Semester Last Day Quotes

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Last semester was intense,” I said to Dad. “Intense?” he echoed, picking up my file. “Let’s see. On your first day at Hecate, you were attacked by a werewolf. You insulted a teacher, which resulted in semester-long cellar duty with one Archer Cross. According to the notes, the two of you became ‘close.’ Apparently close enough for you to see the mark of L’Occhio di Dio on his chest. I flushed at that, and felt Mom’s arm tighten around me. Over the past six months, I’d filled her in on a lot of the story with Archer, but not all of it. Specifically, the whole me-making-out-in-the-cellar-with-a-murderous-warlock-working-with-the-Eye-part.
Rachel Hawkins (Demonglass (Hex Hall, #2))
You can not drop astronomy. To get through this semester, I must live vicariously through you and hear about Cam at least three days a week." "I'm not going to drop the class-" Even though I sort of wanted to. "-But I doubt I'm going to have anything to tell you. It's not like we're even going to talk again." Jacob let go of my arm and sat back, eyeing me. "Famous last words, Avery.
J. Lynn (Wait for You (Wait for You, #1))
Years ago, when I was working on my master's thesis, I went to New York for a semester as an exchange student. What struck me most was the sky. On that side of the world, so far away from the North Pole, the sky is flat and gray, a one-dimensional universe. Here, the sky is arched, and there's almost no pollution. In spring and fall the sky is dark blue or violet, and sunsets last for hours. The sun turns into a dim orange ball that transforms clouds into silver-rimmed red and violet towers. In winter, twenty-four hours a day, uncountable stars outline the vaulted ceiling of the great cathedral we live in. Finnish skies are the reason I believe in God.
James Thompson (Snow Angels (Inspector Kari Vaara, #1))
It’s a blur—dense, raucous, exhausting—feelings and thoughts all jumbled together into days and semesters, routines and first times, rolling along, rambling along, summer nights with all the windows open, lying on top of the covers, and darkening autumn mornings when no one wants to get out of bed, getting ready, getting better at things, wins and losses and days when it doesn’t go anyone’s way at all, and then, just as chaos begins to take some kind of shape, present itself not as a random series of emergencies and things you could have done better, the calendar, the months and years and year after year, stacked up in a messy pile starts to make sense, the sweetness of it all, right at that moment, the first times start turning into last times, as in, last first day of school, last time he crawls into bed with us, last time you’ll all sleep together like this, the three of you. There are a few years when you make almost all of your important memories. And then you spend the next few decades reliving them.
Charles Yu (Interior Chinatown)
Alexander Hamilton Junior High School -- SEMESTER REPORT -- STUDENT: Joseph Margolis TEACHER: Janet Hicks ENGLISH: A, ARITHMETIC: A, SOCIAL STUDIES: A, SCIENCE: A, NEATNESS: A, PUNCTUALITY: A, PARTICIPATION: A, OBEDIENCE: D Teacher's Comments: Joseph remains a challenging student. While I appreciate his creativity, I am sure you will agree that a classroom is an inappropriate forum for a reckless imagination. There is not a shred of evidence to support his claim that Dolley Madison was a Lesbian, and even fewer grounds to explain why he even knows what the word means. Similarly, an analysis of the Constitutional Convention does not generate sufficient cause to initiate a two-hour classroom debate on what types of automobiles the Founding Fathers would have driven were they alive today. When asked on a subsequent examination, "What did Benjamin Franklin use to discover electricity?" eleven children responded "A Packard convertible". I trust you see my problem. [...] Janet Hicks Parent's Comments: As usual I am very proud of Joey's grades. I too was unaware that Dolley Madison was a Lesbian. I assumed they were all Protestants. Thank you for writing. Ida Margolis
Steve Kluger (Last Days of Summer: A Quirky and Heartwarming Story of Friendship, Baseball Lore, and Hero Worship in New York City)
The Pillowcase" is printed with iridescent fish, each facing a different direction. I bought it for you at the Portland Goodwill our last semester in college. Spring break we brought it camping. I pretended I’d eaten sardines before, pretended I liked them. I don’t remember what you said when the condom broke. Probably ‘Oh, shit.’ The next day we drove into town. I took a pill and another pill and it was over. I couldn’t tell the difference, could have told my friends but didn’t, just made lots of dead baby jokes and went to bed in your dorm room. You’d put painter’s tape on all the edges. With the pillowcase, it was like living in the blueprint of an aquarium. I slept there the night I smoked Sasha’s weed and you stayed up for hours rubbing my back, telling fairytales so I wouldn’t totally lose it. I slept there the night I tried reading you Haruki Murakami’s Sleep but fell asleep. I slept there the night after the day I lost the bet and had to wear a lampshade on my head and your professor said ‘Nice hat.’ Later I learned she owns a lamp in the shape of a woman. I slept there the night you said ‘I think I’m falling in love with you,’ igniting a great unendurable belongingness, like a match in a forest fire. I burned so long so quiet you must have wondered if I loved you back. I did, I did, I do.
