“
For each new morning with its light,
For rest and shelter of the night,
For health and food, for love and friends,
For everything Thy goodness sends.
”
”
Ralph Waldo Emerson
“
How you must have suffered getting accustomed to me,
my savage, solitary soul, my name that sends them all running.
So many times we have seen the morning star burn, kissing our eyes,
and over our heads the grey light unwinds in turning fans.
”
”
Pablo Neruda (Twenty Love Poems and a Song of Despair)
“
Problem is, you can’t accept that his relationship had a real short shelf life. You’re like a dog at the dump, baby – you’re just lickin’ at the empty tin can, trying to get more nutrition out of it. And if you’re not careful, that can’s gonna get stuck on your snout forever and make your life miserable. So drop it.”
“But I love him.”
“So love him.”
“But I miss him.”
“So miss him. Send him some love and light every time you think about him, then drop it.
”
”
Elizabeth Gilbert (Eat, Pray, Love)
“
So miss him. Send him some love and light every time you think about him, then drop it.
”
”
Elizabeth Gilbert (Eat, Pray, Love)
“
Something, somewhere, knows what’s best for me and promises to keep sending me people and experiences to light my way as long as I live in gratitude and keep paying attention to the signs.
”
”
Jennifer Elisabeth
“
I’m not laughing.” I was actually crying. “And please don’t laugh at me now, but I think the reason it’s so hard for me to get over this guy is because I seriously believed David was my soul mate. ”He probably was. Your problem is you don’t understand what that word means. People think a soul mate is your perfect fit, and that’s what everyone wants. But a true soul mate is a mirror, the person who shows you everything that’s holding you back, the person who brings you to your own attention so you can change your life. A true soul mate is probably the most important person you’ll ever meet, because they tear down your walls and smack you awake. But to live with a soul mate forever? Nah. Too painful. Soul mates, they come into your life just to reveal another layer of yourself to you, and then they leave. And thank God for it. Your problem is, you just can’t let this one go. It’s over, Groceries. David’s purpose was to shake you up, drive you out of your marriage that you needed to leave, tear apart your ego a little bit, show you your obstacles and addictions, break your heart open so new light could get in, make you so desperate and out of control that you had to transform your life, then introduce you to your spiritual master and beat it. That was his job, and he did great, but now it’s over. Problem is, you can’t accept that his relationship had a real short shelf life. You’re like a dog at the dump, baby – you’re just lickin’ at the empty tin can, trying to get more nutrition out of it. And if you’re not careful, that can’s gonna get stuck on your snout forever and make your life miserable. So drop it.“But I love him.”
“So love him.” “But I miss him.” “So miss him. Send him some love and light every time you think about him, then drop it. You’re just afraid to let go of the last bits of David because then you’ll be really alone, and Liz Gilbert is scared to death of what will happen if she’s really alone. But here’s what you gotta understand, Groceries. If you clear out all that space in your mind that you’re using right now to obsess about this guy, you’ll have a vacuum there, an open spot – a doorway. And guess what the universe will do with the doorway? It will rush in – God will rush in – and fill you with more love than you ever dreamed. So stop using David to block that door. Let it go.
”
”
Elizabeth Gilbert (Eat, Pray, Love)
“
But I love him."
"So love him."
"But I miss him."
"So miss him. Send him love and light every time you think about him, and then drop it.
”
”
Elizabeth Gilbert (Eat, Pray, Love)
“
Dear Child,
Sometimes on your travel through hell, you meet people that think they are in heaven because of their cleverness and ability to get away with things. Travel past them because they don't understand who they have become and never will. These type of people feel justified in revenge and will never learn mercy or forgiveness because they live by comparison. They are the people that don't care about anyone, other than who is making them feel confident. They don’t understand that their deity is not rejoicing with them because of their actions, rather he is trying to free them from their insecurities, by softening their heart. They rather put out your light than find their own. They don't have the ability to see beyond the false sense of happiness they get from destroying others. You know what happiness is and it isn’t this. Don’t see their success as their deliverance. It is a mask of vindication which has no audience, other than their own kind. They have joined countless others that call themselves “survivors”. They believe that they are entitled to win because life didn’t go as planned for them. You are not like them. You were not meant to stay in hell and follow their belief system. You were bound for greatness. You were born to help them by leading. Rise up and be the light home. You were given the gift to see the truth. They will have an army of people that are like them and you are going to feel alone. However, your family in heaven stands beside you now. They are your strength and as countless as the stars. It is time to let go!
Love,
Your Guardian Angel
”
”
Shannon L. Alder
“
Walk with me, hand in hand through the neon and styrofoam. Walk the razor blades and the broken hearts. Walk the fortune and the fortune hunted. Walk the chop suey bars and the tract of stars.
I know I am a fool, hoping dirt and glory are both a kind of luminous paint; the humiliations and exaltations that light us up. I see like a bug, everything too large, the pressure of infinity hammering at my head. But how else to live, vertical that I am, pressed down and pressing up simultaneously? I cannot assume you will understand me. It is just as likely that as I invent what I want to say, you will invent what you want to hear. Some story we must have. Stray words on crumpled paper. A weak signal into the outer space of each other.
The probability of separate worlds meeting is very small. The lure of it is immense. We send starships. We fall in love.
”
”
Jeanette Winterson (Gut Symmetries)
“
The Coming of Light
Even this late it happens:
the coming of love, the coming of light.
You wake and the candles are lit as if by themselves,
stars gather, dreams pour into your pillows,
sending up warm bouquets of air.
Even this late the bones of the body shine
and tomorrow’s dust flares into breath.
”
”
Mark Strand (The Late Hour)
“
A window within the soul to see
Light and Magick I send with thee
Be strong, be brave, make the right choice
Though Darkness shouts with a terrible voice
Know that I am watching from above
And that always, always, the answer is love!
”
”
P.C. Cast (Awakened (House of Night, #8))
“
Message
I heard a cry in the night,
A thousand miles it came,
Sharp as a flash of light,
My name, my name!
It was your voice I heard,
You waked and loved me so --
I send you back this word,
I know, I know!
”
”
Sara Teasdale (Love Songs)
“
To love a swamp, however, is to love what is muted and marginal, what exists in the shadows, what shoulders its way out of mud and scurries along the damp edges of what is most commonly praised. And sometimes its invisibility is a blessing. Swamps and bogs are places of transition and wild growth, breeding grounds, experimental labs where organisms and ideas have the luxury of being out of the spotlight, where the imagination can mutate and mate, send tendrils into and out of the water.
”
”
Barbara Hurd (Stirring the Mud: On Swamps, Bogs, and Human Imagination)
“
When truthsayers have the courage to say the emperor is wearing no clothes, whether you agree with their point of view or not, send them love. They are to be acknowledged for speaking their truth.
”
”
Barbara Marciniak (Family of Light: Pleiadian Tales and Lessons in Living)
“
Authority, when first detecting chaos at its heels, will entertain the vilest schemes to save its orderly facade but always order without justice, without love or liberty, which cannot long postpone their world's descent to pandemonium.
Authority's collapse sends cracks through bedroom, boardroom, church and school alike. All misrule. Equality and Freedom are not luxuries to lightly cast aside. Without them, order cannot long endure before approaching depths beyond imagining.
”
”
Alan Moore (V for Vendetta)
“
Send him some love and light every time you think about him, and then drop it. You're just afraid to let go of the last bits of David because then you'll really be alone. But here's what you gotta understand, Groceries. If you clear out all that space in your mind that you're using right now to obsess about this guy, you'll have a vacuum there, an open spot - a doorway. And guess what the universe will do with that doorway? It will rush in - God will rush in - and fill you with more love than you ever dreamed. So stop using David to block that door. Let it go.
”
”
Elizabeth Gilbert (Eat, Pray, Love)
“
At the beginning of human history, as we struggled to light fires and to chisel fallen trees into rudimentary canoes, who could have predicted that long after we had managed to send men to the moon and areoplanes to Australasia, we would still have such trouble knowing how to tolerate ourselves, forgive our loved ones, and apologise for our tantrums?
”
”
Alain de Botton (A Week at the Airport: A Heathrow Diary)
“
I want to love somebody because I want to be loved. In a rabbit-fear I may hurl myself under the wheels of the car because the lights terrify me, and under the dark blind death of the wheels I will be safe. I am very tired, very banal, very confused. I do not know who I am tonight. I wanted to walk until I dropped and not complete the inevitable circle of coming home. I have lived in boxes above, below, and down the hall from girls who think hard, feel similarly, and long companionably, and I have not bothered to cultivate them because I did not want to, could not, sacrifice the time. People know who I am, and the harder I try to know who they are, the more I forget their names - I want to be alone, and yet there are times when the liquid eye and the cognizant grin of a small monkey would send me into a crying fit of brotherly love. I work and think alone. I live with people, and act. I love and cherish both. If I knew now what I wanted I would know when I saw it, who he was.
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
You weren’t meant for the ice, you weren’t made for the pain.
The world that lives inside of me was not the world you were meant to contain.
You were meant for castles and living in the sun. Thecold running through me should have made you run.
Yet you stay. Holding onto me, yet you stay, reachingout a hand that I push away. The cold is not meant for you yet you stay, you stay, you stay. When I know it’s not right for you.
The ice fills my veins and I can’t feel the pain, yet you’re there like the heat that sends me screaming in fear.
I can’t feel the warmth I need to feel the ice. I want to hold it all in and numb it till I can’t feel the knife.
Your heat threatens to melt it all and I know I can’t bear the pain if the ice melts away.
So I push you away and I scream out your name and I know I can’t need you yet you give anyway and I run wishing you would run too.
Yet you stay. Holding onto me yet you stay reaching out a hand that I push away. The cold is not meant for you yet you stay, you stay, you stay. When I know it’s not right for you.
The blackness is my shield. I pull it closer still.
You’re the light that I hide from, the light that I hate.
You’re the light to this darkness and I can’t let you stay.
I need the dark around me like I need the ice in my veins.
The cold is my healer. The cold is my safe place. Youaren’t welcome with your heat you don’t belong beside me.
I hate you yet I love, I don’t want you yet I need you.
The dark will always be my cloak and you are the threat to unveil my pain, so leave. Leave and erase the memories.
I need to face the life that’s meant for me. Don’t stay and ruin all my plans.
You can’t have my soul I’m not a man.
The empty vessel I dwell in is not meant to feel the heat you bring. I push you away and I push you away.
Yet you stay.
”
”
Abbi Glines (Existence (Existence, #1))
“
There must be a glowing light above such houses. The joy they contain must escape in light through the stones of the walls and shine dimly into the darkness. It is impossible that this sacred festival of destiny should not send a celestial radiation to the infinite. Love is the sublime crucible in which is consummated the fusion of man and woman; the one being, the triple being, the final being-- the human trinity springs from it. This birth of two souls into one space must be an emotion for space. The lover is priest; the apprehensive maiden submits. Something of this joy goes to God. Where there really is marriage, that is to say, where there is love, the ideal is mingled with it. A nuptial bed makes a halo in the darkness. Were it given to the eye of the flesh to perceive the fearful and enchanting sights of the superior life, it is likely that we should see the forms of night, the winged stranger, the blue travelers of the invisible, bending, a throng of shadowy heads, over the luminous house, pleased, blessing, showing to one another the sweetly startled maiden bride and wearing the reflection of the human felicity on their divine countenances. If at that supreme hour, the wedded pair, bewildered with pleasure, and believing themselves alone, were to listen, they would hear in their room a rustling of confused wings. Perfect happiness implies the solidarity of the angels. That obscure little alcove has for its ceiling the whole heavens. When two mouths, made sacred by love, draw near to each other to create, it is impossible, that above that ineffable kiss there should not be a thrill in the immense mystery of the stars.
”
”
Victor Hugo (Les Misérables)
“
Dorian strokes my exposed back with the tips of his fingers, sending shockwaves up and down my spine. I gasp from the contact, resisting the urge to beg him for more. He brings his face down to my neck, letting his lips brush my earlobe. “Gabriella, I would love to bend you over this desk right now and pull your dress up past your thighs and over your ass,” he murmurs, sex dripping from his soft lips.
“That sounds good to me,” I breathe, turning my head a fraction. “What’s stopping you?” Never in my life have I been this bold and eager with a man but Dorian has awakened the sleeping sex giant within me. If my days are numbered, I want to at least die happy.
“Oh, I would do it. But I know Aurora will come looking for me and I don’t want to be disturbed when I… ruin you.” Ruin me? It sounds so threatening and violent.
I love it.
”
”
S.L. Jennings (Dark Light (Dark Light, #1))
“
New eyes awaken.
I send Love's name into the world with wings
And songs grow up around me like a jungle.
Choirs of all creatures sing the tunes
Your Spirit played in Eden.
Zebras and antelopes and birds of paradise
Shine on the face of the abyss
And I am drunk with the great wilderness
Of the sixth day in Genesis.
But sound is never half so fair
As when that music turns to air
And the universe dies of excellence.
Sun, moon and stars
Fall from their heavenly towers.
Joys walk no longer down the blue world's shore.
Though fires loiter, lights still fly on the air of the gulf,
All fear another wind, another thunder:
Then one more voice
Snuffs all their flares in one gust.
And I go forth with no more wine and no more stars
And no more buds and no more Eden
And no more animals and no more sea:
While God sings by himself in acres of night
And walls fall down, that guarded Paradise.
”
”
Thomas Merton
“
No, really, Herr Nietzche, I have great admiration for you. Sympathy. You want to make us able to live with the void. Not lie ourselves into good-naturedness, trust, ordinary middling human considerations, but to question as has never been questioned before, relentlessly, with iron determination, into evil, through evil, past evil, accepting no abject comfort. The most absolute, the most piercing questions. Rejecting mankind as it is, that ordinary, practical, thieving, stinking, unilluminated, sodden rabble, not only the laboring rabble, but even worse the "educated" rabble with its books and concerts and lectures, its liberalism and its romantic theatrical "loves" and "passions"--it all deserves to die, it will die. Okay. Still, your extremists must survive. No survival, no Amor Fati. Your immoralists also eat meat. They ride the bus. They are only the most bus-sick travelers. Humankind lives mainly upon perverted ideas. Perverted, your ideas are no better than those the Christianity you condemn. Any philosopher who wants to keep his contact with mankind should pervert his own system in advance to see how it will really look a few decades after adoption. I send you greetings from this mere border of grassy temporal light, and wish you happiness, wherever you are. Yours, under the veil of Maya, M.E.H.
