Serie A Winner Quotes

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there’s no off-season when you’re serious about being a winner.
Tim S. Grover (Relentless: From Good to Great to Unstoppable (Tim Grover Winning Series))
Wake Up Winners are wide awake; they are alive. Every day you will find them in the marketplace making things happen. The real winners are not just dreamers. Although they have dreams, they are doers: They realize their dreams. They are the bell ringers, always attempting to wake others up to the numerous opportunities life offers. If
Bob Proctor (The ABCs of Success: The Essential Principles from America's Greatest Prosperity Teacher (Prosperity Gospel Series))
You want to know a secret?” I asked. “Sure,” she said halfheartedly. “I love to sniff the insides of books,” I said in a whisper. “Because each book has its own special perfume.
Jack Gantos (Dead End in Norvelt: (Newbery Medal Winner) (Norvelt Series Book 1))
School was finally out and I was standing on a picnic table in our backyard getting ready for a great summer vacation when my mother walked up to me and ruined it.
Jack Gantos (Dead End in Norvelt: (Newbery Medal Winner) (Norvelt Series Book 1))
I am telling you a simple rule: the more negative you think and speak the more negative things will happen in your life and the more positive you shall think and speak; there are increased possibilities of positive happenings.
Pradeep Chaswal (How to be Successful in Present Day World (Winner Series, #1))
Life is just a series of curveballs thrown at you. Some knock you down. Some you hit over the fence, making you feel like a winner until the next one comes barreling by. It’s how you react to those that knock you down that define you.
Sidney Halston (Pull Me Close (Panic, #1))
It was a war, and in a war there are always casualties. Never winners, but always plenty of casualties." -- Nenya, The Water Warrior
Mili Fay (Warriors of Virtue Epic YA Fantasy Series Episode 1: Text Edition)
Losers quit before they win... Winners quit after they win... Legends never quit…
Aer-ki Jyr (Star Force: Origin Series Box Set (1-4))
Live in the world without any idea of what is going to happen. Whether you are going to be a winner or a loser, it doesn’t matter. Death takes everything away. Whether you lose or win is immaterial. The only thing that matters, and it has always been so, is how you played the game. Did you enjoy it?—the game itself? Then each moment is a moment of joy. ALSO BY OSHO INSIGHTS FOR A NEW WAY OF LIVING SERIES Awareness: The Key to Living in Balance Courage: The Joy of Living Dangerously Creativity: Unleashing the Forces Within Intimacy: Trusting Oneself and the Other Intuition: Knowing Beyond Logic Maturity: The Responsibility of Being Oneself OTHER BOOKS Autobiography of a Spiritually Incorrect Mystic The Book of Secrets India My Love: A Spiritual Journey Love, Freedom, and Aloneness Meditation: The First and Last Freedom
Osho (Joy: The Happiness That Comes from Within)
Winners don’t fear reality, they don’t hide from the truth, and they’re not afraid to confront their own flaws and weaknesses.
Tim S. Grover (Winning: The Unforgiving Race to Greatness (Tim Grover Winning Series))
But what kind of race is it, when the racers never let go of each other's hands, and the winner pulls the loser laughing over the finish line?
Orson Scott Card (Shadow Puppets (The Shadow Series, #3))
You’re a fast learner,” she remarked. “You’ve gone from slowpoke to safety hazard in one day.
Jack Gantos (Dead End in Norvelt: (Newbery Medal Winner) (Norvelt Series Book 1))
Be suspicious of history that is written by the conquerors.
Jack Gantos (Dead End in Norvelt: (Newbery Medal Winner) (Norvelt Series Book 1))
If you cannot explain something in simple terms, then you don’t understand it.” - Dr. Richard Feynman, Nobel Prize Winner in Physics
Alex Hormozi ($100M Leads: How to Get Strangers To Want To Buy Your Stuff (Acquisition.com $100M Series))
I don’t fight dirty, I just do what it takes to win. There’s a difference—usually.
Justin Swapp (The Shadow's Servant (Shadow Magic, #2))
our thinking creates an invisible environment around us, and this environment is responsible for our present and future position in society.
Pradeep Chaswal (How to be Successful in Present Day World (Winner Series, #1))
The television commercial has mounted the most serious assault on capitalist ideology since the publication of Das Kapital. To understand why, we must remind ourselves that capitalism, like science and liberal democracy, was an outgrowth of the Enlightenment. Its principal theorists, even its most prosperous practitioners, believed capitalism to be based on the idea that both buyer and seller are sufficiently mature, well informed and reasonable to engage in transactions of mutual self-interest. If greed was taken to be the fuel of the capitalist engine, the surely rationality was the driver. The theory states, in part, that competition in the marketplace requires that the buyer not only knows what is good for him but also what is good. If the seller produces nothing of value, as determined by a rational marketplace, then he loses out. It is the assumption of rationality among buyers that spurs competitors to become winners, and winners to keep on winning. Where it is assumed that a buyer is unable to make rational decisions, laws are passed to invalidate transactions, as, for example, those which prohibit children from making contracts...Of course, the practice of capitalism has its contradictions...But television commercials make hash of it...By substituting images for claims, the pictorial commercial made emotional appeal, not tests of truth, the basis of consumer decisions. The distance between rationality and advertising is now so wide that it is difficult to remember that there once existed a connection between them. Today, on television commercials, propositions are as scarce as unattractive people. The truth or falsity of an advertiser's claim is simply not an issue. A McDonald's commercial, for example, is not a series of testable, logically ordered assertions. It is a drama--a mythology, if you will--of handsome people selling, buying and eating hamburgers, and being driven to near ecstasy by their good fortune. No claim are made, except those the viewer projects onto or infers from the drama. One can like or dislike a television commercial, of course. But one cannot refute it.
Neil Postman (Amusing Ourselves to Death: Public Discourse in the Age of Show Business)
What one needs to do is to keep this correct thinking up and to make it a part and parcel of personality. For that you need to keep reminding yourself at continuous intervals. Write your aims or positive ideas in your diary and read them before sleep and after getting up in morning. You can paste motivational posters in your living room which will give you positive energy.
Pradeep Chaswal (How to be Successful in Present Day World (Winner Series, #1))
Miss Volker,” I said about as politely as I knew how, “do you think you will outlast the rest of these original people?” “I have to,” she said. “I made a promise to Eleanor Roosevelt to see them to their graves, and I can’t drop dead on the job—so let’s get going.
Jack Gantos (Dead End in Norvelt: (Newbery Medal Winner) (Norvelt Series Book 1))
It’s Curt Schilling and his bloody sock staring down the Yankees in the Bronx. It’s Derek Lowe taking the mound the very next night to complete the most improbable comeback in baseball history—and then seven days later clinching the World Series. It’s Pedro Martinez and his six hitless innings of postseason relief against the Indians. Yes, it is also Cy Young and Roger Clemens, and the 192 wins in a Red Sox uniform that they share—the perfect game for Young, the 20 strikeout games for Clemens—but it is also Bill Dinneen clinching the 1903 World Series with a busted, bloody hand, and Jose Santiago shutting down Minnesota with two games left in the season to keep the 1967 Impossible Dream alive, and Jim Lonborg clinching the Impossible Dream the very next day, and Jim Lonborg again, tossing a one-hitter and a three-hitter in the 1967 World Series, and Luis Tiant in the 1975 postseason, shutting out Oakland and Cincinnati in back-to-back starts. They are all winners.
