Sex And The City Samantha Quotes

We've searched our database for all the quotes and captions related to Sex And The City Samantha. Here they are! All 11 of them:

Always look like you know where you're going, even when you don't
Candace Bushnell (Summer and the City)
I don't believe in the Republican party or the Democratic party. I just believe in parties.
Samantha Jones
I’m a realist. Just because you had sex once doesn’t mean you have to fall in love.
Candace Bushnell (Summer and the City (The Carrie Diaries, #2))
But in finding meaning, Reese would argue--despite the changes wrought by feminism--women still found themselves with only four major options to save themselves, options represented by the story arcs of the four female characters of Sex in the City. Find a partner, and be a Charlotte. Have a career, and be a Samantha. Have a baby, and be a Miranda. Or finally, express oneself in art or writing, and be a Carrie. Every generation of women reinvented this formula over and over, Reese believed, blending it and twisting it, but never quite escaping it.
Torrey Peters (Detransition, Baby)
I never met a man who was bad in bed and was good at life.
Samantha *
Did we wander onto the set of Sex and the City? If so, I’m Samantha. Called it.
Sarina Bowen (Him (Him, #1))
I really liked it.” She covers her mouth in horror. “If I like sex, do you think it means I can’t be a feminist?” “No.” I shake my head. “Because being a feminist -- I think it means being in charge of your sexuality. You decide who you want to have sex with. It means not trading your sexuality for… other things.” “Like marrying some gross guy who you’re not in love with just so you can have a nice house with a picket fence.” “Or marrying a rich old geezer. Or a guy who expects you to cook him dinner every night and take care of the children,” I say, thinking of Samantha. “Or a guy who makes you have sex with him whenever he wants, even if you don’t,” Miranda concludes. We look at each other in triumph, as if we’ve finally solved one of the world’s great problems.
Candace Bushnell (Summer and the City (The Carrie Diaries, #2))
One day in the next five hundred billion years, while the probes complete one full circuit of the Milky Way, maybe they’ll stumble upon intelligent life. In forty thousand years or so, when the two probes sail close enough to a planetary system, maybe just maybe one of these plants will be home to some life form which will spy the probe with whatever it has that passes for eyes, stay its telescope, retrieve the derelict fuel-less old probe with whatever it has that passes for curiosity, lower the stylus (supplied) to the record with whatever it has that passes for digits, and set free the dadadadaa of Beethoven’s Fifth. It’ll roll like thunder through a different frontier. Human music will permeate the Milky Way’s outer reaches. There’ll be Chuck Berry and Bach, there’ll be Stravinsky and Blind Willie Johnson, and the didgeridoo, violin, slide guitar and shakuhachi. Whale song will drift through the constellation of Ursa Minor. Perhaps a being on a planet of the star AC +793888 will hear the 1970s recording of sheep bleat, laughter, footsteps, and the soft pluck of a kiss. Perhaps they’ll hear the trundle of a tractor and the voice of a child. When they hear on the phonograph a recording of rapid firecracker drills and bursts, will they know that these sounds denote brainwaves? Will they ever infer that over forty thousand years before in a solar system unknown a woman was rigged to an EEG and her thoughts recorded? Could they know to work backwards from the abstract sounds and translate them once more into brainwaves, and could they know from these brainwaves the kinds of thoughts the woman was having? Could they see into a human’s mind? Could they know she was a young woman in love? Could they tell from this dip and rise in the EEG’s pattern that she was thinking simultaneously of earth and lover as if the two were continuous? Could they see that, though she tried to keep her mental script, to bring to mind Lincoln and the Ice Age and the hieroglyphs of ancient Egypt and whatever grand things have shaped the earth and which she wished to convey to an alien audience, every thought cascaded into the drawn brows and proud nose of her lover, the wonderful articulation of his hands and the way he listened like a bird and how they had touched so often without touching. And then a spike in sound as she thought of that great city Alexandria and of nuclear disarmament and the symphony of the earth’s tides and the squareness of his jaw and the way he spoke with such bright precision so that everything he said was epiphany and discovery and the way he looked at her as though she were the epiphany he kept on having and the thud of her heart and the flooding how heat about her body when she considered what it was he wanted to do to her and the migration of bison across a Utah plain and a geisha’s expressionless face and the knowledge of having found that thing in the world which she ought never to have had the good fortune of finding, of two minds and bodies flung at each other at full dumbfounding force so that her life had skittered sidelong and all her pin-boned plans just gone like that and her self engulfed in a fire of longing and thoughts of sex and destiny, the completeness of love, their astounding earth, his hands, his throat, his bare back.
Samantha Harvey (Orbital)
On the other hand, it seemed to be working. For Samantha, anyway. And in comparison, my own relationship with Bernard was sorely lacking. Not only in sex, but in the simple fact that I still wasn’t sure I was ever going to see him again. I guess the best thing about living with a guy is that you know you’re going to see him again. I mean, he has to come home at some point, right?
Candace Bushnell (Summer and the City (The Carrie Diaries, #2))
Clara, Livia, and Palmina strode toward the entrance, shoulders back, looking not unlike the women of Sex and the City after Samantha left and Miranda became a lesbian.
Steven Rowley (The Guncle Abroad (The Guncle, #2))
Oh, honey," I say in false tones of concern to the sheepish-looking man, sounding extraordinarily like Samantha from Sex and the City. "No one likes a spitter. You need to learn to swallow." I lick my lips lasciviously.
Elle Field (Kept (Arielle Lockley, #1))