“
Take a drink every time you hear you’re not enough.
Not the right fit.
Not the right look.
Not the right focus.
Not the right drive.
Not the right time.
Not the right job.
Not the right path.
Not the right future.
Not the right present.
Not the right you.
Not you.
(Not me?)
There’s just something missing.
From us.
What could I have done?
Nothing. It’s just…
(Who you are.)
I didn’t think we were serious.
(You’re just too…
…sweet.
…soft.
…sensitive.)
I just don’t see us ending up together.
I met someone.
I’m sorry
It’s not you.
Swallow it down.
We’re not on the same page.
We’re not in the same place.
It’s not you.
We can’t help who we fall in love with.
(And who we don’t.)
You’re such a good friend.
You’re going to make the right girl happy.
You deserve better.
Let’s stay friends.
I don’t want to lose you.
It’s not you.
I’m sorry.
”
”
Victoria E. Schwab (The Invisible Life of Addie LaRue)
“
Yes, we are [friends] and I do like to pass the day with you in serious and inconsequential chatter. I wouldn't mind washing up beside you, dusting beside you, reading the back half of the paper while you read the front. We are friends and I would miss you, do miss you and think of you very often. I don't want to lose this happy space where I have found someone who is smart and easy and doesn't bother to check their diary when we arrange to meet.
”
”
Jeanette Winterson
“
If you fall and break something, I’m going to be irritated.”
Daemon grabbed my arm as I started to slip.
“Sorry, not all of us can be as awesome---“ I squealed as he slid an arm around my back and lifted be into his arms. Daemon zipped us up the driveway, wind and snow blowing at my face. He put me down, and I stumbled to the side, dizzy. “Could you give me a warning next time?”
He grinned as he knocked on the door. “And miss that look on your face? Never.”
Sometimes I seriously wanted to just punch him in the face, but it made me warm in all the right place to see this side of him again, too.
“You’re insufferable.”
“You like my kind of suffering.
”
”
Jennifer L. Armentrout (Onyx (Lux, #2))
“
There aren’t many funny bits in Mr Tolkien either,’ Matilda said.
‘Do you think that all children’s books ought to have funny bits in them?’ Miss Honey asked.
‘I do,’ Matilda said. ‘Children are not so serious as grown-ups and love to laugh.
”
”
Roald Dahl (Matilda)
“
We thought of life by analogy with a journey, a pilgrimage, which had a serious purpose at the end, and the thing was to get to that end, success or whatever it is, maybe heaven after you’re dead. But we missed the point the whole way along. It was a musical thing and you were supposed to sing or to dance while the music was being played.
”
”
Alan W. Watts
“
I’m not laughing.” I was actually crying. “And please don’t laugh at me now, but I think the reason it’s so hard for me to get over this guy is because I seriously believed David was my soul mate. ”He probably was. Your problem is you don’t understand what that word means. People think a soul mate is your perfect fit, and that’s what everyone wants. But a true soul mate is a mirror, the person who shows you everything that’s holding you back, the person who brings you to your own attention so you can change your life. A true soul mate is probably the most important person you’ll ever meet, because they tear down your walls and smack you awake. But to live with a soul mate forever? Nah. Too painful. Soul mates, they come into your life just to reveal another layer of yourself to you, and then they leave. And thank God for it. Your problem is, you just can’t let this one go. It’s over, Groceries. David’s purpose was to shake you up, drive you out of your marriage that you needed to leave, tear apart your ego a little bit, show you your obstacles and addictions, break your heart open so new light could get in, make you so desperate and out of control that you had to transform your life, then introduce you to your spiritual master and beat it. That was his job, and he did great, but now it’s over. Problem is, you can’t accept that his relationship had a real short shelf life. You’re like a dog at the dump, baby – you’re just lickin’ at the empty tin can, trying to get more nutrition out of it. And if you’re not careful, that can’s gonna get stuck on your snout forever and make your life miserable. So drop it.“But I love him.”
“So love him.” “But I miss him.” “So miss him. Send him some love and light every time you think about him, then drop it. You’re just afraid to let go of the last bits of David because then you’ll be really alone, and Liz Gilbert is scared to death of what will happen if she’s really alone. But here’s what you gotta understand, Groceries. If you clear out all that space in your mind that you’re using right now to obsess about this guy, you’ll have a vacuum there, an open spot – a doorway. And guess what the universe will do with the doorway? It will rush in – God will rush in – and fill you with more love than you ever dreamed. So stop using David to block that door. Let it go.
”
”
Elizabeth Gilbert (Eat, Pray, Love)
“
Your key concerns at that stage?”
“Well, Miss LaRoux had a party she didn’t want to miss, and I—”
“Major, you don’t seem to understand the seriousness of your situation.”
“Sure I do. What the hell do you think our key concerns were?
”
”
Amie Kaufman (These Broken Stars (Starbound, #1))
“
How do I love thee? wondered Orion. "Let me see. I love thee passionately and eternally...obviously eternally-that goes without saying." Holly blinked sweat from her eyes. "Is he serious?" she called over her shoulder to Foaly. "Oh, absolutely," said the centaur "If he asks you to look for birthmarks, say no immediately." "Oh, I would never." Orion assured her. "Ladies don't look for birthmarks; that is work for jolly fellows like the Goodly Beast and myself. Ladies, like Miss Short, do enough by simply existing. They exude beauty, and that is enough." "I am not exuding anything." said Holly, through gritted teeth. Orion tapped her shoulder. "I beg to differ. You're exuding right now, a wonderful aura. It's pastel blue with little dolphins." Holly gripped the wheel tightly. "I'm going to be sick. Did he just say pastel blue?" "And dolphins, little ones," said Foaly.
”
”
Eoin Colfer (The Atlantis Complex (Artemis Fowl #7))
“
I take no leave of you, Miss Bennet: I send no compliments to your mother. You deserve no such attention. I am most seriously displeased.
”
”
Jane Austen (Pride and Prejudice)
“
Only two years dead, and it was getting harder for me to feel…anything. I was starting to slip into the darkness. The numbness. And the worst part is that it wasn’t even scary. I was losing myself, and I didn’t even care. Then I met you, and at first I didn’t understand what had happened. What had changed. All I knew was that I wanted to be near you. Then you helped me with Addison, even though it nearly got you killed—I nearly got you killed—and I started to understand how special you are. But by then, you were getting serious with Nash. With my brother—one of few people in the whole world I still gave a damn about. So I tried to stay away. I tried so hard.” His voice cracked on the last word, and my heart cracked with it. Tears stood in my eyes, but I was afraid to let them fall. I was afraid to even breathe for fear of missing a single word. "But you kept pulling me back. You’re the brightest thing I’ve ever seen, Kaylee. You’re this beautiful ball of fire spitting sparks out at the world, burning fiercely, holding back the dark by sheer will. And I always knew that if I reached out—if I tried to touch you—I’d get burned. Because you’re not mine. I’m not supposed to feel the fire. I’m not supposed to want it. But I do. I want you, Kaylee, like I’ve never wanted anything. Ever. I want the fire. I want the heat, and the light, and I want the burn.
”
”
Rachel Vincent (If I Die (Soul Screamers, #5))
“
people used to tell me that i had beautiful hands
told me so often, in fact, that one day i started to believe them until i asked my photographer father, “hey daddy could i be a hand model”
to which he said no way,
i dont remember the reason he gave me and i wouldve been upset,
but there were far too many stuffed animals to hold
too many homework assignment to write,
too many boys to wave at
too many years to grow,
we used to have a game, my dad and i about holding hands cus we held hands everywhere, and every time either he or i would whisper a great
big number to the other, pretending that we were keeping track of how many times we had held hands that we were sure, this one had to be 8 million 2 thousand 7 hundred and fifty three.
hands learn more than minds do,
hands learn how to hold other hands,
how to grip pencils and mold poetry,
how to tickle pianos and dribble a basketball,
and grip the handles of a bicycle
how to hold old people, and touch babies ,
i love hands like i love people,
they're the maps and compasses in which we navigate our way through life, some people read palms to tell your future,
but i read hands to tell your past,
each scar marks the story worth telling,
each calloused palm,
each cracked knuckle is a missed punch
or years in a factory,
now ive seen middle eastern hands clenched in middle eastern fists pounding against each other like war drums, each country sees theyre fists as warriors and others as enemies.
even if fists alone are only hands. but this is not about politics, no hands arent about politics, this is a poem about love, and fingers. fingers interlock like a beautiful zipper of prayer.
one time i grabbed my dads hands so that our fingers interlocked perfectly but he changed positions, saying no that hand hold is for your mom.
kids high five, but grown ups, we learn how to shake hands, you need a firm hand shake,but dont hold on too tight, but dont let go too soon, but dont hold down for too long,
but hands are not about politics, when did it become so complicated. i always thought its simple.
the other day my dad looked at my hands, as if seeing them for the first time, and with laughter behind his eye lids, with all the seriousness a man of his humor could muster, he said you know you got nice hands, you could’ve been a hand model, and before the laughter can escape me, i shake my head at him, and squeeze his hand, 8 million 2 thousand 7hundred and fifty four.
”
”
Sarah Kay
“
Don't bother to argue anything on the Internet. And I mean, ANYTHING.... The most innocuous, innocent, harmless, basic topics will be misconstrued by people trying to deconstruct things down to the sub-atomic level and entirely miss the point.... Seriously. Keep peeling the onion and you get no onion.
”
”
Vera Nazarian
“
When I heard about these lessons, I thought they would be a dreadful waste of my time. I pictured two very silly girls uninterested in any sort of instruction. But that describes neither Miss Gray nor yourself. I should tell you, I used to train younger Shadowhunters in Madrid. And there were quite a few of them who didn’t have the same native ability that you do. You’re a talented student, and it is my pleasure to teach you.”
Sophie felt herself flush scarlet. “You cannot be serious.”
“I am. I was pleasantly surprised the first time I came here and again so the next time and the next. I found that I was looking forward to it. In fact, it would be fair to say that since my return home, I have hated everything in London except these hours with you.
”
”
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
“
He has to see what he has. He has to know that you're serious this time. You have to let him miss you.
”
”
Anna Todd (After We Fell (After, #3))
“
I told you not to take off work for this."
“And miss your big finale? No way.I’m all atwitter to see how things turn out.”
“That’s cute, Jordo.” Then he frowned as
Nick McCall was suddenly there, in their lives, and
Kyle was therefore being a little…cautious before
welcoming him into the family.
“Be nice, Kyle,” Jordan warned.
“What?” he asked innocently. “When have I ever
not been nice to Tall, Dark, and You Can’t Be
Serious About This Guy?”
“I like him. Get used to it.
”
”
Julie James (About That Night (FBI/US Attorney, #3))
“
You’re a wonderful dancer, Ria.”
“Mademoiselle Geraldine’s takes such things seriously.”
“Ah. And how many ways do you know to kill me, while we dance?”
“Only two, but give me time.”
“You have lovely eyes. Has anyone ever told you that?”
“What rot. They are a muddy green. What are you about, Lord Mersey?”
Felix sighed, looking genuinely perturbed. His air of ennui was shaken. “I am trying to court you. Truth be told, Miss Temminnick, you make it ruddy difficult!”
“Language, Lord Mersey.” Sophronia felt her heart flutter strangely. Am I ready to be courted?
“See!
”
”
Gail Carriger (Curtsies & Conspiracies (Finishing School, #2))
“
Hey, Dad?"
"Yeah?"
Jonah walked in silence for a few steps. "It's okay if you like Miss Andrews."
Miles looked down in surprise. "It is?"
"Yeah," he said seriously. "Because I think she likes you.
”
”
Nicholas Sparks (A Bend in the Road)
“
Miss Rook, on a scale of one to pomegranate, how dangerous would you say this situation has become?"
"Dangerous?" I faltered.
"Yes, Miss Rook," prompted Jackaby, in your expert opinion."
"On a scale of one to pomegranate?" I followed his lead, checking over the notes I had scribbled in my notepad and speaking in my most audible, serious whisper. "I should think ... acorn? Possibly badger. Time alone will tell.
”
”
William Ritter (Beastly Bones (Jackaby, #2))
“
I don't like cleaning or dusting or cooking or doing dishes, or any of those things," I explained to her. "And I don't usually do it. I find it boring, you see."
"Everyone has to do those things," she said.
"Rich people don't," I pointed out.
Juniper laughed, as she often did at things I said in those early days, but at once became quite serious.
"They miss a lot of fun," she said. "But quite apart from that--keeping yourself clean, preparing the food you are going to eat, clearing it away afterward--that's what life's about, Wise Child. When people forget that, or lose touch with it, then they lose touch with other important things as well."
"Men don't do those things."
"Exactly. Also, as you clean the house up, it gives you time to tidy yourself up inside--you'll see.
”
”
Monica Furlong (Wise Child (Doran, #1))
“
Wanna trade?" (Puck)
..."Can't you take anything seriously?" (Ash)
"I am serious! Duck."
I ducked as a dagger flew overhead, barely missing my ear. A false Goodfellow whooped with laughter, and my anger fled. "All right," I snapped.
”
”
Julie Kagawa (The Iron Knight (The Iron Fey, #4))
“
I missed you so much, he replied in a more serious tone
”
”
Abbi Glines (The Vincent Brothers (The Vincent Boys, #2))
“
I called the police to report my missing mustache, but they didn’t take me seriously. I’ll bet if I had a mustache, they’d take me seriously. #catch22
”
”
Jarod Kintz (If you bring the booze and food, I'll bring the thirst and hunger)
“
He turned to me, expression as serious as I'd ever witnessed it. "You would miss me terribly and know it. Just as I would miss you in ways I cannot fathom, should we ever part.
”
”
Hunting Prince Dracula, Kerri Maniscalco
“
I wish Mara knew that I’m jealous of her.” I whipped around to face him. “You can’t be serious.” Brooke shook her finger. “No interruptions, Mara.” My brother cleared his throat. “I wish she knew that I think she’s the most hilarious person on Earth. And that whenever she’s not home, I feel like I’m missing my partner in crime.” My throat tightened. Do not cry. Do not cry. “I wish she knew that she’s really Mom’s favorite—” I shook my head here. “—the princess she always wanted. That Mom used to dress her up like a little doll and parade her around like Mara was her greatest achievement. I wish Mara knew that I never minded, because she’s my favorite too.” A chin quiver. Damn. “I wish she knew that I’ve always had acquaintances instead of friends because I’ve spent every second I’m not in school studying or practicing piano. I wish she knew that she is literally as smart as I am—her IQ is ONE POINT lower,” he said, raising his eyes to meet mine. “Mom had us tested. And that she could get the same grades if she weren’t so lazy.” I slouched in my seat, and may or may not have crossed my arms over my chest defensively. “I wish she knew that I am really proud of her, and that I always will be, no matter what.
