Selecting Strings With Quotes

On, there are so many lives. How we wish we could live them concurrently instead of one by one by one. We could select the best pieces of each, stringing them together like a strand of pearls. But that's not how it works. A human life is a beautiful mess.

There will be other lives. There will be other lives for nervous boys with sweaty palms, for bittersweet fumblings in the backseats of cars, for caps and gowns in royal blue and crimson, for mothers clasping pretty pearl necklaces around daughters' unlined necks, for your full name read aloud in an auditorium, for brand-new suitcases transporting you to strange new people in strange new lands. And there will be other lives for unpaid debts, for one-night stands, for Prague and Paris, for painful shoes with pointy toes, for indecision and revisions. And there will be other lives for fathers walking daughters down aisles. And there will be other lives for sweet babies with skin like milk. And there will be other lives for a man you don't recognize, for a face in a mirror that is no longer yours, for the funerals of intimates, for shrinking, for teeth that fall out, for hair on your chin, for forgetting everything. Everything. Oh, there are so many lives. How we wish we could live them concurrently instead of one by one by one. We could select the best pieces of each, stringing them together like a strand of pearls. But that's not how it works. A human's life is a beautiful mess.

How can I keep my soul in me, so that it doesn’t touch your soul? How can I raise it high enough, past you, to other things? I would like to shelter it, among remote lost objects, in some dark and silent place that doesn’t resonate when your depths resound. Yet everything that touches us, me and you, takes us together like a violin’s bow, which draws one voice out of two separate strings. Upon what instrument are we two spanned? And what musician holds us in his hand? Oh sweetest song. - Love Song

I’m just realizing, Mer, that no matter what happens . . . there will always be a string tying you to me. I’ll never not worry about you. I’ll never not care about what you do. You’ll always be something to me.

What are these?" Maxon asked, brushing across the tips of my fingers as we walked. "Calluses. They're from pressing down on violin strings four hours a day." "I've never noticed them before." "Do they bother you?" I was the lowest caste of the six girls left, and I doubted any of them had hands like mine. Maxon stopped moving and lifted my fingers to his lips, kissing the tiny, worn tips. "On the contrary. I find them rather beautiful." I felt myself blush. "I've seen the world – admittedly mostly through bulletproof glass or from the tower of some ancient castle – but I've seen it. And I have access to the answers of a thousand questions at my disposal. But this small hand here?" He looked deeply into my eyes. "This hand makes sounds incomparable to anything I've ever heard. Sometimes I think I only dreamed that I heard you play the violin, it was so beautiful. These calluses are proof that it was real.

What was most important in Epicurus’ philosophy of nature was the overall conviction that our life on this earth comes with no strings attached; that there is no Maker whose puppets we are; that there is no script for us to follow and be constrained by; that it is up to us to discover the real constraints which our own nature imposes on us.

No matter what happens… there will always be a string tying you to me. I’ll never not worry about you. I’ll never not care about what you do. You’ll always be something to me.

i want to pull very long, multi-colored strings out of my brain and place them next to a bowl of doritos at a party

Yeah, it was my mom who showed me how to select the needle from her tomato, snip the bit of string, and find the eye.

Our contemporaries are constantly excited by two conflicting passions; they want to be led, and they wish to remain free: as they cannot destroy either one or the other of these contrary propensities, they strive to satisfy them both at once. They devise a sole, tutelary, and all-powerful form of government, but elected by the people. They combine the principle of centralization and that of popular sovereignty; this gives them a respite: they console themselves for being in tutelage by the reflection that they have chosen their own guardians. Every man allows himself to be put in leading-strings, because he sees that it is not a person or a class of persons, but the people at large that holds the end of his chain. By this system the people shake off their state of dependence just long enough to select their master, and then relapse into it again. A great many persons at the present day are quite contented with this sort of compromise between administrative despotism and the sovereignty of the people; and they think they have done enough for the protection of individual freedom when they have surrendered it to the power of the nation at large. This does not satisfy me: the nature of him I am to obey signifies less to me than the fact of extorted obedience.

Memories Memories are real life experiences distilled over time into a palatable elixir that one can selectively choose to indulge. Heartbreak and misfortune are most often entombed in cerebral mausoleums. Due to their caustic essence they are prohibitive to access and are accompanied by a lingering bitter aftertaste. Pleasant recollections may be retrieved at will as if tethered to the end of a string on a reel. They are often seasoned to taste and bursting with flavor and pungent aromas.

Every telecomm company is as big a corporate welfare bum as you could ask for. Try to imagine what it would cost at market rates to go around to every house in every town in every country and pay for the right to block traffic and dig up roads and erect poles and string wires and pierce every home with cabling. The regulatory fiat that allows these companies to get their networks up and running is worth hundreds of billions, if not trillions, of dollars. If phone companies want to operate in the “free market,” then let them: the FCC could give them 60 days to get all their rotten copper out of our dirt, or we’ll buy it from them at the going scrappage rates. Then, let’s hold an auction for the right to be the next big telecomm company, on one condition: in exchange for using the public’s rights-of-way, you have to agree to connect us to the people we want to talk to, and vice-versa, as quickly and efficiently as you can.

It was true. He was everything I ever wanted. It was all the strings attached to him that frightened me.

Eliza has no use for the foolish romantic tradition that all women love to be mastered, if not actually bullied and beaten. "When you go to women," says Nietzsche, "take your whip with you." Sensible despots have never confined that precaution to women: they have taken their whips with them when they have dealt with men, and been slavishly idealized by the men over whom they have flourished the whip much more than by women. No doubt there are slavish women as well as slavish men; and women, like men, admire those that are stronger than themselves. But to admire a strong person and to live under that strong person's thumb are two different things. The weak may not be admired and hero-worshipped; but they are by no means disliked or shunned; and they never seem to have the least difficulty in marrying people who are too good for them. They may fail in emergencies; but life is not one long emergency: it is mostly a string of situations for which no exceptional strength is needed, and with which even rather weak people can cope if they have a stronger partner to help them out. Accordingly, it is a truth everywhere in evidence that strong people, masculine or feminine, not only do not marry stronger people, but do not show any preference for them in selecting their friends. When a lion meets another with a louder roar "the first lion thinks the last a bore." The man or woman who feels strong enough for two, seeks for every other quality in a partner than strength. The converse is also true. Weak people want to marry strong people who do not frighten them too much; and this often leads them to make the mistake we describe metaphorically as "biting off more than they can chew." They want too much for too little; and when the bargain is unreasonable beyond all bearing, the union becomes impossible: it ends in the weaker party being either discarded or borne as a cross, which is worse. People who are not only weak, but silly or obtuse as well, are often in these difficulties.