”
”
Saul Bellow (Herzog)
“
This life is a hospital in which each patient is possessed by the desire to change beds. One wants to suffer in front of the stove and another believes that he will get well near the window.
It always seems to me that I will be better off there where I am not, and this question of moving about is one that I discuss endlessly with my soul
"Tell me, my soul, my poor chilled soul, what would you think about going to live in Lisbon? It must be warm there, and you'll be able to soak up the sun like a lizard there. That city is on the shore; they say that it is built all out of marble, and that the people there have such a hatred of the vegetable, that they tear down all the trees. There's a country after your own heart -- a landscape made out of light and mineral, and liquid to reflect them!"
My soul does not reply.
"Because you love rest so much, combined with the spectacle of movement, do you want to come and live in Holland, that beatifying land? Perhaps you will be entertained in that country whose image you have so often admired in museums. What do you think of Rotterdam, you who love forests of masts and ships anchored at the foot of houses?"
My soul remains mute.
"Does Batavia please you more, perhaps? There we would find, after all, the European spirit married to tropical beauty."
Not a word. -- Is my soul dead?
Have you then reached such a degree of torpor that you are only happy with your illness? If that's the case, let us flee toward lands that are the analogies of Death. -- I've got it, poor soul! We'll pack our bags for Torneo. Let's go even further, to the far end of the Baltic. Even further from life if that is possible: let's go live at the pole. There the sun only grazes the earth obliquely, and the slow alternation of light and darkness suppresses variety and augments monotony, that half of nothingness. There we could take long baths in the shadows, while, to entertain us, the aurora borealis send us from time to time its pink sheaf of sparkling light, like the reflection of fireworks in Hell!"
Finally, my soul explodes, and wisely she shrieks at me: "It doesn't matter where! It doesn't matter where! As long as it's out of this world!
”
”
Charles Baudelaire (Paris Spleen)
“
Quinn to Alaric
"“No way, buddy. Don’t touch me until we figure this out. You might electrocute me, which would totally ruin my day. Or, worse, it would send some kind of energy beam through me like when you, um, healed me earlier, and I’m not going to try making love to a glowing light stick just yet.”
Day, Alyssa. “Heart Of Atlantis.
”
”
Alyssa Day (Heart of Atlantis (Warriors of Poseidon, #8))
“
Life is an island in an ocean of solitude and seclusion.
Life is an island, rocks are its desires, trees its dreams, and flowers its loneliness, and it is in the middle of an ocean of solitude and seclusion.
Your life, my friend, is an island separated from all other islands and continents. Regardless of how many boats you send to other shores, you yourself are an island separated by its own pains,secluded its happiness and far away in its compassion and hidden in its secrets and mysteries.
I saw you, my friend, sitting upon a mound of gold, happy in your wealth and great in your riches and believing that a handful of gold is the secret chain that links the thoughts of the people with your own thoughts and links their feeling with your own.
I saw you as a great conqueror leading a conquering army toward the fortress, then destroying and capturing it.
On second glance I found beyond the wall of your treasures a heart trembling in its solitude and seclusion like the trembling of a thirsty man within a cage of gold and jewels, but without water.
I saw you, my friend, sitting on a throne of glory surrounded by people extolling your charity, enumerating your gifts, gazing upon you as if they were in the presence of a prophet lifting their souls up into the planets and stars. I saw you looking at them, contentment and strength upon your face, as if you were to them as the soul is to the body.
On the second look I saw your secluded self standing beside your throne, suffering in its seclusion and quaking in its loneliness. I saw that self stretching its hands as if begging from unseen ghosts. I saw it looking above the shoulders of the people to a far horizon, empty of everything except its solitude and seclusion.
I saw you, my friend, passionately in love with a beautiful woman, filling her palms with your kisses as she looked at you with sympathy and affection in her eyes and sweetness of motherhood on her lips; I said, secretly, that love has erased his solitude and removed his seclusion and he is now within the eternal soul which draws toward itself, with love, those who were separated by solitude and seclusion.
On the second look I saw behind your soul another lonely soul, like a fog, trying in vain to become a drop of tears in the palm of that woman.
Your life, my friend, is a residence far away from any other residence and neighbors.
Your inner soul is a home far away from other homes named after you. If this residence is dark, you cannot light it with your neighbor's lamp; if it is empty you cannot fill it with the riches of your neighbor; were it in the middle of a desert, you could not move it to a garden planted by someone else.
Your inner soul, my friend, is surrounded with solitude and seclusion. Were it not for this solitude and this seclusion you would not be you and I would not be I. If it were not for that solitude and seclusion, I would, if I heard your voice, think myself to be speaking; yet, if I saw your face, i would imagine that I were looking into a mirror.
”
”
Kahlil Gibran (Mirrors of the Soul)
“
My experiments are experiments with love, compassion and blessings. From the top of the Himalaya, I always send positive vibrations to every part of the world and let there be positive transformations, and by the grace of the Supreme it works.
”
”
Amit Ray (Walking the Path of Compassion)
“
Go to the top of the mountain, go to the middle of the ocean, or just sit under a big tree, or just from the corner of your room, with pure heart send blessings, love and compassion to the world and notice the transformation in you and the world
”
”
Amit Ray (Walking the Path of Compassion)
“
But I love him."
"So love him."
"But I miss him."
"So miss him. Send some love and light every time you think about him, and then drop it. [...]
”
”
Elizabeth Gilbert (Eat, Pray, Love)
“
To send your thoughts to loved ones who have passed on, sit quietly in your room and meditate upon God.
”
”
Paramahansa Yogananda (Where There is Light: Insight and Inspiration for Meeting Life’s Challenges (Self-Realization Fellowship))
“
TO HIS HEART, BIIDING IT HAVE NO FEAR
Be you still, be you still, trembling heart;
Remember the wisdom out of the old days:
Him who trembles before the flame and the flood,
And the winds that blow through the starry ways,
Let the starry winds and the flame and the flood
Cover over and hide, for he has no part
With the lonely, majestical multitude.
THE CAP AND THE BELLS
The jester walked in the garden:
The garden had fallen still;
He bade his soul rise upward
And stand on her window-sill.
It rose in a straight blue garment,
When owls began to call:
It had grown wise-tongued by thinking
Of a quiet and light footfall;
But the young queen would not listen;
She rose in her pale night-gown;
She drew in the heavy casement
And pushed the latches down.
He bade his heart go to her,
When the owls called out no more;
In a red and quivering garment
It sang to her through the door.
It had grown sweet-tongued by dreaming
Of a flutter of flower-like hair;
But she took up her fan from the table
And waved it off on the air.
'I have cap and bells,' he pondered,
'I will send them to her and die';
And when the morning whitened
He left them where she went by.
She laid them upon her bosom,
Under a cloud of her hair,
And her red lips sang them a love-song
Till stars grew out of the air.
She opened her door and her window,
And the heart and the soul came through,
To her right hand came the red one,
To her left hand came the blue.
They set up a noise like crickets,
A chattering wise and sweet,
And her hair was a folded flower
And the quiet of love in her feet.
”
”
W.B. Yeats (The Wind Among the Reeds)
“
The deepest shade of twilight did not send him from his favourite plane-tree. He loved the soothing hour, when the last tints of light die away; when the stars, one by one, tremble through aether, and are reflected on the dark mirror of the waters; that hour, which, of all others, inspires the mind with pensive tenderness, and often elevates it to sublime contemplation. When the moon shed her soft rays among the foliage, he still lingered, and his pastoral supper of cream and fruits was often spread beneath it. Then, on the stillness of night, came the song of the nightingale, breathing sweetness, and awakening melancholy.
”
”
Ann Radcliffe (The Mysteries of Udolpho Volume 1 of 2)
“
Sending love to a situation is really simple and works wonders. All you have to do is think of the situation and imagine it surrounded by a light that reminds you of love.
”
”
Kyle Gray
“
How quickly all the advantages of technological civilisation are wiped out by a domestic squabble. At the beginning of human history, as we struggled to light fires and to chisel fallen trees into rudimentary canoes, who could have predicted that long after we had managed to send men to the moon and aeroplanes to Australasia, we would still have trouble knowing how to tolerate ourselves, forgive our loved ones and apologise for our tantrums?
”
”
Alain de Botton (A Week at the Airport: A Heathrow Diary)
“
Angels of highest light and love,
Angels that radiate beams of pure energy from the heavens above.
Please join us and be with us on this very night,
As the soul of our beloved joins you in flight.
We pray that you send this soul embraced in your lovely wings,
During his journey may he hear harps, and trumpets and strings.
”
”
Molly Friedenfeld (The Book of Simple Human Truths)
“
Every Day You Play....
Every day you play with the light of the universe.
Subtle visitor, you arrive in the flower and the water,
You are more than this white head that I hold tightly
as a bunch of flowers, every day, between my hands.
You are like nobody since I love you.
Let me spread you out among yellow garlands.
Who writes your name in letters of smoke among the stars of the south?
Oh let me remember you as you were before you existed.
Suddenly the wind howls and bangs at my shut window.
The sky is a net crammed with shadowy fish.
Here all the winds let go sooner or later, all of them.
The rain takes off her clothes.
The birds go by, fleeing.
The wind. The wind.
I alone can contend against the power of men.
The storm whirls dark leaves
and turns loose all the boats that were moored last night to the sky.
You are here. Oh, you do not run away.
You will answer me to the last cry.
Curl round me as though you were frightened.
Even so, a strange shadow once ran through your eyes.
Now, now too, little one, you bring me honeysuckle,
and even your breasts smell of it.
While the sad wind goes slaughtering butterflies
I love you, and my happiness bites the plum of your mouth.
How you must have suffered getting accustomed to me,
my savage, solitary soul, my name that sends them all running.
So many times we have seen the morning star burn, kissing our eyes,
and over our heads the grey light unwinds in turning fans.
My words rained over you, stroking you.
A long time I have loved the sunned mother-of-pearl of your body.
Until I even believe that you own the universe.
I will bring you happy flowers from the mountains, bluebells, dark hazels, and rustic baskets of kisses.
I want to do with you what spring does with the cherry trees.
”
”
Pablo Neruda (Twenty Love Poems and a Song of Despair)
“
Parted lovers beguile absence by a thousand chimerical devices, which possess, however, a reality of their own. They are prevented from seeing each other, they cannot write to each other; they discover a multitude of mysterious means to correspond. They send each other the song of the birds, the perfume of the flowers, the smiles of children, the light of the sun, the sighings of the breeze, the rays of stars, all creation. And why not? All the works of God are made to serve love. Love is sufficiently potent to charge all nature with its messages.
Oh Spring! Thou art a letter that I write to her.
”
”
Victor Hugo (Les Misérables)
“
A smile is a blessing that needs no words.
”
”
Jessica Edouard (Send Sunshine: Dreams of Light & Laughter (Fall Forward Book 3))
“
Cast light to all you would touch.
”
”
Jessica Edouard (Send Sunshine: Dreams of Light & Laughter (Fall Forward Book 3))
“
A quiet but indomitable voice behind me said, “I believe this is my dance.”
It was Ren. I could feel his presence. The warmth of him seeped into my back, and I quivered all over like spring leaves in a warm breeze.
Kishan narrowed his eyes and said, “I believe it is the lady’s choice.”
Kishan looked down at me. I didn’t want to cause a scene, so I simply nodded and removed my arms from his neck. Kishan glared at his replacement and stalked angrily off the dance floor.
Ren stepped in front of me, took my hands gently in his, and placed them around his neck, bringing my face achingly close to his. Then he slid his hands slowly and deliberately over my bare arms and down my sides, until they encircled my waist. He traced little circles on my exposes lower back with his fingers, squeezed my waist, and drew my body up tightly against him.
He guided me expertly through the slow dance. He didn’t say anything, at least not with words, but he was still sending lots of signals. He pressed his forehead against mine and leaned down to nuzzle my ear. He buried his face in my hair and lifted his hand to stroke down the length of it. His fingers played along my bare arm and at my waist.
When the song ended, it took both of us a min to recover our senses and remember where we were. He traced the curve of my bottom lip with his finger then reached up to take my hand from around his neck and led me outside to the porch.
I thought he would stop there, but he headed down the stairs and guided me to a wooded area with stone benches. The moon made his skin glow. He was wearing a white shirt with dark slacks. The white made me think of him as the tiger.
He pulled me under the shadow of a tree. I stood very still and quiet, afraid that if I spoke I’d say something I’d regret.
He cupped my chin and tilted my face up so he could look in my eyes. “Kelsey, there’s something I need to say to you, and I want you to be silent and listen.”
I nodded my head hesitantly.
“First, I want to let you know that I heard everything you said to me the other night, and I’ve been giving your words some very serious thought. It’s important for you to understand that.”
He shifted and picked up a lock of hair, tucked it behind my ear, and trailed his fingers down my cheek to my lips. He smiled sweetly at me, and I felt the little love plant bask in his smile and turn toward it as if it contained the nourishing rays of the sun. “Kelsey,” he brushed a hand through his hair, and his smile turned into a lopsided grin, “the fact is…I’m in love with you, and I have been for some time.”
I sucked in a deep breath.
He picked up my hand and played with my fingers. “I don’t want you to leave.” He began kissing my fingers while looking directly into my eyes. It was hypnotic. He took something out of his pocket. “I want to give you something.” He held out a golden chain covered with small tinkling bell charms. “It’s an anklet. They’re very popular here, and I got this one so we’d never have to search for a bell again.”
