Sequin Dress Quotes

We've searched our database for all the quotes and captions related to Sequin Dress. Here they are! All 48 of them:

You’re here!” Isabelle danced up to them in delight, carrying a glass of fuchsia liquid, which she thrust at Clary. “Have some of this!” Clary squinted at it. “Is it going to turn me into a rodent?” “Where is the trust? I think it’s strawberry juice,” Isabelle said. “Anyways, it’s yummy. Jace?” She offered him the glass. “I am a man,” he told her, “and men do not consume pink beverages. Get thee gone, woman, and bring me something brown.” “Brown?” Isabelle made a face. “Brown is a manly color,” said Jace, and yanked on a stray lock of Isabelle’s hair with his free hand. “In fact, look – Alec is wearing it.” Alec looked mournfully down at his sweater. “It was black,” he said. “But then it faded.” “You could dress it up with a sequined headband,” Magnus suggested, offering his boyfriend something blue and sparkly. “Just a thought.” “Resist the urge, Alec.” Simon was sitting on the edge of a low wall with Maia beside him, though she appeared to be deep in conversation with Aline. “You’ll look like Olivia Newton-John in Xanadu.” “There are worse things,” Magnus observed.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
You could dress it up with a sequined headband,” Magnus suggested, offering his boyfriend something blue and sparkly. “Just a thought.” “Resist the urge, Alec.” Simon was sitting on the edge of a low wall with Maia beside him, though she appeared to be deep in conversation with Aline. “You’ll look like Olivia Newton-John in Xanadu.” “There are worse things,” Magnus observed.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
Life was persistent. There it was, every day. Each morning it woke me up. It was loud and brash. A bully. A lounge singer in a garish sequin dress. A runaway truck. A jackhammer. A brush fire. A canker sore. Death was different. It was tender, a mystery.
Ottessa Moshfegh (Death in Her Hands)
Everyone I know is either more successful or more interesting than me. This realization is nothing new. In fact, it used to feel like everyone I didn’t know was more successful and interesting than me too. I still remember the sensation of watching a talent show on TV as a child and realizing that the girl dancing was a whole year younger than me. She was wearing a red sequin dress and patent tap shoes. She looked like a ruby, a human jewel spinning across the stage. I was in my pajamas from T.J. Maxx eating cereal for dinner, already destined for a life of mediocrity. Why didn’t I just pull myself together back then? I was five! I could have turned it around!
Coco Mellors (Cleopatra and Frankenstein)
love is but an echo in her head
David Cantor
Jace?" She offered him the glass. "I am a man," he told her. "And men do not consume pink beverages. Get the gone, woman and bring me something brown." "Brown?" Isabelle made a face. "Brown is a manly colour," said Jace and yanked on a stray lock of Isabelle's hair with his free hand. "In fact, look-Alec is wearing it." Alec looked mournfully down at his sweater. "It was black," he said. "But then it faded." "You could dress it up with a sequined headband," Magnus suggested.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
Win walked over to me. He held out his palm. In the middle of it was a single black sequin from the dress Scarlet had lent me. "You lost this," he said. I giggled, slightly embarrassed to be leaving bits of myself behind. "I'm shedding.
Gabrielle Zevin (All These Things I've Done (Birthright, #1))
What’s the main allure of folks in Extreme Spiritual Addiction? Astral flash, of course. Picture a wannabe rock star, all decked out in garish colors and sequins. Why does that over-the-top kind of dress-up work so well in Vegas? Because audiences in Vegas aren’t seeking Spiritual Enlightenment, nor even a refined experience. Quite the opposite, right? Fact is, multitudes anywhere prefer entertainment that’s larger-than-life. Sleazy sex sells, and so does every other kind of garishness, including astral flash. To some spiritual seekers – and others -- astral flash can seem incredibly wonderful. Only some folks of course – you need not be one of them.
Rose Rosetree (Seeking Enlightenment in the Age of Awakening: Your Complete Program for Spiritual Awakening and More, In Just 20 Minutes a Day)
What’s left of what your body was —once the girl with bare shoulder blades , giggling, once the girl galloping an imaginary horse, once the girl sleeping in her sequined red dress— was now ash in a jar. Grains of bone. But then, I knew it wasn’t you anymore. You were somewhere more.