The Fury Of Guitars And Sopranos " This singing is a kind of dying, a kind of birth, a votive candle. I have a dream-mother who sings with her guitar, nursing the bedroom with a moonlight and beautiful olives. A flute came too, joining the five strings, a God finger over the holes. I knew a beautiful woman once who sang with her fingertips and her eyes were brown like small birds. At the cup of her breasts I drew wine. At the mound of her legs I drew figs. She sang for my thirst, mysterious songs of God that would have laid an army down. It was as if a morning-glory had bloomed in her throat and all that blue and small pollen ate into my heart violent and religious.

The breathing instruments inspire, Wake into voice each silent string, And sweep the sounding lyre! In a sadly pleasing strain, 2 Let the warbling lute complain: Let the loud trumpet sound, Till the roofs all around The shrill echoes rebound; While in more lengthen'd notes and slow, The deep, majestic, solemn organs blow. Hark! the numbers soft and clear Gently steal upon the

The shelves of this store are stacked with stock. You will find a steamship, a sailing ship, and even a spaceship. There are several sorts of shoe and scores of signs and symbols. There is a sketch of a squinch, a selection of shells (not all from the sea), a siamang settled on a seat, a sponge to be studied, and sundry stuff suspended from strings. In all I included 1,234 Ss for you to see.

It has now been many months, at the present writing, since I have had a nourishing meal, but I shall soon have one—a modest, private affair, all to myself. I have selected a few dishes, and made out a little bill of fare, which will go home in the steamer that precedes me, and be hot when I arrive—as follows: Radishes. Baked apples, with cream Fried oysters; stewed oysters. Frogs. American coffee, with real cream. American butter. Fried chicken, Southern style. Porter-house steak. Saratoga potatoes. Broiled chicken, American style. Hot biscuits, Southern style. Hot wheat-bread, Southern style. Hot buckwheat cakes. American toast. Clear maple syrup. Virginia bacon, broiled. Blue points, on the half shell. Cherry-stone clams. San Francisco mussels, steamed. Oyster soup. Clam Soup. Philadelphia Terapin soup. Oysters roasted in shell-Northern style. Soft-shell crabs. Connecticut shad. Baltimore perch. Brook trout, from Sierra Nevadas. Lake trout, from Tahoe. Sheep-head and croakers, from New Orleans. Black bass from the Mississippi. American roast beef. Roast turkey, Thanksgiving style. Cranberry sauce. Celery. Roast wild turkey. Woodcock. Canvas-back-duck, from Baltimore. Prairie liens, from Illinois. Missouri partridges, broiled. 'Possum. Coon. Boston bacon and beans. Bacon and greens, Southern style. Hominy. Boiled onions. Turnips. Pumpkin. Squash. Asparagus. Butter beans. Sweet potatoes. Lettuce. Succotash. String beans. Mashed potatoes. Catsup. Boiled potatoes, in their skins. New potatoes, minus the skins. Early rose potatoes, roasted in the ashes, Southern style, served hot. Sliced tomatoes, with sugar or vinegar. Stewed tomatoes. Green corn, cut from the ear and served with butter and pepper. Green corn, on the ear. Hot corn-pone, with chitlings, Southern style. Hot hoe-cake, Southern style. Hot egg-bread, Southern style. Hot light-bread, Southern style. Buttermilk. Iced sweet milk. Apple dumplings, with real cream. Apple pie. Apple fritters. Apple puffs, Southern style. Peach cobbler, Southern style Peach pie. American mince pie. Pumpkin pie. Squash pie. All sorts of American pastry. Fresh American fruits of all sorts, including strawberries which are not to be doled out as if they were jewelry, but in a more liberal way. Ice-water—not prepared in the ineffectual goblet, but in the sincere and capable refrigerator.

Evolution," he said, "is smarter than you are." But this compliment to the "intelligence" of natural selection is not by any means a concession to the stupid notion of "intelligent design." Some of the results are extremely impressive, as we are bound to think in our own case. ... But the process by which the results are attained is slow and infinitely laborious, and has given us a DNA "string" which is crowded with useless junk and which has much in common with much lower creatures.

The Turtle breaks from the blue-black skin of the water, dragging her shell with its mossy scutes across the shallows and through the rushes and over the mudflats, to the uprise, to the yellow sand, to dig with her ungainly feet a nest, and hunker there spewing her white eggs down into the darkness, and you think of her patience, her fortitude, her determination to complete what she was born to do— and then you realize a greater thing— she doesn't consider what she was born to do. She's only filled with an old blind wish. It isn't even hers but came to her in the rain or the soft wind, which is a gate through which her life keeps walking. She can't see herself apart from the rest of the world or the world from what she must do every spring. Crawling up the high hill, luminous under the sand that has packed against her skin. she doesn't dream she knows she is a part of the pond she lives in, the tall tress are her children, the birds that swim above her are tied to her by an unbreakable string.

And once a lady by my side Gave me a harp, and bid me sing, And touch the laughing silver string; But when I sang of human joy A sorrow wrapped each merry face, And, patrick! by your beard, they wept, Until one came, a tearful boy; 'A sadder creature never stept Than this strange human bard,' he cried; And caught the silver harp away, And, weeping over the white strings, hurled It down in a leaf-hid, hollow place That kept dim waters from the sky; And each one said, with a long, long sigh, 'O saddest harp in all the world, Sleep there till the moon and the stars die!

