Send Her Flowers Quotes

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Jazz hadn't given her many details of exactly what life in the Dent house had been like, but he'd told her enough that she knew it wasn't hearts and flowers. Well, except for the occasional heart cut from a chest. And the kind of flowers you send to funerals.
Barry Lyga (I Hunt Killers (I Hunt Killers, #1))
Hello? This is Clary Fairchild.” “Clary? It’s me, Emma.” “Oh, Emma, hi! I haven’t heard from you in ages. My mom says thanks for the wedding flowers, by the way. She wanted to send a note but Luke whisked her away on a honeymoon to Tahiti.” “Tahiti sounds nice.” “It probably is — Jace, what are you doing with that thing? There is no way it’ll fit.” “Is this a bad time?” “What? No! Jace is trying to drag a trebuchet into the training room. Alec, stop helping him.” “What’s a trebuchet?” “It’s a huge catapult.” “What are they going to use it for?” “I have no idea. Alec, you’re enabling! You’re an enabler!” “Maybe it is a bad time.” “I doubt there’ll be a better one. Is something wrong? Is there anything I can do?” “I think we have your cat.” “What?” “Your cat. Big fuzzy Blue Persian? Always looks angry? Julian says it’s your cat. He says he saw it at the New York Institute. Well, saw him. It’s a boy cat.” “Church? You have Church? But I thought — well, we knew he was gone. We thought Brother Zachariah took him. Isabelle was annoyed, but they seemed to know each other. I’ve never seen Church actually likeanyone like that.” “I don’t know if he likes anyone here. He bit Julian twice. Oh, wait. Julian says he likes Ty. He’s asleep on Ty’s bed.” “How did you wind up with him?” “Someone rang our front doorbell. Diana, she’s our tutor, went down to see what it was. Church was in a cage on the front step with a note tied to it. It said For Emma. This is Church, a longtime friend of the Carstairs. Take care of this cat and he will take care of you. —J.” “Brother Zachariah left you a cat.” “But I don’t even really know him. And he’s not a Silent Brother any more.” “You may not know him, but he clearly knows you.” “What do you think the J stands for?” “His real name. Look, Emma, if he wants you to have Church, and you want Church, you should keep him.” “Are you sure? The Lightwoods —“ ‘They’re both standing here nodding. Well, Alec is partially trapped under a trebuchet, but he seems to be nodding.” “Jules says we’d like to keep him. We used to have a cat named Oscar, but he died, and, well, Church seems to be good for Ty’s nightmares.” “Oh, honey. I think, really, he’s Brother Zachariah’s cat. And if he wants you to have him, then you should.” “Why does Brother Zachariah want to protect me? It’s like he knows me, but I don’t know why he knows me.” “I don’t exactly know … But I know Tessa. She’s his — well, girlfriend seems not the right word for it. They’ve known each other a long, long time. I have a feeling they’re both watching over you.” “That’s good. I have a feeling we’re going to need it.” “Emma — oh my God. The trebuchet just crashed through the floor. I have to go. Call me later.” “But we can keep the cat?” “You can keep the cat.
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
Marriage could hardly be like the passionate romances one read about in books. It seemed to her, in fact, a rotten deal. Men would be solicitous and well behaved when they courted a woman, asking her out to parties and sending her flowers, but once they married, the flowers wilted.
Silvia Moreno-Garcia (Mexican Gothic)
Write her a letter, send her a flower, love only gets old if you let it.
William Chapman
You know what that place was ?" Ronan asked. "a castration palace. You date that girl, you should send her your nuts instead of flowers". "You're a Neanderthal.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
Man, Wren. I’m impressed. No woman ever sent flowers to thank me. (Serre) Don’t be that impressed. I’m thinking she didn’t send flowers to thank him. One flower says thank you. This many says she thought he was dead. Or that she killed him. Hmm...I’m thinking, put a tiger in her tank and that didn’t quit rev her up. What she needs is to go hunting for bear. (Dev)
Sherrilyn Kenyon (Unleash the Night (Dark Hunter, #8; Were-Hunter, #2))
AFTER THEIR FALL INTO TARTARUS, jumping three hundred feet to the Mansion of Night should have felt quick. Instead, Annabeth’s heart seemed to slow down. Between the beats she had ample time to write her own obituary. Annabeth Chase, died age 17. BA-BOOM. (Assuming her birthday, July 12, had passed while she was in Tartarus; but honestly, she had no idea.) BA-BOOM. Died of massive injuries while leaping like an idiot into the abyss of Chaos and splattering on the entry hall floor of Nyx’s mansion. BA-BOOM. Survived by her father, stepmother, and two stepbrothers who barely knew her. BA-BOOM. In lieu of flowers, please send donations to Camp Half-Blood, assuming Gaea hasn’t already destroyed it. Her feet hit solid floor. Pain shot up her legs, but she stumbled forward and broke into a run, hauling Percy after her.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
Life is an island in an ocean of solitude and seclusion. Life is an island, rocks are its desires, trees its dreams, and flowers its loneliness, and it is in the middle of an ocean of solitude and seclusion. Your life, my friend, is an island separated from all other islands and continents. Regardless of how many boats you send to other shores, you yourself are an island separated by its own pains,secluded its happiness and far away in its compassion and hidden in its secrets and mysteries. I saw you, my friend, sitting upon a mound of gold, happy in your wealth and great in your riches and believing that a handful of gold is the secret chain that links the thoughts of the people with your own thoughts and links their feeling with your own. I saw you as a great conqueror leading a conquering army toward the fortress, then destroying and capturing it. On second glance I found beyond the wall of your treasures a heart trembling in its solitude and seclusion like the trembling of a thirsty man within a cage of gold and jewels, but without water. I saw you, my friend, sitting on a throne of glory surrounded by people extolling your charity, enumerating your gifts, gazing upon you as if they were in the presence of a prophet lifting their souls up into the planets and stars. I saw you looking at them, contentment and strength upon your face, as if you were to them as the soul is to the body. On the second look I saw your secluded self standing beside your throne, suffering in its seclusion and quaking in its loneliness. I saw that self stretching its hands as if begging from unseen ghosts. I saw it looking above the shoulders of the people to a far horizon, empty of everything except its solitude and seclusion. I saw you, my friend, passionately in love with a beautiful woman, filling her palms with your kisses as she looked at you with sympathy and affection in her eyes and sweetness of motherhood on her lips; I said, secretly, that love has erased his solitude and removed his seclusion and he is now within the eternal soul which draws toward itself, with love, those who were separated by solitude and seclusion. On the second look I saw behind your soul another lonely soul, like a fog, trying in vain to become a drop of tears in the palm of that woman. Your life, my friend, is a residence far away from any other residence and neighbors. Your inner soul is a home far away from other homes named after you. If this residence is dark, you cannot light it with your neighbor's lamp; if it is empty you cannot fill it with the riches of your neighbor; were it in the middle of a desert, you could not move it to a garden planted by someone else. Your inner soul, my friend, is surrounded with solitude and seclusion. Were it not for this solitude and this seclusion you would not be you and I would not be I. If it were not for that solitude and seclusion, I would, if I heard your voice, think myself to be speaking; yet, if I saw your face, i would imagine that I were looking into a mirror.
Kahlil Gibran (Mirrors of the Soul)
What’d you send her flowers for?’ I smiled. ‘She’s mad at me.’ ‘For what?’ ‘She asked if I’d eat her if she were a gummy bear. I said yes.
Abby Jimenez (Yours Truly (Part of Your World, #2))
TO HIS HEART, BIIDING IT HAVE NO FEAR Be you still, be you still, trembling heart; Remember the wisdom out of the old days: Him who trembles before the flame and the flood, And the winds that blow through the starry ways, Let the starry winds and the flame and the flood Cover over and hide, for he has no part With the lonely, majestical multitude. THE CAP AND THE BELLS The jester walked in the garden: The garden had fallen still; He bade his soul rise upward And stand on her window-sill. It rose in a straight blue garment, When owls began to call: It had grown wise-tongued by thinking Of a quiet and light footfall; But the young queen would not listen; She rose in her pale night-gown; She drew in the heavy casement And pushed the latches down. He bade his heart go to her, When the owls called out no more; In a red and quivering garment It sang to her through the door. It had grown sweet-tongued by dreaming Of a flutter of flower-like hair; But she took up her fan from the table And waved it off on the air. 'I have cap and bells,' he pondered, 'I will send them to her and die'; And when the morning whitened He left them where she went by. She laid them upon her bosom, Under a cloud of her hair, And her red lips sang them a love-song Till stars grew out of the air. She opened her door and her window, And the heart and the soul came through, To her right hand came the red one, To her left hand came the blue. They set up a noise like crickets, A chattering wise and sweet, And her hair was a folded flower And the quiet of love in her feet.
W.B. Yeats (The Wind Among the Reeds)
Men would be solicitous and well behaved when they courted a woman, asking her out to parties and sending her flowers, but once they married, the flowers wilted. You didn’t have married men posting love letters to their wives.
Silvia Moreno-Garcia (Mexican Gothic)
Every Day You Play.... Every day you play with the light of the universe. Subtle visitor, you arrive in the flower and the water, You are more than this white head that I hold tightly as a bunch of flowers, every day, between my hands. You are like nobody since I love you. Let me spread you out among yellow garlands. Who writes your name in letters of smoke among the stars of the south? Oh let me remember you as you were before you existed. Suddenly the wind howls and bangs at my shut window. The sky is a net crammed with shadowy fish. Here all the winds let go sooner or later, all of them. The rain takes off her clothes. The birds go by, fleeing. The wind.  The wind. I alone can contend against the power of men. The storm whirls dark leaves and turns loose all the boats that were moored last night to the sky. You are here.  Oh, you do not run away. You will answer me to the last cry. Curl round me as though you were frightened. Even so, a strange shadow once ran through your eyes. Now, now too, little one, you bring me honeysuckle, and even your breasts smell of it. While the sad wind goes slaughtering butterflies I love you, and my happiness bites the plum of your mouth. How you must have suffered getting accustomed to me, my savage, solitary soul, my name that sends them all running. So many times we have seen the morning star burn, kissing our eyes, and over our heads the grey light unwinds in turning fans. My words rained over you, stroking you. A long time I have loved the sunned mother-of-pearl of your body. Until I even believe that you own the universe. I will bring you happy flowers from the mountains, bluebells, dark hazels, and rustic baskets of kisses. I want to do with you what spring does with the cherry trees.
Pablo Neruda (Twenty Love Poems and a Song of Despair)
Parted lovers beguile absence by a thousand chimerical devices, which possess, however, a reality of their own. They are prevented from seeing each other, they cannot write to each other; they discover a multitude of mysterious means to correspond. They send each other the song of the birds, the perfume of the flowers, the smiles of children, the light of the sun, the sighings of the breeze, the rays of stars, all creation. And why not? All the works of God are made to serve love. Love is sufficiently potent to charge all nature with its messages. Oh Spring! Thou art a letter that I write to her.
Victor Hugo (Les Misérables)
Dear Deborah, Words do not come easily for so many men. We are taught to be strong, to provide, to put away our emotions. A father can work his way through his days and never see that his years are going by. If I could go back in time, I would say some things to that young father as he holds, somewhat uncertainly, his daughter for the very first time. These are the things I would say: When you hear the first whimper in the night, go to the nursery leaving your wife sleeping. Rock in a chair, walk the floor, sing a lullaby so that she will know a man can be gentle. When Mother is away for the evening, come home from work, do the babysitting. Learn to cook a hotdog or a pot of spaghetti, so that your daughter will know a man can serve another's needs. When she performs in school plays or dances in recitals, arrive early, sit in the front seat, devote your full attention. Clap the loudest, so that she will know a man can have eyes only for her. When she asks for a tree house, don't just build it, but build it with her. Sit high among the branches and talk about clouds, and caterpillars, and leaves. Ask her about her dreams and wait for her answers, so that she will know a man can listen. When you pass by her door as she dresses for a date, tell her she is beautiful. Take her on a date yourself. Open doors, buy flowers, look her in the eye, so that she will know a man can respect her. When she moves away from home, send a card, write a note, call on the phone. If something reminds you of her, take a minute to tell her, so that she will know a man can think of her even when she is away. Tell her you love her, so that she will know a man can say the words. If you hurt her, apologize, so that she will know a man can admit that he's wrong. These seem like such small things, such a fraction of time in the course of two lives. But a thread does not require much space. It can be too fine for the eye to see, yet, it is the very thing that binds, that takes pieces and laces them into a whole. Without it, there are tatters. It is never too late for a man to learn to stitch, to begin mending. These are the things I would tell that young father, if I could. A daughter grown up quickly. There isn't time to waste. I love you, Dad
Lisa Wingate (Dandelion Summer (Blue Sky Hill #4))
Eyes landing on the flowers, she pursed her lips in confusion. “Okay, a puzzle. I like puzzles. You bought me flowers, but you’re clearly angry with me. Were they that expensive?” “I didn’t buy them.” Daniel took little comfort in her look of surprise. He couldn’t think past the foreign emotions burning through his gut. “They’re from him.” “Him…who?” Recognition dawned in her eyes. “Fisher? Why would he send me flowers?” She shook her head. “Roses, at that. He always bought me sunflowers.
