Separated Lovers Quotes

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All discarded lovers should be given a second chance, but with somebody else.
Mae West (The Wit and Wisdom of Mae West)
abyss, n. There are times when I doubt everything. When I regret everything you've taken from me, everything I've given you, and the waste of all the time I've spent on us.
David Levithan (The Lover's Dictionary)
Even when I detach, I care. You can be separate from a thing and still care about it. If I wanted to detach completely, I would move my body away. I would stop the conversation midsentence. I would leave the bed. Instead, I hover over it for a second. I glance off in another direction. But I always glance back at you.
David Levithan (The Lover's Dictionary)
There was nowhere I could go that wouldn't be you.
Jeffrey Eugenides (Middlesex)
There are times when I worry that I've already lost myself. That is, that my self is so inseparable from being with you that if we were to separate, I would no longer be. I save this thought for when I feel the darkest discontent. I never meant to depend so much on someone else.
David Levithan (The Lover's Dictionary)
There isn't any me. I'm you. Don't make up a separate me.
Ernest Hemingway (A Farewell to Arms)
In front of my mother and my sisters, I pretend love is cheap and vulgar. I act like it’s a sin–I pretend that love is for women on a dark path. But at night I dream of a love so heavy it makes my spine throb. I dream up a lover who makes love like he is separating salt from water.
Salma Deera
She affected me, even when she was absent.
Shannon A. Thompson (Seconds Before Sunrise (Timely Death, #2))
One must learn to love.— This is what happens to us in music: first one has to learn to hear a figure and melody at all, to detect and distinguish it, to isolate it and delimit it as a separate life; then it requires some exertion and good will to tolerate it in spite of its strangeness, to be patient with its appearance and expression, and kindhearted about its oddity:—finally there comes a moment when we are used to it, when we wait for it, when we sense that we should miss it if it were missing: and now it continues to compel and enchant us relentlessly until we have become its humble and enraptured lovers who desire nothing better from the world than it and only it.— But that is what happens to us not only in music: that is how we have learned to love all things that we now love. In the end we are always rewarded for our good will, our patience, fairmindedness, and gentleness with what is strange; gradually, it sheds its veil and turns out to be a new and indescribable beauty:—that is its thanks for our hospitality. Even those who love themselves will have learned it in this way: for there is no other way. Love, too, has to be learned.
Friedrich Nietzsche
That is when time stands still - when you watch the one you love, walk away.
Mallika Nawal (I'm a Woman & I'm on SALE (I'm a Woman, #1))
Whatever I learned, Whatever I knew, Seems like those faded years of childhood that flew, Away in some dilemma, Always in some confusion, The purpose of this life, Seems like an illusion!
Mehek Bassi (Chained: Can you escape fate?)
Once fallen in true love, a person can't really fall out of it, no matter what. How much ever you try to hate your better half, you'll end up falling more instead. Some part of him will always reside in your heart.
Mehek Bassi (Chained: Can you escape fate?)
I had a dream about you. We went for a walk, though we didn’t hold hands because we went in separate directions. As I walked alone I thought about how you had the funniest way of showing affection to me.
Jarod Kintz (Dreaming is for lovers)
I’m an all-the-water-I-can-drink-in-a-flower-vase kind of lover. Roses and batteries sold separately.
Jarod Kintz (This Book is Not for Sale)
Somewhere there are gardens where peacocks sing like nightingales, somewhere there are caravans of separated lovers traveling to meet each other; there are ruby fires on distant mountains, and blue comets that come in spring like sapphires in the black sky. If this is not so, meet me in the shameful yard, and we will plant a gallows tree, and swing like sad pendulums, never once touching.
K.J. Bishop (The Etched City)
Love happens only once, what happens after that is just compromise; with your heart and with your life...
Mehek Bassi (Chained: Can you escape fate?)
The fate of every love story, he knew very well, is in the rot of togetherness, or in the misery of separation. Lovers often choose the first with the same illusory wisdom that makes people choose to die later than now.
Manu Joseph (Serious Men)
When she didn't say anything more, he frowned, thinking this was the pair of them in a nutshell: Standing three feet away from each other and being separated by miles.
J.R. Ward
It is a kiss that, once begun, never really ends. Interrupted, yes. Paused, certainly. But from that very moment onward, Vera sees the whole of her life as only a breath away from kissing him again. On that night in the park, they begin the delicate task of binding their souls together, creating a whole comprising their separate halves.
Kristin Hannah (Winter Garden)
If only you would realize some day, how much have you hurt me, If only your heart ever, craves for me or my presence… If only you feel that love again someday for me, If only you are affected someday by my absence… Only you can end all my suffering and this unbearable pain, If only you would know what you could never procure… If only you go through the memories of past once again, Since the day you left my heart has bled, no one has its cure… If only you would bring that love, those showers and that rain… If only you would come back and see what damage you create, I’ve been waiting for your return since forever more… If only you would see the woman that you have made, You said we cannot sail through, how were you so sure? If only you can feel the old things that can never fade, You may have moved on, but a piece of my heart is still with you… I know how I’ve come so far alone; I know how I’m able to wade, People say that I’m insane and you won’t ever come back again… Maybe you would have never made your separate way, Maybe you would have stayed with me and proved everyone wrong… If only you would know the pain of dying every day, If only you would feel the burden of smiling and being strong…
Mehek Bassi (Chained: Can you escape fate?)
When you separate an entwined particle and you move both parts away from the other, even at opposite ends of the universe, if you alter or affect one, the other will be identically altered or affected. Spooky. (Adam in Only Lovers Left Alive)
Jim Jarmusch
detachment, n. Even when I detach, I care. You can be separate from a thing and still care about it.
David Levithan (The Lover's Dictionary)
Here's another poem, like all others before and after, dedicated to you. There isn't anything left to be said but I will spend my life trying to put you into words. You who is every goodness, every optimism and hope. Your love is a better fate for me than anything I could wish for. If you are a part of me, then you’re the best part. And if you're separate from me, then you are my destination. But I’ve become a weary traveller, so please, let us never be apart.
Kamand Kojouri
In the sea of my emotions, his presence is like a pearl in the oyster. Very hard to locate, yet very precious and still beautiful.
Mehek Bassi (Chained: Can you escape fate?)
Humans were so preoccupied with love. They were all desperate to form an attachment to one person they could refer to as their other half. It seemed from my reading of literature that being in love meant becoming the beloveds entire world. The rest of the universe paled into insignificance compared to the lovers. When they were separated, each fell into a melancholy state, and only when they were reunited did their hearts start beating again. Only when they were together could really see the colors of the world. When they were apart, that color leached away, leaving everything a hazy gray. I lay in bed, wondering about the intensity of this emotion that was so irrational and so irrefutably human. What if a persons face was so sacred to you it was permanently inscribed in your memory? What if their smell and touch were dearer to you than life itself?
Alexandra Adornetto (Halo (Halo, #1))
In China, we say: 'There are many dreams in a long night.' It has been a long night, but I don't know if I want to continue the dreams. It feels like I am walking on a little path, both sides are dark mountains and valleys. I am walking towards a little light in the distance. Walking, and walking, I am seeing that light diminishing. I am seeing myself walk towards the end of the love, the sad end. I love you more than I loved you before. I love you more than I should love you. But I must leave. I am losing myself. It is painful that I can't see myself. It is time for me to say those words you kept telling me recently. 'Yes, I agree with you. We can't be together.