Annelyse Gelman (Everyone I Love is a Stranger to Someone)
The day-to-day horror of writing gave me a notion of tournament time. Writing novels is tedious. When will this book be finished, when will it reveal its bright and shining true self? it takes freakin’ years. At the poker table, you’re only playing a fraction of the hands, waiting for your shot. If you keep your wits, can keep from flying apart while those around you are self-destructing, devouring each other, you’re halfway there. … Let them flame out while you develop a new relationship with time, and they drift away from the table. 86-7 Coach Helen’s mantra: It’s OK to be scared, but don’t play scared. 90 [During a young adult trip to Los Vegas] I was contemplating the nickel in my hand. Before we pushed open the glass doors, what the heck, I dropped it into a one-armed bandit and won two dollars. In a dank utility room deep in the subbasements of my personality, a little man wiped his hands on his overalls and pulled the switch: More. Remembering it now, I hear a sizzling sound, like meat being thrown into a hot skillet. I didn't do risk, generally. So I thought. But I see now I'd been testing the House Rules the last few years. I'd always been a goody-goody. Study hard, obey your parents, hut-hut-hut through the training exercises of Decent Society. Then in college, now that no one was around, I started to push the boundaries, a little more each semester. I was an empty seat in lecture halls, slept late in a depressive funk, handed in term papers later and later to see how much I could get away with before the House swatted me down. Push it some more. We go to casinos to tell the everyday world that we will not submit. There are rules and codes and institutions, yes, but for a few hours in this temple of pure chaos, of random cards and inscrutable dice, we are in control of our fates. My little gambles were a way of pretending that no one was the boss of me. … The nickels poured into the basin, sweet music. If it worked once, it will work again. We hit the street. 106-8 [Matt Matros, 3x bracelet winner; wrote The Making of a Poker Player]: “One way or another you’re going to have a read, and you’re going to do something that you didn’t expect you were going to do before, right or wrong. Obviously it’s better if you’re right, but even if you’re wrong, it can be really satisfying to just have a read, a feeling, and go with it. Your gut.” I could play it safe, or I could really play. 180 Early on, you wanted to stay cool and keep out of expensive confrontations, but you also needed to feed the stack. The stack is hungry. 187 The awful knowledge that you did what you set out to do, and you would never, ever top it. It was gone the instant you put your hands on it. It was gambling. 224
Colson Whitehead (The Noble Hustle: Poker, Beef Jerky, and Death)
MY PROCESS I got bullied quite a bit as a kid, so I learned how to take a punch and how to put up a good fight. God used that. I am not afraid of spiritual “violence” or of facing spiritual fights. My Dad was drafted during Vietnam and I grew up an Army brat, moving around frequently. God used that. I am very spiritually mobile, adaptable, and flexible. My parents used to hand me a Bible and make me go look up what I did wrong. God used that, as well. I knew the Word before I knew the Lord, so studying Scripture is not intimidating to me. I was admitted into a learning enrichment program in junior high. They taught me critical thinking skills, logic, and Greek Mythology. God used that, too. In seventh grade I was in school band and choir. God used that. At 14, before I even got saved, a youth pastor at my parents’ church taught me to play guitar. God used that. My best buddies in school were a druggie, a Jewish kid, and an Irish soccer player. God used that. I broke my back my senior year and had to take theatre instead of wrestling. God used that. I used to sleep on the couch outside of the Dean’s office between classes. God used that. My parents sent me to a Christian college for a semester in hopes of getting me saved. God used that. I majored in art, advertising, astronomy, pre-med, and finally English. God used all of that. I made a woman I loved get an abortion. God used (and redeemed) that. I got my teaching certification. I got plugged into a group of sincere Christian young adults. I took courses for ministry credentials. I worked as an autism therapist. I