Sex Appeal Quotes

We've searched our database for all the quotes and captions related to Sex Appeal. Here they are! All 100 of them:

There is more to sex appeal than just measurements. I don't need a bedroom to prove my womanliness. I can convey just as much sex appeal, picking apples off a tree or standing in the rain.
Audrey Hepburn
you boys can keep your virgins give me hot old women in high heels with asses that forgot to get old.
Charles Bukowski (Love Is a Dog from Hell)
You look lousy,' he said. Jace blinked. 'Seems an odd time to start an insult contest, but if you insist, I could probably think up something good.' 'No I mean it. You don't look good.' 'This is from a guy ho has all the sex appeal of a penguin. Look, I realize you may be jealous that the good Lord didn't deal you the same chiseled hand he dealt me, but that's no reason to-' 'I am not trying to insult you.' Simon snapped.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
She wore her sexuality with an older woman's ease, and not like an awkward purse, never knowing how to hold it, where to hang it, or when to just put it down.
Zadie Smith
Just because you're naked doesn't mean you're sexy. Just because you're cynical doesn't mean you're cool.
Tom Robbins
Sex appeal is fifty percent what you've got and fifty percent what people think you've got.
Sophia Loren
He looked good, like sin in a suit.
Melissa Marr (Wicked Lovely (Wicked Lovely, #1))
Sick and perverted always appeals to me.
Madonna
A girl can still admire, can’t she? Even those who can’t afford to go in the store can still window-shop. Right? Knowing he wasn’t for me didn’t mean I couldn’t covet the merchandise.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
That mouth. Smoking was a bad habit, yes. But he looked so good doing it.
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
To call woman the weaker sex is a libel; it is man's injustice to woman. If by strength is meant brute strength, then, indeed, is woman less brute than man. If by strength is meant moral power, then woman is immeasurably man's superior. Has she not greater intuition, is she not more self-sacrificing, has she not greater powers of endurance, has she not greater courage? Without her, man could not be. If nonviolence is the law of our being, the future is with woman. Who can make a more effective appeal to the heart than woman?" [To the Women of India (Young India, Oct. 4, 1930)]
Mahatma Gandhi
It was a blonde. A blonde to make a bishop kick a hole in a stained-glass window.
Raymond Chandler (Farewell, My Lovely (Philip Marlowe, #2))
The villains were always ugly in books and movies. Necessarily so, it seemed. Because if they were attractive—if their looks matched their charm and their cunning—they wouldn't only be dangerous. They would be irresistible.
Nenia Campbell (Horrorscape (Horrorscape, #2))
You know how it is - some hot guys don't make your hormones go crazy, while some unattractive guys have massive sex appeal. This guy had it all.
Sylvia Day (Bared to You (Crossfire, #1))
You should shower," I said. "Right now." "I smell that bad?" Actually, he smelled that good.
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
He's hot like, the kind of hot that makes you stop walking on the street and get hit by traffic.
Richelle Mead (Frostbite (Vampire Academy, #2))
He looks like a runway model. How in the world am I going to be able to reject that? The world is so unfair. Seriously, it's like turning Brad Pitt down for a date. The girl who could actually do it should win an award for idiot of the century.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
These jeans looked so good on me when I looked in the mirror I wanted to fuck myself.
Pete Wentz
I have often said that I wish I had invented blue jeans: the most spectacular, the most practical, the most relaxed and nonchalant. They have expression, modesty, sex appeal, simplicity - all I hope for in my clothes.
Yves Saint-Laurent
And it struck me then, that I liked Sean because he looked, well, slutty. A boy who had been around. A boy who couldn't remember if he was Catholic or not.
Bret Easton Ellis (The Rules of Attraction)
It's like Brad Pitt for us. You might not like blond men with pretty features, but c'mon, it's Brad. You're not going to kick him out of bed for eating crackers.
Emily Giffin
Uncompromising purpose and the search for eternal truth have an unquestionable sex appeal for the young and high-minded; but when a person loses the ability to take pleasure in the mundane--in the cigarette on the stoop or the gingersnap in the bath--she had probably put herself in unnecessary danger.
Amor Towles (Rules of Civility)
They’ve got as much sex appeal as a road accident.
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
She's got no charisma of any kind [but] I can imagine her being mildly useful to a low-rank porn director.
Christopher Hitchens
Sex has become more and more attractive because of its condemnation by priests
Osho
Have I mentioned how hot Michael is? Hot, hot, hot. I mean, all guitar players are crushworthy - it's like it's issued with the talent - but I've been noticing lately that he is total Hottie McHottie of Hotland. Not that I could tell him that. Luckily, he is a boy. Hence, too dense to figure out why I'm staring at his ass.
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
It should've been illegal for a man to walk around like that without some sort of permit.
Julie James (Something About You (FBI/US Attorney, #1))
The number one job of the dominant is to continually seduce consent from the bottom.
Joseph Bean
Seduce yourself first.