Ava Dellaira
She had worn a sequined, strapless wedding gown, and left her bridesmaid to wear brightly flowered dresses to fit for a kind of pornographic milkmaid: low-cut and laced up the midriff with a sort of shoelace. "What Scarlet O'Hara might have done with a shower curtain, if she were trying to snag a plumber.
Lorrie Moore
Bay looked down at the wispy dress, her fingers trailing over it. It really was perfect. It was a faded teal green with layers of beige netting forming a sheer cowl neck. Old sequins were sewn down the side, forming the shapes of flowers, and a silk sash sat below the hips.
Sarah Addison Allen (First Frost (Waverley Family, #2))
Granny Trill and Granny Wallon were traditional ancients of a kind we won’t see today, the last of that dignity of grandmothers to whom age was its own embellishment. The grandmothers of those days dressed for the part in that curious but endearing uniform which is now known to us only through music-hall. And our two old neighbours, when setting forth on errands, always prepared themselves scrupulously so. They wore high laced boots and long muslin dresses, beaded chokers and candlewick shawls, crowned by tall poke bonnets tied with trailing ribbons and smothered with inky sequins. They looked like starlings, flecked with jet, and they walked in a tinkle of darkness. Those severe and similar old bodies enthralled me when they dressed that way. When I finally became King (I used to think) I would command a parade of grandmas, and drill them, and march them up and down - rank upon rank of hobbling boots, nodding bonnets, flying shawls, and furious chewing faces. They would be gathered from all the towns and villages and brought to my palace in wagon-loads. No more than a monarch’s whim, of course, like eating cocoa or drinking jellies; but far more spectacular any day than those usual trudging guardsmen.
Laurie Lee (Cider with Rosie)
Emerence understood nothing of this. She rejected it. Like the leader of some primitive tribe she flew her standard — a sequinned evening dress — against the banner of the Lamb of God. The old woman opposed the church with an almost sixteenth-century fanaticism; not only the priesthood, but God himself and all the biblical characters, with the single exception of Joseph, whom she revered for his occupation: her own father had been a carpenter.
Magda Szabó (The Door)
She held a scarlet sequin dress to her chest and posed in front of a mirror. Too hot. She put it back and took a black mini. Too dreary. Then a blue as pale as a whisper caught her eye. She took the dress. The material was silky and clinging. Perfect for a goddess. On the floor below the dress sat scrappy wraparound high-heeled sandals that matched the blue. She didn't understand why she needed to dress up to meet Stanton but the impulse to steal into the storage room had been rising in her since the sun set. She took the dress and sandals back to her room, then sat on the floor and painted her toenails and fingernails pale blue. She drew waves of eternal flames and spiral hearts in silver and blue around her ankles and up her legs with body paints. When she was done, she pressed a Q-tip into glitter eye shadow and spread sparkles on her lid and below her eye. With a sudden impulse she swirled the lines over her temple and into her hairline. She liked the look. She rolled blue mascara on her lashes, then brushed her hair and snapped crystals in the long blond strands. She squeezed glitter lotion into her palms and rubbed it on her shoulders and arms. Last she took the dress and stepped into it. She turned to the mirror on the closet door. A thrill ran through her. Her reflection astonished her. She looked otherworldly, a mystical creature... eyes large, skin glowing, eyelashes longer, thicker. Everything about her was more powerful and sleek and fairy tale. Surely this wasn't really happening. Maybe she would wake up and run to school and tell Catty about her crazy dreams. But another part of her knew this was real. She leaned to one side. The dress exposed too much thigh. "Good." Her audacity surprised her. Another time she would have changed her dress. But why should she?
Lynne Ewing (Goddess of the Night)
The sequined trim on her gangrenous dress was a big mistake. Under the glaring studio lights, she flashed like a tour bus full of camera buffs every time she moved. Some of her audience had already resorted to sunglasses and tennis visors.
H.B. Gilmour (Baldwin from Another Planet (Clueless, #8))
The deep purple dress had shoulders and sleeves made of chiffon as sheer as a spiderweb. Crystals and sequins twinkled over the shoulders and met in the center of the satin bodice to form a V. Below a girdle of crystals and sequins, the skirt billowed out in layers of of chiffon.
