Seductive Short Quotes

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Ô, Wanderess, Wanderess When did you feel your most euphoric kiss? Was I the source of your greatest bliss?
Roman Payne
MAKING THE LIE MAKE SENSE: When denial (his or ours) can no longer hold and we finally have to admit to ourselves that we’ve been lied to, we search frantically for ways to keep it from disrupting our lives. So we rationalize. We find “good reasons” to justify his lying, just as he almost always accompanies his confessions with “good reasons” for his lies. He tells us he only lied because…. We tell ourselves he only lied because…. We make excuses for him: The lying wasn’t significant/Everybody lies/He’s only human/I have no right to judge him. Allowing the lies to register in our consciousness means having to make room for any number of frightening possibilities: • He’s not the man I thought he was. • The relationship has spun out of control and I don’t know what to do • The relationship may be over. Most women will do almost anything to avoid having to face these truths. Even if we yell and scream at him when we discover that he’s lied to us, once the dust settles, most of us will opt for the comforting territory of rationalization. In fact, many of us are willing to rewire our senses, short-circuit our instincts and intelligence, and accept the seductive comfort of self-delusion.
Susan Forward (When Your Lover Is a Liar: Healing the Wounds of Deception and Betrayal)
Granted, she was obviously one lick away from riding the short bus
Tara Sivec (Seduction and Snacks (Chocolate Lovers, #1))
Our lips were for each other and our eyes were full of dreams. We knew nothing of travel and we knew nothing of loss. Ours was a world of eternal spring, until the summer came.
Roman Payne (Hope and Despair)
Dangerous as a lightning strike, as lethal as a pair of crisscrossing short swords, William whispered, “You’re about to find out how your liver tastes, my friend.” “I have tasted it already,” Zacharel said, his voice its usual monotone. The snowflakes began to fall in earnest, tiny at first, but growing in diameter. An arctic wind blustered around him. “It was a bit salty.” How the hell was a guy supposed to respond to that? Apparently William didn’t know, either, because he gaped at the angel. Then, “Maybe if you added a little pepper?” O-kay. It was official. William had an answer for everything.
Gena Showalter (The Darkest Seduction (Lords of the Underworld, #9))
What well-bred woman would refuse her heart to a man who had just saved her life? Not one; and gratitude is a short cut which speedily leads to love.
Théophile Gautier (Mademoiselle de Maupin)
Enchantment and seduction were fine means of persuasion, but when time is short, an awkward but quick concussion could better serve a girl's purpose.
Christopher Moore (Sacre Bleu: A Comedy d Art)
Ô, Muse of the Heart’s Passion, let me relive my Love’s memory, to remember her body, so brave and so free, and the sound of my Dreameress singing to me, and the scent of my Dreameress sleeping by me, Ô, sing, sweet Muse, my soliloquy!
Roman Payne
I have no fear of men, as such, nor of their books. I have mixed with them--one or two of them particularly-- almost as one of their own sex. I mean I have not felt about them as most women are taught to feel--to be on their guard against attacks on their virtue; for no average man-- no man short of a sensual savage--will molest a woman by day or night, at home or abroad, unless she invites him. Until she says by a look 'Come on' he is always afraid to, and if you never say it, or look it, he never comes.
Thomas Hardy (Jude the Obscure)
Forever is a hypnotic version of infinity.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
Granted, she was obviously one window lick away from riding the short bus, but that knowledge did nothing to ease my mind.
Tara Sivec (Seduction and Snacks (Chocolate Lovers, #1))
Oh, it's ridiculous. I ought to laugh. But I can't. You won't believe it." "Of course we will," Sophye said. "He offered you a carte blanche," Leonie said. "No, he asked me to marry him." There was a short stunned silence. Then, "I reckon he's in a marrying mood," Sophy said.
Loretta Chase (Silk Is for Seduction (The Dressmakers, #1))
Nudity and explicit sex are far more easily available now than are clear images of death. The quasi-violence of movies and television dwells on the lively acts of killing – flying kicks, roaring weapons, crashing cars, flaming explosions. These are the moral equivalents of old-time cinematic sex. The fictional spurting of gun muzzles after flirtation and seduction but stop a titillating instant short of actual copulation. The results of such aggressive vivacity remain a mystery. The corpse itself, riddled and gaping, swelling or dismembered, the action of heat and bacteria, of mummification or decay are the most illicit pornography.
Katherine Dunn
Desire is an art.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
The voice of the sea is seductive; never ceasing, whispering, clamoring, murmuring, inviting the soul to wander for a spell in abysses of solitude ; to lose itself in mazes of inward contemplation. The voice of the sea speaks to the soul. The touch of the sea is sensuous, enfolding the body in its soft, close embrace.
Kate Chopin (The Awakening and Selected Short Fiction)
The seduction of acceptance could bend the will of even the strongest of people.
Sheila English (Search for a Soul (Adam Frankenstein Short Stories #2))
You need to remember that life's short," she said, her palm skimming his cheek. "We don't get to pick the how or the where. All we get to do is live the days we're given to the fullest.
Tawny Weber (A SEAL's Seduction (Uniformly Hot SEALs, #1))
The performance was exotic. It was short. And it wasn't much more dreadful than the Chinese opera that had been performed last year. "Bravo!" Ned called. He applauded madly. Thankfully, everyone joined in. Blakely bowed, rather stiffly, and picked his way through the rows toward his seat. He didn't even make eye contact with Ned, didn't acknowledge that Ned had just saved him. Ha, Just because Blakely had no humility didn't mean Ned couldn't try to humiliate him further. "Encore!" Ned shouted. Blakely fixed Ned with a look that promised eventual dismemberment. Luckily for the future attachment of Ned's limbs, nobody else took up the cry.
Courtney Milan (Proof by Seduction (Carhart, #1))
Why are you walking like that?” Rome asked, running a broad hand through his short hair, his glittering green eyes flicking down my legs before settling on my face. “Like what?” I asked, as he fell into step beside me. ... “Like you’re scared of the ground,” he replied on a snort.
Jaymin Eve (Seduction (Curse of the Gods, #3))
I see that you have come to the last stage of human life; you are close upon your hundreth year, or even beyond: come now, hold an audit of your life. Reckon how much of your time has been taken up by a money-lender, how much by a mistress, a patron, a client, quarreling with your wife, punishing your slaves, dashing about the city on your social obligations. Consider also the diseases which we have brought on ourselves, and the time too which has been unused. You will find that you have fewer years than you reckon. Call to mind when you ever had a fixed purpose; how few days have passed as you had planned; when you were ever at your own disposal; when your face wore its natural expression; when your mind was undisturbed; what work you have achieved in such a long life; how many have plundered your life when you were unaware of your losses; how much you have lost through groundless sorrow, foolish joy, greedy desire, the seductions of society; how little of your own was left to you. You will realize that you are dying prematurely.
Seneca (On the Shortness of Life: Life Is Long if You Know How to Use It (Penguin Great Ideas))
Human populations have driven other human populations to the brink of extinction numerous times throughout history. Now the entire species threatens itself with mass suicide. Not because anyone is forcing us to. Not because we don't know better. And not because we don't have alternatives. We are killing ourselves because choosing death is more convenient than choosing life. Because the people committing suicide are not the first to die from it. Because we believe that someday, somewhere, some genius is bound to invent a miracle technology that will change our world so that we don't have to change our lives. Because short-term pleasure is more seductive than long-term survival. Because no one wants to exercise their capacity for intentional behavior until someone else does. Until the neighborhood does. Until the energy and car companies do. Until the federal government does. Until China, Australia, India, Brazil, the U.K. - until the whole world does. Because we are oblivious to the death that we pass every day. "We have to do something" we tell one another, as though reciting the line were enough. "We have to do something" we tell ourselves, and then wait for instructions that are not on the way. We know that we are choosing our own end; we just can't believe it.
Jonathan Safran Foer (We Are the Weather: Saving the Planet Begins at Breakfast)
The meat hovers right by his lips, so he opens his mouth, as slowly as a drawbridge. I place the bite of flesh onto his tongue, and seduction overtakes me. His lips clamp down as I pull the utensil away. He chews. Swallows. Licks those lips.
Shayla Raquel (Savage Indulgence: A Grisly Short Story with a Twist Ending)
Europeans have sometimes been beguiled by a despotism that comes concealed in the seductive form of an ideal – as it did in the cases of Hitler and Stalin. This fact may remind us that the possibility of despotism is remote neither in space nor in time.