taught emotionally disabled kids. And God used each of those things. I married a pastor’s daughter. God really used that. Are you getting the picture? San Antonio led me to Houston, Houston led me to El Paso, El Paso led me to Fort Leonard Wood, Fort Leonard Wood led me back to San Antonio, which led me to Austin, then to Kentucky, then to Belton, then to Maryland, to Pennsylvania, to Dallas, to Alabama, which led me to Fort Worth. With thousands of smaller journeys in between. The reason that I am able to do the things that I do today is because of the process that God walked me through yesterday. Our lives are cumulative. No day stands alone. Each builds upon the foundation of the last—just like a stairway, each layer bringing us closer to Him. God uses each experience, each lesson, each relationship, even our traumas and tragedies as steps in the process of becoming the people He made us to be. They are steps in the process of achieving the destinies that He has encoded into the weave of each of our lives. We are journeymen, finding the way home. What is the value of the journey? If the journey makes us who we are, then the journey is priceless.
Zach Neese (How to Worship a King: Prepare Your Heart. Prepare Your World. Prepare the Way)
And so I can always find this, here is the best thing I have read about the experience of being a parent: "And then you arrive on the scene... A Family. They bring you home from the hospital, at which point everything speeds up. It's a montage of first moments, all of the major and minor milestones: first step, first word, first time sleeping through the night. There are a few years in a family when, if everything goes right, the parents aren't alone anymore, they've been raising their own companion, the kid who's going to make them less alone in the world and for those years they are less alone. It's a blur - dense, raucous, exhausting - feelings and thoughts all jumbled together into days and semesters, routines and first times, rolling along, rambling along, summer nights with all the windows open, lying on top of the covers, and darkening autumn mornings when no one wants to get out of bed, getting ready, getting better at things, wins and losses and days when it doesn't go anyone's way at all, and then, just as chaos begins to take some kind of shape, present itself not as a random series of emergencies and things you could have done better, the calendar, the months and years and year after year, stacked up in a messy pile starts to make sense, the sweetness of it all, right at that moment, the first times start turning into last times, as in, last first day of school, last time he crawls into bed with us, last time you'll all sleep together like this, the three of you. There are a few years when you make almost all of your important memories. And then you spend the next few decades reliving them.
Charles Yu (Interior Chinatown)
And then you arrive on the scene... A Family. They bring you home from the hospital, at which point everything speeds up. It's a montage of first moments, all of the major and minor milestones: first step, first word, first time sleeping through the night. There are a few years in a family when, if everything goes right, the parents aren't alone anymore, they've been raising their own companion, the kid who's going to make them less alone in the world and for those years they are less alone. It's a blur - dense, raucous, exhausting - feelings and thoughts all jumbled together into days and semesters, routines and first times, rolling along, rambling along, summer nights with all the windows open, lying on top of the covers, and darkening autumn mornings when no one wants to get out of bed, getting ready, getting better at things, wins and losses and days when it doesn't go anyone's way at all, and then, just as chaos begins to take some kind of shape, present itself not as a random series of emergencies and things you could have done better, the calendar, the months and years and year after year, stacked up in a messy pile starts to make sense, the sweetness of it all, right at that moment, the first times start turning into last times, as in, last first day of school, last time he crawls into bed with us, last time you'll all sleep together like this, the three of you. There are a few years when you make almost all of your important memories. And then you spend the next few decades reliving them.