Susan Maupin Schmid (The Starlight Slippers (100 Dresses, #3))
Victor asks us to find the moments of heat in the writing we have done, has us circle and isolate those words, and with them we write a poem. We read them out loud. There’s one about an ashtray, a sequined dress, flour on a kitchen floor. Victor says something about each one. The feeling in the room is beautiful, wide open.
Lily King (Writers & Lovers)
I held my breath as the door swung open and Meg Shaw stood in a spill of light from a Tiffany lamp. Her dress was ivory and sequined and it clung in exactly the right places to do me harm. White pumps and sheer stockings. Charm bracelet and a fine silver chain at her neck. Lucky I didn’t knock her out thrusting the posies in convulsive reflex.
Laird Barron (Blood Standard (Isaiah Coleridge, #1))
Women in movies from Hollywood's golden era dressed the way my mother did now. My entire childhood, she'd shown up at PTA meeting in bust-hugging sequins, the sight of which gave my father complicated facial twitches. She was flamboyant, really, in no other way. There was nothing Auntie Mame about her. Unless Auntie Mame had a penchant for public collapse.
Jerry Stahl (Perv - A Love Story)
What a strange responsibility it was, to hold someone’s death in your hands. Death seemed fragile, like crumpled paper, a thousand years old. One false move and I could crush it. Death was like old, brittle lace, the appliqué about to separate from the fine mesh threads, nearly shredded, hanging there, beautiful and delicate and about to disintegrate. Life wasn’t like that. Life was robust. It was stubborn. Life took so much to ruin. One had to beat it out of the body. Even just the slightest seed of life, a fertilized egg, took payment, an expert, a machine, and an industrial vacuum, I’d heard. Life was persistent. There it was, every day. Each morning it woke me up. It was loud and brash. A bully. A lounge singer in a garish sequin dress. A runaway truck. A jackhammer. A brush fire. A canker sore. Death was different. It was tender, a mystery. What was it, even? Why did anybody have to die?
Ottessa Moshfegh (Death in Her Hands)
Inside, the house was filled with people dressed in varying interpretations of the party's "Roaring Twenties" theme- chosen to commemorate the end of Kat's own roaring twenties. There were a couple of flapper dresses and Louise Brooks wigs, but the majority of the crowd was simply dressed up: girls in sequins, guys in blazers and jeans. They spilled out of the living room and onto the patio and garden surrounding the swimming pool; they clustered around the outdoor bar and the long table laden with finger foods: dumplings in bamboo steamer baskets, assorted sushi rolls, chicken satay made onsite by a hired cook- a wizened Malay man who'd brought his own mini grill and pandan-leaf fan.
Kirstin Chen (Soy Sauce for Beginners)
You began receiving the texts in late September, after the first date. You wore the translucent dress with the high collar and open-shoulder sleeves that made you feel like you were a fashion writer for a New York magazine, or a high-powered exec of a Fortune 500 company: a shimmering butterfly, someone who mattered, not a barely-eighteen college freshman who spent most evenings in her dorm room slurping Top Ramen. The first guy was forty-five. His wife was the same old song on the radio. He took you out for lobster and fried oysters. Afterwards, he grabbed your neck like you owed him something, and you closed your eyes and imagined pretty things: white-gold ribbons of sunlight skimming the belly of oceans, the sequins falling from your prom dress the first time you slept with a guy, movies where everyone sings soprano and defies the laws of flight.
Rona Wang (Cranesong)
The floor was full of crepe streamer seaweed and decomposing pirates. Or at least so it seemed. Half of the male population of Willing was out srutting its stuff in frilly shirts, head scarves, and gruesome makeup. Although, to be fair, some of the contorted faces had more to do with exertion than costume-store goop. Some boys need to concentrate really hard if they want to get their limbs to work with the music. It looked like "Thriller" meets Titanic. Of course,the other half was blinding. As predicted, sequins reigned. Also as predicted, the costume of choice was some sort of skirt(the smaller the better) paired with a bikini top (ditto). As I watched from my seat at the edge of the gym,a mousy physics teacher dressed in a rotuned foam sea-horse suit had a brief, finger-waggling argument with a mermaid over the size ofher shells. I couldn't hear what they were saying, but the hand gestures said plenty. The teacher won; Shell Girl stalked off in a huff. She stopped halfway off the floor to do an angry, hokey-pokey leg shake to disentangle a length of paper seaweed from around her ankle. A group of mathletes watched her curiously. One,wearing what looked like a real antique diving suit, even tried an experimental shake of his own leg before another elbowed him into stillness.
