Sensitive And Savage Quotes

We've searched our database for all the quotes and captions related to Sensitive And Savage. Here they are! All 26 of them:

She was delicately morbid in all her gestures, sensitive, arrogant, vulnerable to flattery. She veered between extravagant outbursts of opinion and sudden, uncertain halts, during which she seemed to look to him for approval. She was in love with the idea of intelligence, and she overestimated her own. Her sense of the world, though she presented it aggressively, could be, he sensed, snatched out from under her with little or no trouble. She said, “I hope you are a savage.
Mary Gaitskill (Bad Behavior)
Any man who neglects his conscience is a dangerous animal.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
She shuddered, convulsing beneath the whiplash of his tongue as the world dissolved around her. “Now.” He moved before the last violent pulses stilled. He came over her body, catching his weight on his elbows, staring down at her with savage intensity as the bulbous head of his c#ck nudged against the sensitive opening of her pussy. “Now,” he whispered again. “I make you my woman, Elizabeth. Now.
Lora Leigh (Elizabeth's Wolf (Breeds, #3))
He stalked up to her, yelling, “Do not call me demon!” She forced herself to hold her ground, then repeated his earlier words: "Sensitive about this, creature?" “Demons are savage. Vrekeners have grace and a sacred purpose. We are descended from gods!” "How do you know this?" “From the Tales of Troth—sanctified knowledge passed on from one Vrekener generation to the next for millennia.” "I’m going to have to stop you, because you’ve already bored me.
Kresley Cole (Dark Skye (Immortals After Dark, #14))
It’s very funny how false the picture is that western people have about Arabs: savage, violent, insensitive, and cold-hearted. I can tell you with confidence that Arabs are peaceful, sensitive, civilized, and big lover’s, among other qualities.
Mohamedou Ould Slahi (Guantánamo Diary: Restored Edition)
Cooking food in a restaurant is not that different from cooking at home, except for the speed with which you must do it while minding a slew of other time sensitive tasks, all in a very small, very hot kitchen. But that difference was my salvation.
Boris Fishman (Savage Feast: Three Generations, Two Continents, and a Dinner Table (A Memoir with Recipes))
God had granted women a special sensitivity, a talent for understanding and tenderness, for caring and nurturing-then had dumped them into a world of savage violence in which their singular qualities made them easy targets for the cruel and depraved.
Dean Koontz (Hideaway)
I do hope Diana don't savage Henage on the way back,' said Jack, 'You might not think it, but he is a very sensitive cove, and he feels harsh words extremely. I remember when his father called him a vile concupiscent waste-thrift whoremonger he brooded over it the whole evening.
Patrick O'Brian (The Yellow Admiral (Aubrey & Maturin, #18))
Ah, I believe Schacht. Only too willingly; that’s to say, I think what he says is absolutely true, for the world is incomprehensibly crass, tyrannical, moody, and cruel to sickly and sensitive people. Well, Schacht will stay here for the time being. We laughed at him a bit, when he arrived, that can’t be helped either, Schacht is young and after all can’t be allowed to think there are special degrees, advantages, methods, and considerations for him. He has now had his first disappointment, and I’m convinced that he’ll have twenty disappointments, one after the other. Life with its savage laws is in any case for certain people a succession of discouragements and terrifying bad impressions. People like Schacht are born to feel and suffer a continuous sense of aversion. He would like to admit and welcome things, but he just can’t. Hardness and lack of compassion strike him with tenfold force, he just feels them more acutely. Poor Schacht. He’s a child and he should be able to revel in melodies and bed himself in kind, soft, carefree things. For him there should be secret splashings and birdsong. Pale and delicate evening clouds should waft him away in the kingdom of Ah, What’s Happening to Me? His hands are made for light gestures, not for work. Before him breezes should blow, and behind him sweet, friendly voices should be whispering. His eyes should be allowed to remain blissfully closed, and Schacht should be allowed to go quietly to sleep again, after being wakened in the morning in the warm, sensuous cushions. For him there is, at root, no proper activity, for every activity is for him, the way he is, improper, unnatural, and unsuitable. Compared with Schacht I’m the trueblue rawboned laborer. Ah, he’ll be crushed, and one day he’ll die in a hospital. or he’ll perish, ruined in body and soul, inside one of our modern prisons.