Kamand Kojouri
The cuter the boy, the mushier your brain.
Jeanne Birdsall (The Penderwicks: A Summer Tale of Four Sisters, Two Rabbits, and a Very Interesting Boy (The Penderwicks, #1))
Never be afraid to be sexy!
Alysha Speer
[novan]: bassists are very good with their fingers [novan]: and some of us sing backup vocals, so that means we're good with our mouths too... (~ IM chat with Novan Chang, 18, bassist)
Jess C. Scott (EyeLeash: A Blog Novel)
He rewarded me with one of those brilliant smiles. If I had been less professional, it might have melted me into my socks. There was a tinge of evil to it, a lot of sex, but under that was a little boy peeking out, an uncertain little boy. That was it. That was the attraction. Nothing is more appealing than a handsome man who is also uncertain of himself. It appeals not only to the woman in us all, but the mother. A dangerous combination.
Laurell K. Hamilton (Guilty Pleasures (Anita Blake, Vampire Hunter, #1))
Sex appeal is something that you feel deep down inside. It’s suggested rather than shown. I’m not as well-stacked as Sophia Loren or Gina Lollobrigida, but there is more to sex appeal than just measurements. I don’t need a bedroom to prove my womanliness. I can convey just as much sex appeal, picking apples off a tree or standing in the rain.
Audrey Hepburn
Sex appeal is 50% what you’ve got, and 50% what people think you’ve got.” —SOPHIA LOREN
Sherry Argov (Why Men Love Bitches: From Doormat to Dreamgirl-A Woman's Guide to Holding Her Own in a Relationship)
Most people see the problem of love primarily as that of being loved , rather than that of loving , of one's capacity to love. Hence the problem to them is how to be loved, how to be lovable. In pursuit of this aim they follow several paths. One, which is especially used by men, is to be successful, to be as powerful and rich as the social margin of one's position permits. Another, used especially by women, is to make oneself attractive, by cultivating one's body, dress, etc. .... Many of the ways to make oneself lovable are the same as those used to make oneself successful, to 'win friends and influence people'. As a matter of fact, what most people in our culture mean by being lovable is essentially a mixture between being popular and having sex appeal.
Erich Fromm (The Art of Loving)
Sweet weeping baby Jesus he has a six-pack to beat all six-packs!
P.C. Cast (Warrior Rising (Goddess Summoning, #6))
Yet I liked him too much… way too much, and I ripped him out of my heart so it wouldn’t get to hurt me more than it did. Oh, he’s magnetic, he’s charming; you could fall into his eyes. Let’s face it: his sex appeal was unbearably strong. I wanted to know him—- the thoughts, the ideas behind the handsome, confident, wisecracking mask… then the friction increased, centered. His nearness was electric in itself. ‘Can’t you see,’ he said. ‘I want to kiss you.’ So he kissed me, hungrily, his eyes shut, his hand warm, curved burning into my stomach. ‘I wish I hated you,’ I said
Sylvia Plath
I narrowed my eyes at it. Ming-de’s little gift, I assumed. “You look better in color,” I snapped. He sent me a sultry look over his shoulder. “Really? Most women think I look better in nothing at all.
Karen Chance (Embrace the Night (Cassandra Palmer, #3))
A woman's uniqueness is her greatest appeal to a man - and his greatest challenge.
Edwin Louis Cole (Communication Sex And Money)
What would you like to do with my neck?’ I asked. ‘Seduce me with your words. Feel free.
James Lusarde (The Train of Arousal)
His voice was like soothing melted chocolate. I wanted him to ooze his lovely voice all over my naked body.
James Lusarde (The Train of Arousal)
Physical attraction that strong is addictive. And knowing that kind of magic isn’t just a fantasy makes me want to find it again. But what about being with someone who makes me a better person? What about sharing my life with someone who adores me as much as I adore him, whom I can always count on, who helps me find my way when I’m lost?
Susane Colasanti (So Much Closer)
I had to admit the man looked amazing in jeans. The ancient denim clung lightly to his hips and followed the long lines of some remarkable thigh muscles. And although I made a point of not checking out his rear view, my peripheral vision was having a very good day.” ~ Haven Travis on Hardy Cates
Lisa Kleypas (Blue-Eyed Devil (Travises, #2))
I don't know what sex appeal is. I don't think you can have sex appeal knowingly. The people who seduce me personally are the people who seem not to know they're seductive, and not to know they have sex appeal.
Omar Sharif
Several of the girls at the party had had sex, something which sounded appealing but only if it could happen with blindfolds in a time warp plus amnesia
Aimee Bender (The Particular Sadness of Lemon Cake)
Michael was still an enigma, wrapped in a riddle, coated in yum. Only now the enigma was a little less mysterious; I was a few clues closer to solving the riddle - but damn, that man would always be coated in yum.
