Seven Seas Quotes

We've searched our database for all the quotes and captions related to Seven Seas. Here they are! All 200 of them:

The cure for anything is salt water: sweat, tears or the sea.
Isak Dinesen (Seven Gothic Tales)
We only came close to dying six or seven times, which I thought was pretty good. Once, I lost my grip and found myself dangling by one hand from a ledge fifty feet above the rocky surf. But I found another handhold and kept climbing. A minute later Annabeth hit a slippery patch of moss and her foot slipped. Fortunately, she found something else to put it against. Unfortunately, that something was my face. "Sorry," she murrmured. "S'okay," I grunted, though I'd never really wanted to know what Annabeth's sneaker tasted like.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
Do you know a cure for me?" "Why yes," he said, "I know a cure for everything. Salt water." "Salt water?" I asked him. "Yes," he said, "in one way or the other. Sweat, or tears, or the salt sea.
Karen Blixen (Seven Gothic Tales)
The sea is everything. It covers seven tenths of the terrestrial globe. Its breath is pure and healthy. It is an immense desert, where man is never lonely, for he feels life stirring on all sides. The sea is only the embodiment of a supernatural and wonderful existence. It is nothing but love and emotion; it is the Living Infinite.
Jules Verne (Twenty Thousand Leagues Under the Sea)
Ten little Indian boys went out to dine; One choked his little self and then there were nine. Nine little Indian boys sat up very late; One overslept himself and then there were eight. Eight little Indian boys travelling in Devon; One said he'd stay there and then there were seven. Seven little Indian boys chopping up sticks; One chopped himself in halves and then there were six. Six little Indian boys playing with a hive; A bumblebee stung one and then there were five. Five little Indian boys going in for law; One got in Chancery and then there were four. Four little Indian boys going out to sea; A red herring swallowed one and then there were three. Three little Indian boys walking in the Zoo; A big bear hugged one and then there were two. Two little Indian boys sitting in the sun; One got frizzled up and then there was one. One little Indian boy left all alone; He went and hanged himself and then there were none.
Agatha Christie (And Then There Were None)
Tall ships and tall kings Three times three, What brought they from the foundered land Over the flowing sea? Seven stars and seven stones And one white tree. (The Two Towers)
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
He’d accepted long ago that some people, no matter how good their heart was or how much love they had to give, would always be alone. It was their lot in life, and Linus had figured out, at the age of twenty-seven, that it seemed to be that way for him.
T.J. Klune (The House in the Cerulean Sea (Cerulean Chronicles, #1))
The sea is everything. It covers seven tenths of the globe . . . The sea is only a receptacle for all the prodigious, supernatural things that exist inside it. It is only movement and love; it is the living infinite.
Anthony Doerr (All the Light We Cannot See)
If I am going to be drowned—if I am going to be drowned—if I am going to be drowned, why, in the name of the seven mad gods who rule the sea, was I allowed to come thus far and contemplate sand and trees?
Stephen Crane (The Open Boat and Other Stories)
We only came close to dying six or seven times which I thought was pretty good. A minute later Annabeth hit a slippery patch of moss and her foot slipped. Fortunately she found something else to put it against. Unfortunately that something was my face.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
Seven little crazy kids chopping up sticks; One burnt her daddy up and then there were six. Six little crazy kids playing with a hive; One tattooed himself to death and then there were five. Five little crazy kids on a cellar door; One went all schizo and then there were four. Four little crazy kids going out to sea; One wouldn't say a word and then there were three. Three little crazy kids walking to the zoo; One jerked himself too much and then there were two. Two little crazy kids sitting in the sun; One a took a bunch of pills and then there was one. One little crazy kid left all alone; He went and slit his wrists, and then there were none.
Michael Thomas Ford (Suicide Notes)
Morning's great that way. You can cry yourself to sleep and wake up wondering what the fuss was over.
Terri Farley (Seven Tears Into the Sea)
I was not sure where I was going, and I could not see what I would do when I got [there]. But you saw further and clearer than I, and you opened the seas before my ship, whose track led me across the waters to a place I had never dreamed of, and which you were even then preparing to be my rescue and my shelter and my home.
Thomas Merton (The Seven Storey Mountain)
We only came close to dying six or seven times, which I thought was pretty good. Once, I lost my grip and found myself dangling by one hand from a ledge fifty feet above the rocky surf. But I found another handhold and kept climbing. A minute later Annabeth hit a slippery patch of moss and her foot slipped. Fortunately, she found something else to put it against. Unfortunately, that something was mt face. "Sorry," she murmured. "S'okay," I grunted, though I'd never really wanted to know what Annabeth's sneaker tasted like.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
It never seemed fair that just when you're old enough to do anything you want, you can't. You have to start working, so there's no time. And if there is time, you're not working, so there's no money.
Terri Farley (Seven Tears Into the Sea)
He wanted to live in a house built on delusion, would rather believe in a million lies than face one truth. —Seven Circles Around the Sea, by Mordove Senia
Marie Lu (The Rose Society (The Young Elites, #2))
This is the thing: If you have the option to not think about or even consider history, whether you learned it right or not, or whether it even deserves consideration, that’s how you know you’re on board the ship that serves hors d’oeuvres and fluffs your pillows, while others are out at sea, swimming or drowning, or clinging to little inflatable rafts that they have to take turns keeping inflated, people short of breath, who’ve never even heard of the words hors d’oeuvres or fluff. Then someone from up on the yacht says, "It's too bad those people down there are lazy, and not as smart and able as we are up here, we who have built these strong, large, stylish boats ourselves, we who float the seven seas like kings." And then someone else on board says something like, "But your father gave you this yacht, and these are his servants who brought the hors d'oeuvres." At which point that person gets tossed overboard by a group of hired thugs who'd been hired by the father who owned the yacht, hired for the express purpose of removing any and all agitators on the yacht to keep them from making unnecessary waves, or even referencing the father or the yacht itself. Meanwhile, the man thrown overboard begs for his life, and the people on the small inflatable rafts can't get to him soon enough, or they don't even try, and the yacht's speed and weight cause an undertow. Then in whispers, while the agitator gets sucked under the yacht, private agreements are made, precautions are measured out, and everyone quietly agrees to keep on quietly agreeing to the implied rule of law and to not think about what just happened. Soon, the father, who put these things in place, is only spoken of in the form of lore, stories told to children at night, under the stars, at which point there are suddenly several fathers, noble, wise forefathers. And the boat sails on unfettered.
Tommy Orange (There There)
Once upon a time, Long, long ago, Seven stars were flung from the sky. One to shake the mountains, One to churn the seas, One to choke the air, And four to test the hearts of men. Your hearts are to be tested now. Open them to the truths, For we must not just be ready For the enemy without, But also the enemy within.
Mary E. Pearson (The Beauty of Darkness (The Remnant Chronicles, #3))
If you are very lucky, you're allowed to be in certain places during just the right season of your life: by the sea for the summer when you're seven or eight and full of the absolute need to swim until dark and exhaustion close their hands together, cupping you in between.
Jonathan Carroll (Bones of the Moon (Answered Prayers, #1))
Oh, Lucia the captain said softly, you are so little and so lovely. how I would have liked to have taken you to Norway and shown you the fiords in the midnight sun, and to China- what you've missed, Lucia, by being born too late to travel the Seven Seas with me! And what I've missed, too.
R.A. Dick (The Ghost and Mrs. Muir)
Beckon The Sea, I'll Come To The.... Shed Seven Tears, Perchance Seven Years....
Terri Farley (Seven Tears Into the Sea)
Maybe it took the ugly things--the ashes, the scraps, the dirt--to grow the beautiful things.
Grace A. Johnson (Prisoner at Heart (Daughters of the Seven Seas, #2))
On a ship that's made of paper, I would sail the seven seas. (Just to be with you.)
Scott Spencer (A Ship Made of Paper)
Through Rohan over fen and field where the long grass grows The West Wind goes walking, and about the walls it goes. What news from the West, oh wandering wind, do you bring to me tonight? Have you seen Boromir the Tall by moon or by starlight? ‘I saw him ride over seven streams, over waters wide and grey; I saw him walk in empty lands, until he passed away Into the shadows of the North. I saw him then no more. The North Wind may have heard the horn of the son of Denethor.’ Oh, Boromir! From the high walls westward I looked afar. But you came not from the empty lands where no men are. From the mouth of the sea the South Wind flies, From the sand hills and the stones; The wailing of the gulls it bears, and at the gate it moans What news from the South, oh sighing wind, do you bring to me at eve? Where now is Boromir the Fair? He tarries and I grieve. ‘Ask me not where he doth dwell--so many bones there lie On the white shores and on the black shores under the stormy sky; So many have passed down Anduin to find the flowing sea. Ask of the North Wind news of them the North Wind sends to me!’ Oh Boromir! Beyond the gate the Seaward road runs South, But you came not with the wailing gulls from the grey seas mouth. From the Gate of Kings the North Wind rides, And past the roaring falls And loud and cold about the Tower its loud horn calls. What news from the North, oh mighty wind, do you bring to me today? What news of Boromir the Bold? For he is long away. ‘Beneath Amon Hen I heard his cry. There many foes he fought His cloven shield, his broken sword, they to the water brought. His head so proud, his face so fair, his limbs they laid to rest; And Rauros, Golden Rauros Falls, bore him upon its breast.’ Oh Boromir! The Tower of Guard shall ever northward gaze To Rauros, Golden Rauros Falls until the end of days.
J.R.R. Tolkien
The sea is everything. It covers seven-tenths of the terrestrial globe. Its breath is pure and life-giving. It is an immense desert place where man is never lonely, for he senses the weaving of Creation on every hand. It is the physical embodiment of a supernatural existence... For the sea is itself nothing but love and emotion. It is the Living Infinite, as one of your poets has said. Nature manifests herself in it, with her three kingdoms: mineral, vegetable, and animal. The ocean is the vast reservoir of Nature.
Jules Verne (Twenty Thousand Leagues Under the Sea)
There are seven mermaid princesses and seven pearls. The reason I sing is to convey my love. The reason the pearl sparkels is to brighten the sea. And so, I can never forget...the sound of the waves or the warmth of the sea.
Pink Hanamori (Mermaid Melody: Pichi Pichi Pitch, Vol. 1 (Mermaid Melody: Pichi Pichi Pitch, #1))
I Keep Six Honest Serving Men ..." I keep six honest serving-men (They taught me all I knew); Their names are What and Why and When And How and Where and Who. I send them over land and sea, I send them east and west; But after they have worked for me, I give them all a rest. I let them rest from nine till five, For I am busy then, As well as breakfast, lunch, and tea, For they are hungry men. But different folk have different views; I know a person small— She keeps ten million serving-men, Who get no rest at all! She sends'em abroad on her own affairs, From the second she opens her eyes— One million Hows, two million Wheres, And seven million Whys!
Rudyard Kipling (The Elephant's Child (Just So Stories))
On our honeymoon we talked and talked. We stayed in a beachfront villa, and we drank rum and lemonade and talked so much that I never even noticed what color the sea was. Whenever I need to stop and remind myself how much I once loved Andrew, I only need to think about this. That the ocean covers seven tenths of the earth's surface, and yet my husband could make me not notice it.
Chris Cleave (Little Bee)
Gwen?" "Yes." "You know why we have to be together, don't you?" "..." "I'm your selkie.
Terri Farley (Seven Tears Into the Sea)
One thing I know, I love to learn. I love literature. With these books I can sail the seven seas, chase a white whale . . .
Abraham Verghese (The Covenant of Water)
They say this city can absorb anyone. It does seem that every nationality is here in some part. There are dreamers and poets and landscape painters with dirty noses and wanderers like me who came here by chance and never left. They are all looking for something, travelling the world and the seven seas but looking for a reason to stay. I am not looking, I've found what it is I want... I say I'm in love with her. What does that mean? It means I review my future and my past in the light of this feeling. It is as though I wrote in a foreign language that I am suddenly able to read. Wordlessly, she explains me to myself. Like genius, she is ignorant of what she does.
Jeanette Winterson (The Passion)
Courtship? Had I said courtship? What did I think, that this was Jane freakin' Eyre?
Terri Farley (Seven Tears Into the Sea)
The complex human eye harvests light. It perceives seven to ten million colors through a synaptic flash: one-tenth of a second from retina to brain. Homo sapiens gangs up to 70 percent of its sense receptors solely for vision, to anticipate danger and recognize reward, but also—more so—for beauty.
Ellen Meloy (The Anthropology of Turquoise: Reflections on Desert, Sea, Stone, and Sky (Pulitzer Prize Finalist))
Dearest creature in creation, Study English pronunciation. I will teach you in my verse Sounds like corpse, corps, horse, and worse. I will keep you, Suzy, busy, Make your head with heat grow dizzy. Tear in eye, your dress will tear. So shall I! Oh hear my prayer. Just compare heart, beard, and heard, Dies and diet, lord and word, Sword and sward, retain and Britain. (Mind the latter, how it’s written.) Now I surely will not plague you With such words as plaque and ague. But be careful how you speak: Say break and steak, but bleak and streak; Cloven, oven, how and low, Script, receipt, show, poem, and toe. Hear me say, devoid of trickery, Daughter, laughter, and Terpsichore, Typhoid, measles, topsails, aisles, Exiles, similes, and reviles; Scholar, vicar, and cigar, Solar, mica, war and far; One, anemone, Balmoral, Kitchen, lichen, laundry, laurel; Gertrude, German, wind and mind, Scene, Melpomene, mankind. Billet does not rhyme with ballet, Bouquet, wallet, mallet, chalet. Blood and flood are not like food, Nor is mould like should and would. Viscous, viscount, load and broad, Toward, to forward, to reward. And your pronunciation’s OK When you correctly say croquet, Rounded, wounded, grieve and sieve, Friend and fiend, alive and live. Ivy, privy, famous; clamour And enamour rhyme with hammer. River, rival, tomb, bomb, comb, Doll and roll and some and home. Stranger does not rhyme with anger, Neither does devour with clangour. Souls but foul, haunt but aunt, Font, front, wont, want, grand, and grant, Shoes, goes, does. Now first say finger, And then singer, ginger, linger, Real, zeal, mauve, gauze, gouge and gauge, Marriage, foliage, mirage, and age. Query does not rhyme with very, Nor does fury sound like bury. Dost, lost, post and doth, cloth, loth. Job, nob, bosom, transom, oath. Though the differences seem little, We say actual but victual. Refer does not rhyme with deafer. Foeffer does, and zephyr, heifer. Mint, pint, senate and sedate; Dull, bull, and George ate late. Scenic, Arabic, Pacific, Science, conscience, scientific. Liberty, library, heave and heaven, Rachel, ache, moustache, eleven. We say hallowed, but allowed, People, leopard, towed, but vowed. Mark the differences, moreover, Between mover, cover, clover; Leeches, breeches, wise, precise, Chalice, but police and lice; Camel, constable, unstable, Principle, disciple, label. Petal, panel, and canal, Wait, surprise, plait, promise, pal. Worm and storm, chaise, chaos, chair, Senator, spectator, mayor. Tour, but our and succour, four. Gas, alas, and Arkansas. Sea, idea, Korea, area, Psalm, Maria, but malaria. Youth, south, southern, cleanse and clean. Doctrine, turpentine, marine. Compare alien with Italian, Dandelion and battalion. Sally with ally, yea, ye, Eye, I, ay, aye, whey, and key. Say aver, but ever, fever, Neither, leisure, skein, deceiver. Heron, granary, canary. Crevice and device and aerie. Face, but preface, not efface. Phlegm, phlegmatic, ass, glass, bass. Large, but target, gin, give, verging, Ought, out, joust and scour, scourging. Ear, but earn and wear and tear Do not rhyme with here but ere. Seven is right, but so is even, Hyphen, roughen, nephew Stephen, Monkey, donkey, Turk and jerk, Ask, grasp, wasp, and cork and work. Pronunciation (think of Psyche!) Is a paling stout and spikey? Won’t it make you lose your wits, Writing groats and saying grits? It’s a dark abyss or tunnel: Strewn with stones, stowed, solace, gunwale, Islington and Isle of Wight, Housewife, verdict and indict. Finally, which rhymes with enough, Though, through, plough, or dough, or cough? Hiccough has the sound of cup. My advice is to give up!!!
Gerard Nolst Trenité (Drop your Foreign Accent)
When I was a child people simply looked about them and were moderately happy; today they peer beyond the seven seas, bury themselves waist deep in tidings, and by and large what they see and hear makes them unutterably sad.
E.B. White (One Man's Meat)
Marco Polo had seen the inhabitants of Zipangu place rose-colored pearls in the mouths of the dead. A sea-monster had been enamoured of the pearl that the diver brought to King Perozes, and had slain the thief, and mourned for seven moons over its loss.
Oscar Wilde (The Picture of Dorian Gray)
You say you know how we think? Then you know what I´m going to do. I´ll rip your face off with a pair of tweezers. I´ll tear your heart out with a sewing needle. I´ll bleed you out with seven billion tiny cuts, one for each one of us.
Rick Yancey (The Infinite Sea (The 5th Wave, #2))
I could not deny the existence of God. I had seen His hand, felt His hand so prominently in my life. How else could this beautiful world have come to be? By some random bang? Nay, but by the breath of the Almighty, so Mary Lynde had called Him.
Grace A. Johnson (Held Captive (Daughters of the Seven Seas #1))
For the world is wondrous large, Seven seas from marge to marge, And it holds a vast of various kinds of man. And the wildest dreams of Kew Are the facts of Khatmandu, And the crimes of Clapham chaste in Martaban. MORAL: Judge not that ye be not judged.
Rudyard Kipling
Don't you know anything at all about numbers?" "Well, I don't think they're very important," snapped Milo, too embarrassed to admit the truth. "NOT IMPORTANT!" roared the Dodecahedron, turning red with fury. "Could you have tea for two without the two — or three blind mice without the three? Would there be four corners of the earth if there weren't a four? And how would you sail the seven seas without a seven?" "All I meant was—" began Milo, but the Dodecahedron, overcome with emotion and shouting furiously, carried right on. "If you had high hopes, how would you know how high they were? And did you know that narrow escapes come in all different widths? Would you travel the whole wide world without ever knowing how wide it was? And how could you do anything at long last," he concluded, waving his arms over his head, "without knowing how long the last was? Why, numbers are the most beautiful and valuable things in the world. Just follow me and I'll show you." He turned on his heel and stalked off into the cave.
Norton Juster (The Phantom Tollbooth)
...every period of life has its necessities, and at forty-seven it's just as well to trust a little to the head.
James Fenimore Cooper (Pathfinder; or, the inland sea)
DONKEYMAN: S’pose there’s a gel mixed up in it someplace, ain’t there? SMITTY: What makes you think so? DONKEYMAN: Always is when a man lets music bother ‘im. [“The Moon of the Caribees”]
Eugene O'Neill (Seven Plays of the Sea)
It’s said to be the same all over the world, in all seven seas. Islands are matriarchies of a kind seldom seen on land. The men – as Iceland’s president Vigdís Finnbogadóttir remarked on one occasion when the subject arose – the men flee to their own preferred landscape, which is the sea.