Tucker Elliot (Boston Red Sox: An Interactive Guide to the World of Sports)
LOUIS SACHAR is the author of the New York Times #1 bestseller Holes, winner of the Newbery Medal, the National Book Award, and the Christopher Award. He is also the author of Stanley Yelnats’ Survival Guide to Camp Green Lake; Small Steps, winner of the Schneider Family Book Award; and The Cardturner, a Publishers Weekly Best Book, a Parents’ Choice Gold Award recipient, and an ALA-YALSA Best Fiction for Young Adults book. His books for younger readers include There’s a Boy in the Girls’ Bathroom, The Boy Who Lost His Face, Dogs Don’t Tell Jokes, and the Marvin Redpost series, among many others.
Louis Sachar (Fuzzy Mud)
Here’s a very simple example,” says Annie Duke, an elite professional poker player, winner of the World Series of Poker, and a former PhD-level student of psychology. “Everyone who plays poker knows you can either fold, call, or raise [a bet]. So what will happen is that when a player who isn’t an expert sees another player raise, they automatically assume that that player is strong, as if the size of the bet is somehow correlated at one with the strength of the other person’s hand.” This is a mistake.
Philip E. Tetlock (Superforecasting: The Art and Science of Prediction)
Truth is a sport, and winner takes it all. The upcoming truth is under construction.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
Well, don’t fart or you’ll scare the deer,” he continued seriously. “They have very sensitive noses and ears.
Jack Gantos (Dead End in Norvelt: (Newbery Medal Winner) (Norvelt Series Book 1))
He’s so stupid. Honestly, when he makes alphabet soup it spells out D-U-M-B.
Jack Gantos (Dead End in Norvelt: (Newbery Medal Winner) (Norvelt Series Book 1))
Money is just a way of measuring work, but you don’t need money if everyone agrees that trading one kind of work for another will do just as well.
Jack Gantos (Dead End in Norvelt: (Newbery Medal Winner) (Norvelt Series Book 1))
a winner is by no means a winner, who does not win it all.
Katie Cross (Miss Mabel's School for Girls (The Network Series, #1))
Kestrel, this isn't you." She pressed back against the chill glass. "I don't know what you mean." "This voice you've been using, that bright one...do you think I don't recognize it? It's the sound of you laying a trap. Of you hiding behind your own words. And I know that the way you've been talking is not you. Say what you want about me, about what happened between us, about the shape of the sun and the color of the grass and any other truths in this world you want to deny. Deny everything until the gods strike you down. But you can't say that I don't know you." He was now close enough that the air between them was alive against Kestrel's skin. "I... have thought about you." His voice dropped. "I have thought about how I have never known you to be dishonest with me.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
To find his successor, Yeltsin’s entourage organized a public opinion poll about favorite heroes in popular entertainment. The winner was Max Stierlitz, the hero of a series of Soviet novels that were adapted into a number of films, most famously the television serial Seventeen Moments of Spring in 1973.
Timothy Snyder (The Road to Unfreedom: Russia, Europe, America)
We start by picking a problem that’s narrow and meaningful. Then, solve it. And, like we just learned, when we solve one problem, a new problem reveals itself. Here comes the important part- if we can solve that new problem with our core offer, we’ve got a winner. This is because we solve this new problem in exchange for money. That’s it. Don’t overthink it.
Alex Hormozi ($100M Leads: How to Get Strangers To Want To Buy Your Stuff (Acquisition.com $100M Series))
About fifty yards ahead a white-tailed deer was slowly picking his way across the snow-covered rocks and roots. As soon as I saw him I knew instantly that I didn’t want him to die. He was so beautiful and at ease in the woods. This was his home, not mine, and I suddenly felt like a killer who had broken into his house and was about to shoot him. I watched and held my breath.
Jack Gantos (Dead End in Norvelt: (Newbery Medal Winner) (Norvelt Series Book 1))
Waiting for the Cardinals-Dodgers winner, the Red Sox decided to try to keep their edge by playing an exhibition series at Fenway Park against a handpicked group of leading American Leaguers that included Joe DiMaggio and Hank Greenberg. It was a cold, raw day, and only 1,996 people turned out to watch the first game on October 1, when DiMaggio was forced to take the field in a Boston uniform after his Yankees flannels did not arrive on time. In
Ben Bradlee Jr. (Kid: The Immortal Life of Ted Williams)
been programmed in the womb or maybe at conception and there’s no escaping. The roulette wheel spins and stops and your number comes up and that’s what you are no matter how hard you try or even if you don’t try at all. You are what you are, you are what you’re not, and other events and other people just enhance the angel or devil, the winner or the loser in you. It’s all about the spinning of the wheel, whether it’s hitting the winning home run in the World Series or being raped. Decided
Patricia Cornwell (Red Mist (Kay Scarpetta, #19))
Saturday evening, on a quiet lazy afternoon, I went to watch a bullfight in Las Ventas, one of Madrid's most famous bullrings. I went there out of curiosity. I had long been haunted by the image of the matador with its custom made torero suit, embroidered with golden threads, looking spectacular in his "suit of light" or traje de luces as they call it in Spain. I was curious to see the dance of death unfold in front of me, to test my humanity in the midst of blood and gold, and to see in which state my soul will come out of the arena, whether it will be shaken and stirred, furious and angry, or a little bit aware of the life embedded in every death. Being an avid fan of Hemingway, and a proponent of his famous sentence "About morals, I know only that what is moral is what you feel good after and what is immoral is what you feel bad after,” I went there willingly to test myself. I had heard atrocities about bullfighting yet I had this immense desire to be part of what I partially had an inclination to call a bloody piece of cultural experience. As I sat there, in front of the empty arena, I felt a grandiose feeling of belonging to something bigger than anything I experienced during my stay in Spain. Few minutes and I'll be witnessing a painting being carefully drawn in front of me, few minutes and I will be part of an art form deeply entrenched in the Spanish cultural heritage: the art of defying death. But to sit there, and to watch the bull enter the arena… To watch one bull surrounded by a matador and his six assistants. To watch the matador confronting the bull with the capote, performing a series of passes, just before the picador on a horse stabs the bull's neck, weakening the neck muscles and leading to the animal's first loss of blood... Starting a game with only one side having decided fully to engage in while making sure all the odds will be in the favor of him being a predetermined winner. It was this moment precisely that made me feel part of something immoral. The unfair rules of the game. The indifferent bull being begged to react, being pushed to the edge of fury. The bull, tired and peaceful. The bull, being teased relentlessly. The bull being pushed to a game he isn't interested in. And the matador getting credits for an unfair game he set. As I left the arena, people looked at me with mocking eyes. Yes, I went to watch a bull fight and yes the play of colors is marvelous. The matador’s costume is breathtaking and to be sitting in an arena fills your lungs with the sands of time. But to see the amount of claps the spill of blood is getting was beyond what I can endure. To hear the amount of claps injustice brings is astonishing. You understand a lot about human nature, about the wars taking place every day, about poverty and starvation. You understand a lot about racial discrimination and abuse (verbal and physical), sex trafficking, and everything that stirs the wounds of this world wide open. You understand a lot about humans’ thirst for injustice and violence as a way to empower hidden insecurities. Replace the bull and replace the matador. And the arena will still be there. And you'll hear the claps. You've been hearing them ever since you opened your eyes.