Lisa Shearin (The Trouble with Demons (Raine Benares #3))
He lifted his head, the sight of his dark, disheveled hair, eyes glinting with longing in the lamp light, the gorgeous spread of his shoulders, tapering down to the narrow thrust of his hips, made my ovaries ache deep in my belly.
Emme Rollins (Dear Rockstar (Dear Rockstar, #1))
Oh, God. I'm in big trouble. Because I'm staring. I can't keep my eyes from ogling his chiseled triceps and biceps and every other "eps ' he has. The butterflies in my stomach have just multiplied tenfold as my wandering gaze meets his.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Sex parties, alcohol and drugs lost their appeal to Sven after a while. Music never did, in his continual search for that sober connection--intimacy with one person over a long period of time, as opposed to periods of intimacy with a bunch of random faces.
Jess C. Scott (Sven (Naked Heat #2))
...What’s the one superpower of June Elbus?” I thought about myself from head to toe. It was like being forced to read the most boring part of the Sears catalog. Like leafing through the bathroom accessories pages. Boring brain. Boring face. No sex appeal. Clumsy hands. “Heart. Hard heart,” I said, not sure where it came from. “The hardest heart in the world.” “Hmmm,” Toby said, tapping a finger in the air. “That’s a useful one, you know. Very handy. The question is . . .” Toby paused like he was considering this all very seriously. “What’s the question?” “The question is, stone or ice? Crack or melt?
Carol Rifka Brunt (Tell the Wolves I'm Home)
The gentlemen like it when a lady smells sweet.
Bertrice Small (Lost Love Found (O'Malley Saga, #5))
All masculine, hard-bodied and sensual, he was a deadly weapon sent by the gods to drive women mad, and a walking billboard for all things wicked and carnal. Orgasms! Get your orgasms here. Hot and juicy! Just how you like ‘em!
Lisa Sanchez (Eve of Samhain (Hanaford Park, #1))
Why is being an unmarried woman something that we should be ashamed of, as if we’ve failed? Men don’t feel this way. When they haven’t married, they make it sound like they’ve gotten away with something. Their single status makes them even more appealing to the other sex.
Eileen Cook (Unpredictable)
But I don't care what Megan Fox or Jessica Biel say: There are definite advantages to being the hottest girl on the planet. Number one was that I got paid for it. A lot.
Meg Cabot (Runaway (Airhead, #3))
Women were gravitating towards him from all directions like a planetary orbit. (Zoe on meeting Justus)
Dannika Dark (Sterling (Mageri, #1; Mageriverse #1))
I can't believe Gram just said sex appeal.
Jandy Nelson (The Sky Is Everywhere)
Cute? You think he's cute? What's cute about him? ... Well, yes. He's got that smile, that really bad boy smile, and a great backside. On page eighty of the relationship manual, it clearly states, you cannot look at another man's backside, especially if you think it's great.
Christine Feehan (Mind Game (GhostWalkers, #2))
A man's love for a woman is not defined by his availability in bed, but by every ingredient he adds to improve the taste of the relationship.
Michael Bassey Johnson
I smile at you, hinting at the pleasures ahead, and silently point to the zip at the back of my dress…
James Lusarde (The Apartment of Sex)
There was a tinge of evil to it, a lot of sex, but under that was a little boy peeking out, an uncertain little boy. That was it. That was the attraction. Nothing is more appealing than a handsome man who is also uncertain of himself.
Laurell K. Hamilton (Guilty Pleasures (Anita Blake, Vampire Hunter, #1))
She approached me with enough sex appeal to stampede a businessmen’s lunch and tilted her head to finger a stray, but not very stray, tendril of softly glowing hair. Her smile was tentative, but could be persuaded to be nice.
Raymond Chandler (The Big Sleep (Philip Marlowe, #1))
It was like he'd sprung fully-formed from my eighteen-year-old fantasies, the hot History teacher who just couldn't help himself.
Abigail Barnette (The Boss (The Boss, #1))
The things she could do with her mouth would blow any man off course.
Tiffany Reisz (The Mistress (The Original Sinners, #4))
It was here that the thaum, hitherto believed to be the smallest possible particle of magic, was succesfully demonstrated to be made up of /resons/ (Lit.: 'Thing-ies') or reality fragments. Currently research indicates that each reson is itself made up of a combination of at least five 'flavours', known as 'up', 'down', 'sideways', 'sex appeal' and 'peppermint'.
Terry Pratchett (Lords and Ladies (Discworld, #14; Witches, #4))
There was an art to the male posterior. That's all there was to it.
Sarah Addison Allen (Garden Spells (Waverley Family, #1))
But just because you’re attracted to someone doesn’t mean it’s a good idea to act on it. The road to hell is paved with attractive men who radiate sex appeal and look like models from a Polo ad campaign. Or something like that.
Jana Aston (Right (Wrong #2))
Sexual intimacy is not the destination, it is the path - the path that leads to mental union.
