Serenity Movie Quotes

Common man's patience will bring him more happiness than common man's power.

River Tam (Summer Glau): No power in the 'verse can stop me.

Now there’s us, staking out our piece of cinematic turf (might be small but it’s ours). And the music has to fit the vision as specifically as it did for [Star Wars and The Matrix.] OUR music comes from THEIR music, this scrappled bunch. It is spare, intimate, mournful and indefatigable.

She had pacified life so well, taken such care for it not to explode. She had kept it all in serene comprehension, separated each person from the rest, clothes were clearly made to be worn and you could choose the evening movie from the newspaper—everything wrought in such a way that one day followed another.

It so happens I am sick of being a man. And it happens that I walk into tailorshops and movie houses dried up, waterproof, like a swan made of felt steering my way in a water of wombs and ashes. The smell of barbershops makes me break into hoarse sobs. The only thing I want is to lie still like stones or wool. The only thing I want is to see no more stores, no gardens, no more goods, no spectacles, no elevators. It so happens that I am sick of my feet and my nails and my hair and my shadow. It so happens I am sick of being a man. Still it would be marvelous to terrify a law clerk with a cut lily, or kill a nun with a blow on the ear. It would be great to go through the streets with a green knife letting out yells until I died of the cold. I don't want to go on being a root in the dark, insecure, stretched out, shivering with sleep, going on down, into the moist guts of the earth, taking in and thinking, eating every day. I don't want so much misery. I don't want to go on as a root and a tomb, alone under the ground, a warehouse with corpses, half frozen, dying of grief. That's why Monday, when it sees me coming with my convict face, blazes up like gasoline, and it howls on its way like a wounded wheel, and leaves tracks full of warm blood leading toward the night. And it pushes me into certain corners, into some moist houses, into hospitals where the bones fly out the window, into shoeshops that smell like vinegar, and certain streets hideous as cracks in the skin. There are sulphur-colored birds, and hideous intestines hanging over the doors of houses that I hate, and there are false teeth forgotten in a coffeepot, there are mirrors that ought to have wept from shame and terror, there are umbrellas everywhere, and venoms, and umbilical cords. I stroll along serenely, with my eyes, my shoes, my rage, forgetting everything, I walk by, going through office buildings and orthopedic shops, and courtyards with washing hanging from the line: underwear, towels and shirts from which slow dirty tears are falling

When I come home from school, I take my Doc Martens off and put on fake satin mules with the marabou trim, slip into my dressing gown and my movie, and I feel serene. I hold a glass of Coke to my cheek and pretend it is a glass of bourbon and I am in New Orleans. My bedroom door is the doorway onto the street and at night I can't sleep because of the heat and the commotion in this town. So I go down to the river and dance as a man with scars on his face plays an accordion. People clap along and wolf-whistle and I whip my skirt around my thighs, which are long and lean because I barely get a chance to eat, what with all my bourbon and afternoon baths. I dance until my mules get muddy, then I tiptoe home, followed by sailors and men who have hundreds and thousands of dollars playing stud poker. Steve McQueen might be there. I can't remember. I get confused at this point. Too much drink. I'm sure Karl Malden is lurking in the background, gazing at me longingly. I am kind to him because his mother is dying.

Sometimes the demons did fight…did win…did destroy. Still. We deserve to live, he thought. Like everyone else, they suffered if their friends were hurt, read books, watched movies, gave to charity. Fell in love. Hunters, though, would never see it that way. They were convinced the world would be a better place without the Lords. A utopia, serene and perfect. They believed every sin ever committed could be laid at a demon’s feet. Maybe because they were dumb as shit. Maybe because they hated their lives and were simply looking for someone to blame. Either way, killing them had become the most important mission of Sabin’s life. His utopia was a life without them. Which

