Sensual Love Quotes

Man can never know the loneliness a woman knows. Man lies in the woman's womb only to gather strength, he nourishes himself from this fusion, and then he rises and goes into the world, into his work, into battle, into art. He is not lonely. He is busy. The memory of the swim in amniotic fluid gives him energy, completion. Woman may be busy too, but she feels empty. Sensuality for her is not only a wave of pleasure in which she is bathed, and a charge of electric joy at contact with another. When man lies in her womb, she is fulfilled, each act of love a taking of man within her, an act of birth and rebirth, of child rearing and man bearing. Man lies in her womb and is reborn each time anew with a desire to act, to be. But for woman, the climax is not in the birth, but in the moment man rests inside of her.

So she thoroughly taught him that one cannot take pleasure without giving pleasure, and that every gesture, every caress, every touch, every glance, every last bit of the body has its secret, which brings happiness to the person who knows how to wake it. She taught him that after a celebration of love the lovers should not part without admiring each other, without being conquered or having conquered, so that neither is bleak or glutted or has the bad feeling of being used or misused.

The spiritualization of sensuality is called love: it is a great triumph over Christianity.

To be sensual, I think, is to respect and rejoice in the force of life, of life itself, and to be present in all that one does, from the effort of loving to the breaking of bread.

Ô, Wanderess, Wanderess When did you feel your most euphoric kiss? Was I the source of your greatest bliss?

The anticipation and dread he felt at seeing her was also a kind of sensual pleasure, and surrounding it, like an embrace, was a general elation--it might hurt, it was horribly inconvenient, no good might come of it, but he had found out for himself what it was to be in love, and it thrilled him.

Sensuality often hastens the "Growth of Love" so much that the roots remain weak and are easily torn up.

Think of two people, living together day after day, year after year, in this small space, standing elbow to elbow cooking at the same small stove, squeezing past each other on the narrow stairs, shaving in front of the same small bathroom mirror, constantly jogging, jostling, bumping against each other’s bodies by mistake or on purpose, sensually, aggressively, awkwardly, impatiently, in rage or in love – think what deep though invisible tracks they must leave, everywhere, behind them!

Sadly, the signals that allow men and women to find the partners who most please them are scrambled by the sexual insecurity initiated by beauty thinking. A woman who is self-conscious can't relax to let her sensuality come into play. If she is hungry she will be tense. If she is "done up" she will be on the alert for her reflection in his eyes. If she is ashamed of her body, its movement will be stilled. If she does not feel entitled to claim attention, she will not demand that airspace to shine in. If his field of vision has been boxed in by "beauty"--a box continually shrinking--he simply will not see her, his real love, standing right before him.

I live for sex. I celebrate it, and relish the electricity of it, with every fibre of my being. I can see no better reason for being alive.

His eyes were on his heart, completely caught up in his work. 'Just something kicking around in my head. Reminds me of you. Fiery and sweet, all at the same time. A flame in the dark, lighting my way.' His voice... his words... I recognized one of his spirit-driven moments. It should've unnerved me, but there was something sensual about the way he spoke, something that made my breath catch. A flame in the dark.

It was the wildness of it that got me going: the primal lust, the sheer needs of two people in heat, quickly finding ways to express their sacred hunger to each other in animal passion.

I love heavily tattooed women. I imagine their lives are filled with sensuality and excess, madness and generosity, impulsive natures and fights. They look like they have endured much pain and sadness, yet have the ability to transcend all of it by documenting it on the body

Chocolate symbolizes, as does no other food, luxury, comfort, sensuality, gratification, and love.

To feel aroused is to feel alive. Having great sex is like taking in huge lungfuls of fresh air, essential to your body, essential to your health, and essential to your life.

Love falls in love with love; comes like an echo sounding back, searches its mirrored shadow within a look.

Our lips were for each other and our eyes were full of dreams. We knew nothing of travel and we knew nothing of loss. Ours was a world of eternal spring, until the summer came.

There was no sleeper more elegant than she, with her curved body posed for a dance and her hand across her forehead, but there was also no one more ferocious when anyone disturbed the sensuality of her thinking she was still asleep when she no longer was.

Now come the whispers bearing bouquets of moonbeams and sunlight tremblings.

There seems to be an inborn drive in all human beings not to live in a steady emotional state, which would suggest that such a state is not tolerable to most people. Why else would someone succumb to the attractions of romantic love more than once? Didn’t they learn their lesson the first time or the tenth time or the twentieth time? And it’s the same old lesson: everything in this life—I repeat, everything—is more trouble than it’s worth. And simply being alive is the basic trouble. This is something that is more recognized in Eastern societies than in the West. There’s a minor tradition in Greek philosophy that instructs us to seek a state of equanimity rather than one of ecstasy, but it never really caught on for obvious reasons. Buddhism advises its practitioners not to seek highs or lows but to follow a middle path to personal salvation from the painful cravings of the average sensual life, which is why it was pretty much reviled by the masses and mutated into forms more suited to human drives and desires. It seems evident that very few people can simply sit still. Children spin in circles until they collapse with dizziness.

I love being aroused. I relish that delicious feeling of freedom, the delirium of being naked, and my flesh being born again. It’s like I’m being made new.

Only then (nearly out the door, so to speak) did I realize how unspeakably beautiful all of this was, how precisely engineered for our pleasure, and saw that I was on the brink of squandering a wondrous gift, the gift of being allowed, every day, to wander this vast sensual paradise, this grand marketplace lovingly stocked with every sublime thing.

I like the sounds of words. Words are very enjoyable. I like words because they are... seductive. And I like words because they can contain... fantasies.