Fredrik Sjöberg (The Fly Trap)
There are a limited number of plots (some say seven, some say twelve, some say thirty). There is no limit to the number of stories.
Ursula K. Le Guin (Steering The Craft: A Twenty-First-Century Guide to Sailing the Sea of Story)
Waves broke, then sighed as if they were searching, not finding, then coming back, never giving up the search, returning again and again.
Terri Farley (Seven Tears Into the Sea)
Then like gravity, or maybe like magnets, our lips met again because they had to. And in that touch it felt like I was buried treasure he’d crossed seven seas to claim. I couldn’t feel the edges of my own body anymore; I was melting into his.
Cidney Swanson (Rippler (Ripple #1))
He radiated a calm focus--like he knew who he was and where he was going. He was a steady mooring in a sea of change. Hr was honest and kept his word, and he was unrelentingly fair. It made people want to follow him.
Cinda Williams Chima (The Exiled Queen (Seven Realms, #2))
So sweet is this song that no one could resist it. For in it is all the passionate ache for the moonlight, and the great hunger of the sea, and the terror of desolate places,—all things that lure men to the unattainable. Omari tessala marax, tessala dodi phornepax amri radara poliax armana piliu amri radara piliu son; mari narya barbiton madara anaphax sarpedon andala hriliu Translation: I am the harlot that shaketh Death. This shaking giveth the Peace of Satiate Lust. Immortality jetteth from my skull, And music from my vulva. Immortality jetteth from my vulva also, For my Whoredom is a sweet scent like a seven-stringed instrument, Played unto God the Invisible, the all-ruler, That goeth along giving the shrill scream of orgasm. Every man that hath seen me forgetteth me never, and I appear oftentimes in the coals of the fire, and upon the smooth white skin of woman, and in the constancy of the waterfall, and in the emptiness of deserts and marshes, and upon great cliffs that look seaward; and in many strange places, where men seek me not. And many thousand times he beholdeth me not. And at last I smite myself into him as a vision smiteth into a stone, and whom I call must follow.
Aleister Crowley (The Vision and the Voice: With Commentary and Other Papers (Equinox IV:2))
Far from the shore stands the grey lighthouse, above sunken slimy rocks that are seen when the tide is low, but unseen when the tide is high. Past that beacon for a century have swept the majestic barques of the seven seas. In the days of my grandfather there were many; in the days of my father not so many; and now there are so few that I sometimes feel strangely alone, as though I were the last man on our planet.
H.P. Lovecraft (The White Ship)
A surprising fact about the magician Bernard Kornblum, Joe remembered, was that he believed in magic. Not in the so-called magic of candles, pentagrams, and bat wings. Not in the kitchen enchantments of Slavic grandmothers with their herbiaries and parings from the little toe of a blind virgin tied up in a goatskin bag. Not in astrology, theosophy, chiromancy, dowsing rods, séances, weeping statues, werewolves, wonders, or miracles. What bewitched Bernard Kornblum, on the contrary, was the impersonal magic of life, when he read in a magazine about a fish that could disguise itself as any one of seven different varieties of sea bottom, or when he learned from a newsreel that scientists had discovered a dying star that emitted radiation on a wavelength whose value in megacycles approximated π. In the realm of human affairs, this type of enchantment was often, though not always, a sadder business—sometimes beautiful, sometimes cruel. Here its stock-in-trade was ironies, coincidences, and the only true portents: those that revealed themselves, unmistakable and impossible to ignore, in retrospect.
Michael Chabon (The Amazing Adventures of Kavalier & Clay)
How dare you molest the whole world? Because I do it with a small boat, I am called a pirate and a thief. You, with a great navy, molest the world and are called an emperor.
Laura Sook Duncombe (Pirate Women: The Princesses, Prostitutes, and Privateers Who Ruled the Seven Seas)
And that is why all of us with one voice call one God differently as Paramatma, Ishwara, Shiva, Vishnu, Rama, Allah, Khuda, Dada Hormuzda, Jehova, God, and an infinite variety of names. He is one and yet many; He is smaller than an atom, and bigger than the Himalayas. He is contained even in a drop of the ocean, and yet not even the seven seas can compass Him. Reason is powerless to know Him. He is beyond the reach or grasp of reason.
Mahatma Gandhi (What is Hinduism?)
When I meet a pretty girl and beg her: "Be so good as to come with me," and she walks past without a word, this is what she means to say: "You are no Duke with a famous name, no broad American with Red Indian figure, level, brooding eyes and a skin tempered by the air of the prairies and the rivers that flow through them, you have never journeyed to the seven seas and voyaged on them wherever they may be, I don't know where. So why, pray, should a pretty girl like myself go with you?" "You forget that no automobile swings you through the street in long thrusts; I see no gentlemen escorting you in a close half-circle, pressing on your skirts from behind and murmuring blessings on your head; your breasts are well laced into your bodice, but your thighs and hips make up for that restraint; you are wearing a taffeta dress with a pleated skirt such as delighted all of us last autumn, and yet you smile-inviting mortal danger-from time to time." "Yes, we're both in the right, and to keep us from being irrevocably aware of it, hadn't we better just go our separate ways home?
Franz Kafka
I need something dramatic.I thought we would start with something theatrical, something that will make an impact on the city,something to focus their attention." Nereus considered for a moment and then he smiled, revealing his hideous teeth. "I do have the Lotan." Machiavelli and Billy looked at him blankly. "The Lotan," Nereus said. The two immortals shook their heads. "I have no idea what that is," Machiavelli admitted. "Doesn't sound scary to me," Billy said. "It's a seven-headed sea dragon." Machiavelli nodded. "That might work." "It'll certainly get their attention," Billy muttered.
Michael Scott (The Warlock (The Secrets of the Immortal Nicholas Flamel, #5))
If I had your life story, it would be the first thing I mentioned to anyone. ‘Hullo, I’m Chase Reynaud. I learned to toddle aboard a merchant ship, and the Seven Seas rocked my cradle. And have I mentioned that no tropical sunset could compare with your beauty?’ The women would fall into bed with me.” “Don’t they fall into bed with you anyway?” “That’s true. But they might do so a half minute faster. Over months and years, those half minutes add up. So let’s hear the rest of the tale.
Tessa Dare (The Governess Game (Girl Meets Duke, #2))
The morning was on fire as the sun rose, seemingly from the ocean depths. The great, glowing orb came to the surface and set the horizon aflame. Many minutes passed, and it floated fully into the sky to light the day and gently warm the sea below.
Victoria Kahler (Seven on the Blue)
Through you I go back to the origin of the sign, to the free writing sketched by wind on the sea and the sand, to the wild writing of the birds. — Marguerite Duras, C’est Tout / No More, transl. Richard Howard (Seven Stories Press, 1998) (via mothwood)
Marguerite Duras
Here are some things I didn't have space for: putting on Alone by Heart and miming the lyrics in Leah's face until she started laughing, Leah's long hands and her yellow hair and the werewolf quality of her eyebrows. The way she walked around the flat in shorts and a sports bra and told me off for staring. The way she kissed me and then apologized for biting. The time Leah told me that making me laugh was an achievement because my face was so typically set against it. The way I was often bored and Leah never was. Talking with Leah on early dates about the panic of doing what everyone else was doing and then feeling like a dick about it. The way Leah was kind by nature whereas I always seemed to struggle. The way she tipped my face towards hers and told me otherwise. "You're the kindest person I know and I know six or seven people.
Julia Armfield (Our Wives Under the Sea)
There is a horrifying loneliness at work in this time. No, listen to me. We lived six and seven to a room in those days, when I was still among the living. The city streets were seas of humanity; and now in these high buildings dim-witted souls hover in luxurious privacy, gazing through the television window at a faraway world of kissing and touching. It is bound to produce some great fund of common knowledge, some new level of human awareness, a curious skepticism, to be so alone.
Anne Rice (The Queen of the Damned (The Vampire Chronicles, #3))
I was doing it again, and I do NOT ogle strangers.
Terri Farley (Seven Tears Into the Sea)
Every seven years each cell in your body has changed, he reminds himself. He is not that boy anymore. He is twice removed from that boy.
Erin Morgenstern (The Starless Sea)
Cuando te dan una oportunidad de cambiar tu vida, debes estar dispuesta a hacer lo que sea con tal de lograrlo. El mundo no te da cosas: tú debes tomarlas.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
He cackled evilly, but seeing as how he was only seven, “evil” was, perhaps, a bit of a misnomer. It was more of a squeaky giggle, followed by the stomping of feet.
T.J. Klune (Somewhere Beyond the Sea (Cerulean Chronicles, #2))
He knew I was unworthy. He knew I was the worst of sinners. And yet I dared to come before Him.
Grace A. Johnson (Bound and Determined (Daughters of the Seven Seas, #3))
i am queen of percha, sullenest of the seven seas, Behold my dusky desert beauty". She wiped of her scarf and did a terrible belly dance.
Soman Chainani
Technology may seem to overcome the distances between us in both mental and physical space, but it is easy to forget that the land where we live, work and raise our children is hugely important, and that the choices of those who lead the seven billion inhabitants of this planet will to some degree always be shaped by the rivers, mountains, deserts, lakes and seas that constrain us all – as they always have.
Tim Marshall (Prisoners of Geography: Ten Maps That Tell You Everything You Need to Know About Global Politics)
With no small amount of swagger, Gavin Greyling said, "I remember Gavin fucking Guile, who won the False Prism's War, who outwitted the Thorn Conspirators and ended the Red Cliff Uprising. Gavin Guile, who brought low pirate kings and bandit lords, who ended the Blood Wars with wits and one deadly wave of his hand, who brought justice to the Seven Satrapies. Gavin Guile, who hunted wights and criminals, who built Brightwater Wall in less than a week, who aborted the birth of gods, destroyed at least two bane, and killed a god full fledged at Ruic Head. Gavin Guile, who faced a sea demon and lived, saving all the people of Garriston and the Blackguard, too. Gavin Guile, who sank Pash vecchio's great ship Gargantua with a rat. Gavin Guile, who armed us for war and gave the Blackguard the seas entire with ou sea chariots and hull wreckers. Gavin Guile, heart of our heart, our Promachos, the one who goes before us in war, who came and conquered and will come again.
Brent Weeks (The Blood Mirror (Lightbringer, #4))
In a world of seven billion people, where every inch of land has been mapped, much of it developed, and too much of it destroyed, the sea remains the final unseen, untouched, and undiscovered wilderness, the planet’s last great frontier. There are no mobile phones down there, no e-mails, no tweeting, no twerking, no car keys to lose, no terrorist threats, no birthdays to forget, no penalties for late credit card payments, and no dog shit to step in before a job interview. All the stress, noise, and distractions of life are left at the surface. The ocean is the last truly quiet place on Earth.
James Nestor (Deep: Freediving, Renegade Science, and What the Ocean Tells Us About Ourselves)
Don’t look so worried. I’ve sailed the seven seas, and I’ve never had an unsuccessful adventure yet!” “Really? You’ve sailed all seven seas?” asked Darwin admiringly. “Every last one!” “What are the seven seas? I’ve always wondered.” “Aaarrr. Well, let’s see…” said the Pirate Captain, scratching his craggy forehead. “There’s the North Sea. And that other one, the one near Mozambique. And…what’s that one in Hyde Park?” “The Serpentine?” “That’s the one. How many’s that then? Three. Um. There’s the sea with all the rocks in it…I think they call it Sea Number Four. Then that would leave…uh…Grumpy and Sneezy…” Darwin was starting to look a little less impressed. “Would you look at that big seagull!” said the Pirate Captain, quickly ducking into a beach hut.
Gideon Defoe (The Pirates! In an Adventure with Scientists)
Robin Hood. To a Friend. No! those days are gone away, And their hours are old and gray, And their minutes buried all Under the down-trodden pall Ofthe leaves of many years: Many times have winter's shears, Frozen North, and chilling East, Sounded tempests to the feast Of the forest's whispering fleeces, Since men knew nor rent nor leases. No, the bugle sounds no more, And the twanging bow no more; Silent is the ivory shrill Past the heath and up the hill; There is no mid-forest laugh, Where lone Echo gives the half To some wight, amaz'd to hear Jesting, deep in forest drear. On the fairest time of June You may go, with sun or moon, Or the seven stars to light you, Or the polar ray to right you; But you never may behold Little John, or Robin bold; Never one, of all the clan, Thrumming on an empty can Some old hunting ditty, while He doth his green way beguile To fair hostess Merriment, Down beside the pasture Trent; For he left the merry tale, Messenger for spicy ale. Gone, the merry morris din; Gone, the song of Gamelyn; Gone, the tough-belted outlaw Idling in the "grene shawe"; All are gone away and past! And if Robin should be cast Sudden from his turfed grave, And if Marian should have Once again her forest days, She would weep, and he would craze: He would swear, for all his oaks, Fall'n beneath the dockyard strokes, Have rotted on the briny seas; She would weep that her wild bees Sang not to her---strange! that honey Can't be got without hard money! So it is; yet let us sing Honour to the old bow-string! Honour to the bugle-horn! Honour to the woods unshorn! Honour to the Lincoln green! Honour to the archer keen! Honour to tight little John, And the horse he rode upon! Honour to bold Robin Hood, Sleeping in the underwood! Honour to maid Marian, And to all the Sherwood clan! Though their days have hurried by Let us two a burden try.
John Keats
Princeton isn't actually part of New Jersey. It's a small island of wealth and intellectual eccentricity floating in the Sea of Central Megalopolis. It's an honest-to-god town awash in the land of the strip mall. Hair is smaller, heels are shorter, asses are tighter in Princeton.
Janet Evanovich (Seven Up (Stephanie Plum, #7))
...as i emerge on deck the ordered arrangement of the stars meets my eye, unclouded, infinitely wearisome. There they are: stars, sun, sea, light, darkness, space, great waters; the formidable Work of the Seven Days, into which mankind seems to have blundered unbidden. Or else decoyed.
Joseph Conrad (The Shadow-Line)
If I am going to be drowned-- if I am going to be drowned--if I am going to be drowned, why, in the name of the seven mad gods who rule the sea, was I allowed to come thus far and contemplate sand and trees? Was I brought here merely to have my nose dragged away as I was about to nibble the sacred cheese of life? It is preposterous. If this old ninny-woman, Fate, cannot do better than this, she should be deprived of the management of men's fortunes. She is an old hen who knows not her intention. If she has decided to drown me, why did she not do it in the beginning and save me all this trouble? The whole affair is absurd....
Stephen Crane (Open Boat)
But what's left on earth that I haven't tried?" Prince Lír demanded. "I have swum four rivers, each in full flood and none less than a mile wide. I have climbed seven mountains never before climbed, slept three nights in the Marsh of the Hanged Men, and walked alive out of that forest where the flowers burn your eyes and the nightingales sing poison. I have ended my betrothal to the princess I had agreed to marry — and if you don't think that was a heroic deed, you don't know her mother. I have vanquished exactly fifteen black knights waiting by fifteen fords in their black pavilions, challenging all who come to cross. And I've long since lost count of the witches in the thorny woods, the giants, the demons disguised as damsels; the glass hills, fatal riddles, and terrible tasks; the magic apples, rings, lamps, potions, swords, cloaks, boots, neckties, and nightcaps. Not to mention the winged horses, the basilisks and sea serpents, and all the rest of the livestock." He raised his head, and the dark blue eyes were confused and sad. "And all for nothing," he said. "I cannot touch her, whatever I do. For her sake, I have become a hero — I, sleepy Lír, my father's sport and shame — but I might as well have remained the dull fool I was. My great deeds mean nothing to her.
Peter S. Beagle (The Last Unicorn (The Last Unicorn, #1))
Morning, Ms. Mary, I will be back to help as soon as I get changed.” Ms. Mary cut her eyes toward me and back toward the table with a frown. I followed her gaze. Leaning back in a kitchen chair, looking ridiculously sexy for seven in the morning, sat Jax. He gave me a crooked grin, and my heart went into frenzy. “Hey,” I said this without sounding affected by his presence. I know he’d said he would be hanging out in the kitchen more often, but I hadn’t realized he meant this early in the morning. “What? Why are you here?” He raised his eyebrows and grinned at me. “I would have thought that would have been obvious.” I knew I was blushing.
Abbi Glines (Breathe (Sea Breeze, #1))
This is the thing: If you have the option to not think about or even consider history, whether you learned it right or not, or whether it even deserves consideration, that’s how you know you’re on board the ship that serves hors d’oeuvres and fluffs your pillows, while others are out at sea, swimming or drowning, or clinging to little inflatable rafts that they have to take turns keeping inflated, people short of breath, who’ve never even heard of the words hors d’oeuvres or fluff. Then someone from up on the yacht says, “It’s too bad those people down there are lazy, and not as smart and able as we are up here, we who have built these strong, large, stylish boats ourselves, we who float the seven seas like kings.” And then someone else on board says something like, “But your father gave you this yacht, and these are his servants who brought the hors d’oeuvres.” At which point that person gets tossed overboard by a group of hired thugs who’d been hired by the father who owned the yacht, hired for the express purpose of removing any and all agitators on the yacht to keep them from making unnecessary waves, or even referencing the father or the yacht itself. Meanwhile, the man thrown overboard begs for his life, and the people on the small inflatable rafts can’t get to him soon enough, or they don’t even try, and the yacht’s speed and weight cause an undertow. Then in whispers, while the agitator gets sucked under the yacht, private agreements are made, precautions are measured out, and everyone quietly agrees to keep on quietly agreeing to the implied rule of law and to not think about what just happened. Soon, the father, who put these things in place, is only spoken of in the form of lore, stories told to children at night, under the stars, at which point there are suddenly several fathers, noble, wise forefathers. And the boat sails on unfettered.
Tommy Orange (There There)
It's true that the two halves were no longer hinged. They weren't clinging to each other, but each was a cream-colored wing with a rosy flush inside. I held one half in each hand. If I took this shell across the room or across the universe, and the other one stayed here, they'd still be two halves of a whole, and anyone would know they belonged together.
Terri Farley (Seven Tears Into the Sea)
The earliest known female pirate from the Mediterranean, and perhaps of all time, was Queen Artemisia I of Halicarnassus.
Laura Sook Duncombe (Pirate Women: The Princesses, Prostitutes, and Privateers Who Ruled the Seven Seas)
There are dreamers and poets and landscape painters with dirty noses and wanderers like me who came here by chance and never left. They are all looking for something, travelling the world and the seven seas but looking for a reason to stay.
Jeanette Winterson (The Passion)
It says yes, in blue, in foam, in a gallop. It says no, then no. It cannot be still. My name is sea, it repeats, striking a stone but not convincing it. Then with the seven green tongues, of seven green tigers, of seven green seas, it caresses it, kisses it, wets it, and pounds on its chest, repeating its own name.
Antonio Skármeta (The Postman)
And what did I, a sweet little innocent lady, ever do wrong?' I set my hands on his shoulders, arching my back, and grinned. Xavier smirked, his eyes sparkling in that dangerous way. 'You stole my heart.
