“
To be careful with people and with words was a rare and beautiful thing.
”
”
Benjamin Alire Sáenz (Aristotle and Dante Discover the Secrets of the Universe (Aristotle and Dante, #1))
“
It is an absolute human certainty that no one can know his own beauty or perceive a sense of his own worth until it has been reflected back to him in the mirror of another loving, caring human being.
”
”
John Joseph Powell (The Secret of Staying in Love)
“
Secrets have power. And that power diminishes when they are shared, so they are best kept and kept well. Sharing secrets, real secrets, important ones, with even one other person, will change them. Writing them down is worse, because who can tell how many eyes might see them inscribed on paper, no matter how careful you might be with it. So it's really best to keep your secrets when you have them, for their own good, as well as yours.
”
”
Erin Morgenstern (The Night Circus)
“
The opposite of love is not hate. Hate is just love gone bad. The actual opposite of love is apathy. When you don't care a damn as to what happens to the other person.
”
”
Amish Tripathi (The Secret of the Nagas (Shiva Trilogy #2))
“
You know, you've never really cared about anyone," he said. "But someday you will, and it's going to hurt. It's going to hurt a lot.
”
”
L.J. Smith (Secret Vampire (Night World, #1))
“
I have noticed that if you look carefully at people's eyes the first five seconds they look at you, the truth of their feelings will shine through for just an instant before it flickers away.
”
”
Sue Monk Kidd (The Secret Life of Bees)
“
That's the secret. If you always make sure you're exactly the person you hoped to be, if you always make sure you know only the very best people, then you won't care if you die tomorrow.
”
”
Carol Rifka Brunt (Tell the Wolves I'm Home)
“
She realized that Rowan saw each of those thoughts and more as he reached into his tunic and pulled out a dagger. Her dagger. He extended it to her, it's long blade gleaming as if he'd been secretly polishing and caring for it these months.
And when she grasped the dagger, it's weight lighter than she remembered, Rowan looked into her eyes, into her very core of her, and said, 'Fireheart'.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
For me, trees have always been the most penetrating preachers. I revere them when they live in tribes and families, in forests and groves. And even more I revere them when they stand alone. They are like lonely persons. Not like hermits who have stolen away out of some weakness, but like great, solitary men, like Beethoven and Nietzsche. In their highest boughs the world rustles, their roots rest in infinity; but they do not lose themselves there, they struggle with all the force of their lives for one thing only: to fulfil themselves according to their own laws, to build up their own form, to represent themselves. Nothing is holier, nothing is more exemplary than a beautiful, strong tree. When a tree is cut down and reveals its naked death-wound to the sun, one can read its whole history in the luminous, inscribed disk of its trunk: in the rings of its years, its scars, all the struggle, all the suffering, all the sickness, all the happiness and prosperity stand truly written, the narrow years and the luxurious years, the attacks withstood, the storms endured. And every young farmboy knows that the hardest and noblest wood has the narrowest rings, that high on the mountains and in continuing danger the most indestructible, the strongest, the ideal trees grow.
Trees are sanctuaries. Whoever knows how to speak to them, whoever knows how to listen to them, can learn the truth. They do not preach learning and precepts, they preach, undeterred by particulars, the ancient law of life.
A tree says: A kernel is hidden in me, a spark, a thought, I am life from eternal life. The attempt and the risk that the eternal mother took with me is unique, unique the form and veins of my skin, unique the smallest play of leaves in my branches and the smallest scar on my bark. I was made to form and reveal the eternal in my smallest special detail.
A tree says: My strength is trust. I know nothing about my fathers, I know nothing about the thousand children that every year spring out of me. I live out the secret of my seed to the very end, and I care for nothing else. I trust that God is in me. I trust that my labor is holy. Out of this trust I live.
When we are stricken and cannot bear our lives any longer, then a tree has something to say to us: Be still! Be still! Look at me! Life is not easy, life is not difficult. Those are childish thoughts. Let God speak within you, and your thoughts will grow silent. You are anxious because your path leads away from mother and home. But every step and every day lead you back again to the mother. Home is neither here nor there. Home is within you, or home is nowhere at all.