Malak El Halabi
A large brand will typically spend between 10 and 20 percent of their media buy on creative,” DeJulio explains. “So if they have a $500 million media budget, there’s somewhere between $50 to $100 million going toward creating content. For that money they’ll get seven to ten pieces of content, but not right away. If you’re going to spend $1 million on one piece of content, it’s going to take a long time—six months, nine months, a year—to fully develop. With this budget and timeline, brands have no margin to take chances creatively.” By contrast, the Tongal process: If a brand wants to crowdsource a commercial, the first step is to put up a purse—anywhere from $50,000 to $200,000. Then, Tongal breaks the project into three phases: ideation, production, and distribution, allowing creatives with different specialties (writing, directing, animating, acting, social media promotion, and so on) to focus on what they do best. In the first competition—the ideation phase—a client creates a brief describing its objective. Tongal members read the brief and submit their best ideas in 500 characters (about three tweets). Customers then pick a small number of ideas they like and pay a small portion of the purse to these winners. Next up is production, where directors select one of the winning concepts and submit their take. Another round of winners are selected and these folks are given the time and money to crank out their vision. But this phase is not just limited to these few winning directors. Tongal also allows anyone to submit a wild card video. Finally, sponsors select their favorite video (or videos), the winning directors get paid, and the winning videos get released to the world. Compared to the seven to ten pieces of content the traditional process produces, Tongal competitions generate an average of 422 concepts in the idea phase, followed by an average of 20 to 100 finished video pieces in the video production phase. That is a huge return for the invested dollars and time.
Peter H. Diamandis (Bold: How to Go Big, Create Wealth and Impact the World (Exponential Technology Series))
Well, it was a kind of back-to-front program. It’s funny how many of the best ideas are just an old idea back-to-front. You see there have already been several programs written that help you to arrive at decisions by properly ordering and analysing all the relevant facts so that they then point naturally towards the right decision. The drawback with these is that the decision which all the properly ordered and analysed facts point to is not necessarily the one you want.’ ‘Yeeeess...’ said Reg’s voice from the kitchen. ‘Well, Gordon’s great insight was to design a program which allowed you to specify in advance what decision you wished it to reach, and only then to give it all the facts. The program’s task, which it was able to accomplish with consummate ease, was simply to construct a plausible series of logical-sounding steps to connect the premises with the conclusion. ‘And I have to say that it worked brilliantly. Gordon was able to buy himself a Porsche almost immediately despite being completely broke and a hopeless driver. Even his bank manager was unable to find fault with his reasoning. Even when Gordon wrote it off three weeks later.’ ‘Heavens. And did the program sell very well?’ ‘No. We never sold a single copy.’ ‘You astonish me. It sounds like a real winner to me.’ ‘It was,’ said Richard hesitantly. ‘The entire project was bought up, lock, stock and barrel, by the Pentagon. The deal put WayForward on a very sound financial foundation. Its moral foundation, on the other hand, is not something I would want to trust my weight to. I’ve recently been analysing a lot of the arguments put forward in favour of the Star Wars project, and if you know what you’re looking for, the pattern of the algorithms is very clear. ‘So much so, in fact, that looking at Pentagon policies over the last couple of years I think I can be fairly sure that the US Navy is using version 2.00 of the program, while the Air Force for some reason only has the beta-test version of 1.5. Odd, that.
Douglas Adams (Dirk Gently's Holistic Detective Agency (Dirk Gently, #1))
In the beginning, there was the internet: the physical infrastructure of wires and servers that lets computers, and the people in front of them, talk to each other. The U.S. government’s Arpanet sent its first message in 1969, but the web as we know it today didn’t emerge until 1991, when HTML and URLs made it possible for users to navigate between static pages. Consider this the read-only web, or Web1. In the early 2000s, things started to change. For one, the internet was becoming more interactive; it was an era of user-generated content, or the read/write web. Social media was a key feature of Web2 (or Web 2.0, as you may know it), and Facebook, Twitter, and Tumblr came to define the experience of being online. YouTube, Wikipedia, and Google, along with the ability to comment on content, expanded our ability to watch, learn, search, and communicate. The Web2 era has also been one of centralization. Network effects and economies of scale have led to clear winners, and those companies (many of which I mentioned above) have produced mind-boggling wealth for themselves and their shareholders by scraping users’ data and selling targeted ads against it. This has allowed services to be offered for “free,” though users initially didn’t understand the implications of that bargain. Web2 also created new ways for regular people to make money, such as through the sharing economy and the sometimes-lucrative job of being an influencer.
Harvard Business Review (Web3: The Insights You Need from Harvard Business Review (HBR Insights Series))
The quality of our thinking is largely influenced by the mental models in our heads. While we want accurate models, we also want a wide variety of models to uncover what’s really happening. The key here is variety. Most of us study something specific and don’t get exposure to the big ideas of other disciplines. We don’t develop the multidisciplinary mindset that we need to accurately see a problem. And because we don’t have the right models to understand the situation, we overuse the models we do have and use them even when they don’t belong. You’ve likely experienced this first hand. An engineer will often think in terms of systems by default. A psychologist will think in terms of incentives. A business person might think in terms of opportunity cost and risk-reward. Through their disciplines, each of these people sees part of the situation, the part of the world that makes sense to them. None of them, however, see the entire situation unless they are thinking in a multidisciplinary way. In short, they have blind spots. Big blind spots. And they’re not aware of their blind spots. [...] Relying on only a few models is like having a 400-horsepower brain that’s only generating 50 horsepower of output. To increase your mental efficiency and reach your 400-horsepower potential, you need to use a latticework of mental models. Exactly the same sort of pattern that graces backyards everywhere, a lattice is a series of points that connect to and reinforce each other. The Great Models can be understood in the same way—models influence and interact with each other to create a structure that can be used to evaluate and understand ideas. [...] Without a latticework of the Great Models our decisions become harder, slower, and less creative. But by using a mental models approach, we can complement our specializations by being curious about how the rest of the world works. A quick glance at the Nobel Prize winners list show that many of them, obviously extreme specialists in something, had multidisciplinary interests that supported their achievements. [...] The more high-quality mental models you have in your mental toolbox, the more likely you will have the ones needed to understand the problem. And understanding is everything. The better you understand, the better the potential actions you can take. The better the potential actions, the fewer problems you’ll encounter down the road. Better models make better decisions.
