul in which the soul has no part.
Albert Camus (A Happy Death)
On Generosity On our own, we conclude: there is not enough to go around we are going to run short of money of love of grades of publications of sex of beer of members of years of life we should seize the day seize our goods seize our neighbours goods because there is not enough to go around and in the midst of our perceived deficit you come you come giving bread in the wilderness you come giving children at the 11th hour you come giving homes to exiles you come giving futures to the shut down you come giving easter joy to the dead you come – fleshed in Jesus. and we watch while the blind receive their sight the lame walk the lepers are cleansed the deaf hear the dead are raised the poor dance and sing we watch and we take food we did not grow and life we did not invent and future that is gift and gift and gift and families and neighbours who sustain us when we did not deserve it. It dawns on us – late rather than soon- that you “give food in due season you open your hand and satisfy the desire of every living thing.” By your giving, break our cycles of imagined scarcity override our presumed deficits quiet our anxieties of lack transform our perceptual field to see the abundance………mercy upon mercy blessing upon blessing. Sink your generosity deep into our lives that your muchness may expose our false lack that endlessly receiving we may endlessly give so that the world may be made Easter new, without greedy lack, but only wonder, without coercive need but only love, without destructive greed but only praise without aggression and invasiveness…. all things Easter new….. all around us, toward us and by us all things Easter new. Finish your creation, in wonder, love and praise. Amen.
Walter Brueggemann
Women and men should not marry, for love is like the seasons—it comes and goes. YANG ERCHE NAMU (Mosuo woman)
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
The sooner we accept the basic differences between men and women, the sooner we can stop arguing about it and start having sex! DR. STEPHEN T. COLBERT, D.F.A.
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
It’s wrong to assume that I must be a sex you’re familiar with,” it said, “but as it happens, I’m male.
Octavia E. Butler (Dawn (Xenogenesis, #1))
in the heart’s rain in the eye’s fog in the winter’s smoky snow in whirling snow in storms wind which wants to tear my coat off legends stories the blood red dawn of the mind the warm spring between your thighs the only haven
Nils-Aslak Valkeapää
Sex for pleasure with various partners is therefore more “human” than animal. Strictly reproductive, once-in-a-blue-moon sex is more “animal” than human. In other words, an excessively horny monkey is acting “human,” while a man or woman uninterested in sex more than once or twice a year would be, strictly speaking, “acting like an animal.
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
Why is it so easy to believe that a mother’s love isn’t a zero-sum proposition, but that sexual love is a finite resource?
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
In the dark, I seem to stretch. Without a body to witness, I grow and grow with my pleasure. I feel like a constellation, a concept hung on a scattering of stars.
Alaya Dawn Johnson (The Summer Prince)
We are here on Earth to fart around, and don’t let anybody tell you any different. KURT VONNEGUT, JR.
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
Max's laugh was like a dragnet; it picked up every living laugh within the vicinity and shined a light on it, intensified it, pitched it higher. It was a dare--he dared you not to laugh with him. He dared you to despair. He dared you to insist that there was no dawn, that all there was was darkness, that there was no silver lining, that the heart didn't grow fonder by absence. He dared you to believe you were going to die--when you at that moment knew, just as he did, that you were immortal, you were among the gods.
Eve Babitz (Sex and Rage)
Our sense of the full range of human nature, like our diet, has been steadily reduced. No matter how nourishing it might be, anything wild gets pulled - though as we'll see, some of the weeds growing in us have roots reaching deep into our shared past. Pull them if you want, but they'll just keep coming back again and again.
Cacilda Jethá (Sex at Dawn: The Prehistoric Origins of Modern Sexuality)
What constitutes misuse of the universe? This question can be answered in one word: greed…. Greed constitutes the most grievous wrong. LAURENTI MAGESA, African Religion: The Moral Traditions of Abundant Life
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
No group-living nonhuman primate is monogamous, and adultery has been documented in every human culture studied- including those in which fornicators are routinely stoned to death. In light of all of this bloody retribution, it's hard to see how monogamy comes "naturally" to our species. Why would so many risk their reputations, families, careers- even presidential legacies- for something that runs against human nature? Were monogamy an ancient, evolved trait characteristic of our species, as the standard narrative insists, these ubiquitous transgressions would be infrequent and such horrible enforcement unnecessary. No creature needs to be threatened with death to act in accord with its own nature.
Christopher Ryan (Sex at Dawn: The Prehistoric Origins of Modern Sexuality)
For thousands of years, males have seen women not as women could be, but only as males want them to be.
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
In The Moral Animal, Robert Wright laments, "A basic underlying dynamic between men and women is mutual exploitation. They seem, at times, designed to make each other miserable." Don't believe it. We aren't designed to make each other miserable. This view holds evolution responsible for the mismatch between our evolved predispositions and the post-agricultural socioeconomic world we find ourselves in. The assertion that human beings are naturally monogamous is not just a lie; it's a lie most Western societies insist we keep telling each other.
Cacilda Jethá (Sex at Dawn: The Prehistoric Origins of Modern Sexuality)
Drugs, sex, Satan, and power, Eve mused. A religious war? Hadn't humans fought and died for beliefs since the dawn of time? Animals fought for territory; people fought for territory as well. And for gain, for passion, for beliefs. For the hell of it.
J.D. Robb (Ceremony in Death (In Death, #5))
Nor do the females of our closest primate cousins offer much reason to believe the human female should be sexually reluctant due to purely biological concerns. Instead, primatologist Meredith Small has noted that female primates are highly attracted to novelty in mating. Unfamiliar males appear to attract females more than known males with any other characteristic a male might offer (high status, large size, coloration, frequent grooming, hairy chest, gold chains, pinky ring, whatever). Small writes, "The only consistent interest seen among the general primate population is an interest in novelty and variety...In fact," she reports, "the search for the unfamiliar is documented as a female preference more often than is any other characteristic our human eyes can perceive.