Amazing sex stays with you. It soaks into your skin. It floats through your dreams and has you silently smoldering with delicious remembrances for hours after. It has you craving it days later. And it has you aching for it if you don’t get it for awhile.

Beauty is to recognize how full of Love you are. Sensuality is to let some of that Love shine through your body.

SAUL: 'We made love outdoors, my favorite place to make love, assuming the weather be fair and balmy, and the earth beneath be clean. Our souls intertwined and dripping with sweat.

Then at certain moments I remember one of his words and I suddenly feel the sensual woman flaring up, as if violently caressed. I say the word to myself, with joy. It is at such a moment that my true body lives.

Ah, lust. It makes us forget anything we want to. The greatest relaxant, the greatest stimulant.

And my personal favorite, your lips." He smiled as a pink flush crept up my neck. "Full and sensual, puckered, and always turned down at the corners. They kind of make me want to kiss them until they smile.

Carnal apple, Woman filled, burning moon, dark smell of seaweed, crush of mud and light, what secret knowledge is clasped between your pillars? What primal night does Man touch with his senses? Ay, Love is a journey through waters and stars, through suffocating air, sharp tempests of grain: Love is a war of lightning, and two bodies ruined by a single sweetness. Kiss by kiss I cover your tiny infinity, your margins, your rivers, your diminutive villages, and a genital fire, transformed by delight, slips through the narrow channels of blood to precipitate a nocturnal carnation, to be, and be nothing but light in the dark.

Yes, the essence of every love is a child, and it makes no difference at all whether it has ever actually been conceived or born. In the algebra of love a child is the symbol of the magical sum of two beings.

Tis in ourselves that we are thus or thus. Our bodies are our gardens, to the which our wills are gardeners: so that if we will plant nettles, or sow lettuce, set hyssop and weed up thyme, supply it with one gender of herbs, or distract it with many, either to have it sterile with idleness, or manured with industry, why, the power and corrigible authority of this lies in our wills. If the balance of our lives had not one scale of reason to poise another of sensuality, the blood and baseness of our natures would conduct us to most preposterous conclusions: but we have reason to cool our raging motions, our carnal stings, our unbitted lusts, whereof I take this that you call love to be a sect or scion.

The day came when she discovered sex, sensuality, and literature; she said, 'I submit! Let my life be henceforth ruled by poetry. Let me reign as the queen of my dreams until I become nothing less than the heroine of God.

I don’t have a philosophy: I have senses... If I talk about Nature, it’s not because I know what it is, But because I love it, and that’s why I love it, Because when you love you never know what you love, Or why you love, or what love is. Loving is eternal innocence, And the only innocence is not thinking.

What would you like to do with my neck?’ I asked. ‘Seduce me with your words. Feel free.

His voice was like soothing melted chocolate. I wanted him to ooze his lovely voice all over my naked body.

Then stay with me a little longer,' Madame Olenska said in a low tone, just touching his knee with her plumed fan. It was the lightest touch, but it thrilled him like a caress.

True love, Hilo mused, was sensual and euphoric, but also painful and tyrannical, demanding obedience.

I loved the sensual pleasures of being outside, the smell of it, the feel of the earth under my fingers, the satisfaction of seeing things living, glowing, captivated by their own temporary beauty.

He was the kind of man I wanted: wild, hot, horny, and losing control. And it all pointed back to me, about how much I felt in control of him, with the power of my body.

But I lie. I embellish. My words are not deep enough. They disguise, they conceal. I will not rest until I have told of my descent into a sensuality which was as dark, as magnificent, as wild, as my moments of mystic creation have been dazzling, ecstatic, exalted.

We thought everything would be forgotten, but I still remember your claws running down my back. I wonder if you still think about us, the way I do. How our legs would crash into each other in the middle of the night, and how we ended up creating the moon in the confines of our beds.

Hands. Cheeks. Eyes. Lips. Neck. Ears. Thighs. Heart. Soul. Ahh! the things I get to savor you with.

And the more he was irritated by her basic personality, the more he was drawn to her by a harsh, bestial sensuality, illusions of a moment, which ended in hate.

She was as lovely sleeping as she was dripping in sensuality at the fundraiser

The former burlesque queen waited for the man who’d make her his true queen.

Ô, the wine of a woman from heaven is sent, more perfect than all that a man can invent.

How can any woman not enjoy that? We're sensual beings, we love that.

SEPTEMBER 1, 1939 I sit in one of the dives On Fifty-second Street Uncertain and afraid As the clever hopes expire Of a low dishonest decade: Waves of anger and fear Circulate over the bright And darkened lands of the earth, Obsessing our private lives; The unmentionable odour of death Offends the September night. Accurate scholarship can Unearth the whole offence From Luther until now That has driven a culture mad, Find what occurred at Linz, What huge imago made A psychopathic god: I and the public know What all schoolchildren learn, Those to whom evil is done Do evil in return. Exiled Thucydides knew All that a speech can say About Democracy, And what dictators do, The elderly rubbish they talk To an apathetic grave; Analysed all in his book, The enlightenment driven away, The habit-forming pain, Mismanagement and grief: We must suffer them all again. Into this neutral air Where blind skyscrapers use Their full height to proclaim The strength of Collective Man, Each language pours its vain Competitive excuse: But who can live for long In an euphoric dream; Out of the mirror they stare, Imperialism's face And the international wrong. Faces along the bar Cling to their average day: The lights must never go out, The music must always play, All the conventions conspire To make this fort assume The furniture of home; Lest we should see where we are, Lost in a haunted wood, Children afraid of the night Who have never been happy or good. The windiest militant trash Important Persons shout Is not so crude as our wish: What mad Nijinsky wrote About Diaghilev Is true of the normal heart; For the error bred in the bone Of each woman and each man Craves what it cannot have, Not universal love But to be loved alone. From the conservative dark Into the ethical life The dense commuters come, Repeating their morning vow; 'I will be true to the wife, I'll concentrate more on my work,' And helpless governors wake To resume their compulsory game: Who can release them now, Who can reach the dead, Who can speak for the dumb? All I have is a voice To undo the folded lie, The romantic lie in the brain Of the sensual man-in-the-street And the lie of Authority Whose buildings grope the sky: There is no such thing as the State And no one exists alone; Hunger allows no choice To the citizen or the police; We must love one another or die. Defenseless under the night Our world in stupor lies; Yet, dotted everywhere, Ironic points of light Flash out wherever the Just Exchange their messages: May I, composed like them Of Eros and of dust, Beleaguered by the same Negation and despair, Show an affirming flame.