He crouched down, wrapping his hand around the back of my calf, and then slid his palm down to my ankle and attached the clasp. I swayed and barely stopped myself from falling over. He trailed his warm fingers lightly over the bells before standing up. Putting his hands on my shoulders, he squeezed, and pulled me closer.
“Kells . . . please.” He kissed my temple, my forehead, and my cheek. Between each kiss, he sweetly begged, “Please. Please. Please. Tell me you’ll stay with me.” When his lips brushed lightly against mine, he said, “I need you,” then crushed his lips against mine.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Pavlov was fascinated with the “ideas of the opposite”. Call it a cluster of cells, somewhere on the cortex of the brain. Helping to disintiguish pleasure from pain, light from dark, dominance from submission….but when somehow – starve them, traumatize, castrate them send them over into one of the transmarginal phases, past borders of their waking selves, past equivalent and paradoxical phases – you weaken this idea of the opposite, and here all at once is the paranoid patient, who would be master, yet now feels himself a slave…..who would be loved, but suffers his world’s indifference, and “I think”, Pavlov writing to Janet, “it is precisely the ultraparadoxical phase which is the base of the weakening of the idea of the opposite in our patients. Our madmen, , our paranoid, maniac, schizoid, morally imbecilic.
Spectro shakes his head. “You are putting response before stimulus. Not at all. Think about it. He is out there, he can feel them coming, days in advance, but it is a reflex. A reflex to something that is in the air right now, something were too coarsely put together to sense, but Slothrop can.
”
”
Thomas Pynchon
“
He caressed the side of her jaw with his fingertips, sending a light shiver down her spine. "I should warn you that if we lose the paper, we'll have to sell the house.”
“That’s fine.”
“And the furniture.”
“I don’t care.”
“And—“
“We can pawn, sell, and trade off everything we own… but if you dare say one thing about my diamond, you’ll regret it for the rest of your married life. This ring is mine, and it's not leaving my finger."
He grinned at her vehemence. "I wasn’t going to say anything about your ring, honey.” Bending down to kiss her, he left wet handprints on the waist and bodice of her gown, but Lucy was too enthralled by his hearty kiss to protest.
"You taste like coffee," she whispered when his lips left hers.
"I could do with more."
"Coffee or kisses?"
"Always more kisses . . .
”
”
Lisa Kleypas (Love, Come to Me)
“
Russkie, promise me a simple thing?" Out of the blue when they had finished, after a mouthful from the mug. Dan seemed relaxed, leaning on his side. Resting back, savoring the taste, Vadim turned his head to look at Dan. Oh, that body. The effect it had on him, all the time, even when Dan wasn't there. Twelve months. "Promise what?"
Sometimes, that kind of thing was about letters. Tell my girl I love her. Tell my mother I didn't suffer. Almost painful. Letters. Words that would hurt worse than the killing bullet.
"Simple." Dan nodded, "if I'm unlucky, and if you find my body, will you bury it? Some rocks would do, I can't stand the thought of carrion's. As if that mattered, eh? I'd be fucking dead." Dan shrugged, tossed a grin towards the other, made light of an entirely far too heavy situation. He took the bottle once more, washing down the taste of death and decay, chasing away unbidden images.
Vadim felt a shudder race over his skin. The thought of death chilled him to the bone, like a premonition. For a moment he saw himself stagger through enemy territory, looking for something that had been Dan. Minefields, snipers, fucking Hind hellfire. He might be able to track him. He might be able to guess where he had gone, where he had fallen. He had found the occasional pilot. But he had had help. Finding a dead man in a country full of dead people was more of a challenge.
"I'll send you home," he murmured. Stay alive, he thought. Stay alive like you are now. I don't want to carry your rotting body to fucking Kabul and hand myself in to whatever bastard is your superior or handler there, but it must be Kabul. I can't hand myself over. But I will. Fuck you. He felt his face twitch, and turned away, breathing.
"No, I have no home anymore." Dan's hand stopped Vadim from turning over fully. Fingers digging into the muscular thigh. "Not my brother's family. Nowhere to send the body to. Forget it." Grip tightening while he moved closer. Ignored the heat, the damned fan and its monotonous creaking, pressed his body behind the other. "You're as close to a fucking home as I get.
”
”
Marquesate (Special Forces - Soldiers (Special Forces, #1))
“
To all the friends out there struggling while so many are celebrating right now, please know that you are not alone, and you are so loved. I hold you in my heart and send you extra support and love these days, and all the light I know how to muster. I love you.
”
”
Scott Stabile
“
His mouth comes down on mine, harder now, more demanding, a raw, hungry need in him rising to the surface. “You belong to me,” he growls. “Say it.”
“Yes. Yes, I belong to you.” His mouth finds mine again, demanding, taking, drawing me under his spell.
“Say it again,” he demands, nipping my lip, squeezing my breast and nipple, and sending a ripple of pleasure straight to my sex.
“I belong to you,” I pant.
He lifts me off the ground with the possessive curve of his hand around my backside, angling my hips to thrust harder, deeper. “Again,” he orders, driving into me, his cock hitting the farthest point of me and blasting against sensitive nerve endings.
“Oh … ah … I … I belong to you.”
His mouth dips low, his hair tickling my neck, his teeth scraping my shoulders at the same moment he pounds into me and the world spins around me, leaving nothing but pleasure and need and more need.
I am suddenly hot only where he touches, and freezing where I yearn to be touched. Lifting my leg, I shackle his hip, ravenous beyond measure, climbing to the edge of bliss, reaching for it at the same time I’m trying desperately to hold back. Chris is merciless, wickedly wild, grinding and rocking, pumping.
“I love you, Sara,” he confesses hoarsely, taking my mouth, swallowing the shallow, hot breath I release, and punishing me with a hard thrust that snaps the last of the lightly held control I possess. Possessing me. A fire explodes low in my belly and spirals downward, seizing my muscles, and I begin to spasm around his shaft, trembling with the force of my release.
With a low growl, his muscles ripple beneath my touch and his cock pulses, his hot semen spilling inside me. We moan together, lost in the climax of a roller-coaster ride of pain and pleasure, spanning days apart, and finally collapse in a heap and just lie there. Slowly, I let my leg ease from his hip to the ground, and Chris rolls me to my side to face him.
Still inside me, he holds me close, pulling the jacket up around my back, trailing fingers over my jaw. “And I belong to you.
”
”
Lisa Renee Jones (Being Me (Inside Out, #2))
“
Power loves not the light of day, nor the attention of curious eyes. In darkness it thrives most...A lord may send his army hither and thither, but the true testing of his power is in those places where his army is not...Has he sent its long fingers far enough through the backstreets and alleys, into the drinking dens and the lending-houses, so that he may gather them unto himself and hold them firm without a single swordsman?
”
”
Brian Ruckley (Bloodheir (The Godless World, #2))
“
Come, Paul!" she reiterated, her eye grazing me with its hard ray like a steel stylet. She pushed against her kinsman. I thought he receded; I thought he would go. Pierced deeper than I could endure, made now to feel what defied suppression, I cried -
"My heart will break!"
What I felt seemed literal heart-break; but the seal of another fountain yielded under the strain: one breath from M. Paul, the whisper, "Trust me!" lifted a load, opened an outlet. With many a deep sob, with thrilling, with icy shiver, with strong trembling, and yet with relief - I wept.
"Leave her to me; it is a crisis: I will give her a cordial, and it will pass," said the calm Madame Beck.
To be left to her and her cordial seemed to me something like being left to the poisoner and her bowl. When M. Paul answered deeply, harshly, and briefly - "Laissez-moi!" in the grim sound I felt a music strange, strong, but life-giving.
"Laissez-moi!" he repeated, his nostrils opening, and his facial muscles all quivering as he spoke.
"But this will never do," said Madame, with sternness. More sternly rejoined her kinsman -
"Sortez d'ici!"
"I will send for Père Silas: on the spot I will send for him," she threatened pertinaciously.
"Femme!" cried the Professor, not now in his deep tones, but in his highest and most excited key, "Femme! sortez à l'instant!"
He was roused, and I loved him in his wrath with a passion beyond what I had yet felt.
"What you do is wrong," pursued Madame; "it is an act characteristic of men of your unreliable, imaginative temperament; a step impulsive, injudicious, inconsistent - a proceeding vexatious, and not estimable in the view of persons of steadier and more resolute character."
"You know not what I have of steady and resolute in me," said he, "but you shall see; the event shall teach you. Modeste," he continued less fiercely, "be gentle, be pitying, be a woman; look at this poor face, and relent. You know I am your friend, and the friend of your friends; in spite of your taunts, you well and deeply know I may be trusted. Of sacrificing myself I made no difficulty but my heart is pained by what I see; it must have and give solace. Leave me!"
This time, in the "leave me" there was an intonation so bitter and so imperative, I wondered that even Madame Beck herself could for one moment delay obedience; but she stood firm; she gazed upon him dauntless; she met his eye, forbidding and fixed as stone. She was opening her lips to retort; I saw over all M. Paul's face a quick rising light and fire; I can hardly tell how he managed the movement; it did not seem violent; it kept the form of courtesy; he gave his hand; it scarce touched her I thought; she ran, she whirled from the room; she was gone, and the door shut, in one second.
The flash of passion was all over very soon. He smiled as he told me to wipe my eyes; he waited quietly till I was calm, dropping from time to time a stilling, solacing word. Ere long I sat beside him once more myself - re-assured, not desperate, nor yet desolate; not friendless, not hopeless, not sick of life, and seeking death.
"It made you very sad then to lose your friend?" said he.
"It kills me to be forgotten, Monsieur," I said.
”
”
Charlotte Brontë (Villette)
“
Obedience to commandments is the way we build a foundation of truth. Here is the way that works, in words so simple that a child could understand: The truth of most worth is to know God our Heavenly Father, His Son, Jesus Christ, and Their plan for us to have eternal life with Them in families. When God communicates that priceless truth to us, He does it by the Spirit of Truth. We have to ask for it in prayer. Then He sends us a small part of that truth by the Spirit. It comes to our hearts and minds. It feels good, like the light from the sun shining through the clouds on a dark day. He sends...
”
”
Henry B. Eyring (Because He First Loved Us)
“
I want you to hear me when I say that I can give you my future, but I’m terrified to give you my past.”
His hands slip around to lock behind my lower back. He scoots me closer until we’re hip to hip. My name said with such longing, rumbled from his lips, sends blood racing through my veins. “What can I do? To get you to trust me with everything, every single part?” he brushes his lips across mine. “I want to know all of you, even the parts you refuse to let see the light.
”
”
J.B. Salsbury (Face the Music (Love, Hate, Rock-n-Roll, #3))
“
We all know people who have passed on. See their light shining and let their love surround us and soothe us. Each one of us has an infinite supply of love to give. The more we give, the more there is to give. Yes, sometimes it hurts to feel, but thank God we can feel. Let us be comforted and be at peace. And so it is." ~ Louise Hay
”
”
Stephen M. Curiel (When Grief Sends You Running for Cover (Non-Fiction): How To Recover From The Loss Of A Loved One)
“
Your essays spoke of beauty, of love, of light and darkness, of joy and sorrow, and of the goodness of life. They were wonderful compositions. I have seldom read any that have touched me more.
To thank you and your teacher Mrs. Ellis, I am sending you what I think is one of the most beautiful and miraculous things in the world—an egg. I have a goose named Felicity and she lays about forty eggs every spring. It takes her almost three months to accomplish this. Each egg is a perfect thing. I am mailing you one of Felicity's eggs. The insides have been removed—blown out—so the egg should last forever. I hope you will enjoy seeing this great egg and loving it. Thank you for sending me your essays about being somebody. I was pleased that so many of you felt the beauty and goodness of the world. If we feel that when we are young, then there is great hope for us when we grow older.
”
”
E.B. White
“
There is no need to camouflage an already perfect canvas.
”
”
Jessica Edouard (Send Sunshine: Dreams of Light & Laughter (Fall Forward Book 3))
“
By the power vested in me I grant myself light.
”
”
Jessica Edouard (Send Sunshine: Dreams of Light & Laughter (Fall Forward Book 3))
“
You have always been enough.
”
”
Jessica Edouard (Send Sunshine: Dreams of Light & Laughter (Fall Forward Book 3))
“
Before she passed, my Poppy asked me to send these kisses to her in a way that she would see them in heaven. I know most of you didn’t know her, but she was the best person I knew … she would have treasured this moment.” My lip hooked into a crooked smile at the thought of her face when she saw them. She would love it. “So please, light your lanterns and help my kisses reach my girl.
”
”
Tillie Cole (A Thousand Boy Kisses)
“
You weren’t meant for the ice, you weren’t made for the pain.
The world that lives inside of me was not the world you 75
Existence
were meant to contain.
You were meant for castles and living in the sun. The cold running through me should have made you run.
Yet you stay. Holding onto me, yet you stay, reaching out a hand that I push away. The cold is not meant for you yet you stay, you stay, you
stay. When I know it’s not right for you.
The ice fills my veins and I can’t feel the pain, yet you’re there like the heat that sends me screaming in fear.
I can’t feel the warmth I need to feel the ice. I want to hold it all in and numb it till I can’t feel the knife.
Your heat threatens to melt it all and I know I can’t bear the pain if the ice melts away.
So I push you away and I scream out your name and I know I can’t need you yet you give anyway and I run wishing you would run too.
Yet you stay. Holding onto me yet you stay reaching out a hand that I push away. The cold is not meant for you yet you stay, you stay, you stay.
When I know it’s not right for you.
The blackness is my shield. I pull it closer still.
You’re the light that I hide from, the light that I hate.
You’re the light to this darkness and I can’t let you stay.
I need the dark around me like I need the ice in my veins.
The cold is my healer. The cold is my safe place. You aren’t welcome with your heat you don’t belong beside me.
I hate you yet I love, I don’t want you yet I need you.