Melissa Jensen (The Fine Art of Truth or Dare)
She hadn’t always been obsessed with babies. There was a time she believed she would change the world, lead a movement, follow Dolores Huerta and Sylvia Mendez, Ellen Ochoa and Sonia Sotomayor. Where her bisabuela had picked pecans and oranges in the orchards, climbing the tallest trees with her small girlbody, dropping the fruit to the baskets below where her tías and tíos and primos stooped to pick those that had fallen on the ground, where her abuela had sewn in the garment district in downtown Los Angeles with her bisabuela, both women taking the bus each morning and evening, making the beautiful dresses to be sold in Beverly Hills and maybe worn by a movie star, and where her mother had cared for the ill, had gone to their crumbling homes, those diabetic elderly dying in the heat in the Valley—Bianca would grow and tend to the broken world, would find where it ached and heal it, would locate its source of ugliness and make it beautiful. Only, since she’d met Gabe and become La Llorona, she’d been growing the ugliness inside her. She could sense it warping the roots from within. The cactus flower had dropped from her when she should have been having a quinceañera, blooming across the dance floor in a bright, sequined dress, not spending the night at her boyfriend’s nana’s across town so that her mama wouldn’t know what she’d done, not taking a Tylenol for the cramping and eating the caldo de rez they’d made for her. They’d taken such good care of her. Had they done it for her? Or for their son’s chance at a football scholarship? She’d never know. What she did know: She was blessed with a safe procedure. She was blessed with women to check her for bleeding. She was blessed with choice. Only, she hadn’t chosen for herself. She hadn’t. Awareness must come. And it did. Too late. If she’d chosen for herself, she would have chosen the cactus spines. She would’ve chosen the one night a year the night-blooming cereus uncoils its moon-white skirt, opens its opalescent throat, and allows the bats who’ve flown hundreds of miles with their young clutching to their fur as they swim through the air, half-starved from waiting, to drink their fill and feed their next generation of creatures who can see through the dark. She’d have been a Queen of the Night and taught her daughter to give her body to no Gabe. She knew that, deep inside. Where Anzaldúa and Castillo dwelled, where she fed on the nectar of their toughest blossoms. These truths would moonstone in her palm and she would grasp her hand shut, hold it tight to her heart, and try to carry it with her toward the front door, out onto the walkway, into the world. Until Gabe would bend her over. And call her gordita or cochina. Chubby girl. Dirty girl. She’d open her palm, and the stone had turned to dust. She swept it away on her jeans. A daughter doesn’t solve anything; she needed her mama to tell her this. But she makes the world a lot less lonely. A lot less ugly.  
Jennifer Givhan (Jubilee)
The big house... reminded me of the types of structures you can still see in places like Center City: gingerbread houses, two-story affairs built back in the nineteenth century when people didn't have televisions and were forced to build interesting things out of wood. I have a theory that the outrageous fashions you see in pre-twentieth century culture came about as a result of the lack of television. I'm talking wild hats on women with lots of feathers, pelts, sequined dresses with long trains, as well as top hats on the men, with long-tailed coats. I figure that life in those days was s dull that people themselves became televisions. I'm still working on the theory. I include European royalty in this construct, but let's move on.
Gary Reilly (Doctor Lovebeads (Asphalt Warrior, #5))
It was pink and had tulle and a shimmery material over it with tiny little sequins in the dress part. The top part was a simple pale pink satin with spaghetti straps.