America was sleeping when I crept into the hospital wing that night. She was cleaner, but her face still seemed worried, even at rest. "Hey, Mer," I whispered, rounding her bed. She didn't stir. I didn't dare sit, not even with the excuse of checking on the girl I rescued. I stood in the freshly pressed uniform I would only wear for the few minutes it took to deliver this message. I reached out to touch her, but then pulled back. I looked into her sleeping face and spoke. "I - I came to tell you I'm sorry. About today, I mean," I sucked in a deep breath. "I should have run for you. I should have protected you. I didn't, and you could have died." Her lips pursed and unpursed as she dreamed. "Honestly, I'm sorry for a lot more than that," I admitted. "I'm sorry I got mad in the tree house. I'm sorry I ever said to send in that stupid form. It's just that I have this idea..." I swallowed. " I have this idea that maybe you were the only one I could made everything right for. " I couldn't save my dad. I couldn't protect Jemmy. I can barely keep my family afloat, and I just thought that maybe I could give you a shot at a life that would be better than the one that I would have been able to give you. And I convinced myself that was the right way to love you." I watched her, wishing I had the nerve to confess this while she could argue back with me and tell me how wrong I'd been. " I don't know if I can undo it, Mer. I don't know if we'll ever be the same as we used to be. But I won't stop trying. You're it for me," I said with a shrug. "You're the only thing I've ever wanted to fight for." There was so much more to say, but I heard the door to the hospital wing open. Even in the dark, Maxon's suit was impossible to miss. I started walking away, head down, trying to look like I was just on a round. He didn't acknowledge me, barely even noticed me as he moved to America's bed. I watched him pull up a chair and settle in beside her. I couldn't help but be jealous. From the first day in her brother's apartment - from the very moment I knew how I felt about America - I'd been forced to love her from afar. But Maxon could sit beside her, touch her hand, and the gap between their castes didn't matter. I paused by the door, watching. While the Selection had frayed the line between America and me, Maxon himself was a sharp edge, capable of cutting the string entirely if he got too close. But I couldn't get a clear idea of just how near America was letting him. All I could do was wait and give America the time she seem to need. Really, we all needed it. Time was the only thing that would settle this.

Eleven finally allowed to dye his own eggs, and then only in one color: red. All over the house red eggs gleam in lengthening, solstice rays. Red eggs fill bowls on the dining room table. They hang from string pouches over doorways. They crowd the mantel and are baked into loaves of cruciform tsoureki. But now it is late afternoon; dinner is over. And my brother is smiling. Because now comes the one part of Greek Easter he prefers to egg hunts and jelly beans: the egg-cracking game. Everyone gathers around the dining table. Biting his lip, Chapter Eleven selects an egg from the bowl, studies it, returns it. He selects another. “This looks like a good one,” Milton says, choosing his own egg. “Built like a Brinks truck.” Milton holds his egg up. Chapter Eleven prepares to attack. When suddenly my mother taps my father on the back. “Just a minute, Tessie. We’re cracking eggs here.” She taps him harder. “What?” “My temperature.” She pauses. “It’s up six tenths.” She has been using the thermometer. This is the first my father has heard of it. “Now?” my father whispers. “Jesus, Tessie, are you sure?” “No, I’m not sure. You told me to watch for any rise in my temperature and I’m telling you I’m up six tenths of a degree.” And, lowering her voice, “Plus it’s been thirteen days since my last you know what.” “Come on, Dad,” Chapter Eleven pleads.

A single strum of the strings or even one pluck is too complex, too complete in itself to admit any theory. Between this complex sound—so strong that it can stand alone—and that point of intense silence preceding it, called ma, there is a metaphysical continuity that defies analysis. In its complexity and integrity this single sound can stand alone. To the Japanese listener who appreciates this refined sound, the unique idea of ma—the unsounded part of this experience—has at the same time a deep, powerful, and rich resonance that can stand up to the sound. …the Japanese sound ideal: sound, in its ultimate expressiveness, being constantly refined, approaches the nothingness of that wind in the bamboo grove.

Our contemporaries are constantly excited by two conflicting passions: they want to be led, and they wish to remain free. As they cannot destroy either the one or the other of these contrary propensities, they strive to satisfy them both at once. They devise a sole, tutelary, and all-powerful form of government, but elected by the people. They combine the principle of centralization and that of popular sovereignty; this gives them a respite; they console themselves for being in tutelage by the reflection that they have put in leading-strings, because he sees that it is not a person or a class of persons, but the people at large who hold the end of his chain. By this system the people shake off their state of dependence just long enough to select their master and then relapse into it again.”9

Eleven finally allowed to dye his own eggs, and then only in one color: red. All over the house red eggs gleam in lengthening, solstice rays. Red eggs fill bowls on the dining room table. They hang from string pouches over doorways. They crowd the mantel and are baked into loaves of cruciform tsoureki. But now it is late afternoon; dinner is over. And my brother is smiling. Because now comes the one part of Greek Easter he prefers to egg hunts and jelly beans: the egg-cracking game. Everyone gathers around the dining table. Biting his lip, Chapter Eleven selects an egg from the bowl, studies it, returns it. He selects another. “This looks like a good one,” Milton says, choosing his own egg. “Built like a Brinks truck.” Milton holds his egg up. Chapter Eleven prepares to attack. When suddenly my mother taps my father on the back. “Just a minute, Tessie. We’re cracking eggs here.” She taps him harder. “What?” “My temperature.” She pauses. “It’s up six tenths.” She has been using the thermometer. This is the first my father has heard of it. “Now?” my father whispers. “Jesus, Tessie, are you sure?” “No, I’m not sure. You told me to watch for any rise in my temperature and I’m telling you I’m up six tenths of a degree.” And, lowering her voice, “Plus it’s been thirteen days since my last you know what.” “Come on, Dad,” Chapter Eleven pleads. “Time out,” Milton says. He puts his egg in the ashtray. “That’s my egg. Nobody touch it until I come back.” Upstairs, in the master bedroom, my parents accomplish the act. A child’s natural decorum makes me refrain from imagining the scene in much detail. Only this: when they’re done, as if topping off the tank, my father says, “That should do it.” It turns out he’s right. In May, Tessie learns she’s pregnant, and the waiting begins.

