Serena Williams Best Quotes

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You shouldn’t pay any attention to what she says,” Kendra says firmly, nodding at Elisa sprawled out on the terrace chair. “She’s just a nasty bitch. Ignore her.” Elisa hears this, as she’s meant to. “And you,” she calls to Kendra, swiveling on her chair to face inside the dining room, “you think you are so pretty, so beautiful, because all the boys want you. Well, they only want you because you are different. They think you are esotica. Exotic.” Kendra looks as if Elisa just slapped her in the face, and Paige draws in her breath sharply. “Are you kidding me?” Paige snaps at Elisa. “What did you just call her?” Her hands clenched into fists, Paige marches around the table in Elisa’s direction; skinny Elisa flinches at the sight of 140 pounds of super-confident, sporty, protein-fed American girl heading toward her with fury in her eyes. I nip around the table from the other side and head Paige off before she backhands Elisa like Serena Williams hits a tennis ball, and sends her flying across the terrace and into the olive grove beyond. I’m not an etiquette expert, but I can’t help feeling that knocking our hostess’s daughter over a stone balcony might not be considered the most appropriate way to celebrate the first full day of our summer course. “Paige, leave it! She’s just jealous,” I say swiftly. “Ignore her. She’s having a go at us because she’s pissed off that Luca likes foreign girls--he doesn’t want her.” Elisa grabs her cigarettes and her phone, jumps up, and, sneering at us all, storms off the terrace, muttering, “Vaffanculo!” as she flees the wrath of Killer Barbie. That’s right--run away. To me, “exotic” sounds nice, like a compliment: out-of-the-ordinary, glamorous, exciting. But Kendra clearly hasn’t taken it that way, nor did Paige. I want to ask them why, but it’s Kelly, of all people, who saves the moment by saying meditatively: “You know, we should make a note of all the mean things Elisa says to us in Italian. That way, we’ll learn all the best swearwords.
Lauren Henderson (Flirting in Italian (Flirting in Italian #1))
So he sings,” he continued as if Denny had said nothing. “His solo mio, that with her in his life he is rich because she is so beautiful that she makes the sun more beautiful, you understand?” And at that he dropped the hoe, closed his eyes and spread out his arms wide and with the fading sun shining on his handsome face he sang: Che bella cosa è na jurnata 'e sole n'aria serena doppo na tempesta! Pe' ll'aria fresca pare già na festa Che bella cosa e' na jurnata 'e sole Ma n'atu sole, cchiù bello, oi ne' 'O sole mio sta 'nfronte a te! 'O sole, 'o sole mio sta 'nfronte a te! sta 'nfronte a te! It looked like fun. We dropped our tools and joined him, belting out something that sounded remarkably like Napolitano. We sang as loud as we could, holding on to each note as long as we could before we ran out of breath, and then we sang again, occasionally dropping to one knee, holding our hands over our hearts with exaggerated looks of deep pain. Although we made the words up, we sang with the deepest passion, with the best that we had, with all of our hearts, and that made us artists, great artists, for in that song, we had made all that art is: the creation of something from nothing, fashioned with all of the soul, born from joy. And as that beautiful summer sun set over Waterbury, the Brass City, the City of Churches, our voices floated above the wonderful aromas of the garden, across the red sky and joined the spirits in eternity.
John William Tuohy (No Time to Say Goodbye: A Memoir of a Life in Foster Care)
It turns out that when people assess your skills, they put more weight on your peaks18 than on your troughs. Even if you happened to see Serena Williams repeatedly double-fault on her serve, you’d recognize her excellence if you witnessed just one of her aces. When Steve Jobs flopped with the Apple Lisa, people still deemed him a visionary for his feats with the Mac. And we judge Shakespeare’s genius by his masterpieces (think Hamlet and King Lear), forgiving his forgettable plays (I’m looking at you, Timon of Athens and The Merry Wives of Windsor). People judge your potential from your best moments, not your worst. What if you gave yourself the same grace?
Adam M. Grant (Hidden Potential)