Shane Parrish (The Great Mental Models: General Thinking Concepts)
This is painfully obvious at a poker table. Even weak players know, in principle, that seeing through the eyes of opponents is critical. She raised the bet $20? What does that tell me about her thinking—and the cards she has? Each bet is another clue to what your opponent is holding, or wants you to think she is holding, and the only way to piece it together is to imagine yourself in her seat. Good perspective-takers can make a lot of money. So you might suppose that anyone who takes poker seriously would get good at it, quickly, or take up another hobby. And yet they so often don’t. “Here’s a very simple example,” says Annie Duke, an elite professional poker player, winner of the World Series of Poker, and a former PhD-level student of psychology. “Everyone who plays poker knows you can either fold, call, or raise [a bet]. So what will happen is that when a player who isn’t an expert sees another player raise, they automatically assume that that player is strong, as if the size of the bet is somehow correlated at one with the strength of the other person’s hand.” This is a mistake. Duke teaches poker and to get her students to see like dragonflies she walks them through a game situation. A hand is dealt. You like your cards. In the first of several rounds of betting, you wager a certain amount. The other player immediately raises your bet substantially. Now, what do you think the other player has? Duke has taught thousands of students “and universally, they say ‘I think they have a really strong hand.’” So then she asks them to imagine the same situation, except they’re playing against her. The cards are dealt. Their hand is more than strong—it’s unbeatable. Duke makes her bet. Now, what will you do? Will you raise her bet? “And they say to me, ‘Well, no.’” If they raise, Duke may conclude their hand is strong and fold. They don’t want to scare her off. They want Duke to stay in for each of the rounds of betting so they can expand the pot as much as possible before they scoop it up. So they won’t raise. They’ll only call. Duke then walks them through the same hypothetical with a hand that is beatable but still very strong. Will you raise? No. How about a little weaker hand that is still a likely winner? No raise. “They would never raise with any of these really great hands because they don’t want to chase me away.” Then Duke asks them: Why did you assume that an opponent who raises the bet has a strong hand if you would not raise with the same strong hand? “And it’s not until I walk them through the exercise,” Duke says, that people realize they failed to truly look at the table from the perspective of their opponent. If Duke’s students were all vacationing retirees trying poker for the first time, this would only tell us that dilettantes tend to be naive. But “these are people who have played enough poker, and are passionate about the game, and consider themselves good enough, that they’re paying a thousand dollars for a seminar with me,” Duke says. “And they don’t understand this basic concept.”22
Philip E. Tetlock (Superforecasting: The Art and Science of Prediction)
Life is a series of trial- the important ones are not the ones we fail, but the ones you succeed at at.
Xander M Staley
The war of the ghosts and the machines is the war between mathematics and science. There can be only one winner – mathematics. Dimensionless mathematics is the noumenal ghost at the heart of the dimensional, phenomenal, scientific machine.
Mike Hockney (The War of the Ghosts and Machines (The God Series Book 28))
In fact, on October 8, 2019, some five months after Big Bang’s finale aired, the Secretary General of the Royal Swedish Academy of Sciences, Goran Hannson, praised the show during the announcement for the real-life Nobel prize winners in physics. He said The Big Bang Theory was “a fantastic achievement” for bringing “the world of science to laptops and living rooms around the world,” and name-checked Sheldon and Amy, as well as quoted the show’s theme song.
Jessica Radloff (The Big Bang Theory: The Definitive, Inside Story of the Epic Hit Series)
These series of events placed the conference pastors into two distinct camps: pastors who sided with the ERF and sought more tension, and pastors who supported same-sex marriages and sought less tension-a large additional group included those who did not commit to either side. Once again, when the clergy's congregations were compared, the evangelical clergy showed growth in giving, attendance, and even membership, for pastors who had served in a congregation three years or longer. But the most dramatic changes were in congregations served by clergy seeking less tension with the culture. Congregations with "officiant" pastors showed sharp drops for all of the measures (Finke and Stark, 2001).
Roger Finke (The Churching of America, 1776-2005: Winners and Losers in Our Religious Economy)
To repeat, all poker starts as a struggle for the ante. This struggle for the antes is what determines all future action. It is a struggle that increases and builds up, but it should never be forgotten that the initial struggle for the antes is what started the war. Players who do forget this, no matter how well they play otherwise, frequently find themselves in trouble. Most often they play too many hands in relation to the size of the ante; sometimes they play too few. The best way to evaluate the size of the ante is to think about it in terms of pot odds and expectation. Let’s say you sit down in an eight-handed $10-$20 game, and everybody antes $1. That creates an $8 pot. Starting with that $8, you should play your hand in terms of the odds you’re getting for each bet in relation to your expectation of winning. If you bet $10, you are laying $10 to win $8. If someone calls you, he is getting $18-to-$10. The fact that $1 or one-eighth of that ante money was originally yours is of no consequence. In truth, it is no longer yours. The moment you place your $1 ante in the pot, it belongs to the pot, not to you, and eventually to the winner of the hand. It is a common fallacy for players to think in terms of the money they have already put in the pot. They make a bad call because they called one or two bets on earlier rounds. However, it is absolutely irrelevant whether you put the money in there or someone else did. It is the total amount, no part of which belongs to you any longer, that should determine how you play your hand. In home games the dealer often antes for everybody. Some players play much more loosely when they are dealing, thinking that the ante is somehow theirs. But to play differently just because you anted, rather than someone else, is absurd. It is the same amount of money out there, no matter from whose stack of chips it came. On the other hand, when you have the blind in hold ’em, for example, you can and should play a little looser, not because that blind is yours, but because you’re getting better pot odds.
David Sklansky (The Theory of Poker: A Professional Poker Player Teaches You How To Think Like One (The Theory of Poker Series Book 1))
This is not about having the government “pick winners,” an idea often met with derision by libertarians and others who have more faith in free markets than in politicians to allocate resources. The goal of regulation is not to hurt profits. Regulation is about guiding market design so that businesses choose the solutions that deliver what we, as a society, want and do not leave us, the taxpayers and other members of the public, with the cost of cleaning up any and all messes—even unintended ones—that businesses and their new technologies unleash.
Amy Myers Jaffe (Energy's Digital Future: Harnessing Innovation for American Resilience and National Security (Center on Global Energy Policy Series))
Amelia Boone (TW: @ameliaboone, ameliabooneracing.com) has been called “the Michael Jordan of obstacle course racing” (OCR) and is widely considered the world’s most decorated obstacle racer. Since the inception of the sport, she’s amassed more than 30 victories and 50 podiums. In the 2012 World’s Toughest Mudder competition, which lasts 24 hours (she covered 90 miles and ~300 obstacles), she finished second OVERALL out of more than 1,000 competitors, 80% of whom were male. The one person who beat her finished just 8 minutes ahead of her. Her major victories include the Spartan Race World Championship and the Spartan Race Elite Point Series, and she is the only three-time winner of the World’s Toughest Mudder (2012, 2014, and 2015). She won the 2014 championship 8 weeks after knee surgery. Amelia is also a three-time finisher of the Death Race, a full-time attorney at Apple, and she dabbles in ultra running (qualified for the Western States 100) in all of her spare time.