Xiaolu Guo (A Concise Chinese-English Dictionary for Lovers)
What can I tell you about the alchemy of twins? Twins are two bodies that dance to each other’s joy. Two minds that drown in each other’s despair. Two spirits that fly with each other’s love. Twins are two separate beings conjoined at the heart!
Kamand Kojouri
For love, there has to be a distance across which lovers can approach one another. The approach is of course just an illusion, because love in fact separates people. Love is a polarity.
Antal Szerb (Journey by Moonlight)
I sip my coffee. I look at the mountain, which is still doing its tricks, as you look at a still-beautiful face belonging to a person who was once your lover in another country years ago: with fond nostalgia, and recognition, but no real feelings save a secret astonishment that you are now strangers. Thanks. For the memories. It is ironic that the one thing that all religions recognize as separating us from our creator--our very self-consciousness--is also the one thing that divides us from our fellow creatures. It was a bitter birthday present from evolution, cutting us off at both ends.
Annie Dillard (Pilgrim at Tinker Creek)
If I can’t be your love, then let me be a simple brooch so I may rest a while against your chest. If I can’t be your love, then let me be a forgotten coin so I may rest a while against your thigh. If I can’t be your love, then let me be an unlit cigarette so I may rest a while in between your lips. If I can’t be your love, then let me at least remain in these words so I may rest a while in your thoughts.
Kamand Kojouri
Whenever it rains, I remember him, not as a tear that hails down as a raindrop, but as a God of fertility. As, every time I remember him, his memories conceive a baby of emotions in me!
Mehek Bassi (Chained: Can you escape fate?)
One sip of this wine and you will go mad with drunkenness. You will drop your masks and tear your clothes — destroying everything that separates you from the Lover. Once you taste the fruit of this vine, you will be kicked out of the city of yourself. You will forget the world. You will forget yourself. I tell you: you will become a madman who wanders the streets looking for the Lover once you drink this Wine of Love.
Kamand Kojouri
Every long separation is a test: A test to see how powerful or how weak the will of reuniting is!
Mehmet Murat ildan
Why do most people take the shortest route to settle their differences and just walk off, break up and go separate ways instead of trying to talk and work things out?
Jonathan Anthony Burkett (Friends 2 Lovers: The Unthinkable (Volume 1))
It was only when we were in that bed, high above the world - then I thought the birds could have been circling around our bodies circled around each other - that we made our world totally separated from everything else. It was the only way we could be together.
Kathy Acker (Eurydice in the Underworld)
My first female lover was a Jewish woman. She was butch, but not in a swaggering macho way- she could pass as a yeshiva boy, pale and intense. Small, almost fragile, she exuded a powerful sense of herself. She had not been to a synagogue in years, but kept the law of kashrut, and taught me my first prayers in Hebrew. She cooked, she read, she ironed her dress shirts and polished her boots meticulously, and admired femme women enormously. She was also the first person ever- including myself- to bring me to multiple orgasms. She taught me to ask for what I wanted in bed, then encouraged me to expect it from her and future lovers. She taught me to get her off with fingers, tongue, lips, sex toys, and my voice. She showed me how to masturbate in different positions, and fisted me during my menstrual cramps to provide an internal massage- and to demonstrate that a sexual act without orgasm was also an acceptable, intimate act. She never separated sexuality from the rest of her life; it was as integral to her as her Judaism. This was how I wanted to be. Not just sexually, although certainly that way too. This is how I wanted to move through the world. -- Karen Taylor (from "Daughters of Zelophehad")
Lawrence Schimel (First Person Queer: Who We Are (So Far))
In that moment, the moon and the sun shared the sky. For all of eternity, the moon and sun have chased each other around the world. Long into the future, they will continue this chase, merging the days into months into years into centuries, until the day the sun cannot take the separation any longer and she shatters, engulfing the moon and everything else in a burst of light. Most will call it the day of final judgment. The end. To the sun and the moon, it will only be the beginning. For the smallest of instants each day, they pause in this chase. They pause and look back at one another, smiling as if sharing a secret. Two lovers that can never exist as one, except in that single, brief instant. Lying there, Persephone smiled too. And as quickly as a smile parts two lips, the two sky wanderers parted ways. The chase was on again. Night gave way to day. That is true love, she had always thought. No force but love can impel one to step willingly into the shadows so that the other may shine.
Kelseyleigh Reber (If I Resist (Circle and Cross, #2))
Now I think it’s about separating the idea of ‘I will only be happy if I have a partner’ from wanting companionship. Because it’s not the wanting love that’s the problem, it’s believing that you can only be happy in a relationship.
Natasha Lunn (Conversations on Love: Lovers, Strangers, Parents, Friends, Endings, Beginnings)
I used to be lost in us. Blurred were the lines that separated us. But now, I see our togetherness in our separateness. I see the you in me and the me in you. We are two independent beings who complement one another like photographs that are beautiful on their own but are enhanced when juxtaposed, creating an altogether new photograph.
Kamand Kojouri
How? How will it help to tell you that I see his face every time I close my eyes? That I wake up and cry when he's not there? That the memories are so strong I can't separate hers from mine anymore?
Stephenie Meyer
Why should the separation (if nothing else) which so agonizes the lover who is left behind be painless to the lover who departs?
C.S. Lewis (A Grief Observed)
We are all lost, so lost, vulnerable and insecure. We are separated from love at birth, we are separated from God, from each other. All we want, all we yearn for is to connect.
Kamand Kojouri
..How the numbness in my fingertips travelled to my heart and I never even knew it. I had crushes, I had lovers, I had orgasms. My trilogy of desire, I liked to call it, but I'd no great love after him, not really. Love and sex became separated by a wide river and one the ferryman refused to cross.
Sarah Winman (Tin Man)
A Mixed-breed Apple" A little mixed-breed apple, half red, half yellow, tells this story. A lover and beloved get separated. Their being apart was one thing, but they have opposite responses. The lover feels pain and grows pale. The beloved flushes and feels proud. I am a thorn next to my master's rose. We seem to be two, but we are not.
Jalal ad-Din Muhammad ar-Rumi (The Big Red Book)
Can we share my eyes so you can see what I see? Can we share my ears so you can hear what I hear? Can you perch on my shoulders so you can go where I go? Always in my heart, I don’t experience anything separate from you. This shared wonderment becomes doubled. This shared love becomes infinite.
Kamand Kojouri
V had been keeping his eye on the guy. After they'd spent hours alone together, they'd parted awkwardly and taken separate showers. Fortunately, though, the hot water had been a reset for them both, and when they'd met up again in the Pit's kitchen, it had been business as usual. And shit remained that way
J.R. Ward (Lover Unleashed (Black Dagger Brotherhood, #9))
Love is the most powerful force in the universe, and for two beings, who love each other, separation is only temporary. By the Laws of Attraction, they will inevitably be drawn back together, like magnets.
Helene Minto (The Dogs Who Came Back From Heaven)
I swore I would never be happy again the day you said, “Let’s just be friends.” But the world goes on even when lovers go their separate ways. So I will carry on in the hopes I’ll find another lover someday.
Courtney Peppernell (Pillow Thoughts)
Indeed, analyst Robert Bak calls orgasm "the perfect promise between love and death," the means by which we repatriate separation of mother and child through the momentary extinction of the self. It is true that few of us consciously climb into a lover's bed in the hope of finding our mommy between the sheets. But the sexual loss of our separateness (which may scare people so badly they cannot have orgasm) brings us pleasure, in part, because it unconsciously repeats our first connection.