The dark will always be my cloak and you are the threat to unveil my pain, so leave. Leave and erase the memories.
I need to face the life that’s meant for me. Don’t stay and ruin all my plans.
You can’t have my soul I’m not a man.
The empty vessel I dwell in is not meant to feel the heat you bring. I push you away and I push you away.
Yet you stay.
”
”
Abbi Glines (Existence (Existence, #1))
“
I want to share with you a feeling I have. I feel that my love does not have to remain within the limitations of my own life or body. I imagine that if I am no longer in the world, my love could still be present. I want to place my love on the moon and let the moon hold my love. Let the moon be the keeper of my love, offering it to everyone, just as the moon sends its light to embrace the whole earth.” His Holiness 17th Gyalwang Karmapa, Ogyen Trinley Dorje
”
”
Ringu Tulku (White Tara: Healing Light of Wisdom)
“
and a heart that throbs most queerly. I’m queer for other queers, queer for their shapes and colors and sizes, queer for their tastes. I’m queer for the ruthless sea. I’m queer for all the little queer creatures in the tide pools. I’m queer for the light when it breaks the horizon and queer for it when it sinks behind the trees. I’m plain queer for these people and queer for this world. I’m downright queer in love with this wreck of a world, queer in love with love itself—love’s always queer, always arriving in our hearts from queer nowheres, queering everything—and there we are; wide awake all night, queer as queer can be; queer orphans, queer widows, queer boys, and queer girls; sorrel girls queer for ivory boys, daffodil boys queer for lilac girls; carmine girls queer for sable girls, cinnamon boys so very queer for boys of bluest milk. Wicked shepherds! Burn me at the stake and hang me from a tree. Clap me in the stocks; send me down the mine; set me in the burning fields. But I am queer. And I say, Here is water, bread, a dull penny. Here’re my old shirt, my plane and hammer, a roof I’ll help you raise above your head. Here is my queer old body, in a barn, behind a hedge, beneath a shadow, on a bare pallet—
”
”
Paul Harding (This Other Eden)
“
You are a bright light, Elli.’ His own breath hitches, a sound that I cannot quite grasp. His eyes are darkening, his lips tightening. His hands grasp me tighter and he moves closer, his mouth inches from mine, I can almost taste the sweetness and saltiness of his scent, the rich coffee beans and sugar, the vague spearmint. I say nothing, I’m not even sure I’m breathing.
‘You shouldn’t have to see such pain, such blackness. You are too pure.’
His lips do not collide with mine, his skin does not brush against me, only his voice sends a shiver down every notch in my spine, trailing goose bumps over my skin. He tilts his head to the side, his lips gently brushing against my ear. And that is all. I’m not good enough for him. I’m not. That’s why… that’s why…
‘Too pure…
”
”
Charlotte Munro (Grey October (East Hollow Chronicles))
“
And so I make my way across the room steadily, carefully. Hands shaking, I pull the string, lifting my blinds. They rise slowly, drawing more moonlight into the room with every inch
And there he is, crouched low on the roof. Same leather jacket. The hair is his, the cheekbones, the perfect nose . . . the eyes: dark and mysterious . . . full of secrets. . . . My heart flutters, body light. I reach out to touch him, thinking he might disappear, my fingers disrupted by the windowpane.
On the other side, Parker lifts his hand and mouths:
“Hi.”
I mouth “Hi” back.
He holds up a single finger, signalling me to hold on. He picks up a spiral-bound notebook and flips open the cover, turning the first page to me. I recognize his neat, block print instantly: bold, black Sharpie. I know this is unexpected . . . , I read. He flips the page.
. . . and strange . . .
I lift an eyebrow.
. . . but please hear read me out.
He flips to the next page.
I know I told you I never lied . . .
. . . but that was (obviously) the biggest lie of all. The truth is: I’m a liar.
I lied.
I lied to myself . . .
. . . and to you.
Parker watches as I read. Our eyes meet, and he flips the page.
But only because I had to.
I wasn’t supposed to fall in love with you, Jaden . . .
. . . but it happened anyway.
I clear my throat, and swallow hard, but it’s squeezed shut again, tight.
And it gets worse.
Not only am I a liar . . .
I’m selfish.
Selfish enough to want it all.
And I know if I don’t have you . . .
I hold my breath, waiting.
. . . I don’t have anything.
He turns another page, and I read:
I’m not Parker . . .
. . . and I’m not going to give up . . .
. . . until I can prove to you . . .
. . . that you are the only thing that matters. He flips to the next page.
So keep sending me away . . .
. . . but I’ll just keep coming back to you. Again . . .
He flips to the next page.
. . . and again . . .
And the next:
. . . and again.
Goose bumps rise to the surface of my skin. I shiver, hugging myself tightly.
And if you can ever find it in your (heart) to forgive me . . .
There’s a big, black “heart” symbol where the word should be.
I will do everything it takes to make it up to you. He closes the notebook and tosses it beside him. It lands on the roof with a dull thwack. Then, lifting his index finger, he draws an X across his chest. Cross my heart.
I stifle the happy laugh welling inside, hiding the smile as I reach for the metal latch to unlock my window. I slowly, carefully, raise the sash. A burst of fresh honeysuckles saturates the balmy, midnight air, sickeningly sweet, filling the room. I close my eyes, breathing it in, as a thousand sleepless nights melt, slipping away. I gather the lavender satin of my dress in my hand, climb through the open window, and stand tall on the roof, feeling the height, the warmth of the shingles beneath my bare feet, facing Parker. He touches the length of the scar on my forehead with his cool finger, tucks my hair behind my ear, traces the edge of my face with the back of his hand. My eyes close.
“You know you’re beautiful? Even when you cry?”
He smiles, holding my face in his hands, smearing the tears away with his thumbs.
I breathe in, lungs shuddering.
“I’m sorry,” he whispers, black eyes sincere. I swallow. “I know why you had to.”
“Doesn’t make it right.”
“Doesn’t matter anymore,” I say, shaking my head. The moon hangs suspended in the sky, stars twinkling overhead, as he leans down and kisses me softly, lips meeting mine, familiar—lips I imagined, dreamed about, memorized a mil ion hours ago. Then he wraps his arms around me, pulling me into him, quelling every doubt and fear and uncertainty in this one, perfect moment.
”
”
Katie Klein (Cross My Heart (Cross My Heart, #1))
“
The brain appears to possess a special area which we might call poetic memory and which records everything that charms or touches us, that makes our lives beautiful... Their love story did not begin until afterwards: she fell ill and he was unable to send her home as he had the others. Kneeling by her as she lay sleeping in his bed, he realized that someone had sent her downstream in a bulrush basket. I have said before that metaphors are dangerous. Love begins with a metaphor. Which is to say, love begins at the point when a woman enters her first word into our poetic memory.
”
”
Milan Kundera (The Unbearable Lightness of Being)
“
After a while I noticed that the pendant heart-shaped I wore around my neck, as every angel does, had begun to pulsate with blue light. I knew that this was thanks to Raphael and that he was sending healing energy for Joshua. I took my necklace off and gently put it round his neck so as not to wake him. The blue light grew stronger and started to flicker – then, drawing circles on the sick boy’s skin, it vanished around the level of his heart chakras. As blue light pervaded his entire body from head to toe, I could feel his burning skin slowly cool and his breathing became even.
”
”
A.O. Esther (Elveszett lelkek (Összetört glóriák, #1))
“
DEAR MAMA, I’m sorry it’s taken me so long to write. Every time I try to write to you and Papa I realize I’m not saying the things that are in my heart. That would be O.K., if I loved you any less than I do, but you are still my parents and I am still your child. I have friends who think I’m foolish to write this letter. I hope they’re wrong. I hope their doubts are based on parents who loved and trusted them less than mine do. I hope especially that you’ll see this as an act of love on my part, a sign of my continuing need to share my life with you. I wouldn’t have written, I guess, if you hadn’t told me about your involvement in the Save Our Children campaign. That, more than anything, made it clear that my responsibility was to tell you the truth, that your own child is homosexual, and that I never needed saving from anything except the cruel and ignorant piety of people like Anita Bryant. I’m sorry, Mama. Not for what I am, but for how you must feel at this moment. I know what that feeling is, for I felt it for most of my life. Revulsion, shame, disbelief—rejection through fear of something I knew, even as a child, was as basic to my nature as the color of my eyes. No, Mama, I wasn’t “recruited.” No seasoned homosexual ever served as my mentor. But you know what? I wish someone had. I wish someone older than me and wiser than the people in Orlando had taken me aside and said, “You’re all right, kid. You can grow up to be a doctor or a teacher just like anyone else. You’re not crazy or sick or evil. You can succeed and be happy and find peace with friends—all kinds of friends—who don’t give a damn who you go to bed with. Most of all, though, you can love and be loved, without hating yourself for it.” But no one ever said that to me, Mama. I had to find it out on my own, with the help of the city that has become my home. I know this may be hard for you to believe, but San Francisco is full of men and women, both straight and gay, who don’t consider sexuality in measuring the worth of another human being. These aren’t radicals or weirdos, Mama. They are shop clerks and bankers and little old ladies and people who nod and smile to you when you meet them on the bus. Their attitude is neither patronizing nor pitying. And their message is so simple: Yes, you are a person. Yes, I like you. Yes, it’s all right for you to like me too. I know what you must be thinking now. You’re asking yourself: What did we do wrong? How did we let this happen? Which one of us made him that way? I can’t answer that, Mama. In the long run, I guess I really don’t care. All I know is this: If you and Papa are responsible for the way I am, then I thank you with all my heart, for it’s the light and the joy of my life. I know I can’t tell you what it is to be gay. But I can tell you what it’s not. It’s not hiding behind words, Mama. Like family and decency and Christianity. It’s not fearing your body, or the pleasures that God made for it. It’s not judging your neighbor, except when he’s crass or unkind. Being gay has taught me tolerance, compassion and humility. It has shown me the limitless possibilities of living. It has given me people whose passion and kindness and sensitivity have provided a constant source of strength. It has brought me into the family of man, Mama, and I like it here. I like it. There’s not much else I can say, except that I’m the same Michael you’ve always known. You just know me better now. I have never consciously done anything to hurt you. I never will. Please don’t feel you have to answer this right away. It’s enough for me to know that I no longer have to lie to the people who taught me to value the truth. Mary Ann sends her love. Everything is fine at 28 Barbary Lane. Your loving son, MICHAEL
”
”
Armistead Maupin (More Tales of the City (Tales of the City, #2))
“
I sat on a bench and did what, as a girl, I had done whenever I needed to calm myself: instead of pressing the button with the number 4 on it, I let myself go up to the sixth floor. That space had been empty and dark for many years, ever since the lawyer who had his office there had left, taking with him even the light bulb from the landing. When the elevator stopped, I let my breath glide into my stomach and then return slowly to my throat. As always, after a few seconds, the light in the elevator went out, too. I thought of reaching my hand out to one of the door handles: you had only to pull it and the light would return. But I didn't move and continued to send my breath deep into my body. The only sound was that of the woodworms eating into the panelled walls.
Just a few months earlier (five, six?), on a sudden impulse, I had revealed to my mother, during one of my brief visits, that as an adolescent I used to retreat to that secret place, and I brought her up there, to the top. Maybe I wanted to try to establish an intimacy that there had never been, maybe I wanted to let her know in some confused way that I had always been unhappy. But she seemed to me only amused by the fact that I had sat suspended in the void, in a dilapidated elevator.
”
”
Elena Ferrante (Troubling Love)
“
Do you remember the Third Insight, that humans are unique in a world of energy in that they can project their energy consciously?” “Yes.” “Do you remember how this is done?” I recalled John’s lessons. “Yes, it is done by appreciating the beauty of an object until enough energy comes into us to feel love. At that point we can send energy back.” “That’s right. And the same principle holds true with people. When we appreciate the shape and demeanor of a person, really focus on them until their shape and features begin to stand out and to have more presence, we can then send them energy, lifting them up. “Of course, the first step is to keep our own energy high, then we can start the flow of energy coming into us, through us, and into the other person. The more we appreciate their wholeness, their inner beauty, the more the energy flows into them, and naturally, the more that flows into us.” She laughed. “It’s really a rather hedonistic thing to do,” she said. “The more we can love and appreciate others, the more energy flows into us. That’s why loving and energizing others is the best possible thing we can do for ourselves.” “I’ve heard that before,” I said. “Father Sanchez says it often.” I looked at Julia closely. I had the feeling I was seeing her deeper personality for the first time. She returned my gaze for an instant, then focused again on the road. “The effect on the individual of this projection of energy is immense,” she said. “Right now, for instance, you’re filling me with energy. I can feel it. What I feel is a greater sense of lightness and clarity as I’m formulating my thoughts to speak. “Because you are giving me more energy than I would have otherwise, I can see what my truth is and more readily give it to you. When I do that, you have a sense of revelation about what I’m saying. This leads you to see my higher self even more fully and so appreciate and focus on it at an even deeper level, which gives me even more energy and greater insight into my truth and the cycle begins over again. Two or more people doing this together can reach incredible highs as they build one another up and have it immediately returned. You must understand, though, that this connection is completely different from a co-dependent relationship. A co-dependent relationship begins this way but soon becomes controlling because the addiction cuts them off from their source and the energy runs out. Real projection of energy has no attachment or intention. Both people are just waiting for the messages.
”
”
James Redfield (The Celestine Prophecy (Celestine Prophecy, #1))
“
You might wonder how those on the Other Side know to use my screen or my body, or even how they find me. My answer: they just know. We are tied to all those we’ve ever loved by cords of light. Those cords can never be broken. Think of them like a fishing line of love. If you tug on one end, the other end feels the tug. And those on the Other Side are always on the lookout for openings between the worlds. They can locate the portal they need. The most important thing for a sitter to know is that he or she doesn’t need a psychic medium to communicate with loved ones who have passed. If we open our minds and our hearts, we will begin to see the signs and messages they send for us to feel their presence in our everyday lives.