A longing to wander tears my heart when I hear trees rustling in the wind at evening. If one listens to them silently for a long time, this longing reveals its kernel, its meaning. It is not so much a matter of escaping from one's suffering, though it may seem to be so. It is a longing for home, for a memory of the mother, for new metaphors for life. It leads home. Every path leads homeward, every step is birth, every step is death, every grave is mother.
So the tree rustles in the evening, when we stand uneasy before our own childish thoughts: Trees have long thoughts, long-breathing and restful, just as they have longer lives than ours. They are wiser than we are, as long as we do not listen to them. But when we have learned how to listen to trees, then the brevity and the quickness and the childlike hastiness of our thoughts achieve an incomparable joy. Whoever has learned how to listen to trees no longer wants to be a tree. He wants to be nothing except what he is. That is home. That is happiness.
”
”
Hermann Hesse (Bäume: Betrachtungen und Gedichte)
“
There's nothing like a song about lost love to remind you how everything precious can slip from the hinges where you've hung it so careful.
”
”
Sue Monk Kidd (The Secret Life of Bees)
“
The adventure of life is to learn.
The purpose of life is to grow.
The nature of life is to change.
The challenge of life is to overcome.
The essence of life is to care.
The opportunity of like is to serve.
The secret of life is to dare.
The spice of life is to befriend.
The beauty of life is to give.
”
”
William Arthur Ward
“
And pity--people who inspire it in you are actually very powerful people. To get someone else to take care of you, to feel sorry for you--that takes a lot of strength, smarts, manipulation. Very powerful people.
”
”
Deb Caletti (The Secret Life of Prince Charming)
“
I know we're not saints or virgins or lunatics; we know all the lust and lavatory jokes, and most of the dirty people; we can catch buses and count our change and cross the roads and talk real sentences. But our innocence goes awfully deep, and our discreditable secret is that we don't know anything at all, and our horrid inner secret is that we don't care that we don't.
”
”
Dylan Thomas
“
I came to understand that my father was a careful man. To be careful with people and with words was a rare and beautiful thing.
”
”
Benjamin Alire Sáenz (Aristotle and Dante Discover the Secrets of the Universe (Aristotle and Dante, #1))
“
Poor soul, you will never know anything
of real importance. You will not uncover
even one of life's secrets. Although all religions
promise paradise, take care to create your own
paradise here and now on earth.
”
”
Omar Khayyám (The Rubáiyát of Omar Khayyám)
“
Whatever will happen will happen, but choose your companions with care. Choose them because you like to look at them and you like the sound of their voices, and they have profound secrets in them that you wish to know. In other words, choose them because you love them. Otherwise you will not be able to bear their company for very long.
”
”
Anne Rice
“
Think of all the women you know who will not allow themselves to be seen without makeup. I often wonder how they feel about themselves at night when they are climbing into bed with intimate partners. Are they overwhelmed with secret shame that someone sees them as they really are? Or do they sleep with rage that who they really are can be celebrated or cared for only in secret?
”
”
bell hooks (Communion: The Female Search for Love (Love Song to the Nation, #2))
“
When I write, I hold nothing back. I write like he'll never read it. Because he never will. Every secret thought, every careful observation, everything I've saved up inside me, I put it all in the letter. When I'm done, I seal it, I address it, and then I put it in my teal hatbox.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
Our discreditable secret is that we don't know anything at all, and our horrid inner secret is that we don't care that we don't.
”
”
Dylan Thomas
“
My mother always says people should be able to take care of themselves, even if they're rich and important.
”
”
Frances Hodgson Burnett (The Secret Garden)
“
Beds empty! No note! Car gone — could have crashed — out of my mind with worry — did you care? — never, as long as I’ve lived — you wait until your father gets home, we never had trouble like this from Bill or Charlie or Percy —"
"Perfect Percy,” muttered Fred.
“YOU COULD DO WITH TAKING A LEAF OUT OF PERCY’S BOOK!” yelled Mrs. Weasley, prodding a finger in Fred’s chest. “You could have died, you could have been seen, you could have lost your father his job —”
It seemed to go on for hours. Mrs. Weasley had shouted herself hoarse before she turned on Harry, who backed away.
“I’m very pleased to see you, Harry, dear,” she said.