No words. Just my finger pointing in silence. My finger silently saying, ’Unwrap me, darling.

But deep down she said to herself, Franz maybe strong, but his strength is directed outward; when it comes to the people he lives with, the people he's loves, he's weak. Franz's weakness is called goodness. Franz would never give Sabina orders. He would never command her, as Tomas had, to lay the mirror on the floor and walk back and forth on it naked. Not that he lacks sensuality; he simply lacks the strength to give orders. There are things that can be accomplished only by violence. Physical love is unthinkable without violence.

We laughed together. It’s so lovely laughing with a man. It feels positive. Relaxed…

Sensuality does not wear a watch but she always gets to the essential places on time. She is adventurous and not particularly quiet. She was reprimanded in grade school because she couldn’t sit still all day long. She needs to move. She thinks with her body. Even when she goes to the library to read Emily Dickinson or Emily Bronte, she starts reading out loud and swaying with the words, and before she can figure out what is happening, she is asked to leave. As you might expect, she is a disaster at office jobs. Sensuality has exquisite skin and she appreciates it in others as well. There are other people whose skin is soft and clear and healthy but something about Sensuality’s skin announces that she is alive. When the sun bursts forth in May, Sensuality likes to take off her shirt and feel the sweet warmth of the sun’s rays brush across her shoulder. This is not intended as a provocative gesture but other people are, as usual, upset. Sensuality does not understand why everyone else is so disturbed by her. As a young girl, she was often scolded for going barefoot. Sensuality likes to make love at the border where time and space change places. When she is considering a potential lover, she takes him to the ocean and watches. Does he dance with the waves? Does he tell her about the time he slept on the beach when he was seventeen and woke up in the middle of the night to look at the moon? Does he laugh and cry and notice how big the sky is? It is spring now, and Sensuality is very much in love these days. Her new friend is very sweet. Climbing into bed the first time, he confessed he was a little intimidated about making love with her. Sensuality just laughed and said, ‘But we’ve been making love for days.

All I have is a voice to undo the folded lie, the romantic lie in the brain of the sensual man-in-the-street and the lie of Authority whose buildings grope the sky: There is no such thing as the State and no one exists alone; Hunger allows no choice to the citizen or the police; We must love one another or die.

Sensuality is the total mobilization of the senses: an individual observes his partner intently, straining to catch every sound.

We efface an hour by passionate love, without twists, without aftertaste. When it is finished, it is not finished, we lie still in each other's arms lulled by our love, by tenderness -- sensuality in which the whole being can participate.

Tonight I saw myself in the dark window as the image of my father, whose life was spent like this, thinking of death, to the exclusion of other sensual matters, so in the end that life was easy to give up, since it contained nothing: even my mother's voice couldn't make him change or turn back as he believed that once you can't love another human being you have no place in the world.

I am proud to be a woman. I am sensual, nurturing and compassionate woman. I am a woman of my word and I love who I am.

They say I should stay away from you,” I said. “They said you’re not good for me.” “I’m not,” he said with a wicked smile, “But doesn’t that make it even more fun?

Reality runs the risk of spoiling things, don't you think? The fantasy is often better. That's where the soul is fulfilled. Reality struggles to fulfil the soul, that's why we're often so unhappy. But fantasy is the world of the soul...

I killed the wife when I first tasted sensual joys without love, and then it was that I killed my wife.

And dusk fell because it suited his skin.

Love is in the sensual details.

I can give you honesty, monogamy, and more passion than you can stand, but not love. That emotion died in me long ago, as I suspect you already know.” I took a deep breath, fighting a twinge that made no sense because he was right. I had guessed that about him. “Good,” I replied in a steady voice. “I was worried that you’d turn into one of those obsessed, emo movie vampires, and that would be embarrassing for both of us.” His laughter rang out before changing into something rougher and infinitely more sensual. Emerald overtook his gaze once again. “Enough talk,” he muttered, and lowered his head.

We think of women at every age: while still children, we fondle with a naïve sensuality the breasts of those grown-up girls kissing us and cuddling us in their arms; at the age of ten, we dream of love; at fifteen, love comes along; at sixty, it is still with us, and if dead men in their tombs have any thought in their heads, it is how to make their way underground to the nearby grave, lift the shroud of the dear departed women, and mingle with her in her sleep

Ô, Muse of the Heart’s Passion, let me relive my Love’s memory, to remember her body, so brave and so free, and the sound of my Dreameress singing to me, and the scent of my Dreameress sleeping by me, Ô, sing, sweet Muse, my soliloquy!

Chances are, you won't find the right love until you find the lifestyle you love.

In Irena’s head the alcohol plays a double role: it frees her fantasy, encourages her boldness, makes her sensual, and at the same time it dims her memory. She makes love wildly, lasciviously, and at the same time the curtain of oblivion wraps her lewdness in an all-concealing darkness. As if a poet were writing his greatest poem with ink that instantly disappears.