Abhijit Naskar (Either Civilized or Phobic: A Treatise on Homosexuality)
Our personal identities are socially situated. We are where we live, eat, work, and make love. [...] Our sense of identity is in large measure conferred on us by others in the ways they treat or mistreat us, recognize or ignore us, praise us or punish us. Some people make us timid and shy; others elicit our sex appeal and dominance. In some groups we are made leaders, while in others we are reduced to being followers. We come to live up to or down to the expectations others have of us. The expectations of others often become self-fulfilling prophecies. Without realizing it, we often behave in ways that confirm the beliefs others have about us. Those subjective beliefs create new realities for us. We often become who other people think we are, in their eyes and in our behavior.
Philip G. Zimbardo (The Lucifer Effect: Understanding How Good People Turn Evil)
Oh, we had a lot of sex back then in Montreal; it wasn’t just me. Blame it on the cold. The roses in everyone’s cheeks made them seem way more appealing than they actually were. We confused the indoors with intimacy and electric heating with connection.
Heather O'Neill (The Girl Who Was Saturday Night)
I know it's not strictly sex that accounts for my straying the motive usually attributed to men. I think it's just too tempting to have two lives rather than one. Some people think that too much travel begets infidelity: Separation and opportunity test the bonds of love. I think it's more likely that people who hate to make choices to settle on one thing or another are attracted to travel. Travel doesn't beget a double life. The appeal of the double life begets travel.
Elisabeth Eaves (Wanderlust: A Love Affair with Five Continents)
When I took my clothes off in Blue Velvet, I wanted to convey the brutality of sex abuse. I wanted to look like a quartered cow hanging in a butcher shop as well as disturbingly appealing.
Isabella Rossellini (Some of Me)
I've felt objectified and limited by my position in the world as a so-called sex symbol. I've capitalized on my body within the confines of a cis-hetero, capitalist, patriarchal world, one in which beauty and sex appeal are valued solely through the satisfaction of the male gaze.
Emily Ratajkowski (My Body)
I'd like to think they're staring at me because of my white-hot animal magnetism, but I'm not Elvis. I'm Lobster Boy, hear me roar.
Richard Kadrey (Kill the Dead (Sandman Slim, #2))
To a woman sexual intimacy is more a tool to get mentally close to her partner than merely a means to physical pleasure.
Abhijit Naskar (Either Civilized or Phobic: A Treatise on Homosexuality)
Sex is not just about going in or letting in, it is really about welcoming your dearly beloved into the deepest regions of your psyche which are inaccessible to anybody else.
Abhijit Naskar (Either Civilized or Phobic: A Treatise on Homosexuality)
A real woman can compliment and celebrate another woman's beauty, intelligence, passion, sex appeal, and creativity without compromise because a real woman understands that when she lifts her sisters up, it takes nothing away from her and she elevates herself in the process.
Elissa Gabrielle
The way you walk is slash and burn. Like understatement's now a crime.
Justin Quinn
Later I would come to believe that erotic ties were all a spell, a temporary psychosis, even a kind of violence, or at least they coexisted with these states. I noted that criminals as well as the insane tended to give off a palpable, vibrating allure, a kind of animal magnetism that kept them loved by someone. How else could they survive at all? Someone had to hide them from the authorities! Hence the necessity and prevalence of sex appeal for people who were wild and on the edge.
Lorrie Moore
I’m well aware that this—that I—am the first man to ever do this to her. And yes, as a guy, that fact makes it even better. You know who Neil Armstrong is, don’t you? Now tell me who the second guy was. Hell, tell me any other guy you know who made it to the moon after him. You can’t, can you? That’s why this is such a rush. She’ll never forget this. She’ll always remember…me. Maybe that’s chauvinistic and egotistical, but it’s the truth. -Drew Evans
Emma Chase (Tangled (Tangled, #1))
Treat cultural messages about sex and your body like a salad bar. Take only the things that appeal to you and ignore the rest. We’ll all end up with a different collection of stuff on our plates, but that’s how it’s supposed to work. It goes wrong only when you try to apply what you picked as right for your sexuality to someone else’s sexuality.
Emily Nagoski (Come as You Are: The Surprising New Science that Will Transform Your Sex Life)
The reality of sex is that every lover you take has a very distinct way of loving you up. They might be able to dabble into other realms of sexuality, but only as a tourist.
Roberto Hogue (Real Secrets of Sex: A Women's Guide on How to Be Good in Bed)
Any self respecting Scot knows that a good tartan is the solution to everything: it tells you where you are, where you belong, who your friends and family are. Forget the Vikings: those guys just can"t hold a candle to a delicious battle-weary warrior whose fighting skills and wicked sex appeal have spawned a thousand Scottish heartthrobs.