”
”
Laura Lynne Jackson (The Light Between Us: Stories from Heaven, Lessons for the Living)
“
Light, so low upon earth,
You send a flash to the sun.
Here is the golden close of love,
All my wooing is done.
Oh, all the woods and the meadows,
Woods, where we hid from the wet,
Stiles where we stayed to be kind,
Meadows in which we met!
Light, so low in the vale
You flash and lighten afar,
For this is the golden morning of love,
And you are his morning star.
Flash, I am coming, I come,
By meadow and stile and wood,
Oh, lighten into my eyes and my heart,
Into my heart and my blood!
Heart, are you great enough
For a love that never tires?
O heart, are you great enough for love?
I have heard of thorns and briers.
Over the thorns and briers,
Over the meadows and stiles,
Over the world to the end of it
Flash of a million miles.
”
”
Alfred Tennyson
“
He approached her, his voice taking on a seductive tenor. "Shall we seal it with a kiss, then?"
Callie caught her breath and stiffened at the question. Ralston smiled at her obvious nerves. He ran a finger along the edge of her hairline, tucking a rogue lock of hair behind her ear gently. She looked up at him with her wide brown eyes, and he felt a burst of tenderness in his chest. He leaned close, moving slowly, as though she might scare at any moment, and his firm mouth brushed across hers, settling briefly, barely touching before she jumped back, one hand flying to her lips.
He leveled her with a frank gaze and waited for her to speak. When she didn't, he asked, "Is there a problem?"
"N-No!" she said, a touch too loudly. "Not at all, my lord. That is- Thank you."
His breath exhaled on a half laugh. "I'm afraid that you have mistaken the experience." He paused, watching the confusion cross her face. "You see, when I agree to something, I do it wholeheartedly. That was not the kiss for which you came, little mouse."
Callie wrinkled her nose at his words, and at the nickname he had used for her. "It wasn't?"
"No."
Her nervousness flared, and she resumed toying with her cloak tassel. "Oh, well. It was quite nice. I find I am quite satisfied that you have held up your end of our bargain."
"Quite nice isn't what you should be aiming for," he said, taking her restless hands into his own and allowing his voice to deepen. "Neither should the kiss leave you satisfied."
She tugged briefly, giving up when he would not free her and instead pulled her closer, setting her hands upon his shoulders. He trailed his fingers down her neck, leaving her breathless, her voice a mere squeak when she replied, "How should it leave me?"
He kissed her then. Really kissed her.
He pulled her against him and pressed his mouth to hers, possessing, owning in a way she could never have imagined. His lips, firm and warm, played across her own, tempting her until she was gasping for breath. He captured the sound in his mouth, taking advantage of her open lips to run his tongue along them, tasting her lightly until she couldn't bear the teasing. He seemed to read her thoughts, and just when she couldn't stand another moment, he gathered her closer and deepened the kiss, changing the pressure. He delved deeper, stroked more firmly.
And she was lost.
Callie was consumed, finding herself desperate to match his movements. Her hands seemed to move of their own volition, running along his broad shoulders and wrapping around his neck. Tentatively, she met Ralston's tongue with her own and was rewarded with a satisfied sound from deep in his throat as he tightened his grip, sending another wave of heat through her. He retreated, and she followed, matching his movements until his lips closed scandalously around her tongue and he sucked gently- the sensation rocked her to her core. All at once she was aflame.
”
”
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
“
We hurt one another. We go through life dressing up in new clothes and covering up our true motives. We meet up lightly, we drink rosé wine, and then we give each other pain. We don't want to! What we want to do, what one really wants to do is put out one's hands—like some dancer, in a trance, just put out one's hands—and touch all the people and tell them: I'm sorry. I love you. Thank you for your e-mail. Thank you for coming to see me. Thank you. But we can't. We can't. On the little life raft of Mark only one other person could fit. Just one! And so, thwarted, we inflict pain. That’s what we do. We do not keep each other company. We do not send each other cute text messages. Or, rather, when we do these things, we do them merely to postpone the moment when we'll push these people off, and beat forward, beat forward on our little raft, alone.
”
”
Keith Gessen (All the Sad Young Literary Men)
“
A single firefly might be the spark that sends us back to our grandmother’s backyard to listen for whip-poor-wills; the spark that sends us back to splashing in an ice-cold creek bed, with our jeans rolled up to our knees, until we shudder and gasp, our toes fully wrinkled. In that spark is a slowdown and tenderness. Listen: Boom. Can you hear that? The cassowary is still trying to tell us something. Boom. Did you see that? A single firefly is, too. Such a tiny light, for such a considerable task. Its luminescence could very well be the spark that reminds us to make a most necessary turn—a shift and a swing and a switch—toward cherishing this magnificent and wondrous planet. Boom. Boom. You might think of a heartbeat—your own. A child’s. Someone else’s. Or some thing’s heart. And in that slowdown, you might think it’s a kind of love. And you’d be right.
”
”
Aimee Nezhukumatathil (World of Wonders: In Praise of Fireflies, Whale Sharks, and Other Astonishments)
“
We are the sum of all people we have ever met; you change the tribe and the tribe changes you." - Fierce People
Even in our sleep, pain which cannot forget falls drop by drop upon the heart until… in our despair, against our will, comes wisdom through the awful grace of God.
- Aeschylus
"A man like to me, Thou shalt love be loved by forever. A hand like this hand shall throw open the gates of new life to thee!" Robert Browning
"Courage is grace under pressure." Ernest Hemingway
"For each new morning with its light,
For rest and shelter of the night,
For health and food, for love and friends,
For everything Thy goodness sends."
~ Ralph Waldo Emerson (1803-1882)
"To laugh often and much; to win the respect of intelligent people and the affection of children; to earn the appreciation of honest critics and endure the betrayal of false friends; to appreciate beauty; to find the best in others; to leave the world a bit better; to know even one life has breathed easier because you have lived. This is to have succeeded.”
~ Ralph Waldo Emerson (1803-1882)
“Prayer is not asking. It is a longing of the soul. It is daily admission of one's weakness. It is better in prayer to have a heart without words than words without a heart.” ― Mahatma Gandhi
“Simplicity, patience, compassion. These three are your greatest treasures. Simple in actions and thoughts, you return to the source of being. Patient with both friends and enemies, you accord with the way things are. Compassionate toward yourself, you reconcile all beings in the world.” ― Lao Tzu, Tao Te Ching
"Behind the dim unknown, standeth God within the shadow, keeping watch above his own." James Russel Lowell
"My God, my Father, and my friend. Do not forsake me in the end." Wentworth Dillon
”
”
Robert Browning
“
The country is proud of its dead poets. It takes terrific satisfaction in the poets’ testimony that the USA is too tough, too big, too much, too rugged, that American reality is overpowering. And to be a poet is a school thing, a skirt thing, a church thing. The weakness of the spiritual powers is proved in the childishness, madness, drunkenness, and despair of these martyrs. Orpheus moved stones and trees. But a poet can’t perform a hysterectomy or send a vehicle out of the solar system. Miracle and power no longer belong to him. So poets are loved, but loved because they just can’t make it here. They exist to light up the enormity of the awful tangle and justify the cynicism of those who say, ‘If I were not such a corrupt, unfeeling bastard, creep, thief, and vulture, I couldn’t get through this either. Look at these good and tender and soft men, the best of us. They succumbed, poor loonies.
”
”
Saul Bellow (Humboldt's Gift)
“
Oh, stop talking," I cried, in a hunted tone. "I can't bear it. If you are going to arrest me, get it over."
"I'd rather NOT arrest you, if we can find a way out. You look so young, so new to Crime! Even your excuse for being here is so naive, that I—won't you tell me why you wrote a love letter, if you are not in love? And whom you sent it to? That's important, you see, as it bears on the case. I intend," he said, "to be judgdicial[sic], unimpassioned, and quite fair."
"I wrote a love letter" I explained, feeling rather cheered, "but it was not intended for any one, Do you see? It was just a love letter."
"Oh," he said. "Of course. It is often done. And after that?"
"Well, it had to go somewhere. At least I felt that way about it. So I made up a name from some malted milk tablets——"
"Malted milk tablets!" he said, looking bewildered.
"Just as I was thinking up a name to send it to," I explained, "Hannah—that's mother's maid, you know—brought in some hot milk and some malted milk tablets, and I took the name from them."
"Look here," he said, "I'm unpredjudiced and quite calm, but isn't the `mother's maid' rather piling it on?"
"Hannah is mother's maid, and she brought in the milk and the tablets, I should think," I said, growing sarcastic, "that so far it is clear to the dullest mind."
"Go on," he said, leaning back and closing his eyes. "You named the letter for your mother's maid—I mean for the malted milk. Although you have not yet stated the name you chose; I never heard of any one named Milk, and as to the other, while I have known some rather thoroughly malted people—however, let that go."
"Valentine's tablets," I said. "Of Course, you understand," I said, bending forward, "there was no such Person. I made him up. The Harold was made up too—Harold Valentine."
"I see. Not clearly, perhaps, but I have a gleam of intellagence[sic]."
"But, after all, there was such a person. That's clear, isn't it? And now he considers that we are engaged, and—and he insists on marrying me."
"That," he said, "is realy[sic] easy to understand. I don't blame him at all. He is clearly a person of diszernment[sic]."
"Of course," I said bitterly, "you would be on HIS side. Every one is."
"But the point is this," he went on. "If you made him up out of the whole cloth, as it were, and there was no such Person, how can there be such a Person? I am merely asking to get it all clear in my head. It sounds so reasonable when you say it, but there seems to be something left out."
"I don't know how he can be, but he is," I said, hopelessly. "And he is exactly like his picture."
"Well, that's not unusual, you know."
"It is in this case. Because I bought the picture in a shop, and just pretended it was him. (He?) And it WAS."
He got up and paced the floor.
"It's a very strange case," he said. "Do you mind if I light a cigarette? It helps to clear my brain. What was the name you gave him?"
"Harold Valentine. But he is here under another name, because of my Familey. They think I am a mere child, you see, and so of course he took a NOM DE PLUME."
"A NOM DE PLUME? Oh I see! What is it?"
"Grosvenor," I said. "The same as yours.
”
”
Mary Roberts Rinehart (Bab: A Sub-Deb)
“
I hope you will like the little things I have sent you. You seem to be most interested in Railways just now, so I am sending you mostly things of that sort. I send as much love as ever, in fact more. We have both, the old Polar Bear and I, enjoyed having so many nice letters from you and your pets. If you think we have not read them you are wrong; but if you find that not many of the things you asked for have come, and not perhaps quite as many as sometimes, remember that this Christmas all over the world there are a terrible number of poor and starving people. I (and also my Green Brother) have had to do some collecting of food and clothes, and toys too, for the children whose fathers and mothers and friends cannot give them anything, sometimes not even dinner. I know yours won’t forget you. So, my dears, I hope you will be happy this Christmas and not quarrel, and will have some good games with your Railway all together. Don’t forget old Father Christmas, when you light your tree.
”
”
J.R.R. Tolkien (Letters From Father Christmas)
“
I travel your body, like the world,
your belly is a plaza full of sun,
your breasts two churches where blood
performs its own, parallel rites,
my glances cover you like ivy,
you are a city the sea assaults,
a stretch of ramparts split by the light
in two halves the color of peaches,
a domain of salt, rocks and birds,
under the rule of oblivious noon,
dressed in the color of my desires,
you go your way naked as my thoughts,
I travel your eyes, like the sea,
tigers drink their dreams in those eyes,
the hummingbird burns in those flames,
I travel your forehead, like the moon,
like the cloud that passes through your thoughts,
I travel your belly, like your dreams,
your skirt of corn ripples and sings,
your skirt of crystal, your skirt of water,
your lips, your hair, your glances rain
all through the night, and all day long
you open my chest with your fingers of water,
you close my eyes with your mouth of water,
you rain on my bones, a tree of liquid
sending roots of water into my chest
”
”
Octavio Paz (Sunstone/Piedra De Sol)
“
Love is metaphysical gravity.” By Gary Zukav GUEST COMMENTATOR Bucky said, “Love is metaphysical gravity.” I agree. What else could it be? Without gravity you would float like an astronaut in a spacecraft. Up and down would mean nothing to you. Your slightest motion would send you tumbling head over feet or rolling uncontrollably. If you pushed hard against a wall, you would shoot backward fast until you hit another wall. If the lights in the spacecraft went out, you would have no way at all of orienting yourself. Without love the same thing happens. Every experience of anger, jealousy, resentment, and fear sends you spinning out of control. You have no way of knowing up from down except what your anger shows you, and it always shows you that you are right and someone else is wrong, that you are a victim and someone else is a villain. The more you act in anger, jealousy, resentment, or fear, the more painful consequences you create. You careen helplessly, spinning, rolling, hitting walls you can’t avoid and colliding with others. Love grounds you. It orients you. Love brings your awareness to others and yourself. Love opens your mind and heart to others and yourself. Love settles you and gives you balance. When you choose to become sensitive and caring instead of frightened and selfish, your anger turns to appreciation, your jealousy to gratitude, and your resentment to caring. You cannot loose your orientation: When your deeds harm others, you are in fear, and when you create harmony, cooperation, sharing, and reverence for Life, you are in love. The ground beneath you is always solid.
”
”
L. Steven Sieden (A Fuller View: Buckminster Fuller's Vision of Hope and Abundance for All)
“
The last time I’d been unwell, suicidally depressed, whatever you want to call it, the reactions of my friends and family had fallen into several different camps:
The Let’s Laugh It Off merchants: Claire was the leading light. They hoped that joking about my state of mind would reduce it to a manageable size. Most likely to say, ‘Feeling any mad urges to fling yourself into the sea?’
The Depression Deniers: they were the ones who took the position that since there was no such thing as depression, nothing could be wrong with me. Once upon a time I’d have belonged in that category myself. A subset of the Deniers was The Tough Love people. Most likely to say, ‘What have you got to be depressed about?’