The night before flying to New York, I watched Bowie's brief performance as a serene, pragmatic Pontius Pilate in Martin Scorsese's The Last Temptation of Christ. 'That's a strange movie to watch before going on a plane flight,' Bowie laughs. 'It's like, shall we find out—is there a God?' Then, as if moving on to the next logical topic, Bowie says, 'I can't wait to see the other 10 percent of the Dead Sea Scrolls. They're in fragments, of course, kind of a Bill Burroughs effect...' and he recounts for me a certain conspiracy theory ('a '70s thing') about a secret section of the Dead Sea Scrolls supposedly written by a Jesus who'd escaped from the cross and ended up dying a revolutionary at Masada. This secret stuff is, according to the theory, held in the Vatican and shown only to each new Pope on the day of election. But what on earth, I ask, could the big secret be anyway? 'Oh,' laughs Bowie, 'that there really was a Brian.

Well, that seemed to be par for the course for me these days. Taking on the Impossible: The Serenity Drake story. Who would I want to play me in the movie version?

It is not surprising that music can incite a broad range of motions, including passion, serenity, and fear. Most of us can recall instances when music caused changes in our own emotional levels, perhaps when we listened to Handel’s Hallelujah Chorus or the background music in a movie thriller. The reason for the emotional arousal appears to be that music affects levels of several brain chemicals, including epinephrine, endorphins, and cortisol, the hormone involved in the “fight-or-flight” response. In Chapter 9, we saw that one of the links between emotion and memory involves these same neurotransmitters and hormones. Perhaps this is why a mere snippet of a song from our past can trigger highly vivid memories.

It is not surprising that music can incite a broad range of emotions, including passion, serenity, and fear. Most of us can recall instances when music caused changes in our own emotional levels, perhaps when we listened to Handel’s Hallelujah Chorus or the background music in a movie thriller. The reason for the emotional arousal appears to be that music affects levels of several brain chemicals, including epinephrine, endorphins, and cortisol, the hormone involved in the “fight-or-flight” response. In Chapter 9, we saw that one of the links between emotion and memory involves these same neurotransmitters and hormones. Perhaps this is why a mere snippet of a song from our past can trigger highly vivid memories.

My first and lasting impression of the Connecticut River Valley is its serene beauty, especially in the autumn months. Deep River was a near picture-perfect New England village. When I arrived there, the town was a typical working-class place, nothing like the trendy upper-income enclave it became. The town center had a cluster of shops, a movie theater open only on weekends, several white-steepled churches (none of them Catholic), the town hall, and a Victorian library. It was small, even by Ansonia standards.

I don't care what you believe in, just believe!

his hands are gentle, and he’s talking softly to the kitten, who’s sitting meekly in his hands, looking up at him the way the schoolgirl in the Indiana Jones movie does, with I love you written on her eyelids. It makes me smile,

Andrei avoided the internet as well and this evasion only added to his gloom. He loved music, especially old songs, and he loved movies, of all sorts. If he had the patience, sometimes he would read. While most of the pages he turned bored him to sleep, certain books with certain lines disarranged him. Some literature brought him to his feet, laughing and howling in his room. When the book was right, it was bliss and he wept. His room hushed with serenity and indebtedness. When he turned to his computer, however, or took out his phone, he would inevitably come across a viral trend or video that took the art he loved and turned it into a joke. The internet, in Andrei’s desperate eyes, managed to make fun of everything serious. And if one did not laugh, they were not intelligent. The internet could not be slowed and no protest to criticize its exploitation of art could be made because recreations of art hid perfectly under the veneer of mockery and was thus, impenetrable. It was easy to use Chopin’s ‘Sonata No. 2’ for a quick laugh, to reduce the ‘Funeral March’ to background music. It was a sneaky way for a digital creator to be considered an artist—and parodying the classics made them appear cleverer than the original artist. Meanwhile, Andrei’s body had healed playing Chopin alone in his apartment. He would frailly replay movie moments, too, that he later found the world edited and ripped apart with its cheap teeth. And everyone ate the internet’s crumbs. This cruel derision was impossible to escape. But enough jokes, memes, and glam over someone’s precious source of life would eventually make a sensitive body numb. And Andrei was afraid of that. He needed his fountain of hope unblemished. For this reason, he escaped the internet’s claws and only surrendered to it for e-mails, navigation, and the weather.