Grace A. Johnson (Held Captive (Daughters of the Seven Seas #1))
And so it was literature that brought me back to life during this time. The monolithic uncertainty of my future was deadening; everywhere I turned, the shadow of death obscured meaning of any action. I remember the moment when my overwhelming unease yielded, when that seemingly impassable sea of uncertainty parted. I woke up in pain, facing another day - no project beyond breakfast seemed tenable. *I can't go on* , I thought, and immediately, its antiphon responded, completing Samuel Beckett's seven words, words I had learned long ago in undergraduate: *I'll go on.* I got out of bed and took a step forward, repeating the phrase over and over: "I can't go on. I'll go on.
Paul Kalanithi (When Breath Becomes Air)
The sea is everything. It covers seven tenths of the terrestrial globe. Its breath is pure and healthy. It is an immense desert, where man is never lonely, for he feels life stirring on all sides. The sea is only the embodiment of a supernatural and wonderful existence. It is nothing but love and emotion; it is the `Living Infinite,' as one of your poets has said.
Jules Verne (Twenty Thousand Leagues Under the Sea)
In a world of seven billion people, where every inch of land has been mapped, much of it developed, and too much of it destroyed, the sea remains the final unseen, untouched, and undiscovered wilderness, the planet’s last great frontier.
James Nestor (Deep: Freediving, Renegade Science, and What the Ocean Tells Us About Ourselves)
Ladies and Gentlemen, I'd planned to speak to you tonight to report on the state of the Union, but the events of earlier today have led me to change those plans. Today is a day for mourning and remembering. Nancy and I are pained to the core by the tragedy of the shuttle Challenger. We know we share this pain with all of the people of our country. This is truly a national loss. Nineteen years ago, almost to the day, we lost three astronauts in a terrible accident on the ground. But we've never lost an astronaut in flight. We've never had a tragedy like this. And perhaps we've forgotten the courage it took for the crew of the shuttle. But they, the Challenger Seven, were aware of the dangers, but overcame them and did their jobs brilliantly. We mourn seven heroes: Michael Smith, Dick Scobee, Judith Resnik, Ronald McNair, Ellison Onizuka, Gregory Jarvis, and Christa McAuliffe. We mourn their loss as a nation together. For the families of the seven, we cannot bear, as you do, the full impact of this tragedy. But we feel the loss, and we're thinking about you so very much. Your loved ones were daring and brave, and they had that special grace, that special spirit that says, "Give me a challenge, and I'll meet it with joy." They had a hunger to explore the universe and discover its truths. They wished to serve, and they did. They served all of us. We've grown used to wonders in this century. It's hard to dazzle us. But for twenty-five years the United States space program has been doing just that. We've grown used to the idea of space, and, perhaps we forget that we've only just begun. We're still pioneers. They, the members of the Challenger crew, were pioneers. And I want to say something to the schoolchildren of America who were watching the live coverage of the shuttle's take-off. I know it's hard to understand, but sometimes painful things like this happen. It's all part of the process of exploration and discovery. It's all part of taking a chance and expanding man's horizons. The future doesn't belong to the fainthearted; it belongs to the brave. The Challenger crew was pulling us into the future, and we'll continue to follow them. I've always had great faith in and respect for our space program. And what happened today does nothing to diminish it. We don't hide our space program. We don't keep secrets and cover things up. We do it all up front and in public. That's the way freedom is, and we wouldn't change it for a minute. We'll continue our quest in space. There will be more shuttle flights and more shuttle crews and, yes, more volunteers, more civilians, more teachers in space. Nothing ends here; our hopes and our journeys continue. I want to add that I wish I could talk to every man and woman who works for NASA, or who worked on this mission and tell them: "Your dedication and professionalism have moved and impressed us for decades. And we know of your anguish. We share it." There's a coincidence today. On this day three hundred and ninety years ago, the great explorer Sir Francis Drake died aboard ship off the coast of Panama. In his lifetime the great frontiers were the oceans, and a historian later said, "He lived by the sea, died on it, and was buried in it." Well, today, we can say of the Challenger crew: Their dedication was, like Drake's, complete. The crew of the space shuttle Challenger honored us by the manner in which they lived their lives. We will never forget them, nor the last time we saw them, this morning, as they prepared for their journey and waved goodbye and "slipped the surly bonds of earth" to "touch the face of God." Thank you.
Ronald Reagan
The sun is at the horizon now, and the sky streaks with reds and golds. The whole world seems to be wearing a halo, and for a second I let myself savor it. I let myself believe. Alexei's arm is warm around my shoulder and a cool breeze blows in off the sea. Between us, we speak seven different languages, but not a one of us says a word. We sit in silence as the sun sets, marking the end of this day. Marking the beginning of everything else.
Ally Carter (Take the Key and Lock Her Up (Embassy Row, #3))
It seemed to him that he was walking along the highest mountain-ridge, which was narrow like the blade of a knife, and on one side he saw Life, on the other side—Death,—like two sparkling, deep, beautiful seas, blending in one boundless, broad surface at the horizon.
Leonid Andreyev (Seven Who Were Hanged)
She thoroughly felt the pitch and roll of the ship as it traveled southerly across the ocean. It was a pleasant feeling, an ancient one that every person who had ever loved the sea had felt and cherished--to be rocked to sleep, as if in a mother's arms or in a cradle.
Victoria Kahler (Seven on the Blue)
Every seven years each cell in your body has changed,
Erin Morgenstern (The Starless Sea)
The Seven Dwarfs were all in the bathtub feeling happy; so Happy got out.
Full Sea Books (The BIG Triple Joke Book - 1,289 Funny Jokes, Fun Facts & Brain Teaser Riddles!)
We hang here, inquisitive carbon-based life forms, knowing that every atom of carbon now in our bodies was once in the interior of a star.
James Hamilton-Paterson (Seven Tenths: The Sea and Its Thresholds)
Afraid of not being able to sleep at all, they swam for longer. They swallowed a magnitude of sea air. They existed as intensely as possible in order to exhaust themselves.
Sara Baume (Seven Steeples)
Grace is not merited. Forgiveness is not earned. Love is not bought. Each are given freely by the only One who can.
Grace A. Johnson (Prisoner at Heart (Daughters of the Seven Seas, #2))
Daenerys of the House Targaryen, the First of Her Name, The Unburnt, Queen of the Andals, the Rhoynar and the First Men, Queen of Meereen, Khaleesi of the Great Grass Sea, Protector of the Realm, Lady Regnant of the Seven Kingdoms, Breaker of Chains and Mother of Dragons
Daenerys Targaryen (Game Of Thrones character)
Ten little soldier boys went out to dine; One choked his little self and then there were Nine. Nine little soldier boys sat up very late; One overslept himself and then there were Eight. Eight little soldier boys travelling in Devon; One said he’d stay there and then there were Seven. Seven little soldier boys chopping up sticks; One chopped himself in halves and then there were Six. Six little soldier boys playing with a hive; A bumble bee stung one and then there were Five. Five little soldier boys going in for law; One got in Chancery and then there were Four. Four little soldier boys going out to sea; A red herring swallowed one and then there were Three. Three little soldier boys walking in the Zoo; A big bear hugged one and then there were Two. Two little soldier boys sitting in the sun; One got frizzled up and then there was One. One little soldier boy left all alone; He went and hanged himself and then there were None.
Agatha Christie (And Then There Were None)
The architecture of the Minotaur’s heart is ancient. Rough hewn and many chambered, his heart is a plodding laborious thing, built for churning through the millennia. But the blood it pumps—the blood it has pumped for five thousand years, the blood it will pump for the rest of his life—is nearly human blood. It carries with it, through his monster’s veins, the weighty, necessary, terrible stuff of human existence: fear, wonder, hope, wickedness, love. But in the Minotaur’s world it is far easier to kill and devour seven virgins year after year, their rattling bones rising at his feet like a sea of cracked ice, than to accept tenderness and return it.
Steven Sherrill (The Minotaur Takes a Cigarette Break)
It seems that there is never to be any perfect rest. Even in Eden the snake rears its head among the laden boughs of the Tree of Knowledge. The silence of the dreamless night is broken by the roar of the avalanche; the hissing of sudden floods; the clanging of the engine bell marking its sweep through a sleeping American town; the clanking of distant paddles over the sea....
Bram Stoker (The Jewel of Seven Stars)
Welsh Incident 'But that was nothing to what things came out From the sea-caves of Criccieth yonder.' What were they? Mermaids? dragons? ghosts?' Nothing at all of any things like that.' What were they, then?' 'All sorts of queer things, Things never seen or heard or written about, Very strange, un-Welsh, utterly peculiar Things. Oh, solid enough they seemed to touch, Had anyone dared it. Marvellous creation, All various shapes and sizes, and no sizes, All new, each perfectly unlike his neighbour, Though all came moving slowly out together.' Describe just one of them.' 'I am unable.' What were their colours?' 'Mostly nameless colours, Colours you'd like to see; but one was puce Or perhaps more like crimson, but not purplish. Some had no colour.' 'Tell me, had they legs?' Not a leg or foot among them that I saw.' But did these things come out in any order?' What o'clock was it? What was the day of the week? Who else was present? How was the weather?' I was coming to that. It was half-past three On Easter Tuesday last. The sun was shining. The Harlech Silver Band played Marchog Jesu On thrity-seven shimmering instruments Collecting for Caernarvon's (Fever) Hospital Fund. The populations of Pwllheli, Criccieth, Portmadoc, Borth, Tremadoc, Penrhyndeudraeth, Were all assembled. Criccieth's mayor addressed them First in good Welsh and then in fluent English, Twisting his fingers in his chain of office, Welcoming the things. They came out on the sand, Not keeping time to the band, moving seaward Silently at a snail's pace. But at last The most odd, indescribable thing of all Which hardly one man there could see for wonder Did something recognizably a something.' Well, what?' 'It made a noise.' 'A frightening noise?' No, no.' 'A musical noise? A noise of scuffling?' No, but a very loud, respectable noise --- Like groaning to oneself on Sunday morning In Chapel, close before the second psalm.' What did the mayor do?' 'I was coming to that.
Robert Graves
Rich or poor, all come full of devotion and with no inner misgivings to lay their offerings before the gods and to pray for their blessing. Is there any people so uniformly attached to their religion and so obedient to it in their daily life? I have always envied the Tibetans their simple faith, for all my life I have been a seeker. Though I learned, while in Asia, the way to meditate, the final answer to the riddle of life has not been vouchsafed to me. But I have at least learned to contemplate the events of life with tranquility and not let myself be flung to and fro by circumstances in a sea of doubt.
Heinrich Harrer (Seven Years in Tibet)
There's never a flood goes shoreward now but lifts a keel we manned; there's never an ebb goes seaward now but drops our dead on the sand—but slinks our dead on the sands forlore, from the Ducies to the Swin.
Rudyard Kipling (The Seven Seas)
The sun was shining on the sea, Shining with all his might: He did his very best to make The billows smooth and bright-- And this was odd, because it was The middle of the night. The moon was shining sulkily, Because she thought the sun Had got no business to be there After the day was done-- "It's very rude of him," she said, "To come and spoil the fun!" The sea was wet as wet could be, The sands were dry as dry. You could not see a cloud, because No cloud was in the sky: No birds were flying over head-- There were no birds to fly. The Walrus and the Carpenter Were walking close at hand; They wept like anything to see Such quantities of sand: "If this were only cleared away," They said, "it WOULD be grand!" "If seven maids with seven mops Swept it for half a year, Do you suppose," the Walrus said, "That they could get it clear?" "I doubt it," said the Carpenter, And shed a bitter tear. "O Oysters, come and walk with us!" The Walrus did beseech. "A pleasant walk, a pleasant talk, Along the briny beach: We cannot do with more than four, To give a hand to each." The eldest Oyster looked at him. But never a word he said: The eldest Oyster winked his eye, And shook his heavy head-- Meaning to say he did not choose To leave the oyster-bed. But four young oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore. The Walrus and the Carpenter Walked on a mile or so, And then they rested on a rock Conveniently low: And all the little Oysters stood And waited in a row. "The time has come," the Walrus said, "To talk of many things: Of shoes--and ships--and sealing-wax-- Of cabbages--and kings-- And why the sea is boiling hot-- And whether pigs have wings." "But wait a bit," the Oysters cried, "Before we have our chat; For some of us are out of breath, And all of us are fat!" "No hurry!" said the Carpenter. They thanked him much for that. "A loaf of bread," the Walrus said, "Is what we chiefly need: Pepper and vinegar besides Are very good indeed-- Now if you're ready Oysters dear, We can begin to feed." "But not on us!" the Oysters cried, Turning a little blue, "After such kindness, that would be A dismal thing to do!" "The night is fine," the Walrus said "Do you admire the view? "It was so kind of you to come! And you are very nice!" The Carpenter said nothing but "Cut us another slice: I wish you were not quite so deaf-- I've had to ask you twice!" "It seems a shame," the Walrus said, "To play them such a trick, After we've brought them out so far, And made them trot so quick!" The Carpenter said nothing but "The butter's spread too thick!" "I weep for you," the Walrus said. "I deeply sympathize." With sobs and tears he sorted out Those of the largest size. Holding his pocket handkerchief Before his streaming eyes. "O Oysters," said the Carpenter. "You've had a pleasant run! Shall we be trotting home again?" But answer came there none-- And that was scarcely odd, because They'd eaten every one.
Lewis Carroll (Through the Looking-Glass and What Alice Found There (Alice's Adventures in Wonderland, #2))
There was a man here, lashed himself to a spar as his ship went down, and for seven days and seven nights he was on the sea, and what kept him alive while others drowned was telling himself stories like a madman, so that as one ended another began. On the seventh day he had told all the stories he knew and that was when he began to tell himself as if he were a story, from the earliest beginnings to his green and deep misfortune. The story he told was of a man lost and found, not once, but many times, as he choked his way out of the waves. And the night fell, he saw the Cape Wrath light, only lit a week it was, but it was, and he knew that if he became the story of the light, he might be saved. With his last strength he began to paddle towards it, arms on either side of the spar, and in his mind the light became a shining rope, pulling him in. He took hold of it, tied it round his waist, and at that moment, the keeper saw him, and ran for the rescue boat.
Jeanette Winterson (Lighthousekeeping)
I’ve sailed the seas of the Seven Isles. I’ve visited five of the seven islands. Fought other pirates and killed many more. And yet some days I am aware that I am driven mostly by fear. Fear of who I am. Fear of who I’m not. Fear of what happens when I face myself in the mirror. To be bold is to be truthful and I am built of lies.
Nikki St. Crowe (Devourer of Men (Devourer, #1))
He'd accepted long ago that some people, no matter how good their heart was or how much love they had to give, would always be alone. It was their lot in life, and Linus had figured out, at the age of twenty-seven, that it seemed to be that way for him. Oh, there was no specific event that brought along this line of thinking. It was just that he felt… dimmer than others. Like he was faded in a crystal-clear world. He wasn't meant to be seen.
T.J. Klune (The House in the Cerulean Sea (Cerulean Chronicles, #1))
To be clear, that wasn’t a request. I will gut you like a second-rate fish from the market and spread your entrails across the seven seas as shark chum and deny ever having this conversation if she so much as sheds a single tear over you.
Lauren Landish (The Dare (Truth or Dare #1))
I HAVE SOME QUESTIONS ABOUT KING TRITON. Specifically, King, why are you elderly but with the body of a teenage Beastmaster? How do you maintain those monster pecs? Do they have endocrinologists under the sea? Because I am scheduling you some bloodwork... ...Question: How come, when they turn back into humans at the end of Beauty and the Beast, Chip is a four-year-old boy, but his mother, Mrs. Potts, is like 107? Perhaps you're thinking, "Lindy, you are remembering it wrong. That kindly, white-haired, snowman-shaped Mrs. Doubtfire situation must be Chip's grandmother." Not so, champ! She's his mom. Look it up. She gave birth to him four years ago... As soon as you become a mother, apparently, you are instantly interchangeable with the oldest woman in the world, and / or sixteen ounces of boiling brown water with a hat on it. Take a sec and contrast Mrs. Pott's literally spherical body with the cut-diamond abs of King Triton, father of seven.
Lindy West
Sometimes she appears to be thinking there has been a miscalculation in the political universe. Dragons with seven heads and ten horns: were they not seen this year? A leopard came out of the sea and sank back down. But patience, patience.
Elizabeth Hardwick (Sleepless Nights)
It happened all the time in this city that encompassed seven hills, two continents, three seas and fifteen million mouths. It happened behind closed doors and in open courtyards; in cheap motel rooms and five-star luxury suites; in the midst of the night or plain daylight. The brothels of this city could tell many a story had they only found ears willing to listen. Call girls and rent boys and aged prostitutes beaten, abused and threatened by clients looking for the smallest excuse to lose their temper. Transsexuals who never went to the police for they knew they could be assaulted a second time. Children scared of particular family members and new brides of their fathers- or brothers-in-law; nurses and teachers and secretaries harassed by infatuated lovers just because they had refused to date them in the past; housewives who would never speak a word for there were no words in this culture to describe marital rape. It happened all the time. Canopied under a mantle of secrecy and silence that shamed the victims and shielded the assailants. Istanbul was no stranger to sexual abuse. In this city where everyone feared outsiders, most assaults came from those who were too familiar, too close.
Elif Shafak (Havva'nın Üç Kızı)
What if she doesn't worry about her body and eats enough for all the growing she has to do? She might rip her stockings and slam-dance on a forged ID to the Pogues, and walk home barefoot, holding her shoes, alone at dawn; she might baby-sit in a battered-women's shelter one night a month; she might skateboard down Lombard Street with its seven hairpin turns, or fall in love with her best friend and do something about it, or lose herself for hours gazing into test tubes with her hair a mess, or climb a promontory with the girls and get drunk at the top, or sit down when the Pledge of Allegiance says stand, or hop a freight train, or take lovers without telling her last name, or run away to sea. She might revel in all the freedoms that seem so trivial to those who could take them for granted; she might dream seriously the dreams that seem to obvious to those who grew up with them really available. Who knows what she would do? Who knows what it would feel like?
Naomi Wolf (The Beauty Myth)
¿Entiendes lo que quiero decirte? Cuando te dan una oportunidad de cambiar tu vida, debes estar dispuesta a hacer lo que sea con tal de lograrlo. El mundo no te da cosas: tú debes tomarlas. Si vas a aprender algo de mí, probablemente debería ser eso.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
You smell good! Like goats!" "Oh." Grover forced a weak giggle. "Do you like it? It's Eau de Chevre. I wore it just for you." "Mmmm!" The cyclops bared his pointed teeth. "Good enough to eat!" "Oh, you're such a flirt!" "No more delays!" "But dear, I'm not done!" "Tomorrow!" "No, no. Ten more days." "Five!" "Oh, well , seven then. If you insist" "Seven! That is less than five, right?" "Certainly. Oh yes
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
Yet those Sundays, when I was seven, marked the beginning of my exile from the world I loved. Like a ship that leaves a port for the vast expanse of sea, those much looked forward to days took me away from the safe harbour of childhood towards the precarious waters of adult life.
