Sensible Funny Quotes

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If you sit down and think about it sensibly, you come up with some very funny ideas. Like: why make people inquisitive, and then put some forbidden fruit where they can see it with a big neon finger flashing on and off saying 'THIS IS IT!'? ... I mean, why do that if you really don't want them to eat it, eh? I mean, maybe you just want to see how it all turns out. Maybe it's all part of a great big ineffable plan. All of it. You, me, him, everything. Some great big test to see if what you've built all works properly, eh? You start thinking: it can't be a great cosmic game of chess, it has to be just very complicated Solitaire.
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
Perhaps it is no wonder that the women were first at the Cradle and last at the Cross. They had never known a man like this Man - there never has been such another. A prophet and teacher who never nagged at them, never flattered or coaxed or patronised; who never made arch jokes about them, never treated them either as "The women, God help us!" or "The ladies, God bless them!"; who rebuked without querulousness and praised without condescension; who took their questions and arguments seriously; who never mapped out their sphere for them, never urged them to be feminine or jeered at them for being female; who had no axe to grind and no uneasy male dignity to defend; who took them as he found them and was completely unself-conscious. There is no act, no sermon, no parable in the whole Gospel that borrows its pungency from female perversity; nobody could possibly guess from the words and deeds of Jesus that there was anything "funny" about woman's nature.
Dorothy L. Sayers (Are Women Human? Penetrating, Sensible and Witty Essays on the Role of Women in Society)
I often arrive at quite sensible ideas and judgements, on the spur of the moment. It is when I stop to think that I become foolish.
Jerome K. Jerome (Diary of a Pilgrimage (Nonsuch Classics))
But he is an Italian," was Umberto's sensible reply. "He doesn't care if you break some law a little bit, as long as you wear beautiful shoes. Are you wearing beautiful shoes? Are you wearing the shoes I gave you?...principessa?" I looked down at my flip-flops. "I guess I'm toast.
Anne Fortier (Juliet)
Expired condoms are like nuclear waste: there's nothing sensible you can do with it.
Andrew Smith
Jane. You’ve got to see this!” His voice was full of the honey-baked accent of old Virginia money. As Blue staggered up the hill, telescope on her shoulder, she mentally tested the danger level: Am I in love with him yet? Gansey galloped down the hill to snatch he telescope from her. “This isn’t that heavy,” he told her, and strode back the way he’d come. She did not think she was in love with him. She hadn’t been in love before, but she was still pretty sure she’d be able to tell. Earlier in the year, she had had a vision of kissing him, and she could still picture that quite easily. But the sensible part of Blue, which was usually the only part of her, thought that had more to do with Richard Campbell Gansey III having a nice mouth than with any blossoming romance. Anyway, if fate thought it would tell her who to fall for, fate had another thing coming. Gansey added, “I would’ve thought you had more muscles. Don’t feminists have big muscles?” Decidedly not in love with him. “Smiling when you say that doesn’t make it funny,” Blue said.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
... it is quite funny really when you think that probably I would have married him if he'd been at all clever about it. But instead of putting it to me as a sensible business proposition he would drag in all this talk about love the whole time, and I simply can't bear those showerings of sentimentality. Otherwise I should most likely have married him ages ago.
Nancy Mitford (Christmas Pudding (Mitford, Nancy))
Most unintelligent or foolish people do not regard themselves as that; they regard themselves as not-that-intelligent or not-that-wise.
Mokokoma Mokhonoana
He blinked a few times, each motion so slow that he was never quite sure if he’d get his eyes open again. He wasn’t wearing a shirt. Funny how he was only just realizing it. Funnier still that he couldn’t seem to summon any concern for her maidenly sensibilities. She might be blushing. He couldn’t tell. It was too dark to see. But it didn’t matter. This was Honoria. She was a good egg. A sensible egg. She wouldn’t be scarred forever by the sight of his chest.
Julia Quinn (Just Like Heaven (Smythe-Smith Quartet, #1))
There were, however, a few exceptions. One was Norma Dodsworth, the poet, who had not unpleasantly drunk but had been sensible enough to pass out before any violent action proved necessary. He had been deposited, not very gently, on the lawn, where it was hoped that a hyena would give him a rude awakening. For all practical purposes he could, therefore, be regarded as absent.