You drive, walk, eat, look at television, read, and all the while, beyond you and the cozy circle created by your lady around herself and you, like the natural emanations of stars, other lives circle yours, seeds still winged and wind-borne, looking for sympathetic soil. You feel the juices and solids of your body in attempted rearrangement, or, more disturbing, making an effort to create a stillness that approximates death, beyond which the body does become soil, receptive to all wind-borne seeds. In a not especially prolonged stillness, as though no chances could be taken that you might decide to become perpetual motion, words fall out of the air, a random fall from which you might be tempted to make selection, and as you do not move, cannot, a string of words falls onto you, and from you, onto the paper: winter rye greening up, smoothing the old brown earth with a fine new plane: Carpenter Rye, neighbor.

Quantum uncertainty and chaos theory have had deplorable effects upon popular culture, much to the annoyance of genuine aficionados. Both are regularly exploited by obscurantists, ranging from professional quacks to daffy New Agers. In America, the self-help ‘healing’ industry coins millions, and it has not been slow to cash in on quantum theory’s formidable talent to bewilder. This has been documented by the American physicist Victor Stenger. One well-heeled healer wrote a string of best-selling books on what he calls ‘Quantum Healing’. Another book in my possession has sections on quantum psychology, quantum responsibility, quantum morality, quantum aesthetics, quantum immortality and quantum theology. Chaos theory, a more recent invention, is equally fertile ground for those with a bent for abusing sense. It is unfortunately named, for ‘chaos’ implies randomness. Chaos in the technical sense is not random at all. It is completely determined, but it depends hugely, in strangely hard-to-predict ways, on tiny differences in initial conditions. Undoubtedly it is mathematically interesting.

I find it hard to talk about myself. I'm always tripped up by the eternal who am I? paradox. Sure, no one knows as much pure data about me as me. But when I talk about myself, all sorts of other factors - values, standards, my own limitations as an observer - make me, the narrator, select and eliminate things about me, the narratee. I've always been disturbed by the thought that I'm not painting a very objective picture of myself. This kind of things doesn't seem to bother most people. Given the chance, people are surprisingly frank when they talk about themselves. "I'm honest and open to a ridiculous degree," they'll say, or "I'm thin-skinned and not the type who gets along easily in the world." Or "I'm very good at sensing others' true feelings." But any number of times I've seen people who say they're easily hurt or hurt other people for no apparent reason. Self-styled honest and open people, without realizing what they're doing, blithely use some self-serving excuse to get what they want. And those "good at sensing others' true feelings" are taken in by the most transparent flattery. It's enough to make me ask the question: how well do really know ourselves? The more I think about it, the more I'd like to take a rain check on the topic of me. What I'd like to know more about is the objective reality of things outside myself. How important the world outside is to me, how I maintain a sense of equilibrium by coming to terms with it. That's how I'd grasp a clearer sense of who I am. These are the kind of ideas I had running through my head when I was a teenager. Like a master builder stretches taut his string and lays one brick after another, I constructed this viewpoint - or philosophy of life, to put a bigger spin on it. Logic and speculation played a part in formulating this viewpoint, but for the most part it was based on my own experiences. And speaking of experience, a number of painful episodes taught me that getting this viewpoint of mine across to other people wasn't the easiest thing in the world. The upshot of all this is that when I was young I began to draw an invisible boundary between myself and other people. No matter who I was dealing with, I maintained a set distance, carefully monitoring the person's attitude so that they wouldn't get any closer. I didn't easily swallow what other people told me. My only passions were books and music. As you might guess, I led a lonely life.

Eliza has no use for the foolish romantic tradition that all women love to be mastered, if not actually bullied and beaten. "When you go to women," says Nietzsche, "take your whip with you." Sensible despots have never confined that precaution to women: they have taken their whips with them when they have dealt with men, and been slavishly idealized by the men over whom they have flourished the whip much more than by women. No doubt there are slavish women as well as slavish men; and women, like men, admire those that are stronger than themselves. But to admire a strong person and to live under that strong person's thumb are two different things. The weak may not be admired and hero-worshipped; but they are by no means disliked or shunned; and they never seem to have the least difficulty in marrying people who are too good for them. They may fail in emergencies; but life is not one long emergency: it is mostly a string of situations for which no exceptional strength is needed, and with which even rather weak people can cope if they have a stronger partner to help them out. Accordingly, it is a truth everywhere in evidence that strong people, masculine or feminine, not only do not marry stronger people, but do not show any preference for them in selecting their friends. When a lion meets another with a louder roar "the first lion thinks the last a bore." The man or woman who feels strong enough for two, seeks for every other quality in a partner than strength. The converse is also true. Weak people want to marry strong people who do not frighten them too much; and this often leads them to make the mistake we describe metaphorically as "biting off more than they can chew." They want too much for too little; and when the bargain is unreasonable beyond all bearing, the union becomes impossible: it ends in the weaker party being either discarded or borne as a cross, which is worse. People who are not only weak, but silly or obtuse as well, are often in these difficulties