Shyam Selvadurai (Funny Boy)
I have a dream And wished to be far above the stars I suddenly feels And wished to be a person of good deeds I, with my means And wished to be a scholar of seven seas I will never leave My culture and my perfect themes I, with my acts Will make the air a better one to feel I will shine And make the world rinse with light I will not cry And face the realities of life I will dive Into the bottom of sights I will fly If I have wings of my choice I will be there If anyone needs me in their pains Allah, You are with me So, I can dream and make this happen in my life
Iqra Iqbal
You do not know', said the Princess of Augustenberg to Herr Gottingen, 'what a place this is for making you clean. That sea breeze has blown straight through my bonnet and my clothes, and through the very flesh and the bones of me, until my heart and spirit are swept, sun-dried, and salted.
Isak Dinesen (Seven Gothic Tales)
I know this: when we lose people we love, they go back to our ancestors, back to the stars. All that love doesn’t just vanish. It’s absorbed by country and sea and sky, by everything, and it lives on. I know this,’ Nin said. ‘But it still hurts, every single day that she’s not here with us.
Holly Ringland (The Seven Skins of Esther Wilding)
There was music from my neighbor's house through the summer nights. In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars. At high tide in the afternoon I watched his guests diving from the tower of his raft, or taking the sun on the hot sand of his beach while his two motor-boats slit the waters of the Sound, drawing aquaplanes over cataracts of foam. On week-ends his Rolls-Royce became an omnibus, bearing parties to and from the city between nine in the morning and long past midnight, while his station wagon scampered like a brisk yellow bug to meet all trains. And on Mondays eight servants, including an extra gardener, toiled all day with mops and scrubbing-brushes and hammers and garden-shears, repairing the ravages of the night before. Every Friday five crates of oranges and lemons arrived from a fruiterer in New York--every Monday these same oranges and lemons left his back door in a pyramid of pulpless halves. There was a machine in the kitchen which could extract the juice of two hundred oranges in half an hour if a little button was pressed two hundred times by a butler's thumb. At least once a fortnight a corps of caterers came down with several hundred feet of canvas and enough colored lights to make a Christmas tree of Gatsby's enormous garden. On buffet tables, garnished with glistening hors-d'oeuvre, spiced baked hams crowded against salads of harlequin designs and pastry pigs and turkeys bewitched to a dark gold. In the main hall a bar with a real brass rail was set up, and stocked with gins and liquors and with cordials so long forgotten that most of his female guests were too young to know one from another. By seven o'clock the orchestra has arrived, no thin five-piece affair, but a whole pitful of oboes and trombones and saxophones and viols and cornets and piccolos, and low and high drums. The last swimmers have come in from the beach now and are dressing up-stairs; the cars from New York are parked five deep in the drive, and already the halls and salons and verandas are gaudy with primary colors, and hair shorn in strange new ways, and shawls beyond the dreams of Castile. The bar is in full swing, and floating rounds of cocktails permeate the garden outside, until the air is alive with chatter and laughter, and casual innuendo and introductions forgotten on the spot, and enthusiastic meetings between women who never knew each other's names. The lights grow brighter as the earth lurches away from the sun, and now the orchestra is playing yellow cocktail music, and the opera of voices pitches a key higher. Laughter is easier minute by minute, spilled with prodigality, tipped out at a cheerful word. The groups change more swiftly, swell with new arrivals, dissolve and form in the same breath; already there are wanderers, confident girls who weave here and there among the stouter and more stable, become for a sharp, joyous moment the centre of a group, and then, excited with triumph, glide on through the sea-change of faces and voices and color under the constantly changing light. Suddenly one of the gypsies, in trembling opal, seizes a cocktail out of the air, dumps it down for courage and, moving her hands like Frisco, dances out alone on the canvas platform. A momentary hush; the orchestra leader varies his rhythm obligingly for her, and there is a burst of chatter as the erroneous news goes around that she is Gilda Gray's understudy from the FOLLIES. The party has begun.
F. Scott Fitzgerald (The Great Gatsby)
I was a boy once myself, you know. I can tell when a lad carries a torch for a lass.” “Now I know you’re joking with me, Keaton. Not only does that adolescent child not ‘carry a torch’ for me, but you wouldn’t know love from hate if it slapped you in the face.” “Probably because love wouldn’t slap a person.
Grace A. Johnson (Bound and Determined (Daughters of the Seven Seas, #3))
This is the thing: if you have the option to not think about or even consider history, whether you learned it right or not, or whether it even deserves consideration, that's how you know you're on board the ship that serves hors d'oeuvres and fluffs your pillows, while others are out at sea, swimming or drowning, or clinging to little inflatable rafts that they have to take turns keeping inflated, people short of breath, who've never even heard of the words hors d'oeuvres of fluff. Then someone from up on the yacht says, "It's too bad those people down there are lazy, and not as smart and able as we are up here, we who have built these strong, large, stylish boats ourselves, we who float the seven seas like kings." And then someone else on board says something like, "But your father gave you this yacht, and these are his servants who brought the hors d'oeuvres." At which point that person gets tossed overboard by a group of hired thugs who'd been hired by the father who owned the yacht, hired for the express purpose of removing any and all agitators on the yacht to keep them from making unnecessary waves, or even referencing the father or the yacht itself. Meanwhile, the man thrown overboard begs for his life and the people on the small inflatable rafts can't get to him soon enough, or they don't even try, and the yacht's speed and weight cause and undertow. Then in whispers, while the agitator gets sucked under the yacht, private agreements are made, precautions are measured out, and everyone quietly agrees to keep on quietly agreeing to the implied rule of law and to not think about what just happened. Soon, the father, who put these things in place, is only spoken of in the form of lore, stories told to children at night, under the stars, at which point there are suddenly several fathers, noble, wise forefather. And the boat sails on unfettered.
Tommy Orange (There There)
January? The month is dumb. It is fraudulent. It does not cleanse itself. The hens lay blood-stained eggs. Do not lend your bread to anyone lest it nevermore rise. Do not eat lentils or your hair will fall out. Do not rely on February except when your cat has kittens, throbbing into the snow. Do not use knives and forks unless there is a thaw, like the yawn of a baby. The sun in this month begets a headache like an angel slapping you in the face. Earthquakes mean March. The dragon will move, and the earth will open like a wound. There will be great rain or snow so save some coal for your uncle. The sun of this month cures all. Therefore, old women say: Let the sun of March shine on my daughter, but let the sun of February shine on my daughter-in-law. However, if you go to a party dressed as the anti-Christ you will be frozen to death by morning. During the rainstorms of April the oyster rises from the sea and opens its shell — rain enters it — when it sinks the raindrops become the pearl. So take a picnic, open your body, and give birth to pearls. June and July? These are the months we call Boiling Water. There is sweat on the cat but the grape marries herself to the sun. Hesitate in August. Be shy. Let your toes tremble in their sandals. However, pick the grape and eat with confidence. The grape is the blood of God. Watch out when holding a knife or you will behead St. John the Baptist. Touch the Cross in September, knock on it three times and say aloud the name of the Lord. Put seven bowls of salt on the roof overnight and the next morning the damp one will foretell the month of rain. Do not faint in September or you will wake up in a dead city. If someone dies in October do not sweep the house for three days or the rest of you will go. Also do not step on a boy's head for the devil will enter your ears like music. November? Shave, whether you have hair or not. Hair is not good, nothing is allowed to grow, all is allowed to die. Because nothing grows you may be tempted to count the stars but beware, in November counting the stars gives you boils. Beware of tall people, they will go mad. Don't harm the turtle dove because he is a great shoe that has swallowed Christ's blood. December? On December fourth water spurts out of the mouse. Put herbs in its eyes and boil corn and put the corn away for the night so that the Lord may trample on it and bring you luck. For many days the Lord has been shut up in the oven. After that He is boiled, but He never dies, never dies.
Anne Sexton
They did not even have to clean off his face to know that the dead man was a stranger. The village was made up of only twenty-odd wooden houses that had stone courtyards with no flowers and which were spread about on the end of a desert-like cape. There was so little land that mothers always went about with the fear that the wind would carry off their children and the few dead that the years had caused among them had to be thrown off the cliffs. But the sea was calm and bountiful and all the men fitted into seven boats. So when they found the drowned man they simply had to look at one another to see that they were all there.
Gabriel García Márquez (Collected Stories)
Forty-two," said Deep Thought, with infinite majesty and calm. It was a long time before anyone spoke. Out of the corner of his eye Phouchg could see the sea of tense expectant faces down in the square outside. "We're going to get lynched aren't we?" he whispered. "It was a tough assignment," said Deep Thought mildly. "Forty-two!" yelled Loonquawl. "Is that all you've got to show for seven and a half million years' work?" "I checked it very thoroughly," said the computer, "and that quite definitely is the answer. I think the problem, to be quite honest with you, is that you've never actually known what the question is." "But it was the Great Question! The Ultimate Question of Life, the Universe and Everything!" howled Loonquawl. "Yes," said Deep Thought with the air of one who suffers fools gladly, "but what actually is it?" A slow stupefied silence crept over the men as they stared at the computer and then at each other. "Well, you know, it's just Everything ... Everything ..." offered Phouchg weakly. "Exactly!" said Deep Thought. "So once you do know what the question actually is, you'll know what the answer means.
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
spaces beneath our feet, in the fractures and voids in the rock, in caverns and fissures and channels, there are waterways as numerous, as meandering, as circuitous, as anything aboveground. The beginning of the Thames is not the beginning—or, rather, it is only to us that it seems like a beginning. In fact Trewsbury Mead might not be the beginning in any case. There are those who say it’s the wrong place. The not-even-the-beginning is not here but elsewhere, at a place called Seven Springs, which is the source of the Churn, a river that joins the Thames at Cricklade. And who is to say? The Thames that goes north, south, east, and west to finally go east, that seeps to one side and the other as it moves forwards, that goes slow as it goes fast, that evaporates into the sky while meandering to the sea, is more about motion than about beginnings. If it has a beginning, it is located in a dark, inaccessible place. Better study where it goes than where it came from.
Diane Setterfield (Once Upon a River)
It was really the intention of the seven mad gods to drown him, despite the abominable injustice of it. For it was certainly an abominable injustice to drown a man who had worked so hard, so hard. The man felt it would be a crime most unnatural. Other people had drowned at sea since galleys swarmed with painted sails, but still--
Stephen Crane (Open Boat)
Sir Arthur has spent three decades of his life on these haunted shores and is clearly a Sri Lankan. Austria convinced the world that Hitler was German and Mozart was theirs. Surely, after centuries of armed plunder, courtesy of the sea pirates from London, Amsterdam and Lisbon, may we Lankans at least help ourselves to one sci-fi visionary?
Shehan Karunatilaka (The Seven Moons of Maali Almeida)
By noon Carter reached the jasper terraces of Kiran which slope down to the river's edge and bear that temple of loveliness wherein the King of Ilek-Vad comes from his far realm on the twilight sea once a year in a golden palanquin to pray to the god of Oukranos, who sang to him in youth when he dwelt in a cottage by its banks. All of jasper is that temple, and covering an acre of ground with its walls and courts, its seven pinnacled towers, and its inner shrine where the river enters through hidden channels and the god sings softly in the night. Many times the moon hears strange music as it shines on those courts and terraces and pinnacles, but whether that music be the song of the god or the chant of the cryptical priests, none but the King of Ilek-Vad may say; for only he had entered the temple or seen the priests. Now, in the drowsiness of day, that carven and delicate fane was silent, and Carter heard only the murmur of the great stream and the hum of the birds and bees as he walked onward under the enchanted sun.
H.P. Lovecraft (The Dream-Quest of Unknown Kadath)
Merciful moons," Tress whispered. "That almost makes me fell sorry for her." "Yes, well, most terrible mass murderers like Crow do tend to be well acquainted with tragedy. It makes you wonder who the true monster is: the killer or the society that created them?" Tress nodded. "That was a trick question," Ulaam said. "The true monster is the one in that drawer next to you. I gave it seven different faces." Tress glanced at the drawer in the small end table beside her seat. It rattled. She pretended not to notice.
Brandon Sanderson (Tress of the Emerald Sea (Hoid's Travails, #1))
Her seven-year-old self had decided that stealing books was morally bankrupt, but since the books hadn’t actually left the library—they’d merely been relocated—it wasn’t technically stealing. Echo looked around at her sea of tomes, and a single word came to mind: Tsundoku. It was the Japanese word for letting books pile up without reading them all.
Melissa Grey (The Girl at Midnight (The Girl at Midnight, #1))
Following the killing of Osama Bin Laden, in a mission coined Operation Neptune Spear (Neptune being synonymous with King Nimrod who built the tower of Babel), there was a US Navy ‘burial at sea.’ We were all led to believe that, for the event, Bin Laden’s body was ‘encased in concrete’ (just as the cadaver of Lincoln had supposedly been) and cast ‘into the sea.’ Also if you will remember, for the assassination mission, carried out by Seal Team 6, Bin Laden had the distinction of having been assigned the code-name, ‘Geronimo!
Yehuda HaLevi (Sacred Scroll of Seven Seals: Skull & Bones, Freemasons, Knights Templar & the Grail)
Every seven years each cell in your body has changed, he reminds himself. He is not that boy anymore. He is twice removed from that boy.
Erin Morgenstern (The Starless Sea)
here. I mean, we’ve been married twenty-seven years, and he’s only ever driven me through it a handful of times
Jack Benton (The Man by the Sea (Slim Hardy Mysteries, #1))
Paris has a child, and the forest has a bird; the bird is called the sparrow; the child is called the gamin. Couple these two ideas which contain, the one all the furnace, the other all the dawn; strike these two sparks together, Paris, childhood; there leaps out from them a little being. Homuncio, Plautus would say. This little being is joyous. He has not food every day, and he goes to the play every evening, if he sees good. He has no shirt on his body, no shoes on his feet, no roof over his head; he is like the flies of heaven, who have none of these things. He is from seven to thirteen years of age, he lives in bands, roams the streets, lodges in the open air, wears an old pair of trousers of his father's, which descend below his heels, an old hat of some other father, which descends below his ears, a single suspender of yellow listing; he runs, lies in wait, rummages about, wastes time, blackens pipes, swears like a convict, haunts the wine-shop, knows thieves, calls gay women thou, talks slang, sings obscene songs, and has no evil in his heart. This is because he has in his heart a pearl, innocence; and pearls are not to be dissolved in mud. So long as man is in his childhood, God wills that he shall be innocent. If one were to ask that enormous city: "What is this?" she would reply: "It is my little one.
Victor Hugo (Works of Victor Hugo. Les Miserables, Notre-Dame de Paris, Man Who Laughs, Toilers of the Sea, Poems & More)
The majestic whale travels the seven seas piping its unique song in the hopes of finding its tribe. The other whales in the sea can hear the solitary whale. But the song to them is foreign and unfamiliar. They’re not resonating on the same frequencies and so, it seems, there can be no reciprocity. The creature carries on, searching high and low for a sign of recognition and response.
Anaik Alcasas (Sending Signals: Amplify the Reach, Resonance and Results of Your Ideas)
This is the thing: If you have the option to not think about or even consider history, whether you learned it right or not, or whether it even deserves consideration, that’s how you know you’re on board the ship that serves hors d’oeuvres and fluffs your pillows, while others are out at sea, swimming or drowning, or clinging to little inflatable rafts that they have to take turns keeping inflated, people short of breath, who’ve never even heard of the words hors d’oeuvres or fluff. Then someone from up on the yacht says, “It’s too bad those people down there are lazy, and not as smart and able as we are up here, we who have built these strong, large, stylish boats ourselves, we who float the seven seas like kings.” And then someone else on board says something like, “But your father gave you this yacht, and these are his servants who brought the hors d’oeuvres.” At which point that person gets tossed overboard by a group of hired thugs who’d been hired by the father who owned the yacht, hired for the express purpose of removing any and all agitators on the yacht to keep them from making unnecessary waves, or even referencing the father or the yacht itself.
Tommy Orange (There There)
[The goal is] "liberation from the bondage of rebirth. According to the Vedantists the self, which they call the atman and we call the soul, is distinct from the body and its senses, distinct from the mind and its intelligence; it is not part of the Absolute, for the Absolute, being infinite, can have no parts but the Absolute itself. It is uncreated; it has existed form eternity and when at least it has cast off the seven veils of ignorance will return to the infinitude from which it came. It is like a drop of water that has arisen from the sea, and in a shower has fallen into a puddle, then drifts into a brook, finds its way into a stream, after that into a river, passing through mountain gorges and wide plains, winding this way and that, obstructed by rocks and fallen trees, till at least it reaches the boundless seas from which it rose." "But that poor little drop of water, when it has once more become one with the sea, has surely lost its individuality." Larry grinned. "You want to taste sugar, you don't want to become sugar. What is individuality but the expression of our egoism? Until the soul has shed the last trace of that it cannot become one with the Absolute." "You talk very familiarly of the Absolute, Larry, and it's an imposing word. What does it actually signify to you?" "Reality. You can't say what it is ; you can only say what it isn't. It's inexpressible. The Indians call it Brahman. It's not a person, it's not a thing, it's not a cause. It has no qualities. It transcends permanence and change; whole and part, finite and infinite. It is eternal because its completeness and perfection are unrelated to time. It is truth and freedom." "Golly," I said to myself, but to Larry: "But how can a purely intellectual conception be a solace to the suffering human race? Men have always wanted a personal God to whom they can turn in their distress for comfort and encouragement." "It may be that at some far distant day greater insight will show them that they must look for comfort and encouragement in their own souls. I myself think that the need to worship is no more than the survival of an old remembrance of cruel gods that had to be propitiated. I believe that God is within me or nowhere. If that's so, whom or what am I to worship—myself? Men are on different levels of spiritual development, and so the imagination of India has evolved the manifestations of the Absolute that are known as Brahma, Vishnu, Siva and by a hundred other names. The Absolute is in Isvara, the creator and ruler of the world, and it is in the humble fetish before which the peasant in his sun-baked field places the offering of a flower. The multitudinous gods of India are but expedients to lead to the realization that the self is one with the supreme self.
W. Somerset Maugham (The Razor’s Edge)
And then wonder took him, and a great joy; and he cast his sword up in the sunlight and sang as he caught it. And all eyes followed his gaze, and behold! upon the foremost ship a great standard broke, and the wind displayed it as she turned towards the Harlond. There flowered a White Tree, and that was for Gondor; but Seven Stars were about it, and a high crown above it, the signs of Elendil that no lord had borne for years beyond count. And the stars flamed in the sunlight, for they were wrought of gems by Arwen daughter of Elrond; and the crown was bright in the morning, for it was wrought of mithril and gold. Thus came Aragorn son of Arathorn, Elessar, Isildur's heir, out of the Paths of the Dead, borne upon a wind from the Sea to the kingdom of Gondor; and the mirth of the Rohirrim was a torrent of laughter and a flashing of swords, and the joy and wonder of the City was a music of trumpets and a ringing of bells. But the hosts of Mordor were seized with bewilderment, and a great wizardry it seemed to them that their own ships should be filled with their foes; and a black dread fell on them, knowing that the tides of fate had turned against them and their doom was at hand.