Arthur C. Clarke (Childhood’s End)
Marianne would have thought herself very inexcusable had she been able to sleep at all the first night after parting from Willoughby. She would have been ashamed to look her family in the face next morning, had she not risen from her bed in more need of repose than when she lay down in it.
Jane Austen (Sense and Sensibility)
Anyone who could build a universe in six days isn’t going to let a little thing like that happen. Unless they want it to, of course.” “Oh, come on. Be sensible,” said Aziraphale, doubtfully. “That’s not good advice,” said Crowley. “That’s not good advice at all. If you sit down and think about it sensibly, you come up with some very funny ideas. Like: why make people inquisitive, and then put some forbidden fruit where they can see it with a big neon finger flashing on and off saying ‘THIS IS IT!’?
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
But at times words can be a dangerous addition to music — they can pin it down. Words imply that the music is about what the words say, literally, and nothing more. If done poorly, they can destroy the pleasant ambiguity that constitutes much of the reason we love music. That ambiguity allows listeners to psychologically tailor a song to suit their needs, sensibilities, and situations, but words can limit that, too. There are plenty of beautiful tracks that I can’t listen to because they’ve been “ruined” by bad words — my own and others. In Beyonce's song "Irreplaceable," she rhymes "minute" with "minute," and I cringe every time I hear it (partly because by that point I'm singing along). On my own song "Astronaut," I wrap up with the line "feel like I'm an astronaut," which seems like the dumbest metaphor for alienation ever. Ugh.
David Byrne (How Music Works)
Oh, do shut up, Martha. Wearing sensible shoes doesn’t make a woman a feminist or a lesbian any more than wearing that hideous yellow dress makes you a goddamn banana,” Violet snarked, shaking her head. “I swear with women like you, I don’t know why my mother fought so hard to win the right to vote.
Onley James (Intoxicating (Elite Protection Services, #1))
Where'd you learn to do all these funny things?' he laughed. 'And you know I say funny but there's sumpthin so durned sensible about 'em. Here I am killin myself drivin this rig back and forth from Ohio to L.A. and I make more money than you ever had in your whole life as a hobo, but you're the one who enjoys life and not only that but you do it without workin or a whole lot of money. Now who's smart, you or me?' And he had a nice home in Ohio with wife, daughter, Christmas tree, two cars, garage, lawn, lawnmower, but he couldn't enjoy any of it because he really wasn't free.
Jack Kerouac (The Dharma Bums)
He was a very dispirited Poet. He had never expected the world to act in a courteous, seemly, or even sensible manner, and the world had seldom done so; often he had taken heart in the consistency of its rudeness and stupidity. But never before had the world shot the Poet in the abdomen with a musket. This he found not heartening at all.
Walter M. Miller Jr. (A Canticle for Leibowitz (St. Leibowitz, #1))
There is nothing so unsure as the plans we make that rely on the sensible behavior of another human being.
Steven Saylor (The Triumph of Caesar (Roma Sub Rosa, #12))
Do you think Meg cares for him?" asked Mrs. March, with an anxious look. "Mercy me! I don't know anything about love and such nonsense!" cried Jo, with a funny mixture of interest and contempt. "In novels, the girls show it by starting and blushing, fainting away, growing thin, and acting like fools. Now Meg does not do anything of the sort. She eats and drinks and sleeps like a sensible creature.
Louisa May Alcott (Little Women (Little Women, #1))
I am not going to give you disclaimers about what you can expect to find in my story. I went through menopause recently and find I don't much care about anyone's sensibilities anymore. I am called BadSquirrel for a reason. Considering how incredibly rude and grouchy I have become, I expect all of you to be extremely grateful to the QMBG (Queen Mother Bitch Goddess for those of you who haven't kept up) for all of the good warm fuzzy bits of my story. If you like it, it's because she went through it and took out all the really disturbing parts and made me behave.