Trisha Telep (The Mammoth Book of Scottish Romance)
She was tipping her head back to inquire, when two men entered the great hall and the question flew right out of her head. They were simply two of the most gorgeous men she'd ever seen. Twins, though different. They were both tall and powerfully built. One was taller by a few inches, with dark hair that swept just past his shoulders and eyes like shard of silver and ice while the other had long black hair falling in a single braid to his waist, and eyes as gold as Adam's torque. They were elegantly dressed in tailored clothing of dark hues, with magnificent bodies that dripped with raw sex appeal. Oh, my, she marveled, they don't amek men like these in the States. Were these typical Scotsmen? If so, she was going to have to get Elizabeth over here somehow. A connoisseur of romance novels, Elizabeth's favorites were the Scottish ones, and these two men looked as if they'd just stepped straight off one of those covers. "Try not to gape, ka-lyrra. They're only human. Mortal. Puny. And married. Both of them. Happily.
Karen Marie Moning (The Immortal Highlander (Highlander, #6))
She felt the cold blast from the sterile air conditioning on her bare arms and thighs, as she ambled down the center of the shopping complex's ground floor. The scene was a swirl of candy bright lights--the Victoria's Secret fuchsia signboard, signboards which lured one to purchase "confidence," or "sexual appeal," or whatever it was that was being advertised--the fluorescent lights in each store, contrasting with the shiny, black-tiled walls and eye-catching speckled marble tiles on the ground. One could lick the floor--the tiles were spotless, clean like the fake air she was breathing in, like the atoms and cells in her that were decaying in stale neglect.
Jess C. Scott (Jack in the Box)
Her taste still teased my tongue, and her touch tipped my fingers. Her smile licked my lips, and her heart beat my own. So I tugged on her sheets, like it was a cape. To me, she was a God damned super hero, and underneath, was everything I need. Her super powers on top of me.
J. Raymond
Pantaloons were often worn tight as paint and were not a great deal less revealing, particularly as they were worn without underwear. . . . Jackets were tailored with tails in the back, but were cut away in front so that they perfectly framed the groin. It was the first time in history that men's apparel was consciously designed to be more sexy than women's.
Bill Bryson (At Home: A Short History of Private Life)
The interplay of the aesthetic with the erotic is complex. The peacock's tail is beautiful to us, sexy to the peahen. Beauty and sexual attractiveness overlap, coincide. They may be deeply related. I think they should not be confused.
Ursula K. Le Guin (The Wave in the Mind: Talks and Essays on the Writer, the Reader and the Imagination)
Beauty is not the goal of competitive sports, but high-level sports are a prime venue for the expression of human beauty. The relation is roughly that of courage to war. The human beauty we're talking about here is beauty of a particular type; it might be called kinetic beauty. Its power and appeal are universal. It has nothing to do with sex or cultural norms. What it seems to have to do with, really, is human beings' reconciliation with the fact of having a body.
David Foster Wallace (Both Flesh and Not: Essays)
Teenage Turn-Ons As played by Robert Pattinson in the Twilight Saga movies, Edward has a certain physical sex appeal thanks in part to the the actor's handsome features. but the appeal in both the movies and the novels has nothing to do with a bad-boy energy that so often translates into sexiness because, really, even when he's full-out vamp, there isn't that much of a bad boy to be found in his character. Curiously, the sexiness of the vampire Edward comes from his safeness. He is the ultimate fantasy man. Described in overly ripe prose, his physical perfection is glorious. He might be a little cool to the touch-but gosh! Look at him! He's youthful, with a perfect body, or the sort of man found in the pages of a million romance novels. And most important, he will do what ever it takes to keep his beloved Bella safe, whether the danger comes from the world or himself.
Laura Enright (Vampires' Most Wanted: The Top 10 Book of Bloodthirsty Biters, Stake-wielding Slayers, and Other Undead Oddities)
But one night near the end, as I was sitting at his bedside trying to entertain him with an anecdote about some nincompoop with whom I worked, out of the blue he shared a reflection which seemed such a non sequitur that I attributed it to delirium. Whatever setbacks he had faced in his life, he said, however daunting or dispiriting the unfolding of events, he always knew that he would make it through, as long as when he woke in the morning he was looking forward to his first cup of coffee. Only decades later would I realize that he had been giving me a piece of advice. Uncompromising purpose and the search for eternal truth have an unquestionable sex appeal for the young and high-minded; but when a person loses the ability to take pleasure in the mundane—in the cigarette on the stoop or the gingersnap in the bath—she has probably put herself in unnecessary danger. What my father was trying to tell me, as he neared the conclusion of his own course, was that this risk should not be treated lightly: One must be prepared to fight for one’s simple pleasures and to defend them against elegance and erudition and all manner of glamorous enticements.