It was the impatience of the way he tore my panties from my body, that really turned me on: I was all he could think of, as his lust got the better of him. I glanced back, and saw the underwear torn and discarded, a little strip of thin black material on the floor, and thought, Yes, this is the kind of impatient sex I’m looking for. The way they looked so small, and cruelly forgotten, was a beautiful symbol of how much we both needed to satisfy our lusts.

Every culture has its southerners -- people who work as little as they can, preferring to dance, drink, sing brawl, kill their unfaithful spouses; who have livelier gestures, more lustrous eyes, more colorful garments, more fancifully decorated vehicles, a wonderful sense of rhythm, and charm, charm, charm; unambitious, no, lazy, ignorant, superstitious, uninhibited people, never on time, conspicuously poorer (how could it be otherwise, say the northerners); who for all their poverty and squalor lead enviable lives -- envied, that is, by work-driven, sensually inhibted, less corruptly governed northerners. We are superior to them, say the northerners, clearly superior. We do not shirk our duties or tell lies as a matter of course, we work hard, we are punctual, we keep reliable accounts. But they have more fun than we do ... They caution[ed] themselves as people do who know they are part of a superior culture: we mustn't let ourselves go, mustn't descend to the level of the ... jungle, street, bush, bog, hills, outback (take your pick). For if you start dancing on tables, fanning yourself, feeling sleepy when you pick up a book, developing a sense of rhythm, making love whenever you feel like it -- then you know. The south has got you.

There is only beauty / and it has only one perfect expression / poetry. All the rest is a lie /except for those who live by the body, love, and, that love of the mind, friendship. For me, Poetry takes the place of love, because it is enamored of itself, and because its sensual delight falls back deliciously in my soul.

What the boy felt was something pure, something gentle, something that predates sex or sensual fulfillment. It was the simple desire to reach out and touch a loving body, to be held in loving arms. Tenderness is a deeper instinct than seduction, which is why it is so difficult to give up hope.

At least let me now deceive myself with illusions so as not to feel my empty life. And yet I came so close so many times. And yet how paralyzed I was, how cowardly; why did I keep my lips sealed while my empty life wept inside me, my desires wore robes of mourning? To have been so close so many times to those sensual eyes, those lips, to that body I dreamed of, loved. To have been so close so many times. September 1903

There are some delightful places in this world which have a sensual charm for the eyes. One loves them with a physical love. We people who are attracted by the countryside cherish fond memories of certain springs, certain woods, certain ponds, certain hills, which have become familiar sights and can touch our hearts like happy events. Sometimes indeed the memory goes back towards a forest glade, or a spot on a river bank or an orchard in blossom, glimpsed only once on a happy day, but preserved in our heart.

Emotions are the lowest form of consciousness. Emotional actions are the most contracted, narrowing, dangerous form of behavior. The romantic poetry and fiction of the last 200 years has quite blinded us to the fact that emotions are an active and harmful form of stupor. Any peasant can tell you that. Beware of emotions. Any child can tell you that. Watch out for the emotional person. He is a lurching lunatic. Emotions are caused by biochemical secretions in the body to serve during the state of acute emergency. An emotional person is a blind, crazed maniac. Emotions are addictive and narcotic and stupefacient. Do not trust anyone who comes on emotional. What are the emotions? In a book entitled Interpersonal Diagnosis of Personality, written when I was a psychologist, I presented classifications of emotions and detailed descriptions of their moderate and extreme manifestations. Emotions are all based on fear. [...] The emotional person cannot think; he cannot perform any effective game action (except in acts of physical aggression and strength). The emotional person is turned off sensually. His body is a churning robot. [...] The only state in which we can learn, harmonize, grow, merge, join, understand is the absence of emotion. This is called bliss or ecstasy, attained through centering the emotions. [...] Conscious love is not an emotion; it is serene merging with yourself, with other people, with other forms of energy. Love cannot exist in an emotional state. [...] The great kick of the mystic experience, the exultant, ecstatic hit, is the sudden relief from emotional pressure. Did you imagine that there could be emotions in heaven? Emotions are closely tied to ego games. Check your emotions at the door to paradise.

The priestess of Artemis took hold of her almost with the violence of a lover, and whisked her away into a languid ecstasy of reverie. She communicated her own enthusiasm to the girl, and kept her mind occupied with dreams, faery-fervid, of uncharted seas of glory on which her galleon might sail, undiscovered countries of spice and sweetness, Eldorado and Utopia and the City of God.

Dear Collector: We hate you. Sex loses all its power and magic when it becomes explicit, mechanical, overdone, when it becomes a mechanistic obsession. It becomes a bore. You have taught us more than anyone I know how wrong it is not to mix it with emotion, hunger, desire, lust, whims, caprices, personal ties, deeper relationships that change its color, flavor, rhythms, intensities. "You do not know what you are missing by your micro-scopic examination of sexual activity to the exclusion of aspects which are the fuel that ignites it. Intellectual, imaginative, romantic, emotional. This is what gives sex its surprising textures, its subtle transformations, its aphrodisiac elements. You are shrinking your world of sensations. You are withering it, starving it, draining its blood. If you nourished your sexual life with all the excitements and adventures which love injects into sensuality, you would be the most potent man in the world. The source of sexual power is curiosity, passion. You are watching its little flame die of asphyxiation. Sex does not thrive on monotony. Without feeling, inventions, moods, no surprises in bed. Sex must be mixed with tears, laughter, words, promises, scenes, jealousy, envy, all the spices of fear, foreign travel, new faces, novels, stories, dreams, fantasies, music, dancing, opium, wine. How much do you lose by this periscope at the tip of your sex, when you could enjoy a harem of distinct and never-repeated wonders? No two hairs alike, but you will not let us waste words on a description of hair; no two odors, but if we expand on this you cry Cut the poetry. No two skins with the same texture, and never the same light, temperature, shadows, never the same gesture; for a lover, when he is aroused by true love, can run the gamut of centuries of love lore. What a range, what changes of age, what variations of maturity and innocence, perversity and art . . . We have sat around for hours and wondered how you look. If you have closed your senses upon silk, light, color, odor, character, temperament, you must be by now completely shriveled up. There are so many minor senses, all running like tributaries into the mainstream of sex, nourishing it. Only the united beat of sex and heart together can create ecstasy.