The It’s All About Me bunch: they were the ones who wailed that I couldn’t kill myself because they’d miss me so much. More often than not, I’d end up comforting them. My sister Anna and her boyfriend, Angelo, flew three thousand miles from New York just so I could dry their tears. Most likely to say, ‘Have you any idea how many people love you?’
The Runaways: lots and lots of people just stopped ringing me. Most of them I didn’t care about, but one or two were important to me. Their absence was down to fear; they were terrified that whatever I had, it was catching. Most likely to say, ‘I feel so helpless … God, is that the time?’ Bronagh – though it hurt me too much at the time to really acknowledge it – was the number one offender.
The Woo-Woo crew: i.e. those purveying alternative cures. And actually there were hundreds of them – urging me to do reiki, yoga, homeopathy, bible study, sufi dance, cold showers, meditation, EFT, hypnotherapy, hydrotherapy, silent retreats, sweat lodges, felting, fasting, angel channelling or eating only blue food. Everyone had a story about something that had cured their auntie/boss/boyfriend/next-door neighbour. But my sister Rachel was the worst – she had me plagued. Not a day passed that she didn’t send me a link to some swizzer. Followed by a phone call ten minutes later to make sure I’d made an appointment. (And I was so desperate that I even gave plenty of them a go.) Most likely to say, ‘This man’s a miracle worker.’ Followed by: ‘That’s why he’s so expensive. Miracles don’t come cheap.’
There was often cross-pollination between the different groupings. Sometimes the Let’s Laugh It Off merchants teamed up with the Tough Love people to tell me that recovering from depression is ‘simply mind over matter’. You just decide you’re better. (The way you would if you had emphysema.)
Or an All About Me would ring a member of the Woo-Woo crew and sob and sob about how selfish I was being and the Woo-Woo crew person would agree because I had refused to cough up two grand for a sweat lodge in Wicklow.
Or one of the Runaways would tiptoe back for a sneaky look at me, then commandeer a Denier into launching a two-pronged attack, telling me how well I seemed. And actually that was the worst thing anyone could have done to me, because you can only sound like a self-pitying malingerer if you protest, ‘But I don’t feel well. I feel wretched beyond description.’
Not one person who loved me understood how I’d felt. They hadn’t a clue and I didn’t blame them, because, until it had happened to me, I hadn’t a clue either.
”
”
Marian Keyes
“
The Lanyard
The other day I was ricocheting slowly
off the blue walls of this room,
moving as if underwater from typewriter to piano,
from bookshelf to an envelope lying on the floor,
when I found myself in the L section of the dictionary
where my eyes fell upon the word lanyard.
No cookie nibbled by a French novelist
could send one into the past more suddenly—
a past where I sat at a workbench at a camp
by a deep Adirondack lake
learning how to braid long thin plastic strips
into a lanyard, a gift for my mother.
I had never seen anyone use a lanyard
or wear one, if that's what you did with them,
but that did not keep me from crossing
strand over strand again and again
until I had made a boxy
red and white lanyard for my mother.
She gave me life and milk from her breasts,
and I gave her a lanyard.
She nursed me in many a sick room,
lifted spoons of medicine to my lips,
laid cold face-cloths on my forehead,
and then led me out into the airy light
and taught me to walk and swim,
and I , in turn, presented her with a lanyard.
Here are thousands of meals, she said,
and here is clothing and a good education.
And here is your lanyard, I replied,
which I made with a little help from a counselor.
Here is a breathing body and a beating heart,
strong legs, bones and teeth,
and two clear eyes to read the world, she whispered,
and here, I said, is the lanyard I made at camp.
And here, I wish to say to her now,
is a smaller gift—not the worn truth
that you can never repay your mother,
but the rueful admission that when she took
the two-tone lanyard from my hand,
I was as sure as a boy could be
that this useless, worthless thing I wove
out of boredom would be enough to make us even.
”
”
Billy Collins (Aimless Love: New and Selected Poems)
“
The grasslands are endless, And summer sings on, And Goldmoon the princess Loves a poor man’s son. Her father the chieftain Makes long roads between them: The grasslands are endless, and summer sings on. The grasslands are waving, The sky’s rim is gray, The chieftain sends Riverwind East and away, To search for strong magic At the lip of the morning, The grasslands are waving, the sky’s rim is gray. O Riverwind, where have you gone? O Riverwind, autumn comes on. I sit by the river And look to the sunrise, But the sun rises over the mountains alone. The grasslands are fading, The summer wind dies, He comes back, the darkness Of stones in his eyes. He carries a blue staff As bright as a glacier: The grasslands are fading, the summer wind dies. The grasslands are fragile, As yellow as flame, The chieftain makes mockery Of Riverwind’s claim. He orders the people To stone the young warrior: The grasslands are fragile, as yellow as flame. The grassland has faded, And autumn is here. The girl joins her lover, The stones whistle near, The staff flares in blue light And both of them vanish: The grasslands are faded, and autumn is here.
”
”
Margaret Weis (Dragons of Autumn Twilight (Dragonlance: Chronicles, #1))
“
For me, what a single firefly can do is this: it can light a memory I thought was long lost in roadsides overrun with Queen Anne’s lace and goldenrod, a peach pie cooling in the window of a distant house. It might make me feel like I’m traveling again to a gathering of loved ones dining seaside on a Greek island, listening to cicada song and a light wind rustling the mimosa trees. A single firefly might be the spark that sends us back to our grandmother’s backyard to listen for whip-poor-wills; the spark that sends us back to splashing in an ice-cold creek bed, with our jeans rolled up to our knees, until we shudder and gasp, our toes fully wrinkled. In that spark is a slowdown and tenderness. Listen: Boom. Can you hear that? The cassowary is trying to tell us something. Boom. Did you see that? A single firefly is, too. Such a tiny light, for such a considerable task. Its luminescence could very well be the spark that reminds us to make a most necessary turn- a shift and a swing and a switch- toward cherishing this magnificent and wondrous planet. Boom. Boom. You might think of a heartbeat- your own. A child’s. Someone else’s. Or some thing’s heart. And in that slowdown, you might think it’s a kind of love. And you’d be right.
”
”
Aimee Nezhukumatathil (World of Wonders: In Praise of Fireflies, Whale Sharks, and Other Astonishments)
“
I will have you for husband tonight,” she said in fierce, low tones, “or I will not go until I do!” “If there was any way, I would,” he protested. “Daise Congar would crack my head if I wanted to go against custom. For the love of the Light, Faile, just carry the message, and I’ll wed you the very first day I can.” He would. If that day ever came. Suddenly she was very intent on his beard, smoothing it and not meeting his eyes. She started speaking slowly but picked up speed like a runaway horse. “I … just happened to mention … in passing … I just mentioned to Mistress al’Vere how we had been traveling together—I don’t know how it came up—and she said—and Mistress Congar agreed with her—not that I talked to everybody!—she said that we probably—certainly—could be considered betrothed already under your customs, and the year is just to make sure you really do get on well together—which we do, as anyone can see—and here I am being as forward as some Domani hussy or one of those Tairen galls—if you ever even think of Berelain—oh, Light, I’m babbling, and you won’t even—” He cut her off by kissing her as thoroughly as he knew how. “Will you marry me?” he said breathlessly when he was done. “Tonight?” He must have done ever better with the kiss than he thought; he had to repeat himself six times, with her giggling against his throat and demanding he say it again, before she seemed to understand. Which was how he found himself not half an hour later kneeling opposite her in the common room, in front of Daise Congar and Marin al’Vere, Alsbet Luhhan and Neysa Ayellin and all the Women’s Circle. Loial had been roused to stand for him with Aram, and Bain and Chiad stood for Faile. There were no flowers to put in her hair or his, but Bain, guided by Marin, tucked a long red wedding ribbon around his neck, and Loial threaded another through Faile’s dark hair, his thick fingers surprisingly deft and gentle. Perrin’s hands trembled as he cupped hers. “I, Perrin Aybara, do pledge you my love, Faile Bashere, for as long as I live.” For as long as I live and after. “What I possess in this world I give to you.” A horse, an axe, a bow. A hammer. Not much to gift a bride. I give you life, my love. It’s all I have. “I will keep and hold you, succor and tend you, protect and shelter you, for all the days of my life.” I can’t keep you; the only way I can protect you is to send you away. “I am yours, always and forever.” By the time he finished, his hands were shaking visibly. Faile moved her hands to hold his. “I, Zarine Bashere …” That was a surprise; she hated that name. “ … do pledge you my love, Perrin Aybara … .” Her hands never trembled at all.
”
”
Robert Jordan (The Shadow Rising (The Wheel of Time, #4))
“
Raising the mic, I took a deep breath and said, ‘I won’t speak long. I’m not real good with speaking in public. I just wanted to thank you all for gathering here tonight…’ I trailed off. My words had dried up. I raked my hand through my hair and, gathering my composure, managed to say, ‘Before she passed, my Poppy asked me to send these kisses to her in a way that she would see them in heaven. I know most of you didn’t know her, but she was the best person I knew … she would have treasured this moment.’ My lip hooked into a crooked smile at the thought of her face when she saw them. She would love it. ‘So please, light your lanterns and help my kisses reach my girl.
”
”
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
“
Adelia began to get cross. Why was it women who were to blame for everything—everything, from the Fall of Man to these blasted hedges?
“We are not in a labyrinth, my lord,” she said clearly.
“Where are we, then?”
“It’s a maze.”
“Same difference.” Puffing at the horse: “Get back, you great cow.”
“No, it isn’t. A labyrinth has only one path and you merely have to follow it. It’s a symbol of life or, rather, of life and death. Labyrinths twist and turn, but they have a beginning and an end, through darkness into light.”
Softening, and hoping that he would, too, she added, “Like Ariadne’s. Rather beautiful, really.”
“I don’t want mythology, mistress, beautiful or not, I want to get to that sodding tower. What’s a maze when it’s at home?”
“It’s a trick. A trick to confuse. To amaze.”
“And I suppose Mistress Clever-boots knows how to get us out?”
“I do, actually.” God’s rib, he was sneering at her, sneering. She’d a mind to stay where she was and let him sweat.
“Then in the name of Christ, do it.”
“Stop bellowing at me,” she yelled at him. “You’re bellowing.”
She saw his teeth grit in the pretense of a placatory smile; he always had good teeth. Still did. Between them, he said, “The Bishop of Saint Albans presents his compliments to Mistress Adelia and please to escort him out of this hag’s hole, for the love of God. How will you do it?”
“My business.” Be damned if she’d tell him. Women were defenseless enough without revealing their secrets. “I’ll have to take the lead.”
She stumped along in front, holding Walt’s mount’s reins in her right hand. In the other was her riding crop, which she trailed with apparent casualness so that it brushed against the hedge on her left.
As she went, she chuntered to herself. Lord, how disregarded I am in this damned country. How disregarded all women are.
...
Ironically, the lower down the social scale women were, the greater freedom they had; the wives of laborers and craftsmen could work alongside their men—even, sometimes, when they were widowed, take over their husband’s trade.
Adelia trudged on. Hag’s hole. Grendel’s mother’s entrails. Why was this dreadful place feminine to the men lost in it? Because it was tunneled? Womb-like? Is this woman’s magic? The great womb?
Is that why the Church hates me, hates all women? Because we are the source of all true power? Of life?
She supposed that by leading them out of it, she was only confirming that a woman knew its secrets and they did not.
Great God, she thought, it isn't a question of hatred. It’s fear. They are frightened of us.
And Adelia laughed quietly, sending a suggestion of sound reverberating backward along the tunnel, as if a small pebble was skipping on water, making each man start when it passed him.
“What in hell was that?”
Walt called back stolidly, “Reckon someone’s laughing at us, master.”
“Dear God.
”
”
Ariana Franklin (The Serpent's Tale (Mistress of the Art of Death, #2))
“
The Continuous Life
What of the neighborhood homes awash
In a silver light, of children hunched in the bushes,
Watching the grown-ups for signs of surrender,
Signs that the irregular pleasures of moving
From day to day, of being adrift on the swell of duty,
Have run their course? O parents, confess
To your little ones the night is a long way off
And your taste for the mundane grows; tell them
Your worship of household chores has barely begun;
Describe the beauty of shovels and rakes, brooms and mops;
Say there will always be cooking and cleaning to do,
That one thing leads to another, which leads to another;
Explain that you live between two great darks, the first
With an ending, the second without one, that the luckiest
Thing is having been born, that you live in a blur
Of hours and days, months and years, and believe
It has meaning, despite the occasional fear
You are slipping away with nothing completed, nothing
To prove you existed. Tell the children to come inside,
That your search goes on for something you lost—a name,
A family album that fell from its own small matter
Into another, a piece of the dark that might have been yours,
You don't really know. Say that each of you tries
To keep busy, learning to lean down close and hear
The careless breathing of earth and feel its available
Languor come over you, wave after wave, sending
Small tremors of love through your brief,
Undeniable selves, into your days, and beyond.
”
”
Mark Strand
“
There are some strange cold people in this world. It is priests, I think. Saving your presence. Training themselves out of natural feeling. They mean it for the best, of course.’ ‘It was not a mistake. We did have a year. I think of her every day.’ The door opens; it is Alice bringing in lights. ‘This is your daughter?’ Rather than explain his family, he says, ‘This is my lovely Alice. This is not your job, Alice?’ She bobs, a small genuflection to a churchman. ‘No, but Rafe and the others want to know what you are talking about so long. They are waiting to know if there will be a dispatch to the cardinal tonight. Jo is standing by with her needle and thread.’ ‘Tell them I will write in my own hand, and we will send it tomorrow.
”
”
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
“
Who’s Josie?” Alex asked, confused.
“Uh . . .” I looked over at Deacon. “You want to do the honors? I know how much you love awkward conversations.”
A wide smile broke out across his face. “Of course, especially when I’m not the center of the awkwardness.”
Luke snorted.