”
”
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
“
Sometimes carrying the burden of an upsetting truth, and hiding it, is actually a gift you give to someone else. You bear that burden, so they don’t have to, in a situation where telling them will change nothing.
”
”
Cassandra Clare
“
There is no friendship that cares about an overheard secret.
”
”
Alexandre Dumas (The Three Musketeers)
“
I turn around and wrap my arms around his neck.
"Whoa, girl," he says taken aback. "I thought we were keepin' this thing between us a secret. I hate to tell you, but a bunch of north siders from Fairfield are right over there. And they're starin' at us"
"I don't care. Not anymore"
"Why"
"You only live once
”
”
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
“
What you didn't tell someone was just as debilitating as what you did.
”
”
Jodi Picoult (Handle with Care)
“
*Appendix usually means "small outgrowth from large intestine," but in this case it means "additional information accompanying main text." Or are those really the same things? Think carefully before you insult this book.
”
”
Pseudonymous Bosch (The Name of This Book Is Secret (Secret, #1))
“
The love stories sold us the wrong thing. The best kind of love doesn’t happen on moonlit walks and romantic vacations. It happens in between the folds of everyday life. It’s not grand gestures that show how you feel, it’s all the little secret things you do to make her life better that you never tell her about. Taking the end piece of the bread at breakfast so she can have the last middle piece for her sandwich when you pack her lunch. Making sure her car always has gas so she never has to stop at the pump. Telling her you’re not cold and to take your jacket when you are in fact, very, very cold. It’s watching TV on a rainy Sunday while you’re doing laundry and turning her light off when she’s fallen asleep reading. Sharing pizza crusts and laughing about something the kids did and taking care of each other when you’re sick. It isn’t glamorous, it isn’t all butterflies and stars in your eyes. It’s real. This is the kind of love that forever is made of. Because if it’s this good when life is draining and mundane and hard, think of how wonderful it will be when the love songs are playing and the moon is out.
”
”
Abby Jimenez (Just for the Summer (Part of Your World, #3))
“
So,uh, where am I, exactly ? And what do you plan on doing with me ?"
"You're at Underworld General Hospital. As you can probably guess, we specialize in nonhuman medical care. Our location is secret, so don't ask."
"UGH ? Your hospital is called 'ugh' ? Oh, that's precious.
”
”
Larissa Ione (Pleasure Unbound (Demonica, #1))
“
I didn't care because what mattered is that Dante's voice felt real. And I felt real. Until Dante, being with other people was the hardest thing in the world for me. But Dante made talking and living and feeling seem like all those things were perfectly natural. Not in my world, they weren't.
”
”
Benjamin Alire Sáenz (Aristotle and Dante Discover the Secrets of the Universe (Aristotle and Dante, #1))
“
I’m not thrilled. And I totally reserve the right to angst over all this later. But honestly, Mom? Right now, I’m so happy to see you that I wouldn’t care if you’re secretly a ninja sent from the future to destroy kittens and rainbows.
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
Sometimes you think you've found love, when it's really just one of those objects that are shiny in a certain light--a trophy, say, or a ring, or a diamond, even. Glass shards, maybe. You've got to be careful, you do. The shine can blind you. The edges can cut you in way you never imagined. It is up to you to allow that or not.
”
”
Deb Caletti (The Secret Life of Prince Charming)
“
If we care to listen to the secrets of our body and the riddles of our heart, we can balance the surfing flow between the wants of our mind and the needs of the flesh. ("Disruption" )
”
”
Erik Pevernagie
“
Maybe some things are better left broken and scattered
Veiled in darkness, secret bitterness and self-doubt
I should have known better
Than to start something that I couldn't finish
That I couldn't care about
That I couldn't remember starting in the first place
I don't want to know you
You went years without me
You might as well keep going.
”
”
Henry Rollins
“
The pressures on gay teens can be overwhelming--to keep secrets, tell lies, deny who you are, and try to be who you're not. Remember: you are special and worth being cared about, loved, and accepted just as you are. Never, ever let anyone convince you otherwise.
”
”
Alex Sanchez
“
Remember that your dominating thoughts attract,
through a definite law of nature, by the shortest and most
convenient route, their physical counterpart. Be careful what
your thoughts dwell upon.