You could eat in the finest restaurants, you could partake in every sensual pleasure, you could sing on stage in São Paulo to twenty thousand people, you could soak up whole thunderstorms of applause, you could travel to the ends of the Earth, you could be followed by millions on the internet, you could win Olympic medals, but this was all meaningless without love.

Besides intercourse (when the Image-repertoire goes to the devil), there is that other embrace, which is a motionless cradling: we are enchanted, bewitched: we are in the realm of sleep, without sleeping; we are within the voluptous infantilism of sleepiness: this is the moment for telling stories, the moment of the voice which takes me, siderates me, this is the return to the mother ("in the loving calm of your arms," says a poem set to music by Duparc). In this companionable incest, everything is suspended: time, law, prohibition: nothing is exhausted, nothing is wanted: all desires are abolished, for they seem definitively fulfilled. Yet, within this infantile embrace, the genital unfailingly appears; it cuts off the diffuse sensuality of the incestuous embrace; the logic of desire begins to function, the will-to-possess returns, the adult is superimposed upon the child. I am then two subjects at once: I want maternity and genitality. (The lover might be defined as a child getting an erection: such was the young Eros.)

In faith, I do not love thee with mine eyes, For they in thee a thousand errors note; But 'tis my heart that loves what they despise, Who in despite of view is pleased to dote; Nor are mine ears with thy tongue's tune delighted, Nor tender feeling, to base touches prone, Nor taste, nor smell, desire to be invited To any sensual feast* with thee alone*: But my five wits* nor my five senses can Dissuade one foolish heart from serving thee, Who leaves unsway'd the likeness of a man*, Thy proud hearts slave and vassal wretch to be: Only my plague thus far I count my gain, That she that makes me sin awards me pain.

Consider the capacity of the human body for pleasure. Sometimes, it is pleasant to eat, to drink, to see, to touch, to smell, to hear, to make love. The mouth. The eyes. The fingertips, The nose. The ears. The genitals. Our voluptific faculties (if you will forgive me the coinage) are not exclusively concentrated here. The whole body is susceptible to pleasure, but in places there are wells from which it may be drawn up in greater quantity. But not inexhaustibly. How long is it possible to know pleasure? Rich Romans ate to satiety, and then purged their overburdened bellies and ate again. But they could not eat for ever. A rose is sweet, but the nose becomes habituated to its scent. And what of the most intense pleasures, the personality-annihilating ecstasies of sex? I am no longer a young man; even if I chose to discard my celibacy I would surely have lost my stamina, re-erecting in half-hours where once it was minutes. And yet if youth were restored to me fully, and I engaged again in what was once my greatest delight – to be fellated at stool by nymphet with mouth still blood-heavy from the necessary precautions – what then? What if my supply of anodontic premenstruals were never-ending, what then? Surely, in time, I should sicken of it. “Even if I were a woman, and could string orgasm on orgasm like beads on a necklace, in time I should sicken of it. Do you think Messalina, in that competition of hers with a courtesan, knew pleasure as much on the first occasion as the last? Impossible. “Yet consider. “Consider pain. “Give me a cubic centimeter of your flesh and I could give you pain that would swallow you as the ocean swallows a grain of salt. And you would always be ripe for it, from before the time of your birth to the moment of your death, we are always in season for the embrace of pain. To experience pain requires no intelligence, no maturity, no wisdom, no slow working of the hormones in the moist midnight of our innards. We are always ripe for it. All life is ripe for it. Always.

Ô, the wine of a woman from heaven is sent, more perfect than all that a man can invent. When she came to my bed and begged me with sighs not to tempt her towards passion nor actions unwise, I told her I’d spare her and kissed her closed eyes, then unbraided her body of its clothing disguise. While our bodies were nude bathed in candlelight fine I devoured her mouth, tender lips divine; and I drank through her thighs her feminine wine. Ô, the wine of a woman from heaven is sent, more perfect than all that a man can invent.

You know, there’s no pleasure like the joy of being a sexual woman. You can take your careers, your money, your houses and possessions, and you go and throw them in a lake. Because life is really all about sex. That’s what I keep learning, again and again. It’s the most important thing, woven into the very centre of life. And I just know I was put on this earth to be a sexual woman, and to explore as much about sex as I can.

Anyway, those things would not have lasted long. The experience of the years shows it to me. But Destiny arrived in some haste and stopped them. The beautiful life was brief. But how potent were the perfumes, On how splendid a bed we lay, To what sensual delight we gave our bodies. An echo of the days of pleasure, An echo of the days drew near me, A little of the fire of the youth of both of us, Again I took in my hands a letter, And I read and reread till the light was gone. And melancholy, I came out on the balcony Came out to change my thoughts at least by looking at A little of the city that I loved, A little movement on the street and in the shops. Translated by Rae Dalven

Those were the best days in the life of Tancredi and Angelica, lives later to be so variegated, so erring, against the inevitable background of sorrow. But that they did not know then; and they were pursuing a future which they deemed more concrete than it turned out to be, made of nothing but smoke and wind. When they were old and uselessly wise their thoughts would go back to those days with insistent regret; they had been days when desire was always present because it was always overcome, when many beds had been offered and refused, when the sensual urge, because restrained, had for one second been sublimated in renunciation, that is into real love.

