Seniors Poems And Quotes

It was May of my senior year at Leighton Gage and on Tuesday and Thursday afternoons we sat in an air-conditioned hourglass and savored our own total incomprehension as an assistant professor charted the poems of Dryden, Lovelace, Fanshawe and Suckling. They were all so incomparably dead, the Penguin poets, and we loved them because their lines meant less to us than the dark side of the moon.

Mr. Ram was a dedicated person—that means he didn’t let go of the things that were important to him. He was dedicated to Seniors Games Club every week. He got dressed up to go. Everyone knew he was serious about spending time with his friends, that’s how dressed up he was. He was dedicated to people. Even though he was a serious person, with a lot on his mind, he made sure to let you know he remembered you. Always. He smiled at jokes even if they were only sort of funny. He remembered that it was a person who was telling the joke, so he smiled for that person. He was dedicated to reading good books, even if they were from another generation or didn’t make complete sense to him. He read the first Harry Potter when he was ninety years old because someone told him it was good. He would have read the rest of the series if that someone had been able to find the large-type versions in the library for him.* He smiled one of his loudest smiles ever at the Shel Silverstein poem about a pet snowball. But his favorite Shel Silverstein poem was “The Little Boy and the Old Man.” Like the old man in the poem, he was dedicated to someone too, dedicated to helping her find out what the really important things for her were. What she should be dedicated to. She misses him but was happy to have had someone like him in her life. Thank you, Mr. Ram, for the warmth of your hand. *Someone still regrets that they didn’t find the rest of the HP books for him.

At supper—the thirty piratical Digams sitting at a long and spotty table, devouring clam chowder and beans and codfish balls and banana layer-cake—the Freshmen earnestly repeated after a senior: On old Olympus' topmost top A fat-eared German viewed a hop. Thus by association with the initial letters they mastered the twelve cranial nerves: olfactory, optic, oculomotor, trochlear, and the rest. To the Digams it was the world's noblest poem, and they remembered it for years after they had become practicing physicians and altogether forgotten the names of the nerves themselves.

Outside the study hall the next fall, the fall of our senior year, the Nabisco plant baked sweet white bread twice a week. If I sharpened a pencil at the back of the room I could smell the baking bread and the cedar shavings from the pencil.... Pretty soon all twenty of us - our class - would be leaving. A core of my classmates had been together since kindergarten. I'd been there eight years. We twenty knew by bored heart the very weave of each other's socks.... The poems I loved were in French, or translated from the Chinese, Portuguese, Arabic, Sanskrit, Greek. I murmured their heartbreaking sylllables. I knew almost nothing of the diverse and energetic city I lived in. The poems whispered in my ear the password phrase, and I memorized it behind enemy lines: There is a world. There is another world. I knew already that I would go to Hollins College in Virginia; our headmistress sent all her problems there, to her alma mater. "For the English department," she told me.... But, "To smooth off her rough edges," she had told my parents. They repeated the phrase to me, vividly. I had hopes for my rough edges. I wanted to use them as a can opener, to cut myself a hole in the world's surface, and exit through it. Would I be ground, instead, to a nub? Would they send me home, an ornament to my breed, in a jewelry bag?

Before the war, they were happy, he said, quoting our textbook. (This was senior-year history class.) The slaves were clothed, fed, and better off under a master's care. I watched the words blur on the page. No one raised a hand, disagreed. Not even me.

A young poetess suddenly attacked a senior poet saying that the elders had all become backdated and their poems were no more readable. My mother resented this arrogance. She told me later, "Won't this young lady herself ever get old? Does a poem lose its value simply because it was written in the past?

From kindergarten through senior year of high school, Evan attended Crossroads, an elite, coed private school in Santa Monica known for its progressive attitudes. Tuition at Crossroads runs north of $ 22,000 a year, and seemingly rises annually. Students address teachers by their first names, and classrooms are named after important historical figures, like Albert Einstein and George Mead, rather than numbered. The school devotes as significant a chunk of time to math and history as to Human Development, a curriculum meant to teach students maturity, tolerance, and confidence. Crossroads emphasizes creativity, personal communication, well-being, mental health, and the liberal arts. The school focuses on the arts much more than athletics; some of the school’s varsity games have fewer than a dozen spectators. 2 In 2005, when Evan was a high school freshman, Vanity Fair ran an exhaustive feature about the school titled “School for Cool.” 3 The school, named for Robert Frost’s poem “The Road Not Taken,” unsurprisingly attracts a large contingent of Hollywood types, counting among its alumni Emily and Zooey Deschanel, Gwyneth Paltrow, Jack Black, Kate Hudson, Jonah Hill, Michael Bay, Maya Rudolph, and Spencer Pratt. And that’s just the alumni—the parents of students fill out another page or two of who’s who A-listers. Actor Denzel Washington once served as the assistant eighth grade basketball coach, screenwriter Robert Towne spoke in a film class, and cellist Yo-Yo Ma talked shop with the school’s chamber orchestra.