Christopher Ryan (Sex at Dawn: The Prehistoric Origins of Modern Sexuality)
The conditions necessary for devastating epidemics or pandemics just didn't exist until the agricultural revolution. The claim that modern medicine and sanitation save us from infectious diseases that ravaged pre-agricultural people (something we hear often) is like arguing that seat belts and air bags protect us from car crashes that were fatal to our prehistoric ancestors.
Cacilda Jethá (Sex at Dawn: The Prehistoric Origins of Modern Sexuality)
Georgie was quiet. Neal had never slept with Dawn. She'd always assumed he'd had lots of fabulous young sex with Dawn. Freshly scrubbed Heartland-teenager sex. 'Suckin' on a chili dog outside the Tastee Freeze,' et cetera.
Rainbow Rowell (Landline)
Clearly, the biggest loser (aside from slaves, perhaps) in the agricultural revolution was the human female, who went from occupying a central, respected role in foraging societies to becoming another possession for a man to earn and defend, along with his house, slaves, and livestock.
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
You’ve found that there is something that can make you feel, and make you feel present: sex. Not the routine, dusk-and-dawn sex of a trusted, established relationship, but illicit, dangerous sex. Sex that is novel and leaves you sore; that is experienced in the gaps between your mundane, moral life; that is strange and breathless and addictive.
Sarah Hall (How to Paint a Dead Man)
We call this widespread tendency to project contemporary culture proclitivities into the distant past "Flintstonization.
Christopher Ryan (Sex at Dawn: The Prehistoric Origins of Modern Sexuality)
Baby, I love you like a lion loves his kill." Surely, a less romantic description of marriage has never been written.
Christopher Ryan (Sex at Dawn: The Prehistoric Origins of Modern Sexuality)
Mensch kann tun was er will; er kann aber nicht wollen was er will.
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
Men don’t care what’s on TV. They only care what else is on TV. JERRY SEINFELD
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
God saw Abraham’s sacrifice and said, “Now I know that you love me, because you did not withhold your only son from me.” But how much more can we look at his sacrifice on the Cross, and say to God, “Now, we know that you love us. For you did not withhold your son, your only son, whom you love, from us.” When the magnitude of what he did dawns on us, it makes it possible finally to rest our hearts in him rather than in anything else.
Timothy J. Keller (Counterfeit Gods: The Empty Promises of Money, Sex, and Power, and the Only Hope that Matters)
Men. Such easy prey. Which is why so many men hate women...or at least fear them, which is much the same thing. They know, even if they don't know they know, that a smart good-looking woman holds all the cards. They know, even if they don't know they know, that males are the weaker sex. Why else would they repress females all over the world from the dawn of historical time?
Ki Longfellow (Houdini Heart)
Does all this frivolous sex make our species sound “animalistic”? It shouldn’t. The animal world is full of species that have sex only during widely spaced intervals when the female is ovulating. Only two species can do it week in and week out for nonreproductive reasons: one human, the other very humanlike. Sex for pleasure with various partners is therefore more “human” than animal.
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
Societies in which women have lots of autonomy and authority tend to be decidedly male-friendly, relaxed, tolerant, and plenty sexy. Got that, fellas? If you’re unhappy at the amount of sexual opportunity in your life, don’t blame the women. Instead, make sure they have equal access to power, wealth, and status. Then watch what happens.
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
I’d been traveling in Asia long enough to know that monkeys there are nothing like their trombone-playing, tambourine-banging cousins I’d seen on TV as a kid. Free-living Asian primates possess a characteristic I found shocking and confusing the first time I saw it: self-respect. If you make the mistake of holding the gaze of a street monkey in India, Nepal, or Malaysia, you’ll find you’re facing a belligerently intelligent creature whose expression says, with a Robert DeNiro–like scowl, “What the hell are you looking at? You wanna piece of me?” Forget about putting one of these guys in a little red vest.
Christopher Ryan (Sex at Dawn: The Prehistoric Origins of Modern Sexuality)
Though many strive to hide their human libidinousness from themselves and each other, being a force of nature, it breaks through. Lots of uptight, proper Americans were scandalized by the way Elvis moved his hips when he sang "rock and roll." But how many realized what the phrase rock and roll meant? Cultural historian Michael Ventura, investigating the roots of African-American music, found that rock 'n' roll was a term that originated in the juke joints of the South. Long in use by the time Elvis appeared, Ventura explains the phrase "hadn't meant the name of a music, it meant 'to fuck.' 'Rock,' by itself, has pretty much meant that, in those circles, since the twenties at least." By the mid-1950s, when the phrase was becoming widely used in mainstream culture, Ventura says the disc jockeys "either didn't know what they were saying or were too sly to admit what they knew.
Christopher Ryan (Sex at Dawn: The Prehistoric Origins of Modern Sexuality)
He has a light, fumbling brutality, which several times makes me think that this time it’ll cost me my sanity. In our dawning, mutual intimacy, I induce him to open the little slit in the head of his penis so I can put my clitoris inside and fuck him.
Peter Høeg (Smilla's Sense of Snow)
Sex does not enrich or deepen a relationship, it permanently cheapens and destabilises one. Everyone I know who is unfortunate enough to have a sex-mate, joy-partner, bed-friend, love-chum, call them what you will finds that--after a week or two of long blissful afternoons of making the beast with two backs, or the beast with one back and a funny shaped middle or the beast with legs splayed in the air and arms gripping the sides of the mattress--the day dawns when Partner A is keen for more swinking, grinding, and sweating and Partner B would rather turn over and catch up with Jeeves and Bertie.