Amor Towles (Rules of Civility)
Now I'll never see him again, and maybe it's a good thing. He walked out of my life last night for once and for all. I know with sickening certainty that it's the end. There were just those two dates we had, and the time he came over with the boys, and tonight. Yet I liked him too much - - - way too much, and I ripped him out of my heart so it wouldn't get to hurt me more than it did. Oh, he's magnetic, he's charming; you could fall into his eyes. Let's face it: his sex appeal was unbearably strong. I wanted to know him - - - the thoughts, the ideas behind the handsome, confident, wise-cracking mask. "I've changed," he told me. "You would have liked me three years ago. Now I'm a wiseguy." We sat together for a few hours on the porch, talking, and staring at nothing. Then the friction increased, centered. His nearness was electric in itself. "Can't you see," he said. "I want to kiss you." So he kissed me, hungrily, his eyes shut, his hand warm, curved burning into my stomach. "I wish I hated you," I said. "Why did you come?" "Why? I wanted your company. Alby and Pete were going to the ball game, and I couldn't see that. Warrie and Jerry were going drinking; couldn't see that either." It was past eleven; I walked to the door with him and stepped outside into the cool August night. "Come here," he said. "I'll whisper something: I like you, but not too much. I don't want to like anybody too much." Then it hit me and I just blurted, "I like people too much or not at all. I've got to go down deep, to fall into people, to really know them." He was definite, "Nobody knows me." So that was it; the end. "Goodbye for good, then," I said. He looked hard at me, a smile twisting his mouth, "You lucky kid; you don't know how lucky you are." I was crying quietly, my face contorted. "Stop it!" The words came like knife thrusts, and then gentleness, "In case I don't see you, have a nice time at Smith." "Have a hell of a nice life," I said. And he walked off down the path with his jaunty, independent stride. And I stood there where he left me, tremulous with love and longing, weeping in the dark. That night it was hard to get to sleep.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
Hobbes: "Whatcha doin'?" Calvin: "Getting rich!" Hobbes: "Really?" Calvin: "Yep. I'm writing a self-help book! There's a huge market for this stuff." Calvin: "First you convince people there's something wrong with them. That's easy because advertising has already conditioned people to feel insecure about their weight, looks, social status, sex appeal, and so on." Calvin: "Next, you convince them that the problem is not their fault and that they're victims of larger forces. That's easy, because it's what people believe anyway. Nobody wants to be responsible for his own situation." Calvin: "Finally, you convince them that with your expert advice and encouragement, they can conquer their problem and be happy." Hobbes: "Ingenious. What problem will you help people solve?" Calvin: "Their addiction to self-help books!" Calvin: "My book is called, "Shut up and stop whining: How to do something with your life besides think about yourself."" Hobbes: "You should probably wait for the advance before you buy anything." Calvin: "The trouble is... If my program works, I won't be able to write a sequel.
Bill Watterson (Calvin and Hobbes (Calvin and Hobbes, #1))
She'd stutter all the reasons why she shouldn't, shaking her head adamantly. But her body..her body would grow hot with excitement. She'd get wet at the thrill of it. So fucking wet that i'd smell her, telling me she's not even wearing panties to smother her spicy scent. When my hand touched hers, still clutched to her chest, she'd flinch but she wouldn't pull away. She'd let me guide it between her swollen breasts and down to her flat belly, brushing the bit of exposed skin where the hem of her shirt rides up. Then I'd let her fingers play with the jewel in her navel, manipulating each digit as if that diamond-studded barbell was her clit. Demonstrating how I would stroke it for her.
S.L. Jennings
Female competition is when you are with a guy you like and you look around, see that you're the prettiest girl in the vicinity and feel a huge sense of relief that there's no one to take the attention away from you. (Female competition is a result of women feeling like their greatest sense of self worth , identity and influence comes from their sexual appeal to men. Many women don't even realise they are feeling this way and it's a subconscious thing, but they notice themselves getting jealous when they see other women who they think men would find sexually appealing.)
Miya Yamanouchi (Embrace Your Sexual Self: A Practical Guide for Women)
As attentive readers may have noted, the standard narrative of heterosexual interaction boils down to prostitution: a woman exchanges her sexual services for access to resources. Maybe mythic resonance explains part of the huge box-office appeal of a film like Pretty Woman, where Richard Gere's character trades access to his wealth in exchange for what Julia Roberts's character has to offer (she plays a hooker with a heart of gold, if you missed it). Please note that what she's got to offer is limited to the aforementioned heart of gold, a smile as big as Texas, a pair of long, lovely legs, and the solemn promise that they'll open only for him from now on. The genius of Pretty Woman lies in making explicit what's been implicit in hundreds of films and books. According to this theory, women have evolved to unthinkingly and unashamedly exchange erotic pleasure for access to a man's wealth, protection, status, and other treasures likely to benefit her and her children.