Tessa Bailey (Officer off Limits (Line of Duty, #3))
I’ve watched it time and time again—a woman always slots into a man’s life better than he slots into hers. She will be the one who spends the most time at his flat, she will be the one who makes friends with all his friends and their girlfriends. She will be the one who sends his mother a bunch of flowers on her birthday. Women don’t like this rigmarole any more than men do, but they’re better at it—they just get on with it. This means that when a woman my age falls in love with a man, the list of priorities goes from this: Family Friends To this: Family Boyfriend Boyfriend’s family Boyfriend’s friends Girlfriends of the boyfriend’s friends Friends Which means, on average, you go from seeing your friend every weekend to once every six weekends. She becomes a baton and you’re the one at the very end of the track. You get your go for, say, your birthday or a brunch, then you have to pass her back round to the boyfriend to start the long, boring rotation again. These gaps in each other’s lives slowly but surely form a gap in the middle of your friendship. The love is still there, but the familiarity is not. Before you know it, you’re not living life together anymore. You’re living life separately with respective boyfriends then meeting up for dinner every six weekends to tell each other what living is like. I now understand why our mums cleaned the house before their best friend came round and asked them “What’s the news, then?” in a jolly, stilted way. I get how that happens. So don’t tell me when you move in with your boyfriend that nothing will change. There will be no road trip. The cycle works when it comes to holidays as well—I’ll get my buddy back for every sixth summer, unless she has a baby in which case I’ll get my road trip in eighteen years’ time. It never stops happening. Everything will change.
Dolly Alderton (Everything I Know About Love: A Memoir)
If only, I thought, I could talk to Eugene just one more time. This was before I came to understand that you cannot make someone fall in love with you But here's what you can do. By arguing and pleading and screaming and crying and throwing plates and phoning a lot and bringing hot food and sending flowers and buying gifts and doing unsolicited favors and remembering a birthday and being nice and declaring your abiding love and trying hard or sometimes merely by being present, you can make someone who was hitherto lukewarm really detest you.
Patricia Marx (Him Her Him Again the End of Him)
How yet resolves the governor of the town? This is the latest parle we will admit; Therefore to our best mercy give yourselves; Or like to men proud of destruction Defy us to our worst: for, as I am a soldier, A name that in my thoughts becomes me best, If I begin the battery once again, I will not leave the half-achieved Harfleur Till in her ashes she lie buried. The gates of mercy shall be all shut up, And the flesh'd soldier, rough and hard of heart, In liberty of bloody hand shall range With conscience wide as hell, mowing like grass Your fresh-fair virgins and your flowering infants. What is it then to me, if impious war, Array'd in flames like to the prince of fiends, Do, with his smirch'd complexion, all fell feats Enlink'd to waste and desolation? What is't to me, when you yourselves are cause, If your pure maidens fall into the hand Of hot and forcing violation? What rein can hold licentious wickedness When down the hill he holds his fierce career? We may as bootless spend our vain command Upon the enraged soldiers in their spoil As send precepts to the leviathan To come ashore. Therefore, you men of Harfleur, Take pity of your town and of your people, Whiles yet my soldiers are in my command; Whiles yet the cool and temperate wind of grace O'erblows the filthy and contagious clouds Of heady murder, spoil and villany. If not, why, in a moment look to see The blind and bloody soldier with foul hand Defile the locks of your shrill-shrieking daughters; Your fathers taken by the silver beards, And their most reverend heads dash'd to the walls, Your naked infants spitted upon pikes, Whiles the mad mothers with their howls confused Do break the clouds, as did the wives of Jewry At Herod's bloody-hunting slaughtermen. What say you? will you yield, and this avoid, Or, guilty in defence, be thus destroy'd?
William Shakespeare (Henry V)
And she continued to steal scones for him. Definitely courting behavior. Only Percy didn't know how to really do it. (Peahen, he eventually decided, was not a good name for one's beloved. He'd have to do better. What did the ancients use? Time to research.) Percy understood the mechanics of courting, of course. One ought to write a lady sonnets, send her flowers, and purchase the dd trinket or two. But the only flowers aboard the Custard were the potted sunflowers to help cleanse the aether of malignant humours. They ought not to be cut and presented to doctors. Besides, Percy had never understood the notion of gifting the dead sexual organs of a plant to females. It seemed oddly threatening.
Gail Carriger (Reticence (The Custard Protocol, #4))
Write her a letter, send her a flower, love only gets old if you let it.
Faraaz Kazi
The tips of her fingers started to tingle as did the tattoo of the small purple flower that decorated her chest. That was the last sign she needed. Whatever force that was looking out for her, it was sending her a warning.
D.A. Henneman
The (kunyaza) technique liberates women to experience the fountain of erotic pleasure. It involves the tapping, rubbing and stroking of the female flower with the penis head to inflame a woman’s desire and send her into ecstasy.
Habeeb Akande (Kunyaza: The Secret to Female Pleasure)
Annabeth Chase, died age 17. BA-BOOM. (Assuming her birthday, July 12, had passed while she was in Tartarus; but honestly, she had no idea.) BA-BOOM. Died of massive injuries while leaping like an idiot into the abyss of Chaos and splattering on the entry hall floor of Nyx’s mansion. BA-BOOM. Survived by her father, stepmother, and two stepbrothers who barely knew her. BA-BOOM. In lieu of flowers, please send donations to Camp Half-Blood, assuming Gaea hasn’t already destroyed it.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
She smiled at him, touched by what he had said, and grateful for his friendship. He took her home that night, and walked her upstairs. He didn’t ask to come in, and he never mentioned the world tour. But he surprised her by sending her flowers the next day,
Danielle Steel (Wings)
But where to start? How do you make her talk to you again? Flowers? Candy? Food? Everyone loves food. Food is great. They say the way to a man’s heart is through his stomach, so why not for women too, right? I’ll just keep sending her food until she feels compelled to talk to me.
Aidan Willows (Falling Sweetly (Starling Falls, #2))
He took a ragged breath. “You should know that I’ve always wanted you, Cat. I’ve had fantasies so wicked, it would send us both straight to hell if I told them to you. And the way I want you has nothing to do with the color of your hair, or the appalling fashions you wear.” His hand passed gently over her head. “Catherine Marks, or whoever you are … I have the most profane desire to be in bed with you for … oh, weeks, at least … committing every mortal sin known to man. I’d like to do more than sketch you naked. I want to draw directly on you with feather and ink … flowers around your breasts, trails of stars down your thighs.” He let his warm lips brush the edge of her ear. “I want to map your body, chart the north, south, east, and west of you. I would—” “Don’t,” she said, scarcely able to breathe. A rueful laugh escaped him. “I told you. Straight to hell.
Lisa Kleypas (Married By Morning (The Hathaways, #4))
At the door to the shop, a bell tinkled, and moments later they seemed to enter the very flowering of lavender. The scent was all around them; it curled and diffused in the air with a sweet warmth and subtlety, then burst with a peppery, musky intensity. The blind girls moved into another room. There they arranged themselves expectantly around a long wooden table, Mme Musset welcomed them, and a cork was pulled with a squeaky pop. "This is pure essence of lavender, grown on the Valensole plateau," said Madame. "It is in a glass bottle I am sending around to the right for you all to smell. Be patient, and you will get your turn." Other scents followed: rose and mimosa and oil of almond. Now that they felt more relaxed, some of the other girls started being silly, pretending to sniff too hard and claiming the liquid leapt up at them. Marthe remained silent and composed, concentrating hard. Then came the various blends: the lavender and rosemary antiseptic, the orange and clove scent for the house in winter, the liqueur with the tang of juniper that made Marthe unexpectedly homesick for her family's farming hamlet over the hills to the west, where as a child she had been able to see brightness and colors and precise shapes of faces and hills and fruits and flowers.
Deborah Lawrenson (The Sea Garden)
Marriage could hardly be like the passionate romances one read about in books. It seemed to her, in fact, a rotten deal. Men would be solicitous and well behaved when they courted a woman, asking her out to parties and sending her flowers, but once they married, the flowers wilted. You didn’t have married men posting love letters to their wives.
Silvia Moreno-Garcia (Mexican Gothic)
A cell phone rang from the end table to my right and Kristen bolted up straight. She put her beer on the coffee table and dove across my lap for her phone, sprawling over me. My eyes flew wide. I’d never been that close to her before. I’d only ever touched her hand. If I pushed her down across my knees, I could spank her ass. She grabbed her phone and whirled off my lap. “It’s Sloan. I’ve been waiting for this call all day.” She put a finger to her lips for me to be quiet, hit the Talk button, and put her on speaker. “Hey, Sloan, what’s up?” “Did you send me a potato?” Kristen covered her mouth with her hand and I had to stifle a snort. “Why? Did you get an anonymous potato in the mail?” “Something is seriously wrong with you,” Sloan said. “Congratulations, he put a ring on it. PotatoParcel.com.” She seemed to be reading a message. “You found a company that mails potatoes with messages on them? Where do you find this stuff?” Kristen’s eyes danced. “I don’t know what you’re talking about. Do you have the other thing though?” “Yeeeess. The note says to call you before I open it. Why am I afraid?” Kristen giggled. “Open it now. Is Brandon with you?” “Yes, he’s with me. He’s shaking his head.” I could picture his face, that easy smile on his lips. “Okay, I’m opening it. It looks like a paper towel tube. There’s tape on the—AHHHHHH! Are you kidding me, Kristen?! What the hell!” Kristen rolled forward, putting her forehead to my shoulder in laughter. “I’m covered in glitter! You sent me a glitter bomb? Brandon has it all over him! It’s all over the sofa!” Now I was dying. I covered my mouth, trying to keep quiet, and I leaned into Kristen, who was howling, our bodies shaking with laughter. I must not have been quiet enough though. “Wait, who’s with you?” Sloan asked. Kristen wiped at her eyes. “Josh is here.” “Didn’t he have a date tonight? Brandon told me he had a date.” “He did, but he came back over after.” “He came back over?” Her voice changed instantly. “And what are you two doing? Remember what we talked about, Kristen…” Her tone was taunting. Kristen glanced at me. Sloan didn’t seem to realize she was on speaker. Kristen hit the Talk button and pressed the phone to her ear. “I’ll call you tomorrow. I love you!” She hung up on her and set her phone down on the coffee table, still tittering. “And what did you two talk about?” I asked, arching an eyebrow. I liked that she’d talked about me. Liked it a lot. “Just sexually objectifying you. The usual,” she said, shrugging. “Nothing a hot fireman like you can’t handle.” A hot fireman like you.I did my best to hide my smirk. “So do you do this to Sloan a lot?” I asked. “All the time. I love messing with her. She’s so easily worked up.” She reached for her beer. I chuckled. “How do you sleep at night knowing she’ll be finding glitter in her couch for the next month?” She took a swig of her beer. “With the fan on medium.” My laugh came so hard Stuntman Mike looked up and cocked his head at me. She changed the channel and stopped on HBO. Some show. There was a scene with rose petals down a hallway into a bedroom full of candles. She shook her head at the TV. “See, I just don’t get why that’s romantic. You want flower petals stuck to your ass? And who’s gonna clean all that shit up? Me? Like, thanks for the flower sex, let’s spend the next half an hour sweeping?” “Those candles are a huge fire hazard.” I tipped my beer toward the screen. “Right? And try getting wax out of the carpet. Good luck with that.” I looked at the side of her face. “So what do you think is romantic?” “Common sense,” she answered without thinking about it. “My wedding wouldn’t be romantic. It would be entertaining. You know what I want at my wedding?” she said, looking at me. “I want the priest from The Princess Bride. The mawage guy.
Abby Jimenez (The Friend Zone (The Friend Zone, #1))
Noemi wondered if High Place had robbed her of her illusions, or if they were meant to be shattered all along. Marriage could hardly be like the passionate romances one read about in books. It seemed to her, in fact, a rotten deal. Men would be solicitous and well behaved when they courted a woman, asking her out to parties and sending her flowers, but once they married. the flowers wilted. You didn't have married men posting love letters to their wives. That's why Noemí tended to cycle through admirers. She worried a man would be briefly impressed with her luster, only to lose interest later on. There was also the excitement of the chase, the delight that flew through her veins when she knew a suitor was bewitched with her. Besides, boys her age were dull, always talking about the parties they had been to the previous week or the one they were planning to go to the week after. Easy, shallow men. Yet the thought of anyone more substantial made her nervous, for she was trapped between competing de sires, a desire for a more meaningful connection and the desire to never change. She wished for eternal youth and endless merriment.
Silvia Moreno-Garcia (Mexican Gothic)
...He bade his heart go to her, When the owls called out no more; In a red and quivering garment It sang to her through the door. It had grown sweet-tongued by dreaming Of a flutter of flower-like hair; But she took up her fan from the table And waved it off on the air. 'I have cap and bells,' he pondered, 'I will send them to her and die'; And when the morning whitened He left them where she went by. She laid them upon her bosom, Under a cloud of her hair, And her red lips sang them a love-song Till stars grew out of the air. She opened her door and her window, And the heart and the soul came through, To her right hand came the red one, To her left hand came the blue. They set up a noise like crickets, A chattering wise and sweet, And her hair was a folded flower And the quiet of love in her feet...