Kenneth Minogue (Politics: A Very Short Introduction)
Foucault’s was a seductive image, one that helped to make him famous and to attract legions of disciples. But for all that, it remains a late 20th-century ideological construct, one with little or no contemporary relevance or resonance in the societies it purports to describe.
Andrew Scull (Madness: A Very Short Introduction (Very Short Introductions))
All writers struggle at some point with the problem of balance between authority and involvement, seduction and revelation. Specifically, beginning writers wonder how much description to employ, and more advanced writers ask how much plot is too much or too little. And there is no better place to find answers than in the Victoria's Secret catalogue--or in any ad for lingerie--where the arts of seduction and revelation are so successfully practiced. After all, the secret of the effective lingerie ad is the secret of effective storytelling--to provide, moment by moment, the illusion of imminent expose, to give the viewer (read: reader) the uncanny sense that something fundamentally compelling is always just about to be revealed. Lingerie ads and storytelling balance the veiled and the unveiled, the seen and the unseen, the shown and the about-to-be-shown. In short, it is the art of the tease, the craft of selective 'coverage,' that, not just in lingerie but in storytelling, works to enthrall.
Julie Checkoway
Contrary to what you might think, and contrary to what women will say, all women are willing to have sex with a man the very same day they meet him as long as they meet the right man. Whether he is right depends entirely on how skilled in seduction he is. Regardless if you believe that or not, you should always act as if that is the case and try taking your dates as far as you can instead of cutting yourself short and ending them early just because you believe that a kiss is all you will “get” on the first or second date. You will never really know if you have gone as far as you could have gone if you do not try taking it further, and you will never really know if you have moved as fast as you could have moved if you do not try moving faster.
W. Anton (The Manual: What Women Want and How to Give It to Them)
The marquess held the weapon out, as formally as if he were passing a sword. Soberly, Ned accepted it. He placed the sacrificial citrus on the table in front of him, and then with one careful incision, eviscerated it. He speared deep into its heart, his hands steady, and then cut it to pieces. Jenny allotted herself one short moment of wistful sorrow for her afterdinner treat gone awry as the juice ran everywhere. “Enough.” She reached out and covered his hand midstab. “It’s dead now,” she explained gravely. He pulled his hand away and nodded. Lord Blakely took back his knife and cleaned it with a handkerchief. Jenny studied the corpse. It was orange. It was pulpy. It was going to be a mess to clean up. Most importantly, it gave her an excuse to sit and think of something mystical to say—the only reason for this exercise, really. Lord Blakely demanded particulars. But in Jenny’s profession, specifics were the enemy.
Courtney Milan (Proof by Seduction (Carhart, #1))
Call to mind when you ever had a fixed purpose; how few days have passed as you had planned; when you were ever at your own disposal; when your face wore its natural expression; when your mind as undisturbed; what work you have achieved in such a long life; how many have plundered your life when you were unaware of your losses; how much you have lost through groundless sorrow, foolish joy, greedy desire, the seductions of society; how little of your own was left: to you. You will realize that you are dying prematurely.' So what is the reason for this? You are living as if destined to live for ever; your own frailty never occurs to you; you don't notice how much time has already passed, but squander it as though you had a full and overflowing supply - though all the while that very day which you are devoting to somebody or something may be your last. You act like mortals in all that you fear, and like immortals in all that you desire.
Seneca (On The Shortness Of Life)
Call to mind when you ever had a fixed purpose; how few days have passed as you had planned; when you were ever at your own disposal; when your face wore its natural expression; when your mind was undisturbed; what work you have achieved in such a long life; how many have plundered your life when you were unaware of your losses; how much you have lost through groundless sorrow, foolish joy, greedy desire, the seductions of society; how little of your own was left to you. You will realize that you are dying prematurely.
Seneca (On the Shortness of Life)
He turned over the application, and Lauren watched him scanning it, his gaze nearing the bottom where she had listed her job preferences. She knew the exact instant he spotted what she had written. "What the...!" he said, astonished, and then he burst out laughing. "Weatherby and I are going to have to be careful. Which of our jobs do you want most?" "Neither," Lauren said shortly. "I did that because on my way to the interview at Sinco,I decided I didn't want to work there after all." "So you purposely flunked your tests,is that it?" "That's it." "Lauren..." he began in a soft seductive voice that instantly put her on guard. "I've had the dubious pleasure of reading through your file," she clarified, at his stunned look. "I know all about Bebe Leonardos and the French movie star.I even saw the picture of you that was taken with Ericka Moran the day after you sent me away because a "business aquaintance' was coming to see you." "And," he concluded evenly, "you were hurt." "I was disgusted," Lauren shot back, refusing to admit to any of the anguish she'd felt.
Judith McNaught (Double Standards)
You are very young to — ” “ — to be a professor,” said Butscha, cutting short La Briere. “Ha, monsieur, deformed folks are born a hundred years old. And besides, a sick man who has long been sick, knows more than his doctor; he knows the disease, and that is more than can be said for the best of doctors. Well, so it is with a man who cherishes a woman in his heart when the woman is forced to disdain him for his ugliness or his deformity; he ends by knowing so much of love that he becomes seductive, just as the sick man recovers his health; stupidity alone is incurable.
Honoré de Balzac (Works of Honore de Balzac)
She had been an untamed mestiza of the so-called shopkeeper aristocracy: seductive, rapacious, brazen, with a hunger in her womb that could have satisfied an entire barracks. In a few short years, however, she had been erased from the world by her abuse of fermented honey and cacao tablets. Her Gypsy eyes were extinguished and her wits dulled, she shat blood and vomited bile, her sirens body became as bloated and coppery as a three-day-old corpse, and she broke wind in pestilential explosions that startled the mastiffs. She almost never left her bedroom, and when she did she was nude or wearing a silk tunic with nothing underneath, which made her seem more naked than if she wore nothing at all.
Gabriel García Márquez (Of Love and Other Demons)
Where were you yesterday?" "Yesterday? Where was I-let me see...." "I thought you took a powder." "Me? How could that be?" "You mean, you wouldn't run out on me?" Run out on fragrant, sexual, high-minded Ramona? Never in a million years. Ramona had passed through the hell of profligacy and attained the seriousness of pleasure. For when will we civilized beings become really serious? said Kierkegaard. Only when we have known hell through and through. Without this, hedonism and frivolity will diffuse hell through all our days. Ramona, however, does not believe in any sin but the sin against the body, for her the true and only temple of the spirit. "But you did leave town yesterday," said Ramona. "How do you know-are you having me tailed by a private eye?" "Miss Schwartz saw you in Grand Central with a valise in your hand." "Who? Ramona said, "Perhaps some lovely woman scared you on the train, and you turned back to your Ramona." "Oh..." said Herzog. Her theme was her power to make him happy. Thinking of Ramona with her intoxicating eyes and robust breasts, her short but gentle legs, her Carmen airs, thievishly seductive, her skill in the sack (defeating invisible rivals), he felt she did not exaggerate. The facts supported her claim. "Well, were you running away?" she said. "Why should I? You're a marvelous woman, Ramona." "In that case you're being very odd, Moses." "Well, I suppose I am one of the odder beasts." "But I know better than to be proud and demanding.” “Life has taught me to be humble." Moses shut his eyes and raised his brows. Here we go. "Perhaps you feel a natural superiority because of your education." "Education! But I don't know anything..." "Your accomplishments. You're in Who's Who. I'm only a merchant-a petit-bourgeois type." "You don't really believe this. Ramona." "Then why do you keep aloof, and make me chase you? I realize you want to play the field. After great disappointments, I've done it myself, for ego-reinforcement." "A high-minded intellectual ninny, square ..." "Who?" "Myself, I mean." She went on. "But as one recovers self-confidence, one learns the simple strength of simple desires.” “Please, Ramona, Moses wanted to say-you're lovely, fragrant, sexual, good to touch-everything. Ramona paused, and Herzog said, "It's true-I have a lot to learn.” Excerpt From: Bellow, Saul. “Herzog.” iBooks. This material may be protected by copyright.