Robert Walser (Jakob von Gunten)
It was astonishing how loudly one laughed at tales of gruesome things, of war’s brutality-I with the rest of them. I think at the bottom of it was a sense of the ironical contrast between the normal ways of civilian life and this hark-back to the caveman code. It made all our old philosophy of life monstrously ridiculous. It played the “hat trick” with the gentility of modern manners. Men who had been brought up to Christian virtues, who had prattled their little prayers at mothers’ knees, who had grown up to a love of poetry, painting, music, the gentle arts, over-sensitized to the subtleties of half-tones, delicate scales of emotion, fastidious in their choice of words, in their sense of beauty, found themselves compelled to live and act like ape-men; and it was abominably funny. They laughed at the most frightful episodes, which revealed this contrast between civilized ethics and the old beast law. The more revolting it was the more, sometimes, they shouted with laughter, especially in reminiscence, when the tale was told in the gilded salon of a French chateau, or at a mess-table. It was, I think, the laughter of mortals at the trick which had been played on them by an ironical fate. They had been taught to believe that the whole object of life was to reach out to beauty and love, and that mankind, in its progress to perfection, had killed the beast instinct, cruelty, blood-lust, the primitive, savage law of survival by tooth and claw and club and ax. All poetry, all art, all religion had preached this gospel and this promise. Now that ideal had broken like a china vase dashed to hard ground. The contrast between That and This was devastating. It was, in an enormous world-shaking way, like a highly dignified man in a silk hat, morning coat, creased trousers, spats, and patent boots suddenly slipping on a piece of orange-peel and sitting, all of a heap, with silk hat flying, in a filthy gutter. The war-time humor of the soul roared with mirth at the sight of all that dignity and elegance despoiled. So we laughed merrily, I remember, when a military chaplain (Eton, Christ Church, and Christian service) described how an English sergeant stood round the traverse of a German trench, in a night raid, and as the Germans came his way, thinking to escape, he cleft one skull after another with a steel-studded bludgeon a weapon which he had made with loving craftsmanship on the model of Blunderbore’s club in the pictures of a fairy-tale. So we laughed at the adventures of a young barrister (a brilliant fellow in the Oxford “Union”) whose pleasure it was to creep out o’ nights into No Man’s Land and lie doggo in a shell-hole close to the enemy’s barbed wire, until presently, after an hour’s waiting or two, a German soldier would crawl out to fetch in a corpse. The English barrister lay with his rifle ready. Where there had been one corpse there were two. Each night he made a notch on his rifle three notches one night to check the number of his victims. Then he came back to breakfast in his dugout with a hearty appetite.
Phillip Gibbs
Finally, when his lust had become a savage hunger, he dropped the belt and pulled up her sweater to admire his work. His eyes widened with glee as he gazed at her reddened breasts, with the silver pasties still stuck in place. “I’m not looking for silver,” he said, peeling the pasties away from her burning, sensitive nipples. “And there’s a buried treasure men crave much more than gold. That treasure is priceless… white gold, not from a dead man’s chest, but fresh from a living woman’s breast.
Violet Reigns (Milkmania (Milked! #4))
Shirley Jackson’s work and its nature and purpose have been very little understood. Her fierce visions of dissociation and madness, of alienation and withdrawal, of cruelty and terror, have been taken to be personal, even neurotic, fantasies. Quite the reverse: they are a sensitive and faithful anatomy of our times, fitting symbols for our distressing world of the concentration camp and the Bomb. She was always proud that the Union of South Africa banned “The Lottery,” and she felt that they at least understood the story.