Laura Pauling (Prom Impossible (Prom Impossible, #1))
You ready, Dead Boy?” Granny asked. Oh, hell to the no…She was dressed in a boob tube, peasant skirt and sequined kitten heels. Weres did not look their age. Granny could easily pass for mid-forties even though she was in her eighties, but a boob tube was wrong on anyone over five. “Granny, I really don’t think you should…” “You are smokin’ hawt,” Dwayne yelled as he fist bumped my elderly grandma. What the hell was I thinking? He had more than two hundred years on both of us. Weird was my new normal—accept and continue. “Okay
Robyn Peterman (Ready to Were (Shift Happens, #1))
We watched Victoria Beckham shrink into her seat at the World Cup and traced the curves of Kate Moss's thighs in her gold lurex Glastonbury minidress. We swelled with longing as sequins dripped from the narrow shoulders of the Olsen twins and signed with envy as the inky daisies tattooed around Peaches Geldof's stomach squeezed her into a smaller, more angular shape. We watched Alexa Chung form a long black line in her skinny jeans and ogled Cassie from Skins, angel-haired in a green-gold dress, spun out on pills in the dawn.
Jessica Andrews
If we want to be seen as legendary, we have to weave ourselves into history. If we were to make a quilt of drag, I'd want pieces from all over. A stretched hide from a shaman's tent; silk from Gladys Bentley's tuxedo; sequins from Divine's wiggle dress; hair from RuPaul's wig.
Sasha Velour (The Big Reveal: An Illustrated Manifesto of Drag)
Here we are in our finery, playing at the venerable Gasworks. Deep in the throes of glam, we’d change into our sequins and studs in a tiny dressing area situated beneath a restroom, which more than once leaked through the ceiling, forcing us to go onstage redolent of urine.
Geddy Lee (My Effin' Life)
sequined flapper dress. He smiled, happy to be celebrating, and with good cause, too: his project was successful, he was married to a smart, funny woman, and he had a great friend and technical lead in Mike.
William Hertling (Avogadro Corp (Singularity, #1))
Meredith Etherington-Smith Meredith Etherington-Smith became an editor of Paris Vogue in London and GQ magazine in the United States during the 1970s. During the 1980s, she served as deputy and features editor of Harpers & Queen magazine and has since become a leading art critic. Currently, she is editor in chief of Christie’s magazine. She is also a noted artist biographer; her book on Salvador Dali, The Persistence of Memory, was an international bestseller and was translated into a dozen languages. Her drawing room that morning was much like any comfortable, slightly formal drawing room to be found in country houses throughout England: the paintings, hung on pale yellow walls, were better; the furniture, chintz-covered; the flowers, natural garden bouquets. It was charming. And so was she, as she swooped in from a room beyond. I had never seen pictures of her without any makeup, with just-washed hair and dressed in jeans and a white T-shirt. She looked more vital, more beautiful, than any photograph had ever managed to convey. She was, in a word, staggering; here was the most famous woman in the world up close, relaxed, funny, and warm. The tragic Diana, the royal Diana, the wronged Diana: a clever, interesting person who wasn’t afraid to say she didn’t know how an auction sale worked, and would it be possible to work with me on it? “Of course, ma’am,” I said. “It’s your sale, and if you would like, then we’ll work on it together to make the most money we can for your charities.” “So what do we do next?” she asked me. “First, I think you had better choose the clothes for sale.” The next time I saw her drawing room, Paul Burrell, her butler, had wheeled in rack after rack of jeweled, sequined, embroidered, and lacy dresses, almost all of which I recognized from photographs of the Princess at some state event or gala evening. The visible relics of a royal life that had ended. The Princess, in another pair of immaculately pressed jeans and a stripy shirt, looked so different from these formal meringues that it was almost laughable. I think at that point the germ of an idea entered my mind: that sometime, when I had gotten to know her better and she trusted me, I would like to see photographs of the “new” Princess Diana--a modern woman unencumbered by the protocol of royal dress. Eventually, this idea led to putting together the suite of pictures of this sea-change princess with Mario Testino. I didn’t want her to wear jewels; I wanted virtually no makeup and completely natural hair. “But Meredith, I always have people do my hair and makeup,” she explained. “Yes ma’am, but I think it is time for a change--I want Mario to capture your speed, and electricity, the real you and not the Princess.” She laughed and agreed, but she did turn up at the historic shoot laden with her turquoise leather jewel boxes. We never opened them. Hair and makeup took ten minutes, and she came out of the dressing room looking breathtaking. The pictures are famous now; they caused a sensation at the time. My favorite memory of Princess Diana is when I brought the work prints round to Kensington Palace for her to look at. She was so keen to see them that she raced down the stairs and grabbed them. She went silent for a moment or two as she looked at these vivid, radiant images. Then she turned to me and said, “But these are really me. I’ve been set free and these show it. Don’t you think,” she asked me, “that I look a bit like Marilyn Monroe in some of them?” And laughed.