W.B. Yeats
when i go from this place dress the porch with garlands as you would for a wedding my dear pull the people from their homes and dance in the streets when death arrives like a bride at the aisle send me off in my brightest clothing serve ice cream with rose petals to our guests there’s no reason to cry my dear i have waited my whole life for such a beauty to take my breath away when i go let it be a celebration for i have been here i have lived i have won at this game called life
Rupi Kaur (The Sun and Her Flowers)
The forest trees were all one dark, full, dusky green; the fern below them caught all the slanting sunbeams; the weather was sultry and broodingly still. Margaret used to tramp along by her father’s side, crushing down the fern with a cruel glee, as she felt it yield under her light foot, and send up the fragrance peculiar to it,—out on the broad commons into the warm scented light, seeing multitudes of wild, free, living creatures, revelling in the sunshine, and the herbs and flowers it called forth.
Elizabeth Gaskell (North and South)
Benny spent maybe thousands sending her to head-shrinkers. Even the famous one, the one can only speak German, boy, did he throw in the towel. You can’t talk her out of these”—he made a fist, as though to crush an intangible—“ideas. Try it sometime. Get her to tell you some of the stuff she believes. Mind you,” he said, “I like the kid. Everybody does, but there’s lots that don’t. I do. I sincerely like the kid. I’m sensitive, that’s why. You’ve got to be sensitive to appreciate her: a streak of the poet.
Truman Capote (Breakfast at Tiffany's and Three Stories: House of Flowers, A Diamond Guitar, and A Christmas Memory)
I believe that God speaks ‘through me’ because He gives each person a little bit of Himself before sending them into the world. It's this part of us that distinguishes between good and evil and answers our questions. This little bit of God is just as much a part of nature as the blossoming of flowers and the singing of birds. “But God has also given people passions and desires, and these desires are in conflict with goodness and justice. As Hans said, Our sense of what's good and right also comes from God.
Anne Frank (Anne Frank's Tales from the Secret Annex: A Collection of Her Short Stories, Fables, and Lesser-Known Writings, Revised Edition)
Finally, the survey findings also lent a helping hand to those men who wanted to engage in some heartfelt wooing, by identifying the gestures that women view as most, and least, romantic. The top-ten list of gestures is shown below, along with the percentage of women who assigned each gesture maximum marks on the “how romantic is this” scale. Cover her eyes and lead her to a lovely surprise—40 percent Whisk her away somewhere exciting for the weekend—40 percent Write a song or poem about her—28 percent Tell her that she is the most wonderful woman that you have ever met—25 percent Run her a relaxing bath after she has had a bad day at work—22 percent Send her a romantic text or e-mail, or leave a note around the house—22 percent Wake her up with breakfast in bed—22 percent Offer her a coat when she is cold—18 percent Send her a large bouquet of flowers or a box of chocolates at her workplace—16 percent Make her a mix CD of her favorite music—12 percent Interestingly, it seems that gestures that reflect a form of escapism and surprise top the list, followed by those that reflect thoughtfulness, with blatant acts of materialism trailing in last place—scientific evidence, perhaps, that when it comes to romance, it really is the thought that counts.
Richard Wiseman (59 Seconds: Think a Little, Change a Lot)
I will have you for husband tonight,” she said in fierce, low tones, “or I will not go until I do!” “If there was any way, I would,” he protested. “Daise Congar would crack my head if I wanted to go against custom. For the love of the Light, Faile, just carry the message, and I’ll wed you the very first day I can.” He would. If that day ever came. Suddenly she was very intent on his beard, smoothing it and not meeting his eyes. She started speaking slowly but picked up speed like a runaway horse. “I … just happened to mention … in passing … I just mentioned to Mistress al’Vere how we had been traveling together—I don’t know how it came up—and she said—and Mistress Congar agreed with her—not that I talked to everybody!—she said that we probably—certainly—could be considered betrothed already under your customs, and the year is just to make sure you really do get on well together—which we do, as anyone can see—and here I am being as forward as some Domani hussy or one of those Tairen galls—if you ever even think of Berelain—oh, Light, I’m babbling, and you won’t even—” He cut her off by kissing her as thoroughly as he knew how. “Will you marry me?” he said breathlessly when he was done. “Tonight?” He must have done ever better with the kiss than he thought; he had to repeat himself six times, with her giggling against his throat and demanding he say it again, before she seemed to understand. Which was how he found himself not half an hour later kneeling opposite her in the common room, in front of Daise Congar and Marin al’Vere, Alsbet Luhhan and Neysa Ayellin and all the Women’s Circle. Loial had been roused to stand for him with Aram, and Bain and Chiad stood for Faile. There were no flowers to put in her hair or his, but Bain, guided by Marin, tucked a long red wedding ribbon around his neck, and Loial threaded another through Faile’s dark hair, his thick fingers surprisingly deft and gentle. Perrin’s hands trembled as he cupped hers. “I, Perrin Aybara, do pledge you my love, Faile Bashere, for as long as I live.” For as long as I live and after. “What I possess in this world I give to you.” A horse, an axe, a bow. A hammer. Not much to gift a bride. I give you life, my love. It’s all I have. “I will keep and hold you, succor and tend you, protect and shelter you, for all the days of my life.” I can’t keep you; the only way I can protect you is to send you away. “I am yours, always and forever.” By the time he finished, his hands were shaking visibly. Faile moved her hands to hold his. “I, Zarine Bashere …” That was a surprise; she hated that name. “ … do pledge you my love, Perrin Aybara … .” Her hands never trembled at all.
Robert Jordan (The Shadow Rising (The Wheel of Time, #4))
A slave in serving dress presented Kestrel with wine, then led the way to an open solarium with a low fountain and hothouse flowers. Musicians played discreetly behind an ebony screen as guests greeted each other, some chatting where they stood, others retreating for quiet conversations on the stone benches lining the fountain. Kestrel turned to face Arin. His eyes were dazed with anger, his hands clenched. “Arin,” she began, concerned, but his gaze flicked away and settled on some point across the room. “Your friends are here,” he said. She followed his line of sight to see Jess and Ronan laughing at something Benix had said. “Dismiss me,” Arin said. “What?” she said, though in fact he was the only escort in the room. The slaves who threaded through the crowd were servers, and Irex’s. “Join your friends. I don’t want to stay here anymore. Send me to the kitchens.” She took a breath, then nodded. He spun on his heel and was gone. She felt instantly alone. She hadn’t expected this. But when she asked herself what she had expected, she had a foolish image of her and Arin sitting on a bench together. Kestrel looked up at the glass roof, a pyramid of purple sky. She saw the sharp cut of the moon, and remembered Enai saying that it was best to recognize the things one cannot change. She crossed the room to greet her friends.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
The air was steeped with the heady fragrance of roses, as if the entire hall had been rinsed with expensive perfume. "Good Lord!" she exclaimed, stopping short at the sight of massive bunches of flowers being brought in from a cart outside. Mountains of white roses, some of them tightly furled buds, some in glorious full bloom. Two footmen had been recruited to assist the driver of the cart, and the three of them kept going outside to fetch bouquet after bouquet wrapped in stiff white lace paper. "Fifteen dozen of them," Marcus said brusquely. "I doubt there's a single white rose left in London." Aline could not believe how fast her heart was beating. Slowly she moved forward and drew a single rose from one of the bouquets. Cupping the delicate bowl of the blossom with her fingers, she bent her head to inhale its lavish perfume. Its petals were a cool brush of silk against her cheek. "There's something else," Marcus said. Following his gaze, Aline saw the butler directing yet another footman to pry open a huge crate filled with brick-sized parcels wrapped in brown paper. "What are they, Salter?" "With your permission, my lady, I will find out." The elderly butler unwrapped one of the parcels with great care. He spread the waxed brown paper open to reveal a damply fragrant loaf of gingerbread, its spice adding a pungent note to the smell of the roses. Aline put her hand over her mouth to contain a bubbling laugh, while some undefinable emotion caused her entire body to tremble. The offering worried her terribly, and at the same time, she was insanely pleased by the extravagance of it. "Gingerbread?" Marcus asked incredulously. "Why the hell would McKenna send you an entire crate of gingerbread?" "Because I like it," came Aline's breathless reply. "How do you know this is from McKenna?" Marcus gave her a speaking look, as if only an imbecile would suppose otherwise. Fumbling a little with the envelope, Aline extracted a folded sheet of paper. It was covered in a bold scrawl, the penmanship serviceable and without flourishes. No miles of level desert, no jagged mountain heights, no sea of endless blue Neither words nor tears, nor silent fears will keep me from coming back to you. There was no signature... none was necessary. Aline closed her eyes, while her nose stung and hot tears squeezed from beneath her lashes. She pressed her lips briefly to the letter, not caring what Marcus thought. "It's a poem," she said unsteadily. "A terrible one." It was the loveliest thing she had ever read. She held it to her cheek, then used her sleeve to blot her eyes. "Let me see it." Immediately Aline tucked the poem into her bodice. "No, it's private." She swallowed against the tightness of her throat, willing the surge of unruly emotion to recede. "McKenna," she whispered, "how you devastate me.
Lisa Kleypas (Again the Magic (Wallflowers, #0))
I felt a numb shock as I drove home anxious to get my chocolate flowers and wondering how my mother arranged to get them delivered to me at the exact time of her passing as promised. I arrived home to a note on my door to go to the neighbor on the right. I knocked at the door and the grouchy older man answered. Without saying a word, he went to his refrigerator, opened it and said, "I think these are for you." He handed me the large bouquet of fruits all cut out like flowers and dipped in chocolate."It looks like chocolate flowers." he said with a grin, adding "I had a few, and they were great!" I held my delivery. I opened the small envelope and read the card: Dear Jori, We appreciate you showing us homes and although it has been months, we thought of you and wanted to do something nice for you today. I hope you remember us. The Johnsons This was a previous client who was a pastor. He never knew I had a mother who had cancer nor did I ever mention the conversation about the chocolate flowers. It had been several months since I had heard from this couple who were considering purchasing a home. I called the client, whom I haven't spoken to in such a long time. I was confused and wanted to know what made them decide to send me chocolate flowers, and why that day, of all days? He said it was his wife's idea to do something nice for someone and they agreed it on it being me. Mrs. Johnson thought of the chocolate flowers.
Jori Nunes (Chocolate Flowers)
There is a lovely old-fashioned pearl set in the treasure chest, but Mother said real flowers were the prettiest ornament for a young girl, and Laurie promised to send me all I want," replied Meg. "Now, let me see, there's my new gray walking suit, just curl up the feather in my hat, Beth, then my poplin for Sunday and the small party, it looks heavy for spring, doesn't it? The violet silk would be so nice. Oh, dear!" "Never mind, you've got the tarlaton for the big party, and you always look like an angel in white," said Amy, brooding over the little store of finery in which her soul delighted. "It isn't low-necked, and it doesn't sweep enough, but it will have to do. My blue housedress looks so well, turned and freshly trimmed, that I feel as if I'd got a new one. My silk sacque isn't a bit the fashion, and my bonnet doesn't look like Sallie's. I didn't like to say anything, but I was sadly disappointed in my umbrella. I told Mother black with a white handle, but she forgot and bought a green one with a yellowish handle. It's strong and neat, so I ought not to complain, but I know I shall feel ashamed of it beside Annie's silk one with a gold top," sighed Meg, surveying the little umbrella with great disfavor. "Change it," advised Jo. "I won't be so silly, or hurt Marmee's feelings, when she took so much pains to get my things. It's a nonsensical notion of mine, and I'm not going to give up to it. My silk stockings and two pairs of new gloves are my comfort. You are a dear to lend me yours, Jo. I feel so rich and sort of elegant, with two new pairs, and the old ones cleaned up for common." And Meg took a refreshing peep at her glove box. "Annie Moffat has blue and pink bows on her nightcaps. Would you put some on mine?" she asked, as Beth brought up a pile of snowy muslins, fresh from Hannah's hands. "No, I wouldn't, for the smart caps won't match the plain gowns without any trimming on them. Poor folks shouldn't rig," said Jo decidedly. "I wonder if I shall ever be happy enough to have real lace on my clothes and bows on my caps?" said Meg impatiently. "You said the other day that you'd be perfectly happy if you could only go to Annie Moffat's," observed Beth in her quiet way. "So I did! Well, I am happy, and I won't fret, but it does seem as if the more one gets the more one wants, doesn't it?