”
”
Napoleon Hill (Outwitting the Devil: The Secret to Freedom and Success)
“
Let me tell you, you either have chemistry or you don't, and you better have it, or it's like kissing some relative. But chemistry, listen to me, you got to be careful. Chemistry is like those perfume ads, the ones that look so interesting and mysterious but you dont even know at first what they're even selling. Or those menues without the prices. Mystery and intrigue are gonna cost you. Great looking might mean something ve-ry expensive, and I don't mean money. What I'm saying is, chemistry is a place to start, not an end point.
”
”
Deb Caletti (The Secret Life of Prince Charming)
“
I don't care about risk to me," he hissed, leaning forward across the table. "I care about what happens to you! Dammit, I'm practically indestructible. Let me go. You stay behind."
"Yes," Clary said, "Jace won't find that odd at all. You can just tell him you've always been secretly in love with him and you can't stand being parted.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
You may have noticed that the books you really love are bound together by a secret thread. You know very well what is the common quality that makes you love them, though you cannot put it into words: but most of your friends do not see it at all, and often wonder why, liking this, you should also like that. Again, you have stood before some landscape, which seems to embody what you have been looking for all your life; and then turned to the friend at your side who appears to be seeing what you saw -- but at the first words a gulf yawns between you, and you realise that this landscape means something totally different to him, that he is pursuing an alien vision and cares nothing for the ineffable suggestion by which you are transported. Even in your hobbies, has there not always been some secret attraction which the others are curiously ignorant of -- something, not to be identified with, but always on the verge of breaking through, the smell of cut wood in the workshop or the clap-clap of water against the boat's side? Are not all lifelong friendships born at the moment when at last you meet another human being who has some inkling (but faint and uncertain even in the best) of that something which you were born desiring, and which, beneath the flux of other desires and in all the momentary silences between the louder passions, night and day, year by year, from childhood to old age, you are looking for, watching for, listening for? You have never had it. All the things that have ever deeply possessed your soul have been but hints of it -- tantalising glimpses, promises never quite fulfilled, echoes that died away just as they caught your ear. But if it should really become manifest -- if there ever came an echo that did not die away but swelled into the sound itself -- you would know it. Beyond all possibility of doubt you would say "Here at last is the thing I was made for". We cannot tell each other about it. It is the secret signature of each soul, the incommunicable and unappeasable want, the thing we desired before we met our wives or made our friends or chose our work, and which we shall still desire on our deathbeds, when the mind no longer knows wife or friend or work. While we are, this is. If we lose this, we lose all.
”
”
C.S. Lewis (The Problem of Pain)
“
She had what it took: great hair, a profound understanding of strategic lip gloss, the intelligence to understand the world and a tiny secret interior deadness which meant she didn’t care.
”
”
Douglas Adams (Mostly Harmless (Hitchhiker's Guide to the Galaxy, #5))
“
In the past few hours, I’ve been possessed, nearly had my head caved in, and found out my mom is secretly a Prodigium hunter. And before that, I lost just about everyone else I care about, and discovered that people I trusted are secretly demon-raising creeps. My life sucks pretty hard right now. So, yeah. I’m making jokes.
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
I used to fear it
meant that I had no real choices. Then I secretly hoped fate was real and
that you and I were fated, that by some miraculous chance I was your true
love. But now I don’t care if fate is real—because I don’t need it to decide
for me. I don’t need it to make this choice. I’ve made my decision, Jacks.
It’s you. It will always be you, until the end of time. And I’ll fight fate or
anyone else who tries to tear us apart- including you. You are my choice.
You are my love. You are mine. And you are not going to be the end of me,
Jacks.
”
”
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
“
Be careful who you trust, the devil was once an angel.
”
”
Ziad K. Abdelnour (Economic Warfare: Secrets of Wealth Creation in the Age of Welfare Politics)
“
Sometimes I didn't even feel like getting out of bed. I took to wearing my days-of-the-week panties out of order. It could be Monday and I'd have on underwear saying Thursday. I just didn't care.