J.R.R. Tolkien
I am the Wind that blows across the Sea I am the Wave of the Ocean I am the Murmur of the Billows I am the Bull of the Seven Combats I am the Vulture on the Rock I am a Ray of the Sun I am the Fairest of Flowers I am a Wild Boar in Valour I am a Salmon in the Pool I am a Lake on the Plain I am the Skill of the Craftsman I am a Word of Science I am the Spear-point that gives Battle I am the god who creates in the head of man the Fire of Thought. Who is it that Enlightens the Assembly upon the mountain, if not I? Who tells the ages of the moon, if not I? Who shows the place where the sun goes to rest, if not I? Who calls the cattle from the House of Tethra? On whom do the cattle of Tethra smile? Who is the god that fashions enchantments - the enchantment of battle and the wind of change? ― Amergin
Amergin
We only came close to dying six or seven times, which I thought was pretty good. Once, I lost my grip and I found myself dangling by one hand from a ledge fifty feet above the rocky surf. But I found another handhold and kept climbing. A minute later Annabeth hit a slippery patch of moss and her foot slipped. Fortunately, she found something else to put it against. Unfortunately, that something was my face.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
The door opened and the seven of them came out of the conference room. Alexander walked out last. He saw Tatiana struggle up from her chair, but she couldn’t stand without holding on to it, and she looked so alone and forsaken, he was afraid that she would break down in front of half a dozen strangers. Yet he wanted to say something to her, something to comfort her, and so slightly nodding his head, he said, “We are going home.” She inhaled, and her hand covered her mouth. And then because she was Tatiana and because she couldn’t help herself, and because he wouldn’t have it any other way, she ran to him and was in his arms, generals or no generals. She flung her arms around him, she embraced him, her wet face was in his neck. His head was bent to her, and her feet were off the ground.   Though much is taken, much abides; and though we are not now that strength which in old days moved earth and heaven, that which we are, we are— Unyielding. Barrington, Leningrad, Luga, Ladoga, Lazarevo, Ellis Island, the mountains of Holy Cross, their lost families, their lost mothers and fathers, their brothers in arms and brothers are etched on their souls and their fine faces and like the mercurial moon, like Jupiter over Maui, like the Perseus galaxy with its blue, imploding stars they remain, as the stellar wind whispers over the rivers all run red, over the oceans and the seas, murmuring through the moonsilver skies… Tatiana… Alexander… But the bronze horseman is still.
Paullina Simons (Tatiana and Alexander (The Bronze Horseman, #2))
It appears that some part of Slothrop ran into the AWOL Džabajev one night in the heart of downtown Niederschaumdorf. (Some believe that fragments of Slothrop have grown into consistent personae of their own. If so, there's no telling which of the Zone's present-day population are offshoots of his original scattering. There's supposed to be a last photograph of him on the only record album ever put out by The Fool, an English rock group—seven musicians posed, in the arrogant style of the early Stones, near an old rocket-bomb site, out in the East End, or South of the River. It is spring, and French thyme blossoms in amazing white lacework across the cape of green that now hides and softens the true shape of the old rubble. There is no way to tell which of the faces is Slothrop's: the only printed credit that might apply to him is "Harmonica, kazoo—a friend." But knowing his Tarot, we would expect to look among the Humility, among the gray and preterite souls, to look for him adrift in the hostile light of the sky, the darkness of the sea. . . .)
Thomas Pynchon (Gravity’s Rainbow)
You say you know how we think? Then you know what I’m going to do. I’ll rip your face off with a pair of tweezers. I’ll tear your heart out with a sewing needle. I’ll bleed you out with seven billion tiny cuts, one for each one of us. That’s the cost. That’s the price. Get ready, because when you crush the humanity out of humans, you’re left with humans with no humanity. In other words, you get what you pay for, motherfucker.
Rick Yancey (The Infinite Sea (The 5th Wave, #2))
To grasp the movement of the sun in the Arctic is no simple task. Imagine standing precisely at the North Pole on June 21, the summer solstice. Your feet rest on a crust of snow and windblown ice. If you chip the snow away you find the sea ice, grayish white and opaque. Six or seven feet underneath is the Arctic Ocean, dark, about 29°F and about 13,000 feet deep. You are standing 440 miles from the nearest piece of land, the tiny island of Oodaaq off the coast of northern Greenland. You stand in each of the world’s twenty-four time zones and north of every point on earth. On this day the sun is making a flat 360° orbit exactly 23½° above the horizon.
Barry Lopez (Arctic Dreams)
I've always wanted you. I moved to Sea Haven for you. Don't give me a load of crap, Elle." He stood up, too, stepping close, crowding her. "You wanted me on your terms." "You should have wanted me on any terms," she snapped. "If I mattered, then the circumstances shouldn't have." "What the hell am I to you, Elle? A legacy. Someone your damned house chose for you. You wanted a yes man to go with your little fantasy about seven children and--" "How would you know what I wanted?" she interrupted. "You never took the time to find out. You found out about my family and you just stepped aside. You didn't want me but you didn't want anyone else to have me.
Christine Feehan (Hidden Currents (Drake Sisters, #7))
Showers" The child tells me, put a brick in the tank, don’t wear leather, don’t eat brisket, snapper, or farmed salmon—not tells, orders—doesn’t she know the sluice gates are wide open and a trillion gallons wasted just for the dare of it? Until the staring eye shares that thrill, witnessing: I am just iris and cornea, blind spot where brain meets mind, the place where the image forms itself from a spark—image of the coming storm. Still the child waits outside the bathroom with the watch she got for Best Essay, muttering, two minutes too long. Half measures, I say. She says, action. I: I’m one man. She: Seven billion. If you choose, the sea goes back.
D. Nurkse
Picking oranges in Florida. Pushing a broom in New Orleans. Mucking out horse-stalls in Lufkin, Texas. Handing out real estate brochures on street corners in Phoenix, Arizona. Working jobs that pay cash. ... The faces on the currency don't matter. What matters is the sight of a weathervane against a violent pink sunset, the sound of his heels on an empty road in Utah, the sound of the wind in the New Mexico desert, the sight of a child skipping rope beside a junked-out Chevrolet Caprice in Fossil, Oregon. What matters is the whine of the powerlines beside Highway 50 west of Elko, Nevada, and a dead crow in a ditch outside Rainbarrel Springs. Sometimes he's sober and sometimes he gets drunk. Once he lays up in an abandoned shed-this is just over the California state line from Nevada-and drinks for four days straight. It ends with seven hours of off-and-on vomiting. For the first hour or so, the puking is so constant and so violent he is convinced it will kill him. Later on, he can only wish it would. And when it's over, he swears to himself that he's done, no more booze for him, he’s finally learned his lesson, and a week later lies drunk again and staring up at the strange stars behind the restaurant where he has hired on as a dishwasher. He is an animal in a trap and he doesn't care. ... Sometimes he asks himself what he thinks he's doing, where the hell he's going, and such questions are apt to send him in search of the next bottle in a hurry. Because he's really not going anywhere. He's just following the highways in hiding and dragging his trap along behind him, he's just listening to the call of those roads and going from one to the next. Trapped or not, sometimes he is happy; sometimes he sings in his chains like the sea. He wants to see the next weathervane standing against the next pink sunset. He wants to see the next silo crumbling at the end of some disappeared farmer's long-abandoned north field and see the next droning truck with TONOPAH GRAVEL or ASPLUNDH HEAVY CONSTRUCTION written on the side. He's in hobo heaven, lost in the split personalities of America. He wants to hear the wind in canyons and know that he's the only one who hears it. He wants to scream and hear the echoes run away.
Stephen King
The Mystery of Amergin; I am the wind which breathes upon the sea, I am the wave of the ocean, I am the murmur of the billows, I am the ox of the seven combats, I am the vulture upon the rocks, I am a beam of the sun, I am the fairest of plants, I am a wild boar in valour, I am a salmon in the water, I am a lake in the plain, I am a word of science, I am the point of the lance of battle, I am the God who creates in the head [i.e. of man] the fire [i.e. the thought]. Who is it who throws light into the meeting on the mountain? Who announces the ages of the moon [If not I]? Who teaches the place where couches the sun [If not I]? Ancient Author Unknown for certain: an ancient Druidic incantation
Unknown Ancient Celt
Ten little soldier boys went out to dine; One choked his little self and then there were Nine. Nine little soldier boys sat up very late; One overslept himself and then there were Eight. Eight little soldier boys travelling in Devon; One said he’d stay there and then there were Seven. Seven little soldier boys chopping up sticks; One chopped himself in halves and then there were Six. Six little soldier boys playing with a hive; A bumble bee stung one and then there were Five. Five little soldier boys going in for law; One got in Chancery and then there were Four. Four little soldier boys going out to sea; A red herring swallowed one and then there were Three. Three little soldier boys walking in the Zoo; A big bear hugged one and then there were Two. Two little soldier boys sitting in the sun; One got frizzled up and then there was One. One little soldier boy left all alone; He went and hanged himself And then there were None. Frank Green, 1869
Agatha Christie (And Then There Were None)
And they say, if ever a traveler plucks the wild parsley, and takes the bark of the hazel tree, and the secret toadstools, and mixes them with crocus from the patch of forest where the hero's last bones lie, a powerful spell will come to life. The hero will be reborn, not as he was before his destruction, but many times stronger in body and spirit; for he will be filled with the strength of earth, sea, and air. I think of the seven of us as the parts of one body. We may be torn asunder, and it may seem as if there is no tomorrow for us. We may each travel our own path, and we may fall and be broken and mend again. But in the end, as surely as the sun and moon make their way across the arch of the heavens, the strength of one is the strength of seven.
Juliet Marillier (Daughter of the Forest (Sevenwaters, #1))
I clos’d my lids and kept them close, Till the balls like pulses beat; For the sky and the sea, and the sea and the sky Lay like a load on my weary eye, And the dead were at my feet. The cold sweat melted from their limbs. Ne rot, ne reek did they; The look with which they look’d on me, Had never pass’d away. An orphan’s curse would drag to hell A spirit from on high: Bit O! more horrible than that Is the curse in a dead man’s eye! Seven days, seven nights I saw that curse,
And yet I could not die.
Samuel Taylor Coleridge (The Ancient Mariner And Other Poems (1900))
I walked awhile among the rocks: the sky was perfectly clear, and the sun so hot, that I was forced to turn my face from it: when all on a sudden it became obscure, as I thought, in a manner very different from what happens by the interposition of a cloud. I turned back, and perceived a vast opaque body between me and the sun moving forwards towards the island: it seemed to be about two miles high, and hid the sun six or seven minutes; but I did not observe the air to be much colder, or the sky more darkened, than if I had stood under the shade of a mountain. As it approached nearer over the place where I was, it appeared to be a firm substance, the bottom flat, smooth, and shining very bright, from the reflection of the sea below. I stood upon a height about two hundred yards from the shore, and saw this vast body descending almost to a parallel with me, at less than an English mile distance. I took out my pocket perspective, and could plainly discover numbers of people moving up and down the sides of it, which appeared to be sloping; but what those people where doing I was not able to distinguish.
Jonathan Swift (Gulliver's Travels)
The city of Prague had always felt enchanted to him. It was a moment frozen in time. Having suffered far less damage than other European cities in World War II, the historical capital of Bohemia enjoyed a dazzling skyline that still sparkled with all its original architecture—a uniquely varied and pristine sampling of Romanesque, Gothic, Baroque, Art Nouveau, and Neoclassical designs. The city’s nickname—Stověžatá—literally meant “with a hundred spires,” although the actual number of spires and steeples in Prague was closer to seven hundred. In the summer, the city occasionally illuminated them with a sea of green floodlights; the awe-inspiring effect was said to have inspired Hollywood’s depiction in The Wizard of Oz of the Emerald City—a mystical destination that, like Prague, was believed to be a place of magical possibilities.
Dan Brown (The Secret of Secrets (Robert Langdon, #6))
But, in the ocean of faces where every fierce and furious expression was in vivid life, there were two groups of faces—each seven in number—so fixedly contrasting with the rest, that never did sea roll which bore more memorable wrecks with it. Seven faces of prisoners, suddenly released by the storm that had burst their tomb, were carried high overhead: all scared, all lost, all wondering and amazed, as if the Last Day were come, and those who rejoiced around them were lost spirits. Other seven faces there were, carried higher, seven dead faces, whose drooping eyelids and half-seen eyes awaited the Last Day. Impassive faces, yet with a suspended—not an abolished—expression on them; faces, rather, in a fearful pause, as having yet to raise the dropped lids of the eyes, and bear witness with the bloodless lips, “THOU DIDST IT!” Seven
Charles Dickens (A Tale of Two Cities)
Even steering a boat can be dangerous. In heavy seas it might take six or seven men to control the tiller of a very large vessel, and they have to do this below deck, without being able to see the sea and the sky. You will not find a ship’s wheel anywhere—it has not been invented yet.
Ian Mortimer (The Time Traveler's Guide to Elizabethan England)
As a matter of fact I don’t care two pins about accuracy. Who is accurate? Nobody nowadays. If a reporter writes that a beautiful girl of twenty-two dies by turning on the gas after looking out over the sea and kissing her favourite Labrador, Bob, goodbye, does anybody make a fuss because the girl was twenty-six, the room faced inland, and the dog was a Sealyham terrier called Bonnie? If a journalist can do that sort of thing I don’t see that it matters if I mix up police ranks and say a revolver when I mean an automatic and a dictograph when I mean a phonograph, and use a poison that just allows you to gasp one dying sentence and no more. What really matters is plenty of bodies! If the thing’s getting a little dull, some more blood cheers it up. Somebody is going to tell something – and then they’re killed first! That always goes down well. It comes in all my books – camouflaged different ways of course. And people like untraceable poisons, and idiotic police inspectors and girls tied up in cellars with sewer gas or water pouring in (such a troublesome way of killing anyone really) and a hero who can dispose of anything from three to seven villains singlehanded.
Agatha Christie (Cards on the Table (Hercule Poirot, #15))
Only those who have lost as much as we have see the particularly nasty slice of smile on someone who thinks they’re winning when they say “Get over it.” This is the thing: If you have the option to not think about or even consider history, whether you learned it right or not, or whether it even deserves consideration, that’s how you know you’re on board the ship that serves hors d’oeuvres and fluffs your pillows, while others are out at sea, swimming or drowning, or clinging to little inflatable rafts that they have to take turns keeping inflated, people short of breath, who’ve never even heard of the words hors d’oeuvres or fluff. Then someone from up on the yacht says, “It’s too bad those people down there are lazy, and not as smart and able as we are up here, we who have built these strong, large, stylish boats ourselves, we who float the seven seas like kings.” And then someone else on board says something like, “But your father gave you this yacht, and these are his servants who brought the hors d’oeuvres.” At which point that person gets tossed overboard by a group of hired thugs who’d been hired by the father who owned the yacht, hired for the express purpose of removing any and all agitators on the yacht to keep them from making unnecessary waves, or even referencing the father or the yacht itself. Meanwhile, the man thrown overboard begs for his life, and the people on the small inflatable rafts can’t get to him soon enough, or they don’t even try, and the yacht’s speed and weight cause an undertow. Then in whispers, while the agitator gets sucked under the yacht, private agreements are made, precautions are measured out, and everyone quietly agrees to keep on quietly agreeing to the implied rule of law and to not think about what just happened. Soon, the father, who put these things in place, is only spoken of in the form of lore, stories told to children at night, under the stars, at which point there are suddenly several fathers, noble, wise forefathers. And the boat sails on unfettered. If you were fortunate enough to be born into a family whose ancestors directly benefited from genocide and/or slavery, maybe you think the more you don’t know, the more innocent you can stay, which is a good incentive to not find out, to not look too deep, to walk carefully around the sleeping tiger. Look no further than your last name. Follow it back and you might find your line paved with gold, or beset with traps.
Tommy Orange (There There)
Message traffic indicated that IUSS (Integrated Undersea Surveillance System) had sniffs of a number of the newest operational class of Russian SSNs, the Akula II, heading south from the Sea of Okhotsk area toward the South China Sea—and the numbers did not match naval intelligence’s initial expectations. Satellite imagery of Vladivostok showed three submarines missing, and data from Petropavlosk added another missing sub, for a total of four, but IUSS was picking up seven different Akula class SSNs. New data, however, showed three more missing from the Russian base in the Kola Peninsula. Naval intelligence had been concentrating on the Pacific theater and had missed the departure of the North Fleet Akula II SSNs the week before. These Akulas had completed an under-ice transfer through the Bering Straits before they were detected in the Bering Sea, and had rendezvoused with the PACFLT Akulas east of the Kurile Islands.
Tom Clancy (SSN: A Strategy Guide to Submarine Warfare)
Someone said that people don’t really want to date other people. They don’t really want equal partnership—you know, two full people in a relationship. Two people with demands and desires and differences of opinion about everything. What they want is one-point-five people in the relationship. They want to be the complete one, the person who controls the relationship—and they want the other person to be half a person. You know, someone who gets them, but who doesn’t have their own demands. Someone who appears complete, with all these personality quirks and their own opinions and stories about the world—but not in an annoying way. Not in a way that would demand you change. So six or seven years ago, this big company in the SF-SD Axis that specializes in AI started cranking these things out. What you do is, you fill out this long questionnaire on your terminal, play a whole bunch of different simulations and puzzle games, and then they custom-produce one for you.
Ray Nayler (The Mountain in the Sea)
Perspective.’ He nodded and swung an arm out over his property. ‘You see that tree. Just beyond the tennis courts.’ I could hardly miss it. A gnarled old monster taller than the house, casting shade over an area the size of a tennis court in itself. I nodded. ‘That tree is over seven hundred years old. When I bought this property, I hired a design engineer and he wanted to chop it down. He was planning to build the house further up the rise and the tree was spoiling the sea view. I sacked him.’ Bancroft turned to make sure his point was getting across. ‘You see, Mr Kovacs, that engineer was a man in his thirties, and to him the tree was just an inconvenience. It was in his way. The fact it had been part of the world for over twenty times the length of his own life didn’t seem to bother him. He had no respect.’ ‘So you’re the tree.’ ‘Just so,’ said Bancroft equably. ‘I am the tree. The police would like to chop me down, just like that engineer. I am inconvenient to them, and they have no respect.
Richard K. Morgan (Altered Carbon (Takeshi Kovacs, #1))
The longer Gustaf was there, the better he understood that the heart of the strangeness of this city was the river — the river of seven names. Its waters rose from and disappeared into the karst six times before bubbling up again in the marshes, where it became the brief but important Ljubljanica. Ten kilometers east of the capital, the murky river joined the glass-green Sava, found the Danube, and finally emptied into the Black Sea. It carried all the mundane debris and supernatural detritus of eastern Europe to be discarded in that basin, coloring the lives of those who lived along the way. There was a reason this was a part of the world that would never find peace.