Runach didn't consider himself particularly dull, but he had to admit he was baffled. "Then what now?" "What do you mean, what now?" Weger echoed in disbelief. "Do what is necessary! Bloody hell, man, must I instruct you in every bloody step? Take your mighty magic and heal her!" Runach blinked. "What in the world are you talking about?" Weger threw up his hands in frustration. "Heal her, you fool! Use Fadaire or whatever elvish rot comes first to mind." "I have no magic." "Of course you have magic--" Weger stopped suddenly. "You what?" "I have no magic," Runach repeated, through gritted teeth. "My father took it at the well." Weger looked suddenly as if he needed to sit down. "Bloody hell," he said faintly. He sagged back against the door. "I had no idea" Weger rubbed his hands over his face and indulged in a selection of very vile curses. "Damn it," he said, finally. He looked at Runach. "What are we to do now?" "If magic will work here" Runach said, "why don't you use yours?" Weger folded his arms over his chest. "I haven't used a word of magic in over three hundred years!" "No time like the present to dust it off then, is there?" Weger hesitated. Runach suspected it was the first time in those same three centuries the man had done so. He considered, then looked at Runach. "I could," he said, sounding as if the words had been dragged from him by a thousand irresistible spells, "but I have no elegant magic." Runach shrugged. "Then use Wexham." "It will leave a scar." "I don't think she'll care." "It will leave a very large, ugly scar," Weger amended. "Then use Camanae or Fadaire," Runach suggested. "And have my mouth catch on fire? You ask too much." Runach looked at him seriously. "I honestly don't care what you use, as long as you save her life. Whilst you still can." Weger looked as if his fondest wish was to turn and flee. But he apparently wasn't the master of Gobhann because he was a coward. He took a deep breath, cursed fluently, then knelt down. Runach listened to him spit out an eminently useful spell of Croxteth, then follow that bit of healing with a very long string of curses in which Lothar of Wychweald and Runach's own father figured prominently.

gee i like to think of dead" gee i like to think of dead it means nearer because deeper firmer since darker than little round water at one end of the well       it's too cool to be crooked and it's too firm to be hard but it's sharp and it's thick and it loves,      every old thing falls in rosebugs and jackknives and kittens and pennies they all sit there looking at each other having the fastest time because they've never met before dead's more even than how many ways of sitting on your head your unnatural hair has in the morning dead's clever too like POF goes the alarm off and the little striker having the best time tickling away every- body's brain so everybody just puts out their finger and they stuff the poor thing all full of fingers dead has a smile like the nicest man you've never met who maybe winks at you in a streetcar and you pretend you don't but really you do see and you are My how glad he winked and hope he'll do it again or if it talks about you somewhere behind your back it makes your neck feel all pleasant and stoopid      and if dead says may i have this one and was never intro- duced you say Yes because you know you want it to dance with you and it wants to and it can dance and Whocares dead's fine like hands do you see that water flowerpots in windows but they live higher in their house than you so that's all you see but you don't want to dead's happy like the way underclothes All so differ- ently solemn and inti and sitting on one string dead never says my dear,Time for your musiclesson and you like music and to have somebody play who can but you know you never can and why have to? dead's nice like a dance where you danced simple hours and you take all your prickley-clothes off and squeeze- into-largeness without one word      and you lie still as anything      in largeness and this largeness begins to give you,the dance all over again and you,feel all again all over the way men you liked made you feel when they touched you(but that's not all)because largeness tells you so you can feel what you made,men feel when,you touched,them dead's sorry like a thistlefluff-thing which goes land- ing away all by himself on somebody's roof or some- thing where who-ever-heard-of-growing and nobody expects you to anyway dead says come with me he says(and why ever not)into the round well and see the kitten and the penny and the jackknife and the rosebug                                 and you say Sure you say  (like that)  sure i'll come with you you say for i like kittens i do and jackknives i do and pennies i do and rosebugs i do E.E. Cummings, 100 Selected Poems. (Grove Press, January 10, 1994) Originally published 1954.

Uses of Custom Blinds Customized blinds may also be used to control the temperature in any room. For example, if the room in a home is chilly during the day time, the owner of the house and their family members can simply open up the blinds so that they'll let the sunlight in. The daylight helps to heat up the room without changing the temperature on the wall. Additionally, when it will get too sizzling, the household can shut the blinds so that they can cool the room down as nicely. Whatever the scenario, these blinds can be utilized for a wide variety of various purposes. Out there, there are various kinds of window shades. Choosing the right window blind is usually a bit hectic if it’s your first time. Listed below are some various varieties of window shades that you can choose from. Venetian blinds are the commonest and in style at this time. They're constructed from horizontal slates connected to one another. They function on a change or pull string. Some are product of wooden, plastic or composites. They are appropriate for each houses and places of work. Vertical blinds are among the most unique varieties of window blinds you can get. They are good insulators and can be used to Custom Blinds utterly block daylight penetration. The vertical shades are also robust enough to stop any harm from strong winds. They are low cost but stylish. Some are constructed with the power to adjust themselves in response to the time of day. Customs blinds can be used for each casual and office settings. This innovative thought means that you can use pictures as blind. With regards to makes use of of custom blinds, there are different options. Using your individual imagination, customized blinds might be adorned with completely different colors, designs and patterns. If your window is of an additional ordinary size, there are basic window blinds which can be customized to slot in. These are the roller blinds. Attributable to know-how, they've been advanced to be extra reliable and durable than earlier than. They're now less likely to breakdown. You possibly can select from all kinds of colours and patterns. Before coming to a conclusion on the perfect kinds of window blinds, it is very important do some extensive research. The images can be printed on a high quality curler and you should utilize vertical blinds, that are fade resistant, easier to clean and final for a number of years. In case your home windows varies in sizes, contemplate the images that will look one of the best. For a big window, a large panorama image can be effective. If the window is kind of slim, you need to consider photos corresponding to flowers or bushes.