BadSquirrel (Warriors of the Heart)
Funny creatures, women. Ninety-nine times out of a hundred, they do the sensible thing without hesitation. The hundredth time they do the other with the same enthusiasm.
John Christopher (The Death of Grass)
If you sit down and think about it sensibly, you come up with some very funny ideas. Like: why make people inquisitive, and then put some forbidden fruit where they can see it with a big neon finger flashing on and off saying 'THIS IS IT!?'... I mean, why do that if you really don't want them to eat it, eh? I mean, maybe you just want to see how it all turns out. Maybe it's all part of a great big ineffable plan. All of it. You, me, him, everything. Some great big test to see if what you've built works properly, eh? You start thinking: it can't be a great cosmic game of chess, it has to be just very complicated Solitaire.
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
And isn’t it wonderful that with those simple objects, with his painter’s exquisite sensibility, moved by the charity in his heart, that funny, dear old man should have made something so beautiful that it breaks you? It was as though, unconsciously perhaps, hardly knowing what he was doing, he wanted to show you that if you only have enough love, if you only have enough sympathy, out of pain and distress and unkindness, out of all the evil of the world, you can create beauty.
W. Somerset Maugham (Christmas Holiday)
BECAUSE OF PIETY’S PENCHANT for taking itself too seriously, theology does well to nurture a modest, unguarded sense of comedy. Some droll sensibility is required to keep in due proportion the pompous pretensions of the study of divinity. I invite the kind of laughter that wells up not from cynicism about reflection on God but from the ironic contradictions accompanying such reflection. Theology is intrinsically funny. This comes from glimpsing the incongruity of humans thinking about God. I have often laughed at myself as these sentences went through their tortuous stages of formation. I invite you to look for the comic dimension of divinity that stalks every page.
Thomas C. Oden (Classic Christianity: A Systematic Theology)
When he was a kid, it used to feel like his parents disappeared when the got drunk. As the levels of their glasses went down, he could sense them pulling away from him, as if they were together on the same boat, slowly pulling away from the shore where Oliver was left stranded, still himself, still boring, sensible Oliver, and he'd think, Please don't go, stay here with me, because his real mother was funny and his real father was smart, but they always went. First his dad got stupid and his mum got giggly, and then his mum got nasty and his dad got angry, and so it went until there was no point staying and Oliver went to watch movies in his bedroom. He'd had his own VCR in his bedroom. He'd had a privileged upbringing, had never wanted for anything.
Liane Moriarty (Truly Madly Guilty)
We were always looking for the perfect man. Even those of us who were not signed up for the traditional, heteronormative experience were nevertheless fascinated with the anthropological, unicorn-like search for one. Married or single, we were either searching for him or trying to mold him from one we already had. This perfect specimen would consist of the following essential attributes: He shared his food and always ordered dessert. When we recommended a book, he bought it without needing a friend to second our suggestion first. He knew how to pack a diaper bag without being told. He was a Southern gentleman with a mother from the East Coast who fostered his quietly progressive sensibilities. He said “I love you” after 2.5 months. He didn’t get drunk. He knew how to do taxes. He never questioned our feminist ideals when we refused to squish bugs or change oil. He didn’t sit down to put on his shoes. He had enough money for retirement. He wished vehemently for male-hormonal birth control. He had a slight unease with the concept of women’s shaved vaginas, but not enough to take a stance one way or another. He thought Mindy Kaling was funny. He liked throw pillows. He didn’t care if we made more money than him. He liked women his own age. We were reasonable and irrational, cynical and naïve, but always, always on the hunt. Of course, this story isn’t about perfect men, but Ardie Valdez unfortunately didn’t know that yet when, the day after Desmond’s untimely death, Ardie’s phone lit up: a notification from her dating app.