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
Here,” she says, throwing me the sequined dress she bought me last Christmas. “Nope,” I say, tossing it back. We do this a few more times before she gives in. “You’re so stubborn.” “I’m consistent.” “You’re going to dress like a hobo, aren’t you?” “You’re going to dress like a whore, aren’t you?” I
Rachel Schneider (Taking Mine (Breaking Habits #1))
What the fuck is that?” At the sound of V’s voice, John turned with the rest of them . . . and when he saw what was up at the head of the grand staircase, he blinked once. Twice. Twelve times. Lassiter was standing at the top of the carpeted steps, his blond-and-black hair styled in a pompadour, a heavy Bible under his armpit, piercings catching the light . . . But none of that was the real shocker. The fallen angel was dressed in a sparkling white Elvis costume. Complete with bell-bottoms, balloon sleeves, and lapels big enough to tent up the backyard. Oh, and rainbow wings that revealed themselves as he held his arms out, preacher style. “Time to get the party started,” he said as he jogged down, sequins winking and flashing. “And where the hell’s my pulpit?” V coughed out the smoke he’d just inhaled. “She’s having you do the service?” The angel popped his already mile-high collar. “She said she wanted the holiest thing in the house to do it.” “She got holey, all right,” somebody muttered. “Is that Butch’s Bible?” V asked. The angel flashed the goods. “Yup. And his BoC, he called it? I also got a sermon I did myself.” “Saints preserve us,” came from the opposite side of the crowd. “Wait, wait, wait.” V waved his hand-rolled around. “I’m the son of a deity and she picked you?” “You can call me Pastor—and before Mr. Sox Fan gets his panties in a wad, I want everyone to know I’m legit. I went online, took a minister’s course in under an hour, and I’m ordained, baby.” Rhage raised his hand. “Pastor Ass-hat, I have a question.” “Yes, my son, you are going to hell.” Lassiter made the sign of the cross and then looked around. “So where’s our bride? The groom? I’m ready to marry somebody.” “I didn’t bring enough tobacco for this,” V bitched. Rhage sighed. “There’s Goose in the bar, my brother—oh, wait. We don’t have a bar anymore.” “I think I’ll just run an IV of morphine.” “Can I put it in?” Lassiter asked. “That’s what she said,” somebody shot back
J.R. Ward (The King (Black Dagger Brotherhood, #12))
The singer was draped in an ankle-length dress stitched together with sequins and a prayer. She clutched the microphone like it was a lifeline
Stephen Spotswood (Fortune Favors the Dead (Pentecost and Parker #1))
Everyone I know is either more successful or more interesting than me. This realization is nothing new. In fact, it used to feel like everyone I didn't know was more successful and interesting than me too. I still remember the sensation of watching a talent show on TV as a child and realizing that the girl dancing was a whole year younger than me. She was wearing a red sequin dress and patent tap shoes. She looked like a ruby, a human jewel spinning across the stage. I was in my pajamas from T.J. Maxx eating cereal for dinner, already destined for a life of mediocrity. Why didn't I just pull myself together back then? I was five!I could have turned it around!
Coco Mellors (Cleopatra and Frankenstein)
She has lectures today so will have to dress slightly more formally than usual. Black trousers, black shapeless top. She hardly looks as she selects the clothes. She likes colour and fabric; in fact she has quite a weakness for sequins, bugle beads and diamante.
Elly Griffiths (The Crossing Places (Ruth Galloway, #1))
Nikki sashayed through the office in a tight pink dress that shimmered as the light caught the scalloping sequins across it.
M. Culler (A New Year's Cat-aclysm: Holiday Pet Sleuth Mysteries)
It wasn’t long ago that I left the CIA and DC, moved to Sinful, adopted a cat, quit my job, acquired a boyfriend, and for Christ’s sake, I just wore a sequined dress and a tiara on a parade float. If there is any more change in my life, I might spontaneously combust.