Judith Viorst (Necessary Losses: The Loves, Illusions, Dependencies, and Impossible Expectations That All of Us Have To Give Up in Order To Grow)
I’ve always loved tales of broken lovers who roam through countrysides singing their stories of woe and separation, their honey- sweet longing for the next life when they can suddenly be re united. It makes other people happy, you see. It makes people grateful that it hasn’t happened to them.
Roshani Chokshi (A Crown of Wishes (The Star-Touched Queen, #2))
Love had a thousand shapes. There might be lovers whose gift it was to choose out the elements of things and place them together and so, giving them a wholeness not theirs in life, make of some scene or meeting of people (all now gone and separate),one of those globed compact things over which thought lingers, and love plays. ~Lily Briscoe
Virginia Woolf (To the Lighthouse)
There's so much of you here with me, really, that it's a pity you aren't all here.
D.H. Lawrence (Lady Chatterley’s Lover)
Oceanic farness treasures tomorrow Mingled tears lost in the sea of sorrow Our immortal love will lead us a way When pale days remain cloudy and grey
Munia Khan
If you want to heal a broken heart, Be smart! That's all an ancient art. Start by loving the very small parts That were left there shattered apart.
Ana Claudia Antunes (Pierrot & Columbine (The Pierrot´s Love Book 1))
It is I who mediates the elements, bringing each into agreement...I make what is moist dry again, and what is dry I make moist. I make what is hard soft again, and harden that which is soft. As I am the end, so my lover is the beginning. I encompass the whole work of creation, and all knowledge is hidden in me...Who will dare to separate me from my love? No one, for our love is as strong as death.
Deborah Harkness (A Discovery of Witches (All Souls, #1))
Of course, even when you see the world as a trap and posit a fundamental separation between liberation of self and transformation of society, you can still feel a compassionate impulse to help its suffering beings. In that case you tend to view the personal and the political in a sequential fashion. "I'll get enlightened first, and then I'll engage in social action." Those who are not engaged in spiritual pursuits put it differently: "I'll get my head straight first, I'll get psychoanalyzed, I'll overcome my inhibitions or neuroses or my hang-ups (whatever description you give to samsara) and then I'll wade into the fray." Presupposing that world and self are essentially separate, they imagine they can heal one before healing the other. This stance conveys the impression that human consciousness inhabits some haven, or locker-room, independent of the collective situation -- and then trots onto the playing field when it is geared up and ready. It is my experience that the world itself has a role to play in our liberation. Its very pressures, pains, and risks can wake us up -- release us from the bonds of ego and guide us home to our vast, true nature. For some of us, our love of the world is so passionate that we cannot ask it to wait until we are enlightened.
Joanna Macy (World as Lover, World as Self)
Although "making love" may serve as a polite name for an act that has many rude ones, it's misleading. For lovers do not so much make love as they are remade by love--dipped into the fire, melted down, reshaped. If they are devoted to one another, love will transform them, dissolving the shells of their old separate selves and making them anew.
Scott Russell Sanders (A Private History of Awe)
I am thinking, what is this crimson, the color of lovers’ hearts torn from each other and taking on opposite paths? Or the reddish glow of minds coming together after dark moments of separation?
Suman Pokhrel
The strangest thing about humans is the way they pair up, males and females. Constantly at war with each other, never content to leave each other alone. They never seem to grasp the idea that males and females are separate species with completely different needs and desires, forced to come together only to reproduce Of course you feel that way. Your mates are nothing but mindless drones, extensions of yourself, without their own identity. We know out lovers with perfect understanding. Humans invent an imaginary lover and put that mask over the face of the body in their bed. That is the tradegy of language, my friend. Those who know each other only through symbolic representations are forced to imagine each other. And because their imagination is imperfect, they are often wrong, This is the source of their misery. And some of their strength, I think. Your people and mine, each for their own evolutionary reasons, mate with vastly unequal partners. Our mates are always, hopelessly, our intellectual inferiors. Humans mate with beings who challenge their supremcy. They have conflicts between mates, not because their communication is inferior to ours, but because they commune with each other at all.
Orson Scott Card (Xenocide (Ender's Saga, #3))
White hair. She remembers one of her bosses, a middle-aged man who used to say how he longed to see a former lover again in old age, when her hair would be feather-white. When we’re really old... when every single strand of our hair has gone white, I want to see her then, absolutely. If there was a time when he would want to see her again, it would certainly be then. When both young and flesh would have fallen away. When there would be no time left for desire. When only one thing would remain to be done once that meeting was over: to separate. To part from their own bodies, and thus to part forever.
Han Kang (The White Book)
In addition to her boulangerie and fromagerie French, she knew enough of the language to realize that the title of Rodin’s sculpture, Le Baiser in French, was part of its subversion. For baiser in French could mean either the innocence of a kiss or the animalistic quality of a f*ck. One could say le baiser and refer to a kiss, but if one said, Baise-moi, one was begging to be f*cked. Both innocence and begging were wrapped up in the embrace of these two lovers whose lips never touched: frozen together, yet separated for all eternity. Julia wanted to free them from their frozen embrace, and she secretly hoped her thesis would allow her to do so.
Sylvain Reynard (Gabriel's Inferno (Gabriel's Inferno, #1))
And though they may be miles apart and indeed have never met, yet they have never been separate, because they are lovers to the beginning and the end, appointed to each other by God’s prosperous love.
A.A. Attanasio (The Dragon and the Unicorn (Arthor, #1))
I certainly should have,' he agrees, smiling and thinking what an absurd and universally-accepted bit of nonsense it is, that your best friends must necessarily be the ones who best understand you. As if there weren't far too much understanding in the world already; above all, that understanding between lovers, celebrated in song and story, which is actually such torture that no two of them can bear it without frequent separations or fights.
Christopher Isherwood (A Single Man)
This is it, I think, this is it, right now, the present, this empty gas station, here, this western wind, this tang of coffee on the tongue, and I am petting the puppy, I am watching the mountain. And the second I verbalize this awareness in my brain, I cease to see the mountain or feel the puppy. I am opaque, so much black asphalt. But at the same second, the second I know I've lost it, I also realize that the puppy is still squirming on his back under my hand. Nothing has changed for him. He draws his legs down to stretch the skin taut so he feels every fingertip's stroke along his furred and arching side, his flank, his flung-back throat. I sip my coffee. I look at the mountain, which is still doing its tricks, as you look at a still-beautiful face belonging to a person who was once your lover in another country years ago: with fond nostalgia, and recognition, but no real feeling save a secret astonishment that you are now strangers. Thanks. For the memories. It is ironic that the one thing that all religions recognize as separating us from our creator--our very self-consciousness--is also the one thing that divides us from our fellow creatures. It was a bitter birthday present from evolution, cutting us off at both ends. I get in the car and drive home.
Annie Dillard
It was some such feeling of completeness perhaps which, ten years ago, standing almost where she stood now, had made her say that she must be in love with the place. Love had a thousand shapes. There might be lovers whose gift it was to choose out the elements of things and place them together and so, giving them a wholeness not theirs in life, make of some scene, or meeting of people (all now gone and separate), one of those globed compacted things over which thought lingers, and love plays.