Louisa May Alcott (Little Women (Little Women #1))
The great minds, which from time to time have existed in this world, were like doors thrown wide to understanding. I don't mean just their brilliance or philosophy or even psychology. I mean that the spoken words that have endured are those uttered by men who understood with their hearts. No one on earth understands everything; that all-comprehensive function belongs to God alone. But we all try to understand a little. Most of us realize that too late. We look back and think: If only I'd tried to understand. Many failures in human relationships derive from this common failure. Watching the birds flock to discuss their travels among the brilliant leaves, listening to the slow turning of the earth upon her axis, meditating on Nature herself, never uncertain no matter how uncertain her manifestations may be, I think of the instinct that sends the birds from one locality to another, of the lengthening shadows as we face toward autumn, and of the marvelous system that encourages the leaf to fall and nurture the soil. In the single flame of October it begins the lullaby that will put the roots of grass and flowers to sleep. This system, in the four seasons of my little world, will cover the ground with silent snow, and at a later date will shout that spring is coming and awaken sleepers to new life. The sun in his glory, the moon in her phases, the stars in their courses, all these are part of the system; and Nature, turning the wheel of the seasons, understands what she must accomplish. Each in our own way, I suppose, we try to understand what we must accomplish. Perhaps the most important thing of all is the attempt to understand others.
Faith Baldwin (Evening Star (Thorndike Large Print General Series))
Little Sleep's-Head Sprouting Hair in the Moonlight 1 You scream, waking from a nightmare. When I sleepwalk into your room, and pick you up, and hold you up in the moonlight, you cling to me hard, as if clinging could save us. I think you think I will never die, I think I exude to you the permanence of smoke or stars, even as my broken arms heal themselves around you. 2 I have heard you tell the sun, don't go down, I have stood by as you told the flower, don't grow old, don't die. Little Maud, I would blow the flame out of your silver cup, I would suck the rot from your fingernail, I would brush your sprouting hair of the dying light, I would scrape the rust off your ivory bones, I would help death escape through the little ribs of your body, I would alchemize the ashes of your cradle back into wood, I would let nothing of you go, ever, until washerwomen feel the clothes fall asleep in their hands, and hens scratch their spell across hatchet blades, and rats walk away from the culture of the plague, and iron twists weapons toward truth north, and grease refuse to slide in the machinery of progress, and men feel as free on earth as fleas on the bodies of men, and the widow still whispers to the presence no longer beside her in the dark. And yet perhaps this is the reason you cry, this the nightmare you wake screaming from: being forever in the pre-trembling of a house that falls. 3 In a restaurant once, everyone quietly eating, you clambered up on my lap: to all the mouthfuls rising toward all the mouths, at the top of your voice you cried your one word, caca! caca! caca! and each spoonful stopped, a moment, in midair, in its withering steam. Yes, you cling because I, like you, only sooner than you, will go down the path of vanished alphabets, the roadlessness to the other side of the darkness, your arms like the shoes left behind, like the adjectives in the halting speech of old folk, which once could call up the lost nouns. 4 And you yourself, some impossible Tuesday in the year Two Thousand and Nine, will walk out among the black stones of the field, in the rain, and the stones saying over their one word, ci-gît, ci-gît, ci-gît, and the raindrops hitting you on the fontanel over and over, and you standing there unable to let them in. 5 If one day it happens you find yourself with someone you love in a café at one end of the Pont Mirabeau, at the zinc bar where wine takes the shapes of upward opening glasses, and if you commit then, as we did, the error of thinking, one day all this will only be memory, learn to reach deeper into the sorrows to come—to touch the almost imaginary bones under the face, to hear under the laughter the wind crying across the black stones. Kiss the mouth that tells you, here, here is the world. This mouth. This laughter. These temple bones. The still undanced cadence of vanishing. 6 In the light the moon sends back, I can see in your eyes the hand that waved once in my father's eyes, a tiny kite wobbling far up in the twilight of his last look: and the angel of all mortal things lets go the string. 7 Back you go, into your crib. The last blackbird lights up his gold wings: farewell. Your eyes close inside your head, in sleep. Already in your dreams the hours begin to sing. Little sleep's-head sprouting hair in the moonlight, when I come back we will go out together, we will walk out together among the ten thousand things, each scratched in time with such knowledge, the wages of dying is love.
Galway Kinnell
Noemí wondered if High Place had robbed her of her illusions, or if they were meant to be shattered all along. Marriage could hardly be like the passionate romances one read about in books. It seemed to her, in fact, a rotten deal. Men would be solicitous and well behaved when they courted a woman, asking her out to parties and sending her flowers, but once they married, the flowers wilted. You didn’t have married men posting love letters to their wives. That’s why Noemí tended to cycle through admirers. She worried a man would be briefly impressed with her luster, only to lose interest later on. There was also the excitement of the chase, the delight that flew through her veins when she knew a suitor was bewitched with her. Besides, boys her age were dull, always talking about the parties they had been to the previous week or the one they were planning to go to the week after. Easy, shallow men.
Silvia Moreno-Garcia (Mexican Gothic)
• Can I give a smile at almost everyone I see even if I have a bad day! .. Yes I can • Can I tell a new co-worker a shortcut way to come to work instead of the long one he told us to save him/her sometime every day! .. Yes, I can. • Can I buy a flower or a bouquet and visit a sick person that I do not know at the hospital maybe once a week or once a month! .. Yes, I can. • Can I say Happy Birthday to someone you don’t know but you heard like today years ago he/she was born! .. Yes, I can. • Can I congratulate my neighbor for their newborn child by sending a greeting card or even verbally! .. Yes, I can. • Can I buy a hot meal or give away a coat to a homeless person when it is too cold or the same meal and an ice-cream when it is too hot! .. Yes I can • Can ask someone about another one who is important to the first to inquire about his health, condition, how he/she is doing so far! .. Yes I can • Can I give a little bit of time to my child (or children) every day as a personal time where we could talk, play, discuss, solve, think, enjoy, argue, hang out, play sports, watch, listen, eat, and/or entertain together! .. Yes I can. • Can I allow some time to listen to my wife without judgment but encouragement almost every day! … Yes I can. • Can I respectfully talk to my husband at least once a day to show respect and appreciation to the head of our house and family! .. Yes, I can. • Can I buy a flower and give it to someone I care about and say "I love you" and when the person asks you "what this for" you reply "because I love you". Yes, I can. • Can I listen to anyone who I feel needs someone else to listen to him/her! .. Yes, I can. • Can I give away the things that I do not use anyone to others who might need them! .. Yes, I can. • Can I buy myself something that I do adore and then enjoy it! .. Yes, I can. • Can I (fill in the blanks)! .. Yes I can.
Isaac Nash (The Herok)
Marriage could hardly be like the passionate romances one read about in books. It seemed to her, in fact, a rotten deal. Men would be solicitous and well behaved when they courted a woman, asking her out to parties and sending her flowers, but once they married, the flowers wilted. You didn’t have married men posting love letters to their wives. That’s why Noemí tended to cycle through admirers. She worried a man would be briefly impressed with her luster, only to lose interest later on. There was also the excitement of the chase, the delight that flew through her veins when she knew a suitor was bewitched with her. Besides, boys her age were dull, always talking about the parties they had been to the previous week or the one they were planning to go to the week after. Easy, shallow men. Yet the thought of anyone more substantial made her nervous, for she was trapped between competing desires, a desire for a more meaningful connection and the desire to never change. She wished for eternal youth and endless merriment.
Silvia Moreno-Garcia (Mexican Gothic)
Where shall I put…?” A little maid stopped in the doorway, all but hidden behind a large bouquet of bright red carnations. Alas for my heart. Hazlit knew the sentiment associated with red carnations and had had them delivered anyway. He certainly wasn’t going to send the woman roses, for God’s sake. Carnations were durable, and they had a fresh, spicy scent that put Hazlit in mind of his hostess. She didn’t strike him as the type of lady to waste time decoding bouquets in any case. “On the sideboard, Millie.” Miss Windham’s lips turned up in a smile more sweet than any Hazlit had seen on her. “My youngest brother is temporarily returned to Town,” she said, taking the card from the bouquet. “Of all my siblings, Valentine is the one most likely to make the gallant gesture…” She fell silent while she read the card, her smile shifting to something heart-wrenchingly tentative. “This wasn’t necessary, Mr. Hazlit.” Regards, Hazlit. Not exactly poetry, but proof he’d upstaged at least her doting brother. “Perhaps not necessary, but a man can hope his small tokens are appreciated.” He glanced pointedly at the maid while he delivered that flummery, because the girl was lingering over the flowers unnecessarily. “That
Grace Burrowes (Lady Maggie's Secret Scandal (The Duke's Daughters, #2; Windham, #5))
Blast. This day had not gone as planned. By this time, he was supposed to be well on his way to the Brighton Barracks, preparing to leave for Portugal and rejoin the war. Instead, he was…an earl, suddenly. Stuck at this ruined castle, having pledged to undertake the military equivalent of teaching nursery school. And to make it all worse, he was plagued with lust for a woman he couldn’t have. Couldn’t even touch, if he ever wanted his command back. As if he sensed Bram’s predicament, Colin started to laugh. “What’s so amusing?” “Only that you’ve been played for a greater fool than you realize. Didn’t you hear them earlier? This is Spindle Cove, Bram. Spindle. Cove.” “You keep saying that like I should know the name. I don’t.” “You really must get around to the clubs. Allow me to enlighten you. Spindle Cove-or Spinster Cove, as we call it-is a seaside holiday village. Good families send their fragile-flower daughters here for the restorative sea air. Or whenever they don’t know what else to do with them. My friend. Carstairs sent his sister here last summer, when she grew too fond of the stable boy.” “And so…?” “And so, your little militia plan? Doomed before it even starts. Families send their daughters and wards here because it’s safe. It’s safe because there are no men. That’s why they call it Spinster Cove.” “There have to be men. There’s no such thing as a village with no men.” “Well, there may be a few servants and tradesmen. An odd soul or two down there with a shriveled twig and a couple of currants dangling between his legs. But there aren’t any real men. Carstairs told us all about it. He couldn’t believe what he found when he came to fetch his sister. The women here are man-eaters.” Bram was scarcely paying attention. He focused his gaze to catch the last glimpses of Miss Finch as her figure receded into the distance. She was like a sunset all to herself, her molten bronze hair aglow as she sank beneath the bluff’s horizon. Fiery. Brilliant. When she disappeared, he felt instantly cooler. And then, only then, did he turn to his yammering cousin. “What were you saying?” “We have to get out of here, Bram. Before they take our bollocks and use them for pincushions.” Bram made his way to the nearest wall and propped one shoulder against it, resting his knee. Damn, that climb had been steep. “Let me understand this,” he said, discreetly rubbing his aching thigh under the guise of brushing off loose dirt. “You’re suggesting we leave because the village is full of spinsters? Since when do you complain about an excess of women?” “These are not your normal spinsters. They’re…they’re unbiddable. And excessively educated.” “Oh. Frightening, indeed. I’ll stand my ground when facing a French cavalry charge, but an educated spinster is something different entirely.” “You mock me now. Just you wait. You’ll see, these women are a breed unto themselves.” “These women aren’t my concern.” Save for one woman, and she didn’t live in the village. She lived at Summerfield, and she was Sir Lewis Finch’s daughter, and she was absolutely off limits-no matter how he suspected Miss Finch would become Miss Vixen in bed.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
The first thing I want to say about Boyfriend is that he’s an extraordinarily decent human being. He’s kind and generous, funny and smart, and when he’s not making you laugh, he’ll drive to the drugstore at two a.m. to get you that antibiotic you just can’t wait until morning for. If he happens to be at Costco, he’ll text to ask if you need anything, and when you reply that you just need some laundry detergent, he’ll bring home your favorite meatballs and twenty jugs of maple syrup for the waffles he makes you from scratch. He’ll carry those twenty jugs from the garage to your kitchen, pack nineteen of them neatly into the tall cabinet you can’t reach, and place one on the counter, accessible for the morning. He’ll also leave love notes on your desk, hold your hand and open doors, and never complain about being dragged to family events because he genuinely enjoys hanging out with your relatives, even the nosy or elderly ones. For no reason at all, he’ll send you Amazon packages full of books (books being the equivalent of flowers to you), and at night you’ll both curl up and read passages from them aloud to each other, pausing only to make out. While you’re binge-watching Netflix, he’ll rub that spot on your back where you have mild scoliosis, and when he stops, and you nudge him, he’ll continue rubbing for exactly sixty more delicious seconds before he tries to weasel out without your noticing (you’ll pretend not to notice). He’ll let you finish his sandwiches and sentences and sunscreen and listen so attentively to the details of your day that, like your personal biographer, he’ll remember more about your life than you will. If this portrait sounds skewed, it is.