“So!” Deacon clapped his hands together as he faced Alex and Aiden. “Did you guys happen to notice a certain girl out on the quad when you did your magic doorway thing?”
Aiden glanced at Alex. She raised a shoulder. “There were a lot of people out there that I hadn’t seen before.” She paused. “I noticed Boobs, though.”
I slowly shook my head.
“Um, that’s not who I’m talking about. Anyway,” Deacon said, his gray eyes light. “She’s pretty tall. Well, taller than you and everyone is practically taller than you, Alex. Has long blondish-brown hair. Kind of weird hair.”
“Awesome hair,” Luke added.
Alexander frowned silently.
“She does. It’s like an array of colors. One moment it looks completely blonde. The next it’s long brown and then it changes again. It’s very cool,” Deacon continued, and I had to agree with him on that. “And when you see her, you’re going to think, wow, this girl looks familiar. You won’t be able to put a finger on it at first, but it’s going to nag at you and then, when it hits you, you’ll—”
“Deacon,” Aiden warned. “Who is Josie?”
His brother pouted for a second and then sighed. “Fine. She’s a demigod. Like, a born demigod. Powers unlocked and all, and she’s super-cool and really nice.” His gaze slid over to where I stood and his expression turned sly. “Isn’t that right, Seth?”
I eyed him. “Right.”
“You’re forgetting the best part.” Solos walked past the couch, sending me a long look. “Which god she came from.”
Aiden seemed to get what wasn’t being said first. His eyes closed as he rubbed his fingers along his brow. “Gods.”
“What?” Alex looked at him and then at me. “Whose kid is she?”
“Apollo’s,” Deacon answered, his smile going up a notch when Alex’s gaze flew to him. “Yep. Josie is Apollo’s daughter.”
Her mouth dropped open.
“And that kind of makes you and her cousins? I guess?” Luke frowned. “I don’t know what exactly, but it does make you two related. Somehow. I don’t know how, but she does have some of your mannerisms. It gets really weird sometimes.
”
”
Jennifer L. Armentrout (The Power (Titan, #2))
“
Oh my gosh,” Somer whispers, one hand flying up to her mouth. “She’s beautiful.”
Krishnan fumbles with the papers and reads, “Asha. That’s her name. Ten months old.”
“What does it mean?” she asks.
“Asha? Hope.” He looks up at her, smiling. “It means hope.”
“Really?” She gives a little laugh, crying as well. “Well, she must be ours then.”
She grasps his hand, intertwining their fingers, and kisses him.
“That’s perfect, really perfect.”
She rests her head on his shoulder as they stare at the photo together.
For the first time in a very long time, Somer feels a lightness in her chest. How can it be I’m already in love with this child, half a world away? The next morning, they send a telegram to the orphanage, stating they are coming to get their daughter.
”
”
Shilpi Somaya Gowda (Secret Daughter)
“
Traffic is light as she leaves Mowbray. So is her heart. Light. Soon. Soon, she will be home. Strange how she was able to bear it -- bear being away. Until now. With a day to go, it has suddenly become unbearable. Since that party on Saturday night. Smashing send-off these lovely people gave her. Really smashing. So, why is she feeling so blue? Ah, well, she thinks to herself, I've always had a problem, saying goodbye.
She hardly has a moment to breathe through the day. So busy. Her very last day at this place she has called home these ten months past. Here at the university too, many people want to talk about her trip back home. If only they knew. If only they knew. Excited as she is about the prospect of seeing her family, of going home, seeing her friends, with all that ... still, saying goodbye is not easy. Never has been for her. That is what she's doing now. How she wishes everybody would just forget she was going back home. But no. People insist on saying goodbye, on giving her party after party. Therefore, she is forced to take leave of her friends, to acknowledge the pain of parting. Bitter sweet. How she wishes she were home already. But, of course, before that can happen, she has to say goodbye to all these dear, dear friends, these people of whom she has grown so fond. But perhaps she will come back. Of course, she will come back, one day. A not too far-away day too, that's for sure.
Yes, I can see how torn she must have felt. Excited and grieving. Happy and sad. At one and the same time. For the same, the very same, reason.
”
”
Sindiwe Magona (Mother to Mother (Bluestreak))
“
What we are faced with in our culture is the post-Christian version of the doctrine of original sin: all human endeavor is radically flawed, and the journalists who take delight in pointing this out are simply telling over and over again the story of Genesis 3 as applied to today’s leaders, politicians, royalty and rock stars. And our task, as image-bearing, God-loving, Christshaped, Spirit-filled Christians, following Christ and shaping our world, is to announce redemption to the world that has discovered its fallenness, to announce healing to the world that has discovered its brokenness, to proclaim love and trust to the world that knows only exploitation, fear and suspicion. So the key I propose for translating Jesus’ unique message to the Israel of his day into our message to our contemporaries is to grasp the parallel, which is woven deeply into both Testaments, between the human call to bear God’s image and Israel’s call to be the light of the world. Humans were made to reflect God’s creative stewardship into the world. Israel was made to bring God’s rescuing love to bear upon the world. Jesus came as the true Israel, the world’s true light, and as the true image of the invisible God. He was the true Jew, the true human. He has laid the foundation, and we must build upon it. We are to be the bearers both of his redeeming love and of his creative stewardship: to celebrate it, to model it, to proclaim it, to dance to it. “As the Father sent me, so I send you; receive the Holy Spirit; forgive sins and they are forgiven, retain them and they are retained.” That last double command belongs exactly at this point. We are to go out into the world with the divine authority to forgive and retain sins. When Jesus forgave sins, they said he was blaspheming; how then can we imagine such a thing for ourselves? Answer: because of the gift of the Holy Spirit. God intends to do through us for the wider world that for which the foundation was laid in Jesus. We are to live and tell the story of the prodigal and the older brother; to announce God’s glad, exuberant, richly healing welcome for sinners, and at the same time God’s sorrowful but implacable opposition to those who persist in arrogance, oppression and greed. Following Christ in the power of the Spirit means bringing to our world the shape of the gospel: forgiveness, the best news that anyone can ever hear, for all who yearn for it, and judgment for all who insist on dehumanizing themselves and others by their continuing pride, injustice and greed.
”
”
N.T. Wright (The Challenge of Jesus)
“
Little Sleep's-Head Sprouting Hair
in the Moonlight
1
You scream, waking from a nightmare.
When I sleepwalk
into your room, and pick you up,
and hold you up in the moonlight, you cling to me
hard,
as if clinging could save us. I think
you think
I will never die, I think I exude
to you the permanence of smoke or stars,
even as
my broken arms heal themselves around you.
2
I have heard you tell
the sun, don't go down, I have stood by
as you told the flower, don't grow old,
don't die. Little Maud,
I would blow the flame out of your silver cup,
I would suck the rot from your fingernail,
I would brush your sprouting hair of the dying light,
I would scrape the rust off your ivory bones,
I would help death escape through the little ribs of your body,
I would alchemize the ashes of your cradle back into wood,
I would let nothing of you go, ever,
until washerwomen
feel the clothes fall asleep in their hands,
and hens scratch their spell across hatchet blades,
and rats walk away from the culture of the plague,
and iron twists weapons toward truth north,
and grease refuse to slide in the machinery of progress,
and men feel as free on earth as fleas on the bodies of men,
and the widow still whispers to the presence no longer beside her
in the dark.
And yet perhaps this is the reason you cry,
this the nightmare you wake screaming from:
being forever
in the pre-trembling of a house that falls.
3
In a restaurant once, everyone
quietly eating, you clambered up
on my lap: to all
the mouthfuls rising toward
all the mouths, at the top of your voice
you cried
your one word, caca! caca! caca!
and each spoonful
stopped, a moment, in midair, in its withering
steam.
Yes,
you cling because
I, like you, only sooner
than you, will go down
the path of vanished alphabets,
the roadlessness
to the other side of the darkness,
your arms
like the shoes left behind,
like the adjectives in the halting speech
of old folk,
which once could call up the lost nouns.
4
And you yourself,
some impossible Tuesday
in the year Two Thousand and Nine, will walk out
among the black stones
of the field, in the rain,
and the stones saying
over their one word, ci-gît, ci-gît, ci-gît,
and the raindrops
hitting you on the fontanel
over and over, and you standing there
unable to let them in.
5
If one day it happens
you find yourself with someone you love
in a café at one end
of the Pont Mirabeau, at the zinc bar
where wine takes the shapes of upward opening glasses,
and if you commit then, as we did, the error
of thinking,
one day all this will only be memory,
learn to reach deeper
into the sorrows
to come—to touch
the almost imaginary bones
under the face, to hear under the laughter
the wind crying across the black stones. Kiss
the mouth
that tells you, here,
here is the world. This mouth. This laughter. These temple bones.
The still undanced cadence of vanishing.
6
In the light the moon
sends back, I can see in your eyes
the hand that waved once
in my father's eyes, a tiny kite
wobbling far up in the twilight of his last look:
and the angel
of all mortal things lets go the string.
7
Back you go, into your crib.
The last blackbird lights up his gold wings: farewell.
Your eyes close inside your head,
in sleep. Already
in your dreams the hours begin to sing.
Little sleep's-head sprouting hair in the moonlight,
when I come back
we will go out together,
we will walk out together among
the ten thousand things,
each scratched in time with such knowledge, the wages
of dying is love.
”
”
Galway Kinnell
“
The warm of his voice touched a quickness in her that left her fingers trembling as she raised the candle. “Will you light this please? I need it to find my way back.”
He ignored her request and reached to take the lantern from the wall. “I’ll take you upstairs.”
“It isn’t necessary,” she was quick to insist, afraid for more reasons than one.
“I’d never forgive myself if some harm came to you down here,” he responded lightly. He lifted the lantern, casting its glow before them, and waited on her pleasure with amused patience. Erienne saw the challenge in his eyes and groaned inwardly. How could she refuse to pick up the gauntlet when she knew he would taunt her with his chiding humor if she did not? Adjusting the oversize coat about her shoulders, she rose to the bait against her better judgment and moved with him along the stony corridor. They were well past the bend when a sudden scurrying accompanied by strident squeaking came from the darkness. At the sound, Erienne stumbled back with a gasp, having an intense aversion for the rodents. In the next instant, the heel of her slipper caught on a rock lip, twisting her ankle and nearly sending her sprawling. Almost before the cry of pain was wrenched from her lips, Christopher’s arms were about her, and he used the excuse to bring her snugly against his own hard body. Embarrassed by the contact that brought bosom to chest and thigh to thigh and made her excruciatingly aware of his masculinity, Erienne pushed hurriedly away. She tried to walk again, anxious to be away, but when her weight came down on her ankle, a quick grimace touched her features. Christopher caught her reaction and, without so much as a murmured pardon, took the coat from her shoulders, pressed the lantern in her hand, and lifted her up in his arms.
“You can’t take me upstairs!” she protested. “What if you’re seen?”
The lights danced in his eyes as he met her astonished stare. “I’m beginning to think, madam, that you worry more about propriety than yourself. Most of the servants are in bed asleep.”
“But what if Stuart comes?” she argued. “You said he’s on his way.” Christopher chuckled.
“Meeting him now would be most interesting. He might even challenge me to a duel over your honor.” He raised a brow at her. “Would you be grieved if he wounded me?”
“Don’t you realize a thing like that could happen?” she questioned, angry because he dismissed the possibility with flippant ease.
“Don’t fret, my love,” he cajoled with a smile twitching at the corners of his mouth. “If I hear him coming, I’ll run, and as clumsy as he is, he’ll never be able to catch me.”
He shifted her weight closer against him and smiled into her chiding stare. “I like the way you feel in my arms.”
“Remember yourself, sir,” she admonished crisply, ignoring her leaping pulse.
“I’m trying, madam. I’m really trying.”
-Erienne & Christopher
”
”
Kathleen E. Woodiwiss (A Rose in Winter)
“
To my new found friend, May you see a good day. May your perspective be governed by light, laughter, and discernment. If mountain moments come your way, may you rise above and continue your journey knowing the Lord is with you. May the breaking of each day find you on your knees. May you live after the manner of happiness. May your focus lead you to understand that God is in the details. As you pray each day for the answer you want, may you remember that He might send the answer you need. May your heart have great experience. May listing what you love allow you to recognize your joys. If sorrow comes your way, may you sow in tears and reap in joy. May you always remember the important days of your life, specially the days when your testimony burned within. May your eyes be quick to search from one side of heaven unto the other and recognize the great things as tender mercies from the Lord. May the oil of gladness permeate your heart. May every day be a day of gladness and a good day because you have chosen the good part. This is my wish for you.
”
”
Emily Belle Freeman (Love Life and See Good Days)
“
When West returned, he was completely naked. Phoebe began to turn over, but he straddled her hips and pressed her back lightly to keep her facedown. She lay quietly, aware of the textures of him, the muscles and coarse hair of his thighs, and the silky weight of an erection that felt as long and hard as a raffling pole. There was the sound of a glass stopper in a flask. His warm, strong hands descended to her back, rubbing and massaging, while the scent of almond oil drifted to her nostrils.
He squeezed the muscles of her shoulders and worked his way down on either side of her spine, releasing tension and sending ripples of pleasure through her. Phoebe moaned softly. No one had ever done this to her before; she would never have guessed it would feel so lovely. As his palms glided up to her shoulders, the length of his aroused flesh slid along the cleft of her bottom and partly up her back. Clearly he also took pleasure in the massage, making no effort to hide it. He kneaded her lower back and the full curves of her buttocks with increasing pressure until the clenched muscles relaxed.
One hand reached down between her thighs to cup the soft pleats of flesh, his fingertips riding tenderly on either side of her swollen, half-hidden nub. A few exquisitely light and indirect strokes, back and forth, caused her breath to catch. He touched the opening of her body, circling into the wetness before one of his fingers- no, two- entered in a gradual but insistent thrust.