Virginia Woolf (To the Lighthouse)
The image of a wood has appeared often enough in English verse. It has indeed appeared so often that it has gathered a good deal of verse into itself; so that it has become a great forest where, with long leagues of changing green between them, strange episodes of poetry have taken place. Thus in one part there are lovers of a midsummer night, or by day a duke and his followers, and in another men behind branches so that the wood seems moving, and in another a girl separated from her two lordly young brothers, and in another a poet listening to a nightingale but rather dreaming richly of the grand art than there exploring it, and there are other inhabitants, belonging even more closely to the wood, dryads, fairies, an enchanter's rout. The forest itself has different names in different tongues- Westermain, Arden, Birnam, Broceliande; and in places there are separate trees named, such as that on the outskirts against which a young Northern poet saw a spectral wanderer leaning, or, in the unexplored centre of which only rumours reach even poetry, Igdrasil of one myth, or the Trees of Knowledge and Life of another. So that indeed the whole earth seems to become this one enormous forest, and our longest and most stable civilizations are only clearings in the midst of it.
Charles Williams (The Figure of Beatrice: A Study in Dante)
People enjoy inventing slogans which violate basic arithmetic but which illustrate “deeper” truths, such as “1 and 1 make 1” (for lovers), or “1 plus 1 plus 1 equals 1” (the Trinity). You can easily pick holes in those slogans, showing why, for instance, using the plus-sign is inappropriate in both cases. But such cases proliferate. Two raindrops running down a window-pane merge; does one plus one make one? A cloud breaks up into two clouds -more evidence of the same? It is not at all easy to draw a sharp line between cases where what is happening could be called “addition”, and where some other word is wanted. If you think about the question, you will probably come up with some criterion involving separation of the objects in space, and making sure each one is clearly distinguishable from all the others. But then how could one count ideas? Or the number of gases comprising the atmosphere? Somewhere, if you try to look it up, you can probably fin a statement such as, “There are 17 languages in India, and 462 dialects.” There is something strange about the precise statements like that, when the concepts “language” and “dialect” are themselves fuzzy.
Douglas R. Hofstadter (Gödel, Escher, Bach: An Eternal Golden Braid)
I don’t know why we fight. It takes much too effort to stay mad at you. To dodge your skin in the hallway and leave the kitchen without bringing you a treat. It takes much too effort to stare at the sink so my eyes don’t smile at you in the mirror. It takes much too effort to look away as we undress and lie apart in the now bigger bed. It takes much too effort to stiffen my body because sleepy limbs forget fights and pride is always lost in dreams. It takes much too effort to awaken every hour to make sure we are islands with a gulf of white sheets separating us. I dread the light peeking through the parted curtains and empathise with your groans — I didn’t get any sleep either. I really don’t know why we fight. It takes much too effort to stay mad at one another when it’s so easy for us to love.
Kamand Kojouri
In the first movement, our infancy as a species, we felt no separation from the natural world around us. Trees, rocks, and plants surrounded us with a living presence as intimate and pulsing as our own bodies. In that primal intimacy, which anthropologists call "participation mystique," we were as one with our world as a child in the mother's womb. Then self-consciousness arose and gave us distance on our world. We needed that distance in order to make decisions and strategies, in order to measure, judge and to monitor our judgments. With the emergence of free-will, the fall out of the Garden of Eden, the second movement began -- the lonely and heroic journey of the ego. Nowadays, yearning to reclaim a sense of wholeness, some of us tend to disparage that movement of separation from nature, but it brought us great gains for which we can be grateful. The distanced and observing eye brought us tools of science, and a priceless view of the vast, orderly intricacy of our world. The recognition of our individuality brought us trial by jury and the Bill of Rights. Now, harvesting these gains, we are ready to return. The third movement begins. Having gained distance and sophistication of perception, we can turn and recognize who we have been all along. Now it can dawn on us: we are our world knowing itself. We can relinquish our separateness. We can come home again -- and participate in our world in a richer, more responsible and poignantly beautiful way than before, in our infancy.
Joanna Macy (World as Lover, World as Self)
We were so intimate that it wasn't possible to flirt or fall in love with one another. For love, there has to be a distance across which the lovers can approach one another. The approach is of course an illusion, because love in fact separate people. Love is a polarity. Two lovers are the two oppositely charged poles of the universe.
Antal Szerb
To her own heart, which was shaped exactly like a valentine, there came a winglike palpitation, a delicate exigency, and all the fragrance of all the flowery springtime love affairs that ever were seemed waiting for them in the whisky bottle. To mingle their pain their handshake had promised them, was to produce a separate entity, like a child that could shift for itself, and they scrambled hastily toward this profound and pastoral experience.
Jean Stafford (The Collected Stories of Jean Stafford)
It’ll be hard not to tease your folk sometimes.” Brishen couldn’t imagine how she might go about such a thing.  He had no idea if the Kai and the Gauri even knew the same jokes or found the same things funny.  “What do you mean?” He almost leapt out of his skin when Ildiko stared at him as both of her eyes drifted slowly down and over until they seemed to meet together, separated only by the elegant bridge of her nose. “Lover of thorns and holy gods!” he yelped and clapped one hand across her eyes to shut out the sight.  “Stop that,” he ordered. Ildiko laughed and pushed his hand away.  She laughed even harder when she caught sight of his expression.  “Wait,” she gasped on a giggle.  “I can do better.  Want to see me make one eye cross and have the other stay still?” Brishen reared back.  “No!”  He grimaced.  “Nightmarish.  I’ll thank you to keep that particular talent to yourself, wife.
Grace Draven (Radiance (Wraith Kings, #1))
Seeing a lot of water like that every day is probably an important thing for human beings. For human beings might be a bit of a generalization—but I do know it’s important for one person: me. If I go for a time without seeing water, I feel like something’s slowly draining out of me. It’s probably like the feeling a music lover has when, for whatever reason, he’s separated from music for a long time. The fact that I was raised near the sea might have something to do with it.
Haruki Murakami (What I Talk About When I Talk About Running)
Lovers who only pursue the joys of visible flesh have never succeeded in becoming united, nor in loving each other. When they lie side by side in their beds, they are nevertheless far apart, separated by an impassable thread of air, by the sword of forgetfulness; because they will never dream the same dream. Each of them pursues his solitary road, without his companion. Only when lovers are capable of dreaming the same dream are they truly Lovers. When they love one another in their dreams.
Miguel Serrano (Nos Book of the Resurrection)
The moment I formulated this thought, everything aroud me seemed to droop heavily toward the earth. Outside in the garden, the eaves of the roof dripped rain like beads of weighted glass. Even the mats themselves seemed to press down upon the floor. I remember thinking that I was dacing to express not the pain of a young woman who has lost her supernatural lover, but the pain I myself would feel when my life was finally robbed of the one thing I cared most deeply about. I found myself thinking,too,of satsu; I danced the bitterness of our eternal separation.By the end I felt almost overcome with grief; but I certainly wasn't prepared for what I saw when I turned to look at the Chairman.He was sitting at the near corner of the table so that, as it happened, no one but me could see him. I thought he wore an expression of astonishment at first, because his eyes were so wide. But just as his mouth sometimes twitched when he tried not to smile, now I could see it twitching under the strain of a different emotion. I couldn't be sure, but I had to impression his eyes were heavy with tears. He looked toward the door, pretending to scratch the side of his nose so he cold wipe a finger in the corner of his eye; and he smoothed his eyebrows as if the were the source of his trouble. I was so shocked to see the Chairman in pain I felt almost disoriented for a moment.