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
Rhys kept starting at the table as he said, 'I didn't know. That you were with Tamlin. That you were staying at the Spring Court. Amarantha sent me that day after the Summer Solstice because I'd been so successful on Calanmai. I was prepared to mock him, maybe pick a fight. But then I got into that room, and the scent was familiar, but hidden... And then I saw the plate, and felt the glamour, and... There you were. Living in my second-most enemy's house. Dining with him. Reeking of his scent. Looking at him like... Like you loved him.' The whites of his knuckles showed. 'And I decided that I had to scare Tamlin. I had to scare you, and Lucien, but mostly Tamlin. Because I saw how he looked at you, too. So what I did that day...' His lips were pale, tight. 'I broke into your mind and held it enough that you felt it, that it terrified you, hurt you. I made Tamlin beg- as Amarantha had made me beg, to show him how powerless he was to save you. And I prayed my performance was enough to get him to send you away. Back to the human realm, away from Amarantha. Because she was going to find you. If you broke that curse, she was going to find you and kill you. 'But I was so selfish- I was so stupidly selfish that I couldn't walk away without knowing your name. And you were looking at me like I was a monster, so I told myself it didn't matter, anyway. But you lied when I asked. I knew you did. I had your mind in my hands, and you had the defiance and foresight to lie to my face. So I walked away from you again. I vomited my guts up as soon as I left.' My lips wobbled, and I pressed them together. 'I checked back once. To ensure you were gone. I went with them the day they sacked the manor- to make my performance complete. I told Amarantha the name of that girl, thinking you'd invented it. I had no idea... I had no idea she'd sent her cronies to retrieve Clare. But if I admitted my lie...' He swallowed hard. 'I broke into Clare's head when they brought her Under the Mountain. I took away her pain, and told her to scream when expected to. So they... they did those things to her, and I tried to make it right, but... After a week, I couldn't let them do it. Hurt her like that anymore. So while they tortured her, I slipped into her mind again and ended it. She didn't feel any pain. She felt none of what they did to her, even at the end. But... But I still see her. And my men. And the others that I killed for Amarantha.' Two tears slid down his cheeks, swift and cold. He didn't wipe them away as he said, 'I thought it was done after that. With Clare's death. Amarantha believed you were dead. So you were safe, and far away, and my people were safe, and Tamlin had lost, so... It was done. We were done. But then... I was in the back of the throne room that day the Attor brought you in. And I have never known such horror, Feyre, as I did when I watched you make that bargain. Irrational, stupid terror- I didn't know you. I didn't even know your name. But I thought of those painter's hands, the flowers I'd seen you create. And how she'd delight in breaking your fingers apart. I had to stand and watch as the Attor and its cronies beat you. I had to watch the disgust and hatred on your face as you looked at me, watched me threaten to shatter Lucien's mind. And then- then I learned your name. Hearing you say it... it was like an answer to a question I'd been asking for five hundred years.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Fifty Ways to Love Your Partner 1. Love yourself first. 2. Start each day with a hug. 3. Serve breakfast in bed. 4. Say “I love you” every time you part ways. 5. Compliment freely and often. 6. Appreciate—and celebrate—your differences. 7. Live each day as if it’s your last. 8. Write unexpected love letters. 9. Plant a seed together and nurture it to maturity. 10. Go on a date once every week. 11. Send flowers for no reason. 12. Accept and love each others’ family and friends. 13. Make little signs that say “I love you” and post them all over the house. 14. Stop and smell the roses. 15. Kiss unexpectedly. 16. Seek out beautiful sunsets together. 17. Apologize sincerely. 18. Be forgiving. 19. Remember the day you fell in love—and recreate it. 20. Hold hands. 21. Say “I love you” with your eyes. 22. Let her cry in your arms. 23. Tell him you understand. 24. Drink toasts of love and commitment. 25. Do something arousing. 26. Let her give you directions when you’re lost. 27. Laugh at his jokes. 28. Appreciate her inner beauty. 29. Do the other person’s chores for a day. 30. Encourage wonderful dreams. 31. Commit a public display of affection. 32. Give loving massages with no strings attached. 33. Start a love journal and record your special moments. 34. Calm each others’ fears. 35. Walk barefoot on the beach together. 36. Ask her to marry you again. 37. Say yes. 38. Respect each other. 39. Be your partner’s biggest fan. 40. Give the love your partner wants to receive. 41. Give the love you want to receive. 42. Show interest in the other’s work. 43. Work on a project together. 44. Build a fort with blankets. 45. Swing as high as you can on a swing set by moonlight. 46. Have a picnic indoors on a rainy day. 47. Never go to bed mad. 48. Put your partner first in your prayers. 49. Kiss each other goodnight. 50. Sleep like spoons. Mark and Chrissy Donnelly
Jack Canfield (A Taste of Chicken Soup for the Couple's Soul)
I got your flowers. They’re beautiful, thank you.” A gorgeous riot of Gerber daisies and lilies in a rainbow of reds, pinks, yellows and oranges. “Welcome. Bet Duncan loved sending one of his guys out to pick them up for me.” She could hear the smile in his voice, imagined the devilish twinkle in his eyes. “Oh, he did. Said it’s probably the first time in the history of WITSEC that a U.S. Marshal delivered flowers to one of their witnesses.” A low chuckle. “Well, this was a special circumstance, so they helped me out.” “I loved the card you sent with them the best though.” Proud of you. Give ‘em hell tomorrow. He’d signed it Nathan rather than Nate, which had made her smile. “I had no idea you were romantic,” she continued. “All these interesting things I’m learning about you.” She hadn’t been able to wipe the silly smile off her face after one of the security team members had knocked on her door and handed them to her with a goofy smile and a, “special delivery”. “Baby, you haven’t seen anything yet. When the trial’s done you’re gonna get all the romance you can handle, and then some.” “Really?” Now that was something for a girl to look forward to, and it sure as hell did the trick in taking her mind off her worries. “Well I’m all intrigued, because it’s been forever since I was romanced. What do you have in mind? Candlelit dinners? Going to the movies? Long walks? Lazy afternoon picnics?” “Not gonna give away my hand this early on, but I’ll take those into consideration.” “And what’s the key to your heart, by the way? I mean, other than the thing I did to you this morning.” “What thing is that? Refresh my memory,” he said, a teasing note in his voice. She smiled, enjoying the light banter. It felt good to let her worry about tomorrow go and focus on what she had to look forward to when this was all done. Being with him again, seeing her family, getting back to her life. A life that would hopefully include Nathan in a romantic capacity. “Waking you up with my mouth.” He gave a low groan. “I loved every second of it. But think simpler.” Simpler than sex? For a guy like him? “Food, then. I bet you’re a sucker for a home-cooked meal. Am I right?” He chuckled. “That works too, but it’s still not the key.” “Then what?” “You.” She blinked, her heart squeezing at the conviction behind his answer. “Me?” “Yeah, just you. And maybe bacon,” he added, a smile in his voice. He was so freaking adorable. “So you’re saying if I made and served you a BLT, you’d be putty in my hands?” Seemed hard to imagine, but okay. A masculine rumble filled her ears. “God, yeah.” She couldn’t help the sappy smile that spread across her face. “Wow, you are easy. And I can definitely arrange that.” “I can hardly wait. Will you serve it to me naked? Or maybe wearing just a frilly little apron and heels?” She smothered a laugh, but a clear image of her doing just that popped into her head, serving him the sandwich in that sexy outfit while watching his eyes go all heated. “Depends on how good you are.” “Oh, baby, I’ll be so good to you, you have no idea.
Kaylea Cross (Avenged (Hostage Rescue Team, #5))
You should know that I've always wanted you, Cat. I've had fantasies so wicked, it would send us both straight to hell if I told them to you. And the way I want you has nothing to do with the color of your hair, or the appalling fashions you wear." His hand passed gently over her head. "Catherine Marks, or whoever you are... I have the most profane desire to be in bed with you for... oh, weeks, at least... committing every mortal sin known to man. I'd like to do more than sketch you naked. I want to draw directly on you with feather and ink... flowers around your breasts, trails of stars down your thighs." He let his warm lips brush the edge of her ear. "I want to map your body, chart the north, south, east, and west of you. I would-" "Don't," she said, scarcely able to breathe. A rueful laugh escaped him. "I told you. Straight to hell." "This is my fault." She pressed her hot face against his shoulder. "I shouldn't have gone to you last night. I don't know why I did it." "I think you do." His mouth grazed the top of her head. "Don't come back to my room at night, Marks. Because if it happens agin, I won't be able to stop.
Lisa Kleypas (Married by Morning (The Hathaways, #4))
Sister didn't have to make a special valentine for Billy Grizzwold. She found the perfect one for him at the card store. It showed a scary-looking Frankenbear-type monster with a bolt on each side of his neck. It said: Monsters come in every shape and size. But when it comes to creepy, you take the prize! She'd sign it, "Guess Who." She couldn't wait to see Billy's face when he opened it at the class Valentine's Day party. But Sister forgot to watch when Billy opened her valentine because among the valentines she received was one that took her breath away. It was all hearts and flowers and inside it said, “Will you be my special friend?” “Wow!” said Lizzy Bruin. “It must have cost a whole dollar!” “It’s signed, ‘Guess who,’” said Sister. “Who do you suppose it’s from?” “Well, I know who you hope it’s from,” said Lizzy. “If somebody sent me a beautiful valentine that cost a whole dollar, I’d sure want to know who it was from. There’s Herbie over by the punch bowl. Go ask him.” Sister started for the punch bowl, but Billy Grizzwold blocked her way. He had the valentine Sister had sent him. “I’ll be glad to get you some punch,” said Billy. “And throw it down my back?” said Sister. “No, nothing like that,” said Billy. “I’m sorry about all the stuff I did. And I really don’t blame you for sending me this. It’s really pretty funny. How’d you like that valentine I sent you?” “You sent me?” said Sister. “You sent me this valentine?” “Yep,” said Billy. “I saved up for weeks to get it.” Sister was confused. She didn’t know what to say, so she just said, “Thanks.
Stan Berenstain (The Berenstain Bears' Funny Valentine)
You should know that I’ve always wanted you, Cat. I’ve had fantasies so wicked, it would send us both straight to hell if I told them to you. And the way I want you has nothing to do with the color of your hair, or the appalling fashions you wear.” His hand passed gently over her head. “Catherine Marks, or whoever you are … I have the most profane desire to be in bed with you for … oh, weeks, at least … committing every mortal sin known to man. I’d like to do more than sketch you naked. I want to draw directly on you with feather and ink … flowers around your breasts, trails of stars down your thighs.” He let his warm lips brush the edge of her ear. “I want to map your body, chart the north, south, east, and west of you. I would—” “Don’t,” she said, scarcely able to breathe. A rueful laugh escaped him. “I told you. Straight to hell.” “This is my fault.” She pressed her hot face against his shoulder. “I shouldn’t have gone to you last night. I don’t know why I did it.” “I think you do.” His mouth grazed the top of her head. “Don’t come back to my room at night, Marks. Because if it happens again, I won’t be able to stop.
Lisa Kleypas (Married By Morning (The Hathaways, #4))
Seven Steps of Relationship Development For people with social anxiety, dating can be particularly stressful. There are many unknowns: “Does this person share my interest?” “Will it work out?” and so on. Here are a few guidelines to help keep you on track through the initial stages of a potentially romantic relationship: 1. Develop conversation that explores areas of common interest or experience. 2. Make it clear that you like the person, and make plans to meet again. 3. Make a follow-up call to arrange your first date, and plan an interesting or enjoyable time. Be prepared with suggestions, but be flexible. 4. On your first date: -Be yourself—and be attentive. -Continue exploring areas of mutual interest. -Determine if there is positive chemistry and if a relationship is worth pursuing. If a potential relationship is developing, both individuals usually drop hints about doing other things together. Each expresses enthusiasm through eye contact, voice qualities, body language, and a developing conversation that expresses a sincere desire to learn more about each other. 5. Continue to see each other and share your feelings. Let the other person know how you are feeling about him or her. The frequency of contact is usually a good indicator of whether a romantic relationship is developing; less intensity is likely to mean it is something more casual. 6. Consider being romantic—sending flowers, having a candlelight dinner, and so on. 7. If the chemistry develops, you may be ready to become involved physically. Take it slowly. Good things are not rushed.
Jonathan Berent (Beyond Shyness: How to Conquer Social Anxieties)
Why bother with me? Why not find yourself an Indian woman?” “It is you I want.” He brushed his knuckles along the hollow of her cheek. “Your skin is moonlight. I am dark like night next to you.” He slid his hand behind her neck and drew her toward him. “Sunshine in your hair, moonlight on your skin, this Comanche’s bright one, no?” “No,” she replied in a raw voice. “You will eat?” “No.” He bent to taste the flesh at the hollow of her throat, his lips silken, his teeth nipping lightly, his warm, moist mouth sending jolts through her. “Like ermine, mah-tao-yo. So soft. And sweet like flowers.” She wedged her fists between them, her knuckles knotted against the warm, solid planes of his chest. As she opened her eyes, the room spun. “Please--please, don’t. I’m not even sure what your real name is. Please don’t.” “Hunter,” he whispered next to her ear. “Hunter of the Wolf, Habbe Esa. Lie on your back, Blue Eyes. You are weak, eh? Lie on your back and close your eyes. Let me chase your fear away. With nothing to fear, there is no need to die, eh?” “No.” She tried to push him away. “No.” He slipped an arm under her knees and drew her down the bed onto her back. She propped herself up on her elbows, trying to evade his lips as they nibbled their way down her neck to her collarbone. And lower. Panic welled within her. She couldn’t fight him. Not when she trembled like this. Not when the world tipped sideways. He slid the tip of his tongue under the leather to trace wet circles on her chest--just above her breasts. Her nipples sprang taut, sensitized to the soft leather that grazed them when she oved. Never before had Loretta actually felt the blood drain from her face; she did now. Sucking in a draft of air, she tried to twist sideways, but his arm, roped with muscle and tensed against her, blocked her escape. As she shifted position, his lips found her ear and, in unison with his teeth and tongue, learned its texture, its taste, its shape, discovering with unerring accuracy the sensitive places. His warm breath made chills run over her.