Victoria Raschke (Who by Water: Voices of the Dead - Book One)
Unluckier still was Guillaume Le Gentil, whose experiences are wonderfully summarized by Timothy Ferris in Coming of Age in the Milky Way. Le Gentil set off from France a year ahead of time to observe the transit from India, but various setbacks left him still at sea on the day of the transit—just about the worst place to be since steady measurements were impossible on a pitching ship. Undaunted, Le Gentil continued on to India to await the next transit in 1769. With eight years to prepare, he erected a first-rate viewing station, tested and retested his instruments, and had everything in a state of perfect readiness. On the morning of the second transit, June 4, 1769, he awoke to a fine day, but, just as Venus began its pass, a cloud slid in front of the Sun and remained there for almost exactly the duration of the transit: three hours, fourteen minutes, and seven seconds. Stoically, Le Gentil packed up his instruments and set off for the nearest port, but en route he contracted dysentery and was laid up for nearly a year. Still weakened, he finally made it onto a ship. It was nearly wrecked in a hurricane off the African coast. When at last he reached home, eleven and a half years after setting off, and having achieved nothing, he discovered that his relatives had had him declared dead in his absence and had enthusiastically plundered his estate.
Bill Bryson (A Short History of Nearly Everything)
The Garden of Proserpine" Here, where the world is quiet; Here, where all trouble seems Dead winds' and spent waves' riot In doubtful dreams of dreams; I watch the green field growing For reaping folk and sowing, For harvest-time and mowing, A sleepy world of streams. I am tired of tears and laughter, And men that laugh and weep; Of what may come hereafter For men that sow to reap: I am weary of days and hours, Blown buds of barren flowers, Desires and dreams and powers And everything but sleep. Here life has death for neighbour, And far from eye or ear Wan waves and wet winds labour, Weak ships and spirits steer; They drive adrift, and whither They wot not who make thither; But no such winds blow hither, And no such things grow here. No growth of moor or coppice, No heather-flower or vine, But bloomless buds of poppies, Green grapes of Proserpine, Pale beds of blowing rushes Where no leaf blooms or blushes Save this whereout she crushes For dead men deadly wine. Pale, without name or number, In fruitless fields of corn, They bow themselves and slumber All night till light is born; And like a soul belated, In hell and heaven unmated, By cloud and mist abated Comes out of darkness morn. Though one were strong as seven, He too with death shall dwell, Nor wake with wings in heaven, Nor weep for pains in hell; Though one were fair as roses, His beauty clouds and closes; And well though love reposes, In the end it is not well. Pale, beyond porch and portal, Crowned with calm leaves, she stands Who gathers all things mortal With cold immortal hands; Her languid lips are sweeter Than love's who fears to greet her To men that mix and meet her From many times and lands. She waits for each and other, She waits for all men born; Forgets the earth her mother, The life of fruits and corn; And spring and seed and swallow Take wing for her and follow Where summer song rings hollow And flowers are put to scorn. There go the loves that wither, The old loves with wearier wings; And all dead years draw thither, And all disastrous things; Dead dreams of days forsaken, Blind buds that snows have shaken, Wild leaves that winds have taken, Red strays of ruined springs. We are not sure of sorrow, And joy was never sure; To-day will die to-morrow; Time stoops to no man's lure; And love, grown faint and fretful, With lips but half regretful Sighs, and with eyes forgetful Weeps that no loves endure. From too much love of living, From hope and fear set free, We thank with brief thanksgiving Whatever gods may be That no life lives for ever; That dead men rise up never; That even the weariest river Winds somewhere safe to sea. Then star nor sun shall waken, Nor any change of light: Nor sound of waters shaken, Nor any sound or sight: Nor wintry leaves nor vernal, Nor days nor things diurnal; Only the sleep eternal In an eternal night.
Algernon Charles Swinburne (Poems and Ballads & Atalanta in Calydon)
It was the Kojagar full moon, and I was slowly pacing the riverside conversing with myself. It could hardly be called a conversation, as I was doing all the talking and my imaginary companion all the listening. The poor fellow had no chance of speaking up for himself, for was not mine the power to compel him helplessly to answer like a fool? But what a night it was! How often have I tried to write of such, but never got it done! There was not a line of ripple on the river; and from away over there, where the farthest shore of the distant main stream is seen beyond the other edge of the midway belt of sand, right up to this shore, glimmers a broad band of moonlight. Not a human being, not a boat in sight; not a tree, nor blade of grass on the fresh-formed island sand-bank. It seemed as though a desolate moon was rising upon a devastated earth; a random river wandering through a lifeless solitude; a long-drawn fairy-tale coming to a close over a deserted world,—all the kings and the princesses, their ministers and friends and their golden castles vanished, leaving the Seven Seas and Thirteen Rivers and the Unending Moor, over which the adventurous princes fared forth, wanly gleaming in the pale moonlight. I was pacing up and down like the last pulse-beats of this dying world. Every one else seemed to be on the opposite shore—the shore of life—where the British Government and the Nineteenth Century hold sway, and tea and cigarettes.
Rabindranath Tagore
Like gamblers, baseball fans and television networks, fishermen are enamored of statistics. The adoration of statistics is a trait so deeply embedded in their nature that even those rarefied anglers the disciples of Jesus couldn't resist backing their yarns with arithmetic: when the resurrected Christ appears on the morning shore of the Sea of Galilee and directs his forlorn and skunked disciples to the famous catch of John 21, we learn that the net contained not "a boatload" of fish, nor "about a hundred and a half," nor "over a gross," but precisely "a hundred and fifty three." This is, it seems to me, one of the most remarkable statistics ever computed. Consider the circumstances: this is after the Crucifixion and the Resurrection; Jesus is standing on the beach newly risen from the dead, and it is only the third time the disciples have seen him since the nightmare of Calvary. And yet we learn that in the net there were "great fishes" numbering precisely "a hundred and fifty three." How was this digit discovered? Mustn't it have happened thus: upon hauling the net to shore, the disciples squatted down by that immense, writhing fish pile and started tossing them into a second pile, painstakingly counting "one, two, three, four, five, six, seven... " all the way up to a hundred and fifty three, while the newly risen Lord of Creation, the Sustainer of all their beings, He who died for them and for Whom they would gladly die, stood waiting, ignored, till the heap of fish was quantified. Such is the fisherman's compulsion toward rudimentary mathematics! ....Concerning those disciples huddled over the pile of fish, another possibility occurs to me: perhaps they paid the fish no heed. Perhaps they stood in a circle adoring their Lord while He, the All-Curious Son of His All-Knowing Dad, counted them all Himself!
David James Duncan (The River Why)
I have always envied the Tibetans their simple faith, for all my life I have been a seeker. Though I learned, while in Asia, the way to meditate, the final answer to the riddle of life has not been vouchsafed to me. But I have at least learned to contemplate the events of life with tranquillity and not let myself be flung to and fro by circumstances in a sea of doubt.
Heinrich Harrer (Seven Years in Tibet: The gripping travel memoir of resilience and Himalayan adventure)
If the Israelites had known that they would face the Red Sea, be pursued by Pharaoh and his army, and face great tests of their faith, do you think they would have ever embarked on the journey to the Promised Land? More than once they considered going back because the costs of the trip were much more than they had expected. They always are. Perhaps that’s why God didn’t tell them what was in store. Instead, he simply called upon them to trust him with what stood directly in front of them. All the Israelites had to do was trust God’s faithfulness with each step they took. I think we would all find the journeys of life much less worrisome if we could just be faithful to God with what stands in front of us and not fret over what tomorrow may hold.
Ron L. Deal (The Smart Stepfamily: Seven Steps to a Healthy Family)
Great. He really does like Monstrous Sea. I don’t know if that should be flattering or terrifying. With the sheer number of people that go to my school, I figured at least one of them would be a Monstrous Sea fan, but I also figured I’d never end up talking to them. Ever. Ever in my life. Why now? I only had to survive another seven months without something like this happening. Why now, O cruel universe?
Francesca Zappia (Eliza and Her Monsters)
they get stuck. This shuts off the blood supply to various parts of the body, causing dead spots to appear in the brain, liver, kidneys, lungs, intestines, testicles, breast tissue (of men as well as women), and all through the skin. The skin develops red spots, called petechiae, which are hemorrhages under the skin. Ebola attacks connective tissue with particular ferocity; it multiplies in collagen, the chief constituent protein of the tissue that holds the organs together. (The seven Ebola proteins somehow chew up the body’s structural proteins.) In this way, collagen in the body turns to mush, and the underlayers of the skin die and liquefy. The skin bubbles up into a sea of tiny white blisters mixed with red spots known as a maculopapular rash. This rash has been likened to tapioca pudding. Spontaneous rips appear in the skin, and hemorrhagic blood pours from the rips. The red spots on the skin grow and spread and merge to become huge, spontaneous bruises, and the skin goes soft and pulpy, and can tear off if it is touched with any kind of pressure. Your mouth bleeds, and you bleed around your teeth, and you may have hemorrhages from the salivary glands—literally every opening in the body bleeds, no matter how small. The surface of the tongue turns brilliant red and then sloughs off, and is swallowed or spat out. It is said to be extraordinarily painful to lose the surface of one’s tongue. The tongue’s skin may be torn off during rushes of the black vomit. The back of the throat and the lining of the windpipe may also slough off, and the dead tissue slides down the windpipe into the lungs or is coughed up with sputum. Your
Richard Preston (The Hot Zone)
Seven men inhabit the raft. The pessimist, for whom the good things of life are no more than lures to prolong suffering; the egocentric, whose motto is 'Carpe diem' - enjoy today - and who does his best to get the most comfortable part of the raft himself; the optimist, always scanning the horizon for the promised land; the observer, who finds it enough to write the logbook of the voyage and to note down the behaviour of the sea, the raft and his fellow-victims; the altruist, who finds his reason for being in the need to deny himself and to help others; the stoic, who believes in nothing but his own refusal to jump overboard and end it all; and finally the child, the one born, as some with perfect pitch, with perfect ignorance - the pityfully ubiquitous child, who believes that all will be explained in the end, the nightmare fade and the green shore rise.
John Fowles (Áristos)
Any man who had foretold such disasters this day last year would have been treated as a madman or a traitor. He would've been told that ere seven months have gone by, the American flag would have been swept from the ocean, the American navy destroyed, and the maritime arsenals reduced to ashes. Yet not one of the American frigates has struck her colors... Nothing chases them, nothing intercepts them, nothing engages them, except to yield…
Peter Marshall (From Sea to Shining Sea: God's Plan for America Unfolds)
58 Churchill’s speech lasted only seven minutes, but it was one of the greatest ever made in the House of Commons, and one of the triumphs of his oratory: I would say to the House, as I said to those who have joined this Government: ‘I have nothing to offer but blood, toil, tears and sweat.’ We have before us an ordeal of the most grievous kind. We have before us many, many long months of struggle and of suffering. You ask, what is our policy? I will say: It is to wage war, by sea, land and air, with all our might and with all the strength that God can give us; to wage war against a monstrous tyranny never surpassed in the dark, lamentable catalogue of human crime. That is our policy. You ask, what is our aim? I can answer in one word: It is victory, victory at all costs, victory in spite of all terror, victory, however long and hard the road may be; for without victory, there is no
Andrew Roberts (Churchill: Walking with Destiny)
Ten little soldier boys went out to dine; One choked his little self and then there were Nine. Nine little soldier boys sat up very late; One overslept himself and then there were Eight. Eight little soldier boys travelling in Devon; One said he’d stay there and then there were Seven. Seven little soldier boys chopping up sticks; One chopped himself in halves and then there were Six. Six little soldier boys playing with a hive; A bumble bee stung one and then there were Five. Five little soldier boys going in for law; One got in Chancery and then there were Four. Four little soldier boys going out to sea; A red herring swallowed one and then there were Three. Three little soldier boys walking in the Zoo; A big bear hugged one and then there were Two. Two little soldier boys sitting in the sun; One got frizzled up and then there was One. One little soldier boy left all alone; He went and hanged himself and then there were None.
Anonymous
Cesca sipped from her coffee cup as she peered through the windshield into the darkness. Rain was falling hard on a San Francisco she didn’t recognize from her own universe, or from her time in the other Matt’s universe. The real darkness here had nothing to do with night. This San Francisco mirrored the moral corruption and decay of the society which inhabited it. She and Ariel had been here two days, scouring streets filled with perversion and hopelessness; alleyways inhabited by the homeless and mentally ill; sex shops catering to every perversion imaginable and unimaginable; sidewalks teeming with drug addicts and male prostitutes — some dressed as women; street corners inhabited by once lovely young women prematurely aging from selling their bodies to all takers — male and female; children of both sexes, from as young as seven and eight, dressed by pimps to attract pedophiles who cruised this part of the city nightly. Many of the children would be sold on the spot, never to be seen again. Sun-faded and now graffitied wall mosaics of galvanizing yet transient political cult personalities, erected by their blinded followers centuries ago, marked this alternate world’s gradual slide into an ethical, and finally moral abyss, from which it had never crawled out. "God, I can’t believe this is San Francisco,” whispered Ariel from the seat next to Cesca. “I feel like I need to run a bar of soap over my soul.
Bobby Underwood (The Dreamless Sea (Matt Ransom #9))
The oldest creatures we’ve found so far all came from the sea. Ming the clam, a so-called ocean quahog caught off the coast of Iceland in 2006, turned out to be at least five hundred and seven years old. Scientists estimated its year of birth to be 1499, a few years after Columbus made it to North America and during the time of the Ming dynasty in China. Who knows how long it could have lived if the scientists in their efforts to establish its age hadn’t also accidentally killed it.
Patrik Svensson (The Book of Eels: Our Enduring Fascination with the Most Mysterious Creature in the Natural World)
You love the sea, don’t you, Captain?”“Yes, I love it! The sea is everything. It covers seven-tenths of the globe. Its breath is pure and healthy. It is an immense desert where a man is never alone, for he can feel life quivering all about him. The sea is only a receptacle for all the prodigious, supernatural things that exist inside it; it is only movement and love; it is the living infinite, as one of your poets has said. And in fact, Professor, it contains the three kingdoms of nature—mineral, vegetable and animal. This last is well represented by the four groups of zoophytes, by the three classes of articulata, by the five classes of mollusks, by three classes of vertebrates, mammals and reptiles, and those innumerable legions of fish, that infinite order of animals which includes more than thirteen thousand species, only one-tenth of which live in fresh water. The sea is a vast reservoir of nature. The world, so to speak, began with the sea, and who knows but that it will also end in the sea! There lies supreme tranquillity. The sea does not belong to tyrants. On its surface, they can still exercise their iniquitous rights, fighting, destroying one another and indulging in their other earthly horrors. But thirty feet below its surface their power ceases, their influence dies out and their domination disappears! Ah, Monsieur, one must live—live within the ocean! Only there can one be independent! Only there do I have no master! There I am free!
Jules Verne (20,000 Leagues Under the Sea and other Classic Novels)
Too Loud a Solitude, by Bohumil Hrabel Train Dreams, by Denis Johnson Sula, by Toni Morrison The Shadow-Line, by Joseph Conrad The All of It, by Jeannette Haine Winter in the Blood, by James Welch Swimmer in the Secret Sea, by William Kotzwinkle The Blue Flower, by Penelope Fitzgerald First Love, by Ivan Turgenev Wide Sargasso Sea, by Jean Rhys Mrs. Dalloway, by Virginia Woolf Waiting for the Barbarians, by J. M. Coetzee Fire on the Mountain, by Anita Desai Sailboat Table (table by Quint Hankle) The Voyage of the Narwhal, by Andrea Barrett Complete Stories, by Clarice Lispector Boy Kings of Texas, by Domingo Martinez The Marrow Thieves, by Cherie Dimaline A Brief History of Seven Killings, by Marlon James There There, by Tommy Orange Citizen: An American Lyric, by Claudia Rankine Underland, by Robert Macfarlane The Undocumented Americans, by Karla Cornejo Villavicencio Deacon King Kong, by James McBride The Dutch House, by Ann Patchett Will and Testament, by Vigdis Hjorth Every Man Dies Alone, by Hans Fallada
Louise Erdrich (The Sentence: A Novel)
How can I further encourage you to go about the business of life? Young women, I would say, and please attend, for the peroration is beginning, you are, in my opinion, disgracefully ignorant. You have never made a discovery of any sort of importance. You have never shaken an empire or led an army into battle. The plays of Shakespeare are not by you, and you have never introduced a barbarous race to the blessings of civilization. What is your excuse? It is all very blessings of civilisation. What is you excuse? it is all very well for you to say, pointing to the streets and squares and forests of the globe swarming with black and white and coffee-coloured inhabitants, all busily engaged in traffic and enterprise and love-making, we have had other work on our hands. Without our doing, those seas would be unsailed and those fertile lands a desert. We have borne and bred and washed and taught, perhaps to the age of six or seven years, the one thousand six hundred and twenty-three million human beings who are, according to statistics, at present in existence, and that, allowing that some had help, takes time. There is truth in what you say—I will not deny it. But at the same time may I remind you that there have been at least two colleges for women in existence in England since the year 1886; that after the year 1880 a married woman was allowed by the law to possess her own property; and that in 1919—which is a whole nine years ago—she was given a vote? May I also remind you that most of the professions have been open to you for close to ten years now? When you reflect upon these immense privileges and the length of time during which they have been enjoyed, and the fact that there must be at this moment some two thousand women capable of earning over five hundred a year in one way or another, you will agree that the excuse of lack of opportunity, training, encouragement, leisure and money no longer holds good. Moreover, the economists are telling us that Mrs. Seton has had too many children. You must, of course, go on bearing children, but, so they say, in twos and threes, not in tens and twelves. Thus, with some time on your hands and with some book learning in your brains—you have had enough of the other kind, and are sent to college partly, I suspect, to be uneducated—surely you should embark upon another stage of your very long, very laborious and highly obscure career. A thousand pens are ready to suggest what you should do and what effect you will have. My own suggestion is a little fantastic, I admit; I prefer, therefore, to put it in the form of fiction.
Virginia Woolf (A Room of One’s Own)
Who built the seven gates of Thebes? The books are filled with names of kings. Was it the kings who hauled the craggy blocks of stone? And Babylon, so many times destroyed. Who built the city up each time? In which of Lima’s houses, That city glittering with gold, lived those who built it? In the evening when the Chinese wall was finished Where did the masons go? Imperial Rome Is full of arcs of triumph. Who reared them up? Over whom Did the Caesars triumph? Byzantium lives in song. Were all her dwellings palaces? And even in Atlantis of the legend The night the seas rushed in, The drowning men still bellowed for their slaves. Young Alexander conquered India. He alone? Caesar beat the Gauls. Was there not even a cook in his army? Phillip of Spain wept as his fleet was sunk and destroyed. Were there no other tears? Frederick the Great triumphed in the Seven Years War. Who triumphed with him? Each page a victory At whose expense the victory ball? Every ten years a great man, Who paid the piper? So many particulars. So many questions.