CUSTOM_HASH Function create or replace function custom_hash (p_username in varchar2, p_password in varchar2) return varchar2 is l_password varchar2(4000); l_salt varchar2(4000) := 'XV1MH24EC1IHDCQHSS6XQ6QTJSANT3'; begin -- This function should be wrapped, as the hash algorithm is exposed here.  You can change the value of l_salt or the --method of which to call the DBMS_OBFUSCATOIN toolkit, but you must reset all of your passwords if you choose to do --this. l_password := utl_raw.cast_to_raw(dbms_obfuscation_toolkit.md5 (input_string => p_password || substr(l_salt,10,13) || p_username || substr(l_salt, 4,10))); return l_password; end;   CUSTOM_AUTH Function create or replace function custom_auth (p_username in VARCHAR2, p_password in VARCHAR2) return BOOLEAN is l_password varchar2(4000); l_stored_password varchar2(4000); l_expires_on date; l_count number; begin -- First, check to see if the user is in the user table select count(*) into l_count from demo_users where user_name = p_username; if l_count > 0 then -- Fetch the stored hashed password & expire date select password, expires_on into l_stored_password, l_expires_on from demo_users where user_name = p_username; -- Next, check whether the user's account is expired. If it isn’t, execute the next statement, else return FALSE if l_expires_on > sysdate or l_expires_on is null then -- If the account is not expired, apply the custom hash function to the password l_password := custom_hash(p_username, p_password); -- Finally, compare them to see if they are the same and return either TRUE or FALSE if l_password = l_stored_password then return true; else return false; end if; else return false; end if; else -- The username provided is not in the DEMO_USERS table return false; end if; end;

I'm just releasing Mer, that no matter what happens,....there will always be a string tying you to me. I'll never not worry about you. I'll never not care about what you do. You'll always be something to me

Your brother is a dear, and I do love him for the way he never fears to tell the truth. But he really doesn’t understand some things, does he?” “No,” I squeaked. My voice seemed to come from someone else. Nimiar ran her fingers along the harp strings and cocked her head, listening to the sounds they produced. “No one,” she said, “--well, no ordinary person-sits down to a harp and plays perfectly. It takes time and training.” I nodded stupidly. She dropped her hands. “When Branaric came to Athanarel, he knew nothing of etiquette or Court custom. Arrived wearing cast-off war gear belonging to Lord Vidanric, his arm in a dirty sling, his nose red from a juicy cold. There are those at Court who would have chewed him like jackals with a bone, except he freely admitted to being a rustic. Thought it a very good joke. Then he’d been brought by the Marquis, who is a leader of fashion, and Savona took to him instantly. The Duke of Savona is another leader. And…” She hesitated. “And certain women who also lead fashion liked him. Added was the fact that you Astiars have become something of heroes, and it became a fad to teach him. His blunt speech was a refreshing change, and he doesn’t care at all what people think of him. But you do, don’t you?” She peered into my face. “You care--terribly.” I bit my lip. She touched my wrist. “Let us make a pact. If you will come to Athanarel and dance at my wedding, I will undertake to teach you everything you need to know about Court life. And I’ll help you select a wardrobe--and no one need ever know.” I swallowed, then took a deep, unsteady breath. “What is it?” She looked unhappy. “Do you mistrust me?” I shook my head so hard my coronet came loose, and a loop settled over one eye. “They would know,” I whispered, waving a hand. “They? Your servants? Oh. You mean Branaric and Lord Vidanric?” I nodded. “They’ll surely want to know my reasons. Since I didn’t come to Court before.” I thought of that letter hidden in my room and wondered if its arrival and Shevraeth’s on the same day had some sinister political meaning. She smiled. “Don’t worry about Bran. All he wants, you must see, is to show you off at Athanarel. He knew you were refurbishing this castle, and I rather think he assumed you were--somehow--learning everything he was learning and obtaining a fashionable wardrobe as well. And every time he talks of you it’s always to say how much more clever you are than he is. I really think he expected to bring us here and find you waiting as gowned and jeweled as my cousin Tamara.” I winced. “That sounds, in truth, like Branaric.” “And as for Vidanric, well, you’re safe there. I’ve never met anyone as closemouthed, when he wants to be. He won’t ask your reasons. What?” “I said, ‘Hah.

a white formless bundle moves over the clear heaven constantly with all its strength it rocks side to side tied crosswise with green string and so prepares its step constantly struggling it falls on to uncaring soil of heaven and so marks time above it one star keeps silence below it another star silence to its right an old sun philosopjizes to its left a young moon prattles why doesnt it jut calm down for once the good natured thunder from the clear heaven will certainly unite it

Knot Your Troubles This one can be used irrespective of the intensity of your troubles. Just choose a color of the string that suits your purpose. The best way to select the color is by fine-tuning the spell to your specific circumstances. You can even refer to a magical color chart for precision if you are not sure. For instance, if you want to banish negativity use a black piece of string The string should be at least 12 inches long. Now, grasp the string, with one end in every hand and then tighten it with your pull. Think about a single problem per spell. Ponder on your difficult state and begin tying knots in the string. As you do that, visualize all your predicaments getting tied up in the knots and being shut in there. Keep on tying up to the point where you feel it's adequate. Take the tangled string outside and then bury it to so that you can keep your problems buried far away.

Online dating is a lot like picking out a vacuum cleaner: There is a great selection. They all look like they would be a good fit, they may not be exactly what the manufacturer promises, some may have already been used and returned, there are strings attached, and some come at a high cost. 

Every selection process involves a kind of censorship, and every instance of censorship has a political component. It begins with the people involved agreeing to solicit public attention for a certain topic. And no one would deny anymore that WL attracts public attention. Because one person, Julian Assange, held too many of the strings, WikiLeaks became a global political player—something it was never intended to be. That spelled the end of our pledge to maintain strict neutrality—one of WL’s most important principles. At

Here are some musical selections you can play quietly for the fetus. Since these pieces may calm the baby after birth, it’s good to have a small but well-rehearsed repertoire. These are recommended by Dr. F. Rene Van de Carr and musician and retired professor Dr. Donald Shetler. Music for the Royal Fireworks, Handel “Spring,” from The Four Seasons, Vivaldi Air on the G String,J. S. Bach The Brandenburg Concertos, J. S. Bach Canon in D Major, Pachelbel Pictures at an Exhibition, Mussorgsky Slow steady pieces by Haydn, Mozart, Beethoven, or Vivaldi Popular music by Tom Paxton, Burl Ives, Tom Chapin, and Raffi

Zhao Wen’s zither playing, Master Kuang’s baton waving, Huizi’s desk slumping—the understanding these three had of their arts flourished richly. This was what they flourished in, and thus they pursued these arts to the end of their days. They delighted in them, and observing that this delight of theirs was not shared, they wanted to make it obvious to others. So they tried to make others understand as obvious what was not obvious to them, and thus some ended their days debating about the obscurities of “hardness” and “whiteness,” and Zhao Wen’s son ended his days still grappling with his father’s zither strings. Can this be called success, being fully accomplished at something? In that case, even I am fully accomplished. Can this be called failure, lacking the full accomplishment of something? If so, neither I nor anything else can be considered fully accomplished.