”
”
Sue Monk Kidd (The Secret Life of Bees)
“
I can’t say that I understand love, or that I’m very good at it, because I’ve never loved anyone before. But I love everything about you, Donatella Dragna. Everything.” His hand dropped lower to stroke her jaw. “I love the secrets you haven’t told me, and the lies you’ve tried to get away with. I love your stubbornness and your persistence. I love the way you always pretend not to care when I visit you in dreams. I love that you never stop fighting for what you want or the people you love, even when they don’t deserve it. I love you, I don’t intend to stop loving you, and I hope that somewhere deep inside, you still love me, too.
”
”
Stephanie Garber (Finale (Caraval, #3))
“
I want to make love to you because I care about you. I want to worship your naked body with my own and learn all of your secrets. I want to please you, not for minutes, but for hours and even days. I want to see you arch your back in ecstasy and look into your eyes when I make you come.
”
”
Sylvain Reynard
“
Pretty women wonder where my secret lies.
I'm not cute or built to suit a fashion model's size
But when I start to tell them,
They think I'm telling lies.
I say,
It's in the reach of my arms
The span of my hips,
The stride of my step,
The curl of my lips.
I'm a woman
Phenomenally.
Phenomenal woman,
That's me.
I walk into a room
Just as cool as you please,
And to a man,
The fellows stand or
Fall down on their knees.
Then they swarm around me,
A hive of honey bees.
I say,
It's the fire in my eyes,
And the flash of my teeth,
The swing in my waist,
And the joy in my feet.
I'm a woman
Phenomenally.
Phenomenal woman,
That's me.
Men themselves have wondered
What they see in me.
They try so much
But they can't touch
My inner mystery.
When I try to show them
They say they still can't see.
I say,
It's in the arch of my back,
The sun of my smile,
The ride of my breasts,
The grace of my style.
I'm a woman
Phenomenally.
Phenomenal woman,
That's me.
Now you understand
Just why my head's not bowed.
I don't shout or jump about
Or have to talk real loud.
When you see me passing
It ought to make you proud.
I say,
It's in the click of my heels,
The bend of my hair,
the palm of my hand,
The need of my care,
'Cause I'm a woman
Phenomenally.
Phenomenal woman,
That's me.
”
”
Maya Angelou (Phenomenal Woman: Four Poems Celebrating Women)
“
I wanted to fathom her secrets; I wanted her to come to me and say: "I love you," and if not that, if that was senseless insanity, then...well, what was there to care about? Did I know what I wanted? I was like one demented: all I wanted was to be near her, in the halo of her glory, in her radiance, always, for ever, all my life. I knew nothing more!
”
”
Fyodor Dostoevsky (The Gambler)
“
Whimsy doesn't care if you are the driver or the passenger; all that matters is that you are on your way.
”
”
Bob Goff (Love Does: Discover a Secretly Incredible Life in an Ordinary World)
“
Whisper a dangerous secret to someone you care about. Now they have the power to destroy you, but they won't. This is what love is.
”
”
Cecil Baldwin
“
He had two lives: one, open, seen and known by all who cared to know, full of relative truth and of relative falsehood, exactly like the lives of his friends and acquaintances; and another life running its course in secret. And through some strange, perhaps accidental, conjunction of circumstances, everything that was essential, of interest and of value to him, everything in which he was sincere and did not deceive himself, everything that made the kernel of his life, was hidden from other people.
”
”
Anton Chekhov (The Lady With the Little Dog and Other Stories, 1896-1904)
“
Then I played the song that hides in the center of me. That wordless music that moves through the secret places in my heart. I played it carefully, strumming it slow and low into the dark stillness of the night. I would like to say it is a happy song, that it is sweet and bright, but it is not.
”
”
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
“
The secret to your purpose is to find what you feel is important, and not pursue what others would think is important. When you think highly of yourself, me thinking highly of you will never be enough!
”
”
Shannon L. Alder
“
I did not care for the things that most people care about– making money, having a comfortable home, high military or civil rank, and all the other activities, political appointments, secret societies, party organizations, which go on in our city . . . I set myself to do you– each one of you, individually and in private– what I hold to be the greatest possible service. I tried to persuade each one of you to concern himself less with what he has than with what he is, so as to render himself as excellent and as rational as possible.
”
”
Socrates
“
If he were less well trained, and less careful, he would say hate. But he can’t say it; it is too close to passion, and passion is too close to love, and love is amor deliria nervosa, the deadliest of all deadly things: It is the reason for the games of pretend, for the secret selves, for the spasms in the throat.