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
In today’s market, consumers often buy the largest car they might need for a family vacation and use it for all purposes, regardless of whether a smaller car might be advantageous for shorter trips or where parking is limited. In a digital shared-ride system, more fuel-efficient vehicles, including electric and hydrogen vehicles, might become the preferred-choice winners for short trips. In this case, a transition to alternative fuels could be accomplished with the construction of fewer fueling stations.
Amy Myers Jaffe (Energy's Digital Future: Harnessing Innovation for American Resilience and National Security (Center on Global Energy Policy Series))
speed of play will matter as well.  The first team to complete the pattern 10 times is the winner.
Marcus DiBernardo (Professional Soccer Passing Patterns: Passing Patterns That Develop Technical Ability, Increase Coordination of Player Movements, Establish Timing & Rhythm, ... Focus (The Method Soccer Coaching Series))
I fought one great battle so terrible the sun itself hid it face from the slaughter
Roger Zelazny (Lord of Light)
when we passed the Hells Angels clubhouse they were giving cans of beer out to little kids. “Repeat after me,” ordered a drunken Hells Angel dressed as a Viking warrior. “When I grow up I’m going to be a badass.
Jack Gantos (Dead End in Norvelt: (Newbery Medal Winner) (Norvelt Series Book 1))
Truth is a sport, and winner takes it all.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
Tomorrow I will run more courageously, more outrageously.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
Avoiding the facility’s tangle of Life Cycles and Cybex machines, he had focused instead on a series of punches, blocks, and kicks to the air that, to the uninitiated, might have looked like some kind of martial dance routine. Actually, his moves were good—smooth, practiced, and powerful. They would have been impressive in any twenty-year-old, but this guy looked at least twice that. I do some similar solo exercises myself, from time to time, although nothing so formal and stylized. And when I do work out this way, I don’t do it in public. It draws too much attention, especially from someone who knows what to look for. Someone like me. In my line of work, drawing attention is a serious violation of the laws of common sense, and therefore of survival. Because if someone notices you for one thing, he’ll be inclined to look more closely, at which point he might notice something else. A pattern, which would have remained quietly hidden, might then begin to emerge, after which your cloak of anonymity will be methodically pulled apart, probably to be rewoven into something more closely resembling a shroud.
Barry Eisler (Winner Take All (John Rain #3))
To be number one is to be publicly labeled a winner in the system that counts – a system of advancement through personal merit and effort in rugged competition. Labels of success – Rhodes scholar, Nobel laureate, Heisman Trophy winner – follow a person through life and define him or her to the public. One such label, valedictorian, marks academic winners. Schools in the United States have at least one common belief: high academic achievement is a good thing.
Karen Arnold (Lives of Promise: What Becomes of High School Valedictorians: A Fourteen-year Study of Achievement and Life Choices (Jossey Bass Social and Behavioral Science Series))
The reference point argument is as follows: do not compute odds from the vantage point of the winning gambler (or the lucky Casanova, or the endlessly bouncing back New York City, or the invincible Carthage), but from all those who started in the cohort. Consider once again the example of the gambler. If you look at the population of beginning gamblers taken as a whole, you can be close to certain that one of them (but you do not know in advance which one) will show stellar results just by luck. So, from the reference point of the beginning cohort, this is not a big deal. But from the reference point of the winner (and, who does not, and this is key, take the losers into account), a long string of wins will appear to be too extraordinary an occurrence to be explained by luck. Note that a “history” is just a series of numbers through time. The numbers can represent degrees of wealth, fitness, weight, anything.
Nassim Nicholas Taleb (The Black Swan: The Impact of the Highly Improbable (Incerto, #2))
Oh sweet cheeze-us!” I wailed, and dropped butt-first onto the table. “Ohhh! Cheeze-us-crust!” I
Jack Gantos (Dead End in Norvelt: (Newbery Medal Winner) (Norvelt Series Book 1))
Some grant programs are structured as competitions. New York City’s Industrial Growth Initiative, now in its second year, is a two-stage process that requires businesses to attend a growth workshop and then apply for a more in-depth workshop series covering topics like human resources and marketing. The program culminates with a business plan competition, where participants put what they have learned to work and create expansion plans to guide their next stage of growth. The plans are pitched to an audience of judges and business leaders, and three winners split a $150,000 prize. One recent winner was Eric Campione, chief administrative officer for P.A.C. Plumbing, Heating, & Air Conditioning. Mr. Campione submitted a plan to bring the third-generation family-owned business on Staten Island into the digital age with new technology, such as iPads for field technicians. It is about more than money, though.
Anonymous
When I was first getting to know her we were in a viewing room at the funeral parlor looking at a new line of cigar-shaped caskets that were called “Time Capsules of the Future.
Jack Gantos (Dead End in Norvelt: (Newbery Medal Winner) (Norvelt Series Book 1))
Alice James Books is a nonprofit cooperative poetry press, founded in 1973 by five women and two men: Patricia Cumming, Marjorie Fletcher, Jean Pedrick, Lee Rudolph, Ron Schreiber, Betsy Sholl and Cornelia Veenendaal. Their objectives were to give women access to publishing and to involve authors in the publishing process. The press remains true to that mission and to publishing a diversity of poets including both beginning and established poets, and a diversity of poetic styles. The press is named for Alice James—the sister of novelist Henry James and philosopher William James—whose fine journal and gift for writing were unrecognized during her lifetime. Since 1994, the press has been affiliated with the University of Maine at Farmington. The press educates up to 14 interns per year through individual writing apprenticeships. Alice James Books also serves to train and advise the on-campus, bi-annual literary journal, The Sandy River Review. Alice James Books is one of the original and few presses in the country that is run collectively. Our cooperative selects manuscripts for publication through both regional and national annual competitions. The cooperative offers two book competitions a year: the Kinereth Gensler Award and the Beatrice Hawley Award. The winners of the Kinereth Gensler Award competition become active members of Alice James Books and act as the editorial board after their manuscripts are selected for publication. The winner of the Beatrice Hawley Award is exempt from the cooperative work commitment. Alice James Books recently established two new book series: the AJB Translation Series and The Kundiman Poetry Prize. The press partners with Kundiman, a nonprofit organization devoted to the promotion and preservation on Asian American poetry, to present The Kundiman Poetry Prize, a book-length manuscript competition open to all Asian American poets with any number of published books. The inaugural competition took place in 2010.
Alice James
I
Jack Gantos (Dead End in Norvelt: (Newbery Medal Winner) (Norvelt Series Book 1))
Eugenic rhetoric thus remained dependent on the body exterior as a powerful “material metaphor” for mysterious genetic processes. The desirable stock of the “fit” was imagined in terms of whiteness, beauty, and physical fitness; embodied in the winners of the AES’s “Better Babies” and “Fitter Families” competitions; invoked in books like Madison Grant’s The Passing of the Great Race (1916), which described the progenitors of good American stock as “splendid conquistadores” of Nordic heritage with “absolutely fair skin” and “great stature”; and visualized in eugenic displays.37
Angela M. Smith (Hideous Progeny: Disability, Eugenics, and Classic Horror Cinema (Film and Culture Series))
It was a war, and in a war there are always casualties. Never winners, but always plenty of casualties.