Shirley Jackson (The Magic of Shirley Jackson: The Bird's Nest, Life Among the Savages, Raising Demons, and Eleven Short Stories, including The Lottery)
It was astonishing how loudly one laughed at tales of gruesome things, of war’s brutality-I with the rest of them. I think at the bottom of it was a sense of the ironical contrast between the normal ways of civilian life and this hark-back to the caveman code. It made all our old philosophy of life monstrously ridiculous. It played the “hat trick” with the gentility of modern manners. Men who had been brought up to Christian virtues, who had prattled their little prayers at mothers’ knees, who had grown up to a love of poetry, painting, music, the gentle arts, over-sensitized to the subtleties of half-tones, delicate scales of emotion, fastidious in their choice of words, in their sense of beauty, found themselves compelled to live and act like ape-men; and it was abominably funny. They laughed at the most frightful episodes, which revealed this contrast between civilized ethics and the old beast law. The more revolting it was the more, sometimes, they shouted with laughter, especially in reminiscence, when the tale was told in the gilded salon of a French chateau, or at a mess-table. It was, I think, the laughter of mortals at the trick which had been played on them by an ironical fate. They had been taught to believe that the whole object of life was to reach out to beauty and love, and that mankind, in its progress to perfection, had killed the beast instinct, cruelty, blood-lust, the primitive, savage law of survival by tooth and claw and club and ax. All poetry, all art, all religion had preached this gospel and this promise. Now that ideal had broken like a china vase dashed to hard ground. The contrast between That and This was devastating.
Philip Gibbs
Palo Mayombe is perhaps best known for its display of human skulls in iron cauldrons and accompanied by necromantic practices that contribute to its eerie reputation of being a cult of antinomian and hateful sorcerers. This murky reputation is from time to time reinforced by uninformed journalists and moviemakers who present Palo Mayombe in similar ways as Vodou has been presented through the glamour and horror of Hollywood. It is the age old fear of the unknown and of powers that threaten the established order that are spawned from the umbra of Palo Mayombe. The cult is marked by ambivalence replicating an intense spectre of tension between all possible contrasts, both spiritual and social. This is evident both in the history of Kongo inspired sorcery and practices as well as the tension between present day practitioners and the spiritual conclaves of the cult. Palo Mayombe can be seen either as a religion in its own right or a Kongo inspired cult. This distinction perhaps depends on the nature of ones munanso (temple) and rama (lineage). Personally, I see Palo Mayombe as a religious cult of Creole Sorcery developed in Cuba. The Kongolese heritage derives from several different and distinct regions in West Africa that over time saw a metamorphosis of land, cultures and religions giving Palo Mayombe a unique expression in its variety, but without losing its distinct nucleus. In the history of Palo Mayombe we find elite families of Kongolese aristocracy that contributed to shaping African history and myth, conflicts between the Kongolese and explorers, with the Trans-Atlantic slave trade being the blood red thread in its development. The name Palo Mayombe is a reference to the forest and nature of the Mayombe district in the upper parts of the deltas of the Kongo River, what used to be the Kingdom of Loango. For the European merchants, whether sent by the Church to convert the people or by a king greedy for land and natural resources, everything south of present day Nigeria to the beginning of the Kalahari was simply Kongo. This un-nuanced perception was caused by the linguistic similarities and of course the prejudice towards these ‘savages’ and their ‘primitive’ cultures. To write a book about Palo Mayombe is a delicate endeavor as such a presentation must be sensitive both to the social as well as the emotional memory inherited by the religion. I also consider it important to be true to the fundamental metaphysical principles of the faith if a truthful presentation of the nature of Palo Mayombe is to be given. The few attempts at presenting Palo Mayombe outside ethnographic and anthropological dissertations have not been very successful. They have been rather fragmented attempts demonstrating a lack of sensitivity not only towards the cult itself, but also its roots. Consequently a poor understanding of Palo Mayombe has been offered, often borrowing ideas and concepts from Santeria and Lucumi to explain what is a quite different spirituality. I am of the opinion that Palo Mayombe should not be explained on the basis of the theological principles of Santeria. Santeria is Yoruba inspired and not Kongo inspired and thus one will often risk imposing concepts on Palo Mayombe that distort a truthful understanding of the cult. To get down to the marrow; Santeria is a Christianized form of a Yoruba inspired faith – something that should make the great differences between Santeria and Palo Mayombe plain. Instead, Santeria is read into Palo Mayombe and the cult ends up being presented at best in a distorted form. I will accordingly refrain from this form of syncretism and rather present Palo Mayombe as a Kongo inspired cult of Creole Sorcery that is quite capable
Nicholaj de Mattos Frisvold (Palo Mayombe: The Garden of Blood and Bones)
Oh, by the way, I've got a message for you from Randy Savage. He wants to kill you. Goodnight, Bill."... Years later, I found out from Randy's brother, Lanny Poffo, that age was a highly sensitive topic for the 'Macho Man.