Stephen Fry
As attentive readers may have noted, the standard narrative of heterosexual interaction boils down to prostitution: a woman exchanges her sexual services for access to resources. Maybe mythic resonance explains part of the huge box-office appeal of a film like Pretty Woman, where Richard Gere's character trades access to his wealth in exchange for what Julia Roberts's character has to offer (she plays a hooker with a heart of gold, if you missed it). Please note that what she's got to offer is limited to the aforementioned heart of gold, a smile as big as Texas, a pair of long, lovely legs, and the solemn promise that they'll open only for him from now on. The genius of Pretty Woman lies in making explicit what's been implicit in hundreds of films and books. According to this theory, women have evolved to unthinkingly and unashamedly exchange erotic pleasure for access to a man's wealth, protection, status, and other treasures likely to benefit her and her children.
Christopher Ryan (Sex at Dawn: The Prehistoric Origins of Modern Sexuality)
We are enriched not by what we possess, but by what we can do without. IMMANUEL KANT
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
Monogamy is not found in any social, group-living primate except—if the standard narrative is to be believed—us.
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
Despite his genius, what Darwin didn't know about sex could fill volumes. This is one of them.
Christopher Ryan (Sex at Dawn: The Prehistoric Origins of Modern Sexuality)
The day for words of love becomes the night of amorous actions that say far more! The world shifts back on its axis at dawn on February 15th.
Stewart Stafford
I’m jealous – not of their money to spend, but jealous that, for them, going home is a simple matter of turning down the correct lane.
Amber Dawn (Sub Rosa)
Our cultures domesticate us for obscure purposes, nurturing and encouraging certain aspects of our behavior and tendencies while seeking to eliminate those that might be disruptive.
Christopher Ryan (Sex at Dawn: The Prehistoric Origins of Modern Sexuality)
What if economic security and guilt-free sexual friendships were easily available to almost all men and women, as they are in many of the societies we’ve discussed, as well as among our closest primate cousins? What if no woman had to worry that a ruptured relationship would leave her and her children destitute and vulnerable? What if average guys knew they’d never have to worry about finding someone to love? What if we didn’t all grow up hearing that true love is obsessive and possessive? What if, like the Mosuo, we revered the dignity and autonomy of those we loved? What if, in other words, sex, love, and economic security were as available to us as they were to our ancestors? If fear is removed from jealousy, what’s left?
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
Rather than a plausible explanation for how we got to be the way we are, the standard narrative is exposed as contemporary moralistic bias packaged to look like science and then projected upon the distant screen of prehistory, rationalizing the present while obscuring the past. Yabba dabba doo.
Cacilda Jethá (Sex at Dawn: The Prehistoric Origins of Modern Sexuality)
Remember the Tenth Commandment: "Thou shalt not covert thy neighbors house, thou shalt not covert thy neighbors wife, nor his manservant, nor his maidservant, nor his ox,nor his ass, nor any thing that [is] thy neighbor's." Clearly, the biggest loser (aside from slaves, perhaps) in the agricultural revolution was the human female, who went from occupying a central respected role in foraging societies to becoming another possession for a man to earn and defend, along with his house, slaves, and livestock.
Cacilda Jethá (Sex at Dawn: The Prehistoric Origins of Modern Sexuality)
If ever a woman deserved to be shot, it was Miss Crenshaw. But dawn appointments weren't meant for the weaker sex. Weaker sex. The lady was anything but weak, which is why Erroll intended to throttle her.
Tarah Scott (To Tame a Highland Earl (A MacLean Highlander Novel #1))
Modern man’s seemingly instinctive impulse to control women’s sexuality is not an intrinsic feature of human nature. It is a response to specific historical socioeconomic conditions—conditions very different from those in which our species evolved. This is key to understanding sexuality in the modern world.
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
As far as we know, there is no corresponding taste among women for erotica featuring multiple overweight middle-aged ladies with cheap tattoos, bad haircuts, and black socks having sex with one hot guy. Go figure.
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
We’re being misled and misinformed by an unfounded yet constantly repeated mantra about the naturalness of wedded bliss, female sexual reticence, and happily-ever-after sexual monogamy—a narrative pitting man against woman in a tragic tango of unrealistic expectations, snowballing frustration, and crushing disappointment.
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
Human beings will be happier—not when they cure cancer or get to Mars or eliminate racial prejudice or flush Lake Erie but when they find ways to inhabit primitive communities again. That’s my utopia. KURT VONNEGUT, JR.
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
When economists base their models on their fantasies of an "economic man" motivated only by self-interest, they forget community--the all-important web of meaning we spin around each other--the inescapable context within which anything truly human has taken place.
Cacilda Jethá (Sex at Dawn: The Prehistoric Origins of Modern Sexuality)
One of the most important hopes we have for this book is to provoke the sorts of conversations that make it easier for couples to make their way across this difficult emotional terrain together, with a deeper, less judgmental understanding of the ancient roots of these inconvenient feelings and a more informed, mature approach to dealing with them. Other than that, we really have little helpful advice to offer.
Christopher Ryan (Sex at Dawn: The Prehistoric Origins of Modern Sexuality)
A 2005 survey of 12,000 adolescents found that those who had pledged to remain abstinent until marriage were more likely to have oral and anal sex than other teens, less likely to use condoms, and just as likely to contract sexually transmitted diseases as their unapologetically non-abstinent peers. The study’s authors found that 88 percent of those who pledged abstinence admitted to failing to keep their pledge.
Christopher Ryan (Sex at Dawn: The Prehistoric Origins of Modern Sexuality)
The human female’s sexual behavior is typically far more malleable than the male’s. Greater erotic plasticity leads most women to experience more variation in their sexuality than men typically do, and women’s sexual behavior is far more responsive to social pressure. This greater plasticity could manifest through changes in whom a woman wants, in how much she wants him/her/them, and in how she expresses her desire.