Her body tried to close against the intrusion, but he was so gentle, his fingers undulating like the sway of water reeds in a slow current. Her legs spread a little, and soon she felt the need to push upward, to take more of him in. As she raised her hips, something inside her loosened and stretched to enclose him. He breathed her name raggedly, seeming to luxuriate in the feel of her, his fingers twisting and curling protean grace. Keeping her crimson face pressed against the cool linen sheets, she squirmed and gasped and arched tightly.
As his fingers slid from her body, the opening felt oddly liquid, muscles clenching on emptiness. His weight lowered over her back, the hair of his chest tickling pleasantly as he bent to kiss and lick her shoulders and the nape of her neck.
”
”
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
“
Ahmity reached out and created a ball of light in his hand sending it down past Jack and into the cave. He called out to Jack, “It will move as you command.”
Jack frowned feeling a bit ridiculous talking to a ball of light and said, “Go three feet inside the cave and hover.” The ball floated quickly to the cave entrance and past the rushing water to hover just inside the cave entrance. “Move further in another 5 feet.”
There was a large shadow to the right. “Move right 10 feet.” Jack commanded and the ball floated into a side tunnel and disappeared. Jack said, “Return to Ahmity.”
The ball slowly accompanied Jack back up the cliff. When he reached the top Ahmity helped him up over the edge and waited for his report. Jack wiped the sweat from his forehead and said, “I could see a tunnel in the side of the cave about 10 feet inside the entrance. It’s large enough for the trolls pass through.”
Ahmity shook his head and said, “If the trolls traveled back to the Netherworld from here then it’s possible the beasts escaped the same way.”
Jack sighed and glanced back at the school then said, “Well there’s no way to know for sure unless we take a short trip down a black hole.”
Coming soon--Vengeance's Fire
”
”
Alaina Stanford
“
to look around. At first sight, the apartment was perfectly ordinary. He made a quick circuit of the living room, kitchenette, bathroom, and bedroom. The place was tidy enough, but with a few items strewn here and there, the sort of things that might be left lying around by a busy person—a magazine, a half-finished crossword puzzle, a book left open on a night table. Abby had the usual appliances—an old stove and a humming refrigerator, a microwave oven with an unpronounceable brand name, a thirteen-inch TV on a cheap stand, a boom box near a modest collection of CDs. There were clothes in her bedroom closet and silverware, plates, and pots and pans in her kitchen cabinets. He began to wonder if he’d been unduly suspicious. Maybe Abby Hollister was who she said she was, after all. And he’d taken a considerable risk coming here. If he was caught inside her apartment, all his plans for the evening would be scotched. He would end up in a holding cell facing charges that would send him back to prison for parole violation. All because he’d gotten a bug up his ass about some woman he hardly knew, a stranger who didn’t mean anything. He decided he’d better get the hell out. He was retracing his steps through the living room when he glanced at the magazine tossed on the sofa. Something about it seemed wrong. He moved closer and took a better look. It was People, and the cover showed two celebrities whose recent marriage had already ended in divorce. But on the cover the stars were smiling over a caption that read, Love At Last. He picked up the magazine and studied it in the trickle of light through the filmy curtains. The date was September of last year. He put it down and looked at the end tables flanking the sofa. For the first time he noticed a patina of dust on their surfaces. The apartment hadn’t been cleaned in some time. He went into the kitchen and looked in the refrigerator. It seemed well stocked, but when he opened the carton of milk and sniffed, he discovered water inside—which was just as well, since the milk’s expiration period had ended around the time that the People cover story had been new. Water in the milk carton. Out-of-date magazine on the sofa. Dust everywhere, even coating the kitchen counters. Abby didn’t live here. Nobody did. This apartment was a sham, a shell. It was a dummy address, like the dummy corporations his partner had set up when establishing the overseas bank accounts. It could pass inspection if somebody came to visit, assuming the visitor didn’t look too closely, but it wasn’t meant to be used. Now that he thought about it, the apartment was remarkable for what
”
”
Michael Prescott (Dangerous Games (Abby Sinclair and Tess McCallum, #3))
“
But the church of this country is not only indifferent to the wrongs of the slave, it actually takes sides with the oppressors. It has made itself the bulwark of American slavery, and the shield of American slave-hunters. Many of its most eloquent Divines. who stand as the very lights of the church, have shamelessly given the sanction of religion and the Bible to the whole slave system. They have taught that man may, properly, be a slave; that the relation of master and slave is ordained of God; that to send back an escaped bondman to his master is clearly the duty of all the followers of the Lord Jesus Christ; and this horrible blasphemy is palmed off upon the world for Christianity.
For my part, I would say, welcome infidelity! welcome atheism! welcome anything! in preference to the gospel, as preached by those Divines! They convert the very name of religion into an engine of tyranny, and barbarous cruelty, and serve to confirm more infidels, in this age, than all the infidel writings of Thomas Paine, Voltaire, and Bolingbroke, put together, have done! These ministers make religion a cold and flintyhearted thing, having neither principles of right action, nor bowels of compassion. They strip the love of God of its beauty, and leave the throng of religion a huge, horrible, repulsive form. It is a religion for oppressors, tyrants, man-stealers, and thugs. It is not that "pure and undefiled religion" which is from above, and which is "first pure, then peaceable, easy to be entreated, full of mercy and good fruits, without partiality, and without hypocrisy." But a religion which favors the rich against the poor; which exalts the proud above the humble; which divides mankind into two classes, tyrants and slaves; which says to the man in chains, stay there; and to the oppressor, oppress on; it is a religion which may be professed and enjoyed by all the robbers and enslavers of mankind; it makes God a respecter of persons, denies his fatherhood of the race, and tramples in the dust the great truth of the brotherhood of man. All this we affirm to be true of the popular church, and the popular worship of our land and nation - a religion, a church, and a worship which, on the authority of inspired wisdom, we pronounce to be an abomination in the sight of God. In the language of Isaiah, the American church might be well addressed, "Bring no more vain ablations; incense is an abomination unto me: the new moons and Sabbaths, the calling of assemblies, I cannot away with; it is iniquity even the solemn meeting…. Yea! when ye make many prayers, I will not hear. YOUR HANDS ARE FULL OF BLOOD; cease to do evil, learn to do well; seek judgment; relieve the oppressed; judge for the fatherless; plead for the widow.
”
”
Frederick Douglass (What to the Slave is the Fourth of July?)
“
Cal stares at me, eyes full of accusation. And longing. This time he takes me by surprise when he steps closer, and I fall back on my heels. “Did your mother destroy you entirely? Is there anything left of you?” he asks, searching my face. “Anything that isn’t hers?”
He won’t tell me what he’s looking for, but I know. Despite the walls my mother built around me, Cal always manages to weasel through. His hunting eyes fill me with sorrow. Even now, he thinks there’s something in me left to save—and to mourn. There is no escaping our fate, not for either of us. He must sentence me to die. And I must accept death. But Cal wants to know if he’s killing his brother along with the monster—or if the brother died long ago.
Cut for cut, my mother whispers, louder now, taunting. The words slice like a razor.
It would hurt him deeply, wound him forever, if I let him glimpse what little is left of me. That I’m still here, in some forgotten corner, just waiting to be found. I could ruin him with one glance, one echo of the brother he remembers. Or I could free him of me. Make the choice for him. Give my brother one last proof of the love I can no longer feel, even if he never knows it.
I weigh the choice in my heart, each side heavy and impossible. For one terrifying moment, I don’t know what to do.
Despite all my mother’s fine work, I can’t find it in myself to land that final blow.
I drop my gaze, forcing a detached smirk to my lips.
“I would do it all again, Cal,” I tell him, lying with such grace. It feels easy, after so many years behind a mask. “If given the choice to go back, I would let her change me. I would watch you kill him. I’d send you to the arena. And I’d get it right. I’d give you what you deserve. I’d kill you now if I could. I’d do it a thousand times.”
My brother is simple, easy to manipulate. He sees only what lies in front of him, only what he can understand. The lie does its job well. His eyes harden, that undying ember in him almost extinguished entirely. One hand twitches, wanting to form a fist. But the Silent Stone affects him too, and even if he had the strength to make me burn, he could not.
“Good-bye, Maven,” Cal says, his voice broken. He isn’t really speaking to me.
The farewell is for another boy, lost years ago, before he became what I am now. Cal lets go of him, the Maven I was. The Maven I still am, somewhere inside, unable or unwilling to step into the light.
This will be the last time we speak to each other alone. I can feel that in my marrow. If I see him again, it will be before the throne, or beneath the cold steel of the executioner’s blade.
“I look forward to the sentencing,” I drawl in reply, watching him flee the room. The door slams behind him, shaking paintings in their frames.
Despite all the difference between us, we have this in common. We use our pain to destroy.
“Good-bye, Cal,” I say to no one.
Weakness, my mother answers.
”
”
Victoria Aveyard (Broken Throne (Red Queen, #4.5))
“
Ahab stood for a while leaning over the bulwarks; and then, as had been usual with him of late, calling a sailor of the watch, he sent him below for his ivory stool, and also his pipe. Lighting the pipe at the binnacle lamp and planting the stool on the weather side of the deck, he sat and smoked. In old Norse times, the thrones of the sea-loving Danish kings were fabricated, saith tradition, of the tusks of the Narwhale. How could one look at Ahab then, seated on that tripod of bones, without bethinking him of the royalty it symbolized? For a Khan of the plank, and a king of the sea, and a great lord of Leviathans was Ahab. Some moments passed, during which the thick vapor came from his mouth in quick and constant puffs, which blew back again into his face. "How now," he soliloquized at last, withdrawing the tube, "this smoking no longer soothes. Oh, my pipe! hard must it go with me if thy charm be gone! Here have I been unconsciously toiling, not pleasuring, aye, and ignorantly smoking to windward all the while; to windward, and with such nervous whiffs, as if, like the dying whale, my final jets were the strongest and fullest of trouble. What business have I with this pipe? This thing that is meant for sereneness, to send up mild white vapors among mild white hairs, not among torn iron-grey locks like mine. I'll smoke no more"
He tossed the still lighted pipe into the sea. The fire hissed in the waves; the same instant the ship shot by the bubble the sinking pipe made. With slouched hat, Ahab lurchingly paced the planks.
”
”
Herman Melville (Moby-Dick or, The Whale)
“
After we finished the interview Paul thanked me for my time and told me he thought I was great on the radio. He suggested I think about it as a career. I thanked him and said I’d consider it. But really all I was thinking about was Jamie. As soon as I got in my car I looked on my phone and saw I had a Facebook friend request from her. I felt schoolgirl giddy. I accepted the request and immediately called my Army buddy Max. Max is one of the guys who came with me on that first Tough Mudder. We are really close friends, and he’s someone I’ve always confided in. Just a few weeks before I had called and told him, “You know what? I’m done with women for the time being, but the next time I talk to a girl, I’m shooting out of my league.” So now I called Max and said, “I’ve met a girl way out of my league and I’m gonna take a shot.”
I wasn’t good at asking women out and felt really nervous. I told Max she had sent me a friend request and he urged me to send her a private message on Facebook.
I typed out a pretty long message and hit SEND. Then I finally put the keys in the ignition and left the radio station parking lot. Every red light I hit, I checked my phone to see if she had responded. She hadn’t. Why wasn’t she responding? Finally, I pulled over and looked again. The message hadn’t gone through! I panicked and called Max back.
“What am I gonna do? What if I send another one and the first one is just floating through the Internet and it eventually goes through? Do I send another one? Do I make it sound exactly the same? I’m gonna look like a crazy person! What do I do? I don’t know what to do!”
Max calmed me down again and I rewrote my original message. This time she responded.
“Jamie, it was great meeting you and Paul today. Sorry you got stuck with a used bracelet. If I run into you again I will hook you up with a new one. You’ll just have to give that one back. They aren’t free. LOL. Take care.”
She responded: “Ha ha. Actually, Noah Galloway, I got the one I wanted ;). Great to meet you, too. Love your story. Tragedy to triumph. I can’t imagine the number of people you inspire every day. Hope to run into you sooner rather than later.
”
”
Noah Galloway (Living with No Excuses: The Remarkable Rebirth of an American Soldier)
“
Will you have this man to be your husband; to live together in the covenant of marriage? Will you love him, comfort him, honor and keep him, in sickness and in health; and, forsaking all others, be faithful to him as long as you both shall live?
“I will.” I breathed in.
The scent of roses…the evening light coming through the stained-glass window.
Will you have this woman to be your wife; to live together in the covenant of marriage? Will you love her, comfort her, honor and keep her, in sickness and in health; and, forsaking all others, be faithful to her as long as you both shall live?
“I will.” That voice. The voice from all the phone calls. I was marrying that voice. I couldn’t believe it.
We faced each other, our hands intertwined.
In the Name of God, I take you to be my wife, to have and to hold from this day forward, for better for worse, for richer for poorer, in sickness and in health, to love and to cherish, until we are parted by death. This is my solemn vow.
He stood before me, his face serious. My heart leaped in my chest. Then I spoke the words myself.
In the Name of God, I take you to be my husband, to have and to hold from this day forward, for better for worse, for richer for poorer, in sickness and in health, to love and to cherish, until we are parted by death. This is my solemn vow.
Marlboro Man watched me as I spoke, and he listened. My voice broke; emotion moved in. It was a beautiful moment--the most beautiful moment since we’d met.
Bless, O Lord, these rings to be a sign of the vows by which this man and this woman have bound themselves to each other.
We kneeled, and Father Johnson administered the blessing.
Most Gracious God…Let their love for each other be a seal upon their hearts, a mantle about their shoulders, and a crown upon their foreheads…Bless them in their work and in their companionship; in their sleeping and in their waking; in their joys and in their sorrows; in their life and in their death…Send therefore your blessing upon these your servants, that they may so love, honor, and cherish each other in faithfulness and patience, in wisdom and true godliness, that their home may be a haven of blessing and peace.
My heart pounded in my chest. This was real, it was not a dream. His hand held mine.
I now pronounce you husband and wife.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)