Saul Bellow (Herzog)
Rafe slipped a third finger into Kris’s tight channel, opening and stretching him for his mate and the inevitable fulfillment of their seductive, sensuous confluence. Suddenly releasing Kris’s lips, Rafe licked his way down with a single wet line to Kris’s groin, flicking the tip of his tongue quickly over the silky-smooth, smoldering-hot crown of Kris’s dick that jumped at the brief contact, leaking milky drops of precum, and Kris moaned louder. Devoted to Kris’s dick with a hungry mouth, Rafe made a fierce foray over Kris’s shaft, suckling the length and tonguing the slit mercilessly until all that was left of Kris’s overactive brain evaporated in fumes, not knowing if he’d ever recover from this onslaught to his body’s nether regions and this attack on his senses and nerves until they overloaded and short-circuited.
Susan Laine (The Wolfing Way (Lifting the Veil #1))
He let go of her hands and cut her off, placing a finger over her lips as he rubbed her arm. “The only thing I want tonight is you. The only thing you need to know tonight is I’m going to have you...as I wish...for as long as I wish.” He rolled his head in a circle to stretch before looking directly back into her eyes, and added as an afterthought, “Hmm... Hurt you? Your arousal will likely hurt you excruciatingly until I allow your release.” And as his sensual voice streaked through her, Kate’s mind shorted out like a tripped wire snapping, completely blank. Her whole body betrayed her yet again by flushing with unrestrainable heat. “Stay as you are, Kate.” He pushed the bunched-up nightgown at her waist, down to the floor to pool at her feet. Shivering hard, she moved her hands to cover her nakedness, dropping her head to her chest, avoiding his steady gaze. Grabbing her hands, he moved them back to her sides. He lifted her chin high to face him and said, “I told you to stay as you were, Kate. You will do good to listen to me.” His fingers pressed into her hair, curling a bit of it around her ear as he leaned in to the side of her head. His voice lowered seductively until it was a purr in her ear. “I know how to please a woman to the point her voice is hoarse from her screams of desire, her bed linens soaked, and her legs quivering for hours after I’m done.” His lips scantly apart from her ear, his voice dropping lower, he continued, “In the matter of choices, I know which sounds best to me. Do you, beautiful girl? I’ll prove I was worth the trouble of opening your door. Can you allow yourself this indulgence? It’s just one night.
Elaine Barris (Master for Tonight (Master for Tonight, #1))
...but it does involve a woman. A beautiful, lying, conniving, voluptuous, sexy as hell, witch of a woman, one who has in an inconceivably short amount of time wormed her way so deeply into my very soul—yes, soul, try though you do to convince yourselves that I have none—and not all the dog-desperate clawing can wrench my being free of her. All night long I dominated her body, only to find myself conquered by her. I battled and battered at her, bathed my seed upon her thighs, drew my breaths from between her breasts and yet I drowned. I bound her, only to find myself thoroughly ensnared. My life is gone! Everything I have worked for…everything that I am has, for the sake of pride, boredom, a fine pair of tits and an ass unparalleled by any other known to man—indeed, on the face of this whole miserable planet!—has been utterly destroyed.” “Women,” Jackson commiserated. “You have no idea. I’m doomed.
Penny Alley (Demon Seduction (Seductive Shorts #1))
Couldn't I come along with you? I've been trapped inside for days now and I need some sunshine and exercise. If you're really busy today, maybe I could hhelp. It's not as if I'm a greenhorn who'd get in your way." "This isn't a good idea, Freckles, and you know it." The feisty redhead grinned. "I admit I'm somewhat ignorant on the subject, but I've never heard of doing "it" on the back of a horse." A roguish grin dangled from the corner of his mouth. "Sweetheart, you'd be surprised where...Never mind." Though he'd tried to sound gruff, Willow detected a slight wavering in his determination. "I'll promise not to attack your body, if that's what you're worried about." She started laughing. Moving closer, she backed him against the door. Then tilting her head, she hit him full force with her big blue-green sparklers. Her lips parted in a very seductive, very naughty smile. "Please, just a short ride?" She toyed with the edge of his black leather vest, the backs of her fingers sliding up and down his chest. Rider sucked in a gulp of air. "Dammit, woman,what's Mrs. Brigham been teaching you? Stop that!" He batted her hand away, laughing despite himself. He was beaten and he knew it. "Well?" She smiled slyly. He grasped her arms and set her away to a safer distance. "All right, all right. I give up. I'll take you for a ride." When her face lit up,he raised a cautioning finger and hastened to add, "On one condition. You have to keep yours hands to yourself. No touching!" "Yes! I promise!" Willow threw herself into his arms and pulled his face close for a brisk buss on the cheek. Then she sprang free and skipped past him to the door. "I kow, no touching. That was just a thank you. Hurry up, I'm all ready to go." Following in her wake, Rider groaned, "Yeah,so am I-in more ways than one." "What did you say?" she called back. "I said you were a little flirt!" She gave him an innocent smile over her shoulder and sprinted off to saddle Sugar.
Charlotte McPherren (Song of the Willow)
For one, mad instant, she thought he planned to kiss her, but instead, he ducked under her chin and nuzzled against her shoulder at the site where her pulse pounded so furiously. A shiver of excitement tore through her, and she swallowed a baffled squeal that could have been either delight or indignation. His lips were heated and soft, and he tenderly kissed against her nape then, to her astonishment, he licked across her skin. She jumped then twirled away, only to end up facing the mirror, with him behind her, and she assessed the two of them, evaluating the differences: his tall to her short, bronzed to fair, brawn to lean. Boldly, he settled his hands on her hips and snuggled her backside against him, and she was assailed by an array of unique anatomical impressions. As though she'd been searching for this man all her life and had finally found him, she ignited with sensation, every pore alert and animated, and her nipples tightened painfully, poking at the towel. The knave immediately noticed how they'd peaked. "I can't wait to have my mouth on you." The declaration kindled cryptic messages, and restlessly, she scrambled to flee---from the unusual fleshly perturbation and from him---but because of their positions, he merely nestled her close and flexed against her. His groin stroked across her bottom in a manner she'd never presumed a man might attempt with a woman. There was a solid ridge along his abdomen that dug into her buttocks, and her traitorous body reacted by squirming to get nearer to it. He appreciated her participation and gripped her firmly, flexing again.
Cheryl Holt (Total Surrender)
Anyone want to help me start PAPA, Parents for Alternatives to Punishment Association? (There is already a group in England called ‘EPPOCH’ for end physical punishment of children.) In Kohn’s other great book Beyond Discipline: From Compliance to Community, he explains how all punishments, even the sneaky, repackaged, “nice” punishments called logical or natural consequences, destroy any respectful, loving relationship between adult and child and impede the process of ethical development. (Need I mention Enron, Martha Stewart, the Iraqi Abu Ghraib prisoner abuse scandal or certain car repairmen?) Any type of coercion, whether it is the seduction of rewards or the humiliation of punishment, creates a tear in the fabric of relational connection between adults and children. Then adults become simply dispensers of goodies and authoritarian dispensers of controlling punishments. The atmosphere of fear and scarcity grows as the sense of connectedness that fosters true and generous cooperation, giving from the heart, withers. Using punishments and rewards is like drinking salt water. It does create a short-term relief, but long-term it makes matters worse. This desert of emotional connectedness is fertile ground for acting-out to get attention. Punishment is a use of force, in the negative sense of that word, not an expression of true power or strength. David R. Hawkins, M.D., Ph.D. author of the book Power v. Force writes “force is the universal substitute for truth. The need to control others stems from lack of power, just as vanity stems from lack of self-esteem. Punishment is a form of violence, an ineffective substitute for power. Sadly though parents are afraid not to hit and punish their children for fear they will turn out to be bank robbers. But the truth may well be the opposite. Research shows that virtually all felony offenders were harshly punished as children. Besides children learn thru modeling. Punishment models the tactic of deliberately creating pain for another to get something you want to happen. Punishment does not teach children to care about how their actions might create pain for another, it teaches them it is ok to create pain for another if you have the power to get away with it. Basically might makes right. Punishment gets children to focus on themselves and what is happening to them instead of developing empathy for how their behavior affects another. Creating
Kelly Bryson (Don't Be Nice, Be Real)
There are truths which are best recognized by mediocre heads, because they are most appropriate for them; there are truths which have charm and seductive power only for mediocre minds: — at this very point we are pushed back onto this perhaps unpleasant proposition, since the time the spirit of respectable but mediocre Englishmen — I cite Darwin, John Stuart Mill, and Herbert Spencer — is successfully gaining pre-eminence in the middle regions of European taste. In fact, who could doubt how useful it is that such spirits rule from time to time? It would be a mistake to think that highly cultivated spirits who fly off to great distances would be particularly skilful at establishing many small, common facts, collecting them, and pushing to a conclusion: — they are, by contrast, as exceptional men, from the very start in no advantageous position vis-à-vis the “rules.” In the final analysis, they have more to do than merely have knowledge — for they have to be something new, to mean something new, to present new values! The gap between knowing something and being able to do something is perhaps greater as well as more mysterious than people think. It’s possible that the man who can act in the grand style, the creating man, will have to be a person who does not know; whereas, on the other hand, for scientific discoveries of the sort Darwin made a certain narrowness, aridity, and conscientious diligence, in short, something English, may not be an unsuitable arrangement. Finally we should not forget that the English with their profoundly average quality have already once brought about a collective depression of the European spirit. What people call “modern ideas” or “the ideas of the eighteenth century” or even “French ideas” — in other words, what the German spirit has risen against with a deep disgust — were English in origin. There’s no doubt of that. The French have been only apes and actors of these ideas, their best soldiers, as well, and at the same time unfortunately their first and most complete victims. For with the damnable Anglomania of “modern ideas” the âme française [French soul] has finally become so thin and emaciated that nowadays we remember almost with disbelief its sixteenth and seventeenth centuries, its profoundly passionate power, its resourceful nobility. But with our teeth we must hang on to the following principle of historical fairness and defend it against the appearance of the moment: European noblesse [nobility] — in feeling, in taste, in customs, in short, the word taken in every higher sense — is the work and invention of France; European nastiness, the plebeian quality of modern ideas, the work of England.