Catherine Anderson (Comanche Moon (Comanche, #1))
Steward was himself an able poet. His Italian sonnet “Virginia to Harlotta,” written at age nineteen, presciently describes a consciousness divided between virtuous chastity and thankless promiscuity: This is yours: to lie beside him all the night And feel the steady heat come out from him; The coolness of his hands, each slender limb Made restless by the absence of the light… To know the graceless touch, the never-quite- Sufficient kiss of lip on lip, or breast, And when the day comes, grey unwanted guest To see love’s death, each in each other’s sight. And this is mine: a solitary bed, And I so still…unwarmed, untouched, unkissed, With moonlight fingering flowers on my spread, And moaning trees and crying winds and mist… Weave me a spell, O bow-boy, so that he Embracing her sends his caress to me!
Justin Spring (Secret Historian: The Life and Times of Samuel Steward, Professor, Tattoo Artist, and Sexual Renegade)
A riot of transparent blue flowers grew up the side of a tree, reaching its highest branches and sending tendrils of milky blue to nearby trees. A net made of tiny lilac-hued blossoms crawled over the moss, snaking into the patterns of the bark. And overhanging the path, where two branches came close to touching each other, a canopy that looked as though it must have been made of downy feathers, if feathers could be diluted into something like a cloud. It was eerily strange, yet so beautiful. "Who made this?" she murmured, tracing a blossom of syrup gold suspended by a streamer from something not unlike a willow tree. "Did you?" "No one made it," the girl answered. "It is just--- this place. It takes what is given from your world and uses it." "The whole world---the world does this magic?" "What is magic?" The girl lifted her finger and beckoned Delphine. She pulled a thread from the red broadcloth. "Where did this come from?" "It's wool, the fibers from a sheep. It's cut off, and spun, and woven, and---" "Sheep. Where did 'sheep' come from?" Delphine paused. "I--- I suppose from some wild animal, domesticated many years ago." "Ah. A wild animal. A creature, begot from--- what? Its dam and sire?" She shook her head. "Now that is magic. And your plants--- they sprout, from seeds in the ground? That, too, is magic." She tested the thread between her fingers, rolling it--- no, Delphine saw with wonder, stretching it. It became thin under her fingers, flat like a ribbon, and lengthened, the color washing from scarlet to pink to palest apple blossom as the single thread became two yards long and the girl wrapped it around the crown of her head, binding her wheat-sheaf hair. "And that is what we call magic.
Rowenna Miller (The Fairy Bargains of Prospect Hill)
Fae of the match,” she said and I flinched in surprise as her voice rang out over the whole stadium. “Goes to Geraldine Grus.” I could finally let my smile free as I looked around to see Geraldine leaping out of her spot in the line up, her eyes glimmering with emotion. “Oh sweet onion balls!” she gasped as she rushed towards us. “Congratulations!” I said enthusiastically as I placed the medal over her head. She crushed me in an embrace, lifting me clean off of my feet as she celebrated. Darcy wrapped her arms around us too and we laughed as Geraldine descended into happy tears. “And congratulations to the winners of the match: Starlight Academy!” Nova added loudly when we didn’t seem likely to break free of Geraldine any time soon. The crowd from Starlight went crazy, their applause deafening as the team jumped up and down in ecstatic celebration. A low growl caught my attention and I glanced to my right where Darius stood almost close enough to touch. His jaw was locked tight, his spine rigid and his eyes burning with rage. I looked away from him quickly, though I couldn’t help but feel glad that this was upsetting him. Poor little Darius lost his favourite game. Imagine how bad you’d feel if someone tried to drown you though? Not that I’m bitter at all... Nova passed Darcy a bunch of flowers and gave me a medal on a green ribbon as the Starlight Airstriker stepped up to claim them. The guy pulled both of us into an exuberant hug as he claimed his prizes and I couldn’t help but feel a bit pleased for the team as we worked our way through the line, handing over flowers and medals to each of them as they approached. I imagined beating a team filled with the Celestial Heirs was something that none of them would ever forget. I could feel heat radiating off of Darius beside me as he fought to maintain his composure while the line worked its way past us but I didn’t look his way again. The last Starlight player to approach us was the Captain, Quentin. He smiled widely as he accepted the flowers from Darcy, tossing her a wink. As I placed the medal around his neck he pulled me into a tight hug, his hand skimming my ass less than accidentally. I pushed him off with a laugh, his excitement infectious in a way that made me think he was a Siren but it didn’t feel invasive like the way it always did with Max. Maybe because he wasn’t trying to force any emotions onto me, just sharing his own. “Why don’t you two girls come back and party with us at Starlight tonight?” he offered and I didn’t miss his suggestive tone. “Why don’t you fuck off while you’ve still got some teeth left?” Darius said before we could respond. I frowned at him but his gaze was locked on Quentin. To my surprise, Quentin laughed tauntingly. “And to think, we were worried about facing off against the Celestial Heirs,” he said, aiming his comments at me and Darcy. “Turns out they really aren’t that impressive after all. It would be a shame if Solaria ended up in their loser hands. Maybe the two of you should reconsider the idea of taking up your crown?” I laughed at his brazen behaviour, wondering how much more it would take for Darius to snap. “Yeah,” I replied jokingly. “Maybe we should take our crowns back after all.” Darcy laughed too, flicking her long hair. “Oh yeah,” she agreed. “I think a crown would suit me actually.” Quentin yelled out in surprise as a shot of heated energy slammed into him like a freight train and he was catapulted halfway across the pitch before falling into a heap on the ground. Before I could react in any way, I found a severely pissed off Dragon Shifter snarling in my face. My breath caught in my lungs and I blinked up at him as he growled at me. Seth moved in on Darcy beside me, his face set with the same enraged scowl while the other two drew close behind them. “Do you want to say that again?” Darius asked, his voice low, the threat in it sending a tremor right through my core. (tory)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
It is seventeen years since she sailed slowly up the Mekong, in a slow boat with canvas awning, to Savannakhet, a large clearing in the virgin forest-land, surrounded by grey rice fields. At night, clusters of mosquitoes on mosquito nets. He cannot, by any stretch of the imagination, picture her at twenty-two, sailing up the Mekong. He cannot picture that face as a young face. He cannot imagine the eyes of an innocent girl seeing what she can see now. He is walking more slowly now. It is already too hot. Gardens everywhere on this side of the town. The funeral scent of oleanders. The land of oleanders. He never wants to see those flowers again. Never. Not anywhere. He had too much to drink last night. He drinks too much. There is a dull ache in the back of his neck. His stomach is queasy. The pink oleanders melt into the pink sky at dawn. The piled-up heaps of lepers scatter and spread. He thinks of her. He tries to think of her, nothing but her: a girlish figure seated on a couch, overlooking a river. She is gazing in front of her, no, he cannot see her, she is lost in the shadows. He can only see her surroundings: the forest, the Mekong river. A crowd of about twenty people has gathered in the metalled road. She is ill. At night she weeps, and it is thought that the best thing would be to send her back to France. Her family are alarmed. They never stop talking. They talk too much, too loudly. Wrought-iron gates in the distance, sentries in khaki uniform. Already they are guarding her, as she will be guarded for the rest of her life. It would be a relief to everyone if she would give vent to her boredom in an angry outburst. It would not surprise them if she were to collapse before their eyes, but no, she is still sitting silently on her couch when Monsieur Stretter arrives, and carries her away in his official launch. He told her: 'I shall leave you in peace. You are free to return to France whenever you wish. You have nothing to fear.' And all this, when he, he, Charles Rossett–he stops in his tracks–oh! he, at this period of Anne-Marie Stretter's life, was no more than a child.
Marguerite Duras (The Vice-Consul)
Years passed—or was it just a moment? Hard to say. Phyllis’s cognitive mind slipped farther and farther away and a different kind of awareness bloomed. The swamp breathed and she breathed with it. She saw everything: the creatures, the flowers, the tender shoots of green and the towering trees, the depths of the water. All that was dead and dying. All that was bursting with life. Her notebooks, tucked away in their plastic container, were gradually forgotten. The urge to record, to quantify, left her. Instead, she returned to the inclination that had guided her through all the years when her mind was sharp. The root of her curiosity: a simple and enduring desire to notice. There were moments during this last stretch when she occupied herself so completely that she forgot there had been any other time than now, any other way to exist but this. And there were also moments when she fought against the ebbing of logic and analysis, feeling adrift and upset, as if something precious had been taken from her that she would never have again. All of this was true. All of it was right. Memories of childhood dusted her skin like pollen. All it took was a brisk gust of wind to send it all scattering. She remembered learning—the crispness of a washed blackboard, a good mark on her paper, the perfect loneliness of a library; she remembered men she’d known and she remembered intimacy; she remembered her parents, having them and losing them; she remembered her sister, pretty and harsh and unwilling to imagine the future Phyllis had foreseen; she remembered teaching—the way her hands shook at the start of every term, her students and their litany of excuses; she remembered her research—working in the field, working at her desk, the minutiae of life glimpsed through a microscope; she remembered every forest she’d ever walked through; she remembered every city she’d ever visited; she remembered preparing, preparing, preparing. And then all of this was gone. Piece by piece, Phyllis said goodbye to each part of her life that had come before. She held on to Wanda the longest. As long as she could. She replayed every moment they had spent together. She repeated Wanda’s name to herself when Wanda left her alone in the tree house, reciting it like a chant, a prayer, so that when she came home, it would already be on her tongue. This didn’t always work. Sometimes Phyllis arrived in a moment she hadn’t been aware of—like time travel, hopping from one place to another with smooth, easy leaps. It was only when she saw the exhaustion on Wanda’s face that she realized she had missed something in between. “I’m sorry,” Phyllis said. “I think I…was somewhere else.” “That’s all right.” “What are we doing?” “We’re weaving nets. Do you want to help?” “Yes. Yes, please.” They sat
Lily Brooks-Dalton (The Light Pirate)
I’d learned long ago that actions spoke louder than words with my Phoebe. A man could say “I love you” ‘til he was blue in the face, but send her out on the porch with fresh lemonade while I do the dishes or surprise her with a ridiculous and completely sappy bouquet of flowers picked in the fields, and she heard me loud and clear.
Lucy Score (The Last Second Chance (Blue Moon, #3))
Congratulations, Lily.” He turns and walks out of the store. As soon as the door closes behind him, Allysa is grabbing for the envelope. “Who in the hell is he sending flowers to?” she says as she pulls the card out. “Ryle doesn’t send flowers.” She reads the front of the card out loud. “Make it stop.” Holy shit. She stares at it for a moment, repeating the phrase. “Make it stop? What in the hell does that even mean?” she asks. I can’t take it another second. I grab the card from her and flip it over. She leans over and reads the back of it with me. “He is such an idiot,” she says with a laugh. “He wrote the address to our floral shop on the back.” She takes the card out of my hands. Wow. Ryle just bought me flowers. Not just any flower. He bought me a bouquet of lilies.
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
I never did send an invoice to the Hills. I don’t know what Lake said to them, but they mailed me a sizable check anyway. I made a donation to a women’s shelter in Maggie’s name and sent flowers to her memorial service.
Lisa Edmonds (Heart of Malice (Alice Worth #1))
You could have kept me here, in Elfhame, but you let your sister send me away.' Wren turns her gaze to the flower, speaking to it instead of him. 'You gave me the first safe place- the only safe place I had after I was stolen from my unfamily- and then you took it from me.
Holly Black (The Prisoner’s Throne (The Stolen Heir Duology, #2))
I’ve watched it time and time again—a woman always slots into a man’s life better than he slots into hers. She will be the one who spends the most time at his flat, she will be the one who makes friends with all his friends and their girlfriends. She will be the one who sends his mother a bunch of flowers on her birthday. Women don’t like this rigmarole any more than men do, but they’re better at it—they just get on with it.