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
[Man] has imagined a heaven, and has left entirely out of it the supremest of all his delights, the one ecstasy that stands first and foremost in the heart of every individual of his race…sexual intercourse! It is as if a lost and perishing person in a roasting desert should be told by a rescuer he might choose and have all longed-for things but one, and he should elect to leave out water! MARK TWAIN, Letters from the Earth
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
Simone de Beauvoir in The Second Sex lamented how “the woman is adapted to the needs of the egg rather than to her own requirements”. We did not then understand how males too are adapted to the needs of their gametes rather than their own requirements. Men can more easily feel rewarded for serving the needs of their sperm; rewarded time and time again for every successful ejaculation. The ‘natural’ downside for men and males in general is competition with other males, injury, possible exclusion from any mating opportunities, more illness than females, and shorter lifespans.
Lynn Saxon (Sex at Dusk: Lifting the Shiny Wrapping from Sex at Dawn)
Social forces that convince people to stretch their necks beyond the breaking point, schmush the heads of their infants, or sell their daughters into sacred prostitution are quite capable of reshaping or neutralizing sexual jealousy by rendering it silly and ridiculous. By rendering it abnormal.
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
Intermittent fasting was associated with more than a 40 percent reduction in heart disease risk in a study of 448 people published in the American Journal of Cardiology reporting that “most diseases, including cancer, diabetes and even neurodegenerative illnesses, are forestalled” by caloric reduction.
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
If women were as libidinous as men, we’re told, society itself would collapse. Lord Acton was only repeating what everyone knew in 1875 when he declared, “The majority of women, happily for them and for society, are not very much troubled with sexual feeling of any kind.” And yet, despite repeated assurances that women aren’t particularly sexual creatures, in cultures around the world men have gone to extraordinary lengths to control female libido: female genital mutilation, head-to-toe chadors, medieval witch burnings, chastity belts, suffocating corsets, muttered insults about “insatiable” whores, pathologizing, paternalistic medical diagnoses of nymphomania or hysteria, the debilitating scorn heaped on any female who chooses to be generous with her sexuality…all parts of a worldwide campaign to keep the supposedly low-key female libido under control. Why the electrified high-security razor-wire fence to contain a kitty-cat?
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
The idea that female choice (conscious or not) can happen after or during intercourse rather than as part of an elaborate precopulatory courtship ritual turns the standard narrative inside out and upside down. If the female’s reproductive system has evolved intricate mechanisms for filtering and rejecting the sperm cells of some men while helping along those of a man who meets criteria of which she may be utterly unaware, Darwin’s “coy female” starts looking like what she is: an anachronistic male fantasy.
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
Anthropologist Donald Symons is as amazed as we are at frequent attempts to argue that monogamous gibbons could serve as viable models for human sexuality, writing, "Talk of why (or whether) humans pair bond like gibbons strikes me as belonging to the same realm of discourse as talk of why the sea is boiling hot and whether pigs have wings.
Cacilda Jethá (Sex at Dawn: The Prehistoric Origins of Modern Sexuality)
When I was thinking about How Poetry Saved My Life entering the “big literary world” I more so viewed it as sub genre or an underdog book because there are still comparatively so few books about sex work, especially from authors who once worked street, like I have. Disclosing to working street-level sex work still feels risky to me. Apart from Runaway by Evelyn Lau (published in 1989) I have yet to read a first person memoir about street work. More of these stories must be out there—perhaps I just haven’t found them yet.
Amber Dawn
I went utterly still as I watched us dancing. That...oh, holy shit. I knew my cheeks were flaming as I watched us move against each other. Our hands just kind of went wherever they wanted. Body parts rubbing sinuously together. I placed a hand over my mouth gently as I watched us... "Jesus," Elder Merrick muttered, sounding a bit breathless. "I think I bring sex to the dance floor, but fuck..." A pause. "Queen Ruckler, I know I've offered before...and it still stands." Elder Jacobs grunted. "Maybe I could get a copy of this-
Scarlett Dawn (King Tomb (Forever Evermore, #3))
Imagine for a moment what a real bonobo legacy would be: a world without team sports!
Lynn Saxon (Sex at Dusk: Lifting the Shiny Wrapping from Sex at Dawn)
If the independent, isolated nuclear family unit is, in fact, the structure into which human beings most naturally configure themselves, why do contemporary societies and religions find it necessary to prop it up with tax breaks and supportive legislation while fiercely defending it from same-sex couples and others proposing to marry in supposedly “nontraditional” ways?
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
When seventeenth-century Jesuit missionary Paul Le Jeune lectured a Montagnais Indian man about the dangers of the rampant infidelity he’d witnessed, Le Jeune received a lesson on proper parenthood in response. The missionary recalled, “I told him that it was not honorable for a woman to love any one else except her husband, and that this evil being among them, he himself was not sure that his son, who was there present, was his son. He replied, ‘Thou hast no sense. You French people love only your own children; but we all love all the children of our tribe.’”5
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
Ryan and Jethá tell us (p. 206) about a study of the Waorani of Ecuador which showed that they were free of most diseases and had no evidence of health problems such as hypertension, heart disease, or cancer (Larrick et al.1979).What they don’t add is that Larrick and his colleagues found that 42% of all population losses were actually caused by Waorani killing other Waorani.
Lynn Saxon (Sex at Dusk: Lifting the Shiny Wrapping from Sex at Dawn)
Robert Farris Thompson, America’s most prominent historian of African art, says that funky is derived from the Ki-Kongo lu-fuki, meaning “positive sweat” of the sort you get from dancing or having sex, but not working. One’s mojo, which has to be “working” to attract a lover, is Ki-Kongo for “soul.” Boogie comes from mbugi, meaning “devilishly good.” And both jazz and jism likely derive from dinza, the Ki-Kongo word for “to ejaculate.