Chandler Baker (Whisper Network)
Well,’ said Crowley, who’d been thinking about this until his head ached, ‘haven’t you ever wondered about it all? You know – your people and my people, Heaven and Hell, good and evil, all that sort of thing? I mean, why?’ ‘As I recall,’ said the angel, stiffly, ‘there was the rebellion and—’ ‘Ah, yes. And why did it happen, eh? I mean, it didn’t have to, did it?’ said Crowley, a manic look in his eye. ‘Anyone who could build a universe in six days isn’t going to let a little thing like that happen. Unless they want it to, of course.’ ‘Oh, come on. Be sensible,’ said Aziraphale, doubtfully. ‘That’s not good advice,’ said Crowley. ‘That’s not good advice at all. If you sit down and think about it sensibly, you come up with some very funny ideas. Like: why make people inquisitive, and then put some forbidden fruit where they can see it with a big neon finger flashing on and off saying “THIS IS IT!”?’ ‘I don’t remember any neon.’ ‘Metaphorically, I mean. I mean, why do that if you really don’t want them to eat it, eh? I mean, maybe you just want to see how it all turns out. Maybe it’s all part of a great big ineffable plan. All of it. You, me, him, everything. Some great big test to see if what you’ve built all works properly, eh? You start thinking: it can’t be a great cosmic game of chess, it has to be just very complicated Solitaire. And don’t bother to answer. If we could understand, we wouldn’t be us. Because it’s all – all—’ INEFFABLE, said the figure feeding the ducks. ‘Yeah. Right. Thanks.’ They watched the tall stranger carefully dispose of the empty bag in a litter bin, and stalk away across the grass. Then Crowley shook his head. ‘What was I saying?’ he said. ‘Don’t know,’ said Aziraphale. ‘Nothing very important, I think.
Terry Pratchett (Good Omens)
If you sit down and think about it sensibly, you come up with some very funny ideas. Like: why make people inquisitive, and then put some forbidden fruit where they can see it with a big neon finger flashing on and off saying 'THIS IS IT!'? ... I mean, why do that if you really don't want them to eat it, eh? I mean, maybe you just want to see how it all turns out. Maybe it's all part of a great big ineffable plan. All of it. You, me, him, everything. Some great big test to see if what you've built all works properly, eh? You start thinking: it can't be a great cosmic game of chess, it has to be just very complicated Solitaire.
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
Before Keir MacRae arrived, everything was normal. Now there's been stabbings, explosions, and debauchery, and my sensible older sister is engaged to a Scottish whisky distiller. What's happened to you? You're supposed to be level-headed!" Merritt tried to sound dignified. "Just because one is usually level-headed doesn't mean one is always level-headed." "You won't be comprised if no one knows about it," Luke said. "And God knows none of us are going to say anything." The duke intervened, his voice so dry one could have struck a match off it. "My boy, you're missing the point. Your sister wants to be compromised." Ethan Ransom, who had been inching toward the stairs, ventured, "I don't need to be part of this conversation. I'm going up to see my wife.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
Sudenly Garge spring up and walk to the wall to admire some modarn art hanging on Frank and Estele Catandas wall. Hes impressed. Frank and Estele have always had a traditienel sensibility when it come to aesthetic matter's. For as long as he knew it, this space on the wall was ocupied by a Normen Rockwell print of a smileing child with a cast on his arm eating a handful of bird seed out of the hand of the postman. But now its replace with this minimelist art work, a large black rectangle. He make out hes bald reflectien in the imposibly smooth black surfece. It look like something that should be hang in the Moma (Museum Of Modarn Art). "This is beauteful," Garge remark. "It seem like a stark comentary on the end of art. Who designe this?" "Not art," Frank go. "Thats a televisien.
Seinfeld 2000 (The Apple Store)
Ah!" said the doctor, in his most complacent manner, "here is the opportunity I have long been waiting for. I have often desired to test and taste the indian mode of cooking. What do you suppose this is?" holding up the dripping morsel. Unable to obtain the desired information, the doctor, whose naturally good appetite had been sensibly sharpened by his recent exercise á la quadrupède, set to with a will and ate heartily of the mysterious contents of the kettle. "What can this be?" again inquired the doctor. He was only satisfied on one point, that it was delicious - a dish fit for a king. Just then Gurrier, the half-breed, entered the lodge. He could solve the mystery, having spent years among the Indians. To him the doctor appealed for information. Fishing out a huge piece and attacking it with the voracity of a hungry wolf, he was not long in determining what the doctor had supped so heartily upon. His first words settled the mystery: "Why this is dog." I will not attempt to repeat the few but emphatic words uttered by the heartedly disgusted member of the medical fraternity as he rushed from the lodge.