Dolly Alderton (Everything I Know About Love: A Memoir)
The catcalls and screams didn’t surprise Leo, nor did discovering Meena at the heart of chaos. There was his delicate flower, on the ground wrestling Loni, a lioness who’d come to town for the wedding. The same Loni who’d made numerous passes at him over the years, but whose high maintenance attitude made him steer clear. He wondered what had triggered the hair pulling and wrestling. He also really wished, once again, that Meena had worn panties. The occasional flash of her girly bits dragged the possessive side of him out— which really wanted to snarl, “Mine. Don’t look.” It also woke the hungry lover that wanted to toss her over a shoulder and take her somewhere private for ravishing. At least those closest to the fight and witness to her bare bottom were all women. The bad? They were all women. His usual method of smacking a few heads together to save time wouldn’t work in this situation. Boys shouldn’t hit girls. So how to stop the catfight? He stuck fingers in his mouth and blew, the whistle strident and cutting through the noise. In the sudden quiet, he said, “Vex, what the hell are you doing?” Meena, fist held back, poised for a serious blow, froze. She swiveled her head and smiled sweetly. No sign of repentance at being caught misbehaving. “Just give me a second, Pookie. I am almost done here.” He arched a brow. “Vex.” He used his warning tone. “Maybe you should let Loni go and forget about hitting her.” “Probably. But the thing is, I really want to smash her face in.” Sensing an out, Loni turned her head and whined, “Get this crazy bitch off me. I didn’t do a damned thing. She started it. She always starts shit. She should have never been unbanned. She’s trouble. Always has been.” Reba and Zena opened their mouths, ready to leap to Meena’s defense, but Leo raised a hand. They held their tongues— not an easy feat for cats— but their eyes spoke quite eloquently. Leo focused his attention on Meena. “Vex, is this true? Did you jump her?” Her shoulders slumped. “Yeah.” “Why?” “Does it matter?” she asked. “It does to me. Why do you want to rearrange her nose?” “She said we didn’t belong together and that maybe she should show you why she’s a better choice.” Meena couldn’t help but growl as she recounted the reason for her ire aloud. “Punch her.” To say a few mouths O’d in surprise would be an understatement. No one was more surprised than Meena at his order. “Seriously?” “Yeah, seriously. Given any idiot with eyes could see we were together, then that makes what she said mean and uncalled for. If you’re going to talk the talk, then you have to be prepared to pay the price. Since I can’t very well smack Loni for causing trouble, as pride omega”— and, yes, he thrust out his chest and put on his most serious mien—“ I am giving you permission to do so.” Permission granted, and yet Meena didn’t hit Loni. On the contrary, she stood, smoothed down her skirt, and tossed her head, sending her ponytail flying. “No need to rearrange her face. You just admitted in front of an audience we are together. That calls for a round of shots. Whee!” Meena did a fist pump and yelled, “In your face, bitch!
Eve Langlais (When an Omega Snaps (A Lion's Pride, #3))
Two Valentines are actually described in the early church, but they likely refer to the same man — a priest in Rome during the reign of Emperor Claudius II. According to tradition, Valentine, having been imprisoned and beaten, was beheaded on February 14, about 270, along the Flaminian Way. Sound romantic to you? How then did his martyrdom become a day for lovers and flowers, candy and little poems reading Roses are red… ? According to legends handed down, Valentine undercut an edict of Emperor Claudius. Wanting to more easily recruit soldiers for his army, Claudius had tried to weaken family ties by forbidding marriage. Valentine, ignoring the order, secretly married young couples in the underground church. These activities, when uncovered, led to his arrest. Furthermore, Valentine had a romantic interest of his own. While in prison he became friends with the jailer’s daughter, and being deprived of books he amused himself by cutting shapes in paper and writing notes to her. His last note arrived on the morning of his death and ended with the words “Your Valentine.” In 496 February 14 was named in his honor. By this time Christianity had long been legalized in the empire, and many pagan celebrations were being “christianized.” One of them, a Roman festival named Lupercalia, was a celebration of love and fertility in which young men put names of girls in a box, drew them out, and celebrated lovemaking. This holiday was replaced by St. Valentine’s Day with its more innocent customs of sending notes and sharing expressions of affection. Does any real truth lie behind the stories of St. Valentine? Probably. He likely conducted underground weddings and sent notes to the jailer’s daughter. He might have even signed them “Your Valentine.” And he probably died for his faith in Christ.
Robert Morgan (On This Day: 365 Amazing and Inspiring Stories about Saints, Martyrs and Heroes)
Tyler almost came off the bed when his teeth nibbled a spot. When had that become an erogenous zone? "I don't recall you ever doing that before?" "I've had a few years to study." "Not the best time to bring up other women." "Books." He reassured her. "Long, lonely hours at the library...." "If you learned that from a book, I'm calling Lilah to have her send the author flowers!
Mary J. Williams (If You Only Knew (Harper Falls #3))
I’m going to kiss you again.” He took her hand in his. “Now, in fact.” He settled his lips over hers gently, just as he’d done a year ago. And now, as then, he took his time deepening the kiss, tasting her, breathing in her fragrance, letting his hands wander over her arms and shoulders and neck, until she was leaning into him and kissing him back. “All day today,” Val said as he wrapped his arms around her, “I watched you being so brisk, efficient, and businesslike. You have the knack of the friendly transaction, and you part with your produce willingly enough. But your flowers.” He paused to kiss the side of her neck, a spot she seemed to particularly enjoy. “When you sold your posies,” Val went on, kissing his way out to her shoulder, “each time, you didn’t want to let them go. Your heart broke a little, sending them off that way, for coin.” “Hush. Flowers aren’t kisses to be given away…” She buried her face against his shoulder. “What?” He slid a hand to her nape and began massaging gently. “Your moods are hard to read today, love.” “I’m just tired,” Ellen said, offering him a smile.
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
How are you really?” The bright, mendacious smile faltered. “I am coping,” she said, staring out across the beds of flowers. “I wake up sometimes and don’t know where I am. I think I must see to your lemonade for the day or wonder if you’re already in the park on Pericles, and then I realize I am not your housekeeper anymore. I am not your anything anymore, and the future is this great, yawning, empty unknown I can fill with what? Flowers?” She offered that smile, but he couldn’t bear the sight of it and pulled her against his chest. “If you need anything,” he said, holding her against him, “anything, Anna James. You have only to send me word.” She said nothing, clinging to him for one long desperate moment before stepping back and nodding. “Your word, Anna James,” he ordered sternly. “You have my word,” she said, smile tremulous but genuine. “If I am in any difficulties whatsoever, I will call on you.” The
Grace Burrowes (The Heir (Duke's Obsession, #1; Windham, #1))
Wilhelm!” he called again. “Show yourself!” Wilhelm and a pair of his guards rounded the keep at a run. He reigned in Gil’s horse. “Where is she? Where is my wife?” “Right behind me. What happened, man? Are ye wounded?” Malina came running around the keep with Constance. Relief surged through him to see her blessedly unharmed, though her face was drawn with concern. She was worrit for him. He flew from the saddle and dashed to her. His ripped thigh protested, but he didn’t falter in his steps. Pain was nothing compared to the need to hold his sweet wife in his arms. Sweeping her up, he pinned her to his chest. Their hearts reached for each other with every beat. She clung to him as fiercely as he clung to her, and some of the horror of the last hour lifted from him. “Christ, lass, I thought…I thought—” He buried his face in her hair. She smelled of herbs and flowers, and underneath was her own scent of sugared custard. She wore a lovely kirtle of sapphire blue and an apron smudged with dirt as if she’d been doing chores in the garden. Her hair flowed like silk through his fingers as he ran his hand over her head and face, assuring himself she was hale, all except for the purple marks around her left eye from Hamish’s hand. Passing over her cheeks, his fingers came away wet with her tears. “Dinna weep, Malina mine. All is well.” “You’re hurt,” she cried. “Let me see. There’s so much blood.” “What happened?” Wilhelm demanded. “How much of the blood is yours?” Constance asked. He ignored all but Malina. “I’m all right, lass. I’m all right. Just a few scrapes.” He permitted himself a relieved breath as her face smoothed somewhat, but he refused to let her go. He couldn’t even bring himself to lower her feet to the ground. With Malina in his arms, he was whole. She wasn’t only his to love and protect; she was part of him. Realization struck him with blinding force. “I canna let ye go back,” he said. “I willna. You are mine, and I willna send you away to your time.” The tightness in his chest unfurled. Malina’s eyes widened with shock. Her rose-petal lips parted to say somat, but he silenced her with a kiss. He couldn’t help himself. Let her hate him for a time. He would find a way to earn her love and forgiveness. He’d earn them every day for the rest of his life.
Jessi Gage (Wishing for a Highlander (Highland Wishes Book 1))
Rakesh Roshan Rakesh Roshan is a producer, director, and actor in Bollywood films. A member of the successful Roshan film family, Mr. Roshan opened his own production company in 1982 and has been producing Hindi movies ever since. His film Kaho Naa…Pyaar Hai won nine Filmfare awards, including those for best movie and best director. When I remember Diana and her activities in the last years of her life, I strongly feel that God sends some special people into this world to perform some special duties. Diana was one of these special people. Advancing on this godly path of love and goodness, Diana was blossoming like a flower, and with her captivating fragrance she started infusing new life in our dangerously sick garden--which was apparently at the brink of a precipice. The irony is that the cruel winds of autumn ruthlessly blew away this rare flower and deprived the world of its soothing fragrance. Diana, Princess of Wales, is no longer present in this world, but Diana, the queen of millions of hearts, is immortal and will live forever. My heart breaks when I think of her last journey, her funeral, which was brilliantly covered all over the world. One could see the whole of England in tears, and the eyes of all the television viewers were also flooded. Thousands of men, women, and children had lined up along the entire route from the palace to the church where the services were held. All the fresh flowers available in the United Kingdom were there on the passage. All eyes were tearful, and one could clearly hear the sobs of people. There were heartrending scenes of people paying tribute to their departed darling. Last, I would like to write here a translation in English of a poem written in Urdu. We hope you will come back…dear friend But why this pervading sadness…dear friend The familiar flavor in the atmosphere is singing… You are somewhere around…dear friend Please come back, Diana; this sinking world desperately needs a savior.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
INFINITE GRACE   Lying here in each other’s arms I acknowledge the fact that she completes me. Her slim deerlike physique clings to me nestled inside of my embrace. Her lovely hair is strewn down her face and onto mine as soft as the flower that she does move across my face and neck. A vinal shine turns over shades of cerulean and jasper from her expressive lips revealing a jewel-like surface beneath a light that remains colorfast in a kiss composed of infinite grace. Being in a state of rest she still makes me the center of attention, dovetailing in an erotic entwinement that impels me to knead her coiling flex. Her resplendent fullness macerated into my bosom grants me a restful anodyne enabling the allay of my inner soul. My touch gently hydrofoils over her jawline and jugular, sending her body into a medley of resonant intensity. My kiss now impregnates her inner soul and heart with a limn love of the mind’s eye.
Luccini Shurod
My father always buys big bouquets for my mother every year for Valentine’s Day . . . her birthday. Their anniversary. He sends them to her. Doesn’t hand them to her. A man who has the money to buy expensive bouquets who hands a woman a single flower . . . or even picks one for her as they’re walking in a field. That’s different.
Catherine Bybee (The Whole Time (The D'Angelos, #4))
She shot herself in the stomach to fuck up a job her brother was doing—” Henry’s eyes go wide but I keep going. “They had a massive fight, don’t speak anymore—” “I know that part.” He nods, trying to keep up. “Last January, when it happened—she asked me to leave London with her.” He blinks a few times. “What?” “She wants out. She doesn’t—” I pause. “What our families do, she doesn’t want to do it.” “Right.” He nods once. “She wanted to be normal?” I shrug. “Okay—” “And she asked me to go with her and be normal. She said she loved me.” He didn’t know that till now and his face lights up, but mine doesn’t. “I said I couldn’t go.” He frowns. “Why?” I cover my face, stressed. “I don’t know! She put me on the spot—” “And now—” He squints, doing his best to track it. “Someone’s sending her flowers, you’re with Vanna, she’s with the police, you still love her but we don’t know how she feels about you?” My face falters and he gives me a look, leaning in intrigued. “Do we . . . know . . . how she feels about you?” I shake my head again. “A few months ago there was an—incident.” That’s the word I go with. “And we held hands . . . for a couple of seconds.” “Shit.” Henry sits back in his chair, blinking, processing it. “I wonder if you got her pregnant . . .
Jessa Hastings (Daisy Haites: The Great Undoing (The Magnolia Parks Universe, #4))
Even fate didn’t think it was a good pairing. If it did, it wouldn’t have pulled Steffan away so soon after he met Bridget. I’d never believed in fate, but I might have to send her a big fat thank you card later. I might even toss in some chocolates and flowers.
Ana Huang (Twisted Games (Twisted, #2))
Seems to me that a gentleman who really wanted to get to know me better would have found time for a text with his question during reasonable hours.” “I was very busy yesterday.” “Sounds like you just weren’t properly motivated yesterday. A text only takes a second. Now I have no choice but to penalize you.” Her tone was playful, but she wasn’t going to cut me any slack. And was she maybe, just possibly, a little mad at me for not being more attentive yesterday? The thought made me smile to myself. “What can I do to make it up to you? Give me your address and I’ll send you flowers. What’s your favorite kind?” “Sunflowers. And not a chance.” “I guessed you might say that.