”
”
Michelle Hodkin (The Evolution of Mara Dyer (Mara Dyer, #2))
“
Are you missing the library again?" Seth asked, startling her as he walked into the room.
Kendra turned to face her brother. "You caught me," she congratulated him. "I'm reading."
"I bet the librarians back home are panicking. Summer vacation, and no Kendra Sorenson to keep them in business. Have they been sending you letters?"
"Might not hurt you to pick up a book, just as an experiment."
Whatever. I looked up the definition for 'nerd' in the dictionary. Know what it said?"
"I bet you'll tell me."
" 'If you're reading this, you are one.' "
You're a riot." Kendra turned back to the journal, flipping to a random page.
Seth took a seat on his bed across from her. "Kendra, seriously, I can sort of see reading a cool book for fun, but dusty old journals? Really? Has anybody told you there are magical creatures out there?" He pointed out the window.
"Has anybody told you some of those creatures can eat you?" Kendra responded. "I'm not reading these just for fun. They have good info."
"like what? Patton and Lena smooching?"
Kendra rolled her eyes. "I'm not telling. You'll end up in a tar pit."
"There's a tar pit?" he said, perking up. "Where?
”
”
Brandon Mull (Grip of the Shadow Plague (Fablehaven, #3))
“
The gifts and the lessons my father left me will last forever: Never take yourself too seriously, never miss a chance to laugh long and hard, speak out about political and social issues you believe in, use the written word as often as you can to make yourself and the world a better place, and love your children with all you've got.
My dad's death had a seismic effect on me but so did his life.
”
”
Anne Serling (As I Knew Him: My Dad, Rod Serling)
“
Well, the thing is, I don't think Indians are nomadic anymore. Most indians anyway.'
No, we're not,' I said
I'm not nomadic,' Rowdy said. 'Hardly anybody on this rez is nomadic. Except for you. You're the nomadic one.'
Whatever.'
No. I'm serious. I always knew you were going to leave. I always knew you were going to leave us behind and travel the world. I had this dream about you a few months ago. You were standing on the Great Wall of China. You looked happy. And I was happy for you.'
Rowdy didn't cry. But I did.
You're an old-time nomad,' Rowdy said. 'You're going to keep moving all over the world in search of food and water and grazing land. That's pretty cool.'
I could barely talk.
Thank you,' I said.
Yeah,' Rowdy said. 'Just make sure you send me postcards, you asshole.'
From everywhere,' I said.
I would always love Rowdy. And I would always miss him, too. Just as I would always love and miss my grandmother, my big sister, and Eugene.
Just as I would always love and miss my reservation and my tribe.
I hoped and prayed that they would someday forgive me for leaving them.
I hoped and prayed that I would someday forgive myself for leaving them.
”
”
Sherman Alexie (The Absolutely True Diary of a Part-Time Indian)
“
I know you love me.” Wistful and filled with wonder. “I love you, too.”
Somehow, it’s not enough. “For real though, babe. The only person I love more than you is myself.”
A loud laugh fills the otherwise darkened room. “Oh my god, tell me you did not just say that.”
Am I missing something here? “What’s so damn funny? I’m being serious.”
“The only person you love more than me is you?”
“Yeah, so?”
“You’re ridiculous.”
“But you love me?”
“So much.
”
”
Sara Ney (The Studying Hours (How to Date a Douchebag, #1))
“
Do you think it would be possible for anyone to love you if they could see every single thing you do?’ And I watch them cringe as though I’ve reached out and struck them. ‘I’m serious,’ I say. ‘Imagine that everyone could see everything. Every secret, every base physical ejection, every category of porn you’ve ever looked at in a kind of coma when you’re numb to the normal stuff. Think about it all. Every moment of shame, of desperation – do you really think anyone could love you still? Anyone at all?’ 3 I remember what it was like when I first loved Ciaran, before he left me that first time at Christmas, when I’d miss him so much when he went anywhere.
”
”
Megan Nolan (Acts of Desperation)
“
I love being white. Seriously, I really do. If you're not white, your missing out. 'Cuz this shit is thoroughly good. Let me clear this up by the way: I'm not saying white people are better. I'm saying that BEING white is clearly better. Who could even argue? If it was an option I would re-up every year! 'Oh yeah, I'll take white again. Absolutely.' Here's how great it is to be white: if I would have a time machine I could go to any time and it would be awesome when I get there! That is exclusively a white privilege! Black people can't fuck with time machines! .
”
”
Louis C.K.
“
Very well, Miss Temminnick. Tell me a little about yourself. Are you well-educated?” Sophronia considered this question seriously. “I don’t believe so.” “Excellent. Ignorance is most undervalued in a student. And have you killed anyone recently?” Sophronia blinked. “Pardon?” “Oh, you know, a knife to the neck, or perhaps a cleverly noosed cravat?” Sophronia said only, “Not my preferred diversion.” “Oh, dear, how disappointing. Well, don’t you fret. We shall soon find you some useful hobby.
”
”
Gail Carriger (Etiquette & Espionage (Finishing School, #1))
“
Harry - “No plovers no pigeons no snipe. No oysters mussels clams or whole lobsters. No artichokes no savories no cheese.” He paused for breath then went on “Nothing too rich nothing too highly seasoned. And never more than one glass of wine. Did I miss any no-noes ”
Emma - She sighed. “When it comes to my work I do wish you would be serious.”
Harry - “I am serious ” he assured her. “After reading this I understand why women have such tiny waists and go about fainting all the time. I thought it was corsets but no. You’re all hungry .
”
”
Laura Lee Guhrke (And Then He Kissed Her (Girl Bachelors, #1))
“
I'm sorry," she says. "Did we make it a big deal?"
"Oh my God. Seriously? You guys make everything a big deal."
"Really?" she says.
"When I started drinking coffee. When I started shaving . When I got a girlfriend."
"That stuff is exciting," she says.
"It's not that exciting," I say. "It's like—I don't even know. You guys are so freaking obsessed with everything I do. It's like I can't change my socks without someone mentioning it."
"Ah," says my dad. "So, what you're trying to say is that we're really creepy."
"Yes," I say.
My mom laughs. "See, but you're not a parent yet, so you can't understand. It's like—you have this baby, and eventually, he starts doing stuff. And I used to be able to see every tiny change, and it was so fascinating." She smiles sadly. "And now I'm missing stuff. The little things. And it's hard to let go of that.
”
”
Becky Albertalli (Simon vs. the Homo Sapiens Agenda (Simonverse, #1))
“
A moment later, Noah's flying through the air, arms outstretched like he's on the cross. I feel a surge of adrenaline.
And then what always happens: He slows down. I can't explain it, but it takes my brother forever to hit the surface of the water. I blink a few times at him suspended there midair as if on a tight rope. I've come to think either he has a way with gravity or I'm seriously missing more than a few buttons. I did read once that anxiety can significantly alter space-time perception.
”
”
Jandy Nelson (I'll Give You the Sun)
“
The Missing Tile syndrome is ubiquitous. If you are overweight, all you see are flat stomachs and perfect physical specimens. If you have pimples, all you see is flawless skin. Women who have difficulty getting pregnant walk around seeing only pregnant women and babies. Nor do you need to be overweight, have pimples, be balding, or want a child to believe that you have a missing tile. You can allow any real—or merely perceived—flaw to diminish your happiness.
”
”
Dennis Prager (Happiness Is a Serious Problem: A Human Nature Repair Manual)
“
I think," said my neighbour, her chin very high in the air (and still spiffed, I am glad to say) "that women who've never married and never had children have missed out on the central experiences of life. They are emotionally crippled."
Now what am I supposed to say to that? I ask you. That women who've never won the Nobel Peace Prize have also experienced a serious deprivation? It's like taking candy from a baby; the poor thing isn't allowed to get angry, only catty. I said, "That's rude, and silly," and helped her to mashed potatoes.
...."You can't catch a man."
"That's why I'll never be abandoned," said I. Fortunately she did not hear me. Did I say taking candy from babies? Rather, eating babies, killing babies, abandoning babies. So sad, so easy.
”
”
Joanna Russ (On Strike Against God)
“
Iz, seriously, I’m fine. No more setups.”
“Fine, no more setups. But be open or you might miss something right in front of you.
”
”
Kasie West (P.S. I Like You)
“
but still, he missed the fun, I-want-to-fuck-you fox that was replaced by the serious, do-it-ten-thousand-times-until-you-master-it fox. In
”
”
Jex Lane (Broken (Beautiful Monsters, #3))
“
Only people who've been discriminated against can really know how much it hurts. Each person feels the pain in his own way, each has his own scars. So I think I'm as concerned about fairness and justice as anybody. But what disgusts me even more are people who have no imagination. The kind T. S. Eliot calls hollow men. People who fill up that lack of imagination with heartless bits of straw, not even aware of what they're doing. Callous people who throw a lot of empty words at you, trying to force you to do what you don't want to. Like that lovely pair we just met.” He sighs and twirls the long slender pencil in his hand. “Gays, lesbians, straights, feminists, fascist pigs, communists, Hare Krishnas-- none of them bother me. I don't care what banner they raise. But what I can't stand are hollow people. When I'm with them I just can't bear it, and wind up saying things I shouldn't. With those women--I should've just let it slide, or else called Miss Saeki and let her handle it. She would have given them a smile and smoothed things over. But I just can't do “do that. I say things I shouldn't, do things I shouldn't do. I can't control myself. That's one of my weak points. Do you know why that's a weak point of mine?”
“'Cause if you take every single person who lacks much imagination seriously, there's no end to it,” I say.
”
”
Haruki Murakami (Kafka on the Shore)
“
Blessings are waiting, so don't miss the flight
Your Birth Day Gonna be very shiny bright
Look everywhere and adore every single sight
May your BirThDay be filled with chocolates, Cakes & Candle Light
May the happiness hugs you like soo tight
Take me serious, because I am gentle and polite
”
”
sid
“
You owe me this. You made me get rid of my assassin and now I have no control over those creatures that—"
That you created," he added, interrupting her angry tirade. "Don't forget the important part here. The Dark-Hunters wouldn't exist at all had someone, and for the sake of your missing intellect let me clarify that, you, not stolen powers from me that could bring back the dead. I didn't need the Dark-Hunters to help me fight against the Daimons and protect the humans. I was doing fine on my own. But you wouldn't have it. You created them and made me responsible for their lives. It's a responsibility that I take most seriously, so excuse me for banning you from killing them because you have reverse PMS."
She scowled. "Reverse PMS?"
Yeah, unlike a normal woman, you're cranky twenty-eight days out of the month.
”
”
Sherrilyn Kenyon (Devil May Cry (Dark-Hunter, #11))
“
Now, Miss Bentley,” he said with mock seriousness. “I’ll have you know that yes, you are correct, I will always be the master in a relationship. I will always be the master when it comes to sex. I am the man.”
Harly was having a hard time trying to maintain her own contrite, meek expression; her quivering lips gave that away. “Yes, Sir.”
“See, when I say strip, you strip. When I say come here, you come. When I say kiss me, you kiss me. When I say you’re walking around in my presence in nothing but silk stockings and a garter belt and a red satin bra, you will do so.”
“Not happening.”
“Insubordination will not be tolerated.”
“I’ll tell my mother.”
“I’m not scared of her.”
“All right. I’ll tell your mother.”
“Okay, some insubordination will be tolerated.”
“I thought so.”
“And when I say get the bondage gear-”
She guffawed right in his face.
”
”
Angela Verdenius (Alex (The Lawson Boys #1))
“
God, I’ve just figured out what’s missing – you ditched the hallowed Albermarle Teddy Bear!’
I nodded. ‘Banished to a dark cupboard for all eternity.’
‘You cold-hearted bastard.’
‘Give me a hot water bottle any day. At least they have some appreciable function. Not like that pathetic pile of overpriced fake fur and anthropomorphic bullshit I locked in the wardrobe.’
‘You have serious teddy bear issues.
”
”
Tabitha McGowan (The Tied Man (The Tied Man, #1))
“
I’m also wary of walking home late at night on my own, I miss being respectfully called sir when I’m in a shop or restaurant, and I’m definitely taken less seriously when I open my mouth
You see, Megan, I learnt first hand how women are discriminated against, which is why I became a feminist after I’d transitioned, an intersectional feminist, because it’s not just about gender but race, sexuality, class and other intersections which we mostly unthinkingly live anyway
”
”
Bernardine Evaristo (Girl, Woman, Other)
“
How come you write the way you do?” an apprentice writer in my Johns Hopkins workshop once disingenuously asked Donald Barthelme, who was visiting. Without missing a beat, Don replied, “Because Samuel Beckett was already writing the way he does.”
Asked another, smiling but serious, “How can we become better writers than we are?”
“Well," DB advised, “for starters, read through the whole history of philosophy, from the pre-Socratics up through last semester. That might help.”
“But Coach Barth has already advised us to read all of literature, from Gilgamesh up through last semester...”
“That, too,” Donald affirmed, and twinkled that shrewd Amish-farmer-from-West-11th-Street twinkle of his. “You’re probably wasting time on things like eating and sleeping. Cease that, and read all of philosophy and all of literature. Also art. Plus politics and a few other things. The history of everything.
”
”
John Barth (Further Fridays: Essays, Lectures, and Other Nonfiction, 1984 - 1994)
“
And now, Henry," said Miss Tilney, "that you have made us understand each other, you may as well make Miss Morland understand yourself—unless you mean to have her think you intolerably rude to your sister, and a great brute in your opinion of women in general. Miss Morland is not used to your odd ways."
"I shall be most happy to make her better acquainted with them."
"No doubt; but that is no explanation of the present."
"What am I to do?"
"You know what you ought to do. Clear your character handsomely before her. Tell her that you think very highly of the understanding of women."