At that time, he was satisfying a sensual curiosity by experiencing the pleasures of people who live for love. He had believed he could stop there, that he would not be obliged to learn their sorrows; how small a thing her charm was for him now compared with the astounding terror that extended out from it like a murky halo, the immense anguish of not knowing at every moment what she had been doing, of not possessing her everywhere and always!

The Knowing Afterwards, when we have slept, paradise- comaed and woken, we lie a long time looking at each other. I do not know what he sees, but I see eyes of surpassing tenderness and calm, a calm like the dignity of matter. I love the open ocean blue-grey-green of his iris, I love the curve of it against the white, that curve the sight of what has caused me to come, when he’s quite still, deep inside me. I have never seen a curve like that, except the earth from outer space. I don’t know where he got his kindness without self-regard, almost without self, and yet he chose one woman, instead of the others. By knowing him, I get to know the purity of the animal which mates for life. Sometimes he is slightly smiling, but mostly he just gazes at me gazing, his entire face lit. I love to see it change if I cry–there is no worry, no pity, no graver radiance. If we are on our backs, side by side, with our faces turned fully to face each other, I can hear a tear from my lower eye hit the sheet, as if it is an early day on earth, and then the upper eye’s tears braid and sluice down through the lower eyebrow like the invention of farmimg, irrigation, a non-nomadic people. I am so lucky that I can know him. This is the only way to know him. I am the only one who knows him. When I wake again, he is still looking at me, as if he is eternal. For an hour we wake and doze, and slowly I know that though we are sated, though we are hardly touching, this is the coming the other coming brought us to the edge of–we are entering, deeper and deeper, gaze by gaze, this place beyond the other places, beyond the body itself, we are making love.

The most pernicious message relayed by pornography is that women are natural sexual prey to men and love it; that sexuality and violence are congruent; and that for women sex is essentially masochistic, humiliation pleasurable, physical abuse erotic. But along with this message comes another, not always recognized: that enforced submission and the use of cruelty, if played out in heterosexual pairing, is sexually "normal," while sensuality between women, including erotic mutuality and respect, is "queer," "sick," and either pornographic in itself or not very exciting compared with the sexuality of whips and bondage. Pornography does not simply create a climate in which sex and violence are interchangeable; it widens the range of behavior considered acceptable from men in heterosexual intercourse-behavior which reiteratively strips women of their autonomy, dignity, and sexual potential, including the potential of loving and being loved by women in mutuality and integrity.

In a moment, when I throw myself down among the absinthe plants to bring their scent into my body, I shall know, appearances to the contrary, that I am fulfilling a truth which is the sun's and which will also be my death's. In a sense, it is indeed my life that I am staking here, a life that tastes of warm stone, that is full of the signs of the sea and the rising song of the crickets. The breeze is cool and the sky blue. I love this life with abandon and wish to speak of it boldly: it makes me proud of my human condition. Yet people have often told me: there's nothing to be proud of. Yes, there is: this sun, this sea, my heart leaping with youth, the salt taste of my body and this vast landscape in which tenderness and glory merge in blue and yellow. It is to conquer this that I need my strength and my resources. Everything here leaves me intact, I surrender nothing of myself, and don no mask: learning patiently and arduously how to live is enough for me, well worth all their arts of living.

The diversity of sounds rule my ever presence with their highs and blows, encompassing the totality of sensual experience. I'm a child of the sirens of knowledge, a warrior for the truth in a world of washed perspectives and harsh realities. My voice cries the initial cry of the unborn into the perplexing illusion. I long for the realization of the human drama, the defeat of the dogs war, and the unity of existence. The beloved Gods of virtue have been undersold for the bleeding bread of empathy. I now awaist the triumphant roar of destiny, dressed in the inviting hand of a mother, perplexed by discovering, aroused by spirit. The door is open, the road transformed. The exit code to civilization is hacked beyond dispair, chased but the moon toward the freeing sun, on our journey to light. This is an open plea to the beautiful insanity of your hearts. It is time to consummate the kiss of oblivion into the obsidian of love!

I heard him sweeping with the broom, and then he suddenly stopped. I had obviously got his attention, and he was looking. Take a good look, honey, I thought. Take a good look at what I’m offering. I liked the sound of that silence. Do you know what I mean? Have you heard that silence yourself? I love that silence you get, when a man who you fancy notices your body. In a weird way, it’s so loud, it’s deafening. It could be because of the way you sway your hips, your legs, or thrust your breasts. And you just know his erection is talking to him, about what he’d like to do to your body. How he’d like to have his delightfully wicked way with you, undress you, smother your naked skin with hungry urgent kisses, and thrust his hard and moist cock deep inside the pouting red lips of your mouth… I think you get my drift. There’s a lovely tension in that moment; I call it the lust moment. When a sexy man sees what you’ve deliberately put out on offer, and he stops in his steps as his lust lights up his mind, and puts him on a new track.

A few minutes after discovering we had a goal but no plan, Brent was laughing heartily at a pathetic joke I had made. It reminded me of the first day on campus when I had thought his laughter sounded like a melody. It did now, even more so. It was music, beautiful, in a manly way, like a sensual, slow jazz. I loved jazz. “Jazz, huh?” Brent asked, his voice suddenly husky. “Uh . . . what?” “My laugh reminds you of jazz? Is there anything about me you don’t find attractive?” He rubbed his hand over his lips trying to cover his smirk. “So tell me, how much do you love jazz?” I’m sure my face was pinker than the inside of a watermelon. “I didn’t say any of that.” “You didn’t have to say it, Yara, I could hear it.” Brent tapped the side of his head. “I can hear your thoughts.” “You’re not serious.” “Oh, but I am,” he said, completely straight-faced.