We can tune our consciousness to resonate with the holograms in the A-field. The transmission of information in a field of holograms is known: it occurs when the wavefields that make up two (or more) holograms are “conjugate” with each other. The effect is similar to the more familiar effect known as resonance. Tuning forks and strings on musical instruments resonate with other forks and strings that are tuned to the same frequency (or to entire octaves higher or lower than that frequency). The resonance effect is selective: it does not occur when the forks and strings are tuned to a different, unrelated frequency.

There will always be a string tying you to me. I'll never not worry about you. I'll never not care about what you do. You'll always be something to me.

Adult Nursery Rhymes 1 o by the by has anybody seen little you-i who stood on a green hill and threw his wish at blue with a swoop and a dart out flew his wish (it dived like a fish but it climbed like a dream) throbbing like a heart singing like a flame blue took it my far beyond far and high beyond high bluer took it your but bluest took it our away beyond where what a wonderful thing is the end of a string (murmurs little you-i as the hill becomes nil) and will somebody tell me why people let go

It is best to illustrate entropy first in a simple case. The mathematical theory of communication treats the message source as an ergodic process, a process which produces a string of symbols that are to a degree unpredictable. We must imagine the message source as selecting a given message by some random, i.e., unpredictable means, which, however, must be ergodic. Perhaps the simplest case we can imagine is that in which there are only two possible symbols, say, X and Y, between which the message source chooses repeatedly, each choice uninfluenced by any previous choices. In this case we can know only that X will be chosen with some probability p0 and Y with some probability p1, as in the outcomes of the toss of a biased coin. The recipient can determine these probabilities by examining a long string of characters (X’s, Y’s) produced by the source. The probabilities p0 and p1 must not change with time if the source is to be ergodic.

1.1M    ./scripts 58M     ./cloud9 74M     . You can also use tee to write the output to several files at the same time, as shown in this example: root@beaglebone:/opt# du ‐d1 ‐h | tee /tmp/1.txt /tmp/2.txt /tmp/3.txt Filter Commands (from sort to xargs) There are filtering commands, each of which provides a useful function: sort: This command has several options, including (‐r) sorts in reverse; (‐f) ignores case; (‐d) uses dictionary sorting, ignoring punctuation; (‐n) numeric sort; (‐b) ignores blank space; (‐i) ignores control characters; (‐u) displays duplicate lines only once; and (‐m) merges multiple inputs into a single output. wc (word count): This can be used to calculate the number of words, lines, or characters in a stream. For example: root@beaglebone:/tmp# wc < animals.txt  4  4 18 This has returned that there are 4 lines, 4 words, and 18 characters. You can select the values independently by using (‐l) for line count; (‐w) for word count; (‐m) for character count; and (‐c) for the byte count (which would also be 18 in this case). head: Displays the first lines of the input. This is useful if you have a very long file or stream of information and you want to examine only the first few lines. By default it will display the first 10 lines. You can specify the number of lines using the ‐n option. For example, to get the first five lines of output of the dmesg command (display message or driver message), which displays the message buffer of the kernel, you can use the following: root@beaglebone:/tmp# dmesg | head ‐n5   [    0.000000] Booting Linux on physical CPU 0x0   [    0.000000] Initializing cgroup subsys cpuset   [    0.000000] Initializing cgroup subsys cpu   [    0.000000] Initializing cgroup subsys cpuacct   [    0.000000] Linux version 3.13.4-bone5(root@imx6q-sabrelite-1gb-0) tail: This is just like head except that it displays the last lines of a file or stream. Using it in combination with dmesg provides useful output, as shown here: root@beaglebone:/tmp# dmesg | tail ‐n2   [   36.123251] libphy: 4a101000.mdio:00 - Link is Up - 100/Full   [   36.123421] IPv6:ADDRCONF(NETDEV_CHANGE): eth0:link becomes ready grep: A very powerful filter command that can parse lines using text and regular expressions. You can use this command to filter output with options, including (‐i) ignore case; (‐m 5) stop after five matches; (‐q) silent, will exit with return status 0 if any matches are found; (‐e) specify a pattern; (‐c) print a count of matches; (‐o) print only the matching text; and (‐l) list the filename of the file containing the match. For example, the following examines the dmesg output for the first three occurrences of the string “usb,” using ‐i to ignore case: root@beaglebone:/tmp# dmesg |grep ‐i ‐m3 usb   [    1.948582] usbcore: registered new interface driver usbfs   [    1.948637] usbcore: registered new interface driver hub   [    1.948795] usbcore: registered new device driver usb You can combine pipes together. For example, you get the exact same output by using head and displaying only the first three lines of the grep output: root@beaglebone:/tmp# dmesg |grep ‐i usb |head ‐n3   [    1.948582] usbcore: registered new interface driver usbfs   [    1.948637] usbcore: registered new interface driver hub   [    1.948795] usbcore: registered new device driver usb xargs: This is a very powerful filter command that enables you to construct an argument list that you use to call another command or tool. In the following example, a text file args.txt that contains three strings is used to create three new files. The output of cat is piped to xargs, where it passes the three strings as arguments to the touch command, creating three new files a.txt, b.txt,

At first glance, the main display case at Dicecca today looks like a selection you'll find in any cheese shop in Puglia: tubs of milky water covering hunks of mozzarella in its many guises; strings of swollen scamorze dangling from the ceiling, bronzed by their stopover in the cold smoker; small plastic containers of creamy ricotta ready to be stuffed or eaten straight with a spoon. But look closer and you'll see some unfamiliar faces staring back at you through the glass: a large bucket brimming with ricotta spiked with ribbons of blue cheese and toasted almonds, served by the scoop; a wooden serving board paved with melting slabs of goat cheese weaponized with a cloak of bright red chili flakes; a hulking wheel of pecorino, stained shamrock green by a puree of basil and spinach. These are the signs of a caseificio in the grips of an evolution, one that started more than a decade ago when the brothers took the reins from their parents and began to expand the definition of a small, family-run cheese shop.

