Severe Mercy Quotes

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God never witholds from His child that which His love and wisdom call good. God's refusals are always merciful -- "severe mercies" at times but mercies all the same. God never denies us our hearts desire except to give us something better.
Elisabeth Elliot
There's a fine edge to new grief, it severs nerves, disconnects reality--there's mercy in a sharp blade. Only with time, as the edge wears, does the real ache begin.
Christopher Moore
There's release in knowing the truth no matter how anguishing it is. You come finally to the irreducible thing, and there's nothing left to do but pick it up and hold it. Then, at last, you can enter the severe mercy of acceptance.
Sue Monk Kidd (The Mermaid Chair)
It's impossible to be the Mockingjay. Impossible to complete even this one sentence. Because now I know that everything I say will be directly taken out on Peeta. Result in his torture. But not his death, no, nothing so merciful as that. Snow will ensure that his life is much more worse than death. "Cut," I hear Cressida say quietly. "What's wrong with her?" Plutarch says under his breath. "She's figured out how Snow's using Peeta," says Finnick. There's something like a collective sigh of regret from that semicircle of people spread out before me. Because I know this now. Because there will never be a way for me to not know this again. Because, beyond the military disadvantage losing a entails, I am broken. Several sets of arms would embrace me. But in the end, the only person I truly want to comfort me is Haymitch, because he loves Peeta, too. I reach out for him and say something like his name and he's there, holding me and patting my back. "It's okay. It'll be okay, sweetheart." He sits me on a length of broken marble pillar and keeps an arm around me while I sob. "I can't do this anymore," I say. "I know," he says.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
It is, I think, that we are all so alone in what lies deepest in our souls, so unable to find the words, and perhaps the courage to speak with unlocked hearts, that we don't know at all that it is the same with others.
Sheldon Vanauken (A Severe Mercy: A Story of Faith, Tragedy, and Triumph)
There is a level of grief so deep that it stops resembling grief at all. The pain becomes so severe that the body can no longer feel it. The grief cauterizes itself, scars over, prevents inflated feeling. Such numbness is a kind of mercy.
Elizabeth Gilbert (The Signature of All Things)
That death, so full of suffering for us both, suffering that still overwhelmed my life, was yet a severe mercy. A mercy as severe as death, a severity as merciful as love.
Sheldon Vanauken (A Severe Mercy: A Story of Faith, Tragedy, and Triumph)
The rapt pupil will be forgiven for assuming the Tsar of Death to be wicked and the Tsar of Life to be virtuous. Let the truth be told: There is no virtue anywhere. Life is sly and unscrupulous, a blackguard, wolfish, severe. In service to itself, it will commit any offense. So, too, is Death possessed of infinite strategies and a gaunt nature- but also mercy, also grace and tenderness. In his own country, Death can be kind.
Catherynne M. Valente (Deathless)
I can't explain that, except to say there's release in knowing the truth no matter how anguishing it is. You come finally to the irreducible thing, and there's nothing left to do but pick it up and hold it. Then, at least, you can enter the severe mercy of acceptance.
Sue Monk Kidd (The Mermaid Chair)
If it's half as good as the half we've known, here's Hail! to the rest of the road.
Sheldon Vanauken (A Severe Mercy: A Story of Faith, Tragedy, and Triumph)
A man in the jungle at night, as someone said, may suppose a hyena's growl to be a lion's; but when he hears the lion's growl, he knows damn well it's a lion.
Sheldon Vanauken (A Severe Mercy: A Story of Faith, Tragedy, and Triumph)
To believe with certainty, somebody said, one has to begin by doubting.
Sheldon Vanauken (A Severe Mercy: A Story of Faith, Tragedy, and Triumph)
Goodness & love are as real as their terrible opposites, and, in truth, far more real, though I say this mindful of the enormous evils... But love is the final reality; and anyone who does not understand this, be he writer or sage, is a man flawed of wisdom.
Sheldon Vanauken (A Severe Mercy: A Story of Faith, Tragedy, and Triumph)
Between the probable and proved there yawns A gap. Afraid to jump, we stand absurd, Then see behind us sink the ground and, worse, Our very standpoint crumbling. Desperate dawns Our only hope: to leap into the Word That opens up the shuttered universe.