Friedrich Nietzsche (Beyond Good and Evil)
I never dreamed it would be as amazing as that,” she whispered. “I did.” “Really?” Her soft voice was a caress. Everything about her was as smooth and silky and sweet as whipped cream. Well, except for her tart opinions. And her fierce determination to make him tell everything in his soul. Though he had to admit that after confessing his secret fears to her earlier, he felt freer, as if the boulder he’d been carrying for years had dropped from his back. “I knew it would be perfect.” He gave her a lingering kiss, then drew back to cup her pinkening cheek. “With you it could be nothing less.” Shyly avoiding his gaze, she finger-combed his short hair. “Nancy always said that sharing a man’s bed was something to ‘endure.’ That marriage was more pleasant without it, but it was required for having children so she’d had to put up with it.” He skimmed a hand down her lightly freckled arm. “And what do you think, now that you’ve experienced it for yourself?” “I think I could ‘endure’ it with great enthusiasm.” Jane flashed him a mischievous smile. “But I’m not really sure. Should we try it again so I can make certain?” Stifling a laugh, he tried to look stern. “We’re lucky none of the grooms have stumbled over us already.” He managed to sound even-toned, though the prospect of taking her again--here, now--was already making him hard. “Speaking of that, we’d better get dressed, before someone finds us here naked.” A sigh escaped her. “You do have a point. Though I don’t know how you can be so sensible and industrious when all I feel is lazy and content.” “I’m not being sensible and industrious at all.” Reluctantly he slipped from her arms to go hunt up his drawers. “I’m simply being selfish. The longer you stay naked, the more chance that I will attempt to ravish you again.” “That sounds perfectly…awful,” she said as she struck a seductive pose. God save him. He swept his gaze over her thrusting breasts, her slender belly with its delicate navel, and her auburn thatch of curls. The taste of her was still on his lips, the smell of her still in his nostrils. He wanted her again. And again and again… Muttering a curse under his breath, he tossed her shift at her. “Put some clothes on before I combust.” She laughed, a delicate tinkling sound that tightened his cock. Fortunately for his self-restraint, she did as he bade and donned her shift. Only then was he able to breathe, to concentrate on putting on his trousers rather than on the erotic sight of her drawing her stockings up those luscious legs. He turned and nearly stumbled over the carriage lamps. “These are a lost cause, now that I recklessly dashed them to the floor in my…er…enthusiasm, sweeting.” “Good,” she said cheerily. “Now you can’t run off to London without me tonight.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
widening. “Don’t you dare draw their fire.”  Lynn.   Jonathan committed the name to memory. The outsiders didn’t seem to notice the man’s slip. They kept their weapons trained on the girl. She glared at them as if daring them to kill her. “Go ahead! Shoot! I’m sick of being hunted by you! Kill me and claim the fame. Do it!”  Parker dodged forward, rushing past any and all that stood between him and the woman named Lynn. He shoved his body in front of hers in a protective manner and glared at the men. “You’ll not harm her. She’s under my protection now.”  Eli let out a low whistle. “Never did I see that coming. Saw-bones is a born skirt-chaser. Think he might have The Fever or something? He’s always doctorin’ folks with weird ailments.”  Well, if The Fever included an uncontrollable urge to protect a woman, then his brother most certainly had caught it. He could only hope Parker’s case was curable. Jonathan knew his own case wasn’t. Molly had infected him long ago and he knew he’d never get her out of his veins. It wasn’t like he hadn’t tried. His exploits of the female persuasion were legendary—so was the fact he refused to commit. “Are you stupid?” Lynn asked, giving Parker a good shove. At five-eight, she was tall by female standards but short compared the MacSweeny boys. Still, she managed to get Parker to budge ever so slightly, shocking Jonathan. “Move! They’ll gun you down to get to me.”  “Then so be it.”  Jonathan shook his head. Parker was bound to get himself killed without some serious intervention. “Parker, get her and your ass out of there. We’ll take care of our guests. We’ll even be sweet enough to give ‘em that welcome speech you had worked out.”  “Parker?” the girl asked. She glanced at Jonathan and Eli and her eyes widened. “That means one of you is Jonathan.” The feel of a cold, hard barrel pressed against the back of Jonathan’s head. Cursing himself for letting his guard down, he put his hands up as his attacker shoved harder with the gun.  “Lookie, boys, we got us a sheriff. He’s got to bring a good amount of coinage, don’t ya think?”  There was a flash of black. A blur. Several shots. Screams. Jonathan caught movement out of the corner of his eye and realized someone had shot the man who had him at gunpoint. Chapter Four Molly
Mandy M. Roth (Alpha Shifter Seductions Boxed Set: Paranormal Romance)
the word desirable. Of course, we learn later just how seductive that can be. Early rabbinic literature showed a sexual connotation to chamed as chamdam, using it as a reference to a lustful person. Chimmud is even blunter as a reference to a sexual appetite. As a verb chamed means to be excited or hot. Hebrew Jewish grammarian David Kimhi (Radak) states that it is no coincidence that the word cham (hot), makes up two thirds of the root. He points out that lechem chamudot is taken by some to mean fresh, hot tasty bread. So what I am drawing from this? Is Solomon’s beloved saying she is sitting under the apple tree with one hot number? Well, there is much more to my research on this verse that I cannot put into a short study, so I am leaving open a number of gaps, but let me just share my conclusion on Song of Solomon 2:3. The young lover is making a very distinct play on the word chamed by bringing it into association with the apple tree among the trees of the woods. This is a direct reference to the forbidden fruit of the Garden of Eden. She sits under her beloved’s shadow with covertness or chamed eating this forbidden fruit. You see the word chamed ultimately has the idea of intimacy or totally possessing and consuming something. This fruit is not forbidden so long as she consumes it within the bounds of intimacy born out of love with her beloved. Just as a sexual relationship is forbidden outside
Chaim Bentorah (Hebrew Word Study: A Hebrew Teacher Finds Rest in the Heart of God)
Nudity and explicit sex are far more easily available now than are clear images of death. The quasi-violence of movies and television dwells on the lively acts of killing – flying kicks, roaring weapons, crashing cars, flaming explosions. These are the moral equivalents of old-time cinematic sex. The fictional spurting of gun muzzles after flirtation and seduction but stop a titillating instant short of actual copulation. The results of such aggressive vivacity remain a mystery. The corpse itself, riddled and gaping, swelling or dismembered, the action of heat and bacteria, of mummification or decay are the most illicit pornography. The images we seldom see are the aftermath of violent deaths. Your family newspaper will not print photos of the puddled suicide who jumped from the fourteenth floor. No car wrecks with the body parts unevenly distributed, no murder victim sprawled in his own juices. Despite the endless preaching against violent crime, despite the enormous and avid audience for mayhem, these images are taboo.