When Lombardi joined the Green Bay Packers in 1959, the team had gone eleven straight seasons without a winning record, and after winning only one of twelve games the previous year, the team fired Lombardi’s predecessor. Upon arriving at training camp as their new head coach, Lombardi made an immediate and indelible first impression on Bart Starr, a struggling third-string, fourth-year quarterback. After leading the players to a meeting room, Lombardi waited in front of a portable blackboard as the players sat down. He picked up a piece of chalk and began to speak. “Gentlemen,” he said, “we have a great deal of ground to cover. We’re going to do things a lot differently than they’ve been done here before . . . [We’re] going to relentlessly chase perfection, knowing full well we will not catch it, because perfection is not attainable. But we are going to relentlessly chase it because, in the process, we will catch excellence.”6 He paused and stared, his eyes moving from player to player. The room was silent. “I’m not remotely interested in being just good,” he said with an intensity that startled them all.

So when we received another request to do the spring commencement address for the class of 1996 and since it fit into our tour routing, I decided to give it a shot. Well, as soon as the news was released, a few of the college students expressed disdain that the powers that be would select somebody who had never been to college and was known more for redneck songs than for the more genteel pursuits of academia. Soon the criticism showed up in the college newspaper and local media. The pushback came mainly from two seniors named Moore and Leonard. They seemed to think it would be a disgrace to be addressed by someone they considered several cuts below the intelligence level required to speak before such an august body of young men and women who were preparing to go out and make their way in the world. What they didn’t realize is that it was my world they were getting ready to go out into. I had been making my way in it since before they were born and had some things to say about life after cutting the apron strings that could prove just as beneficial as anything they had gotten out of their books.

Although political representation by racial quota is the effect of government policy, it is not yet respectable to call for it explicitly. When President Bill Clinton tried to appoint Lani Guinier as Assistant Attorney General for Civil Rights her appointment failed, in part because of Miss Guinier’s advocacy of representation by race. In her view, if blacks were 13 percent of the US population, 13 percent of seats in Congress should be set aside for them. It does not cause much comment, however, when the Democratic Party applies this thinking to its selection of delegates to presidential conventions. Each state party files an affirmative action plan with the national party, and many states set quotas. For the 2008 Democratic Convention, California mandated an over-representation of non-white delegates. Blacks, Asians, and Hispanics were only 4.6, 5.2, and 21.1 percent, respectively, of the Democratic electorate, but had to be 16, 9, and 26 percent of the delegates. Other states had similar quotas. Procedures of this kind do lead to diversity of delegates but suggest that race is more important than policy. Perhaps it is. In Cincinnati, where blacks are 40 to 45 percent of the population, Mayor Charlie Luken complained that the interests of blacks and whites seemed so permanently in conflict that “race gets injected into every discussion as a result.” In other words, any issue can become racial. In 2004, the Georgia legislature passed a bill to stop fraud by requiring voters to show a state-issued ID at the polls. People without drivers’ licenses could apply for an ID for a nominal fee. Black legislators felt so strongly that this was an attempt to limit the black vote that they did not merely vote against the law; practically the entire black delegation stormed out of the Capitol when the measure passed over their objections. In 2009, when Congress voted a stimulus bill to get the economy out of recession, some governors considered refusing some federal funds because there were too many strings attached. Jim Clyburn, a black South Carolina congressman and House Majority Whip, complained that rejecting any funding would be a “slap in the face of African-Americans.” Race divides Cook County, Illinois, which contains Chicago. In 2007, when the black president of the county board, Todd Stroger, could not get his budget passed, his floor leader William Beavers-also black—complained that it was “because he’s black.” He said there was only one real question: 'Who’s gonna control the county—white or black—that’s all this is.

Struggle Some hope held together by a string of imagination, Some wishes keeping me alive with an aroma of expectation. We facing the world together is the only thing I once belived, Without you it has been ages since I've existed and not lived, Every hour, evey minute, every second when i breathe, A bunch of memmories of pain and anguish I Wreathe, Wouldn't God scorn at the idea of separating two souls and use his power, Or will I have to lie in my grave without receiving from you, some flowers? Is this the way by which hapiness of my life would end, Or will I receive with this pain, laughter to blend? The great lovers of this universe have never been together, But didn't you say that love was forever? ― Namratha Gupta

limp spring onion draped itself over the edge of the wicker basket that displayed the fresh produce in the O’Driscolls’ shop, café and post office. It shared the space with a shrivelled red pepper, while the basket above it held a few sweaty-looking bags of carrots. On the ground was a large sack of potatoes. Brown paper bags dangled from string to allow eager shoppers to make their own selection from the enticing display.

We're Absolute Event Hire, in Chesham, Buckinghamshire. We provide a varied selection of guest-pleasing, affordable hire furniture across Bucks, Herts and North London. Whether you're holding a string of business events in Bedfordshire, a summer wedding in Berkshire or a big birthday party in Buckinghamshire, we can supply everything you need for a super smooth, not to mention stylish, event.We hire every type of event furniture you can think of, from table hire and chair hire to sound systems.

In 1931, Césaire left for Paris to attend the Lycée Louis-le-Grand, a highly selective public school founded by Jesuits in the sixteenth century, in the heart of the Latin Quarter. One of the first people he met was a young African man standing in a student dorm in a gray jacket with a string belt holding up his trousers. Léopold Sédar Senghor, a student at the Sorbonne from a wealthy Catholic family in Senegal, seven years Césaire’s senior, was writing a thesis about “exotic” motifs in Baudelaire’s poetry.