Arthur Golden (Memoirs of a Geisha)
...lovers, even those who are married, always exist autonomously of one another, no matter how close they are or how long they've known each other. That's why jealously can flare in even the most intimate relationships. Because you know that at some basic level this person exists separately from you. No mater how close you are, the landscape of their life is always tinted a different hue than your own." - Hunter to Joanna
Vicki Pettersson (The Neon Graveyard (Signs of the Zodiac, #6))
Our central problem is not sin and guilt, as it is within the monarchical model. For the Spirit model, our central problem is “estrangement,” whose specific meaning of “separated from that to which one belongs” is most appropriate. ... For the monarchical model, sin is primarily disloyalty to the king, seen especially as disobedience to his laws. The metaphors used to express the Spirit model suggest something else. For the metaphor of God as lover, sin is unfaithfulness—that is, sin is going after other lovers.
Marcus J. Borg (The God We Never Knew: Beyond Dogmatic Religion to a More Authentic Contemporary Faith)
A thousand lips, a thousand eyes, a thousand hearts will read these words, as you read them, graze them, this moment. Thousands will utter them into the abyss, someday, perhaps for years to come; loudly, softly, repeatedly, again and again and again. Some will mock, some will laugh. Some will shed a tear. But it is written only for your lips, your eyes, your heart, beloved. Do as you please. It is written by an ideal heart, intense, yet free, when in thought of you. Written from a dehydrated pen, that shed the last drops of her blood, onto you. And still, you do not know me. No, you will never know of this desire. It is a shame, when love cannot love, who she loves, amidst these mortal games. And No. It is for me to know, and for you to close the last pages of my confessions, making nothing of it. As always, like always, I write for you and for the madness that stirs in every soul that has once burned, and for the tender parts of your soul, too. Nothing is hidden, nothing is revealed. The separation between the soul and mate, between lover and the beloved, is through spirit, is it not, my love? Or is it flesh? There, there is the clue. And this, this is the nature of our love. Forbidden,closed, then left ajar in oblivion. My eyes touch your lips, your eyes touch my lips, yet, no one makes a sound. No one moves on. What madness is this? And here you go, turning the pages now, there you go.
V.S. Atbay
Anarchy has the flexibility to overcome many of the traditional problems of activism by focusing on revolution not as another cause but as a philosophy of living. This philosophy is as concrete as a brick being thrown through a window or flowers growing in the garden. By making our daily lives revolutionary, we destroy the artificial separation between activism and everyday life. Why settle for comrades and fellow activists when we can have friends and lovers?
Curious George Brigade (Anarchy in the Age of Dinosaurs)
There is no intimacy as great as that between young girls. Even between lovers, who cross boundaries we are accustomed to thinking of as at the furthest territories of closeness, there is a constant awareness of separateness, the wonder at the fact that the loved one is distinct, whole, with a past and a mind housed behind the eyes we gaze into that exist, inviolate, without us. It is the lack of such wonder that reveals the depth of intimacy in that first chaste trial marriage between girls.
Emily Bitto (The Strays)
We’ve all encountered those people who out of the corner of our eye, from across the street, at magic hour appear astoundingly attractive, even god or goddess like: the way they move, the way the light hits them, invokes reverence and all, the impression. And then we got a closer look. Damn it. Let down. Good from afar, but far from good. Some people will never be more attractive than in that first impression, from a distance, in that light, at that time, in that way we saw them, when our hopes became highest and our wish fulfillment was fully let it. They will never look better than in that initial fuzzy edge clingups, impressions. The white shot. Some relationships are better in a white shot. More impressive in the impressions. Like in-laws, best to only see an hour a day, like neighbors, its while we have walls and fences, like that long distance romance that fell apart when you moved in together, like that summer fling that only lasted through August, that friend that became a lover that you now miss as a friend, like ourselves when we are a fraud. They are better from a distance, with less frequency, with less intimacy. Sometimes we need more space, it’s romance, it’s imagination. Distance is the flirt in a wing, it is frivolous, its mysterious, a fantasy, a constant honeymoon because we can’t quite see it, we aren’t quite sure about it, we don’t quite know it. It’s a fuck, it’s detachment, it’s separate, it’s public, it’s carefree, it’s painless, it’s for rent. And we like it that way, because sometimes it is better with the lights dimmed.
Matthew McConaughey (Greenlights)
One of the most frustrating words in the human language, as far as I could tell, was love. So much meaning attached to this one little word. People bandied it about freely, using it to describe their attachments to possessions, pets, vacation destinations, and favorite foods. In the same breath they then applied this word to the person they considered most important in their lives. Wasn’t that insulting? Shouldn’t there be some other term to describe deeper emotion? Humans were so preoccupied with love. They were all desperate to form an attachment to one person they could refer to as their “other half.” It seemed from my reading of literature that being in love meant becoming the beloved’s entire world. The rest of the universe paled into insignificance compared to the lovers. When they were separated, each fell into a melancholy state, and only when they were reunited did their hearts start beating again. Only when they were together could they really see the colors of the world. When they were apart, that color leached away, leaving everything a hazy gray. I lay in bed, wondering about the intensity of this emotion that was so irrational and so irrefutably human. What if a person’s face was so sacred to you it was permanently inscribed in your memory? What if their smell and touch were dearer to you than life itself? Of course, I knew nothing about human love, but the idea had always been intriguing to me. Celestial beings never pretended to understand the intensity of human relationships; but I found it amazing how humans could allow another person to take over their hearts and minds. It was ironic how love could awaken them to the wonders of the universe, while at the same time confine their attention to one another.
Alexandra Adornetto
I don’t remember well, and in fact I know nothing absolutely nothing at all, about the women I have loved.' Papan answered: That simply means that you have never loved. You simply have no idea of love as an absolute concept. Loving is knowing. It is also like a crime since it involves death, burial, and resurrection. Love is something very serious. Today it is completely forgotten. Love in fact is a strange and secret chemistry, in which the androgynous is born. This is true and complete love; everything else is different. Have you ever noticed how impossible it was to fuse yourself with the person you thought you loved, even though sleeping in the same bed? There is always something separating you, a thread of air, a different dream. Can the lovers be truly united if each one dreams a different dream? If you ever begin to dream the same dreams as your love, then you will be able to create the new star, the star of Him-Her, El-Ella.
Miguel Serrano (The Ultimate Flower)
Around this time, Pelletier and Espinoza, worried about the current state of their mutual lover, had two long conversations on the phone. The first conversation began awkwardly, although Espinoza had been expecting Pelletier's call, as if both men found it difficult to say what sooner or later they would have to say. The first twenty minutes were tragic in tone, with the word 'fate' used ten times and the word 'friendship' twenty-four times. Liz Norton's name was spoken fifty times, nine of them in vain. The word 'Paris' was said seven times, 'Madrid', eight. The word 'love' was spoken twice, once by each man. The word 'horror' was spoken six times and the word 'happiness' once (by Espinoza). The word 'solution' was said twelve times. The word 'solipsism' once (Pelletier). The word 'euphemism' ten times. The word 'category', in the singular and plural, nine times. The word 'structuralism' once (Pelletier). The term 'American literature' three times. The word 'dinner' or 'eating' or 'breakfast' or 'sandwich' nineteen times. The word 'eyes' or 'hands' or 'hair' fourteen times. Then the conversation proceeded more smoothly. Pelletier told Espinoza a joke in German and Espinoza laughed. In fact, they both laughed, wrapped up in the waves of whatever it was that linked their voices and ears across the dark fields and the windows and the snow of the Pyrenees and the rivers and lonely roads and the separate and interminable suburbs surrounding Paris and Madrid.