8 April 1891 The obscenity of nostrils and mouths; the ignominious cupidity of smiles and women encountered in the street; the shifty baseness on every side, as of hyenas and wild beasts ready to bite: tradesmen in their shops and strollers on their pavements. How long must I suffer this? I have suffered it before, as a child, when, descending by chance to the servant's quarters, I overheard in astonishment their vile gossip, tearing up my own kind with their lovely teeth. This hostility to the entire race, this muted detestation of lynxes in human form, I must have rediscovered it later while at school. I had a repugnance and horror for all base instincts, but am I not myself instinctively violent and lewd, murderous and sensual? Am I any different, in essence, from the members of the riotous and murderous mob of a hundred years ago, who hurled the town sergeants into the Seine and cried, 'String up the aristos!' just as they shout 'Down with the army!' or 'Death to the Jews!

I don’t wake up in the morning and think, ‘Wow, I’m on a planet in the Milky Way, in infinite space, bestowed with the gift of consciousness, which I did not give myself, with the gift of language, with lungs that breathe and a heart that beats, none of which I gave myself, with no concrete understanding of the Great Mysteries, knowing only that I was born and will die and nothing of what’s on either side of this brief material and individualized glitch in the limitless expanse of eternity and, I feel, I feel love and pain and I have senses, what a glorious gift! I can relate, and create and serve others or I can lose myself in sensuality and pleasure. What a phenomenal mystery!’ Most days I just wake up feeling a bit anxious and plod a solemn, narrow path of survival, coping. ‘I’ll have a coffee’, ‘I’ll try not to reach for my phone as soon as I stir, simpering and begging like a bad dog at a table for some digital tidbit, some morsel of approval, a text, that’ll do

It breaks my heart. Better than your words, your eye tells me all your peril. You are not yet free, you still search for freedom. Your search has fatigued you and made you too wakeful. You long for the open heights, your soul thirsts for the stars. But your bad instincts too thirst for freedom. Your fierce dogs long for freedom; they bark for joy in their cellar when your spirit aspires to break open all prisons. To me you are still a prisoner who imagines freedom: ah, such prisoners of the soul become clever, but also deceitful and base. The free man of the spirit, too, must still purify himself. Much of the prison and rottenness still remain within him: his eye still has to become pure. Yes, I know your peril. But, by my love and hope I entreat you: do not reject your love and hope! You still feel yourself noble, and the others, too, who dislike you and cast evil glances at you, still feel you are noble. Learn that everyone finds the noble man an obstruction. The good, too, find the noble man an obstruction: and even when they call him a good man they do so in order to make away with him. The noble man wants to create new things and a new virtue. The good man wants the old things and that the old things shall be preserved. But that is not the danger for the noble man — that he may become a good man — but that he may become an impudent one, a derider, a destroyer. Alas, I have known noble men who lost their highest hope. And henceforth they slandered all high hopes. Henceforth they lived impudently in brief pleasures, and they had hardly an aim beyond the day. ‘Spirit is also sensual pleasure’ — thus they spoke. Then the wings of their spirit broke: now it creeps around and it makes dirty what it feeds on. Once they thought of becoming heroes: now they are sensualists. The hero is to them an affliction and a terror. But, by my love and hope I entreat you: do not reject the hero in your soul! Keep holy your highest hope! Thus spoke Zarathustra.

As June walked toward me from the darkness of the garden into the light of the door, I saw for the first time the most beautiful woman on earth. Astartling white face, burning dark eyes, a face so alive I felt it would consume itself before my eyes. Years ago I tried to imagine a true beauty; I created in my mind an image of just such a woman. I had never seen her until last night. Yet I knew long ago the phosphorescent color of her skin, her huntress profile, the evenness of her teeth. She is bizarre, fantastic, nervous, like someone in a high fever. Her beauty drowned me... By the end of the evening I had extricated myself from her power. She killed my admiration by her talk. Her talk. The enormous ego, false, weak, posturing. She lacks the courage of her personality, which is sensual, heavy with experience. Her role alone preoccupies her. She invents drama in which she always stars. I am sure she creates genuine dramas, genuine chaos and whirlpools of feelings, but I feel that her share in it is a pose. That night, in spite of my response to her, she sought to be whatever she felt I wanted her to be. She is an actress every moment. I cannot grasp the core of June.

Don’t write with a pen. Ink tends to give the impression the words shouldn’t be changed. Write with what gives you the most sensual satisfaction. Write in a hard-covered notebook with green lined pages. Green is easy on the eyes. Blank white pages seems to challenge you to create the world before you start writing. It may be true that you, the modern poet, must make the world as you go, but why be reminded of it before you even have one word on the page? Don’t erase. Cross out rapidly and violently, never with slow consideration if you can help it. Start, as some smarty once said, in the middle of things. Play with syntax. Never want to say anything so strongly that you have to give up the option of finding something better – if you have to say it, you will. Read your poem aloud many times. If you don’t enjoy it every time, something may be wrong. If you ask a question, don’t answer it, or answer a question not asked, or defer. (If you can answer the question, to ask it is to waste time). Maximum sentence length: seventeen words. Minimum: One. Don’t be afraid to take emotional possession of words. If you don’t love a few words enough to own them, you will have to be very clever to write a good poem.