Jana Deleon (Flame and Fortune (Miss Fortune Mystery, #22))
I’m still not going to be Miss New Year’s Hoochie to be put up for a Swamp Bar vote,” I said. “What I can’t figure is why the two of you thought I’d go along. You know me. Sequins? A dress that barely covers the important parts—and wouldn’t if I bent or, God forbid, sneezed. I’d love to hear where you think I’d put my pistol. And don’t tell me you expect me to leave it at home, because then I’ll assume you don’t even know me.” “Lord no!” “That’s just crazy talk!
Jana Deleon (Flame and Fortune (Miss Fortune Mystery, #22))
We convinced EarthLink to pay us $125,000 to become “the official Internet Service Provider of the Parks Department.” We used that money to pay to build a new website to help New Yorkers take advantage of everything offered at their parks. We owed EarthLink attention and media coverage in return. So we built a forty-foot-by-forty-foot giant spiderweb of rope in Times Square. We dressed Henry in a sequined silver suit and top hat, put him on a riser obscured by dry ice, and blasted the theme song to 2001: A Space Odyssey out of the giant speaker they use for New Year’s Eve as he ascended the web to launch the new Parks Department website, paid for by EarthLink. The same approach worked for policy initiatives. We staged elaborate funerals for trees murdered by people (cut down illegally by construction crews or poisoned by people who thought their views were obstructed by trees). One time, Henry chained himself to a tree in Union Square Park to try to prevent its demise. This all helped fuel legislation through the city council making arborcide a crime.
Bradley Tusk (The Fixer: My Adventures Saving Startups from Death by Politics)
an angry beauty queen ripping sequins from a dress       that didn’t sparkle enough to win
Rachel Wiley
From time to time the Chief of Staff, the President, and so on, dressed in sequins and feathers, will entertain the leaders, i.e., the perverts, of all the other countries at balls and parties. Quarrels of any sort could easily be straightened out in the men’s room of the redecorated United Nations. Ballets and Broadway musicals and entertainments of that sort will flourish everywhere and will probably make the common folk happier than did the grim, hostile, fascistic pronouncements of their former leaders.
John Kennedy Toole (A Confederacy of Dunces)
He scanned the crowd for Serena. She stood next to Jimena in silver hip huggers and a frosty top. Rhinestones and crystals sparkled in her hair like stars. Jimena wore a sequin-covered purple velvet dress. Their bodies glowed. He wanted to see a sadness on Serena's face that matched his own. Some sign that she missed him the way he ached for her.
Lynne Ewing (The Sacrifice (Daughters of the Moon, #5))
It was very dark in there. The air smelled stagnant and sweaty and the drinks were so strong they fumed. But the women were magnificent, like enormous birds: feathery false eyelashes fluttering, tight, shiny dresses in peacock blue and canary yellow, the dim light reflecting off their sequins. Mayita and I stood out. We were puny, dressed in jeans and drab sweaters, little pigeons.
Ariel Levy (The Rules Do Not Apply)
And the first thing I did, why, I bought myself a flaming-red dress and higheeled sequined shoes and everyone thought I was Real, and Miss Thing said, ‘Hurray, honey! youve done it—stick to it,
John Rechy (City of Night)
driving through West Virginia, I heard a woman announce that she was looking to sell a house, 16 acres, a bowling ball, and a sequin dress slit up the side.
Dan Barry (This Land: America, Lost and Found)
Colors and Designs - Trends for Toddlers - Motheringo The summer collections this year are flooded with all the bright colors perfect for the summer look. Offering miscellaneous colors from blues and pinks to corals and mints, the basic colors of black and white would never go out of style. The clothing is enhanced with the use of multiple textures, animal prints, and graphics, from the sparkly sequins to the knits, velvets, and denims, making sure your little one is dressed in a convenient yet trendiest of attires. Another element of cuteness that is enchantingly loved by the young toddlers are the intricate yet bold appliques of characters and graphics on the shirts and dresses. From having the ears or tail protruding out, or the frills with a 3-D texture, young kids are fond of such sensory elements in their apparel.
Abbe Kaya