Christopher Ryan (Sex at Dawn: The Prehistoric Origins of Modern Sexuality)
Circumcision remains prevalent in the United States, though varying greatly by region, ranging from about 40 percent of newborns circumcised in western states to about twice that in the Northeast. This widespread procedure, rarely a medical necessity, has its roots in the anti-masturbation campaigns of Kellogg and his like-minded contemporaries. As Money explains, “Neonatal circumcision crept into American delivery rooms in the 1870s and 1880s, not for religious reasons and not for reasons of health or hygiene, as is commonly supposed, but because of the claim that, later in life, it would prevent irritation that would cause the boy to become a masturbator.
Christopher Ryan (Sex at Dawn: The Prehistoric Origins of Modern Sexuality)
The French are much more comfortable with the idea that their affair partner is just that—an affair partner,” writes Pamela Druckerman in her cross-cultural look at infidelity, Lust in Translation. Understanding that love and sex are different things, Druckerman says the French feel less need to “complain about their marriage to legitimize the affair in the first place.” But she found that Americans and British couples seemed to be reading from an entirely different script. “An affair, even a one-night stand, means a marriage is over,” Druckerman observed. “I spoke to women who, on discovering that their husbands had cheated, immediately packed a bag and left, because ‘that’s what you do.’ Not because that’s what they wanted to do—they just thought that was the rule. They didn’t even seem to realize there were other options…. I mean, really, like they’re reading from a script!
Christopher Ryan (Sex at Dawn: The Prehistoric Origins of Modern Sexuality)
I cannot imagine never being inside you again.” Cassius glanced over his shoulder, his gaze softening. “We have all night, my prince.” And that was exactly what they had. It was hours before dawn. They napped, fucked again, and nestled tightly together until light filtered through the window. They were covered in each other’s seed, the room smelled of musk and sex, and Merrick wanted nothing more than to live forever with Cassius in his arms
Riley Hart (Ever After)
In some respects, the sexual mores of Victorian Britain replicated the mechanics of the age-defining steam engine. Blocking the flow of erotic energy creates ever-increasing pressure which is put to work through short, controlled bursts of productivity. Though he was wrong about a lot, it appears Sigmund Freud got it right when he observed that “civilization” is built largely on erotic energy that has been blocked, concentrated, accumulated, and redirected.
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
We have good news and bad news. The good news is that the dismal vision of human sexuality reflected in the standard narrative is mistaken. Men have not evolved to be deceitful cads, nor have millions of years shaped women into lying, two-timing gold-diggers. But the bad news is that the amoral agencies of evolution have created in us a species with a secret it just can’t keep. Homo sapiens evolved to be shamelessly, undeniably, inescapably sexual. Lusty libertines.
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
He had used drugs and nanonic supplements to compensate at first, then supplements became replacements, with bones exchanged for carbon-fibre struts. Electrical consumption supplanted food intake. The final transition was his skin, replacing the eczema-ridden epidermis with a smooth ochre silicon membrane. Warlow didn’t need a spacesuit to work in the vacuum, he could survive for over three weeks without a power and oxygen recharge. His facial features had become purely cosmetic, a crude mannequin-like caricature of human physiognomy, although there was an inlet valve at the back of his throat for fluid intake. There was no hair, and he certainly didn’t bother with clothes. Sex was something he lost in his fifties.
Peter F. Hamilton (The Reality Dysfunction (Night's Dawn, #1))
When an Indian Child has been brought up among us, taught our language and habituated to our Customs, yet if he goes to see his relations and make one Indian Ramble with them there is no persuading him ever to return, and that this is not natural merely as Indians, but as men, is plain from this, that when white persons of either sex have been taken prisoner young by the Indians, and lived awhile among them, tho’ ransomed by their Friends, and treated with all imaginable tenderness to prevail with them to stay among the English, yet in a Short time they become disgusted with our manner of life, and the care and pains that are necessary to support it, and take the first opportunity of escaping again into the Woods, from whence there is no reclaiming them. One instance I remember to have heard, where the person was to be brought home to possess a good Estate; but finding some care necessary to keep it together, he relinquished it to a younger brother, reserving to himself nothing but a gun and match-Coat, with which he took his way again to the Wilderness.30
David Graeber (The Dawn of Everything: A New History of Humanity)
The place reeked of vice and corruption and the dregs of Parisian society in all its rottenness gathered there: cheats, conmen and cheap hacks rubbed shoulders with under-age dandies, old roués and rogues, sleazy underworld types once notorious for things best forgotten mingled with other small-time crooks and speculators, dabblers in dubious ventures, frauds, pimps, and racketeers. Cheap sex, both male and female, was on offer in this tawdry meat-market of a place where petty rivalries were exploited, and quarrels picked over nothing in an atmosphere of fake gallantry where swords or pistols at dawn settled matters of highly questionable honour in the first place.
Guy de Maupassant (A Parisian Affair and Other Stories)
We have good news and bad news. The good news is that the dismal vision of human sexuality reflected in the standard narrative is mistaken. Men have not evolved to be deceitful cads, nor have millions of years shaped women into lying, two-timing gold-diggers. But the bad news is that the amoral agencies of evolution have created in us a species with a secret it just can’t keep. Homo sapiens evolved to be shamelessly, undeniably, inescapably sexual. Lusty libertines. Rakes, rogues, and roués. Tomcats and sex kittens. Horndogs. Bitches in heat.1 True, some of us manage to rise above this aspect of our nature (or to sink below it). But these preconscious impulses remain our biological baseline, our reference point, the zero in our own personal number system. Our evolved tendencies are considered “normal” by the body each of us occupies. Willpower fortified with plenty of guilt, fear, shame, and mutilation of body and soul may provide some control over these urges and impulses. Sometimes. Occasionally. Once in a blue moon. But even when controlled, they refuse to be ignored. As German philosopher Arthur Schopenhauer pointed out, Mensch kann tun was er will; er kann aber nicht wollen was er will. (One can choose what to do, but not what to want.) Acknowledged or not, these evolved yearnings persist and clamor for our attention. And there are costs involved in denying one’s evolved sexual nature, costs paid by individuals, couples, families, and societies every day and every night. They are paid in what E. O. Wilson called “the less tangible currency of human happiness that must be spent to circumvent our natural predispositions.”2 Whether or not our society’s investment in sexual repression is a net gain or loss is a question for another time. For now, we’ll just suggest that trying to rise above nature is always a risky, exhausting endeavor, often resulting in spectacular collapse. Any attempt to understand who we are, how we got to be this way, and what to do about it must begin by facing up to our evolved human sexual predispositions. Why do so many forces resist our sustained fulfillment? Why is conventional marriage so much damned work? How has the incessant, grinding campaign of socio-scientific insistence upon the naturalness of sexual monogamy combined with a couple thousand years of fire and brimstone failed to rid even the priests, preachers, politicians, and professors of their prohibited desires? To see ourselves as we are, we must begin by acknowledging that of all Earth’s creatures, none is as urgently, creatively, and constantly sexual as Homo sapiens.