George Armstrong Custer (My Life on the Plains: Or, Personal Experiences with Indians)
His first interruption came immediately after she explained that she’d examined Mr. Wilson while he was still in bed. “In his nightclothes?” the duke gasped. Although he did not turn pink at the notion, his discomfort was plain and Bea had to squelch the laughter that rose in her throat. It was so impossibly funny that she, a spinster of advancing years, was less prudish than a duke who must have had several if not dozens of mistresses. “Yes, in his nightclothes. It didn’t strike me as prudent to have the butler dress him in his afternoon attire and arrange him in the sitting room. For one thing, it would have been ghoulish to see a dead man with the affect of an alive one. Furthermore, it would have ruined any opportunity for me to gather useful information from the scene itself. But that is just my opinion and you should of course feel free to attire and arrange the next corpse you examine in whatever way is least offensive to your sensibilities.” She’d meant to make him feel ridiculous for his scruples, but he merely thanked her for the suggestion and promised he would indeed keep it in mind should the situation arise.
Lynn Messina (An Infamous Betrayal (Beatrice Hyde-Clare Mysteries, #3))
He tried sometimes to see in her some extraordinary hidden gift, some thing of great beauty, the pearl that would make her attractive to a man. But if there was a pearl, it lay deeply and irretrievably buried. Where she was not unsightly, she was merely ordinary. Her voice didn’t dazzle, she had no great brains, she cooked but with no particular interest or talent for it, she couldn’t dance and didn’t want to (a wise choice—when Arnie imagined Iris throwing her concentrated weight around a dance floor, his stomach went acidy). Her hair didn’t shine, her feet were not small, the clothes she wore didn’t enhance her qualities, because she had few qualities to enhance. She could be funny at times, and kind at times, but not overwhelmingly, not to a degree that might cause a guy to give her a second look. The best Arnie could come up with for Iris’s main selling point was that she did what she was supposed to do. Which wasn’t so bad really, in a world where you couldn’t depend on anybody. Iris showed up for work on time, she bathed regularly with sensible soap, and she paid her bills. Arnie doubted there was anyone out there staying up nights fantasizing about a woman like that.
Jon Cohen (The Man in the Window)
Russell’s Teapot (Celestial Teapot Analogy) We cannot equate Russell’s teapot idea with the idea of God. Although this idea is humorous, it isn't very sensible. If anybody without scientific credentials stated thoughtfully that the teapot is circling the Sun, the majority of people would think that a person saying that is either bipolar, schizophrenic, or suffers from some other mental illness. This kind of comparison is absurd. Comic and absurdist comparisons of this kind only muddy the waters. Proof or disproof of such a thing is unnecessary because almost everybody knows the teapot can't orbit the Sun as freely as planets on a microcosmic or macro level. Regardless of Russel being aware that his example is nonsense, he still used it (and he states that). The point was not to prove anything but to make a funny remark to diminish the subject of the attack, God. It is a logical fallacy whenever we use such tactics or tricks because we use witty comments for lacking something more potent. If we make fun of some ideas, it does not mean they have no value. We cannot destroy an idea that has existed for millennia by witty but silly arguments. Carl Sagan made an even sillier argument about the undetectable dragon in his garage. To compare the idea of God to the teapot or a dragon in a garage is a useless way to refute an idea or argument with an “argument” (example) in the form of funny irony. I admire Bertrand Russell and Carl Sagan for their ingenuity and insights. I also admire Bertrand Russell’s writing style because he could express complicated ideas and concepts in very readable and clear prose. There can be no comparison between the idea of God and a teapot floating around the Sun or between God and an unidentifiable dragon in the garage. We cannot base our arguments on the value of their wit because regardless of how witty the statement is, it has to stand the test of truth, not the test of wit. We can easily exclude the idea of a teapot floating in orbit around the Sun as ridiculous. The same applies to the argument about the dragon in a garage. But can we exclude the idea of God from religious and theological thoughts and serious philosophical inquiries interested in discovering the truth about the world and God? We can easily refuse to accept a teapot or dragon in the garage as serious arguments. However, we cannot a priori deny the legitimacy of the idea about God, at least not the deist one (or pantheistic).