Sean Tejaratchi (Death Scenes: A Homicide Detective's Scrapbook)
And these are the ones sown on rocky ground: when they hear the word, immediately they receive it with joy. 17 But they have no root in themselves; they are short-lived. When pressure or persecution comes because of the word, they immediately •stumble. 18 Others are sown among thorns; these are the ones who hear the word, 19 but the worries of this age, the seduction of wealth, and the desires for other things enter in and choke the word, and it becomes unfruitful. 20
Anonymous (HCSB: Holman Christian Standard Bible)
He bent his head as if meaning to kiss her, but stopped short. With his mouth hovering over hers, he said, “I want you.” Chloe gasped and her chest rose and fell rapidly. She whispered, “I want you too, but I need you to be clear on something.” Her voice was determined, and Cal was disoriented as he was yanked from the cusp of passion and thrown into stark reality. “What?” “I don’t want you making fun of me like when we were kids. I’m not a girl anymore. I enjoy sex, but I won’t ever let you touch me if you bully me like that again.” Cal was dumbfounded. He stared at her, mouth wide. Had she been harboring resentment all this time? He didn’t remember what he’d done, yet she was clearly still upset about it. He couldn’t imagine hurting her now. Had he then? He swallowed the lump that formed in his throat. “Chloe, I’m sorry. I never intended to upset you. I was a child. You’re definitely not a girl anymore. I intend to treat you as the beautiful and seductive woman you are.
Gina Watson (Score (St. Martin Family Saga, #1))
...unlike Aretha, [Al Green's] only rival vocally, Al never sold himself short in the studio. Where the albums follow the vagaries of genius, the hits exploit Al's personal production line, every one a perfect soul record and a perfect pop record in whatever order suits your petty little values. Brashly feminine and seductively woman-friendly, he breaks free in a register that darts and floats and soars into falsetto with startling frequency and beguiling ease. He's so gorgeous, so sexy, so physically attractive that only masochists want to live without him.
Robert Christgau
Mike,” she said in her most seductive voice. “You know and I know that I want to get laid tonight. It’s been too long since I’ve been with a man. I’m interested in one room in this apartment and one room only.
Rosetta Bloom (Romance: Trysts No. 2 Nikki & Mike)
Entrancing beauty falls nothing short of absolute magnificent creation.
Wayne Chirisa
The coming of the problematic of gender, now taking over from that of sex, illustrates this progressive dilution of the sexual function. This is the era of the Transsexual, where the conflicts linked to difference -- and even the biological and anatomical signs of difference -- survive long after the real otherness of the sexes has disappeared. When the sexes eye each other up, squint out through each other's eyes. The male eyes up the female, the female eyes up the male. This is no longer the seductive gaze but a generalized sexual strabismus, reflecting that of moral and cultural values: the true eyes up the false, the beautiful eyes up the ugly, good eyes up evil, and vice versa. They each `lock on to' the other in an attempt to misappropriate its distinctive signs. But both are in fact in league to short-circuit difference. They function like communicating vessels, according to the new machinic rituals of switching or commutation. The utopia of sexual difference ends in the switching of sexual poles, and in interactive exchange. Instead of a dual relation, sex becomes a reversible function. In place of alterity, an alternating current.
Jean Baudrillard (The Perfect Crime)
Henry Kissinger once claimed, “Power is the ultimate aphrodisiac.” As seductive as power can be, psychological studies have shown it deadens the sensitivity of those who wield it. In short, power kills empathy.
Fareed Zakaria (Ten Lessons for a Post-Pandemic World)
Gasping desperately, she clenched her hands on his shoulders, fingers sinking deep. His lips firmed, he suckled gently- Patience felt the earth quake. The heat of his mouth shocked her- the wet sweep of his tongue scalded her. She gave a strangled cry. That sound, keenly feminine, acutely evocative, caught and focused Vane's attention. Focused every hunter's instinct. Desire heightened, need escalated. His demons turned frenzied- her siren's song lured them on. Urged him on. Compulsion swelled- tense, turbulent, powerful. Desire seethed hotly. He drew a ragged breath- And remembered- all he'd nearly forgotten, all her wild responses had driven from his mind. This was one seduction he had to, need to, manage perfectly- this time, there was meaning beyond the act. Seducing Patience Debbington was too important to rush- conquering her senses, her body, was only the first step. He didn't want her just once- he wanted her for a lifetime. Dragging in a shuddering breath, Vane caught hold of his reins and hauled his impulses up short. Something in him wailed with frustration. He shut his mind to the relentless pounding of his arousal. And set himself to soothe hers. He knew how. There were planes of warm desire on which women could float, neither driven, nor quiescent, but simply buoyed on a sea of pleasure. With hands and lips, mouth and tongue, he soothed her fever flesh, took the sting from her aches, the edge from her passion, and eased her into that pleasured sea. Patience was beyond understanding- all she knew was the peace, the calm, the profound pleasure that welled and washed through her. Content, she flowed with the tide, letting her senses stretch. The whirling that had disoriented her slowed; her mind steadied. Full consciousness, when it came, was no shock; the continuing touch of Vane's hands, the artful caress of his lips, his tongue, were familiar- no threat.
Stephanie Laurens (A Rake's Vow (Cynster, #2))
There’s power in knowledge and a little power feeds the desire for more of it. If the knowledge is something that few others have then it makes the power rare and especially seductive. The thing about knowledge and power is that there’s always more of both to be had and each increases the other. Suddenly a human lifespan begins to look ridiculously short compared to the amount of knowledge and power left to acquire.
Jeffery Russell (The Dungeoneers (The Dungeoneers, #1))
A major source of conflict is that men sometimes infer sexual interest on the part of a woman when it does not exist. A series of experiments has documented this phenomenon (Abbey, 1982; Lindgren, George, & Shoda, 2007). In one study, 98 male and 102 female college students viewed a 10-minute videotape of a conversation in which a female student visits a male professor’s office to ask for more time to complete a term paper. The actors in the film were a female drama student and a professor in the theater department. Neither the student nor the professor acted flirtatious or overtly sexual, although both were instructed to behave in a friendly manner. People who witnessed the tape then rated the likely intentions of the woman using a seven-point scale. Women watching the interaction were more likely to say that she was trying to be friendly, with an average rating of 6.45, and not sexy (2.00) or seductive (1.89). Men, also perceiving friendliness (6.09), were significantly more likely than women to infer seductive (3.38) and sexual intentions (3.84). A speed-dating laboratory procedure had men rate women’s sexual interest in them a er a brief interaction and compared those ratings to women’s self-reported sexual interest in each of the men (Perilloux et al., 2012). Again, men exhibited a sexual misperception bias, perceiving women as significantly more interested in them than women actually were. Men high in self-perceived attractiveness and female-evaluated mate value are especially vulnerable to the sexual over-perception bias (Kohl & Robertson, 2014; Perilloux et al., 2012). And men who pursue a short-term mating strategy are also more prone to the sexual over-perception bias (Perilloux et al., 2012), likely because this bias facilitates more frequent attempts to initiate sexual overtures.
David M. Buss (Evolutionary Psychology: The New Science of the Mind)
For many people, the pursuit of money and status can supply them with plenty of motivation and focus. Such types would consider figuring out their calling in life a monumental waste of time and an antiquated notion. But in the long run this philosophy often yields the most impractical of results. We all know the effects of “hyperintention”: If we want and need desperately to sleep, we are less likely to fall asleep. If we absolutely must give the best talk possible at some conference, we become hyperanxious about the result, and the performance suffers. If we desperately need to find an intimate partner or make friends, we are more likely to push them away. If instead we relax and focus on other things, we are more likely to fall asleep or give a great talk or charm people. The most pleasurable things in life occur as a result of something not directly intended and expected. When we try to manufacture happy moments, they tend to disappoint us. The same goes for the dogged pursuit of money and success. Many of the most successful, famous, and wealthy individuals do not begin with an obsession with money and status. One prime example would be Steve Jobs, who amassed quite a fortune in his relatively short life. He actually cared very little for material possessions. His singular focus was on creating the best and most original designs, and when he did so, good fortune followed him.