Bertolt Brecht
Dear patient (first name, last name)! You are presently located in our experimental state hospital. The measures taken to save your life were drastic, extremely drastic (circle one). Our finest surgeons, availing themselves of the very latest achievements of modern medicine, performed one, two, three, four, five, six, seven, eight, nine, ten operations (circle one) on you. They were forced, acting wholly in your interest to replace certain parts of your organism with parts obtained from other persons, in strict accordance with Federal Law (Rev. Stat. Comm. 1-989/0-001/89/1). The notice you are now reading was thoughtfully prepared in order to help you make the best possible adjustment to these new if somewhat unexpected circumstances in your life, which, we hasten to remind you, we have saved. Although it was found necessary to remove your arms, legs, spine, skill, lungs, stomach, kidneys, liver, other (circle one or more), rest assured that these mortal remains were disposed of in a manner fully in keeping with the dictates of your religion; they were, with the proper ritual, interred, embalmed, mummified, buried at sea, cremated with the ashes scattered in the wind—preserved in an urn—thrown in the garbage (circle one). The new form in which you will henceforth lead a happy and healthy existence may possibly occasion you some surprise, but we promise that in time you will become, as indeed all our dear patients do, quite accustomed to it We have supplemented your organism with the very best, the best, perfectly functional, adequate, the only available (circle one) organs at our disposal, and they are fully guaranteed to last a year, six months, three months, three weeks, six days (circle one).
Stanisław Lem (The Futurological Congress: From the Memoirs of Ijon Tichy)
He moved on down the alley, his feet walking forward and his brain swimming backward through a sea of time. It was a dark sea, much darker than the alley. The tide was slow and there were no waves, just tiny ripples that murmured very softly. Telling him about yesterday. Telling him that yesterday could never really be discarded, it was always a part of now. There was just no way to get rid of it. No way to push it aside or throw it into an ash can, or dig a hole and bury it. For all buried memories were nothing more than slow-motion boomerangs, taking their own sweet time to come back. This one had taken seven years.
David Goodis (Street of No Return)
What if she doesn’t worry about her body and eats enough for all the growing she has to do? She might rip her stockings and slam-dance on a forged ID to the Pogues, and walk home barefoot, holding her shoes, alone at dawn; she might baby-sit in a battered-women’s shelter one night a month; she might skateboard down Lombard Street with its seven hairpin turns, or fall in love with her best friend and do something about it, or lose herself for hours gazing into test tubes with her hair a mess, or climb a promontory with the girls and get drunk at the top, or sit down when the Pledge of Allegiance says stand, or hop a freight train, or take lovers without telling her last name, or run away to sea. She might revel in all the freedoms that seem so trivial to those who could take them for granted; she might dream seriously the dreams that seem so obvious to those who grew up with them really available. Who knows what she would do? Who knows what it would feel like? But if she is not careful she will end up: raped, pregnant, impossible to control, or merely what is now called fat. The teenage girl knows this. Everyone is telling her to be careful. She learns that making her body into her landscape to tame is preferable to any kind of wildness
Naomi Wolf (The Beauty Myth)
Adding carbon dioxide, or any other greenhouse gas, to the atmosphere by, say, burning fossil fuels or leveling forests is, in the language of climate science, an anthropogenic forcing. Since preindustrial times, the concentration of CO2 in the atmosphere has risen by roughly a third, from 280 to 378 parts per million. During the same period, the concentration of methane has more than doubled, from .78 to 1.76 parts per million. Scientists measure forcings in terms of watts per square meter, or w/m2, by which they mean that a certain number of watts have been added (or, in the case of a negative forcing, like aerosols, subtracted) for every single square meter of the earth’s surface. The size of the greenhouse forcing is estimated, at this point, to be 2.5 w/m2. A miniature Christmas light gives off about four tenths of a watt of energy, mostly in the form of heat, so that, in effect (as Sophie supposedly explained to Connor), we have covered the earth with tiny bulbs, six for every square meter. These bulbs are burning twenty-four hours a day, seven days a week, year in and year out. If greenhouse gases were held constant at today’s levels, it is estimated that it would take several decades for the full impact of the forcing that is already in place to be felt. This is because raising the earth’s temperature involves not only warming the air and the surface of the land but also melting sea ice, liquefying glaciers, and, most significant, heating the oceans, all processes that require tremendous amounts of energy. (Imagine trying to thaw a gallon of ice cream or warm a pot of water using an Easy-Bake oven.) The delay that is built into the system is, in a certain sense, fortunate. It enables us, with the help of climate models, to foresee what is coming and therefore to prepare for it. But in another sense it is clearly disastrous, because it allows us to keep adding CO2 to the atmosphere while fobbing the impacts off on our children and grandchildren.
Elizabeth Kolbert (Field Notes from a Catastrophe)
I stood outside Antilla for a long time watching the sun go down. I imagined that the tower was as deep as it was high. That it had a twenty-seven-story-long tap root, snaking around below the ground, hungrily sucking sustenance out of the earth, turning it into smoke and gold. Why did the Ambanis choose to call their building Antilla? Antilla is the name of a set of mythical islands whose story dates back to an eighth-century Iberian legend. When the Muslims conquered Hispania, six Christian Visigothic bishops and their parishioners boarded ships and fled. After days, or maybe weeks, at sea, they arrived at the isles of Antilla, where they decided to settle and raise a new civilization. They burned their boats to permanently sever their links to their barbarian-dominated homeland. By calling their tower Antilla, do the Ambanis hope to sever their links to the poverty and squalor of their homeland and raise a new civilization? Is this the final act of the most successful secessionist movement in India: the secession of the middle and upper classes into outer space? As night fell over Mumbai, guards in crisp linen shirts with crackling walkie-talkies appeared outside the forbidding gates of Antilla. The lights blazed on, to scare away the ghosts perhaps. The neighbors complain that Antilla’s bright lights have stolen the night. Perhaps it’s time for us to take back the night.
Arundhati Roy (Capitalism: A Ghost Story)
...he never so much as looks at me. He just sits there reading his old history books, that really gets me. I ought to go up to him, I really feel this, I should say, Martin, it's so stupid reading all those books. Don't fool yourself, how many of these wretched books do you think you know? Go on, you've got plenty of intelligence, so let's say you read two books a week, for fifty years. In your lifetime, you'll have read how many? Five thousand? That's nothing. Nothing at all, compared to what we have here: two hundred and fifty thousand, seven hundred different books. And in the National Library, they've got fourteen million. We're just cockroaches. So we'd do better to have a bit of fun, look at each other, talk and reproduce, don't you think? If you like, we can go to Versailles, together, any time at all, we can go wherever you want to go, to some beach somewhere, I'll be your Pompadour and we'll love each other until the end of love, hand in hand, we'll gaze at the sea, the sea that begins and ceases and then again begins, the pounding of the surf, the flow of water, the flow of light coming in new every day, fresh surges from the deep, the tide will carry us off, and the flow of paper, every year fifty thousand new titles, fifty thousand books fighting for the chance to come swell our groaning bookshelves, and every year they make me more aware of my limited span, my old age and my insignificance.
Sophie Divry (The Library of Unrequited Love)
It is rumored by the wise-brained rats which burrow the citied earth and by the knowledgeable cats that stalk its shadows and by the sagacious bats that wing its night and by the sapient zats which soar through airless space, slanting their metal wings to winds of light, that those two swordsmen and blood-brothers, Fafhrd and the Gray Mouser, have adventured not only in the World of Nehwon with its great empire of Lankhmar, but also in many other worlds and times and dimensions, arriving at these through certain secret doors far inside the mazy caverns of Ningauble of the Seven Eyes—whose great cave, in this sense, exists simultaneously in many worlds and times. It is a Door, while Ningauble glibly speaks the languages of many worlds and universes, loving the gossip of all times and places. In each new world, the rumor goes, the Mouser and Fafhrd awaken with knowledge and speaking skills and personal memories suitable to it, and Nehwon then seems to them only a dream and they know not its languages, though it is ever their primal homeland. It is even whispered that on one occasion they lived a life in that strangest of worlds variously called Gaia, Midgard, Terra, and Earth, swashbuckling there along the eastern shore of an inner sea in kingdoms that were great fragments of a vasty empire carved out a century before by one called Alexander the Great. So much Srith of the Scrolls has to tell us. What we know from informants closer to the source is as follows:
Fritz Leiber (Swords in the Mist (Fafhrd and the Gray Mouser, #3))
Through Evernight he back was borne on black and roaring waves that ran o'er leagues unlit and foundered shores that drowned before the Days began, until he heard on strands of pearl where ends the world the music long, where ever-foaming billows roll the yellow gold and jewels wan. He saw the Mountain silent rise where twilight lies upon the knees of Valinor, and Eldamar beheld afar beyond the seas. A wanderer escaped from night to haven white he came at last, to Elvenhome the green and fair where keen the air, where pale as glass beneath the Hill of Ilmarin a-glimmer in a valley sheer the lamplit towers of Tirion are mirrored on the Shadowmere. He tarried there from errantry, and melodies they taught to him, and sages old him marvels told, and harps of gold they brought to him. They clothed him then in elven-white, and seven lights before him sent, as through the Calacirian to hidden land forlorn he went. He came unto the timeless halls where shining fall the countless years, and endless reigns the Elder King in Ilmarin on Mountain sheer; and words unheard were spoken then of folk of Men and Elven-kin, beyond the world were visions showed forbid to those that dwell therein. A ship then new they built for him of mithril and of elven-glass with shining prow; no shaven oar nor sail she bore on silver mast: the Silmaril as lantern light and banner bright with living flame to gleam thereon by Elbereth herself was set, who thither came and wings immortal made for him, and laid on him undying doom, to sail the shoreless skies and come behind the Sun and light of Moon.
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
UKIP SHIPPING FORECAST by Nicholas Pegg After a UKIP councillor claimed widespread flooding in the UK was God’s punishment for allowing same-sex marriage, author/performer Nicholas Pegg wrote his own version of the Shipping Forecast. His recording went viral, receiving 250,000 hits in four days. ‘And now the shipping forecast issued by UKIP on Sunday the 19 January 2014 at 1200 UTC. There are warnings of gays in Viking, Forties, Cromarty, Southeast Iceland and Bongo Bongo land. The general synopsis at midday: Low intelligence expected, becoming Little England by midnight tonight. And now the area forecasts for the next 24 hours. Viking, North Utsire, South Utsire: south easterly gay seven to severe gay nine, occasionally bisexual. Showers – gay. Forties, Cromarty, Forth, Tyne, Dogger, Fisher: women veering southerly 4 or 5, losing their identity and becoming sluts. Rain – moderate or gay. German blight, immigration veering north – figures variable, becoming psychotic. Showers – gay. Humber, Thames, Dover, Wight, Portland, Plymouth: benefit tourism 98%, becoming variable – later slight, or imaginary. Showers – gay. Biscay, Trafalgar: warm, lingering nationalism. Kiss me Hardy, later becoming heterosexual – good. FitzRoy, Sole, Lundy, Fastnet, Irish Sea, Shannon, Rockall, Malin, Hebrides, Bailey: right or extreme right, veering racist 4 or 5, increasing to 5 to 7. Homophobic outburst – back-peddling westerly and becoming untenable. Showers – gay. Fair Isle, Faeroes, South East Iceland: powerbase decreasing, variable – becoming unelectable. Good. And that concludes the forecast.
Nic Compton (The Shipping Forecast: A Miscellany)
Admonished by his ear, and straight was known The Arch-Angel Uriel, one of the seven Who in God’s presence, nearest to his throne, Stand ready at command, and are his eyes That run through all the Heavens, or down to the Earth Bear his swift errands over moist and dry, O’er sea and land: him Satan thus accosts. “Uriel, for thou of those seven Spirits that stand In sight of God’s high throne, gloriously bright, The first art wont his great authentic will Interpreter through highest Heaven to bring, Where all his sons thy embassy attend; And here art likeliest by supreme decree Like honour to obtain, and as his eye To visit oft this new creation round; Unspeakable desire to see, and know All these his wonderous works, but chiefly Man, His chief delight and favour, him for whom All these his works so wonderous he ordained, Hath brought me from the quires of Cherubim Alone thus wandering. Brightest Seraph, tell In which of all these shining orbs hath Man His fixed seat, or fixed seat hath none, But all these shining orbs his choice to dwell; That I may find him, and with secret gaze Or open admiration him behold, On whom the great Creator hath bestowed Worlds, and on whom hath all these graces poured; That both in him and all things, as is meet, The universal Maker we may praise; Who justly hath driven out his rebel foes To deepest Hell, and, to repair that loss, Created this new happy race of Men To serve him better: Wise are all his ways.” So spake the false dissembler unperceived; For neither Man nor Angel can discern Hypocrisy, the only evil that walks Invisible, except to God alone,
John Milton (Paradise Lost and Paradise Regained: A Renowned Poem on Original Sin (Collins Classics))
24 By faith Moses, when he was come to years, refused to be called the son of Pharaoh’s daughter; 25 Choosing rather to suffer affliction with the people of God, than to enjoy the pleasures of sin for a season; 26 Esteeming the reproach of Christ greater riches than the treasures in Egypt: for he had respect unto the recompence of the reward. 27 By faith he forsook Egypt, not fearing the wrath of the king: for he endured, as seeing him who is invisible. 28 Through faith he kept the passover, and the sprinkling of blood, lest he that destroyed the firstborn should touch them. 29 By faith they passed through the Red sea as by dry land: which the Egyptians assaying to do were drowned. 30 By faith the walls of Jericho fell down, after they were compassed about seven days. 31 By faith the harlot Rahab perished not with them that believed not, when she had received the spies with peace.
Anonymous (The Holy Bible: King James Version)
Ahoy!” a seaman called out. “The English frigate Polaris, ten days out from Antigua, bound for Portsmouth.” “Ahoy, yerself!” It was O’Shea’s rough brogue. She’d never heard sweeter music. “This be the clipper Sophia, of no particular country at the moment. Seven days out from Tortola, bound for…well, bound for here. Captain requests permission to board.” Gray. It had to be Gray. The officers of the Polaris exchanged wary looks. “Oh, for Heaven’s sake.” Sophia pushed forward to the ship’s rail and cupped her hands around her mouth, calling, “Permission to board granted!” A cheer rose up from the other ship’s deck. “It’s her, all right!” a voice called. Stubb’s, Sophia thought. Oh, but she hardly cared who was on the other deck. She cared only for the strong figure swinging across the watery divide as the two ships came abreast. Turning back toward the center of the ship, she pushed her way through the sweaty throng of sailors, desperate to get to him. Her foot caught on a rope, and she tripped- But it didn’t matter. Gray was there to catch her. And he was still wearing those sea-weathered, fire-scarred boots. No doubt for sentimental reasons. “Steady there,” he murmured, catching her by the elbows. She looked up to meet his beautiful blue-green eyes. “I have you.” “Oh, Gray.” She launched herself into his arms, clinging to his neck as he laughed and spun her around. “You’re here.” “I’m here.” And he was. Every strong, solid, handsome inch of him. Sophia buried her face in his throat, breathing in his scent. Lord, how she’d missed him. She pulled away, bracing her hands on his shoulders to study his face. “I can’t believe you came after me.” “I can’t believe you actually left.” He lowered her to the deck, and her hands slid to his arms. “I thought you were bluffing with that bit. I’d have never allowed you to go.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Can I make you a cup of tea?” He says that would be wonderful, and she smiles handsomely; then her face darkens in terrible sorrow. “And I am so sorry, Mr. Arthur,” she says, as if imparting the death of a loved one. “You are too early to see the cherry blossoms.” After the tea (which she makes by hand, whisking it into a bitter green foam—“Please eat the sugar cookie before the tea”) he is shown to his room and told it was, in fact, the novelist Kawabata Yasunari’s favorite. A low lacquered table is set on the tatami floor, and the woman slides back paper walls to reveal a moonlit corner garden dripping from a recent rain; Kawabata wrote of this garden in the rain that it was the heart of Kyoto. “Not any garden,” she says pointedly, “but this very garden.” She informs him that the tub in the bathroom is already warm and that an attendant will keep it warm, always, for whenever he needs it. Always. There is a yukata in the closet for him to wear. Would he like dinner in the room? She will bring it personally for him: the first of the four kaiseki meals he will be writing about. The kaiseki meal, he has learned, is an ancient formal meal drawn from both monasteries and the royal court. It is typically seven courses, each course composed of a particular type of food (grilled, simmered, raw) and seasonal ingredients. Tonight, it is butter bean, mugwort, and sea bream. Less is humbled both by the exquisite food and by the graciousness with which she presents it. “I most sincerely apologize I cannot be here tomorrow to see you; I must go to Tokyo.” She says this as if she were missing the most extraordinary of wonders: another day with Arthur Less. He sees, in the lines around her mouth, the shadow of the smile all widows wear in private. She bows and exits, returning with a sake sampler. He tries all three, and when asked which is his favorite, he says the Tonni, though he cannot tell the difference. He asks which is her favorite. She blinks and says: “The Tonni.” If only he could learn to lie so compassionately.
Andrew Sean Greer (Less (Arthur Less, #1))
Sailboat Table (table by Quint Hankle) The Voyage of the Narwhal, by Andrea Barrett Complete Stories, by Clarice Lispector Boy Kings of Texas, by Domingo Martinez The Marrow Thieves, by Cherie Dimaline A Brief History of Seven Killings, by Marlon James There There, by Tommy Orange Citizen: An American Lyric, by Claudia Rankine Underland, by Robert Macfarlane The Undocumented Americans, by Karla Cornejo Villavicencio Deacon King Kong, by James McBride The Dutch House, by Ann Patchett Will and Testament, by Vigdis Hjorth Every Man Dies Alone, by Hans Fallada The Door, by Magda Svabo The Plot Against America, by Philip Roth Fates and Furies, by Lauren Groff The Overstory, by Richard Power Night Train, by Lise Erdrich Her Body and Other Parties, by Carmen Maria Machado The Penguin Book of the Modern American Short Story, edited by John Freeman Between the World and Me, by Ta-Nehisi Coates Birds of America, by Lorrie Moore Mongrels, by Stephen Graham Jones The Office of Historical Corrections, by Danielle Evans Tenth of December, by George Saunders Murder on the Red River, by Marcie R. Rendon Leave the World Behind, by Rumaan Alam Ceremony, by Leslie Marmon Silko On Earth We’re Briefly Gorgeous, by Ocean Vuong The Unwomanly Face of War, by Svetlana Alexievich Standard Deviation, by Katherine Heiny All My Puny Sorrows, by Miriam Toews The Death of the Heart, by Elizabeth Bowen Mean Spirit, by Linda Hogan NW, by Zadie Smith Being Mortal, by Atul Gawande Americanah, by Chimamanda Ngozi Adichie Firekeeper’s Daughter, by Angeline Boulley Erasure, by Percival Everett Sharks in the Time of Saviors, by Kawai Strong Washburn Heaven, by Mieko Kawakami Books for Banned Love Sea of Poppies, by Amitav Ghosh The English Patient, by Michael Ondaatje Euphoria, by Lily King The Red and the Black, by Stendahl Luster, by Raven Leilani Asymmetry, by Lisa Halliday All the Pretty Horses, by Cormac McCarthy Middlesex, by Jeffrey Eugenides The Vixen, by Francine Prose Legends of the Fall, by Jim Harrison The Winter Soldier, by Daniel Mason
Louise Erdrich (The Sentence: A Novel)
When My Sorrow Was Born         When my Sorrow was born I nursed it with care, and watched over it with loving tenderness. And my Sorrow grew like all living things, strong and beautiful and full of wondrous delights. And we loved one another, my Sorrow and I, and we loved the world about us; for Sorrow had a kindly heart and mine was kindly with Sorrow. And when we conversed, my Sorrow and I, our days were winged and our nights were girdled with dreams; for Sorrow had an eloquent tongue, and mine was eloquent with Sorrow. And when we sang together, my Sorrow and I, our neighbors sat at their windows and listened; for our songs were deep as the sea and our melodies were full of strange memories. And when we walked together, my Sorrow and I, people gazed at us with gentle eyes and whispered in words of exceeding sweetness. And there were those who looked with envy upon us, for Sorrow was a noble thing and I was proud with Sorrow. But my Sorrow died, like all living things, and alone I am left to muse and ponder. And now when I speak my words fall heavily upon my ears. And when I sing my songs my neighbours come not to listen. And when I walk the streets no one looks at me. Only in my sleep I hear voices saying in pity, “See, there lies the man whose Sorrow is dead.”         And When My Joy was Born         And when my Joy was born, I held it in my arms and stood on the house-top shouting, “Come ye, my neighbours, come and see, for Joy this day is born unto me. Come and behold this gladsome thing that laugheth in the sun.” But none of my neighbours came to look upon my Joy, and great was my astonishment. And every day for seven moons I proclaimed my Joy from the house-top—and yet no one heeded me. And my Joy and I were alone, unsought and unvisited. Then my Joy grew pale and weary because no other heart but mine held its loveliness and no other lips kissed its lips. Then my Joy died of isolation. And now I only remember my dead Joy in remembering my dead Sorrow. But memory is an autumn leaf that murmurs a while in the wind and then is heard no more.