Bill Apter (Is Wrestling Fixed? I Didn't Know It Was Broken!: From Photo Shoots and Sensational Stories to the WWE Network ― My Incredible Pro Wrestling Journey! and Beyond ...)
sensitive area
Danda K. (You Loved Me First (The Savage Love Duet, #2))
most sensitive area,
Danda K. (You Broke Me First (The Savage Love Duet, #1))
100% Savage Men have to be more sensitive to 100% Savage Women’s situations and have to be more sensitive to 100% Savage Women’s situations to empathize and sympathize the feelings, opinions, thoughts&more for sure!
100% Savage Queen Sarah
I truly don't give a fuck about guys are playing with my feelings to hurt my feelings. I'm so sensitive, so emotional&100% Savage Queen for life. I get so savage&so mad when the guys mistreats me. I don't tolerate rudeness in my life.
100% Savage Queen Sarah
I’m so sensitive and so emotional 100% Savage Queen for how people treats me based on their attitudes, their behaviors, their actions&their words! Be careful with words and actions for what you say to me as 100% Savage Queen in my 100% Savage Queen’s Kingdom! Hmm!
100% Savage Queen Sarah
My Fav 100% Savage Friends are on my side, by my side in my fucking way. in my fav 100% Savage Friends Squad's Kingdom. Don't mess with me&them! Hmm. Love them&they're there to protect me including each other. We don't give a fuck about rude people. My Fav 100% Savage Friends Squad for life. I'm 100% Savage/so emotional&so sensitive queen forever.
100% Savage Queen Sarah
What’s happening with you, Beck? You keep disappearing on me lately.” I shrugged. Out of anyone, Rhys was the person I shared the most with. He might’ve been an asshole, but he was a loyal one. “A shrug? That’s all I get? Where did you wander off to this weekend? I know you didn’t go home since I wasn’t treated to a rundown of Gretchen’s latest procedures and how big of a douche Josh is.” I shot him a sharp look. “I’ll be sure to keep my repetitive complaints to myself.” “You misunderstand me, you overly sensitive twat. You complaining about your parents is like a comfort meal to me. Knowing Josh and Gretchen are up to their same old antics means the world is still on its axis, even if it feels like it’s falling apart.
Julia Wolf (Save One Thing (Savage Academy, #1))
100% Savage Men needs to understand and be more mindful of 100% Savage Women's emotions to show empathy&sympathy! Most of the 100% Savage Men needs to be more sensitive to 100% Savage Women's situations to be emotionally being there for them to empathize and sympathize women's emotions, feelings, thoughts&opinions! Empathy&Sympathy are so important to show towards 100% Savage Women especially from 100% Savage Men! So true&100% agreed! Preach! 100% Savage Women are so sensitive&so emotional for sure!
100% Savage Queen Sarah
Most of the 100% Savage Women are so sensitive&so emotional 100% Savage Queens too! Men needs to show empathy&sympathy to be emotionally being there for 100% Savage so emotional Women too even though they go through their struggles and their hard times in their life! 100% Agreed&Preach!
100% Savage Queen Sarah
In a world where she was surrounded by jaded people who’d suffered loss, betrayal, and pain, Ryan—with his loyalty and honor—was a breath of fresh air. He might not be sensitive or particularly empathetic, but he was good.
Suzanne Wright (Savage Urges (The Phoenix Pack, #5))
I've always been sensitive to the pain of others, always tried to feel a part of everyone else's suffering.
Roberto Bolaño (The Savage Detectives)