Sheldon Vanauken (A Severe Mercy: A Story of Faith, Tragedy, and Triumph)
I thought of several alec smart remarks, but you should humor crazy people when you're at their mercy; it's a rule.
Laurell K. Hamilton (Narcissus in Chains (Anita Blake, Vampire Hunter, #10))
When we first fell in love in the dead of winter, we said, "If we aren't more in love in lilactime, we shall be finished." But we were more in love: for love must grow or die.
Sheldon Vanauken (A Severe Mercy: A Story of Faith, Tragedy, and Triumph)
What use is a god with boundless mercy, sir? You mock me as a pagan, yet the gods of my ancestors pronounce clearly their ways and punish severely when we break their laws. Your Christian god of mercy gives men licence to pursue their greed, their lust for land and blood, knowing a few prayers and a little penance will bring forgiveness and blessing.
Kazuo Ishiguro (The Buried Giant)
Both Heaven and Hell are retroactive, all of one's life will eventually be known to have been one or the other.
Sheldon Vanauken (A Severe Mercy: A Story of Faith, Tragedy, and Triumph)
…though I wouldn’t have admitted it, even to myself, I didn’t want God aboard. He was too heavy. I wanted Him approving from a considerable distance. I didn’t want to be thinking of Him. I wanted to be free—like Gypsy. I wanted life itself, the color and fire and loveliness of life. And Christ now and then, like a loved poem I could read when I wanted to. I didn’t want us to be swallowed up in God. I wanted holidays from the school of Christ.
Sheldon Vanauken (A Severe Mercy: A Story of Faith, Tragedy, and Triumph)
Remember that unbalanced force is evil; that unbalanced severity is but cruelty and oppression; but that also unbalanced mercy is but weakness which would allow and abet Evil. Act passionately; think rationally; be Thyself.
Aleister Crowley (Magick: Liber ABA: Book 4)
Whatever one of us asked the other to do - it was assumed the asker would weigh all the consequences - the other would do. Thus one might wake the other in the night and ask for a cup of water; and the other would peacefully (and sleepily) fetch it. We, in fact, defined courtesy as 'a cup of water in the night'. And we considered it a very great courtesy to ask for the cup as well as to fetch it.
Sheldon Vanauken (A Severe Mercy: A Story of Faith, Tragedy, and Triumph)
It is not possible to be ‘incidentally a Christian’. The fact of Christianity must be overwhelmingly first or nothing. This suggests a reason for the dislike of Christians by nominal or non Christians: their lives contain no overwhelming firsts but many balances.
Sheldon Vanauken (A Severe Mercy)
Are you enjoying your company so far?" "Yes! It's been a pleasure getting to know these ladies." "Are they all the sweet, gentle ladies they appear to be?" Gavril asked. Before Maxon replied, the answer brought a smile to my face. Because I knew that it was yes...sort of. "Umm..." Maxon looked past Gavril at me. "Almost." "Almost?" Gavril asked, surprised. He turned to us. "Is someone over there being naughty?" Mercifully, all the girls let out light giggles, so I blended in. The little traitor! "What exactly did these girls do that isn't so sweet?" Gavril asked Maxon. "Oh, well, let me tell you." Maxon crossed his legs and got very comfortable in his chair. It was probably the most relaxed I'd ever seen him, sitting there poking fun at me. I liked this side of him. I wished it would come out more often. "One of them had the nerve to yell at me rather forcefully the first time we met. I was given a very severe scolding." Above Maxon's head, the king and queen exchanged a glance. It seemed they were hearing this story for the first time, too. Beside me the girls were looking at one another, confused. I didn't get it until Marlee said something. "I don't remember anyone yelling at him in the Great Room. Do you?" Maxon seemed to have forgotten that our first meeting was meant to be a secret. "I think he's talking it up to make it funnier. I did say some serious things to him. I think he might mean me." "A scolding, you say? Whatever for?" Gavril continued. "Honestly, I wasn't really sure. I think it was a bout of homesickness. Which is why I forgave her, of course." Maxon was loose and easy now, talking to Gavril as if he were the only person in the room. I'd have to tell him later how wonderful he did. "So she's still with us, then?" Gavril looked over at the collection of girls, grinning widely, and then returned to face his prince. "Oh, yes. She's still here," Maxon said, not letting his eyes wander from Gavril's face. "And I plan on keeping her here for quite a while.