"Miss Morland, I think very highly of the understanding of all the women in the world—especially of those—whoever they may be—with whom I happen to be in company."
"That is not enough. Be more serious."
"Miss Morland, no one can think more highly of the understanding of women than I do. In my opinion, nature has given them so much that they never find it necessary to use more than half.
”
”
Jane Austen (Northanger Abbey)
“
Grandpa looked at me seriously and said that missing people is the best sad feeling there is.
"You see, Trille lad, if you're sad because you miss someone, then that means you care about that person. And caring about someone is the best thing there is. We carry the people we miss inside us.
”
”
Maria Parr (Adventures with Waffles)
“
Aw, my girl misses her family. “Now that we’re dating, come with me to dinner at my folks’ house on the weekend.” She laughs. “Blake, seriously? You’re heading out on a week-long road trip, where I’ll bet you’d rather be single.” “Nope. I’m going to text you every night. You’ll see.” “We’re not dating,” she says. Except she’s cuddling me with her entire naked body and stroking my chest lovingly with one hand. “Want to eat ice cream in bed?” I ask. “Yeah,” she sighs, the arch of her foot stroking mine. Silly Jessie. We are dating. She just doesn’t know it yet.
”
”
Sarina Bowen (Good Boy (WAGs, #1))
“
Are you serious about leaving?"
I touched my aching face. "Yes.But I don't know how."
"I'd go with you," Colin said quietly.
"Really?"
"You know I would."
"If you could do anything, what would you do? Would you go back to Ireland?"
"Maybe," he said. "I've no family left there but I miss the green hills. I'd love to show them to you, show you Tara and the Cliffs of Moher.We could live in a thatched cottage and keep sheep."
I grinned at him. "If you clean up after them."
"What would be your perfect day then?" he asked, grinning back at me. "If you don't like my sheep?"
"Your cottage sounds nice," I allowed. "I'd like to sleep in late and read as many books as I'd like and drink tea with lemon and eat pineapple slices for breakfast."
"No velvet dresses and diamonds?"
I rolled my eyes, then stopped when the bruises throbbed. "Ouch.And no, of course not.I don't care about that. Only books." I looked at him shyly. "And you."
"That's all right then," he said softly.
”
”
Alyxandra Harvey (Haunting Violet (Haunting Violet, #1))
“
... Good gracious, Jerry, you'll probably have to marry the girl.'
Joanna was half serious, half laughing.
It was at that moment that I made a very important discovery.
'Damn it all,' I said. 'I don't mind if I do. In fact - I should like it.'
A very funny expression came over Joanna's face. She got up and said dryly, as she went toward the door, 'Yes, I've known that for some time...'
She left me standing, glass in hand, aghast at my new discovery.
”
”
Agatha Christie (The Moving Finger (Miss Marple, #3))
“
Does it occur to you that if he set his mind to it, Steve could be a truly excellent supervillain?” Clint said into the comm unit, not bothering with any sort of segue. He knew very well who it was.
“We have a contingency plan in place for that,” Coulson said without missing a beat.
In the background, Steve said, “Wait, what?”
“Oh, c'mon.” Stark sounded seriously insulted. “If anyone here is going to go the black leather and weather control ray route, it's gonna be me, let's not even kid ourselves.”
“Every active SHIELD employee has a wallet card instructing them what to do in the event you go supervillain, Stark. It's standard equipment.”
A beat of silence. “What?” Tony asked.
“I got one,” Bruce said. “Want to see it?”
“If you show it to him, it'll defeat the purpose of having a plan,” Natasha said. “And I like this plan, it's a good plan, I do not want to go through them trying to come up with something else.”
“Yes, I want to see it,” Tony said. “Thor, did you get a card?”
“Verily. Their plan is most sound. I believe we will be able to subdue you with great swiftness, before you have much chance to hurt yourself or others. The damage to property will, of course, be massive, but such things are to be expected.”
“What the hell? You will not be able to subdue me quickly. Screw you, I am wily and brilliant.”
“I didn't get one,” Steve said, and there was a loud sound of no one being surprised.
“It's not a good idea to warn the bait that-” Clint started...
”
”
Scifigrl47 (Ordinary Workplace Hazards, Or SHIELD and OSHA Aren't On Speaking Terms (In Which Tony Stark Builds Himself Some Friends (But His Family Was Assigned by Nick Fury), #2))
“
I’m lying on Cash’s chest, tracing his tattoo.
“What does this mean?” I whisper.
“It’s the Chinese symbol for awesome,” he teases lightly.
I giggle. “If it’s not, which I imagine it isn’t, then it should be.”
“Are you paying me a compliment? I just want to be sure, so I don’t miss it.”
I slap his ribs. “You make it sound like I’m mean and horrible because I don’t throw myself at your feet.”
“You don’t have to throw yourself at my feet. Although if you want to, I’m sure I can think of something for you to do while you’re down there.”
I look up at him and he’s waggling his eyebrows again.
“I’m sure you could.” Shaking my head, I settle back onto his chest and resume tracing the ink shapes. “Seriously, what do they mean?”
Cash is quiet for so long I begin to think he’s not going to answer me. But then he finally speaks.
“It’s a collage of things that remind me of my family.
”
”
M. Leighton (Down to You (The Bad Boys, #1))
“
There are men who never turn into boyfriends, who peer behind the curtain and see the mess of me—literal and figurative: the apartment with a narrow path through the clothes and trash leading from bed to bathroom; the drinking, endless drinking; the blackout sex and nightmares. “You’re kind of screwed up,” they say, at first with a laugh in their voice, an attitude of maybe this will be fun for a while, but as soon as I slur out the story—teacher, sex, fifteen, but I liked it, I miss it—they’re done. “You’ve got serious issues,” they say on their way out the door.
”
”
Kate Elizabeth Russell (My Dark Vanessa)
“
Hey, I am serious. And I want you to understand a fundamental rule about love. You see, there are two kinds: the surface and the deep water. Now, Aphrodite emerged from foam, remember? Foam love is a nice feeling, but just as superficial. When it's gone, it's gone, nothing remains. Always aim for the kind of love that comes from the deep.
”
”
Elif Shafak (The Island of Missing Trees)
“
I did a bad thing tonight, one of the most terrible things ever: I waited for her to fall asleep, then stole the sheet from under her head. I am missing you or maybe just the idea of you. I have begun seriously thinking about other men. I am afraid I am not strong enough or tough enough for this. I am afraid all the time. I have not slept well in months. When are you coming back, you jerk? We are all trying to be brave without you and doing a real crummy job of it. I do not want to have to be brave anymore without you.
”
”
Joe Meno (Demons in the Spring)
“
More than 2,000 books are dedicated to how Warren Buffett built his fortune. Many of them are wonderful. But few pay enough attention to the simplest fact: Buffett’s fortune isn’t due to just being a good investor, but being a good investor since he was literally a child. As I write this Warren Buffett’s net worth is $84.5 billion. Of that, $84.2 billion was accumulated after his 50th birthday. $81.5 billion came after he qualified for Social Security, in his mid-60s. Warren Buffett is a phenomenal investor. But you miss a key point if you attach all of his success to investing acumen. The real key to his success is that he’s been a phenomenal investor for three quarters of a century. Had he started investing in his 30s and retired in his 60s, few people would have ever heard of him. Consider a little thought experiment. Buffett began serious investing when he was 10 years old. By the time he was 30 he had a net worth of $1 million, or $9.3 million adjusted for inflation.16 What if he was a more normal person, spending his teens and 20s exploring the world and finding his passion, and by age 30 his net worth was, say, $25,000? And let’s say he still went on to earn the extraordinary annual investment returns he’s been able to generate (22% annually), but quit investing and retired at age 60 to play golf and spend time with his grandkids. What would a rough estimate of his net worth be today? Not $84.5 billion. $11.9 million. 99.9% less than his actual net worth. Effectively all of Warren Buffett’s financial success can be tied to the financial base he built in his pubescent years and the longevity he maintained in his geriatric years. His skill is investing, but his secret is time. That’s how compounding works. Think of this another way. Buffett is the richest investor of all time. But he’s not actually the greatest—at least not when measured by average annual returns.
”
”
Morgan Housel (The Psychology of Money)
“
Because I questioned myself and my sanity and what I was doing wrong in this situation. Because of course I feared that I might be overreacting, overemotional, oversensitive, weak, playing victim, crying wolf, blowing things out of proportion, making things up. Because generations of women have heard that they’re irrational, melodramatic, neurotic, hysterical, hormonal, psycho, fragile, and bossy. Because girls are coached out of the womb to be nonconfrontational, solicitous, deferential, demure, nurturing, to be tuned in to others, and to shrink and shut up. Because speaking up for myself was not how I learned English. Because I’m fluent in Apology, in Question Mark, in Giggle, in Bowing Down, in Self-Sacrifice. Because slightly more than half of the population is regularly told that what happens doesn’t or that it isn’t the big deal we’re making it into. Because your mothers, sisters, and daughters are routinely second-guessed, blown off, discredited, denigrated, besmirched, belittled, patronized, mocked, shamed, gaslit, insulted, bullied, harassed, threatened, punished, propositioned, and groped, and challenged on what they say. Because when a woman challenges a man, then the facts are automatically in dispute, as is the speaker, and the speaker’s license to speak. Because as women we are told to view and value ourselves in terms of how men view and value us, which is to say, for our sexuality and agreeability. Because it was drilled in until it turned subconscious and became unbearable need: don’t make it about you; put yourself second or last; disregard your feelings but not another’s; disbelieve your perceptions whenever the opportunity presents itself; run and rerun everything by yourself before verbalizing it—put it in perspective, interrogate it: Do you sound nuts? Does this make you look bad? Are you holding his interest? Are you being considerate? Fair? Sweet? Because stifling trauma is just good manners. Because when others serially talk down to you, assume authority over you, try to talk you out of your own feelings and tell you who you are; when you’re not taken seriously or listened to in countless daily interactions—then you may learn to accept it, to expect it, to agree with the critics and the haters and the beloveds, and to sign off on it with total silence. Because they’re coming from a good place. Because everywhere from late-night TV talk shows to thought-leading periodicals to Hollywood to Silicon Valley to Wall Street to Congress and the current administration, women are drastically underrepresented or absent, missing from the popular imagination and public heart. Because although I questioned myself, I didn’t question who controls the narrative, the show, the engineering, or the fantasy, nor to whom it’s catered. Because to mention certain things, like “patriarchy,” is to be dubbed a “feminazi,” which discourages its mention, and whatever goes unmentioned gets a pass, a pass that condones what it isn’t nice to mention, lest we come off as reactionary or shrill.
”
”
Roxane Gay (Not That Bad: Dispatches from Rape Culture)
“
As for us,Etienne was right.Our schools are only a twenty-minute transit ride away.He'll stay with me on the weekends, and we'll visit each other as often as possible during the week. We'll be together.We both got our Point Zero wishes-each other.He said he wished for me every time.He was wishing for me when I entered the tower.
"Mmm," I say.He's kissing my neck.
"That's it," Rashmi says. "I'm outta here.Enjoy your hormones."
Josh and Mer follow her exit,and we're alone.Just the way I like it.
"Ha!" Ettiene says. "Just the way I like it."
He pulls me onto his lap,and I wrap my legs around his waist.His lips are velvet soft,and we kiss until the streetlamps flicker on outside. Until the opera singer begins her evening routine. "I'm going to miss her," I say.
"I'll sing to you." He tucks my stripe behind my ear. "Or I'll take you to the opera.Or I'll fly you back here to visit. Whatever you want.Anything you want."
I lace my fingers through his. "I want to stay right here,in this moment."
"Isn't that the name of the latest James Ashley bestseller? In This Moment?"
"Careful.Someday you'll meet him, and he won't be nearly as amusing in person."
Etienne grins. "Oh,so he'll only be mildly amusing? I suppose I can handle mildly amusing."
"I'm serious! You have to promise me right now,this instant,that you won't leave me once you meet him.Most people would run."
"I'm not most people."
I smile. "I know.But you still have to promise."
His eyes lock on mine. "Anna,I promise that I will never leave you."
My heart pounds in response.And Etienne knows it,because he takes my hand and holds it against his chest,to show me how hard his heart is pounding, too. "And now for yours," he says.
I'm still dazed. "My what?"
He laughs. "Promise you won't flee once I introduce you to my father.Or, worse, leave me for him."
I pause. "Do you think he'll object to me?"
"Oh,I'm sure he will."
Okay.Not the answer I was looking for.
Etienne sees my alarm. "Anna.You know my father dislikes anything that makes me happy.And you make me happier than anyone ever has." He smiles. "Oh,yes. He'll hate you."
"So....that's a good thing?"
"I don't care what he thinks.Only what you think." He holds me tighter. "Like if you think I need to stop biting my nails."
"You've worn your pinkies to nubs," I say cheerfully.
"Or if I need to start ironing my bedspread."
"I DO NOT IRON MY BEDSPREAD."
"You do.And I love it." I blush,and Etienne kisses my warm cheeks. "You know,my mum loves you."
"She goes?"
"You're the only thing I've talked about all year.She's ecstatic we're together."
I'm smiling inside and out. "I can't wait to meet her.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Whereas the craftsman mindset focuses on what you can offer the world, the passion mindset focuses instead on what the world can offer you. This mindset is how most people approach their working lives. There are two reasons why I dislike the passion mindset (that is, two reasons beyond the fact that, as I argued in Rule #1, it’s based on a false premise). First, when you focus only on what your work offers you, it makes you hyperaware of what you don’t like about it, leading to chronic unhappiness. This is especially true for entry-level positions, which, by definition, are not going to be filled with challenging projects and autonomy—these come later. When you enter the working world with the passion mindset, the annoying tasks you’re assigned or the frustrations of corporate bureaucracy can become too much to handle. Second, and more serious, the deep questions driving the passion mindset—“Who am I?” and “What do I truly love?”—are essentially impossible to confirm. “Is this who I really am?” and “Do I love this?” rarely reduce to clear yes-or-no responses. In other words, the passion mindset is almost guaranteed to keep you perpetually unhappy and confused, which probably explains why Bronson admits, not long into his career-seeker epic What Should I Do With My Life? that “the one feeling everyone in this book has experienced is of missing out on life.