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
However, what stores like Urban Outfitters—and every mall goth’s favorite, Hot Topic—offer is unprecedented access to subcultures often out of reach for young people. Those in rural areas without a local witch shop or knowledge about the occultic side of the internet can be introduced to an entire subculture through these stores. Perhaps they will pick up a tarot deck first as a gag gift, and then look further into the ancient practice of divination, and maybe even learn about the feminist history of Pamela Coleman Smith, a member of British occult society the Hermetic Order of the Golden Dawn, who is responsible for creating the iconic images on the ubiquitous Rider-Waite deck. Where democratic dissemination ends and exploitation begins is tricky territory.
Kristen J. Sollee (Witches, Sluts, Feminists: Conjuring the Sex Positive)
Ryan and Jethá propose that our ancestors, at least from 200,000 years ago, were living in a world of plenty where the resources of food and sex were in abundance but were choosing to stay hungry. After a couple of hundred thousand years of this ‘Eden’ we apparently forgot who we were, got our appetites back, and before we knew it we were drowning under babies we no longer chose to dispose of at birth.
Lynn Saxon (Sex at Dusk: Lifting the Shiny Wrapping from Sex at Dawn)
Readers acquainted with the recent literature on human sexuality will be familiar with what we call the standard narrative of human sexual evolution, hereafter shortened to the standard narrative. It goes something like this: 1. Boy Meets girl, 2. Boy and girl assess one and others mate value, from perspectives based upon their differing reproductive agendas/capacities. He looks for signs of youth, fertility, health, absence of previous sexual experience and likelihood of future sexual fidelity. In other words, his assessment is skewed toward finding a fertile, healthy young mate with many childbearing years ahead and no current children to drain his resources. She looks for signs of wealth (or at least prospects of future wealth), social status, physical health and likelihood that he will stick around to protect and provide for their children. Her guy must be willing and able to provide materially for her (especially during pregnancy and breastfeeding) and their children, known as "male parental investment". 3. Boy gets girl. Assuming they meet one and others criteria, they mate, forming a long term pair bond, "the fundamental condition of the human species" as famed author Desmond Morris put it. Once the pair bond is formed, she will be sensitive to indications that he is considering leaving, vigilant towards signs of infidelity involving intimacy with other women that would threaten her access to his resources and protection while keeping an eye out (around ovulation especially) for a quick fling with a man genetically superior to her husband. He will be sensitive to signs of her sexual infidelities which would reduce his all important paternity certainty while taking advantage of short term sexual opportunities with other women as his sperm are easily produced and plentiful. Researchers claim to have confirmed these basic patterns in studies conducted around the world over several decades. Their results seem to support the standard narrative of human sexual evolution, which appears to make a lot of sense, but they don't, and it doesn't.
Cacilda Jethá (Sex at Dawn: The Prehistoric Origins of Modern Sexuality)
In a sky swarming with uncountable stars, clouds endlessly flowing, and planets wandering, always and forever there has been just one moon and one sun. To our ancestors, these two mysterious bodies reflected the female and the male essences. From Iceland to Tierra del Fuego, people attributed the Sun’s constancy and power to his masculinity; the Moon’s changeability, unspeakable beauty, and monthly cycles were signs of her femininity. To human eyes turned toward the sky 100,000 years ago, they appeared identical in size, as they do to our eyes today. In a total solar eclipse, the disc of the moon fits so precisely over that of the sun that the naked eye can see solar flares leaping into space from behind. But while they appear precisely the same size to terrestrial observers, scientists long ago determined that the true diameter of the sun is about four hundred times that of the moon. Yet incredibly, the sun’s distance from Earth is roughly four hundred times that of the moon’s, thus bringing them into unlikely balance when viewed from the only planet with anyone around to notice.22 Some will say, “Interesting coincidence.” Others will wonder whether there isn’t an extraordinary message contained in this celestial convergence of difference and similarity, intimacy and distance, rhythmic constancy and cyclical change. Like our distant ancestors, we watch the eternal dance of our sun and our moon, looking for clues to the nature of man and woman, masculine and feminine here at home.