Mili Fay (Warriors of Virtue Epic YA Fantasy Series Episode 1: Text Edition)
It’s from the soul that the hero draws their real power. It’s not about who has a bigger army, the better weapons, or who has the stronger case or the bigger budget. The one who won’t ever quit will be the winner, if not now, then later, if not in this life, then in the next.
Ryan Holiday (Courage Is Calling: Fortune Favors the Brave (The Stoic Virtues Series))
When American men lose their jobs, they lose more than their income; they lose their sense of self. It cuts to the core. In America, we admire winners, and winning in America is counted in dollars and social standing. A series of humbling cultural and economic shifts has left some of the long-standing winners in American society feeling humiliated and victimized, unsure of exactly where they fit in, longing to win again.
Jillian Peterson (The Violence Project: How to Stop a Mass Shooting Epidemic)
Winners do not do right things, they do things right !
Shiv Khera (Attitude -The Key to Success: Develop a " Can Do " Attitude (Winners Series - Unlock Your True Potential))
To treat God and heaven as materialistic is the greatest error that any religious person can ever make because it results in a head-on collision between religion and science, and there can be only one winner in that struggle. There is only one arena that can stand outside materialistic science in any meaningful way and that is the incorporeal, dimensionless domain of idealism. It is that domain, and none other, that belongs to God, the soul and the afterlife. Without idealism, there is only materialism and certain death from which no one will ever come back.
Michael Faust (The Reincarnation of Jesus Christ (The Divine Series Book 8))
Winners also recognize their startup “vision” as a series of untested hypotheses in need of “customer proof.
Steve Blank (The Startup Owner's Manual: The Step-By-Step Guide for Building a Great Company)
Bert Wilson, with titles including: Bert Wilson at the Wheel (1913), Bert Wilson's Fadeaway Ball (1913), Bert Wilson, Wireless Operator (1913), Bert Wilson, Marathon Winner (1914), Bert Wilson at Panama (1914), Bert Wilson's Twin Cylinder Racer (1914), Bert Wilson on the Gridiron (1914) and Bert Wilson in the Rockies (1914). In the early twentieth century he wrote approximately 115 stories for the Stratemeyer Syndicate, writing for series including the Radio Boys, the Rushton Boys, Bobby Blake, Bomba the Jungle Boy, Don Sturdy, Baseball Joe and the Ted Scott series.
J.W. Duffield (Bert Wilson's Twin Cylinder Racer)
The best player is therefore not the winner of any given game but, among many other things, he or she who is invited by the largest number of others to play the most extensive series of games.
Jordan B. Peterson (Beyond Order: 12 More Rules for Life)
Jim Parsons: Bill Prady called to tell me that there’s winners and there’s losers and there’s somewhere in between. [Laughs] And we were in between. That was a weird time, but also a very fortuitous purgatory, because the months between hearing the first pilot wasn’t being picked up and then waiting to shoot the second pilot is what led me to give up drinking for nine years. I was like, OK, I need to focus, I need to get healthier, so as the date approached that we were going to do the second pilot, I said, “Well, I’m going to clean up my act.” When I knew that we were going to do it again, it slowly began to dawn on me that this is such a unique and special opportunity. I wasn’t so much preparing for success as I was preparing to be able to live with myself if the second pilot didn’t work. Whatever happened, I wanted to know I did everything that I could. I just didn’t want to live with regret.
Jessica Radloff (The Big Bang Theory: The Definitive, Inside Story of the Epic Hit Series)
We break down our day and laugh about which of us fucked up the worst. There is no greater superpower than the ability to say “This is who I am.” Most people push that away, because they don’t want to be judged. Winners don’t care. They judge themselves, and live with the verdict. Think about how much energy and time go into trying to be someone or something you’re not. How much further along would you be if you put that same effort into being yourself?
Tim S. Grover (Winning: The Unforgiving Race to Greatness (Tim Grover Winning Series))
The Fearless Flyer began life in 1969 during the Good Time Charley phase of Trader Joe’s as the Insider’s Wine Report, a sheet of gossip of “inside” information on the wine industry at a time where there weren’t any such gossip sheets, for the excellent reason that few people were interested in wine. As of the writing of this book, 11 percent of Americans drink 88 percent of the wine according to contemporary wine gossip magazine the Wine Spectator. In the Insider’s Wine Report we gave the results of the wine tastings that we were holding with increasing frequency, as we tried to gain product knowledge. This growing knowledge impressed me with how little we knew about food, so in 1969, we launched a parallel series of blind tastings of branded foods: mayonnaise, canned tuna, hot dogs, peanut butter, and so on. The plan was to select the winner, and sell it “at the lowest shelf price in town.” To report these results, I designed the Insider’s Food Report, which began publication in 1970. It deliberately copied the physical layout of Consumer Reports: the 8.5” x 11” size, the width of columns, and the typeface (later changed). Other elements of design are owed to David Ogilvy’s Confessions of an Advertising Man. The numbered paragraphs, the boxes drawn around the articles, are all Ogilvy’s ideas. I still think his books are the best on advertising that I’ve ever read and I recommend them. Another inspiration was Clay Felker, then editor of New York magazine, the best-edited publication of that era. New York’s motto was, “If you live in New York, you need all the help you can get!” The Insider’s Food Report borrowed this, as “The American housewife needs all the help she can get!” And in the background was the Cassandra-like presence of Ralph Nader, then at the peak of his influence. I felt, however, that all the consumer magazines, never mind Mr. Nader, were too paranoid, too humorless. To leaven the loaf, I inserted cartoons. The purpose of the cartoons was to counterpoint the rather serious, expository text; and, increasingly, to mock Trader Joe’s pretensions as an authority on anything.
Joe Coulombe (Becoming Trader Joe: How I Did Business My Way and Still Beat the Big Guys)
Hugo Houde est né et a grandi à Paris. Quand Hugo avait dix ans, sa famille a dû partir vivre à l’étranger pour le travail de son père. C’est ainsi qu’Hugo a atterri dans la classe numéro treize où personne ne parlait français. La France lui manquait énormément. Comme il ne pouvait pas y retourner, il décida d’amener la France à lui. Alors, avec son argent, il acheta la tour Eiffel et la mit dans son jardin. C’est la vie. CHAPTER
Honest Lee (The Unlucky Lottery Winners of Classroom 13 (Classroom 13 Series Book 1))
violent sneeze).
Honest Lee (The Unlucky Lottery Winners of Classroom 13 (Classroom 13 Series Book 1))
Ce cours est nul!” shouted Hugo, who was from France and spoke only in French.
Honest Lee (The Unlucky Lottery Winners of Classroom 13 (Classroom 13 Series Book 1))
If I do win—which is very unlikely—I promise to split my earnings evenly with every single one of you.” All the students in Classroom 13 shouted, “Really?!” (Except Hugo. He shouted, “Sacrebleu
Honest Lee (The Unlucky Lottery Winners of Classroom 13 (Classroom 13 Series Book 1))
We value your word, but we would feel much more comfortable with your promise if we could get it in writing.