”
”
Lauren Oliver (Pandemonium (Delirium, #2))
“
Tam's shadow fell over hers, and he shadow-whispered, "I'm trusting you. I don't care about me, but if something happens to Linh..."
'I promise, we're only trying to help,' Sophie transmitted.
Keefe let out a sigh that sounded more like a groan. "And I thought secret Telepath conversations were the worst. Just so we're clear," he told Tam. "I'M the president of the Foster fan club. And we're closed to new members."
Tam's cheeks flushed. "Uh...not sure what that's about but...no worries there--no offense!" he told Sophie.
She noticed he stole a quick glance at Biana after he said it.
Sophie couldn't decide if she should feel relieved or insulted.
”
”
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
“
When you can't find your purpose in a day, make it to look after yourself.
”
”
Dodie Clark (Secrets for the Mad)
“
Do not waste the precious moments of this, your present reality, seeking to unveil all of life's secrets. Those secrets are a secret for a reason. Grant your God the benefit of the doubt. Use your NOW moment for the Highest Purpose- the creation and the expression of WHO YOU REALLY ARE. Decide who you are- who you want to be-and then do everything in your power to be that.
It is not nearly so important how well a message is received as how well it is sent. You cannot take responsibility for how well another accepts your truth; you can only ensure how well it is communicated. And by how well, I don't mean merely how clearly; I mean how lovingly, how compassionately, how sensitively, how courageously, and how completely.
If you think your life is about DOINGNESS, you do not understand what you are about. Your soul doesn't care what you do for a living-and when your life is over, neither will you. Your soul cares only about what you're BEING while you're doing whatever you're doing. It is a state of BEINGNESS the soul is after, not a state of doingness.
”
”
Neale Donald Walsch
“
Masquerades disclose the reality of souls. As long as no one sees who we are, we can tell the most intimate details of our life. I sometimes muse over this sketch of a story about a man afflicted by one of those personal tragedies born of extreme shyness who one day, while wearing a mask I don’t know where, told another mask all the most personal, most secret, most unthinkable things that could be told about his tragic and serene life. And since no outward detail would give him away, he having disguised even his voice, and since he didn’t take careful note of whoever had listened to him, he could enjoy the ample sensation of knowing that somewhere in the world there was someone who knew him as not even his closest and finest friend did. When he walked down the street he would ask himself if this person, or that one, or that person over there might not be the one to whom he’d once, wearing a mask, told his most private life. Thus would be born in him a new interest in each person, since each person might be his only, unknown confidant.
”
”
Fernando Pessoa
“
While this is all very amusing, the kiss that will free the girl is the kiss that she most desires,” she said. “Only that and nothing more.”
Jace’s heart started to pound. He met the Queen’s eyes with his own. “Why are you doing this?”
… “Desire is not always lessened by disgust…And as my words bind my magic, so you can know the truth. If she doesn’t desire your kiss, she won’t be free.”
“You don’t have to do this, Clary, it’s a trick—” (Simon)
...Isabelle sounded exasperated. ‘Who cares, anyway? It’s just a kiss.”
“That’s right,” Jace said. Clary looked up, then finally, and her wide green eyes rested on him. He moved toward her... and put his hand on her shoulder, turning her to face him… He could feel the tension in his own body, the effort of holding back, of not pulling her against him and taking this one chance, however dangerous and stupid and unwise, and kissing her the way he had thought he would never, in his life, be able to kiss her again. “It’s just a kiss,” he said, and heard the roughness in his own voice, and wondered if she heard it, too.
Not that it mattered—there was no way to hide it. It was too much. He had never wanted like this before... She understood him, laughed when he laughed, saw through the defenses he put up to what was underneath. There was no Jace Wayland more real than the one he saw in her eyes when she looked at him… All he knew was that whatever he had to owe to Hell or Heaven for this chance, he was going to make it count.
He...whispered in her ear. “You can close your eyes and think of England, if you like,” he said.