Now he reduced his progress to the rhythm of his boots -- he walked across the land until he came to the sea. Everything that impeded him had to be outweighed, even if only by a fraction, by all that drove him on. In one pan of the scales, his wound, thirst, the blister, tiredness, the heat, the aching in his feet and legs, the Stukas, the distance, the Channel; in the other, I'll wait for you, and the memory of when she had said it, which he had come to treat like a sacred site. Also, the fear of capture. His most sensual memories -- their few minutes in the library, the kiss in Whitehall -- was bleached colorless through overuse. He knew by heart certain passages from her letters, he had revisited their tussle with the vase by the fountain, he remembered the warmth from her arm at the dinner when the twins went missing. These memories sustained him, but not so easily. Too often they reminded him of where he was when he last summoned them. They lay on the far side of a great divide in time, as significant as B.C. and A.D. Before prison, before war, before the sight of a corpse became a banality. But these heresies died when he read her last letter. He touched his breast pocket. It was a kind of genuflection. Still there. Here was something new on the scales. That he could be cleared had all the simplicity of love. Merely tasting the possibility reminded him of how much had narrowed and died. His taste for life, no less, all the old ambitions and pleasures. The prospect was of rebirth, a triumphant return.

Thou still unravish’d bride of quietness, Thou foster-child of silence and slow time, Sylvan historian, who canst thus express A flowery tale more sweetly than our rhyme: What leaf-fring’d legend haunts about thy shape Of deities or mortals, or of both, In Tempe or the dales of Arcady? What men or gods are these? What maidens loth? What mad pursuit? What struggle to escape? What pipes and timbrels? What wild ecstasy? Heard melodies are sweet, but those unheard Are sweeter; therefore, ye soft pipes, play on; Not to the sensual ear, but, more endear’d, Pipe to the spirit ditties of no tone: Fair youth, beneath the trees, thou canst not leave Thy song, nor ever can those trees be bare; Bold Lover, never, never canst thou kiss, Though winning near the goal yet, do not grieve; She cannot fade, though thou hast not thy bliss, For ever wilt thou love, and she be fair! Ah, happy, happy boughs! that cannot shed Your leaves, nor ever bid the Spring adieu; And, happy melodist, unwearied, For ever piping songs for ever new; More happy love! more happy, happy love! For ever warm and still to be enjoy’d, For ever panting, and for ever young; All breathing human passion far above, That leaves a heart high-sorrowful and cloy’d, A burning forehead, and a parching tongue. Who are these coming to the sacrifice? To what green altar, O mysterious priest, Lead’st thou that heifer lowing at the skies, And all her silken flanks with garlands drest? What little town by river or sea shore, Or mountain-built with peaceful citadel, Is emptied of this folk, this pious morn? And, little town, thy streets for evermore Will silent be; and not a soul to tell Why thou art desolate, can e’er return. O Attic shape! Fair attitude! with brede Of marble men and maidens overwrought, With forest branches and the trodden weed; Thou, silent form, dost tease us out of thought As doth eternity: Cold Pastoral! When old age shall this generation waste, Thou shalt remain, in midst of other woe Than ours, a friend to man, to whom thou say’st, “Beauty is truth, truth beauty,—that is all Ye know on earth, and all ye need to know.

Yes, yes, it ended in my corrupting them all! How it could come to pass I do not know, but I remember it clearly. The dream embraced thousands of years and left in me only a sense of the whole. I only know that I was the cause of their sin and downfall. Like a vile trichina, like a germ of the plague infecting whole kingdoms, so I contaminated all this earth, so happy and sinless before my coming. They learnt to lie, grew fond of lying, and discovered the charm of falsehood. Oh, at first perhaps it began innocently, with a jest, coquetry, with amorous play, perhaps indeed with a germ, but that germ of falsity made its way into their hearts and pleased them. Then sensuality was soon begotten, sensuality begot jealousy, jealousy—cruelty . . . Oh, I don't know, I don't remember; but soon, very soon the first blood was shed. They marvelled and were horrified, and began to be split up and divided. They formed into unions, but it was against one another. Reproaches, upbraidings followed. They came to know shame, and shame brought them to virtue. The conception of honour sprang up, and every union began waving its flags. They began torturing animals, and the animals withdrew from them into the forests and became hostile to them. They began to struggle for separation, for isolation, for individuality, for mine and thine. They began to talk in different languages. They became acquainted with sorrow and loved sorrow; they thirsted for suffering, and said that truth could only be attained through suffering. Then science appeared. As they became wicked they began talking of brotherhood and humanitarianism, and understood those ideas. As they became criminal, they invented justice and drew up whole legal codes in order to observe it, and to ensure their being kept, set up a guillotine. They hardly remembered what they had lost, in fact refused to believe that they had ever been happy and innocent. They even laughed at the possibility o this happiness in the past, and called it a dream. They could not even imagine it in definite form and shape, but, strange and wonderful to relate, though they lost all faith in their past happiness and called it a legend, they so longed to be happy and innocent once more that they succumbed to this desire like children, made an idol of it, set up temples and worshipped their own idea, their own desire; though at the same time they fully believed that it was unattainable and could not be realised, yet they bowed down to it and adored it with tears! Nevertheless, if it could have happened that they had returned to the innocent and happy condition which they had lost, and if someone had shown it to them again and had asked them whether they wanted to go back to it, they would certainly have refused. They answered me: "We may be deceitful, wicked and unjust, we know it and weep over it, we grieve over it; we torment and punish ourselves more perhaps than that merciful Judge Who will judge us and whose Name we know not. But we have science, and by the means of it we shall find the truth and we shall arrive at it consciously. Knowledge is higher than feeling, the consciousness of life is higher than life. Science will give us wisdom, wisdom will reveal the laws, and the knowledge of the laws of happiness is higher than happiness.