Honest Lee (The Unlucky Lottery Winners of Classroom 13 (Classroom 13 Series Book 1))
That day after school, as Ms. Linda walked home, she was struck by lightning—twice.
Honest Lee (The Unlucky Lottery Winners of Classroom 13 (Classroom 13 Series Book 1))
(You probably think I’ve made a mistake. But I haven’t. Trust me. My name is Honest Lee.)
Honest Lee (The Unlucky Lottery Winners of Classroom 13 (Classroom 13 Series Book 1))
$1,037,037,037.04
Honest Lee (The Unlucky Lottery Winners of Classroom 13 (Classroom 13 Series Book 1))
25-21-14-1 8-9-4 8-5-18 13-15-14-5-25 19-15-13-5-23-8-5-18-5 19-5-3-18-5-20. 19-15 19-5-3-18-5-20, 19-8-5 6-15-18-7-15-20 23-8-5-18-5 9-20 23-1-19.
Honest Lee (The Unlucky Lottery Winners of Classroom 13 (Classroom 13 Series Book 1))
Winners throw out the traditional product management and introduction processes they learned at existing companies. Instead, they combine agile engineering and Customer Development to iteratively build, test and search for a business model, turning unknowns into knowns. Winners also recognize their startup “vision” as a series of untested hypotheses in need of “customer proof.” They relentlessly test for insights, and they course-correct in days or weeks, not months or years, to preserve cash and eliminate time wasted on building features and products that customers don’t want.
Steve Blank (The Startup Owner's Manual: The Step-By-Step Guide for Building a Great Company)
Title Page Dedication
Jack Gantos (Dead End in Norvelt: (Newbery Medal Winner) (Norvelt Series Book 1))
School was finally out and I was standing
Jack Gantos (Dead End in Norvelt: (Newbery Medal Winner) (Norvelt Series Book 1))
The Secrets of Skunk: Part Two At the Lockheed skunk works, Kelly Johnson ran a tight ship. He loved efficiency. He had a motto—“be quick, be quiet, and be on time”—and a set of rules.6 And while we are parsing the deep secrets of skunk, it’s to “Kelly’s rules” we must now turn. Wall the skunk works off from the rest of the corporate bureaucracy—that’s what you learn if you boil Johnson’s rules down to their essence. Out of his fourteen rules, four pertain solely to military projects and can thus be excluded from this discussion. Three are ways to increase rapid iteration (a topic we’ll come back to in a moment), but the remaining seven are all ways to enforce isolation. Rule 3, for example: “The number of people with any connection to the project should be restricted in an almost vicious manner.” Rule 13 is more of the same: “Access by outsiders to the project and its personnel must be strictly controlled by appropriate security measures.” Isolation, then, according to Johnson, is the most important key to success in a skunk works. The reasoning here is twofold. There’s the obvious need for military secrecy, but more important is the fact that isolation stimulates risk taking, encouraging ideas weird and wild and acting as a counterforce to organizational inertia. Organizational inertia is the notion that once any company achieves success, its desire to develop and champion radical new technologies and directions is often tempered by the much stronger desire not to disrupt existing markets and lose their paychecks. Organizational inertia is fear of failure writ large, the reason Kodak didn’t recognize the brilliance of the digital camera, IBM initially dismissed the personal computer, and America Online (AOL) is, well, barely online. But what is true for a corporation is also true for the entrepreneur. Just as the successful skunk works isolates the innovation team from the greater organization, successful entrepreneurs need a buffer between themselves and the rest of society. As Burt Rutan, winner of the Ansari XPRIZE, once taught me: “The day before something is truly a breakthrough, it’s a crazy idea.” Trying out crazy ideas means bucking expert opinion and taking big risks. It means not being afraid to fail. Because you will fail. The road to bold is paved with failure, and this means having a strategy in place to handle risk and learn from mistakes is critical. In a talk given at re:Invent 2012, Amazon CEO Jeff Bezos7 explains it like this: “Many people misperceive what good entrepreneurs do. Good entrepreneurs don’t like risk. They seek to reduce risk. Starting a company is already risky . . . [so] you systematically eliminate risk in those early days.
Peter H. Diamandis (Bold: How to Go Big, Create Wealth and Impact the World (Exponential Technology Series))
Ronaldo moved from Real Madrid to Juventus ahead of the 2018-19 season. As he moved away from Lariga and moved his nest to Serie A, Messi and Ronaldo's face-to-face confrontation was often overlooked. "Real Madrid, without Ronaldo, will be a less powerful team," Messi said. Juventus, on the other hand, will be a clear winner of the Champions League. Because Juventus already had a great squad, and added to Ronaldo, "Ronaldo told the team about his presence and influence. "I have lived here (Barcelona) since I was thirteen, and all my life has been made here, I belong to the best team in the world, and this is probably the best city in the world. Also, all my children were born in Catalonia. I do not need to leave anyway, "he said, adding that he wanted to stay in Barcelona. ♥100%정품보장 ♥총알배송 ♥투명한 가격 ♥편한 상담 ♥끝내주는 서비스 ♥고객님 정보 보호 ♥깔끔한 거래 ◀경영항목▶ 수면제,여성-최음제,,여성흥분제,남성발기부전치유제,비아그라,시알리스,88정,드래곤,99정,바오메이,정력제,남성성기확대제,카마-그라젤,비닉스,센돔,꽃물,남성-조-루제,네노마정 등많은제품 판매중입니다 센돔 판매,센돔 구입방법,센돔 구매방법,센돔 효과,센돔 처방,센돔 파는곳,센돔 지속시간,센돔 구입,센돔 구매,센돔 복용법 News | "[Video] Huntelault Multi-goal, the class is alive!" Born in Argentina in 1987, Messi played in a youth soccer team in his hometown Rosario and was spotted by FC Barcelona scouts. At the age of 13, Barcelona scouted him for the potential of Messi, and Messi then moved to Barcelona, ​​where he lived for about 18 years. For Messiah, Barcelona is more than just a member of your team. Finally, Messi revealed his commitment to achieve the UEFA Champions League title in the 2018-19 season. "We have to focus on the Champions League. He has been eliminated in the last three years. I believe it is time to win. We have a brilliant squad, so we can do this (win).
Messi's 'Ronaldo transfer, UCL, and his future'
The entire criminal justice system is geared on the assumption that whoever calls in first is the complainant, the victim. The good guy now, by default, becomes the bad guy: the suspect. The perpetrator. In situations like these, you’re a contestant in what I’ve come to call ‘the race to the telephone.’ The winner gets to be the good guy, and the loser automatically becomes the bad guy.” To avoid being caught in a similar situation, do your best to win the race to the telephone after an encounter.
Mark Walters (Lessons from Armed America (Armed America Personal Defense Series Book 1))
It was a simple game. The goal was to “give away” all of your checkers by putting them in a position to be jumped and captured by the other player. The first one to “give away” all of his checkers was declared the winner. In essence, you won by losing. I didn’t know it at the time, but my dad was teaching me a powerful lesson about the marketplace, marriage, and ministry — because in each of these important arenas, those who give away the most end up gaining the most.