Roberto Bolaño (2666)
People had always amazed him, he began. But they amazed him more since the sickness. For as long as the two of them had been together, he said, Gary’s mother had accepted him as her son’s lover, had given them her blessing. Then, at the funeral, she’d barely acknowledged him. Later, when she drove to the house to retrieve some personal things, she’d hunted through her son’s drawers with plastic bags twist-tied around her wrists. “…And yet,” he whispered, “The janitor at school--remember him? Mr. Feeney? --he’d openly disapproved of me for nineteen years. One of the nastiest people I knew. Then when the news about me got out, after I resigned, he started showing up at the front door every Sunday with a coffee milkshake. In his church clothes, with his wife waiting out in the car. People have sent me hate mail, condoms, Xeroxed prayers…” What made him most anxious, he told me, was not the big questions--the mercilessness of fate, the possibility of heaven. He was too exhausted, he said, to wrestle with those. But he’d become impatient with the way people wasted their lives, squandered their chances like paychecks. I sat on the bed, massaging his temples, pretending that just the right rubbing might draw out the disease. In the mirror I watched us both--Mr. Pucci, frail and wasted, a talking dead man. And myself with the surgical mask over my mouth, to protect him from me. “The irony,” he said, “… is that now that I’m this blind man, it’s clearer to me than it’s ever been before. What’s the line? ‘Was blind but now I see…’” He stopped and put his lips to the plastic straw. Juice went halfway up the shaft, then back down again. He motioned the drink away. “You accused me of being a saint a while back, pal, but you were wrong. Gary and I were no different. We fought…said terrible things to each other. Spent one whole weekend not speaking to each other because of a messed up phone message… That time we separated was my idea. I thought, well, I’m fifty years old and there might be someone else out there. People waste their happiness--That’s what makes me sad. Everyone’s so scared to be happy.” “I know what you mean,” I said. His eyes opened wider. For a second he seemed to see me. “No you don’t,” he said. “You mustn’t. He keeps wanting to give you his love, a gift out and out, and you dismiss it. Shrug it off because you’re afraid.” “I’m not afraid. It’s more like…” I watched myself in the mirror above the sink. The mask was suddenly a gag. I listened. “I’ll give you what I learned from all this,” he said. “Accept what people offer. Drink their milkshakes. Take their love.
Wally Lamb (She’s Come Undone)
Daybreak has extraordinary hypnotizing influence, On us, idealistic observers. When red sun slowly reveals on the rivers surface, like in a mirror, It reminds of two lovers embracing, Just by looking into each others eyes. In such deep and serious commitment, Without unnecessary words, That spoil the instant of confidence. Water is not stopping it's course, Neither does the sun. That's what makes it so exceptional, So magnificent. The only tie is their gentle admiration, As their love is greater than space separating. And who ever had the chance, to witness that, just once, Shouldn't say he haven't found God.
Aleksandra Ninković
Detachment, n. I still don`t know if this is a good quality or a bad one, to be able to be in the moment and then step out of it. Not just during sex, or while talking, or kissing. I don`t deliberately pull away – I don`t think I do- but I find myself suddenly there on the outside, unable to loose myself in where I am. You catch me sometimes. You will say I am drifting off, and I will apologize, trying to snap back th present. But I should say this: Even when I detach, I care. You can be separate from a thing and still care about it. If I wanted to detach completely, I would move my body away. I would stop the conversation midsentence. I would leave the bed. Instead, I hover over it for a second. I glance off in another direction. But I always glance back at you.
David Levithan (The Lover's Dictionary)
A Letter to Andre Breton, Originally Composed on a Leaf of Lettuce With an Ink-dipped Carrot On my bed, my green comforter draped over my knees like a lumpy turtle, I think about the Berlin Wall of years that separates us. In my own life, the years are beginning to stack up like a Guinness World Record’s pile of pancakes, yet I’m still searching for some kind of syrup to believe in. In the shadows of my pink sheet, I see your face, Desnos’ face, and two clock faces staring at each other. I see a gaping wound that ebbs rose petals, while a sweaty armpit holds an orchestra. Beethoven, maybe. A lover sings a capella, with the frothiness of a cappuccino. Starbucks, maybe. There’s an hourglass, too, and beneath the sands lie untapped oil reserves. I see Dali’s mustache, Magritte’s pipe, and bowling shoes, which leaves the question-- If you could time travel through a trumpet, would you find today and tomorrow too loud?
Jarod Kintz (A Letter to Andre Breton, Originally Composed on a Leaf of Lettuce With an Ink-dipped Carrot)
Some say that eating chocolate is better than kissing, and scientists have dutifully tested this hypothesis by carrying out a set of experiments. In 2007, a team led by Dr. David Lewis recruited pairs of passionate lovers, whose brain activity and heart rate were monitored first while they kissed each other and then while they ate chocolate (separately). The researchers found that although kissing set the heart pounding, the effect did not last as long as when the participants ate chocolate. The study also showed that when the chocolate started melting, all regions of the brain received a boost far more intense and longer lasting than the brain activity measured while kissing.
Mark Miodownik (Stuff Matters: Exploring the Marvelous Materials That Shape Our Man-Made World)
The first condition, then, of what is called a selfish love among men is lacking with God. He has no natural necessities, no passion, to compete with His wish for the beloved's welfare; or if there is in Him something which we have to imagine after the analogy of a passion, a want it is there by His own will and for our sakes. And the second condition is lacking too. The real interests of a child may differ from that which his father's affection instinctively demands, because the child is a separate being from the father with a nature which has its own needs and does not exist solely for the father nor find its whole perfection in being loved by him and which the father does not fully understand. But creatures are not thus separate from their Creator, nor can He misunderstand them. The place for which He designs them in His scheme of things is the place they are made for. When they reach it their nature is fulfilled and their happiness attained: a broken bone in the universe has been set, the anguish is over. When we want to be something other than the thing God wants us to be, we must be wanting what, in fact, will not make us happy. Those Divine demands which sound to our natural ears most like those of a despot and least like those of a lover, in fact marshal us where we should want to go, if we knew what we wanted. He demands our worship, our obedience, our prostration.
C.S. Lewis (The Problem of Pain)
1 One went to the door of the Beloved and knocked. A voice asked: “Who is there?” He answered: “It is I.” The voice said: “There is no room here for me and thee.” The door was shut. After a year of solitude and deprivation this man returned to the door of the Beloved. He knocked. A voice from within asked: “Who is there?” The man said: “It is Thou.” The door was opened for him. 2 The minute I heard my first love story, I started looking for you, not knowing how blind that was. Lovers don’t finally meet somewhere, they’re in each other all along. 3 Love is from the infinite, and will remain until eternity. The seeker of love escapes the chains of birth and death. Tomorrow, when resurrection comes, The heart that is not in love will fail the test. 4 When your chest is free of your limiting ego, Then you will see the ageless Beloved. You can not see yourself without a mirror; Look at the Beloved, He is the brightest mirror. 5 Your love lifts my soul from the body to the sky And you lift me up out of the two worlds. I want your sun to reach my raindrops, So your heat can raise my soul upward like a cloud. 6 There is a candle in the heart of man, waiting to be kindled. In separation from the Friend, there is a cut waiting to be stitched. O, you who are ignorant of endurance and the burning fire of love– Love comes of its own free will, it can’t be learned in any school. 7 There are two kinds of intelligence: one acquired, as a child in school memorizes facts and concepts from books and from what the teacher says, collecting information from the traditional sciences as well as from the new sciences. With such intelligence you rise in the world. You get ranked ahead or behind others in regard to your competence in retaining information. You stroll with this intelligence in and out of fields of knowledge, getting always more marks on your preserving tablets. There is another kind of tablet, one already completed and preserved inside you. A spring overflowing its springbox. A freshness in the center of the chest. This other intelligence does not turn yellow or stagnate. It’s fluid, and it doesn’t move from outside to inside through conduits of plumbing-learning. This second knowing is a fountainhead from within you, moving out.