”
”
Cal Newport (So Good They Can't Ignore You: Why Skills Trump Passion in the Quest for Work You Love)
“
He arched a brow. “Miss Lahey, are you flirting with me?”
“Well, hot stuff, if you have to ask, I’m not doing it right.”
His laughter rumbled low, slithering heat underneath my skin. I pulled him to me, backing him against the table, risking a literal firestorm as his lips laid upon mine with a burning promise of—
“That’s how babies are made!”
I reeled back and knocked over a chair. “Aunt M!”
“Sex kills!”
“M, seriously.” Mom walked into the kitchen and rolled her eyes.
My aunt patted her belly. “It killed my waistline.” Then she cackled.
Who was the banshee now?
“Ayden and Rory sitting in a tree,” Selena sing-songed, “making b-a-b-b-y-n-g.”
“Mom!”
“Selena,” Mom admonished. “That’s not the right spelling.
”
”
A. Kirk
“
So often," Jackaby said. "people think that when we arrive at a crossroads, we can choose only one path, but- as I have often and articulately postulated- people are stupid. We're not walking the path. We are the path. We are all of the roads and all of the intersections. Of course you can choose both."
I blinked.
"Also, if I hear any more nonsense about your allowing other people to decide where you're going in your own life, I will seriously reconsider your employment. You were hired for your mind, Miss Rook. I won't have an assistant incapable of thinking for herself."
"Yes, sir," I said. "Thank you, sir.
”
”
William Ritter (Beastly Bones (Jackaby, #2))
“
Baby smuggling is a serious crime,' he said. 'There were thirty-six babies on that plane. We could charge you with thirty-six counts of kidnapping.'
That, at least, got Second to look back at Mr. Reardon.
'Does FBI mean Federal Bureau of Idiots?' he asked. 'If any of you were any good at analyzing footprints, you would know that I fell when I was trying to sneak into the airport grounds, not out.'
'And why would you do that?' Mr. Reardon asked, hunching forward over a notepad.
'It was a dare, all right?' Second snarled. 'I was with my friends and we were talking about what it would be like to stand on a runway when a plane was landing and...we decided to try it out.'
'That's a crime too,' Mr. Reardon said.
Second shrugged. 'It ain't thirty-six counts of kidnapping,' he said.
”
”
Margaret Peterson Haddix (Redeemed (The Missing, #8))
“
Perhaps I can make you understand. Let’s start from the beginning. A man is hired to give advice to the readers of a newspaper. The job is a circulation stunt and the whole staff considers it a joke. He welcomes the job, for it might lead to a gossip column, and anyway he’s tired of being a leg man. He too considers the job a joke, but after several months at it, the joke begins to escape him. He sees that the majority of the letters are profoundly humble pleas for moral and spiritual advice, and they are inarticulate expressions of genuine suffering. He also discovers that his correspondents take him seriously. For the first time in his life, he is forced to examine the values by which he lives. This examination shows him that he is the victim of the joke and not its perpetrator.
”
”
Nathanael West (Miss Lonelyhearts / A Cool Million)
“
He turns to me, serious, grabs my wrist tight.
“What am I now? A Catholic priest you got to confess all of your sins to? If you start down that road, I got to reciprocate, and I ain’t so sure you can handle that. You want to know where this conversation will lead, my friend? A dead end, that’s where.
“Listen to me good, Barry. I have known you since 1947 when we was nippers. That’s sixty-four years, yuh hear? You and me has finally got a future to look forward to together, so let we not go digging up our past misdemeanors, right? Just sit back comfy and easy and listen to the one and only Miss Shirley Bassey and let we just enjoy the vibes, man, enjoy the vibes.
”
”
Bernardine Evaristo (Mr Loverman)
“
Conventional statistics is set up to be skeptical and avoid type 1 errors. The 95 percent confidence standard means that there is only 1 chance in 20 that you believe something that isn’t true. That is a very high bar. It reflects a scientific worldview in which skepticism is a virtue, credulity is not.90 As one Web site puts it, “A type I error is often considered to be more serious, and therefore more important to avoid, than a type II error.”91 In fact, some statisticians claim that type 2 errors aren’t really errors at all, just missed opportunities.
”
”
Naomi Oreskes (Merchants of Doubt: How a Handful of Scientists Obscured the Truth on Issues from Tobacco Smoke to Global Warming)
“
I don’t know. We have everything we need to be happy, but we’re not happy. Something’s missing. I looked around. The only thing I positively knew was gone was the books I’d burned in ten or twelve years. So I thought books might help.”
“You’re a hopeless romantic,” said Faber. “It would be funny if it were not serious. It’s not books you need, it’s some of the things that once were in books. The same things could be in the "parlour families” today. The same infinite detail and awareness could be projected through the radios and televisors, but are not. No, no, it’s not books at all you’re looking for! Take it where you can find it, in old phonograph records, old motion pictures, and in old friends; look for it in nature and look for it in yourself. Books were only one type of receptacle where we stored a lot of things we were afraid we might forget.
”
”
Ray Bradbury (Fahrenheit 451)
“
The situation is established not only to provoke defensiveness but to sidetrack the reformer into answering the wrong questions.... In this, the pattern of discourse resembles that of dinnertime conversations about feminism in the early 1970s. Questions of definition often predominate. Whereas feminists were parlaying questions which trivialized feminism such as "Are you one of those bra burners?" vegetarians must define themselves against the trivializations of "Are you one of those health nuts?" or "Are you one of those animal lovers?" While feminists encountered the response that "men need liberation too," vegetarians are greeted by the postulate that "plants have life too." Or to make the issue appear more ridiculous, the position is forwarded this way: "But what of the lettuce and tomato you are eating; they have feelings too!"
The attempt to create defensiveness through trivialization is the first conversational gambit which greets threatening reforms. This pre-establishes the perimeters of discourse. One must explain that no bras were burned at the Miss America pageant, or the symbolic nature of the action of that time, or that this question fails to regard with seriousness questions such as equal pay for equal work. Similarly, a vegetarian, thinking that answering these questions will provide enlightenment, may patiently explain that if plants have life, then why not be responsible solely for the plants one eats at the table rather than for the larger quantities of plants consumed by the herbivorous animals before they become meat? In each case a more radical answer could be forwarded: "Men need first to acknowledge how they benefit from male dominance," "Can anyone really argue that the suffering of this lettuce equals that of a sentient cow who must be bled out before being butchered?" But if the feminist or vegetarian responds this way they will be put back on the defensive by the accusation that they are being aggressive. What to a vegetarian or a feminist is of political, personal, existential, and ethical importance, becomes for others only an entertainment during dinnertime.
”
”
Carol J. Adams (The Sexual Politics of Meat: A Feminist-Vegetarian Critical Theory)
“
So,Batman,eh?"
Effing St. Clair.
I cross my arms and slouch into one of the plastic seats. I am so not in the mood for this.He takes the chair next to me and drapes a relaxed arm over the back of the empty seat on his other side. The man across from us is engrossed in his laptop,and I pretend to be engrossed in his laptop,too. Well,the back of it.
St. Clair hums under his breath. When I don't respond,he sings quietly. "Jingle bells,Batman smells,Robin flew away..."
"Yes,great,I get it.Ha ha. Stupid me."
"What? It's just a Christmas song." He grins and continues a bit louder. "Batmobile lost a wheel,on the M1 motorway,hey!"
"Wait." I frown. "What?"
"What what?"
"You're singing it wrong."
"No,I'm not." He pauses. "How do you sing it?"
I pat my coat,double-checking for my passport. Phew. Still there. "It's 'Jingle bells, Batman smells,Robin laid an egg'-"
St. Clair snorts. "Laid an egg? Robin didn't lay an egg-"
"'Batmobile lost a wheel,and the Joker got away.'"
He stares at me for a moment,and then says with perfect conviction. "No."
"Yes.I mean,seriously,what's up with the motorway thing?"
"M1 motorway. Connects London to Leeds."
I smirk. "Batman is American. He doesn't take the M1 motorway."
"When he's on holiday he does."
"Who says Batman has time to vacation?"
"Why are we arguing about Batman?" He leans forward. "You're derailing us from the real topic.The fact that you, Anna Oliphant,slept in today."
"Thanks."
"You." He prods my leg with a finger. "Slept in."
I focus on the guy's laptop again. "Yeah.You mentioned that."
He flashes a crooked smile and shrugs, that full-bodied movement that turns him from English to French. "Hey, we made it,didn't we? No harm done."
I yank out a book from my backpack, Your Movie Sucks, a collection of Roger Ebert's favorite reviews of bad movies. A visual cue for him to leave me alone. St. Clair takes the hint. He slumps and taps his feet on the ugly blue carpeting.
I feel guilty for being so harsh. If it weren't for him,I would've missed the flight. St. Clair's fingers absentmindedly drum his stomach. His dark hair is extra messy this morning. I'm sure he didn't get up that much earlier than me,but,as usual, the bed-head is more attractive on him. With a painful twinge,I recall those other mornings together. Thanksgiving.Which we still haven't talked about.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
HOW CAN A GOOD GOD SEND PEOPLE TO HELL? This question assumes that God sends people to hell against their will. But this is not the case. God desires everyone to be saved (see 2 Peter 3:9). Those who are not saved do not will to be saved. Jesus said, “O Jerusalem, Jerusalem, you who kill the prophets and stone those sent to you, how often I have longed to gather your children together, as a hen gathers her chicks under her wings, but you were not willing” (Matthew 23:37). As C. S. Lewis put it, “The door of hell is locked on the inside.” All who go there choose to do so. Lewis added: “There are only two kinds of people in the end: those who say to God, ‘Thy will be done,’ and those to whom God says, in the end, ‘Thy will be done.’ All that are in hell, choose it.” Lewis believed “without that self-choice there could be no hell. No soul that seriously and constantly desires joy will ever miss it. Those who seek find. To those who knock it is opened.”5 Furthermore, heaven would be hell for those who are not fitted for it. For heaven is a place of constant praise and worship of God (Revelation 4–5). But for unbelievers who do not enjoy one hour of worship a week on earth, it would be hell to force them to do this forever in heaven! Hear Lewis again: “I would pay any price to be able to say truthfully ‘All will be saved.’ But my reason retorts, ‘Without their will, or with it?’ If I say ‘Without their will,’ I at once perceive a contradiction; how can the supreme voluntary act of self-surrender be involuntary? If I say ‘With their will,’ my reason replies ‘How if they will not give in?’”6 God is just and he must punish sin (Habakkuk 1:13; Revelation 20:11–15). But he is also love (1 John 4:16), and his love cannot force others to love him. Love cannot work coercively but only persuasively. Forced love is a contradiction in terms. Hence, God’s love demands that there be a hell where persons who do not wish to love him can experience the great divorce when God says to them, “Thy will be done!
”
”
Ravi Zacharias (Who Made God?: And Answers to Over 100 Other Tough Questions of Faith)
“
Peter, Adam's Son," said Father Christmas.
"Here, sir," said Peter.
"These are your presents," was the answer, "and they are tools, not toys. The time to use them is perhaps near at hand. Bear them well." With these words he handed to Peter a shield and a sword. The shield was the color of silver and across it there ramped a red lion, as bright as a ripe strawberry at the moment when you pick it. The hilt of the sword was of gold and it had a sheath and a sword belt and everything it needed, and it was just the right size and weight for Peter to use. Peter was silent and solemn as he received these gifts, for he felt they were a very serious kind of present.
"Susan, Eve's Daughter," said Father Christmas. "These are for you," and he handed her a bow and a quiver full of arrows and a little ivory horn. "You must use the bow only in great need," he said, "for I do not mean you to fight in the battle. It does not easily miss. And when you put this horn to your lips and blow it, then, wherever you are, I think help of some kind will come to you."
Last of all he said, "Lucy, Eve's Daughter," and Lucy came forward. He gave her a little bottle of what looked like glass (but people said afterwards that it was made of diamond) and a small dagger. "In this bottle," he said, "there is a cordial made of the juice of one of the fire-flowers that grow on the mountains of the sun. If you or any of your friends is hurt, a few drops of this will restore them. And the dagger is to defend yourself at great need. For you also are not to be in the battle."
"Why, sir?" said Lucy. "I think- I don't know- but I think I could be brave enough."
"That is not the point," he said. "But battles are ugly when women fight.
”
”
C.S. Lewis (The Lion, the Witch and the Wardrobe (Chronicles of Narnia, #1))
“
No,” Xander said, his voice suddenly serious. “But sometimes a person’s brain starts cycling. No matter what you do, the same thoughts just keep repeating, over and over. You get stuck in a loop, and when you’re inside that loop, you can’t see past it. You’ll keep coming up with the same possibilities, to no end, because the answers you need—they’re outside the loop. Distractions aren’t just distractions. Sometimes they can break you out of the loop, and once you’re out, once your brain stops cycling—” “You see the things you missed before.
”
”
Jennifer Lynn Barnes (The Final Gambit (The Inheritance Games, #3))
“
When he can't take anymore, Galen plucks his phone from his pocket and dials, then hangs up. When the call is returned, he says, "Hey, sweet lips." The females at the table hush each other to get a better listen. A few of them whip their heads toward Emma to see if she's on the other end of the conversation. Satisfied she's not, they lean closer.
Rachel snorts. "If only you liked sweets."
"I can't wait to see you tonight. Wear that pink shirt I like."
Rachel laughs. "Sounds like you're in what we humans like to call a pickle. My poor, drop-dead-gorgeous sweet pea. Emma still not talking to you, leaving you alone with all those hormonal girls?"
"Eight-thirty? That's so far away. Can't I meet you sooner?"
One of the females actually gets up and takes her tray and her attitude to another table. Galen tries not to get too excited.
"Do you need to be checked out of school, son? Are you feeling ill?"
Galen tosses a glance at Emma, who's picking a pepperoni off her pizza and eyeing it as if it were dolphin dung. "I can't skip school to meet you again, boo. But I'll be thinking about you. No one but you."
A few more females get up and stalk their trays to the trash. The cheerleader in front of him rolls her eyes and starts a conversation with the chubby brunette beside her-the same chubby brunette she pushed into a locker to get to him two hours ago.
"Be still my heart," Rachel drawls. "But seriously, I can't read your signals. I don't know what you're asking me to do."
"Right now, nothing. But I might change my mind about skipping. I really miss you."