Christopher Ryan (Sex at Dawn: The Prehistoric Origins of Modern Sexuality)
what is the expression which the age demands? the age demands no expression whatever. we have seen photographs of bereaved asian mothers. we are not interested in the agony of your fumbled organs. there is nothing you can show on your face that can match the horror of this time. do not even try. you will only hold yourself up to the scorn of those who have felt things deeply. we have seen newsreels of humans in the extremities of pain and dislocation. you are playing to people who have experienced a catastrophe. this should make you very quiet. speak the words, convey the data, step aside. everyone knows you are in pain. you cannot tell the audience everything you know about love in every line of love you speak. step aside and they will know what you know because you know it already. you have nothing to teach them. you are not more beautiful than they are. you are not wiser. do not shout at them. do not force a dry entry. that is bad sex. if you show the lines of your genitals, then deliver what you promise. and remember that people do not really want an acrobat in bed. what is our need? to be close to the natural man, to be close to the natural woman. do not pretend that you are a beloved singer with a vast loyal audience which has followed the ups and downs of your life to this very moment. the bombs, flame-throwers, and all the shit have destroyed more than just the trees and villages. they have also destroyed the stage. did you think that your profession would escape the general destruction? there is no more stage. there are no more footlights. you are among the people. then be modest. speak the words, convey the data, step aside. be by yourself. be in your own room. do not put yourself on. do not act out words. never act out words. never try to leave the floor when you talk about flying. never close your eyes and jerk your head to one side when you talk about death. do not fix your burning eyes on me when you speak about love. if you want to impress me when you speak about love put your hand in your pocket or under your dress and play with yourself. if ambition and the hunger for applause have driven you to speak about love you should learn how to do it without disgracing yourself or the material. this is an interior landscape. it is inside. it is private. respect the privacy of the material. these pieces were written in silence. the courage of the play is to speak them. the discipline of the play is not to violate them. let the audience feel your love of privacy even though there is no privacy. be good whores. the poem is not a slogan. it cannot advertise you. it cannot promote your reputation for sensitivity. you are students of discipline. do not act out the words. the words die when you act them out, they wither, and we are left with nothing but your ambition. the poem is nothing but information. it is the constitution of the inner country. if you declaim it and blow it up with noble intentions then you are no better than the politicians whom you despise. you are just someone waving a flag and making the cheapest kind of appeal to a kind of emotional patriotism. think of the words as science, not as art. they are a report. you are speaking before a meeting of the explorers' club of the national geographic society. these people know all the risks of mountain climbing. they honour you by taking this for granted. if you rub their faces in it that is an insult to their hospitality. do not work the audience for gasps ans sighs. if you are worthy of gasps and sighs it will not be from your appreciation of the event but from theirs. it will be in the statistics and not the trembling of the voice or the cutting of the air with your hands. it will be in the data and the quiet organization of your presence. avoid the flourish. do not be afraid to be weak. do not be ashamed to be tired. you look good when you're tired. you look like you could go on forever. now come into my arms. you are the image of my beauty.
Leonard Cohen (Death of a Lady's Man)
the six of us are supposed to drive to the diner in Hastings for lunch. But the moment we enter the cavernous auditorium where the girls told us to meet them, my jaw drops and our plans change. “Holy shit—is that a red velvet chaise lounge?” The guys exchange a WTF look. “Um…sure?” Justin says. “Why—” I’m already sprinting toward the stage. The girls aren’t here yet, which means I have to act fast. “For fuck’s sake, get over here,” I call over my shoulder. Their footsteps echo behind me, and by the time they climb on the stage, I’ve already whipped my shirt off and am reaching for my belt buckle. I stop to fish my phone from my back pocket and toss it at Garrett, who catches it without missing a beat. “What is happening right now?” Justin bursts out. I drop trou, kick my jeans away, and dive onto the plush chair wearing nothing but my black boxer-briefs. “Quick. Take a picture.” Justin doesn’t stop shaking his head. Over and over again, and he’s blinking like an owl, as if he can’t fathom what he’s seeing. Garrett, on the other hand, knows better than to ask questions. Hell, he and Hannah spent two hours constructing origami hearts with me the other day. His lips twitch uncontrollably as he gets the phone in position. “Wait.” I pause in thought. “What do you think? Double guns, or double thumbs up?” “What is happening?” We both ignore Justin’s baffled exclamation. “Show me the thumbs up,” Garrett says. I give the camera a wolfish grin and stick up my thumbs. My best friend’s snort bounces off the auditorium walls. “Veto. Do the guns. Definitely the guns.” He takes two shots—one with flash, one without—and just like that, another romantic gesture is in the bag. As I hastily put my clothes back on, Justin rubs his temples with so much vigor it’s as if his brain has imploded. He gapes as I tug my jeans up to my hips. Gapes harder when I walk over to Garrett so I can study the pictures. I nod in approval. “Damn. I should go into modeling.” “You photograph really well,” Garrett agrees in a serious voice. “And dude, your package looks huge.” Fuck, it totally does. Justin drags both hands through his dark hair. “I swear on all that is holy—if one of you doesn’t tell me what the hell just went down here, I’m going to lose my shit.” I chuckle. “My girl wanted me to send her a boudoir shot of me on a red velvet chaise lounge, but you have no idea how hard it is to find a goddamn red velvet chaise lounge.” “You say this as if it’s an explanation. It is not.” Justin sighs like the weight of the world rests on his shoulders. “You hockey players are fucked up.” “Naah, we’re just not pussies like you and your football crowd,” Garrett says sweetly. “We own our sex appeal, dude.” “Sex appeal? That was the cheesiest thing I’ve ever—no, you know what? I’m not gonna engage,” Justin grumbles. “Let’s find the girls and grab some lunch