Jalal ad-Din Muhammad ar-Rumi
Why is my mother texting me about how hot you are?" "Weird. Think it has anything to do with the fact I just went to the bookstore in nothing but a patent leather trench coat?" Charlie replies with a screenshot of some texts between him and his mom. "Cottage guest is very pretty", Sally writes, then separately, "No ring." Charlie replied: "Oh? Thinking of leaving Dad?" She ignored his comment and instead said, "Tall. You always liked tall girls." "What are you talking about" Charlie wrote back, no question mark. "Remember your homecoming date? Lilac Walter-Hixton? She was practically a giant" "That was the eighth-grade formal" he said "it was before my growth spurt." "Well this girl's very pretty and tall but not too tall." "Tall but not TOO tall," I tell Charlie, "can also be added to my headstone. He says "I'll make a note." I say, "She told me you would bring wood over to the cottage for me." He says "Please swear to me you didn't make a 'too late for that' joke.
Emily Henry (Book Lovers)
/A weekend toward the end of September, the bell above the door rang and there he was in the shop. Same old feeling in my guts. I’ll go if you want me to, he said. I smiled, I was so fucking happy to see him. You’ve only just got here, you twat, I said. Now give us a hand with this, and he took the other end of the trestle table and moved it over to the wall. Pub? I said. He grinned. And before I could say anything else he put his arms around me. And everything he couldn’t say in our room in France was said in that moment. I know, I said. I know. I’d already accepted I wasn’t the key to unlock him. She’d come later. It took a while to acknowledge the repercussions of that time. How the numbness in my fingertips traveled to my heart and I never even knew it. I had crushes, I had lovers, I had orgasms. My trilogy of desire, I liked to call it, but I’d no great love after him, not really. Love and sex became separated by a wide river and one the ferryman refused to cross. The psychiatrist liked that analogy. I watched him write it down. Chuckle, chuckle, his pen across the page.
Sarah Winman (Tin Man)
The second most common misconception about love is the idea that dependency is love. This is a misconception with which psychotherapists must deal on a daily basis. Its effect is seen most dramatically in an individual who makes an attempt or gesture or threat to commit suicide or who becomes incapacitatingly depressed in response to a rejection or separation from spouse or lover. Such a person says, “I do not want to live, I cannot live without my husband [wife, girl friend, boyfriend], I love him [or her] so much.” And when I respond, as I frequently do, “You are mistaken; you do not love your husband [wife, girl friend, boyfriend].” “What do you mean?” is the angry question. “I just told you I can’t live without him [or her].” I try to explain. “What you describe is parasitism, not love. When you require another individual for your survival, you are a parasite on that individual. There is no choice, no freedom involved in your relationship. It is a matter of necessity rather than love. Love is the free exercise of choice. Two people love each other only when they are quite capable of living without each other but choose to live with each other.
M. Scott Peck (The Road Less Traveled: A New Psychology of Love, Traditional Values and Spiritual Growth)
Most such criticism and confrontation, usually made impulsively in anger or annoyance, does more to increase the amount of confusion in the world than the amount of enlightenment. For the truly loving person the act of criticism or confrontation does not come easily; to such a person it is evident that the act has great potential for arrogance. To confront one’s beloved is to assume a position of moral or intellectual superiority over the loved one, at least so far as the issue at hand is concerned. Yet genuine love recognizes and respects the unique individuality and separate identity of the other person. (I will say more about this later.) The truly loving person, valuing the uniqueness and differentness of his or her beloved, will be reluctant indeed to assume, “I am right, you are wrong; I know better than you what is good for you.” But the reality of life is such that at times one person does know better than the other what is good for the other, and in actuality is in a position of superior knowledge or wisdom in regard to the matter at hand. Under these circumstances the wiser of the two does in fact have an obligation to confront the other with the problem. The loving person, therefore, is frequently in a dilemma, caught between a loving respect for the beloved’s own path in life and a responsibility to exercise loving leadership when the beloved appears to need such leadership. The dilemma can be resolved only by painstaking self-scrutiny, in which the lover examines stringently the worth of his or her “wisdom” and the motives behind this need to assume leadership. “Do I really see things clearly or am I operating on murky assumptions? Do I really understand my beloved? Could it not be that the path my beloved is taking is wise and that my perception of it as unwise is the result of limited vision on my part? Am I being self-serving in believing that my beloved needs redirection?” These are questions that those who truly love must continually ask themselves. This self-scrutiny, as objective as possible, is the essence of humility or meekness. In the words of an anonymous fourteenth-century British monk and spiritual teacher, “Meekness in itself is nothing else than a true knowing and feeling of
M. Scott Peck (The Road Less Traveled: A New Psychology of Love, Traditional Values and Spiritual Growth)
Eros does not aim at happiness. We may think he does, but when he is brought to the test it proves otherwise. Everyone knows that it is useless to try to separate lovers by proving to them that their marriage will be an unhappy one. This is not only because they will disbelieve you. They usually will, no doubt. But even if they believed, they would not be dissuaded. For it is the very mark of Eros that when he is in us we had rather share unhappiness with the Beloved than be happy on any other terms. Even if the two lovers are mature and experienced people who know that broken hearts heal in the end and can clearly foresee that, if they once steeled themselves to go through the present agony of parting, they would almost certainly be happier ten years hence than marriage is at all likely to make them—even then, they would not part. To Eros all these calculations are irrelevant—just as the coolly brutal judgment of Lucretius is irrelevant to Venus. Even when it becomes clear beyond all evasion that marriage with the Beloved cannot lead to happiness—when it cannot even profess to offer any other life than that of tending an incurable invalid, of hopeless poverty, of exile, or of disgrace—Eros never hesitates to say, "Better this than parting. Better to be miserable with her than happy without her. Let our hearts break provided they break together." If the voice within us does not say this, it is not the voice of Eros.
Christopher Grau (Eternal Sunshine of the Spotless Mind (Philosophers on Film))
It was a dead swan. Its body lay contorted on the beach like an abandoned lover. I looked at the bird for a long time. There was no blood on its feathers, no sight of gunshot. Most likely, a late migrant from the north slapped silly by a ravenous Great Salt Lake. The swan may have drowned. I knelt beside the bird, took off my deerskin gloves, and began smoothing feathers. Its body was still limp—the swan had not been dead long. I lifted both wings out from under its belly and spread them on the sand. Untangling the long neck which was wrapped around itself was more difficult, but finally I was able to straighten it, resting the swan’s chin flat against the shore. The small dark eyes had sunk behind the yellow lores. It was a whistling swan. I looked for two black stones, found them, and placed them over the eyes like coins. They held. And, using my own saliva as my mother and grandmother had done to wash my face, I washed the swan’s black bill and feet until they shone like patent leather. I have no idea of the amount of time that passed in the preparation of the swan. What I remember most is lying next to its body and imagining the great white bird in flight. I imagined the great heart that propelled the bird forward day after day, night after night. Imagined the deep breaths taken as it lifted from the arctic tundra, the camaraderie within the flock. I imagined the stars seen and recognized on clear autumn nights as they navigated south. Imagined their silhouettes passing in front of the full face of the harvest moon. And I imagined the shimmering Great Salt Lake calling the swans down like a mother, the suddenness of the storm, the anguish of its separation. And I tried to listen to the stillness of its body. At dusk, I left the swan like a crucifix on the sand. I did not look back.