J.D. Greear (Gaining By Losing: Why the Future Belongs to Churches that Send (Exponential Series))
On Stage was a groundbreaking dramatic series capping the radio careers of Cathy and Elliott Lewis. It came in what might have been a watershed era but was instead radio’s last hurrah. The Lewises reached the crest as the ship began to sink, though in a strange way it was a time of peace. The war with television had been lost in a single season, and the big money had gone, as it always does, with the winner. What was left on radio fell into several broad categories, none ruled by money as they had been in the old days. Agencies and producers still had radio budgets, but the tide had irrevocably turned. The end of big-time radio had for its best artists a liberating effect. “I can do things now that I wouldn’t dare to do two or three years ago,” said Elliott Lewis in Newsweek in mid-1953. As producer-director of Suspense, he had just aired a two-part adaptation of Shakespeare’s Othello, which would have been unthinkable for the thrill show in 1945. Network people paid less attention, and if money was tighter, there was no lack of talent to prove it. People still wanted to work in radio: they remained because it was a dear first love, terminally ill and soon to disappear. Jack Benny and Jack Webb were still on the air; Gunsmoke was in its first year, and just ahead were more frugal but extremely creative shows—X-Minus One, Frontier Gentleman, and The CBS Radio Workshop. These were produced and enacted by people who loved what they were doing: some would mourn its final loss so deeply that they spoke of it reluctantly even two decades later. It was in this time that the Lewises produced On Stage, by some accounts the best radio anthology ever heard.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
The Man Behind the Gun was a major series, highly respected within the industry and by the modest but enthusiastic audience that heard it. It was a three-time winner of Billboard’s “top documentary program” citation and in 1943 won a Peabody Award as radio’s outstanding dramatic program. It was “dedicated to the fighting men of the United States and the United Nations,” presented “for the purpose of telling you how your boys and their comrades-in-arms are waging our war against Axis aggression.” The stories were “based on fact,” but the names and characterizations were “wholly fictitious,” giving the writers and director maximum freedom to develop composite representations of fighting-man types.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
Every one know the series, Only usage of cards identify the winner.
Sohail Umar
It took the Virginia Company twelve years to learn its first lesson that what had worked for the Spanish in Mexico and in Central and South America would not work in the north. The rest of the seventeenth century saw a long series of struggles over the second lesson: that the only option for an economically viable colony was to create institutions that gave the colonists incentives to invest and to work hard.
Daron Acemoğlu (Why Nations Fail: FROM THE WINNERS OF THE NOBEL PRIZE IN ECONOMICS: The Origins of Power, Prosperity and Poverty)
One of the key bases for the economic expansion of Venice was a series of contractual innovations making economic institutions much more inclusive. The most famous was the commenda, a rudimentary type of joint stock company, which formed only for the duration of a single trading mission. A commenda involved two partners, a “sedentary” one who stayed in Venice and one who traveled. The sedentary partner put capital into the venture, while the traveling partner accompanied the cargo. Typically, the sedentary partner put in the lion’s share of the capital. Young entrepreneurs who did not have wealth themselves could then get into the trading business by traveling with the merchandise. It was a key channel of upward social mobility. Any losses in the voyage were shared according to the amount of capital the partners had put in. If the voyage made money, profits were based on two types of commenda contracts. If the commenda was unilateral, then the sedentary merchant provided 100 percent of the capital and received 75 percent of the profits. If it was bilateral, the sedentary merchant provided 67 percent of the capital and received 50 percent of the profits. Studying official documents, one sees how powerful a force the commenda was in fostering upward social mobility: these documents are full of new names, people who had previously not been among the Venetian elite. In government documents of AD 960, 971, and 982, the number of new names comprise 69 percent, 81 percent, and 65 percent, respectively, of those recorded.
Daron Acemoğlu (Why Nations Fail: FROM THE WINNERS OF THE NOBEL PRIZE IN ECONOMICS: The Origins of Power, Prosperity and Poverty)
That whole BS about thinking outside the box is just that: BS. Winners don’t see the box. They see possibilities. They use their own decisions, successes, and failures as a springboard to elevate their thinking and results.
Tim S. Grover (Winning: The Unforgiving Race to Greatness (Tim Grover Winning Series))
Everything comes from within. Every feeling you have of love or happiness, every opinion, every judgment. It all comes from within. Of course it must – you’re the only one thinking, feeling and experiencing YOUR life.
Todd Havens (Meet Your Inner Billionaire: The Three Core Beliefs of Your Inner Winner (Or How to Forget the Bad Parts of High School): Book #3 of 6 (Think Wealthy Series))
The majority of us go through life like a pinball in a pinball machine bouncing off other people’s opinions of us (based on what we’re wearing, whether people laugh at our jokes, how smart we hope they think we are)…bouncing from one electrified bumper to the next waiting to see what the next person thinks of what we say or how they judge us for doing this, that or the other thing. It’s so much fun, riiiiiight? We spend our LIVES bouncing around and around and around from one person’s opinion to the next.
Todd Havens (Meet Your Inner Billionaire: The Three Core Beliefs of Your Inner Winner (Or How to Forget the Bad Parts of High School): Book #3 of 6 (Think Wealthy Series))
This is the classic sticks and stones childhood retort of yore – sticks and stones may break my bones, but words will never hurt me. But words often do hurt us because we let them. With that single realization…that YOU are in control…the world becomes a much less scary place because you TRUST that you can respond to any situation without your world come-a-tumblin’ down. YOU get to choose how you think, feel and respond throughout each day and throughout your life. You have CHOICE now…and forever…as crazy as that may sound. And when you realize you have choice, your inner billionaire comes out of hiding to help you dream and achieve again and you get your life back. It’s so interesting to think that if you’re happy around your significant other, that happiness comes from within. They have only fostered or provided the context for its appearance from within you.
Todd Havens (Meet Your Inner Billionaire: The Three Core Beliefs of Your Inner Winner (Or How to Forget the Bad Parts of High School): Book #3 of 6 (Think Wealthy Series))
community was placed under surveillance. Young Jews were barred from admission to colleges of further education. The police arrested, tortured, imposed arbitrary fines and extracted money from innocent Jews in what looked like a government-sanctioned campaign of harassment. On top of all of that came the series of bombs, described in the last chapter, that provoked real panic in the Jewish community and compounded the sense of insecurity. By the end of April 1950, over 25,000 Jews had registered to relinquish their citizenship and leave
Avi Shlaim (Three Worlds: Memoirs of an Arab-Jew - WINNER OF THE PEN HESSELL-TILTMAN PRIZE)
The more ways you measure, the more ways you can win.” Be consistent. Measure a lot. Adapt to feedback. Be a winner.
Alex Hormozi ($100M Leads: How to Get Strangers To Want To Buy Your Stuff (Acquisition.com $100M Series))
Regardless of how you feel inside, always try to look like a winner. Even if you are behind, a sustained look of control and confidence can give you a mental edge that results in victory.” — Arthur Ashe
I.C. Robledo (365 Quotes to Live Your Life By: Powerful, Inspiring, & Life-Changing Words of Wisdom to Brighten Up Your Days (Master Your Mind, Revolutionize Your Life Series))