Dejan Stojanovic (ABSOLUTE (THE WORLD IN NOWHERENESS))
Here I am!” Captain East was cantering his mount toward them. He rode beautifully, confidently. Molly’s family spent their summers in the country, and she used to say that the way a man rides a horse could give you a pretty good idea how he would do something else. Jane eyed Mr. Nobley on his mount, noted that he was a smooth, gentle rider. The surprise of thinking this while wearing a bonnet made Jane choke. Her breath snarled in her throat, and she laughed. Mr. Nobley’s eyes widened. “What’s funny? You often have some secret laugh, Miss Erstwhile.” “The way you have some secret displeasure?” “No, not displeasure,” he said, and she realized he was right. Sadness, or heartbreak, or grief that there was nothing to give him hope, perhaps. She was pretty sure now that he was Henry Jenkins, poor sop. Captain East reined in beside Jane. “Miss Heartwright had a headache and went inside. So sorry to neglect you, Miss Erstwhile. You must tell me what I missed.” “I’ve discovered that Miss Erstwhile is an artist,” Mr. Nobley said. “Is that so?” “It’s been years since I picked up a paintbrush.” She glared at Mr. Nobley, and zing, there was his smile again, brief, urgent. When his lips relaxed she wanted it to come back. “That is a shame,” said Captain East. That evening when Jane retired from the drawing room, she found a large package on her side table wrapped in brown paper. She ripped open the paper and out tumbled neat little tubes of oil paints and three paintbrushes. She saw now that an easel waited by the window with two small canvases. She felt very Jane Eyre as she smelled the paints and ticked her palm with the largest brush. Who was her benefactor? It could be Captain East. Maybe he still liked her best, even after his tete-a-tete with Miss Heartwright. It could happen. Even so, she found herself hoping it was Mr. Nobley. Instinct urged her to stomp on the hope. She ignored it. She was firmly in Austenland now, she reminded herself, where hoping was allowed. Did Austen herself feel this way? Was she hopeful? Jane wondered if the unmarried writer had lived inside Austenland with close to Jane’s own sensibility--amused, horrified, but in very real danger of being swept away. Ten days to go.
Shannon Hale (Austenland (Austenland, #1))
Ah! said the doctor, in his most complacent manner, "here is the opportunity I have long been waiting for. I have often desired to test and taste the indian mode of cooking. What do you suppose this is?" holding up the dripping morsel. Unable to obtain the desired information, the doctor, whose naturally good appetite had been sensibly sharpened by his recent exercise á la quadrupède, set to with a will and ate heartily of the mysterious contents of the kettle. "What can this be?" again inquired the doctor. He was only satisfied on one point, that it was delicious - a dish fit for a king. Just then Gurrier, the half-breed, entered the lodge. He could solve the mystery, having spent years among the Indians. To him the doctor appealed for information. Fishing out a huge piece and attacking it with the voracity of a hungry wolf, he was not long in determining what the doctor had supped so heartily upon. His first words settled the mystery: "Why this is dog." I will not attempt to repeat the few but emphatic words uttered by the headily disgusted member of the medical fraternity as he rushed from the lodge.
George Armstrong Custer (My Life on the Plains (Illustrated & Annotated): Personal Experiences With Indians (History in Words and Pictures Series Book 1))
All right, funny man. Some of the shite I've seen in the last couple o' years makes AIDS monkeys sound downright sensible.
Garth Ennis (The Boys, Volume 9: The Big Ride)
If it's really hard to find a sensible person around, become one.