Kahlil Gibran (The Complete Works of Kahlil Gibran: All poems and short stories (Global Classics))
Many scholars argue that the voyages of Admiral Zheng He of the Chinese Ming dynasty heralded and eclipsed the European voyages of discovery. Between 1405 and 1433, Zheng led seven huge armadas from China to the far reaches of the Indian Ocean. The largest of these comprised almost 300 ships and carried close to 30,000 people.7 They visited Indonesia, Sri Lanka, India, the Persian Gulf, the Red Sea and East Africa. Chinese ships anchored in Jedda, the main harbour of the Hejaz, and in Malindi, on the Kenyan coast. Columbus’ fleet of 1492 – which consisted of three small ships manned by 120 sailors – was like a trio of mosquitoes compared to Zheng He’s drove of dragons.8 Yet there was a crucial difference. Zheng He explored the oceans, and assisted pro-Chinese rulers, but he did not try to conquer or colonise the countries he visited. Moreover, the expeditions of Zheng He were not deeply rooted in Chinese politics and culture. When the ruling faction in Beijing changed during the 1430s, the new overlords abruptly terminated the operation. The great fleet was dismantled, crucial technical and geographical knowledge was lost, and no explorer of such stature and means ever set out again from a Chinese port. Chinese rulers in the coming centuries, like most Chinese rulers in previous centuries, restricted their interests and ambitions to the Middle Kingdom’s immediate environs. The Zheng He expeditions prove that Europe did not enjoy an outstanding technological edge. What made Europeans exceptional was their unparalleled and insatiable ambition to explore and conquer. Although they might have had the ability, the Romans never attempted to conquer India or Scandinavia, the Persians never attempted to conquer Madagascar or Spain, and the Chinese never attempted to conquer Indonesia or Africa. Most Chinese rulers left even nearby Japan to its own devices. There was nothing peculiar about that. The oddity is that early modern Europeans caught a fever that drove them to sail to distant and completely unknown lands full of alien cultures, take one step on to their beaches, and immediately declare, ‘I claim all these territories for my king!
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
The essay was entitled “Gibbon Through the Night,” and from it Isao was able to draw this essential portion: By any standard Gibbon’s work is a masterpiece. It goes without saying that I am far too deficient in scholarship and intellect to comprehend its wisdom, but I may safely contend that no Japanese translation can possibly convey the monumental significance of The Decline and Fall of the Roman Empire. The lavishly illustrated 1909 edition edited by Professor Bury, seven volumes, unabridged, is absolutely without peer. When I give myself over to the pleasure of reading Gibbon by the light afforded by my bedside lamp, the hour inevitably grows far advanced. The breathing of my sleeping wife beside me, the rustle of the pages of my Bury edition of Gibbon, and the ticking of the antique clock purchased from LeRoi’s of Paris become by and by the only sounds that occupy the silence of my bedroom, forming a kind of delicate nocturnal trio. And the small lamp that illumines Gibbon’s pages is, within the whole house, the last torch of the intellect to be extinguished each night.
Yukio Mishima (Runaway Horses: The Sea of Fertility, 2 (Vintage International))
Subect: Sigh. Okay. Since we're on the subject... Q. What is the Tsar of Russia's favorite fish? A. Tsardines, of course. Q. What does the son of a Ukranian newscaster and a U.S. congressman eat for Thanksgiving dinner on an island off the coast of Massachusetts? A.? -Ella Subect: TG A. Republicans. Nah.I'm sure we'll have all the traditional stuff: turkey, stuffing, mashed potatoes. I'm hoping for apple pie. Our hosts have a cook who takes requests, but the island is kinda limited as far as shopping goes. The seven of us will probably spend the morning on a boat, then have a civilized chow-down. I predict Pictionary. I will win. You? -Alex Subect: Re. TG Alex, I will be having my turkey (there ill be one, but it will be somewhat lost among the pumpkin fettuccine, sausage-stuffed artichokes, garlic with green beans, and at least four lasagnas, not to mention the sweet potato cannoli and chocolate ricotta pie) with at least forty members of my close family, most of whom will spend the entire meal screaming at each other. Some will actually be fighting, probably over football. I am hoping to be seated with the adults. It's not a sure thing. What's Martha's Vineyard like? I hear it's gorgeous. I hear it's favored by presidential types, past and present. -Ella Subject: Can I Have TG with You? Please??? There's a 6a.m. flight off the island. I can be back in Philadelphia by noon. I've never had Thanksgiving with more than four or five other people. Only child of two only children. My grandmother usually hosts dinner at the Hunt Club. She doesn't like turkey. Last year we had Scottish salmon. I like salmon,but... The Vineyard is pretty great. The house we're staying in is in Chilmark, which, if you weren't so woefully ignorant of defunct television, is the birthplace of Fox Mulder. I can see the Menemsha fishing fleet out my window. Ever heard of Menemsha Blues? I should bring you a T-shirt. Everyone has Black Dogs; I prefer a good fish on the chest. (Q. What do you call a fish with no eyes? A. Fish.) We went out on a boat this afternoon and actually saw a humpback whale. See pics below. That fuzzy gray lump in the bumpy gray water is a fin. A photographer I am not. Apparently, they're usually gone by now, heading for the Caribbean. It's way too cold to swim, but amazing in the summer. I swear I got bumped by a sea turtle here last July 4, but no one believes me. Any chance of saving me a cannoli? -A
Melissa Jensen (The Fine Art of Truth or Dare)
Scrubby evergreen bushes released a strong scent of resin and honey; forests of pine gave way to gentle south-facing vineyards disturbed only by the ululation of early summer cicadas. Sitting up tall on the seat, she craned around eagerly to see what plants thrived naturally. It was a wild and romantic place, Laurent de Fayols had written, the whole island once bought as a wedding gift to his wife by a man who had made his fortune in the silver mines of Mexico. One of three small specks in the Mediterranean known as the Golden Isles, after the oranges, lemons, and grapefruit that glowed like lamps in their citrus groves. There were few reference works in English that offered information beyond superficial facts about the island, and those she had managed to find were old. The best had been published in 1880, by a journalist called Adolphe Smith. Ellie had been struck by the loveliness of his "description of the most Southern Point of the French Riviera": 'The island is divided into seven ranges of small hills, and in the numerous valleys thus created are walks sheltered from every wind, where the umbrella pines throw their deep shade over the path and mingle their balsamic odor with the scent of the thyme, myrtle and the tamarisk.
Deborah Lawrenson (The Sea Garden)
After a series of promotions—store manager at twenty-two, regional manager at twenty-four, director at twenty-seven—I was a fast-track career man, a personage of sorts. If I worked really hard, and if everything happened exactly like it was supposed to, then I could be a vice president by thirty-two, a senior vice president by thirty-five or forty, and a C-level executive—CFO, COO, CEO—by forty-five or fifty, followed of course by the golden parachute. I’d have it made then! I’d just have to be miserable for a few more years, to drudge through the corporate politics and bureaucracy I knew so well. Just keep climbing and don't look down. Misery, of course, encourages others to pull up a chair and stay a while. And so, five years ago, I convinced my best friend Ryan to join me on the ladder, even showed him the first rung. The ascent is exhilarating to rookies. They see limitless potential and endless possibilities, allured by the promise of bigger paychecks and sophisticated titles. What’s not to like? He too climbed the ladder, maneuvering each step with lapidary precision, becoming one of the top salespeople—and later, top sales managers—in the entire company.10 And now here we are, submerged in fluorescent light, young and ostensibly successful. A few years ago, a mentor of mine, a successful businessman named Karl, said to me, “You shouldn’t ask a man who earns twenty thousand dollars a year how to make a hundred thousand.” Perhaps this apothegm holds true for discontented men and happiness, as well. All these guys I emulate—the men I most want to be like, the VPs and executives—aren’t happy. In fact, they’re miserable.  Don’t get me wrong, they aren’t bad people, but their careers have changed them, altered them physically and emotionally: they explode with anger over insignificant inconveniences; they are overweight and out of shape; they scowl with furrowed brows and complain constantly as if the world is conspiring against them, or they feign sham optimism which fools no one; they are on their second or third or fourth(!) marriages; and they almost all seem lonely. Utterly alone in a sea of yes-men and women. Don’t even get me started on their health issues.  I’m talking serious health issues: obesity, gout, cancer, heart attacks, high blood pressure, you name it. These guys are plagued with every ailment associated with stress and anxiety. Some even wear it as a morbid badge of honor, as if it’s noble or courageous or something. A coworker, a good friend of mine on a similar trajectory, recently had his first heart attack—at age thirty.  But I’m the exception, right?
Joshua Fields Millburn (Everything That Remains: A Memoir by The Minimalists)
MARSYAS: There are seven keys to the great gate, Being eight in one and one in eight. First, let the body of thee be still, Bound by the cerements of will, Corpse-rigid; thus thou mayst abort The fidget-babes that tease the thought. Next, let the breath-rhythm be low, Easy, regular, and slow; So that thy being be in tune With the great sea's Pacific swoon. Third, let thy life be pure and calm Swayed softly as a well-to-live be bound To the one love of the Profound. Fifth, let the thought, divinely free From sense, observe its entity. Watch every thought that springs; enhance Hour after hour thy vigilance! Intense and keen, turned inward, miss No atom of analysis! Sixth, on one thought securely pinned Still every whisper of the wind! So like a flame straight and unstirred Burn up thy being in one word! Next, still that ecstasy, prolong Thy meditation steep and strong, Slaying even God, should He distract Thy attention from the chosen act! Last, all these things in one o'erpowered, Time that the midnight blossom flowered! The oneness is. Yet even in this, My son, though shalt not do amiss If thou restrain the expression, shoot Thy glance to rapture's darkling root, Discarding name, form, sight, and stress Even of this high consciousness; Pierce to the heart! I leave thee here: Thou art the Master. I revere Thy radiance that rolls afar, O Brother of the Silver Star!
Aleister Crowley (Aha!)
To the Highland Girl of Inversneyde SWEET Highland Girl, a very shower Of beauty is thy earthly dower! Twice seven consenting years have shed Their utmost bounty on thy head: And these gray rocks, this household lawn, These trees—a veil just half withdrawn, This fall of water that doth make A murmur near the silent lake, This little bay, a quiet road That holds in shelter thy abode; In truth together ye do seem Like something fashion’d in a dream; Such forms as from their covert peep When earthly cares are laid asleep! But O fair Creature! in the light Of common day, so heavenly bright I bless Thee, Vision as thou art, I bless thee with a human heart: God shield thee to thy latest years! I neither know thee nor thy peers: And yet my eyes are fill’d with tears. With earnest feeling I shall pray For thee when I am far away; For never saw I mien or face In which more plainly I could trace Benignity and home-bred sense Ripening in perfect innocence. Here scatter’d, like a random seed, Remote from men, Thou dost not need The embarrass’d look of shy distress, And maidenly shamefacédness: Thou wear’st upon thy forehead clear The freedom of a mountaineer: A face with gladness overspread, Soft smiles, by human kindness bred; And seemliness complete, that sways Thy courtesies, about thee plays; With no restraint, but such as springs From quick and eager visitings Of thoughts that lie beyond the reach Of thy few words of English speech: A bondage sweetly brook’d, a strife That gives thy gestures grace and life! So have I, not unmoved in mind, Seen birds of tempest-loving kind, Thus beating up against the wind. What hand but would a garland cull For thee who art so beautiful? O happy pleasure! here to dwell Beside thee in some heathy dell; Adopt your homely ways, and dress, A shepherd, thou a shepherdess! But I could frame a wish for thee More like a grave reality: Thou art to me but as a wave Of the wild sea: and I would have Some claim upon thee, if I could, Though but of common neighbourhood. What joy to hear thee, and to see! Thy elder brother I would be, Thy father, anything to thee. Now thanks to Heaven! that of its grace Hath led me to this lonely place: Joy have I had; and going hence I bear away my recompense. In spots like these it is we prize Our memory, feel that she hath eyes: Then why should I be loth to stir? I feel this place was made for her; To give new pleasure like the past, Continued long as life shall last. Nor am I loth, though pleased at heart, Sweet Highland Girl! from thee to part; For I, methinks, till I grow old As fair before me shall behold As I do now, the cabin small, The lake, the bay, the waterfall; And Thee, the spirit of them all
William Wordsworth
Ken Wharfe Before Diana disappeared from sight, I called her on the radio. Her voice was bright and lively, and I knew instinctively that she was happy, and safe. I walked back to the car and drove slowly along the only road that runs adjacent to the bay, with heath land and then the sea to my left and the waters of Poole Harbour running up toward Wareham, a small market town, to my right. Within a matter of minutes, I was turning into the car park of the Bankes Arms, a fine old pub that overlooks the bay. I left the car and strolled down to the beach, where I sat on an old wall in the bright sunshine. The beach huts were locked, and there was no sign of life. To my right I could see the Old Harry Rocks--three tall pinnacles of chalk standing in the sea, all that remains, at the landward end, of a ridge that once ran due east to the Isle of Wight. Like the Princess, I, too, just wanted to carry on walking. Suddenly, my radio crackled into life: “Ken, it’s me--can you hear me?” I fumbled in the large pockets of my old jacket, grabbed the radio, and said, “Yes. How is it going?” “Ken, this is amazing, I can’t believe it,” she said, sounding truly happy. Genuinely pleased for her, I hesitated before replying, but before I could speak she called again, this time with that characteristic mischievous giggle in her voice. “You never told me about the nudist colony!” she yelled, and laughed raucously over the radio. I laughed, too--although what I actually thought was “Uh-oh!” But judging from her remarks, whatever she had seen had made her laugh. At this point, I decided to walk toward her, after a few minutes seeing her distinctive figure walking along the water’s edge toward me. Two dogs had joined her and she was throwing sticks into the sea for them to retrieve; there were no crowd barriers, no servants, no police, apart from me, and no overattentive officials. Not a single person had recognized her. For once, everything for the Princess was “normal.” During the seven years I had worked for her, this was an extraordinary moment, one I shall never forget.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
And if you wish to receive of the ancient city an impression with which the modern one can no longer furnish you, climb—on the morning of some grand festival, beneath the rising sun of Easter or of Pentecost—climb upon some elevated point, whence you command the entire capital; and be present at the wakening of the chimes. Behold, at a signal given from heaven, for it is the sun which gives it, all those churches quiver simultaneously. First come scattered strokes, running from one church to another, as when musicians give warning that they are about to begin. Then, all at once, behold!—for it seems at times, as though the ear also possessed a sight of its own,—behold, rising from each bell tower, something like a column of sound, a cloud of harmony. First, the vibration of each bell mounts straight upwards, pure and, so to speak, isolated from the others, into the splendid morning sky; then, little by little, as they swell they melt together, mingle, are lost in each other, and amalgamate in a magnificent concert. It is no longer anything but a mass of sonorous vibrations incessantly sent forth from the numerous belfries; floats, undulates, bounds, whirls over the city, and prolongs far beyond the horizon the deafening circle of its oscillations. Nevertheless, this sea of harmony is not a chaos; great and profound as it is, it has not lost its transparency; you behold the windings of each group of notes which escapes from the belfries. You can follow the dialogue, by turns grave and shrill, of the treble and the bass; you can see the octaves leap from one tower to another; you watch them spring forth, winged, light, and whistling, from the silver bell, to fall, broken and limping from the bell of wood; you admire in their midst the rich gamut which incessantly ascends and re-ascends the seven bells of Saint-Eustache; you see light and rapid notes running across it, executing three or four luminous zigzags, and vanishing like flashes of lightning. Yonder is the Abbey of Saint-Martin, a shrill, cracked singer; here the gruff and gloomy voice of the Bastille; at the other end, the great tower of the Louvre, with its bass. The royal chime of the palace scatters on all sides, and without relaxation, resplendent trills, upon which fall, at regular intervals, the heavy strokes from the belfry of Notre-Dame, which makes them sparkle like the anvil under the hammer. At intervals you behold the passage of sounds of all forms which come from the triple peal of Saint-Germain-des-Prés. Then, again, from time to time, this mass of sublime noises opens and gives passage to the beats of the Ave Maria, which bursts forth and sparkles like an aigrette of stars. Below, in the very depths of the concert, you confusedly distinguish the interior chanting of the churches, which exhales through the vibrating pores of their vaulted roofs. Assuredly, this is an opera which it is worth the trouble of listening to. Ordinarily, the noise which escapes from Paris by day is the city speaking; by night, it is the city breathing; in this case, it is the city singing. Lend an ear, then, to this concert of bell towers; spread over all the murmur of half a million men, the eternal plaint of the river, the infinite breathings of the wind, the grave and distant quartette of the four forests arranged upon the hills, on the horizon, like immense stacks of organ pipes; extinguish, as in a half shade, all that is too hoarse and too shrill about the central chime, and say whether you know anything in the world more rich and joyful, more golden, more dazzling, than this tumult of bells and chimes;—than this furnace of music,—than these ten thousand brazen voices chanting simultaneously in the flutes of stone, three hundred feet high,—than this city which is no longer anything but an orchestra,—than this symphony which produces the noise of a tempest.
Victor Hugo (The Hunchback of Notre Dame)