Kiera Cass (The Selection (The Selection, #1))
Good Christian people, I am come hither to die, for according to the law, and by the law I am judged to die, and therefore I will speak nothing against it. I am come hither to accuse no man, nor to speak anything of that, whereof I am accused and condemned to die, but I pray God save the king and send him long to reign over you, for a gentler nor a more merciful prince was there never: and to me he was ever a good, a gentle and sovereign lord. And if any person will meddle of my cause, I require them to judge the best. And thus I take my leave of the world and of you all, and I heartily desire you all to pray for me. O Lord have mercy on me, to God I commend my soul.' After being blindfolded and kneeling at the block, she repeated several times: To Jesus Christ I commend my soul; Lord Jesu receive my soul.
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
C.S. Lewis in his second letter to me at Oxford, asked how it was that I, as a product of a materialistic universe, was not at home there. 'Do fish complain of the sea for being wet? Or if they did, would that fact itself not strongly suggest that they had not always been, or would not always be, purely aquatic creatures? Then, if we complain of time and take such joy in the seemingly timeless moment, what does that suggest? It suggests that we have not always been or will not always be purely temporal creatures. It suggests that we were created for eternity. Not only are we harried by time, we seem unable, despite a thousand generations, even to get used to it. We are always amazed by it--how fast it goes, how slowly it goes, how much of it is gone. Where, we cry, has the time gone? We aren't adapted to it, not at home in it. If that is so, it may appear as a proof, or at least a powerful suggestion, that eternity exists and is our home.
Sheldon Vanauken (A Severe Mercy: A Story of Faith, Tragedy, and Triumph)
didn’t choose that life,” she patted her chest rapidly. “That was me, that was me. God never wanted that, I promise you, baby. God loves you,” she cried, bitterly. “Who do you think helped me escape? It was Kane, and who do you think told him to help me?” She pointed up and nodded, her teary eyes wide and hopeful. “That’s right, the Man upstairs, He told Kane to help me. And he listened." She gasped several times, face crimping in agony again. "But I didn’t. I knew better than that life, I knew it was wrong but I was young and stupid. Don’t you fucking listen to those lies in your head,” she hissed. “All lies. The truth is in here,” she pressed her palm firmly to his chest. "It's all in here.
Lucian Bane (Beg For Mercy (Mercy, #3))
He pleaded with his eyes to remain there. The driver was perplexed. His comrades talked of how a dog could break its heart through being denied the work that killed it, and recalled instances they had known, where dogs, too old for the toil, or injured, had died because they were cut out of the traces. Also, they held it a mercy, since Dave was to die anyway, that he should die in the traces, heart-easy and content. So he was harnessed in again, and proudly he pulled as of old, though more than once he cried out involuntarily from the bite of his inward hurt. Several times he fell down and was dragged in the traces, and once the sled ran upon him so that he limped thereafter in one of his hind legs.
Jack London (The Call of the Wild)
He had been wont to despise emotions: girls were weak, emotions–tears– were weakness. But this morning he was thinking that being a great brain in a tower, nothing but brain, wouldn’t be much fun. No excitement, no dog to love, no joy in the blue sky– no feelings at all. But feelings– feelings are emotions! He was suddenly overwhelmed by the revelation that what makes life worth living is, precisely, the emotions. But then– this was awful!– maybe girls with their tears and laughter were getting more out of life. Shattering! He checked himself, showing one’s emotions was not the thing: having them was. Still, he was dizzy with the revelation. What is beauty but something is responded to with emotion? Courage, at least, is partly emotional. All the splendour of life. But if the best of life is, in fact, emotional, then one wanted the highest, the purest emotions: and that meant joy. Joy was the highest. How did one find joy? In books it was found in love– a great love… So if he wanted the heights of joy, he must have it, if he could find it, in great love. But in the books again, great joy through love always seemed go hand in hand with frightful pain. Still, he thought, looking out across the meadow, still, the joy would be worth the pain– if indeed, they went together. If there were a choice– and he suspected there was– a choice between, on the one hand, the hights and the depths and, on the other hand, some sort of safe, cautious middle way, he, for one, here and now chose the heights and the depths. Since then the years have gone by and he– had he not had what he chose that day in the meadow? He had had the love. And the joy– what joy it had been! And the sorrow. He had had– was having– all the sorrow there was. And yet, the joy was worth the pain. Even now he re-affirmed that long-past choice.