Raheel Farooq
Nancy’s. ‘War does funny things to men,’ he said. ‘Sometimes they change … sometimes they realize what’s important to them.’ ‘Yes,’ Cassie said with a wistful smile, ‘their bombers. I think fliers are a different breed of men. At least all the ones I know are. The women too. They’re all a little crazy.’ ‘It’s part of the charm.’ He smiled at her, suddenly looking more relaxed than she’d ever seen him. ‘I’ll have to remember that,’ she said, sipping her wine, and watching him. She wondered what made him tick, but there was no way of knowing. Even when he was being friendly, he was completely guarded. There was really no way of knowing him. He was careful to keep his distance. Nancy had told her that about him, and Cassie finally understood it. ‘And then there are the rest of us.’ He smiled at her again. ‘Those who live on the ground. So simple, and so lowly.’ ‘I don’t think I’d say that,’ she said quietly, as he watched her. ‘More sensible perhaps. More
Danielle Steel (Wings)
Last thing: one Sunday evening about a year before all this we were on the telephone, my mother and I; it was just after we sold the house and she’d moved to the facility, where she was allowed a small sensible room and a few possessions. As we talked I was watching snow drift down the dusk outside, counting it, one hundred and five, one hundred and six, one hundred and seven, when out of a pause she said, ‘It’s funny to have no home’ — funny being a funny word for what she meant. I say this now to remind myself how words can squirt sideways, mute and mad; you think they are tools, or toys, or tame, and all at once they burn all your clothes off and you’re standing there singed and ridiculous in the glare of the lightning. I hung up the phone. I stared at the snow for some time. I expect she did too.
Anne Carson (Wrong Norma)
Then the wizard looked down at the six big coins in his hand. Twoflower had insisted on paying his first four days’ wages in advance. Hugh nodded and smiled encouragingly. Rincewind snarled at him. As a student wizard Rincewind had never achieved high marks in precognition, but now unused circuits in his brain were throbbing and the future might as well have been engraved in bright colours on his eyeballs. The space between his shoulder blades began to itch. The sensible thing to do, he knew, was to buy a horse. It would have to be a fast one, and expensive — offhand, Rincewind couldn’t think of any horse - dealer he knew who was rich enough to give change out of almost a whole ounce of gold. And then, of course, the other five coins would help him set up a useful practice at some safe distance, say two hundred miles. That would be the sensible thing. But what would happen to Twoflower, all alone in a city where even the cockroaches had an unerring instinct for gold? A man would have to be a real heel to leave him. The Patrician of Ankh - Morpork smiled, but with his mouth only. “The Hub Gate, you say?” he murmured. The guard captain saluted smartly. “Aye, lord. We had to shoot the horse before he would stop.
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
The best humor is displaying non-sense in a most sensible manner.
Shahenshah Hafeez Khan
It’s just as though one’s second self were standing beside one; one is sensible and rational oneself, but the other self is impelled to do something perfectly senseless, and sometimes very funny; and suddenly you notice that you are longing to do that amusing thing, goodness knows why; that is, you want to, as it were, against your will; though you fight against it with all of your might, you want to.
Fyodor Dostoevsky (The Adolescent (Vintage Classics))
Clenching my fists, his subsequent snore emphasises my suspicions. He has been sleeping on the job. I put my hands on my hips and glide over to him. I have one intent in mind. Picking up the book next to his elbow, I slam it down on the table. There are definitely some perks to being able to manipulate objects. Adam’s reaction is priceless. “W…w….what? W…where? W…why?” He stammers, blinking frantically. One hand flies to his heart, which he clutches dramatically and he raises his other to his forehead, wiping his brow. When he realises who has disturbed him and what I have done, he scowls at me. “Why did you do that?” He snaps, rubbing his eyes. He yawns at the end, meaning that I definitely can’t take him seriously. “I was enjoying that dream.” At hearing his answer, I roll my eyes. Part of me is tempted to interrogate him, to find what he was dreaming about exactly. The other rational and sensible part wins, meaning that I thrust the book in his direction, winding him considerably. He throws me a sharp glare, which ends in a grimace. The book juts sharply into his ribs. “You should be reading NOT sleeping!” I retort, making sure that the book digs harder into his chest. I give it one last push. “So get going.
Adele Rose (Damned (The Devil’s Secret #1))
During Marian’s long absence from the 1937 to 1939 and on several occasions in later years when she did not appear, Fibber and company continued on for the prime mover kept things moving along smoothly until she returned. Plainly put, Molly was too sensible and kindly to be funny all alone whereas impetuous, short-tempered Fibber could be a riot just talking to himself.