He was an American college senior, school-champion wrestler, consistent honor student, president of the Student Foreign Missions Fellowship, amateur poet, and class representative on the Student Council. Jim was warmly admired by fellow students. He was known as “one of the most surprising characters” on campus. Able to recite such poems as “The Face on the Barroom Floor” and Robert Service’s “The Cremation of Sam McGee,” he was at the same time recognized as a man of spiritual stature above his classmates. George Macdonald said, “It is the heart that is not yet sure of its God that is afraid to laugh in His presence.” Jim spoke of “joking with God.” “Every now and again,” he said, “I ask for something—a little thing, perhaps, and something answers. Maybe it’s only me, but something answers, and makes the request sound so funny that I laugh at myself and feel that He is smiling with me. I’ve noticed it several times lately, we two making fun of my ‘other self’ who does so hate to be laughed at!

D. Donovan, Senior Reviewer, Midwest Book Review writes: "Sea Creatures and Poems: Plus Some Other Fish Rhymes illustrates the fun that poetry can embrace, providing a zany collection for all ages that is both ocean-focused and whimsical. The operative description for both poems and pictures is "silly," and the book fulfills this promise with a series of engaging observations that belay the usual staid approaches of too many poetry books. Art combined with poetry is "a delicious combination," as Richard Merritts reflects in the collection's introduction. The poems inspired the author to add illustrations which are just as whimsically touched...and, also, quite artistically rendered. These aren't demanding works. Take "Pompano Pompano Pompano," for example. Its very short observation concludes with an ironic twist after identifying the "flat fish from Florida" outside of its normal sea environment. Succinct? Yes. But the poem really...snags readers, landing a winning insight on both the pompano and its ultimate fate. Readers trawling for humor will find plenty in this book. Even the poetry titles present original, fun observations, as in "By Jove, I Hooked a Snook." Aside from its delightful observations, the poems represent diverse structures, from free verse to rhyme: "From the depths of the sea;/Came a fish that could be;/From a prison did flee;/Dressed in stripes, so you see..." From redfish and ahi to the anglers who long for them, Sea Creatures and Poems will appeal to a wide audience, especially those who do not view poetry as an opportunity for philosophical and psychological analysis alone. Its blend of natural history info, inviting color illustrations, and accompanying fun insights is recommended for those who fish to those who enjoy eating or studying them, as well as poetry lovers who will appreciate the very different approaches, poetic variety, and whimsical inspections within. Libraries catering to these audiences will want to include it in their collections, but Sea Creatures and Poems will prove a delightful choice for adults who seek to instill in the young an appreciation for poetry's capability for fun and its diverse structural representations.

Hillary’s 92-page senior thesis was entitled “THERE IS ONLY THE FIGHT … An Analysis of the Alinsky Model.”2 Hillary attributed her title to two lines from the second poem, “East Cokor,” in T.S. Eliot’s 1940 “Four Quartets,” that read: (1.) “There is only the fight to recover what has been lost,” and (2.) “And found and lost again and again.” In

school stood. He wished he’d had the guts to choose something honest, like the entry Andi had been bold enough to submit. While most students, like him, had produced anodyne statements calculated not to offend, she had mused about the private nature of journaling and how carefully curated everyone’s senior page actually was, before concluding with a poem: These Best Years Bridging the gap between childhood and adulthood Prepared, precisely prepped, on the path to our predestination Are we about to wake up? Or have we just fallen asleep? Every time Ian read her senior page, he thought about one of his entries from freshman year—the day he met her, September 20, 1993. A new girl started today. Her name’s Andi Bloom. She just showed up in algebra

Successive popes included one pontiff whose eldest son, Pierluigi Farnese, was widely accused of raping a twenty-four-year-old bishop, hastening the unfortunate young man’s death (Farnese was subsequently murdered by subordinates of Charles V), while another Holy Father, former principal papal legate at the Council, on being elected Pope Julius III, made his teenage rentboy lover a cardinal. It might seem appropriate that the Council’s official physician, Girolamo Fracastoro, was the first person to name and provide a detailed diagnosis for syphilis; contemporary senior churchmen would have provided Fracastoro with plenty of case studies for his epic poem on the subject.

I am ruining coloring hour for seniors at the library.