Sheldon Vanauken (A Severe Mercy: A Story of Faith, Tragedy, and Triumph)
To the extent that propaganda is based on current news, it cannot permit time for thought or reflection. A man caught up in the news must remain on the surface of the event; he is carried along in the current, and can at no time take a respite to judge and appreciate; he can never stop to reflect. There is never any awareness -- of himself, of his condition, of his society -- for the man who lives by current events. Such a man never stops to investigate any one point, any more than he will tie together a series of news events. We already have mentioned man's inability to consider several facts or events simultaneously and to make a synthesis of them in order to face or to oppose them. One thought drives away another; old facts are chased by new ones. Under these conditions there can be no thought. And, in fact, modern man does not think about current problems; he feels them. He reacts, but be does not understand them any more than he takes responsibility for them. He is even less capable of spotting any inconsistency between successive facts; man's capacity to forget is unlimited. This is one of the most important and useful points for the propagandist, who can always be sure that a particular propaganda theme, statement, or event will be forgotten within a few weeks. Moreover, there is a spontaneous defensive reaction in the individual against an excess of information and -- to the extent that he clings (unconsciously) to the unity of his own person -- against inconsistencies. The best defense here is to forget the preceding event. In so doing, man denies his own continuity; to the same extent that he lives on the surface of events and makes today's events his life by obliterating yesterday's news, he refuses to see the contradictions in his own life and condemns himself to a life of successive moments, discontinuous and fragmented. This situation makes the "current-events man" a ready target for propaganda. Indeed, such a man is highly sensitive to the influence of present-day currents; lacking landmarks, he follows all currents. He is unstable because he runs after what happened today; he relates to the event, and therefore cannot resist any impulse coming from that event. Because he is immersed in current affairs, this man has a psychological weakness that puts him at the mercy of the propagandist. No confrontation ever occurs between the event and the truth; no relationship ever exists between the event and the person. Real information never concerns such a person. What could be more striking, more distressing, more decisive than the splitting of the atom, apart from the bomb itself? And yet this great development is kept in the background, behind the fleeting and spectacular result of some catastrophe or sports event because that is the superficial news the average man wants. Propaganda addresses itself to that man; like him, it can relate only to the most superficial aspect of a spectacular event, which alone can interest man and lead him to make a certain decision or adopt a certain attitude. But here we must make an important qualification. The news event may be a real fact, existing objectively, or it may be only an item of information, the dissemination of a supposed fact. What makes it news is its dissemination, not its objective reality.
Jacques Ellul (Propaganda: The Formation of Men's Attitudes)
I paid the taxi driver, got out with my suitcase, surveyed my surroundings, and just as I was turning to ask the driver something or get back into the taxi and return forthwith to Chillán and then to Santiago, it sped off without warning, as if the somewhat ominous solitude of the place had unleashed atavistic fears in the driver's mind. For a moment I too was afraid. I must have been a sorry sight standing there helplessly with my suitcase from the seminary, holding a copy of Farewell's Anthology in one hand. Some birds flew out from behind a clump of trees. They seemed to be screaming the name of that forsaken village, Querquén, but they also seemed to be enquiring who: quién, quién, quién. I said a hasty prayer and headed for a wooden bench, there to recover a composure more in keeping with what I was, or what at the time I considered myself to be. Our Lady, do not abandon your servant, I murmured, while the black birds, about twenty-five centimetres in length, cried quién, quién, quién. Our Lady of Lourdes, do not abandon your poor priest, I murmured, while other birds, about ten centimetres long, brown in colour, or brownish, rather, with white breasts, called out, but not as loudly, quién, quién, quién, Our Lady of Suffering, Our Lady of Insight, Our Lady of Poetry, do not leave your devoted subject at the mercy of the elements, I murmured, while several tiny birds, magenta, black, fuchsia, yellow and blue in colour, wailed quién, quién, quién, at which point a cold wind sprang up suddenly, chilling me to the bone.
Roberto Bolaño (By Night in Chile)