Charles Yu (Interior Chinatown)
And then you arrive on the scene, Baby Willis. A little tiny Kung Fu Boy. And for a moment the backstories and fragments and scenes filled with background players and nonspeaking parts, it all makes a kind of sense, all of it leading to this. A family. They bring you home from the hospital, at which point everything speeds up. It’s a montage of first moments, all of the major and minor milestones: first step, first word, first time sleeping through the night. There are a few years in a family when, if everything goes right, the parents aren’t alone anymore, they’ve been raising their own companion, the kid who’s going to make them less alone in the world and for those years they are less alone. It’s a blur—dense, raucous, exhausting—feelings and thoughts all jumbled together into days and semesters, routines and first times, rolling along, rambling along, summer nights with all the windows open, lying on top of the covers, and darkening autumn mornings when no one wants to get out of bed, getting ready, getting better at things, wins and losses and days when it doesn’t go anyone’s way at all, and then, just as chaos begins to take some kind of shape, present itself not as a random series of emergencies and things you could have done better, the calendar, the months and years and year after year, stacked up in a messy pile starts to make sense, the sweetness of it all, right at that moment, the first times start turning into last times, as in, last first day of school, last time he crawls into bed with us, last time you’ll all sleep together like this, the three of you. There are a few years when you make almost all of your important memories. And then you spend the next few decades reliving them.
Charles Yu (Interior Chinatown)
Let me finish. I know we said we wouldn’t catch feelings, and I wish I’d never agreed to that. It was completely moronic of me to think I could avoid falling for you. My beautiful, perfect girl. I call you Starlight for a reason. You’re the light that brightens up the dark side of my soul. That shows me the way to how I want to live my life. With you. I want you in my life. Not just for today or this semester, not as a temporary girlfriend with one foot out the door, but forever. You’re the best part of my day. The first thing I think about in the morning are those beautiful moonlit eyes, and the last thing I think about before I go to bed is your gorgeous tits.” Her serious look wavers. “I love you, and I think you could love me back if you’d only let yourself.
Nikki Jewell (The Red Line (Lakeview Lightning #2))
I’m gonna come home, Mom, even if it’s not forever. I can take a semester off and then decide if I’ll go back next year. You guys need me here. It might be hard for Dad, and I—” “You’ll do no such thing,” Dad said, his voice raspy. “We didn’t mean to wake you,” Mom replied. “You didn’t. I always wake up when I’m needed.” Dad’s eyes on me were intense. “You’re not comin’ home.” “You’ve said it yourself, I belong here. You’re my family, and I’m supposed to be working this farm with you.” The words were heavy in my chest. “No, son. You don’t belong here. And not because we don’t love you or want you. You’re too damn bright a light for this place, and the last thing I want is to go to my grave knowing that my dreams for you dimmed that light.” “Dad… I…” I didn’t know what to say. Or what to feel, other than loved. “Nearly dying does a thing to a fella. I just… When I was goin’ down, all I was thinkin’ was, what if I died and my boy thinks I don’t love him? Don’t accept him? And listenin’ to you with your mama right now…you talk about that boyfriend of yours the way I always talked about her. Couldn’t believe she would give me the time a day, if I’m being honest. But I loved her and she loved me, and you love that boy just the same.
Riley Hart (Pretty Perfect (Boys in Makeup, #1))
Out of the corner of my eye, I see her. Gabby. She’s sitting at the bar, slowly stirring her drink, looking like she’d rather be getting a root canal. Her thick black hair is down, and she’s wearing this shimmery little dress that hugs her curves. When she looks up, our eyes lock, and just for a second it’s hard to breathe. Damn. She’s beautiful. Despite the fact that we’re neighbors, I haven’t seen her much this semester. I swear, she’s hotter every time I see her, which seems impossible. But despite having some damn good reasons for creating space between us, I’m tempted to cross the bar to talk to her. Then he walks up to her, that scumbag I inadvertently introduced her to when I called for the ambulance last May. But what was I supposed to do? Let her lie there on the concrete, pale, passed out, and bleeding, and not do anything? How was I to know Jason would show up like a fucking white knight? Nothing that day went right. They told me I’d just missed her at the hospital when I tried to track her down and make sure she was okay, and when I went to her place, she slammed the door in my face. She doesn’t see him yet, but Jason leans in to whisper in her ear. She arches away, clearly uncomfortable, and I realize I’ve made a fist. He’d better not be fucking with her. If this is what she wants, cool. I don’t have to like it, but making the moves on a woman who’s not interested is another thing. It’s been at least a month since I saw him ask her out. Have they been dating all this time?