Rachel clears her throat. "All right, sweet pea. You just let your mama know, and she'll come get her wittle boy from school, okay?"
Galen hangs up. Why is Emma laughing again? Mark can't be that funny.
The girl beside him clues him in: "Mark Baker. All the girls love him. But not as much as they love you. Except maybe Emma, I guess."
"Speaking of all these girls, how did they get my phone number?"
She giggles. "It's written on the wall in the girls' bathroom. One hundred hall." She holds her cell phone up to his face. An image of his number scrawled onto a stall door lights up the screen. In Emma's handwriting.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
More seriously-and this is probably why there has been a lot of garbage talked about a lost generation-it was easy to see, all over the landscape of contemporary fiction, the devastating effect of the Thatcher years. So many of these writers wrote without hope. They had lost all ambition, all desire to to wrestle with the world. Their books dealt with tiny patches of the world, tiny pieces of human experience-a council estate, a mother, a father, a lost job. Very few writers had the courage or even the energy to bite off a big chunk of the universe and chew it over. Very few showed any linguistic or formal innovation. Many were dulled and therefore dull. (And then, even worse, there were the Hooray Henries and Sloanes who evidently thought that the day of the yuppie novel, and the Bellini-drinking, okay-yah fiction had dawned. Dukedoms and country-house bulimics abounded. It was plain that too may books were being published; that too many writers had found their way into print without any justification for it at all; that too many publishers had adopted a kind of random, scattergun policy of publishing for turnover and just hoping that something would strike a cord.
When the general picture is so disheartening, it is easy to miss the good stuff. I agreed to be a judge for "Best of Young British Novelists II" because I wanted to find out for myself if the good stuff really was there. In my view, it is...One of my old schoolmasters was fond of devising English versions of the epigrams of Martial. I remember only one, his version of Martial's message to a particularly backward-looking critic:
"You only praise the good old days
We young 'uns get no mention.
I don't see why I have to die
To gain your kind attention.
”
”
Salman Rushdie (Step Across This Line: Collected Nonfiction 1992-2002)
“
I sit in my room like Miss Havisham, about whom I have been reading this week. Better the Dickens you know than the Dickens you don't know - on the whole I enjoyed it. But I should like to say something about this 'irrepressible vitality', this 'throwing a fresh handful of characters on the fire when it burns low', in fact the whole Dickens method - it strikes me as being less ebullient, creative, vital, than hectic, nervy, panic-stricken. If he were a person I should say 'You don't have to entertain me, you know. I'm quite happy just sitting here.' This jerking of your attention, with queer names, queer characters, aggressive rhythms, piling on adjectives - seems to me to betray basic insecurity in his relation with the reader. How serenely Trollope, for instance, compares. I say in all seriousness that, say what you like about Dickens as an entertainer, he cannot be considered as a real writer at all; not a real novelist. His is the garish gaslit melodramatic barn (writing that phrase makes me wonder if I'm right!) where the yokels gape: outside is the calm measureless world, where the characters of Eliot, Trollope, Austen, Hardy (most of them) and Lawrence (some of them) have their being.
”
”
Philip Larkin (Philip Larkin: Letters to Monica)
“
Mira Levenson. Aged twelve. Looks, long dark shiny hair, dark brown eyes (almost black), brown skin. Beautiful. Favorite colour, copper orange, I think. Personality, clever, bright, serious, shy, funny without realizing it, holds back her thoughts, mystery girl, arty. What I've noticed: she's stronger than she thinks she is; she doesn't speak much ay school. What I know: she's got a loud laugh (when she lets it out). Her best friend is Millie Lockhart. She doesn't need Millie as much as she thinks she does. Her grandmother is dying and she loves her. She started talking in Pat Print's class. I know she doesn't know how much I think of her, how much I miss her if she's not around. What I think she thinks about me is that I'm a bit of a joker, but I'm deadly serious.
Deer...apple...green...sea...
See you on Friday!
Love
Jidé
”
”
Sita Brahmachari (Artichoke Hearts)
“
The mystery is how a [theory] that is vulnerable to such obvious counterexamples survived for so long. I can explain it only by a weakness of the scholarly mind that I have often observed in myself. I call it theory-induced blindness: once you have accepted a theory and used it as a tool in your thinking, it is extraordinarily difficult to notice its flaws. If you come upon an observation that does not seem to fit the model, you assume that there must be a perfectly good explanation that you are somehow missing. You give the theory the benefit of the doubt, trusting the community of experts who have accepted it. Many scholars have surely thought at one time or another of stories such as [the above examples], and casually noted that these stories did not jibe with utility theory. But they did not pursue the idea to the point of saying, “This theory is seriously wrong because it ignores the fact that utility depends on the history of one’s wealth, not only on present wealth.” As the psychologist Daniel Gilbert observed, disbelieving is hard work, and System 2 is easily tired.
”
”
Daniel Kahneman (Thinking, Fast and Slow)
“
Cal cares about you. And he’s a really good guy. And even though I want to hate him for being betrothed to you…” He gave a helpless shrug. “I can’t. Which must mean he’s extra-special dreamy.”
“Stop it,” I said, jerking our joined hands. “Cal’s my friend. That’s it. You’re the guy I-“
Love, I wanted to say. But the word froze on my tongue, and I ended up just saying, “Want. Chose. Whatever.”
He held my gaze, and his dark eyes were as serious as I’d ever seen them. “Maybe I shouldn’t be.”
Shocked, I leaned away from him. “What does that mean?”
“It’s just…If you were with him, you’d be happier. Better off.”
Okay, now I was getting angry. “That’s really not for you to decide. And if you feel that way, maybe you should just go ahead and give me the ‘It’s Not You, It’s Me’ speech right now.”
To my surprise, Archer smiled. “That’s the thing, though,” he said. “I can’t. I could stand it if you left me, but I don’t think there’s any way I could leave you.”
I blinked at him. “You are so screwed up.”
“That’s what I’ve been trying to tell you.”
Wrapping my hand around the back of his neck, I pulled his face to mine. “I happen to like screwed up,” I whispered, our lips nearly touching. “So don’t ever say crap like that again, okay?”
I could tell there was more he wanted to say. Instead he just sighed. “Okay.”
“Well, this is a lovely moment.”
I whipped my head around. Lara stood just inside the room, smiling beautifically at us. “So glad to have found you, Miss Mercer,” she said to me. “I think it’s time we two had a little chat.
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
the six of us are supposed to drive to the diner in Hastings for lunch. But the moment we enter the cavernous auditorium where the girls told us to meet them, my jaw drops and our plans change.
“Holy shit—is that a red velvet chaise lounge?”
The guys exchange a WTF look. “Um…sure?” Justin says. “Why—”
I’m already sprinting toward the stage. The girls aren’t here yet, which means I have to act fast. “For fuck’s sake, get over here,” I call over my shoulder.
Their footsteps echo behind me, and by the time they climb on the stage, I’ve already whipped my shirt off and am reaching for my belt buckle. I stop to fish my phone from my back pocket and toss it at Garrett, who catches it without missing a beat.
“What is happening right now?” Justin bursts out.
I drop trou, kick my jeans away, and dive onto the plush chair wearing nothing but my black boxer-briefs. “Quick. Take a picture.”
Justin doesn’t stop shaking his head. Over and over again, and he’s blinking like an owl, as if he can’t fathom what he’s seeing.
Garrett, on the other hand, knows better than to ask questions. Hell, he and Hannah spent two hours constructing origami hearts with me the other day. His lips twitch uncontrollably as he gets the phone in position.
“Wait.” I pause in thought. “What do you think? Double guns, or double thumbs up?”
“What is happening?”
We both ignore Justin’s baffled exclamation.
“Show me the thumbs up,” Garrett says.
I give the camera a wolfish grin and stick up my thumbs.
My best friend’s snort bounces off the auditorium walls. “Veto. Do the guns. Definitely the guns.”
He takes two shots—one with flash, one without—and just like that, another romantic gesture is in the bag.
As I hastily put my clothes back on, Justin rubs his temples with so much vigor it’s as if his brain has imploded. He gapes as I tug my jeans up to my hips. Gapes harder when I walk over to Garrett so I can study the pictures.
I nod in approval. “Damn. I should go into modeling.”
“You photograph really well,” Garrett agrees in a serious voice. “And dude, your package looks huge.”
Fuck, it totally does.
Justin drags both hands through his dark hair. “I swear on all that is holy—if one of you doesn’t tell me what the hell just went down here, I’m going to lose my shit.”
I chuckle. “My girl wanted me to send her a boudoir shot of me on a red velvet chaise lounge, but you have no idea how hard it is to find a goddamn red velvet chaise lounge.”
“You say this as if it’s an explanation. It is not.” Justin sighs like the weight of the world rests on his shoulders. “You hockey players are fucked up.”
“Naah, we’re just not pussies like you and your football crowd,” Garrett says sweetly. “We own our sex appeal, dude.”
“Sex appeal? That was the cheesiest thing I’ve ever—no, you know what? I’m not gonna engage,” Justin grumbles. “Let’s find the girls and grab some lunch
”
”
Elle Kennedy (The Mistake (Off-Campus, #2))
“
When I agreed to give this address, I started trying to think what the best advice I'd been given over the years was.
And it came from Stephen King twenty years ago, at the height of the success of Sandman. I was writing a comic that people loved and were taking seriously. King had like Sandman and my novel with Terry Pratchett, Good Omens, and he saw a madness, the long signing lines, all that, and his advice was this:
"This is really great. You should enjoy it."
And I didn't. Best advice I got that I ignored. Instead I worried about it. I worried about the next deadline, the next idea, the next story. There wasn't a moment for the next fourteen or fifteen years that I wasn't writing something in my head, or wondering about it. And I didn't stop and look around and go, This is really fun. I wish I'd enjoyed it more. It's been an amazing ride. But there were parts of the ride I missed, because I was too worried about things going wrong, about what came next, to enjoy the bit I was on.
That was the hardest lesson for me, I think: to let go and enjoy the ride, because the ride takes you to some remarkable and unexpected places.
”
”
Neil Gaiman (The View from the Cheap Seats: Selected Nonfiction)
“
I cannot have men stationed outside the first-class promenade. How will that look to well-paying passengers? This is not a workhouse and I will not treat my passengers like prisoners. They’re not being terrorized with a theatrical murder tonight and I intend to keep it that way. I will not make them suffer.”
I physically had to check to see if my head had exploded from such a ridiculous statement. Gentle prodding of my hair proved my skull was still intact, miracle of all miracles.
“You cannot be serious.” Thomas tossed his hands in the air. “It would seem an awful lot better to have crew members posted along the decks than to see dismembered body parts floating about while first-class patrons made their way to breakfast and tea. ‘Oh, look, Miss Eldridge, there’s a mauled torso. Won’t you pass the cream and sugar?’”
“Don’t be absurd,” the captain said, aghast.
“Apologies,” Thomas said, not sounding at all sorry, “I’m only following your lead.
”
”
Kerri Maniscalco (Escaping from Houdini (Stalking Jack the Ripper, #3))
“
Ty and Livvy were the last to come say good-bye to Jules; Livvy embraced him fiercely, and Ty gave him a soft, shy smile. Julian wondered where Kit was. He'd been glued to Ty's and Livvy's sides the whole time they'd been in London, but he appeared to have vanished for the family farewell.
"I've got something for you," Ty said. He held out a box, which Julian took with some surprise. Ty was absolutely punctual about Christmas and birthday presents, but he rarely gave gifs spontaneously.
Curious, Julian popped open the top of the box to find a set of colored pencils. He didn't know the brand, but they looked pristine and unused. "Where did you get these?"
"Fleet Street," said Ty. "I went out early this morning."
An ache of love pressed against the back of Julian's throat. It reminded him of when Ty was a baby, serious and quiet. He hadn't been able to go to sleep for a long time without someone holding him, and though Julian had been very small himself, he remembered holding Ty while he fell asleep, all round wrists and straight black hair and long lashes. He'd felt so much love for his brother even then it had been like an explosion in his heart.
"Thanks. I've missed drawing," Julian said, and tucked the box into his duffel bag. He didn't fuss; Ty didn't like fuss, but Julian made his tone as warm as he could, and Ty beamed.
Jules thought of Livvy, the night before, the way she'd kissed his forehead. Her thank-you. This was Ty's.
”
”
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
“
I glance over my shoulder, at the car following close behind us. It’s impossible to see the driver. To tell if it’s Cassian. After a moment, it pulls around and passes us. I sigh.
“Why do I get the feeling that I’m abducting you? Should I be on alert for sirens in the rearview mirror?”
“I left willingly.” I force a grin and tease, “I don’t think you’ll get arrested.”
“Great. You don’t ‘think.’ That’s encouraging.” He gives me a wincing smile. “But maybe not. I am eighteen, after all—”
“You’re eighteen? But you’re a sophomore.”
An uneasy look passes over his face. “I missed a lot of school a few years back. Half of seventh grade and all of eighth, in fact. I was sick.”
“Sick?” I echo. That reminder of his mortality crashes down on me. It’ll always be there, smoke rising between us. Xander had mentioned Will being ill, but I never imagined it as anything serious.
“How? I mean, what . . .”
He shrugs like it’s nothing, but he won’t glance at me. He stares at the road. “Leukemia. But I’m better now. Completely cured.”
“Were you very . . . bad off?”
“For about a year. The prognosis wasn’t—” He stops suddenly, like he’s said too much, and I get that sense again. The feeling that he’s not telling me something. That he’s holding back. A muscle in his jaw ripples with tension. “Look, don’t worry about it. Aren’t I a perfect male specimen now?” He sends me a wink. “Don’t I look healthy?”
I really didn’t like when I found out that Will was actually 18 years old, instead of the 16 that Jacinda was.
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
I seriously doubt that Agnès Varda ever followed in anyone else’s footsteps, in any corner of her life or her art…which were one in the same. She charted and walked her own path each step of the way, she and her camera. Every single one of her remarkable handmade pictures, so beautifully balanced between documentary and fiction, is like no one else’s—every image, every cut… What a body of work she left behind: movies big and small, playful and tough, generous and solitary, lyrical and unflinching…and alive. I saw her for the last time a couple of months ago. She knew that she didn’t have much longer, and she made every second count: she didn’t want to miss a thing. I feel so lucky to have known her. And to all young filmmakers: you need to watch Agnès Varda’s pictures.