Elle Kennedy (The Mistake (Off-Campus, #2))
The problem is that moderates of all faiths are committed to reinterpreting, or ignoring outright, the most dangerous and absurd parts of their scripture—and this commitment is precisely what makes them moderates. But it also requires some degree of intellectual dishonesty, because moderates can’t acknowledge that their moderation comes from outside the faith. The doors leading out of the prison of scriptural literalism simply do not open from the inside. In the twenty-first century, the moderate’s commitment to scientific rationality, human rights, gender equality, and every other modern value—values that, as you say, are potentially universal for human beings—comes from the past thousand years of human progress, much of which was accomplished in spite of religion, not because of it. So when moderates claim to find their modern, ethical commitments within scripture, it looks like an exercise in self-deception. The truth is that most of our modern values are antithetical to the specific teachings of Judaism, Christianity, and Islam. And where we do find these values expressed in our holy books, they are almost never best expressed there. Moderates seem unwilling to grapple with the fact that all scriptures contain an extraordinary amount of stupidity and barbarism that can always be rediscovered and made holy anew by fundamentalists—and there’s no principle of moderation internal to the faith that prevents this. These fundamentalist readings are, almost by definition, more complete and consistent—and, therefore, more honest. The fundamentalist picks up the book and says, “Okay, I’m just going to read every word of this and do my best to understand what God wants from me. I’ll leave my personal biases completely out of it.” Conversely, every moderate seems to believe that his interpretation and selective reading of scripture is more accurate than God’s literal words. Presumably, God could have written these books any way He wanted. And if He wanted them to be understood in the spirit of twenty-first-century secular rationality, He could have left out all those bits about stoning people to death for adultery or witchcraft. It really isn’t hard to write a book that prohibits sexual slavery—you just put in a few lines like “Don’t take sex slaves!” and “When you fight a war and take prisoners, as you inevitably will, don’t rape any of them!” And yet God couldn’t seem to manage it. This is why the approach of a group like the Islamic State holds a certain intellectual appeal (which, admittedly, sounds strange to say) because the most straightforward reading of scripture suggests that Allah advises jihadists to take sex slaves from among the conquered, decapitate their enemies, and so forth.
Sam Harris (Islam and the Future of Tolerance: A Dialogue)
There were twenty-three females on the Keltar estate--not counting Gwen, Chloe, herself, or the cat--Gabby knew, because shortly after Adam had become visible last night, she'd met each and every one, from tiniest tot to tottering ancient. It had begun with a plump, thirtyish maid popping in to pull the drapes for the evening and inquire if the MacKeltars "were wishing aught else?" The moment her bespectacled gaze had fallen on Adam, she'd begun stammering and tripping over her own feet. It had taken her a few moments to regain a semblance of coordination, but she'd managed to stumble from the library, nearly upsetting a lamp and a small end table in her haste. Apparently it had been haste to alert the forces, for a veritable parade had ensued: a blushing curvaceous maid had come offering a warm-up of tear (they'd not been having any), followed by a giggling maid seeking a forgotten dust cloth (which--was anyone surprised?--was nowhere to be found), then a third one looking for a waylaid broom (yeah, right--they swept castles at midnight in Scotland--who believed that?), then a fourth, fifth, and sixth inquiring if the Crystal Chamber would do for Mr. Black (no one seemed to care what chamber might do for her; she half-expected to end up in an outbuilding somewhere). A seventh, eighth, and ninth had come to announce that his chamber was ready would he like an escort? A bath drawn? Help undressing? (Well, okay, maybe they hadn't actually asked the last, but their eyes certainly had.) Then a half-dozen more had popped in at varying intervals to say the same things over again, and to stress that they were there to provide "aught, aught at all Mr. Black might desire." The sixteenth had come to extract two tiny girls from Adam's lap over their wailing protests (and had stayed out of his lap herself only because Adam had hastily stood), the twenty-third and final one had been old enough to be someone's great-great-grandmother, and even she'd flirted shamelessly with the "braw Mr. Black," batting nonexistent lashes above nests of wrinkles, smoothing thin white hair with a blue-veined, age-spotted hand. And if that hadn't been enough, the castle cat, obviously female and obviously in heat, had sashayed in, tail straight up and perkily curved at the tip, and would her furry little self sinuously around Adam's ankles, purring herself into a state of drooling, slanty-eyed bliss. Mr. Black, my ass, she'd wanted to snap (and she liked cats, really she did; she'd certainly never wanted to kick one before, but please--even cats?), he's a fairy and I found him, so that him my fairy. Back off.
Karen Marie Moning (The Immortal Highlander (Highlander, #6))