Robert Greene (The Daily Laws: 366 Meditations on Power, Seduction, Mastery, Strategy, and Human Nature)
Operating with long-term goals will bring you tremendous clarity and resolve. These goals—a project or business to create, for instance—can be relatively ambitious, enough to bring out the best in you. The problem, however, is that they will also tend to generate anxiety as you look at all you have to do to reach them from the present vantage point. To manage such anxiety, you must create a ladder of smaller goals along the way, reaching down to the present. Such objectives are simpler the further down the ladder you go, and you can realize them in relatively short time frames, giving you moments of satisfaction and a sense of progress.
Robert Greene (The Daily Laws: 366 Meditations on Power, Seduction, Mastery, Strategy, and Human Nature)
Be short and to the point. Be conversational. Be aware of what is suggested by your choice of words.
Stephen P. Anderson (Seductive Interaction Design: Creating Playful, Fun, and Effective User Experiences)
When we were dating, he found my short skirts and tight sweaters attractive; after marriage they were revealing and inappropriate. It angered him that I kissed other men on-screen or looked seductively into the audience at my concerts.
Serena Burdick (Find Me in Havana)
Many other things relate also to this production of the Other - a hysterical, speculative production. Racism is one example, in its development throughout the modern era and its current recrudescence. Logically, it ought to have declined with progress and the spread of Enlightenment. But the more we learn how unfounded the genetic theory of race is, the more racism intensifies. This is because we are dealing with an artificial construction of the Other, on the basis of an erosion of the singularity of cultures (of their otherness one to another) and entry into the fetishistic system of difference. So long as there is otherness, alienness and a (possibly violent) dual relation, there is no racism properly so called. That is to say, roughly, up to the eighteenth century, as anthropological accounts attest. Once this 'natural' relation is lost, we enter upon an exponential relation with an artificial Other. And there is nothing in our culture with which we can stamp out racism, since the entire movement of that culture is towards a fanatical differential construction of the Other, and a perpetual extrapolation of the Same through the Other. Autistic culture posing as altruism. We talk of alienation. But the worst alienation is not being dispossessed by the other, but being dispossessed of the other: it is having to produce the other in the absence of the other, and so continually to be thrown back on oneself and one's own image. If, today, we are condemned to our image (to cultivate our bodies, our 'looks', our identities, our desires), this is not because of alienation, but because of the end of alienation and the virtual disappearance of the other, which is a much worse fate. In fact, the definition of alienation is to take oneself as one's focus, as one's object of care, desire, suffering and communication. This definitive short-circuiting of the other ushers in the era of transparency. Plastic surgery becomes universal. And the surgery performed on the face and the body is merely the symptom of a more radical surgery: that performed on otherness and destiny. What is the solution? There is no solution to this erotic trend within an entire culture; to this fascination, this whirl of denial of otherness, of all that is alien and negative; to this foreclosing of evil and this reconciliation around the Same and its multiple figures: incest, autism, twinship, cloning. All we can do is remind ourselves that seduction lies in non-reconciliation with the other, in preserving the alien status of the Other. One must not be reconciled with oneself or with one's body. One must not be reconciled with the other, one must not be reconciled with nature, one must not be reconciled with the feminine (that goes for women too). Therein lies the secret of a strange attraction.
Jean Baudrillard (Screened Out)
Perfume is to smells what eroticism is to sex: an aesthetic, cultural, emotional elaboration of the raw materials provided by nature. The ladies of the court, led by Marie-Antoinette, resorted to the only thing that could keep them one step ahead of the commoners, however wealthy they were: fashion. In fact, this is how fashion as we know it came into existence: the latest trend adopted by a happy few for a season before trickling down to the middle classes. Just a touch of the negligence etudiee that distinguishes chic Parisian women from their fiercely put-together New Yorker or Milanese counterparts. Perfume needs to be supported by image. You're not just doing it to smell good: you're perpetuating a ritual of erotic magic that's been scaring and enticing men in equal measure for millennia. Perfumes are our subconscious. They read us more revealingly than any other choice of adornment, perhaps because their very invisibility deludes us into thinking we can get away with the message they carry. These scents severed fragrance from its function as an extension of a female or male persona - the rugged guy, the innocent waif or the femme fatale - to turn it into a thing that was beautiful, interesting and evocative in and of itself. Perfume's advertising relies on the 3 aspiration S: stars, sex and seduction, with a side helping of dreams or exoticism. Descriptions, impressions, analogies, short stories, snippets or real-life testing, bits of history, parallels with music or literature. Connecting a scent with emotions, impressions, atmospheres, isn't that why we wear it? Isn't it all subjective? Just because you don't want it in your life doesn't make it bad. And it's not entirely impossible to consider perfumes beyond their "like/don't like" status. What intent does t set out to fulfill? How does it achieve its effects? How does it fit in with the history of the brand or its identity? How does it compare to the current season's offerings? Does it bring something new? The story told by the perfumer blends with the ones we tell ourselves about it; with our feelings, our moods, our references, our understanding of it. Once it is released from the bottle, it becomes a new entity. We make it ours: we are the performers of our perfume. Both lust and luxury are coupled in the same Latin word: luxuria is one of the 7 deadly sins. The age-old fear of female sexuality. The lure of beauty, set off by costly and deceitful adornments, could lead men to material and moral ruin but, more frighteningly, suck them into a vortex of erotic voracity. A man's desire waxes and wanes. But how can a woman, whose pleasure is never certain and whose receptive capacity is potentially infinite, ever be controlled?
Denyse Beaulieu (The Perfume Lover: A Personal History of Scent)
The night pulsed through him. He knew she saw something different in his eyes by the way she jerked back. He held her tight. "Don't you know when a guy wants to kiss you?" She swallowed and seemed unsure. "Put your arms around me," he ordered softly. Her hands slipped tentatively up his chest and clasped his neck. He pulled her body next to his and she closed her eyes in anticipation. What little resistance remained inside him slipped down into a cold abyss where his soul had once been. He eased into her mind with a suddenness that surprised her. Her eyes burst open with a shock and she stared at him. He saw the astonishment on her face and cherished the sensuous fear exploding inside her. She tried to break away from him. "Too late," he whispered and held her with his eyes. Each time she tried to pull away, he drew her to him until he had her spellbound. He could hear her whimpering, but it was as if she was far away. Now sweet one, turn and face the Atrox. She struggled against his caressing, but soon she stopped fighting and her fear left her. The lies of the Atrox soothed her and filled her with promises. Stanton smiled triumphantly and pressed his hand over her mouth so she couldn't cry out when she finally saw the black future that awaited her. Her communion with the Atrox filled his emptiness, but he knew the ecstasy he felt from devouring her luxurious hope would only last for a short time. Soon, the aching need would return, but for now it was satisfied. He wondered now why he had denied himself for so long. He was a creature of the night and he relished his evil existence.
Lynne Ewing (The Sacrifice (Daughters of the Moon, #5))
Yes, I thought, this is what I wanted, this is what I had truly imagined; to be desirable, to be beautiful and seductive, and at the same time to be completely powerful, in control, able to give glimpses of myself to strangers that would haunt them for a long time afterwards, when I wanted, when I chose, and to conceal myself or cut those glimpses short equally as I chose.
Yasmine Millett (The Erotic Notebooks)
A study by T. Joel Wade and Jennifer Slemp similarly found that the most effective flirtation tactics for women include touching, dressing in revealing clothing, moving closer, kissing on the cheek, and rubbing against the man.37 Effective nonverbal seduction tactics for women in Lisbon, Portugal, included wearing tight skirts, wearing low-neck blouses, and exposing legs through short skirts or wearing attention-getting black or red nylons.38 Women who sexualize their appearance and behavior succeed in evoking approaches from men.