”
”
Martin Scorsese
“
But to be clear, I had not, at any age, desired a specific male body in the way I did now. While all my boyfriends and crushes had been reasonably good-looking, my attraction hovered up near their face, where they kept their talent and power. Lusting for the whole length of a person, head to toe, was what body-rooted fuckers did, Jordi, and men. Now, for the first time, I understood what all the fuss was about. How something beautiful could strike your heart, move you, bring you down on your knees and then, somewhat perversely, you wanted to fuck that pure, beautiful thing. Sex was a way to have it, to not just look at it but to be with it. I suddenly understood all of classical art. The endless carved nudes, Venus in her shell, David. And sexy clothes. I had worn them without really understanding why, thinking of sexy as one of many styles, not realizing it was the only style. You should always be emerging from a shell if possible. Without knowing it, without really understanding it, I had been a body for other people but I had not gotten to have one myself. I had not participated in the infuriating pleasure of wanting a real and specific body on Earth. I lay in the center of the bed, unblinking. Wanting a body had a seriousness to it. When you said you might never recover, you really meant it. This kind of desire made a wound you just had to carry with you for the rest of your life. But this was still better than never knowing. Or I hoped it was. Because in truth it was like a bad dream, a nightmare. Life didn’t just get better and better. You could actually miss out on something and that was that. That was your chance and now it was over. I wondered if I would continue with my work and then I realized that my work was all I had now. I had gotten it completely wrong—I thought I was laboring toward a prize, but the prize was right there, I already had it, and work was something I could do afterward, after I was no longer young enough to be beautiful and could no longer be wanted by someone beautiful. — How’s
”
”
Miranda July (All Fours)
“
I thought to do something good by giving an interview to People, which was exceedingly foolish of me. I asked Aaron [Asher] to tell you that the Good Intentions Paving Company had fucked up again. The young interviewer turned my opinions inside out, cut out the praises and made it all sound like disavowal, denunciation and excommunication. Well, we're both used to this kind of thing, and beyond shock. In agreeing to take the call, and make a statement I was simply muddle-headed. But if I had been interviewed by an angel for the Seraphim and Cherubim Weekly I'd have said, as I actually did say to the crooked little slut, that you were one of our very best and most interesting writers. I would have added that I was greatly stimulated and entertained by your last novel, and that of course after three decades I understood perfectly well what you were saying about the writer's trade - how could I not understand, or miss suffering the same pains. Still our diagrams are different, and the briefest description of the differences would be that you seem to have accepted the Freudian explanation: A writer is motivated by his desire for fame, money and sexual opportunities. Whereas I have never taken this trinity of motives seriously. But this is an explanatory note and I don't intend to make a rabbinic occasion of it. Please accept my regrets and apologies, also my best wishes. I'm afraid there's nothing we can do about the journalists; we can only hope that they will die off as the deerflies do towards the end of August.
”
”
Saul Bellow
“
Hello."
Her mood deflated as if she'd been pricked with a pin. "Alan."
"Shelby."
She struggled not to be moved by the quiet,serious tone that should never have moved her.She liked men with a laugh in their voice. "Alan, this has to stop."
"Does it? It hasn't even started."
"Alan-" She tried to remember her decision to be firm. "I mean it. You have to stop sending me things. You're only wasting your time."
"I have a bit to spare," he said mildly. "How was your week?"
"Busy.Listen,I-"
"I missed you."
The simple statement threw the rest of her lecture into oblivion. "Alan, don't -"
"Everyday," he continued. "Every night. Have you been to Boston, Shelby?"
"Uh...yes," she managed, busy fighting off the weakness creeping into her. Helplessly she stared up at the balloons. How could she fight something so insubstantial it floated?
"I'd like to take you there in the fall, when it smells of damp leaves and smoke."
Shelby told herself her heart was not fluttering. "Alan, I didn't call to talk about Boston.Now,to put it in very simple terms,I want you to stop calling me, I want you to stop dropping by, and -" Her voice began to rise in frustration as she pictured him listening with that patient, serious smile and calm eyes. "I want you to stop sending me balloons and pigs and everything! Is that clear?"
"Perfectly.Spend the day with me."
Did the man ever stop being patient? She couldn't abide patient men. "For God's sake, Alan!"
"We'll call it an experimental outing," he suggested in the same even tone. "Not a date."
"No!" she said, barely choking back a laugh. Couldn't abide it, she tried to remember.She preferred the flashy, the freewheeling. "No,no,no!"
"Not bureaucratic enough." His voice was so calm,so...so senatorial, she decided, she wanted to scream. But the scream bubbled perilously close to another laugh. "All right, let me think-a standard daytime expedition for furthering amiable relations between opposing clans."
"You're trying to be charming again," Shelby muttered.
"Am I succeeding?
”
”
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
“
Jay showed up after school with a bouquet of flowers and an armful of DVDs, although Violet couldn’t have cared less about either . . . he was all she wanted. She couldn’t help the electric thrill of excitement she felt when he came strolling in, grinning at her foolishly as if he hadn’t seen her in weeks rather than hours. He scooped her up from the couch and dropped her onto his lap as he sat down where she had been just a moment before. He was careful to arrange her ankle on a neatly stacked pile of pillows beside him.
He stubbornly refused to hide his affection for her, and if Violet hadn’t known better she would have sword that he was going out of his way to make her self-conscious in her own home. Fortunately her parents were giving them some space for the time being, and they were left by themselves most of the time.
“Did you miss me?” he asked arrogantly as he gently brushed his lips over hers, not bothering to wait for an answer.
She smiled while she kissed him back, loving the topsy-turvy feeling that her stomach always got when he was so close to her. She wound her arms around his neck, forgetting that she was in the middle of the family room and not hidden away in the privacy of her bedroom.
He pulled away from her, suddenly serious. “You know, we didn’t get much time alone yesterday. And I didn’t get a chance to tell you . . .”
Violet was mesmerized by the thick timbre of his deep voice. She barely heard his words but rather concentrated on the fluid masculinity of his tone.
“I feel like I’ve waited too long to finally have you, and then yesterday . . . when . . .” He stopped, seemingly at a loss, and he tried another approach. His hand stroked her cheek, igniting a response from deep within her. “I can’t imagine living without you,” he said, tenderly kissing her forehead, his warm breath fanning her brow. He paused thoughtfully for a moment before speaking again. “I love you, Violet. More than I ever could have imagined. And I don’t want to lose you . . . I can’t lose you.”
It was her turn to look arrogant as she glanced up at him. “I know,” she stated smugly, shrugging her shoulder.
He shoved her playfully but held on to her tightly so that she never really went anywhere. “What do you mean, ‘I know’? What kind of response is that?” His righteous indignation bordered on comical. He pulled her down into his arms so that his face was directly above hers. “Say it!” he commanded.
She shook her head, pretending not to understand him. “What? What do you want me to say?” But then she giggled and ruined her baffled façade.
He teased her with his mouth, leaning down to kiss her and then pulling away before his lips ever reached hers. He nuzzled her neck tantalizingly, only to stop once she responded. She wrapped her arms around his neck, trying to pull him closer, frustrated by his mocking ambush of her senses.
“Sat it,” he whispered, his breath warm against her neck.
She groaned, wanting him to put her out of her misery. “I love you too,” she rasped as she clung to him. “I love you so much . . .”
His mouth moved to cover hers in an exhausting kiss that left them both breathless and craving more than they could have. Violet collapsed into his arms, gathering her wits and hoping that no one walking in on them anytime soon.
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))
“
She narrowed her eyes at him. She wanted to tell him that it was his fault, that she would never have tripped if he’d just stayed the same old Jay he’d always been, gangly and childlike. But she knew that she was being irrational. He was bound to grow up eventually; she’d just never imagined that he’d grow up so well. Instead she accused him: “Well, maybe if you hadn’t pushed me I wouldn’t have fallen.” She made the outlandish accusation with a completely straight face.
He shook his head. “You’ll never be able to prove it. There were no witnesses—it’s just your word against mine.”
She giggled and hopped down. “Yeah, well, who’s gonna believe you over me? Weren’t you the one who shoplifted a candy bar from the Safeway?” She limped over to the sink while she taunted him with her words, and she washed the dirt from the minor scrapes on her palms.
“Whatever! I was seven. And I believe you were the one who handed it to me and told me to hide it in my sleeve. Technically that makes you the mastermind of that little operation, doesn’t it?” He came up behind her, and reaching around her, he poured some of the antibacterial wash onto her hands.
She was taken completely off guard by the intimate gesture. She froze as she felt his chest pressing against her back until that was all she could think about for the moment and the temporarily forgot how to speak. She watched as the red scrapes fizzed with white bubbles from the disinfectant. He leaned over her shoulder, setting the bottle down and pulling her hands up toward him. He blew on them too. Violet didn’t even notice the sting this time.
And then it was over. He released her hands, and as she stood there, dazed, he handed her a clean towel to dry them on.
When she turned around to face him, she realized that she had been the only one affected by the moment, that his touch had been completely innocent.
He was looking at her like he was waiting for her to say something, and she was suddenly aware that her mouth was still open. She finally gathered her wits enough to speak again. “Yeah, well, maybe if you hadn’t done it right in front of the cashier, we might have gotten away with it. Instead, you got both of us grounded for stealing.”
He didn’t miss a beat, and he seemed unaware of her temporary lapse. “And some might say that our grounding saved us from a life of crime.”
She hung the towel over the oven’s door handle. “Maybe it saved me, but the jury’s still out on you. I always thought you were kind of a bad seed.”
He gave her a questioning look. “Seriously, a ‘bad seed’, Vi? When did you turn ninety and start saying things like ‘bad seed’?”
She pushed him as she walked by, even though he really wasn’t in her way. He gave her a playful shove from behind and teased her, “Don’t make me trip you again.”
Now more than ever, Violet hoped that this crush of hers passed soon, so she could get back to the business of being just friends. Otherwise, this was going to be a long—and painful—year.
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))
“
Thanks for getting me out of there,” I murmur, lacing my fingers around my knees, and looking up at him on his step.
“Yeah. You looked a little green. “
“I don’t handle crowds too well. I’ve always been that way, I guess.”
“You might get in trouble,” he warns, staring at me in that strange, hungry way that unravels me. He strokes his bottom lip with a finger. For a flash of a second, his eyes look strange. Different. All glowing irises and thin dark pupils. Almost drake-like. I blink to clear my vision. His eyes are normal again. Just my imagination in overdrive. I’m probably projecting missing home and Az—everything--onto him. “Pep rallies are mandatory,” he continues. “A lot of people saw you leave. Teachers included.”
“They saw you leave, too,” I point out.
He leans to the side, propping an elbow on one of the steps behind him. “I’m not worried about that. I’ve been in trouble before.” He smiles a crooked grin and holds up crossed fingers. “The principal and I are like this. The guy loves me. Really.”
Laughter spills from me, rusty and hoarse.
His grin makes me feel good. Free. Like I’m not running from anything. Like I could stay here in this world, if only I have him.
The thought unsettles me. Sinks heavily in my chest. Because I can’t have him. Not really. All he can ever be for me is a temporary fix.
“But you’re worried I’ll get in trouble?” I try not to show how much this pleases me. I’ve managed to ignore him for days now and here I sit. Lapping up his attention like a neglected puppy. My voice takes on an edge. “Why do you care? I’ve ignored you for days.”
His smile fades. He looks serious, mockingly so. “Yeah. You got to stop that.”
I swallow back a laugh. “I can’t.”
“Why?” There’s no humor in his eyes now, no mockery. “You like me. You want to be with me.”
“I never said—”
“You didn’t have to.”
I inhale sharply. “Don’t do this.”
He looks at me so fiercely, so intently. Angry again. “I don’t have friends. Do you see me hang with anyone besides my jerk cousins? That’s for a reason. I keep people away on purpose,” he growls. “But then you came along . . .”
I frown and shake my head.
His expression softens then , pulls at some part of me. His gaze travels my face, warming the core of me. “Whoever you are, Jacinda, you’re someone I have to let in.
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
She asked, “Are you well?”
“Yes.” His voice was a deep rasp. “Are you?”
She nodded, expecting him to release her at the confirmation. When he showed no signs of moving, she puzzled at it. Either he was gravely injured or seriously impertinent. “Sir, you’re…er, you’re rather heavy.” Surely he could not fail to miss that hint.
He replied, “You’re soft.”
Good Lord. Who was this man? Where had he come from? And how was he still atop her?
“You have a small wound.” With trembling fingers, she brushed a reddish knot high on his temple, near his hairline. “Here.” She pressed her hand to his throat, feeling for his pulse. She found it, thumping strong and steady against her gloved fingertips.
“Ah. That’s nice.”
Her face blazed with heat. “Are you seeing double?”
“Perhaps. I see two lips, two eyes, two flushed cheeks…a thousand freckles.”
She stared at him.
“Don’t concern yourself, miss. It’s nothing.” His gaze darkened with some mysterious intent. “Nothing a little kiss won’t mend.”
And before she could even catch her breath, he pressed his lips to hers.
A kiss. His mouth, touching hers. It was warm and firm, and then…it was over.
Her first real kiss in all her five-and-twenty years, and it was finished in a heartbeat. Just a memory now, save for the faint bite of whiskey on her lips. And the heat. She still tasted his scorching, masculine heat. Belatedly, she closed her eyes.
“There, now,” he murmured. “All better.”
Better? Worse? The darkness behind her eyelids held no answers, so she opened them again.
Different. This strange, strong man held her in his protective embrace, and she was lost in his intriguing green stare, and his kiss reverberated in her bones with more force than a powder blast. And now she felt different.
The heat and weight of him…they were like an answer. The answer to a question Susanna hadn’t even been aware her body was asking. So this was how it would be, to lie beneath a man. To feel shaped by him, her flesh giving in some places and resisting in others. Heat building between two bodies; dueling heartbeats pounding both sides of the same drum.
Maybe…just maybe…this was what she’d been waiting to feel all her life. Not swept her off her feet-but flung across the lane and sent tumbling head over heels while the world exploded around her.
He rolled onto his side, giving her room to breathe. “Where did you come from?”
“I think I should ask you that.” She struggled up on one elbow. “Who are you? What on earth are you doing here?”