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
In 1976, a doctoral student at the University of Nottingham in England demonstrated that randomizing letters in the middle of words had no effect on the ability of readers to understand sentences. In tihs setncene, for emalxpe, ervey scarbelmd wrod rmenias bcilasaly leibgle. Why? Because we are deeply accustomed to seeing letters arranged in certain patterns. Because the eye is in a rush, and the brain, eager to locate meaning, makes assumptions. This is true of phrases, too. An author writes “crack of dawn” or “sidelong glance” or “crystal clear” and the reader’s eye continues on, at ease with combinations of words it has encountered innumerable times before. But does the reader, or the writer, actually expend the energy to see what is cracking at dawn or what is clear about a crystal? The mind craves ease; it encourages the senses to recognize symbols, to gloss. It makes maps of our kitchen drawers and neighborhood streets; it fashions a sort of algebra out of life. And this is useful, even essential—X is the route to work, Y is the heft and feel of a nickel between your fingers. Without habit, the beauty of the world would overwhelm us. We’d pass out every time we saw—actually saw—a flower. Imagine if we only got to see a cumulonimbus cloud or Cassiopeia or a snowfall once a century: there’d be pandemonium in the streets. People would lie by the thousands in the fields on their backs. We need habit to get through a day, to get to work, to feed our children. But habit is dangerous, too. The act of seeing can quickly become unconscious and automatic. The eye sees something—gray-brown bark, say, fissured into broad, vertical plates—and the brain spits out tree trunk and the eye moves on. But did I really take the time to see the tree? I glimpse hazel hair, high cheekbones, a field of freckles, and I think Shauna. But did I take the time to see my wife? “Habitualization,” a Russian army-commissar-turned-literary-critic named Viktor Shklovsky wrote in 1917, “devours works, clothes, furniture, one’s wife, and the fear of war.” What he argued is that, over time, we stop perceiving familiar things—words, friends, apartments—as they truly are. To eat a banana for the thousandth time is nothing like eating a banana for the first time. To have sex with somebody for the thousandth time is nothing like having sex with that person for the first time. The easier an experience, or the more entrenched, or the more familiar, the fainter our sensation of it becomes. This is true of chocolate and marriages and hometowns and narrative structures. Complexities wane, miracles become unremarkable, and if we’re not careful, pretty soon we’re gazing out at our lives as if through a burlap sack. In the Tom Andrews Studio I open my journal and stare out at the trunk of the umbrella pine and do my best to fight off the atrophy that comes from seeing things too frequently. I try to shape a few sentences around this tiny corner of Rome; I try to force my eye to slow down. A good journal entry—like a good song, or sketch, or photograph—ought to break up the habitual and lift away the film that forms over the eye, the finger, the tongue, the heart. A good journal entry ought be a love letter to the world. Leave home, leave the country, leave the familiar. Only then can routine experience—buying bread, eating vegetables, even saying hello—become new all over again.
Anthony Doerr (Four Seasons in Rome: On Twins, Insomnia, and the Biggest Funeral in the History of the World)
je n'ai jamais contemplé l'inceste sous cette terrible lueur de caveau et de damnation éternelle qu'une fausse morale s'est délibérément appliquée à jeter sur une forme d'exubérance sexuelle qui, pour moi, n'occupe qu'une place extrêmement modeste dans l'échelle monumentale de nos dégradations. Toutes les frénésies de l'inceste me paraissent infiniment plus acceptables que celles d'Hiroshima, de Buchenwald, des pelotons d'exécution, de la terreur et de la torture policières, mille fois plus aimables que les leucémies et autres belles conséquences génétiques probables des efforts de nos savants. Personne ne me fera jamais voir dans le comportement sexuel des êtres le critère du bien et du mal. La funeste physionomie d'un certain physicien illustre recommandant au monde civilisé de poursuivre les explosions nucléaires m'est incomparablement plus odieuse que l'idée d'un fils couchant avec sa mère. A côté des aberrations intellectuelles, scientifiques, idéologiques de notre siècle, toutes celles de la sexualité éveillent dans mon coeur les plus tendres pardons. Une fille qui se fait payer pour ouvrir ses cuisses au peuple me paraît une soeur de charité et une honnête dispensatrice de bon pain lorsqu'on compare sa modeste vénalité à la prostitution des savants prêtant leurs cerveaux à l'élaboration de l'empoisonnement génétique et de la terreur atomique. A côté de la perversion de l'âme, de l'esprit et de l'idéal à laquelle se livrent ces traîtres à l'espèce, nos élucubrations sexuelles, vénales ou non, incestueuses ou non, prennent, sur les trois humbles sphincters dont dispose notre anatomie, toute l'innocence angélique d'un sourire d'enfant. (La promesse de l'aube, ch. X)
Romain Gary (Promise at Dawn)
She wasn’t sure when she realized that she wasn’t alone. She’d heard a louder murmur from the crowd outside, but she hadn’t connected it with the door opening. She looked over her shoulder and saw Tate standing against the back wall. He was wearing one of those Armani suits that looked so splendid on his lithe build, and he had his trenchcoat over one arm. He was leaning back, glaring at the ceremony. Something was different about him, but Cecily couldn’t think what. It wasn’t the vivid bruise high up on his cheek where Matt had hit him. But it was something…Then it dawned on her. His hair was cut short, like her own. He glared at her. Cecily wasn’t going to cower in her seat and let him think she was afraid to face him. Mindful of the solemnity of the occasion, she got up and joined Tate by the door. “So you actually came. Bruises and all,” she whispered with a faintly mocking smile, eyeing the very prominent green-and-yellow patch on his jaw that Matt Holden had put there. He looked down at her from turbulent black eyes. He didn’t reply for a minute while he studied her, taking in the differences in her appearance, too. His eyes narrowed on her short hair. She thought his eyelids flinched, but it might have been the light. His eyes went back to the ceremony. He didn’t say another word. He didn’t really need to. He’d cut his hair. In his culture-the one that part of him still belonged to-cutting the hair was a sign of grief. She could feel the way it was hurting him to know that the people he loved most in the world had lied to him. She wanted to tell him that the pain would ease day by day, that it was better to know the truth than go through life living a lie. She wanted to tell him that having a foot in two cultures wasn’t the end of the world. But he stood there like a painted stone statue, his jaw so tense that the muscles in it were noticeable. He refused to acknowledge her presence at all. “Congratulations on your engagement, by the way,” she said without a trace of bitterness in her tone. “I’m very happy for you.” His eyes met hers evenly. “That isn’t what you told the press,” he said in a cold undertone. “I’m amazed that you’d go to such lengths to get back at me.” “What lengths?” she asked. “Planting that story in the tabloids,” he returned. “I could hate you for that.” The teenage sex slave story, she guessed. She glared back at him. “And I could hate you, for believing I would do something so underhanded,” she returned. He scowled down at her. The anger he felt was almost tangible. She’d sold him out in every way possible and now she’d embarrassed him publicly, again, first by confessing to the media that she’d been his teenage lover-a load of bull if ever there was one. Then she’d compounded it by adding that he was marrying Audrey at Christmas. He wondered how she could be so vindictive. Audrey was sticking to him like glue and she’d told everyone about the wedding. Not that many people hadn’t read it already in the papers. He felt sick all over. He wouldn’t have Audrey at any price. Not that he was about to confess that to Cecily now, after she’d sold him out. He started to speak, but he thought better of it, and turned his angry eyes back toward the couple at the altar. After a minute, Cecily turned and went back to her seat. She didn’t look at him again.