Clair Schulz (FIBBER McGEE & MOLLY ON THE AIR, 1935-1959 (REVISED AND ENLARGED EDITION))
You think you’re better than everyone else. You think the rules don’t apply to you. You breeze into town, working your charm on all the girls, then walk away when you realize they aren’t the skin-walker you’re looking for. You find her”--Sam pointed at me--“and you use her, too, but apparently, she’s forgiven you. Maya’s smart and she’s sensible, so maybe I’m trying to figure out why the hell she’s with you when there are great guys like…” She stumbled, as if searching for a name. “Like Brendan. You’ve got some kind of hold over her, and I don’t like it.” Rafe leaned over and whispered. “It’s a love spell I picked up from a witch over in Nanaimo. But don’t tell Maya.” “You think you’re funny.” “No, I think you have your own issue with me and I think I know what it is. But it has nothing to do with me personally, so I’m going to try not to take it personally. And, while I might be enjoying this--” He lifted his hand, which was still clasping mine. “I know it’s as temporary as a love spell. Give it a few hours and she’ll hate me again.” “Hate’s a strong word,” I said. “Strong emotion is better than indifference.” He grinned at me, then looked at the others. “Now, if we can stop bickering for a few minutes, I’ll tell you my plan.” His gaze moved to Sam. “Which I’m sure Maya and Daniel will change, if they don’t outright reject it, and I’m fine with that.
Kelley Armstrong (The Calling (Darkness Rising, #2))
If you sit down and think about it sensibly, you come up with some very funny ideas. Like: why make people inquisitive, and then put some forbidden fruit where they can see it with a big neon finger flashing on and off saying 'THIS IS IT!'? ... I mean, why do that if you really don't want them to eat it, eh? I mean, maybe you just want to see how it all turns out. Maybe it's all part of a great big ineffable plan. All of it. You, me, him, everything. Some great big test to see if what you've built all works properly, eh? You start thinking: it can't be a great cosmic game of chess, it has to be just very complicated Solitaire.
Terry Pratchett
He then requested to speak to Miss Fleming privately, so I put them in my study and listened at the door. Unfortunately the door is very solid, so I missed parts of the conversation, but the gist of it was clear. Cliveden offered to refuse his consent to her marriage to Garland, which I think is the most sensible thing he has ever said. I had to respect the boy, even if he later called me a funny man and compared me to his gouty great-uncle.
Emma Melbourne (Miss Fleming Falls in Love (Miss Fleming #1))
When he was a kid, it used to feel like his parents disappeared when they got drunk. As the levels of their glasses went down, he could sense them pulling away from him, as if they were together on the same boat, slowly pulling away from the shore where Oliver was left stranded, still himself, still boring, sensible Oliver, and he’d think, Please don’t go, stay here with me, because his real mother was funny and his real father was smart, but they always went. First his dad got stupid and his mum got giggly, and then his mum got nasty and his dad got angry, and so it went until there was no point staying and Oliver went to watch movies in his bedroom.
Liane Moriarty (Truly Madly Guilty)
The sensible women who, if they wanted, would certainly be able to qualify themselves for the world of discussion and ideas, are precisely those who, if they are not qualified, never try to enter it or to destroy it. They have other fish to fry. At a mixed party they gravitate to one end of the room and talk women’s talk to one another. They don’t want us, for this sort of purpose, any more than we want them. It is only the riff-raff of each sex that wants to be incessantly hanging on the other. Live and let live. They laugh at us a good deal. That is just as it should be. Where the sexes, having no real shared activities, can meet only in Affection and Eros— cannot be Friends—it is healthy that each should have a lively sense of the other’s absurdity. Indeed it is always healthy. No one ever really appreciated the other sex—just as no one really appreciates children Friendship or animals—without at times feeling them to be funny. For both sexes are. Humanity is tragi-comical; but the division into sexes enables each to see in the other the joke that often escapes it in itself—and the pathos too.
C.S. Lewis (The Four Loves)