Lex Martin (The Varsity Dad Dilemma (Varsity Dads #1))
While we sat at the bar, Dave told me the most important advice about talking to women I had ever received, and that was to be as relaxed as possible and not fear rejection. Dave then began hooking up with some girl who looked like a hybrid of Rosie O’Donnell and Miss Piggy, leaving me alone to ponder his words.” “When I was in 8th grade, there was this girl named Sandra who I used to ride the school bus with. Sandra was about 5’2, 120 lbs, and looked like the Hamburglar. She was the prettiest girl in my class.” “In my mind I was the life of the party and felt as though I could do no wrong when it came to interacting with the opposite sex. That was until Marissa caught me red handed hooking up with some girl who looked like a combination of John Madden and Andre the Giant, tapping me on the shoulder and kicking me square in the nuts.” “I was starting to feel bad about how I treated women. Oh wait, no I wasn’t. The girls at Binghamton were nothing more than a bunch of dumb sluts that just wanted to get drunk and suck dick, and besides, they were all going to make a lot more money than me in the future. So I may as well catch brains while these bitches were dumb enough to blow me.” “Out of all the people I could’ve stumbled into blackout drunk, why did it have to be THE MOOSE? As son as she saw me her 300 lb frame waddled over, and she jammed her tongue down my throat, devouring me as though I were a Big Mac. This was embarrassing. Here I was making out with some girl who looked like Eric Cartman in a dress, and everybody was watching. My life was effectively over.” “After annihilating Ruben’s toilet, I looked over my shoulder for some much-needed toilet paper, when to my shock and dismay there was not a single sheet of paper in sight. There’s no way in hell I was rejoining the party covered in poop and I would have wiped my ass with anything. That’s when I noticed his New York Yankees bath towel.” “I spent the rest of my week off getting completely shitfaced with Chris, and that’s when I realized I might be developing a drinking problem. At Bar None, hooking up with some girl who looked like the Loch Ness Monster; this shit had to stop. Alcohol was turning me into a drunken mess, and I vowed right then and there to quit drinking and start smoking more weed immediately.” “I got a new roommate. His name was Erick and he was an ex-marine. Erick and I didn’t know each other, but he knew Kevin, and he also knew that I didn’t shower and that last semester I left a used condom on the floor for two weeks without throwing it away. Eric therefore did not want to live with me.” “Believe it or not, I got another job working with the disabled. See, Manny was nice enough to hook me up with a position as a job coach at the Lavelle School for the Blind. The kid’s name was Fred and he was blind with cerebral palsy. Fred loved dogs and I loved smoking week. Bad combination, and I was fired with 3 days left in the program after allowing Fred to run across the street into oncoming traffic, because I had smoked a bowl an hour earlier. Manny and I never spoke again.” “My life was a dream and a nightmare rolled into one. Here I was living this carefree existence, getting drunk, boning bitches, and playing Sega Genesis in between. Oh wait, what am I talking about? My life was awesome. It’s the rest of my life that’s going to suck.
Alexander Strenger
Grant also batches his attention on a smaller time scale. Within a semester dedicated to research, he alternates between periods where his door is open to students and colleagues, and periods where he isolates himself to focus completely and without distraction on a single research task. (He typically divides the writing of a scholarly paper into three discrete tasks: analyzing the data, writing a full draft, and editing the draft into something publishable.) During these periods, which can last up to three or four days, he’ll often put an out-of-office auto-responder on his e-mail so correspondents will know not to expect a response. “It sometimes confuses my colleagues,” he told me. “They say, ‘You’re not out of office, I see you in your office right now!’” But to Grant, it’s important to enforce strict isolation until he completes the task at hand.