Abby Jimenez (The Happy Ever After Playlist (The Friend Zone, #2))
XIV [Every day you play with the light of the universe.]” Every day you play with the light of the universe. Subtle visitor, you arrive in the flower and the water. You are more than this white head that I hold tightly as a cluster of fruit, every day, between my hands. You are like nobody since I love you. Let me spread you out among yellow garlands. Who writes your name in letters of smoke among the stars of the south? Oh let me remember you as you were before you existed. Suddenly the wind howls and bangs at my shut window. The sky is a net crammed with shadowy fish. Here all the winds let go sooner or later, all of them. The rain takes off her clothes. The birds go by, fleeing. The wind. The wind. I can contend only against the power of men. The storm whirls dark leaves and turns loose all the boats that were moored last night to the sky. You are here. Oh, you do not run away. You will answer me to the last cry. Cling to me as though you were frightened. Even so, at one time a strange shadow ran through your eyes. Now, now too, little one, you bring me honeysuckle, and even your breasts smell of it. While the sad wind goes slaughtering butterflies I love you, and my happiness bites the plum of your mouth. How you must have suffered getting accustomed to me, my savage, solitary soul, my name that sends them all running. So many times we have seen the morning star burn, kissing our eyes, and over our heads the gray light unwind in turning fans. My words rained over you, stroking you. A long time I have loved the sunned mother-of-pearl of your body. I go so far as to think that you own the universe. I will bring you happy flowers from the mountains, bluebells, dark hazels, and rustic baskets of kisses. I want to do with you what spring does with the cherry trees. Pablo Neruda, Twenty Love Poems and a Song of Despair. Trans. W.S. Merwin (Penguin Classics; Bilingual edition, December 26, 2006)
Pablo Neruda (Twenty Love Poems and a Song of Despair)
Annabeth Chase, died age 17. BA-BOOM. (Assuming her birthday, July 12, had passed while she was in Tartarus, but, honestly, she had no idea.) BA-BOOM. Died of massive injuries while leaping like an idiot into the abyss of Chaos and splattering on the entry hall floor of Nyx’s mansion. BA-BOOM. Survived by her father, stepmother and two stepbrothers who barely knew her. BA-BOOM. In lieu of flowers, please send donations to Camp Half-Blood, assuming Gaia hasn’t already destroyed it.
Rick Riordan (Heroes of Olympus: The Complete Series (Heroes of Olympus #1-5))
is ollie ok? i don’t want her 2 be upset about that girl. does she hate me? do u think she wants to talk maybe 1 day soon? maybe i could send her flowers???? roses? sunflowers? seems like a bright flower kinda girl. i think i miss her, care. this sux.
Becka Mack (Consider Me (Playing For Keeps, #1))
A man could say “I love you” ‘til he was blue in the face, but send her out on the porch with fresh lemonade while I do the dishes or surprise her with a ridiculous and completely sappy bouquet of flowers picked in the fields, and she heard me loud and clear.
Lucy Score (The Last Second Chance (Blue Moon, #3))
Not only that, but I was willingly sending her gifts. Fucking flowers every day. In all my years of work, I’d never crossed the line with a target.
Whitney G. (King of Lies (Empire of Lies, #1))
Abi snaps her fingers. "Focus, here. Now for those of us in here who are ignorant of certain facts, or pretending to be, you know who sends flowers? Men who got fucked or who fucked up." She holds up one finger and then another, giving the two options. "So, which is it? Did our mysterious Kaede fuck up so badly that he had to call my first thing this morning to order flowers? Or is your vajayjay so good that he was calling me for 'thank you for letting me into your lady cave' flowers? Which is it? Are we mad at him, because I've got a compost pile if we need to ditch his body, or is he the latest addict to the Courtney cream?
Lauren Landish (My Big Fat Fake Engagement)
contagious, raspy laughter, and she kept my mind guessing with her random conversations about nothing at all. Not only that, but I was willingly sending her gifts. Fucking flowers every day. In all my years of work, I’d never crossed the line with a target. I’d infiltrated their lives in various ways—posed
Whitney G. (King of Lies (Empire of Lies, #1))
For Husbands: 1. Do you still "court" your wife with an occasional gift of flowers, with remembrances of her birthday and wedding anniversary, or with some unexpected attention, some unlooked-for tenderness? 2. Are you careful never to criticize her before others? 3. Do you give her money to spend entirely as she chooses, above the household expenses? 4. Do you make an effort to understand her varying feminine moods and help her through periods of fatigue, nerves, and irritability? 5. Do you share at least half of your recreation hours with your wife? 6. Do you tactfully refrain from comparing your wife's cooking or housekeeping with that of your mother or of Bill Jones' wife, except to her advantage? 7. Do you take a definite interest in her intellectual life, her clubs and societies, the books she reads, her views on civic problems? 8. Can you let her dance with and receive friendly attentions from other men without making jealous remarks? 9. Do you keep alert for opportunities to praise her and express your admiration for her? 10. Do you thank her for the little jobs she does for you, such as sewing on a button, darning your socks, and sending your clothes to the cleaners?
Dale Carnegie (How to Win Friends and Influence People)
Just call her. People do too much by phones and apps. It’s terrible for the human mind. Apps are ruining society.” “And yet those same apps have made you a rich man.” “Why do you think I’m so grumpy all the time? It’s not about turning thirty. I may be having an existential crisis.” “I’m sorry to hear that,” Drew said. “I bought this house with blood money,” Alan said. “I’m not sure that’s what blood money means.” Drew patted his chest. “And I should know. Everything Dad and I purchase is bought with blood money. Teeth bleed. Gums bleed. It’s all blood money.” “Stop trying to make me laugh. I’m turning thirty, and I’ve done nothing but contribute to the further destruction of society’s fabric. I don’t want to feel better.” “Get used to it. When Megan comes over, you’re going to have to lighten up. She doesn’t tolerate people feeling sorry for themselves and moping around. It’s one of the many things I love about her.” Alan raised an eyebrow. “Love?” “Sure,” Drew said, lifting his chin. “I love many things about her. I may even love her.” “Good for you,” Alan said. “I’m happy for you, bro.” He put the marble cheese platters into the fridge to chill then sighed. “Now I know what I forgot,” he said to the closed fridge door. “Flowers. What kind of animal throws a dinner party with no fresh flowers?” Drew rubbed his temples. “I’m sending a psychic message to Megan. I’m asking her to bring over some flowers from the shop.” “You’re crazy.” Drew closed his eyes. “I’ve got a good feeling about this. Megan and I got off to a bad start, but we’ve had excellent, clear communication with each other since then.” “Clear enough for psychic messages?” “Can’t hurt to try. What’s the worst that could happen?
Angie Pepper (Romancing the Complicated Girl (Baker Street Romance #2))
I walked into my sis’s room… and saw nothing but her ass and spread open p*ssy she is on her knees, on her little bed, with bubbly little mermaid bedding, look at that her butt is shown pointing towards the door, got yah- I see lots of her… and so will my friends… if I send this to them. Payback sister- the wetness running out of her, let's put it that way. I think you know what that crap is. I have to prove I am not a complete p*ssy, and will not put up with my little sister getting more than me, like taking my men. Seeing this Maddie and Liv say- her but was like in our faces, I knew it would be set to more girls, yet I did not have the heart to. That was up to my friends to see if they were real friends. You can see and hear sighing in her Arial-themed room to every inward and outward stroke. I even see her rubbing it in rotating patterns, with her fingers also, into it. Uh-ah, uh-huh- Oh-Oo-a, ow- yeah, she feels everything deep I will say that for her. Man, she can bend it in, she has known I have this all on my cell, and I am looking in at her, the door not closed. Look at her next to her stuffed dog, she is rubbing it also on her vagina Maddie said I can send this to her seven, and so did Olivia. If Jenny was here, what do you think she would have done with this video? (Hall discussions at lockers number 94 and 96.) I would if she sent this to anyone else, if so, that is not nice. Locker 95 is now sitting as it was, but with like a drop-off of flowers and bars, and photos stuck on the door for her memory. Girls kissing the door, and boys, it is nuts, you don’t want to see what's inside there, it's freaky. Olivia- I wonder if we could get our lockers changed. It was nice then when we all wanted to be together, now not so much, this turns me so off. Did you see that Maggie is getting a life now that she is gone? Olivia- Yes, yes, I did, I wonder if Jenny was the one doing that too. Maddie- she liked her so I say know. Liv- may be…? Maddie- Do you miss her? Liv- Not always- yet she pops into my mind once in a while. Karly about the video (not with the girls, alone.) I showed her one, and now she seems to have it- good for her. I think she does it better than me, b*tch- is what the girls well think too I just know it, I love her, look you can see her face in the pillow, cute right, arched back, putting her two fingers in and out, and I forget how old she, yet see this crap, she looks like a professional, my girls will get it.
Marcel Ray Duriez (Nevaeh A Void She Cannot Feel)
Well then,” Georgia said, turning back to her food with a grin, “guess you better explain why putting yourself on the wrong side of her rifle is the best way of getting her attention.” “Yeah, man,” Parker said, leaning over the sink to snag Georgia’s other triangle of toast. “Can’t you just call or send flowers or explosives or something.” “Explosives?” Will choked. “Sniper,” Georgia offered. “Oh.” Parker pushed away from the counter and tilted his head. “Ammunition then? A fancy scope thingy?
Elizabeth Dyer (Fearless (Somerton Security, #3))
XIV. Every Day You Play" Every day you play with the light of the universe. Subtle visitor, you arrive in the flower and the water. You are more than this white head that I hold tightly as a cluster of fruit, every day, between my hands. You are like nobody since I love you. Let me spread you out among yellow garlands. Who writes your name in letters of smoke among the stars if the south? Oh let me remember you as you were before you existed. Suddenly the wind howls and bangs at my shut window. The sky is a net crammed with shadowy fish. Here all the winds let go sooner or later, all of them. The rain takes off her clothes. The birds go by, fleeing. The wind. the wind. I can only contend against the power of men. The storm whirls dark leaves and turns loose all the boats that were moored last night to the sky. You are here. Oh you do not run away. You will answer me to the last cry. Cling to me as though you were frightened. Even so, at one time a strange shadow ran through your eyes. Now, now too, little one, you bring me honey suckle, and even your breasts smell of it. While the sad wind goes slaughtering butterflies I love you, and my happiness bites the plum of your mouth. How you must have suffered getting accustomed to me, my savage, solitary soul, my name that sends them all running. So many times we have seen the morning star burn, kissing our eyes, and over our heads the grey light unwind in turning fans. My words rained over you, stroking you. A long time I have loved the sunned mother-of-pearl of your body. I go so far as to think that you own the universe. I will bring you happy flowers from the mountains, bluebells, dark hazels, and rustic baskets of kisses. I want to do with you what spring does with the cherry trees.
Pablo Neruda (Twenty Love Poems and a Song of Despair)
Those flowers! How wonderful it would have been if they had been hers! If she had been a girl with friends who could send farewell greetings in such a costly style! Why, all these gifts, the wedding that had preceded them, had been but the fulfillment of her childish fairy dreamings—all the things she had most wished for in life—and now they had come, and how empty they were! How one’s heart could starve in the midst of plenty!
Grace Livingston Hill (The Beloved Stranger)
Every Day You Play" Every day you play with the light of the universe. Subtle visitor, you arrive in the flower and the water. You are more than this white head that I hold tightly as a cluster of fruit, every day, between my hands. You are like nobody since I love you. Let me spread you out among yellow garlands. Who writes your name in letters of smoke among the stars of the south? Oh let me remember you as you were before you existed. Suddenly the wind howls and bangs at my shut window. The sky is a net crammed with shadowy fish. Here all the winds let go sooner or later, all of them. The rain takes off her clothes. The birds go by, fleeing. The wind. The wind. I can contend only against the power of men. The storm whirls dark leaves and turns loose all the boats that were moored last night to the sky. You are here. Oh, you do not run away. You will answer me to the last cry. Cling to me as though you were frightened. Even so, at one time a strange shadow ran through your eyes. Now, now too, little one, you bring me honeysuckle, and even your breasts smell of it. While the sad wind goes slaughtering butterflies I love you, and my happiness bites the plum of your mouth. How you must have suffered getting accustomed to me, my savage, solitary soul, my name that sends them all running. So many times we have seen the morning star burn, kissing our eyes, and over our heads the gray light unwind in turning fans. My words rained over you, stroking you. A long time I have loved the sunned mother-of-pearl of your body. I go so far as to think that you own the universe. I will bring you happy flowers from the mountains, bluebells, dark hazels, and rustic baskets of kisses. I want to do with you what spring does with the cherry trees.
Pablo Neruda (The Essential Neruda: Selected Poems)
When someone you love is in pain, the most meaningful gift you can give is your kind presence. Sending flowers and texting are good, but not as good as sitting with her, holding her hand, looking into her eyes, and giving her a kiss.
Haemin Sunim (Love for Imperfect Things: A Buddhist monk's guide to mindfulness and resisting the urge to strive for perfectionism)
If I have learned anything, it is to keep my wife happy by sending her lavish gifts. Other men can learn from my success and send their wives and girlfriends fresh flowers for birthdays, anniversaries, and of course, Valentine's Day.
--Don Rickles
Mr. Tyler said that it’s de-de . . . ,” stuttered Hawk. “De rigueur,” prompted Raven. “That it’s de rigueur for a gentleman to show his admiration for a lady after a ball by sending her flowers the next day,” finished Hawk.
Andrea Penrose (Murder at Queen's Landing (Wrexford & Sloane, #4))
Ike Ryan had a theory about making a girl become part of an orgy. You make her do it with you, then with a friend while you watch, then with another girl—and by then you've cut her down to size. Once she's gone along with that scene, she can't play games—none of that "send me flowers" jazz. You've reduced her to what every woman is, once you've stripped off the fancy manners: a broad.
Jacqueline Susann (The Love Machine)