As much as we try to corral it via rigorous religious tradition (for good and faithful reasons), prayer also takes place beyond the boundary waters, in places and ways we might not expect. This human instinct to reach out in praise or lament or supplication or confession to the divine does not take place only in church, guided by liturgy and pastors. It isn't limited to early morning devotions, in that serene space before silence gives way to the day. It isn't strictly the domain of dinner tables, where families gather to recite familiar words. And it isn't an instinct shared only by Christians. Prayer can be expressed by anyone and can take place anywhere.

In serenely enjoying the rain together, in planting acorns that hold the potential for new growth, and in sitting among the branches of the resulting tree to observe the stars, Totoro teaches them how to cultivate prayerful joy in their own lives. Even in the midst of the emotional upheaval their family is experiencing, they experience and express deep-seated delight. I like to think that Totoro has shared with them a secret, a key to the universe: the knowledge that all can be endured, because one day their joy will be complete.

found the horror soothing, almost cathartic. Maybe it was the knowledge that everything I was seeing was fake and would be wrapped up neatly in under two hours. If I could train myself to sit through scary movies, face all different kinds of horrors head-on, then maybe I could transform into a calmer, more serene version of myself.

People always say that they like New York because it’s exactly how it is in the movies. I love London for the opposite reason. No movie I’ve seen captures London’s variety: the serene elegance of the white stucco terraces; the improbable red-brick Christmas cake of the Royal Albert Hall, golden Albert glinting in the sunshine; horses galloping on Rotten Row; crazy swimmers diving into the Serpentine; and, near Hyde Park Corner, where I turned back for home, gardens with luscious herbaceous borders and pergolas of roses, planted and tended for no other reason than to give people colour to look at.

I drove fast and carefully while Sloan made calls. I scanned the road and went twenty over the speed limit on the freeway. I zipped around cars using my blinker and hand waves. When we got to the hospital, I dropped her off at the emergency room entrance and parked, then ran with her bag to meet her at the front desk. “He’s in surgery,” she said tearfully when I jogged in through the automatic doors of the ER, my shoes squeaking on the white shiny floors. I looked at the woman behind the check-in desk, like a robot gathering data. I could see everything. The age spots on her forehead, the gray wisps along her hairline. The sterile, white countertop and the shimmer in the petals of pink roses in a vase behind the desk. “Where can we wait? And can you inform the doctor that his family is here?” We were sent to a private waiting area for the neurology department on the third floor. Brightly lit, plastic potted plants tucked in the corners of the room, serene blue walls, uniform gray tweed upholstered chairs, magazines and boxes of tissues on every end and coffee table. Sloan scanned the room. Maybe it was the finality of it—the cessation of forward movement—but this was when she officially broke down. She buried her face in her hands and wept. “Why is this happening?” I wrapped her sweater around her and put her in a chair. “I don’t know, Sloan. Why does anything happen?” I knew what things had to be done, what I had to do to make her comfortable. But I couldn’t feel any of the panic or grief that I saw in Sloan. I felt like I was watching a movie with the sound off. I could see what was happening, but I couldn’t connect to the characters. We waited. And waited. And waited.

People always say that they like New York because it’s exactly how it is in the movies. I love London for the opposite reason. No movie I e seen captures London’s variety: the serene elegance of the white stucco terraces; the improbable red-brick Christmas cake of the Royal Albert Hall, golden Albert glinting in the sunshine; horses galloping on Rotten Row; crazy swimmers diving into the Serpentine; and, near Hyde Park Corner, where I turned back for hom, gardens with luscious herbaceous borders and pergolas of roses, planted and tended for no other reason than to give people colour to look at.

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