Diana Palmer (Paper Rose (Hutton & Co. #2))
But depression wasn’t the word. This was a plunge encompassing sorrow and revulsion far beyond the personal: a sick, drenching nausea at all humanity and human endeavor from the dawn of time. The writhing loathsomeness of the biological order. Old age, sickness, death. No escape for anyone. Even the beautiful ones were like soft fruit about to spoil. And yet somehow people still kept fucking and breeding and popping out new fodder for the grave, producing more and more new beings to suffer like this was some kind of redemptive, or good, or even somehow morally admirable thing: dragging more innocent creatures into the lose-lose game. Squirming babies and plodding, complacent, hormone-drugged moms. Oh, isn’t he cute? Awww. Kids shouting and skidding in the playground with no idea what future Hells awaited them: boring jobs and ruinous mortgages and bad marriages and hair loss and hip replacements and lonely cups of coffee in an empty house and a colostomy bag at the hospital. Most people seemed satisfied with the thin decorative glaze and the artful stage lighting that, sometimes, made the bedrock atrocity of the human predicament look somewhat more mysterious or less abhorrent. People gambled and golfed and planted gardens and traded stocks and had sex and bought new cars and practiced yoga and worked and prayed and redecorated their homes and got worked up over the news and fussed over their children and gossiped about their neighbors and pored over restaurant reviews and founded charitable organizations and supported political candidates and attended the U.S. Open and dined and travelled and distracted themselves with all kinds of gadgets and devices, flooding themselves incessantly with information and texts and communication and entertainment from every direction to try to make themselves forget it: where we were, what we were. But in a strong light there was no good spin you could put on it. It was rotten top to bottom. Putting your time in at the office; dutifully spawning your two point five; smiling politely at your retirement party; then chewing on your bedsheet and choking on your canned peaches at the nursing home. It was better never to have been born—never to have wanted anything, never to have hoped for anything.
Donna Tartt (The Goldfinch)
We came to the city because we wished to live haphazardly, to reach for only the least realistic of our desires, and to see if we could not learn what our failures had to teach, and not, when we came to live, discover that we had never died. We wanted to dig deep and suck out all the marrow of life, to be overworked and reduced to our last wit. And if our bosses proved mean, why then we’d evoke their whole and genuine meanness afterward over vodka cranberries and small batch bourbons. And if our drinking companions proved to be sublime then we would stagger home at dawn over the Old City cobblestones, into hot showers and clean shirts, and press onward until dusk fell again. For the rest of the world, it seemed to us, had somewhat hastily concluded that it was the chief end of man to thank God it was Friday and pray that Netflix would never forsake them. Still we lived frantically, like hummingbirds; though our HR departments told us that our commitments were valuable and our feedback was appreciated, our raises would be held back another year. Like gnats we pestered Management— who didn’t know how to use the Internet, whose only use for us was to set up Facebook accounts so they could spy on their children, or to sync their iPhones to their Outlooks, or to explain what tweets were and more importantly, why— which even we didn’t know. Retire! we wanted to shout. We ha Get out of the way with your big thumbs and your senior moments and your nostalgia for 1976! We hated them; we wanted them to love us. We wanted to be them; we wanted to never, ever become them. Complexity, complexity, complexity! We said let our affairs be endless and convoluted; let our bank accounts be overdrawn and our benefits be reduced. Take our Social Security contributions and let it go bankrupt. We’d been bankrupt since we’d left home: we’d secure our own society. Retirement was an afterlife we didn’t believe in and that we expected yesterday. Instead of three meals a day, we’d drink coffee for breakfast and scavenge from empty conference rooms for lunch. We had plans for dinner. We’d go out and buy gummy pad thai and throat-scorching chicken vindaloo and bento boxes in chintzy, dark restaurants that were always about to go out of business. Those who were a little flush would cover those who were a little short, and we would promise them coffees in repayment. We still owed someone for a movie ticket last summer; they hadn’t forgotten. Complexity, complexity. In holiday seasons we gave each other spider plants in badly decoupaged pots and scarves we’d just learned how to knit and cuff links purchased with employee discounts. We followed the instructions on food and wine Web sites, but our soufflés sank and our baked bries burned and our basil ice creams froze solid. We called our mothers to get recipes for old favorites, but they never came out the same. We missed our families; we were sad to be rid of them. Why shouldn’t we live with such hurry and waste of life? We were determined to be starved before we were hungry. We were determined to be starved before we were hungry. We were determined to decrypt our neighbors’ Wi-Fi passwords and to never turn on the air-conditioning. We vowed to fall in love: headboard-clutching, desperate-texting, hearts-in-esophagi love. On the subways and at the park and on our fire escapes and in the break rooms, we turned pages, resolved to get to the ends of whatever we were reading. A couple of minutes were the day’s most valuable commodity. If only we could make more time, more money, more patience; have better sex, better coffee, boots that didn’t leak, umbrellas that didn’t involute at the slightest gust of wind. We were determined to make stupid bets. We were determined to be promoted or else to set the building on fire on our way out. We were determined to be out of our minds.
Kristopher Jansma (Why We Came to the City)