Cal Newport (Deep Work: Rules for Focused Success in a Distracted World)
Last semester, when I asked my class, as I do each quarter, how many of them had ever spent a night sleeping in the wilderness the answer was zero, and I realized for the first time in my teaching life I might be standing in front of a room full of students for whom the words “elk” or “granite” or “bristlecone pine” conjured exactly nothing. I thought about the books that had shaped my sensibility as a young writer: Pilgrim at Tinker Creek, Silent Spring, A Sand County Almanac, Refuge, A River Runs Through It, In Patagonia and Desert Solitaire. Now, amid the most sweeping legislative attack on our environment in history, a colleague wondered aloud to me whether it was feasible, or even sane anymore, to teach books that celebrate nature unironically. This planet hadn’t even been mapped properly a couple of hundred years ago, and now none of it, above or below ground, remains unsullied by our need for extraction. As we hurtle toward the cliff, foot heavy on the throttle, to write a poem about the loveliness of a newly leafed out aspen grove or a hot August wind sweeping across prairie grass or the smell of the air after a three-day rain in the maple forest might be at best so unconscionably naïve, and at worst so much part of the problem, we might as well drive a Hummer and start voting Republican.
Pam Houston (Deep Creek: Finding Hope in the High Country)
tossed in a prison to wait on deportation. Now this. Now we’re supposed to somehow push it all aside and hustle back to law school for our last semester, which will be followed by two months in hell studying for the bar exam, so we can do something to make a little money and start repayment, which, actually, is far more impossible than it seems, and it seems awfully damned impossible at the moment. Yes, Zola dear, I’m tired. Aren’t you?” “I’m beyond exhausted,” she said. “That makes three of us,” Todd added. They slowed and passed through the small town of Boyce. When it was behind them, Mark asked, “Are you guys really going to class on Monday? I’m not.” “That’s either the second or the third time you’ve said that,” Zola said. “If you don’t go to class, then what are your plans?” “I have no plans. My status will be day to day.” “Okay, but what are you going to do when the law school starts calling?” Todd asked. “I won’t take their calls.” “Okay, so they’ll put you on inactive status and notify your loan sharks and they’ll be out for blood.” “What if they can’t find me? What if I change phone numbers and move to another apartment? It would be easy to get lost in a city of two million people.” “I’m listening,” Todd said. “So, you start hiding. What about work and income and those little challenges?” “I’ve been thinking about that,” Mark said and took a long swig. “Maybe I’ll get a job tending bar, for cash, of course. Maybe wait tables. Or maybe I’ll become a DUI specialist like that sleazeball we met last Friday at the city jail. What was his name?” “Darrell Cromley,” Zola said. “I’ll bet Darrell nets a hundred grand a year hustling DUIs. All cash.” “But you don’t have a license,” Zola said. “Did we ask Darrell to show us his license? Of course not. He said he was a lawyer.
John Grisham (The Rooster Bar)
I wasn’t sure what the term was for bonding over chaos, but Lyra and I had made our loner society a forever kind of thing. After all the messes we muddled through this last semester, I couldn’t imagine going through the rest of my college days without her by my side. 
Monty Jay (The Lies We Steal (The Hollow Boys, #1))
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I try to picture it, what my life is going to look like in six months. Option One: I go first round. I end up on the East Coast, with one of the teams that’s been after me since the season started. New city. New apartment. New everything. I wake up, go to practice, and grind every damn day to prove I belong there, that I deserve the spot I was given. I go home to an empty place. I eat dinner alone. I stare at my phone, wondering if she’s thought about me, wondering if she even cares where I ended up. Wondering if she’s still here, on campus, finishing her last semester, pretending we never happened. Option Two: The exact same thing—except Madison is there. Except she’s waiting for me after practice, curled up on my couch, stealing my hoodies like they belong to her. Except we’re cooking dinner together, laughing as she burns the garlic bread, sneaking kisses while the TV plays in the background. Except she’s in the crowd at my first game, wearing my number, her hands tucked into the sleeves of my oversized sweatshirt, proud of me. Mine. I blink hard, forcing my grip to loosen on the wheel. But that future? It doesn’t exist.
Riley Paige (Broken Play (PCU Storm, #1))
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