“Isn’t it obvious?” His tone was grave. “We’re bombing the sheep.”
“Oh. Oh dear. Of course you are.” Inside her, empathy twined with despair. Of course, he was cracked in the head. One of those poor soldiers addled by war. She ought to have known it. No sane man had ever looked at her this way.
She pushed aside her disappointment. At least he had come to the right place. And landed on the right woman. She was far more skilled in treating head wounds than fielding gentlemen’s advances. The key here was to stop thinking of him as an immense, virile man and simply regard him as a person who needed her help. An unattractive, poxy, eunuch sort of person.
Reaching out to him, she traced one fingertip over his brow. “Don’t be frightened,” she said in a calm, even tone. “All is well. You’re going to be just fine.” She cupped his cheek and met his gaze directly. “The sheep can’t hurt you here.
”
”
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
“
Mr. Ram was a dedicated person—that means he didn’t let go of the things that were important to him. He was dedicated to Seniors Games Club every week. He got dressed up to go. Everyone knew he was serious about spending time with his friends, that’s how dressed up he was. He was dedicated to people. Even though he was a serious person, with a lot on his mind, he made sure to let you know he remembered you. Always. He smiled at jokes even if they were only sort of funny. He remembered that it was a person who was telling the joke, so he smiled for that person. He was dedicated to reading good books, even if they were from another generation or didn’t make complete sense to him. He read the first Harry Potter when he was ninety years old because someone told him it was good. He would have read the rest of the series if that someone had been able to find the large-type versions in the library for him.* He smiled one of his loudest smiles ever at the Shel Silverstein poem about a pet snowball. But his favorite Shel Silverstein poem was “The Little Boy and the Old Man.” Like the old man in the poem, he was dedicated to someone too, dedicated to helping her find out what the really important things for her were. What she should be dedicated to. She misses him but was happy to have had someone like him in her life. Thank you, Mr. Ram, for the warmth of your hand. *Someone still regrets that they didn’t find the rest of the HP books for him.
”
”
S.K. Ali (Saints and Misfits)
“
A brick could be used to show you how to live a richer, fuller, more satisfying life. Don’t you want to have fulfillment and meaning saturating your existence? I can show you how you can achieve this and so much more with just a simple brick. For just $99.99—not even an even hundred bucks, I’ll send you my exclusive life philosophy that’s built around a brick. Man’s used bricks to build houses for centuries. Now let one man, me, show you how a brick can be used to build your life up bigger and stronger than you ever imagined. But act now, because supplies are limited. This amazing offer won’t last forever. You don’t want to wake up in ten years to find yourself divorced, homeless, and missing your testicles because you waited even two hours too long to obtain this information. Become a hero today—save your life. Procrastination is only for the painful things in life. We prolong the boring, but why put off for tomorrow the exciting life you could be living today? If you’re not satisfied with the information I’m providing, I’m willing to offer you a no money back guarantee. That’s right, you read that wrong. If you are not 100% dissatisfied with my product, I’ll give you your money back. For $99.99 I’m offering 99.99%, but you’ve got to be willing to penny up that percentage to 100. Why delay? The life you really want is mine, and I’m willing to give it to you—for a price. That price is a one-time fee of $99.99, which of course everyone can afford—even if they can’t afford it. Homeless people can’t afford it, but they’re the people who need my product the most. Buy my product, or face the fact that in all probability you are going to end up homeless and sexless and unloved and filthy and stinky and probably even disabled, if not physically than certainly mentally. I don’t care if your testicles taste like peanut butter—if you don’t buy my product, even a dog won’t lick your balls you miserable cur. I curse you! God damn it, what are you, slow? Pay me my money so I can show you the path to true wealth. Don’t you want to be rich? Everything takes money—your marriage, your mortgage, and even prostitutes. I can show you the path to prostitution—and it starts by ignoring my pleas to help you. I’m not the bad guy here. I just want to help. You have some serious trust issues, my friend. I have the chance to earn your trust, and all it’s going to cost you is a measly $99.99. Would it help you to trust me if I told you that I trust you? Well, I do. Sure, I trust you. I trust you to make the smart decision for your life and order my product today. Don’t sleep on this decision, because you’ll only wake up in eight hours to find yourself living in a miserable future. And the future indeed looks bleak, my friend. War, famine, children forced to pimp out their parents just to feed the dog. Is this the kind of tomorrow you’d like to live in today? I can show you how to provide enough dog food to feed your grandpa for decades. In the future I’m offering you, your wife isn’t a whore that you sell for a knife swipe of peanut butter because you’re so hungry you actually considered eating your children. Become a hero—and save your kids’ lives. Your wife doesn’t want to spread her legs for strangers. Or maybe she does, and that was a bad example. Still, the principle stands. But you won’t be standing—in the future. Remember, you’ll be confined to a wheelchair. Mushrooms are for pizzas, not clouds, but without me, your life will atom bomb into oblivion. Nobody’s dropping a bomb while I’m around. The only thing I’m dropping is the price. Boom! I just lowered the price for you, just to show you that you are a valued customer. As a VIP, your new price on my product is just $99.96. That’s a savings of over two pennies (three, to be precise). And I’ll even throw in a jar of peanut butter for free. That’s a value of over $.99. But wait, there’s more! If you call within the next ten minutes, I’ll even throw in a blanket free of charge. . .
”
”
Jarod Kintz (Brick)
“
When they rolled to a stop, she found herself pinned by a tremendous, huffing weight. And pierced by an intense green gaze.
“Wh-?” Her breath rushed out in question.
Boom, the world answered.
Susanna ducked her head, burrowing into the protection of what she’d recognized to be an officer’s coat. The knob of a brass button pressed into her cheek. The man’s bulk formed a comforting shield as a shower of dirt clods rained down on them both. He smelled of whiskey and gunpowder.
After the dust cleared, she brushed the hair from his brow, searching his gaze for signs of confusion or pain. His eyes were alert and intelligent, and still that startling shade of green-as hard and richly hued as jade.
She asked, “Are you well?”
“Yes.” His voice was a deep rasp. “Are you?”
She nodded, expecting him to release her at the confirmation. When he showed no signs of moving, she puzzled at it. Either he was gravely injured or seriously impertinent. “Sir, you’re…er, you’re rather heavy.” Surely he could not fail to miss that hint.
He replied, “You’re soft.”
Good Lord. Who was this man? Where had he come from? And how was he still atop her?
“You have a small wound.” With trembling fingers, she brushed a reddish knot high on his temple, near his hairline. “Here.” She pressed her hand to his throat, feeling for his pulse. She found it, thumping strong and steady against her gloved fingertips.
“Ah. That’s nice.”
Her face blazed with heat. “Are you seeing double?”
“Perhaps. I see two lips, two eyes, two flushed cheeks…a thousand freckles.”
She stared at him.
“Don’t concern yourself, miss. It’s nothing.” His gaze darkened with some mysterious intent. “Nothing a little kiss won’t mend.”
And before she could even catch her breath, he pressed his lips to hers.
A kiss. His mouth, touching hers. It was warm and firm, and then…it was over.
Her first real kiss in all her five-and-twenty years, and it was finished in a heartbeat.
”
”
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
“
Diana” was the first thing out of her mouth. “I’m dying,” the too familiar voice on the other end moaned.
I snorted, locking the front door behind me as I held the phone up to my face with my shoulder. “You’re pregnant. You’re not dying.”
“But it feels like I am,” the person who rarely ever complained whined. We’d been best friends our entire lives, and I could only count on one hand the number of times I’d heard her grumble about something that wasn’t her family. I’d had the title of being the whiner in our epic love affair that had survived more shit than I was willing to remember right then.
I held up a finger when Louie tipped his head toward the kitchen as if asking if I was going to get started on dinner or not. “Well, nobody told you to get pregnant with the Hulk’s baby. What did you expect? He’s probably going to come out the size of a toddler.”
The laugh that burst out of her made me laugh too. This fierce feeling of missing her reminded me it had been months since we’d last seen each other. “Shut up.”
“You can’t avoid the truth forever.” Her husband was huge. I didn’t understand why she wouldn’t expect her unborn baby to be a giant too.
“Ugh.” A long sigh came through the receiver in resignation. “I don’t know what I was thinking—”
“You weren’t thinking.”
She ignored me. “We’re never having another one. I can’t sleep. I have to pee every two minutes. I’m the size of Mars—”
“The last time I saw you”—which had been two months ago—“you were the size of Mars. The baby is probably the size of Mars now. I’d probably say you’re about the size of Uranus.”
She ignored me again. “Everything makes me cry and I itch. I itch so bad.”
“Do I… want to know where you’re itching?”
“Nasty. My stomach. Aiden’s been rubbing coconut oil on me every hour he’s here.”
I tried to imagine her six-foot-five-inch, Hercules-sized husband doing that to Van, but my imagination wasn’t that great. “Is he doing okay?” I asked, knowing off our past conversations that while he’d been over the moon with her pregnancy, he’d also turned into mother hen supreme. It made me feel better knowing that she wasn’t living in a different state all by herself with no one else for support. Some people in life got lucky and found someone great, the rest of us either took a long time… or not ever.
“He’s worried I’m going to fall down the stairs when he isn’t around, and he’s talking about getting a one-story house so that I can put him out of his misery.”
“You know you can come stay with us if you want.”
She made a noise.
“I’m just offering, bitch. If you don’t want to be alone when he starts traveling more for games, you can stay here as long as you need. Louie doesn’t sleep in his room half the time anyway, and we have a one-story house. You could sleep with me if you really wanted to. It’ll be like we’re fourteen all over again.”
She sighed. “I would. I really would, but I couldn’t leave Aiden.”
And I couldn’t leave the boys for longer than a couple of weeks, but she knew that. Well, she also knew I couldn’t not work for that long, too.
“Maybe you can get one of those I’ve-fallen-and-I-can’t-get-up—”
Vanessa let out another loud laugh. “You jerk.”
“What? You could.”
There was a pause. “I don’t even know why I bother with you half the time.”
“Because you love me?”
“I don’t know why.”
“Tia,” Louie hissed, rubbing his belly like he was seriously starving.
“Hey, Lou and Josh are making it seem like they haven’t eaten all day. I’m scared they might start nibbling on my hand soon. Let me feed them, and I’ll call you back, okay?”
Van didn’t miss a beat. “Sure, Di. Give them a hug from me and call me back whenever. I’m on the couch, and I’m not going anywhere except the bathroom.”
“Okay. I won’t call Parks and Wildlife to let them know there’s a beached whale—”
“Goddammit, Diana—”
I laughed. “Love you. I’ll call you back. Bye!”
“Vanny has a whale?” Lou asked.
”
”
Mariana Zapata (Wait for It)
“
Shepard clears his throat again. “I need to tell you something, a few somethings. Because now is the time to tell you. Before we get serious. But it’s going to make it seem like I think we’re more serious than we are. I just don’t want to miss my window for being honest with you.” “Shepard, you’re making me nervous.” He groans. “I’m sorry. Don’t be nervous.” My hands were on his shoulders. I drop them into my lap. “Don’t pull away,” he says. “Just tell me, Shepard! Are you engaged to more than one demon?” “No! But … you know I’ve been in a lot of unusual magickal situations…” “Right.” “And you know about my thirdborn…” “I know that a giant you call a friend is going to eat your thirdborn.” He closes one eye and bites his bottom lip. “I may also have promised someone my firstborn.” “Shepard, your firstborn…” He squeezes my waist. “It’s all right, I told you—I’m not having kids.” “Who gets your firstborn?” “An imp. Or three.” “Aren’t imps the same as demons?” “Never say that to an imp.” “How did this even happen?” “We were playing impdice. I thought they were joking about the wager.” “We are going to kill these imps.” “Penelope…” He bites his lip again. “There’s more.” “More? Your secondborn?” “No, I’ve got dibs on that one…” He’s grimacing. “But I did lose my last name.” Every time he talks, my jaw drops lower and my eyebrows climb higher. “How on earth did you lose your last name?” “Told it to the wrong fairy.” My hands are in the air. “How have you met so many fairies!” “I fell in with a crew of them…” “Shepard—hell’s spells, is your name even Shepard?” “Yes! I only lost my last name. And I only ‘magickally and profoundly’ lost it; I can still say it, I can still wear name tags. There’s just one more thing—one more big thing…” He closes both eyes for a second. “I have a, um, well … I don’t have a sexually transmitted disease. But I am a carrier. Only other merpeople can get it. So it’s probably not relevant. Unless you want to sleep with a merperson. And also me. Me first. Which I’m not suggesting…” Hell’s spells … Shepard. I climb off his lap.
”
”
Rainbow Rowell (Any Way the Wind Blows (Simon Snow, #3))
“
and drew her strength directly from our magickal Oklahoma earth. “U-we-tsi-a-ge-ya, it seems I need help at the lavender booth. I simply cannot believe how busy we are.” Grandma had barely spoken when a nun hurried up. “Zoey, Sister Mary Angela could use your help filling out cat adoption forms.” “I’ll help you, Grandma Redbird,” Shaylin said. “I love the smell of lavender.” “Oh, honey, that would be so sweet of you. First, could you run to my car and get into the trunk. There is another box of lavender soaps and sachets tucked back there. Looks like I’m going to sell out completely,” Grandma said happily. “Sure thing.” Shaylin caught the keys Grandma tossed to her and hurried toward the main exit of the school grounds which led to the parking lot, as well as the tree-lined road that joined Utica Street. “And I’ll call my momma. She said just let her know if we get too busy over here. She and the PTA moms will be back here in a sec,” said Stevie Rae. “Grandma, do you mind if I give Street Cats a hand? I’ve been dying to check out their new litter of kittens.” “Go on, u-we-tsi-a-ge-ya. I think Sister Mary Angela has been missing your company.” “Thanks, Grandma.” I smiled at her. Then I turned to Stevie Rae. “Okay, if your mom’s group is coming back, I’m gonna go help the nuns.” “Yeah, no problem.” Stevie Rae, shielding her eyes and peering through the crowd, added, “I see her now, and she’s got Mrs. Rowland and Mrs. Wilson with her.” “Don’t worry. We can handle this,” Shaunee said. “’Kay,” I said, grinning at both of them. “I’ll be back as soon as I can.” I left the cookie booth and noticed Aphrodite, clutching her big purple Queenies cup, was right on my heels. “I thought you didn’t want a lecture from the nuns.” “Better than a lecture from PTA moms.” She shuddered. “Plus, I like cats more than people.” I shrugged. “Okay, whatever.” We’d only gotten partway to the Street Cats tent when Aphrodite slowed way down. “Seriously. Effing. Pathetic.” She was muttering around her straw, narrowing her eyes, and glaring. I followed her gaze and joined her frown. “Yeah, no matter how many times I see them together, I still don’t get it.” Aphrodite and I had stopped to watch Shaunee’s ex-Twin BFF, Erin, hang all over Dallas. “I really thought she was better than that.” “Apparently not,” Aphrodite said. “Eeew,” I said, looking away from their way too public display of locked lips. “I’m telling you, there’s not enough booze in Tulsa to make watching those two suck face okay.” She made a gagging sound, which changed to a snort and a laugh. “Check out the wimple, twelve o’clock.” Sure enough, there was a nun I vaguely recognized as Sister Emily (one of the more uptight of the nuns) descending on the too-busy-with-their-tongues-to-notice couple. “She looks serious,” I said. “You know, a nun may very well be the direct opposite of an aphrodisiac. This should be entertaining. Let’s watch.” “Zoey! Over here!” I looked from the train wreck about to happen to see Sister Mary Angela waving me over to her.