David M. Buss (The Evolution of Desire: Strategies of Human Mating)
Now, my little present, be quiet and let me unwrap you." She stared at him, his jest reminding her of how he had saved her life that day on the cliffs. "We're really going to do this?" she ventured softly. "You're serious, you want me for your mistress? You could have anyone." His gaze strayed to her lips. "Kate, my sweet enchantress, I've dreamed of you from the moment you walked through my door." He leaned down and kissed her with a tenderness that amazed her as he gathered her into his arms. "Don't be nervous," he whispered, ending the kiss. "Trust me." She nodded, lifting her face to offer her lips again. He claimed her mouth, his expert kiss dizzying her senses. Her heart hammered as she lifted her arms around his neck; crossing her wrists behind his head, she stood in his embrace. As she leaned against him, the feel of his body pressed to hers ignited long-suppressed fires in her blood. It would not do to think about this too much. But as he caressed her gently, skillfully, kissing her again and again, her ability to reason began dissolving, anyway, into sheer pleasure. The problems that had loomed so insolubly a short while ago now seemed to belong to someone else. Sensuality stole over her, awakening her senses. He was everything. She loved the taste of his mouth, his soft lips stroking hers, his hard body under her hands. The scent of winter clung to his long, sable hair, and the soothing way he touched her made her toes curl, his large, warm hand cupping the back of her neck beneath the cascade of her hair.
Gaelen Foley (My Dangerous Duke (Inferno Club, #2))
Why those wretched devils!” Audrey hissed as she crawled over to the trebuchet. “Quick, someone distract them while I add more counterweight.” “But the balls will fly too far!” said Lady Cavendish. “Not necessarily.” Lady Rochester peeked over the edge of the fort, her face alight with a delightful smile. “Tally-ho!” Lady Rochester whooped most inelegantly and waved her arms as she acted as a decoy so Horatia and Lysandra could return fire. Unfortunately the fifty feet of distance between the two forts seemed to ensure that their throws would fall short. “See? We’ve nothing to worry about. They can’t even reach us!” Linus taunted as he stood up brazenly to take his time in aiming at his mother. Audrey meanwhile adjusted the aim of the trebuchet and with a curt nod at Lady Rochester, Audrey dropped the heavier counterweight and let fly their snowy vengeance. The women watched in glee as a snowball the size of a man’s head smacked Linus square in the chest, knocking him to the ground. “What the deuce?” They heard feebly from behind the fort. The ladies all burst out laughing.
Lauren Smith (His Wicked Seduction (The League of Rogues, #2))
Are you finished with your little meeting?” Audrey asked, setting down her magazine and smiling up at her brother. The way she’d said “little meeting” left Lucien with no doubt they were having fun at their expense, or perhaps it was her biting her bottom lip to prevent her laughter that gave her away. Regardless, Cedric’s sisters had challenged the men and they were in no mood to play games. Especially Cedric. “You.” Cedric pointed to Audrey. “Bed, now!” His accusing finger then swept towards Emily. “Since when do you embroider? I distinctly recall you telling me once that such a thing was a complete and utter waste of time.” “Considering your rather callous behavior tonight in leaving us out of your decisions, I decided to renew the rather useless habit,” Emily replied as though speaking of the weather. She politely held up the embroidery hoop, which was festooned with flowers around a simple phrase every single man in the room could read, Never Challenge a Woman. Lucien could only imagine how she must have embroidered that in so short a time. “We left you out of it because this matter doesn’t concern any of you ladies. Besides, it is a delicate and dangerous situation,” Cedric said. “Hmm,” Emily responded, the feminine sound came out strangely condescending. “Perhaps we ladies are keeping you out of a dangerous situation and haven’t bothered to inform you of our intentions. If you insist on keeping us in the dark, we will persist in our efforts to keep all of you alive regardless of your belief that we are incapable females.
Lauren Smith (His Wicked Seduction (The League of Rogues, #2))
Godric threw Ashton’s good arm around his shoulders and helped his friend get inside. Emily was waiting at the top of the stairs and with a panicked cry she rushed down to help them. “What happened to him?” she asked. Godric motioned for her to open the door to the drawing room. Emily did, then called for a maid to bring some water and cloths. “Lay him on the couch, Godric.” Emily indicated a blue and gold brocaded bit of furniture. She hastened to help Ashton sit down. He took a deep shaky breath that made Godric and Emily share a look of concern. “We’ve sent for a doctor,” Godric told her. “That’s all well and good, if he doesn’t bleed out before then,” Emily snapped. Godric took hold of Ashton’s shoulders and looked his friend in the eye. “Do you plan on bleeding out, Ash?” he asked, partially in jest. Ash shook his head in a wobbly sort of way. “No, Your Grace.” He chuckled. The blood loss was making him feel a little silly, not because he was losing much of it, but because the sight of blood sometimes made him lightheaded. Besides, his friend bickering with his wife was far too amusing. “See? He’ll be fine, darling.” Godric wrapped an arm around her shoulders and tucked her into his side. “Don’t you darling me, Godric. If he dares to die in my drawing room, I’ll revive him only to kill him again myself!” Emily helped remove the old binding on his arm and then peeled off Ashton’s coat. “Followed shortly by yourself.
Lauren Smith
One sleepless night shortly after the boy’s arrival, I was going through a tough time, missing you. Bernard heard my sobs and crept into my bed. We held each other close. I could not help but relish his intimacy and his warm body next to mine. Wrapping my arms around the boy, we were aroused by the passionate auras surrounding the both of us. As an experienced ‘big brother’ I took charge. I kissed his tender lips before planting soft kisses on his closed lids, and soon I was nibbling at his delicate earlobes. He groaned with pleasure, desiring to do the same to me. Before I knew it, we were taking turns caressing each other’s nipples. Our seductive foreplay lasted for a long time until we could stave off our sexual urges no longer. He engulfed my manhood, licking, suckling and engorging mouthfuls of my rod. I could hold back no longer. Pressing his head against my crotch, I released my abundance into his orifice with forceful intensity. Yet he continued to nourish himself on my length; unwilling to relinquish his feed, he greedily guzzled the last drop of my seed down his yearning throat. His sensuality propelled me to share my lingering sustenance from his delectable tongue. We French kissed until we were drunk with the elixir of love. His youthful beauty did not fail to arouse me to another bout of sexual vitality. As I flipped him on his stomach, he lifted his derriere to receive my pulsing organ. He hungered for my entry and I – I was deliriously ready to feed this angelic sprite with my protruding protraction. Gently and lovingly I submerged myself into his person, gyrating slowly to the rhythmic flow of our entangled bewilderment. He opened willingly to my warmth as I plunged inside him, at times fast and furious and at others slow and gentle. In the process I ground his manhood onto the bed, coercing him into ecstatic moans before giving in to cries of whimpering ecstasies. My hand reached around his slender torso, working his hardness to the point of no return. He could not hold off any further. Jets of oozing cum shot onto my stroking palm. His sexiness sent my ejaculation spewing deep inside his opening as he swallowed my dripping seed between his pining fissures. He devoured his own seed from my fingers as I planted caresses on his amorous mouth, sharing every creamy bead of his milkiness between us. He wanted me in him, like I did you, long after our tantalizing desires had subsided. Our friendship took on an intimate significance that night, which we shared over and over again during our time together before Bernard left for Scotland and I to my new dig. Keep your news coming, Andy. Like you, I look forward to receiving your uplifting messages. Love and kisses, Young, Xoxoxo
Young (Unbridled (A Harem Boy's Saga, #2))
One glimpse of a wide, hair-matted chest, the merest hint of a jutting arousal was all she had before he planted his hands very deliberately alongside her body. Fionna smothered a sound of disappointment. Maidenly honest be damned, she'd wanted to see for herself the part of him that- The thought was cut abruptly short when he stretched out above her. Skin against skin. Breasts against chest. Belly to belly. There was not an inch of her body that wasn't engulfed by his. Had he not propped himself up on his elbows, his weight would have been intolerable. He kissed her again, and she sensed his struggle to keep his desire in check. A little playfully- no, perhaps naughtily- she ran her toe up and down the knotted muscles of his calf. Aidan lifted his head. Now he was the one who gave a hoarse laugh. "Do you toy with me, you little witch?" The shift in her leg had also made her breathtakingly aware of the steely erection that lay thick and hard against her belly... as well as the twin fullness that lay below.
Samantha James (The Seduction Of An Unknown Lady (McBride Family #2))
Beauty is a unique predator: we crave to become its prey.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
He rose to his feet; his height was staggering. Fionna sucked in a breath. She wasn't quite so confident as she appeared. He seemed even taller than he had last night when he wore his top hat, now tucked under an arm. Perhaps her own short stature made him seem so. And she was surely losing her mind, for in all honesty, the man was quite splendid-looking-- though in a rugged sort of way, not a perfect sort of way. Her breath was lost as she took in the width of his shoulders; they seemed to fill the entire gap between the shelves. Every part of him, every inch of him was so blatantly masculine it nearly set her heart to fluttering. His face was deeply tanned, leaving her a trifle puzzled given that it was the middle of winter. His eyes were several shades deeper than turquoise, like blue ink, set off even further by the bronzed hue of his skin.