Terry Tempest Williams (Refuge: An Unnatural History of Family and Place)
A Day Away We often think that our affairs, great or small, must be tended continuously and in detail, or our world will disintegrate, and we will lose our places in the universe. That is not true, or if it is true, then our situations were so temporary that they would have collapsed anyway. Once a year or so I give myself a day away. On the eve of my day of absence, I begin to unwrap the bonds which hold me in harness. I inform housemates, my family and close friends that I will not be reachable for twenty-four hours; then I disengage the telephone. I turn the radio dial to an all-music station, preferably one which plays the soothing golden oldies. I sit for at least an hour in a very hot tub; then I lay out my clothes in preparation for my morning escape, and knowing that nothing will disturb me, I sleep the sleep of the just. On the morning I wake naturally, for I will have set no clock, nor informed my body timepiece when it should alarm. I dress in comfortable shoes and casual clothes and leave my house going no place. If I am living in a city, I wander streets, window-shop, or gaze at buildings. I enter and leave public parks, libraries, the lobbies of skyscrapers, and movie houses. I stay in no place for very long. On the getaway day I try for amnesia. I do not want to know my name, where I live, or how many dire responsibilities rest on my shoulders. I detest encountering even the closest friend, for then I am reminded of who I am, and the circumstances of my life, which I want to forget for a while. Every person needs to take one day away. A day in which one consciously separates the past from the future. Jobs, lovers, family, employers, and friends can exist one day without any one of us, and if our egos permit us to confess, they could exist eternally in our absence. Each person deserves a day away in which no problems are confronted, no solutions searched for. Each of us needs to withdraw from the cares which will not withdraw from us. We need hours of aimless wandering or spates of time sitting on park benches, observing the mysterious world of ants and the canopy of treetops. If we step away for a time, we are not, as many may think and some will accuse, being irresponsible, but rather we are preparing ourselves to more ably perform our duties and discharge our obligations. When I return home, I am always surprised to find some questions I sought to evade had been answered and some entanglements I had hoped to flee had become unraveled in my absence. A day away acts as a spring tonic. It can dispel rancor, transform indecision, and renew the spirit.
Maya Angelou (Wouldn't Take Nothing for My Journey Now)
People who think that queer life consists of sex without intimacy are usually seeing only a tiny part of the picture, and seeing it through homophobic stereotype. The most fleeting sexual encounter is, in its way intimate. And in the way many gay men and lesbians live, quite casual sexual relations can develop into powerful and enduring friendships. Friendships, in turn, can cross into sexual relations and back. Because gay social life is not as ritualized and institutionalized as straight life, each relation is an adventure in nearly un-charted territory—whether it is between two gay men, or two lesbians, or a gay man and a lesbian, or among three or more queers, or between gay men and the straight women whose commitment to queer culture brings them the punishment of the "fag hag" label. There are almost as many kinds of relationship as there are people in combination. Where there are -patterns, we learn them from other queers, not from our-parents or schools or the state. Between tricks and lovers and exes and friends and fuckbuddies and bar friends and bar friends' tricks and tricks' bar friends and gal pals and companions "in the life," queers have an astonishing range of intimacies. Most have no labels. Most receive no public recognition. Many of these relations are difficult because the rules have to be invented as we go along. Often desire and unease add to their intensity, and their unpredictability. They can be complex and bewildering, in a way that arouses fear among many gay people, and tremendous resistance and resentment from many straight people. Who among us would give them up? Try standing at a party of queer friends and charting all the histories, sexual and nonsexual, among the people in the room. (In some circles this is a common party sport already.) You will realize that only a fine and rapidly shifting line separates sexual culture from many other relations of durability and care. The impoverished vocabulary of straight culture tells us that people should be either husbands and wives or (nonsexual) friends. Marriage marks that line. It is not the way many queers live. If there is such a thing as a gay way of life, it consists in these relations, a welter of intimacies outside the framework of professions and institutions and ordinary social obligations. Straight culture has much to learn from it, and in many ways has already begun to learn from it. Queers should be insisting on teaching these lessons. Instead, the marriage issue, as currently framed, seems to be a way of denying recognition to these relations, of streamlining queer relations into the much less troubling division of couples from friends.
Michael Warner (The Trouble with Normal: Sex, Politics, and the Ethics of Queer Life)
My Dear Mrs Winter. (I had half a mind when I dipped my pen in the ink, to address you by your old natural Christian name.) The snow lies so deep on the Northern Railway, and the Posts have been so interrupted in consequence, that your charming note arrived here only this morning... I get the heartache again when I read your commission, written in the hand which I find now to be not in the least changed, and yet it is a great pleasure to be entrusted with it, and to have that share in your gentler remembrances which I cannot find it still my privilege to have, without a stirring of the old fancies. ... I am very very sorry you mistrusted me in not writing before your little girl was born; but I hope now you know me better you will teach her, one day, to tell her children, in times to come when they have some interest in wondering about it, that I loved her mother with the most extraordinary earnestness when I was a boy. I have always believed since, and always shall to the last, that there never was such a faithful and devoted poor fellow as I was. Whatever of fancy, romance, energy, passion, aspiration and determination belong to me, I never have separated and never shall separate from the hard hearted little woman - you - whom it is nothing to say I would have died for, with the greatest alacrity! I never can think, and I never seem to observe, that other young people are in such desperate earnest, or set so much, so long, upon one absorbing hope. It is a matter of perfect certainty to me that I began to fight my way out of poverty and obscurity, with one perpetual idea of you. This is so fixed in my knowledge that to the hour when I opened your letter last Friday night, I have never heard anybody addressed by your name or spoken of by your name, without a start. The sound of it has always filled me with a kind of pity and respect for the deep truth that I had, in my silly hobbledehoyhood, to bestow upon one creature who represented the whole world to me. I have never been so good a man since, as I was when you made me wretchedly happy. I shall never be half so good a fellow any more. This is all so strange now, both to think of, and to say, after every change that has come about; but I think, when you ask me to write to you, you are not unprepared for what it is so natural to me to recall, and will not be displeased to read it. I fancy, - though you may not have thought in the old time how manfully I loved you - that you may have seen in one of my books a faithful reflection of the passion I had for you, and may have thought that it was something to have been loved so well, and may have seen in little bits of "Dora" touches of your old self sometimes, and a grace here and there that may be revived in your little girls, years hence, for the bewilderment of some other young lover - though he will never be as terribly in earnest as I and David Copperfield were. People used to say to me how pretty all that was, and how fanciful it was, and how elevated it was above the little foolish loves of very young men and women. But they little thought what reason I had to know it was true and nothing more nor less. These are things that I have locked up in my own breast, and that I never thought to bring out any more. But when I find myself writing to you again "all to your self", how can I forbear to let as much light in upon them as will shew you that they are there still! If the most innocent, the most ardent, and the most disinterested days of my life had you for their Sun - as indeed they had - and if I know that the Dream I lived in did me good, refined my heart, and made me patient and persevering, and if the Dream were all of you - as God knows it was - how can I receive a confidence from you, and return it, and make a feint of blotting all this out! ...
Charles Dickens