”
”
P.C. Cast (Revealed (House of Night #11))
“
Rich Purnell sipped coffee in the silent building. Only his cubicle illuminated the otherwise dark room. Continuing with his computations, he ran a final test on the software he'd written. It passed.
With a relieved sigh, he sank back in his chair. Checking the clock on his computer, he shook his head. 3:42am.
Being an astrodynamicist, Rich rarely had to work late. His job was the find the exact orbits and course corrections needed for any given mission. Usually, it was one of the first parts of a project; all the other steps being based on the orbit.
But this time, things were reversed. Iris needed an orbital path, and nobody knew when it would launch. A non-Hoffman Mars-transfer isn't challenging, but it does require the exact locations of Earth and Mars.
Planets move as time goes by. An orbit calculated for a specific launch date will work only for that date. Even a single day's difference would result in missing Mars entirely.
So Rich had to calculate many orbits. He had a range of 25 days during which Iris might launch. He calculated one orbital path for each.
He began an email to his boss.
"Mike", he typed, "Attached are the orbital paths for Iris, in 1-day increments. We should start peer-review and vetting so they can be officially accepted. And you were right, I was here almost all night.
It wasn't that bad. Nowhere near the pain of calculating orbits for Hermes. I know you get bored when I go in to the math, so I'll summarize: The small, constant thrust of Hermes's ion drives is much harder to deal with than the large point-thrusts of presupply probes.
All 25 of the orbits take 349 days, and vary only slightly in thrust duration and angle. The fuel requirement is nearly identical for the orbits and is well within the capacity of EagleEye's booster.
It's too bad. Earth and Mars are really badly positioned. Heck, it's almost easier to-"
He stopped typing.
Furrowing his brow, he stared in to the distance.
"Hmm." he said.
Grabbing his coffee cup, he went to the break room for a refill.
...
"Rich", said Mike.
Rich Purnell concentrated on his computer screen. His cubicle was a landfill of printouts, charts, and reference books. Empty coffee cups rested on every surface; take-out packaging littered the ground.
"Rich", Mike said, more forcefully.
Rich looked up. "Yeah?"
"What the hell are you doing?"
"Just a little side project. Something I wanted to check up on."
"Well... that's fine, I guess", Mike said, "but you need to do your assigned work first. I asked for those satellite adjustments two weeks ago and you still haven't done them."
"I need some supercomputer time." Rich said.
"You need supercomputer time to calculate routine satellite adjustments?"
"No, it's for this other thing I'm working on", Rich said.
"Rich, seriously. You have to do your job."
Rich thought for a moment. "Would now be a good time for a vacation?" He asked.
Mike sighed. "You know what, Rich? I think now would be an ideal time for you to take a vacation."
"Great!" Rich smiled. "I'll start right now."
"Sure", Mike said. "Go on home. Get some rest."
"Oh, I'm not going home", said Rich, returning to his calculations.
Mike rubbed his eyes. "Ok, whatever. About those satellite orbits...?"
"I'm on vacation", Rich said without looking up.
Mike shrugged and walked away.
”
”
Andy Weir
“
We're all so happy you're feeling better, Miss McIntosh. Looks like you still have a good bump on your noggin, though," she says in her childlike voice.
Since there is no bump on my noggin, I take a little offense but decide to drop it. "Thanks, Mrs. Poindexter. It looks worse than it feels. Just a little tender."
"Yeah, I'd say the door got the worst of it," he says beside me. Galen signs himself in on the unexcused tardy sheet below my name. When his arm brushes against mine, it feels like my blood's turned into boiling water.
I turn to face him. My dreams really do not do him justice. Long black lashes, flawless olive skin, cut jaw like an Italian model, lips like-for the love of God, have some dignity, nitwit. He just made fun of you. I cross my arms and lift my chin. "You would know," I say.
He grins, yanks my backpack from me, and walks out. Trying to ignore the waft of his scent as the door shuts, I look to Mrs. Poindexter, who giggles, shrugs, and pretends to sort some papers. The message is clear: He's your problem, but what a great problem to have. Has he charmed he sense out of the staff here, too? If he started stealing kids' lunch money, would they also giggle at that? I growl through clenched teeth and stomp out of the office.
Galen is waiting for me right outside the door, and I almost barrel into him. He chuckles and catches my arm. "This is becoming a habit for you, I think."
After I'm steady-after Galen steadies me, that is-I poke my finger into his chest and back him against the wall, which only makes him grin wider. "You...are...irritating...me," I tell him.
"I noticed. I'll work on it."
"You can start by giving me my backpack."
"Nope."
"Nope?"
"Right-nope. I'm carrying it for you. It's the least I can do."
"Well, can't argue with that, can I?" I reach around for it, but he moves to block me. "Galen, I don't want you to carry it. Now knock it off. I'm late for class."
"I'm late for it too, remember?"
Oh, that's right. I've let him distract me from my agenda. "Actually, I need to go back to the office."
"No problem. I'll wait for you here, then I'll walk you to class."
I pinch the bridge of my nose. "That's the thing. I'm changing my schedule. I won't be in your class anymore, so you really should just go. You're seriously violating Rule Numero Uno."
He crosses his arms. "Why are you changing your schedule? Is it because of me?"
"No."
"Liar."
"Sort of."
"Emma-"
"Look, I don't want you to take this personally. It's just that...well, something bad happens every time I'm around you."
He raises a brow. "Are you sure it's me? I mean, from where I stood, it looked like your flip-flops-"
"What were we arguing about anyway? We were arguing, right?"
"You...you don't remember?"
I shake my head. "Dr. Morton said I might have some short-term memory loss. I do remember being mad at you, though."
He looks at me like I'm a criminal. "You're saying you don't remember anything I said. Anything you said."
The way I cross my arms reminds me of my mother. "That's what I'm saying, yes."
"You swear?"
"If you're not going to tell me, then give me my backpack. I have a concussion, not broken arms. I'm not helpless."
His smile could land him a cover shoot for any magazine in the country. "We were arguing about which beach you wanted me to take you to. We were going swimming after school."
"Liar." With a capital L. Swimming-drowning-falls on my to-do list somewhere below giving birth to porcupines.
"Oh, wait. You're right. We were arguing about when the Titanic actually sank. We had already agreed to go to my house to swim.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
It takes some getting used to,' Mr. Forkle said. 'But what you're seeing is a visual representation of each other's moods.'
'So that means if I do this...' Keefe tickled Sophie's neck.
'GAH--everything just went supersonic!' Fitz said.
Sophie snatched Keefe's wrist as he reached to tickle her again. 'Don't. You. Dare.'
'Whoa, now everything's red and ripply,' Fitz said. 'Is that because she's angry?'
'Precisely, Mr. Vacker. Every time her emotions shift, the patterns and colors will change. And with practice, you'll learn to interpret what you see.'
'Okay, but...can't they just say, "Hey, I'm feeling this?"' Keefe asked.
'People aren't always honest about their feelings--even with themselves,' Mr. Forkle told him. 'Plus, many telepathic missions involve stealth and secrecy. So for this exercise I'm going to need both of you to forget everything around you. Let the world drop away, leaving only you two.'
Keefe sighed. 'Just tell them to stare into each other's eyes and they'll be good.'
'None of that, Mr. Sencen. From this moment on, you have one job and one job only: to judge their translations of the various emotions I'll be triggering.'
'Triggering how?' Sophie asked.
'You'll see soon enough. And you'll go first, Miss Foster. For this to work, Mr. Vacker, it's crucial that you not react externally. No yelling or thrashing or screaming or--'
'Uhhh, what are you going to do to me?' Fitz asked.
'Nothing you won't survive. Consider it an exercise in self-control. And try not to listen to his thoughts, Miss Foster. Study only the changes in his emotional center and make your deduction. We begin now.'
Sophie closed her eyes and focus on the colors weaving around Fitz's mind. She was about to ask if she was missing something when the pattern exploded into a swirl of pale blue tendrils. The color felt to bright to be sad, but also too wild to be peaceful.
'Tension?' she guessed.
'Kinda close,' Keefe told her.
The laughter in his voice made her wonder what had happened to poor Fitz.
She tried to think of other emotions as his mind turned electric blue.
'Shock?' she guessed.
'That counts,' Keefe said. 'Though the best answer would've been "surprise."'
'Is that an emotion?' she asked.
'Indeed it is,' Mr. Forkle said. 'One of the most common emotions you'll experience as you navigate someone's mind--hence why I chose it as our starting point.'
'Can I talk now?' Fitz asked. 'Because that was seriously disgusting!'
Sophie opened her eyes and tried not to laugh when she saw red fruit smashed all over Fitz's face. He wiped his cheeks on his sleeves, but that only smeared the pulp.
'I think I'm going to like this assignment,' Keefe said. 'What else can we fling at Fitz?'
'Nothing for the moment,' Mr. Forkle told him. 'It's his turn to interpret. Everyone close your eyes. And remember, no cues of any kind, Miss Foster.'
Sophie counted the seconds, bracing for the worst--and when nothing chaned, she opened her eyes and found Mr. Forkle with his finger over his lips in a 'shhh' sign.
'Um...confusion,' Fitz guessed.
'That works,' Keefe said. 'It started as anticipation, but then it shifted.'
'Very good,' Mr. Forkle said. 'And well done, Mr. Sencen. I wasn't sure you'd recognize confusion. It's one of the more challenging emotions for Empaths.'
'Maybe on other people,' Keefe said. 'But on Foster it's easy. Why are her emotions so much stronger?'
'Honestly, I'm not sure,' Mr. Forkle admitted. 'I suspect it stems from the combination of her inflicting ability and her human upbringing. But it was one of the surprises of her development. Much like her teleporting. Okay, Miss Foster, it's your turn to guess again.'
She closed her eyes and watched as the lines of color in Fitz's mind blossomed to a snowflake of purple.
'Pride?' she guessed.
Keefe laughed. 'Wow, add more fail points to Sophitz.'
'Quiet,' Mr. Forkle told him.
”
”
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
“
She had several books she'd been wanting to read, but instead she sprawled out on the couch surrounded by pillows and blankets, and spent the hours flipping channels between Judge Judy, The People's Court, Maury, and Jerry Springer, and rounded out her afternoon with Dr. Phil and Oprah. All in all, it was a complete waste of a day. At least until school got out.
Jay showed up after school with a bouquet of flowers and an armful of DVDs, although Violet couldn't have card less about either...he was all she wanted. She couldn't help the electric thrill of excitement she felt when he came strolling in, grinning at her foolishly as if he hadn't seen her in weeks rather than hours. He scooped her up from the couch and dropped her onto his lap as he sat down where she had been just a moment before. He was careful to arrange her ankle on a neatly stacked pile of pillows beside him.
He stubbornly refused to hide his affection for her, and if Violet hadn't known better she would have sworn that he was going out of his way to make her self-conscious in her own home. Fortunately her parents were giving them some space for the time being, and they were left by themselves most of the time.
"Did you miss me?" he asked arrogantly as he gently brushed his lips over hers, not bothering to wait for an answer.
She smiled while she kissed him back, loving the topsy-turvy feeling that her stomach always got when he was so close to her. She wound her arms around his neck, forgetting that she was in the middle of the family room and not hidden away in the privacy of her bedroom.
He pulled away from her, suddenly serious. "You know, we didn't get much time alone yesterday. And I didn't get a chance to tell you..."
Violet was mesmerized by the thick timbre of his deep voice. She barely heard his words but rather concentrated on the fluid masculinity of his tone.
"I feel like I've waited too long to finally have you, and then yesterday...when..." He stopped, seemingly at a loss, and then he tried another approach. His hand stroked her cheek, igniting a response from deep within her. "I can't imagine living without you," he said, tenderly kissing her forehead, his warm breath fanning her brow. He paused thoughtfully for a moment before speaking again. "I love you, Violet. More than I ever could have imagined. And I don't want to lose you...I can't lose you."
It was her turn to look arrogant as she glanced up at him. "I know," she stated smugly, shrugging her shoulder.
He shoved her playfully but held on to her tightly so that she never really went anywhere. "What do you mean, 'I know'? What kind of response is that?" His righteous indignation bordered on comical. He pulled her down into his arms so that his face was directly above hers. "Say it!" he commanded.
She shook her head, pretending not to understand him. "What? What do you want me to say?" But then she giggled and ruined her baffled façade.
He teased her with his mouth, leaning down to kiss her and then pulling away before his lips ever reached hers. He nuzzled her neck tantalizingly, only to stop once she responded. She wrapped her arms around his neck, trying to pull him closer, frustrated by his mocking ambush of her senses.
"Say it," he whispered, his breath warm against her neck.
She groaned, wanting him to put her out of her misery. "I love you too," she rasped as she clung to him. "I love you so much..."
His mouth moved to cover hers in an exhausting kiss that left them broth breathless and craving more than they could have. Violet collapsed into his arms, gathering her wits and hoping that no one walked in on them anytime soon.
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))