Samantha James (The Seduction Of An Unknown Lady (McBride Family #2))
Most readers will recognise the seduction of the young window-cleaner as a cliché. It, or something similar, has been used as a not very imaginative 'dramatic device' in a multitude of films, plays and books. If the man involved is not a window-cleaner, he is an electrician, a plumber, a builder, a TV repair man or (in Britain, the biggest cliché of all) a milkman. In short, he is any man who has a legitimate reason for visiting a woman in her home while her partner is absent. Indeed, so hackneyed is this scenario that there is a danger, if we are not careful, of missing the important point: namely, that the behaviour has become hackneyed precisely because it is so common.
Robin Baker (Sperm Wars: Infidelity, Sexual Conflict, and Other Bedroom Battles)
Lina was flawlessly impassive. A living, breathing Barbie doll with no greater purpose than to be played with and admired. It was a shame, in a way. Like opening a meticulously wrapped Christmas present to find nothing inside, and her packaging was nothing short of perfection. She reminded me of a 1950s pinup model—Marilyn Monroe with the most vibrant blue eyes I’d ever seen. And that voice. Jesus Christ, that voice. The natural huskiness made every word sound like something whispered naked in the dark. All together, it was enough to make a man forget his own name.
Jill Ramsower (Vicious Seduction (The Byrne Brothers, #4))
It is said that a long time ago, a wolf stalked the sheep of shepherds on the outskirts of London. He was a strong wolf, with beautiful fur and soft, seductive speech. He had eaten many sheep from many sheepherders and boasted about it. However, he had never managed to eat any of Shepherd Jack's sheep, who was old and very careful, always keeping an eye on his flock, which was also not very large. Still, it was the best cared for herd in the Kingdom. He was always well fed, cared for, groomed and disease-free. The wolf was very angry with the shepherd Jack, because he had once tried to eat a small sheep from the flock and the shepherd hit him hard on the head with his staff. On the wolf's face, a large scar reminded him of that incident. One day, seeing that some sheep had strayed away from the flock, the wolf thought: “well, I'm not going to attack them, since killing or two wouldn't satisfy me. I want the sheepherder.” His sheep approached and the wolf bent down and pretended to be afraid, and the sheep said to him: “what animal are you and why are you afraid, we are just sheep”. The wolf then said: “I'm afraid of sheep, once your shepherd, a very cruel man attacked me and hurt me and since then, even though I'm a wolf, I've only eaten grass”. The sheep looked at him, with an expression of doubt, but kindness being the essential nature of the sheep, they believed him and said: “he can't be our Shepherd, he is very kind, he always takes care of us, he is always attentive to our us". The wolf then got up and looking at them said: “you are wrong, he just wants you to take your wool, don't you see that he is a tyrant who rules you, who takes you here and there, and you don't they can have a little fun, be free like me, walk through the forest, go wherever I want – he’s always with that cruel stick pulling them and taking them wherever he wants.” The sheep then listened carefully and returned to the flock. When they returned to the herd, the others said that they had spoken to a wolf, that it had not attacked them and that it had told them the story about the shepherd. The next day, more sheep went to the boundary between the field and the forest and there they met the wolf, who told the same story, but this time sadder. They all raged against the sheepherder and said: “Friend wolf, you have been so kind to us and told us the truth, we had never thought about how the sheepherder oppresses us, tomorrow we will tell all the sheep what happened and we will run away from him.” And so it was, the next day, all the sheep went to the edge of the forest, something that the sheep shepherd found strange, having followed them. The wolf then said to them: “come with me into the forest, dear friends, I will show you how good it is to be free”. And so, they all went into the forest, with the shepherd following them, watching them from afar. At one point, the sheep got lost and the shepherd shouted loudly and called them. They, however, hid from the sheep shepherd. The wolf, then, taking advantage of the mess, attacked the sheepherder first, like a bite in the jugular, killing him instantly. Afterwards, he had fun running after each of the sheep and killing them, without even eating the meat, for pure fun. The last sheep, before being killed, said to the wolf: “you were so kind to us, why are you doing this? We never saw a smile from the sheepherder and you were so nice to us, we thought you were a friend.” The wolf then said to her: “sympathy is not synonymous with care or devotion. The sheepherder may never have given them a smile, but he cared just like you. I, on the other hand, feigned a short-lived sympathy and now I have managed to kill all of you and your foolish sheepherder.” Moral of the story: “Be careful what you put your trust in. The wolf will always like the sheep which it can attack and devour and will always hate the Shepherd.
Geverson Ampolini
The Wolf and the Good Shepherd (tale) It is said that a long time ago, a wolf stalked the sheep of shepherds on the outskirts of London. He was a strong wolf, with beautiful fur and soft, seductive speech. He had eaten many sheep from many shepherds and boasted about it. However, he had never managed to eat any of Pastor Jack's sheep, who was old and very careful, always keeping an eye on his flock, which was also not very large. Still, it was the best cared for herd in the Kingdom. He was always well fed, cared for, groomed and disease-free. The wolf was very angry with Pastor Jack, because he had once tried to eat a small sheep from the flock and the shepherd hit him hard on the head with his staff. On the wolf's face, a large scar reminded him of that incident. One day, seeing that some sheep had strayed away from the flock, the wolf thought: “well, I'm not going to attack them, since killing or two wouldn't satisfy me. I want the pastor.” His sheep approached and the wolf bent down and pretended to be afraid, and the sheep said to him: “what animal are you and why are you afraid, we are just sheep”. The wolf then said: “I'm afraid of sheep, once your shepherd, a very cruel man attacked me and hurt me and since then, even though I'm a wolf, I've only eaten grass”. The sheep looked at him, with an expression of doubt, but kindness being the essential nature of sheep, they believed him and said: “it can't be Pastor Jack, he is very kind, he always takes care of us, he is always attentive to us” . The wolf then got up and looking at them said: “you are wrong, he just wants you to take your wool, don't you see that he is a tyrant who rules you, who takes you here and there, and you don't they can have a little fun, be free like me, walk through the forest, go wherever I want – he’s always with that cruel stick pulling them and taking them wherever he wants.” The sheep then listened carefully and returned to the flock. When they returned to the herd, the others said that they had spoken to a wolf, that it had not attacked them and that it had told them the story about the shepherd. The next day, more sheep went to the boundary between the field and the forest and there they met the wolf, who told the same story, but this time sadder. They all raged against the shepherd and said: “Friend wolf, you have been so kind to us and told us the truth, we had never thought about how the shepherd oppresses us, tomorrow we will tell all the sheep what happened and we will run away from Pastor Jack ”. And so it was, the next day, all the sheep went to the edge of the forest, something that the shepherd found strange, having followed them. The wolf then said to them: “come with me into the forest, dear friends, I will show you how good it is to be free”. And so, they all went into the forest, with the shepherd following them, watching them from afar. At one point, the sheep got lost and the shepherd shouted loudly and called them. The wolf, then, taking advantage of the mess, attacked the shepherd first, like a jugular bite in the throat. Afterwards, he had fun running after each of the sheep and killing them, without even eating the meat. The last sheep, before being killed, said to the wolf: “you were so kind to us, why are you doing this? We have never seen a smile from the pastor and you are so friendly.” The wolf then said to her: “sympathy is not synonymous with care or devotion. The pastor may never have given you a smile, but he cares just like you. I, on the other hand, pretended to be short-lived and now I was able to eat all of you and take revenge on the pastor.” Moral of the story: “the wolf will always like the sheep that he can attack and devour and will always hate the Shepherd”.
Geverson Ampolini
The human that depended on focused attention for its survival now becomes the distracted scanning animal, unable to think in depth, yet unable to depend on instincts. It is the height of stupidity to believe that in the course of your short life, your few decades of consciousness, you can somehow rewire the configurations of your brain through technology and wishful thinking, overcoming the effect of six million years of development.
Robert Greene (The Daily Laws: 366 Meditations on Power, Seduction, Mastery, Strategy, and Human Nature)