Her eyes fluttered shut, her lashes coppery lines against her pale, fragile skin. “I’ve never even been to England,” she said, and the softness, the anxiety in her voice almost undid him. He had never kissed a girl without knowing she wanted it too, usually more than he did, and this was Clary, and he didn’t know what she wanted. Her eyes were still closed, but she shivered, and leaned into him — barely, but it was permission enough.
His mouth came down on hers. And that was it. All the self-control he’d exerted over the past weeks went, like water crashing through a broken dam. Her arms came up around his neck and he pulled her against him… His hands flattened against her back... and she was up on the tips of her toes, kissing him as fiercely as he was kissing her... He clung to her more tightly, knotting his hands in her hair, trying to tell her, with the press of his mouth on hers, all the things he could never say out loud...
His hands slid down to her waist... he had no idea what he would have done or said next, if it would have been something he could never have pretended away or taken back, but he heard a soft hiss of laughter — the Faerie Queen — in his ears, and it jolted him back to reality. He pulled away from Clary before he it was too late, unlocking her hands from around his neck and stepping back... Clary was staring at him. Her lips were parted, her hands still open. Her eyes were wide. Behind her, Alec and Isabelle were gaping at them; Simon looked as if he was about to throw up.
...If there had ever been any hope that he could have come to think of Clary as just his sister, this — what had just happened between them — had exploded it into a thousand pieces... He tried to read Clary’s face — did she feel the same? … I know you felt it, he said to her with his eyes, and it was half bitter triumph and half pleading. I know you felt it, too…She glanced away from him... He whirled on the Queen. “Was that good enough?” he demanded. “Did that entertain you?”
The Queen gave him a look: special and secretive and shared between the two of them. “We are quite entertained," she said. “But not, I think, so much as the both of you.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
SECRETS ARE LIES
SHARING IS CARING
PRIVACY IS THEFT
”
”
Dave Eggers (The Circle (The Circle, #1))
“
The best thing about coming out is, it's totally liberating. You feel like you've made this incredible discovery about yourself and you want to share it and be open and honest and not spend all your time wondering how is this person going to react, or should I be careful around this person, or what will the neighbors say? And it's more. It's about getting past the question of what's wrong with me, to knowing there's nothing wrong, that you were born this way. You're a normal person and a beautiful person and you should be proud of who you are. You deserve to live with dignity and show people your pride.
”
”
Julie Anne Peters (Keeping You a Secret)
“
A person will worship something, have no doubt about that. We may think our tribute is paid in secret in the dark recesses of our hearts, but it will come out. That which dominates our imaginations and our thoughts will determine our lives, and our character. Therefore, it behooves us to be careful what we worship, for what we are worshipping, we are becoming.
”
”
Ralph Waldo Emerson
“
That having sex with someone you do not care for feels lonelier than not having sex in the first place, afterward.
That it is permissible to want.
That everybody is identical in their secret unspoken belief that way deep down they are different from everyone else. That this isn't necessarily perverse.
That there might not be angels, but there are people who might as well be angels.
That God — unless you're Charlton Heston, or unhinged, or both — speaks and acts entirely through the vehicle of human beings, if there is a God.
That God might regard the issue of whether you believe there's a God or not as fairly low on his/her/its list of things s/he/it's interested in re you.
”
”
David Foster Wallace (Infinite Jest)
“
You should be more careful, you know."
"Careful?" she managed to croak. "You're the one who knocked me over."
"I couldn't resist," he said, and he actually had the nerve to wink at her. "It's not often I get the chance to put my hands on such a beautiful woman.
”
”
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
“
I love you, Jacks. I used to wonder if fate was real. I used to fear it meant that I had no real choices. Then I secretly hoped fate was real and that you and I were fated, that by some miraculous chance I was true love. But now I don't care if fate is real--because I don't need it to decide for me. I don't need it to make this choice. I've made my decision, Jacks. It's you. It will always be you, until the end of time. And I'll fight fate or anyone else who tries to tear us apart--including you. You are my choice. You are my love. You are mine. And you are not going to be the end of me, Jacks.
”
”
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
“
I love you’ means that I accept you for the person that you are, and that I do not wish to change you into someone else. It means that I will love you and stand by you even through the worst of times. It means loving you even when you’re in a bad mood, or too tired to do the things I want to do. It means loving you when you’re down, not just when you’re fun to be with. ‘I love you’ means that I know your deepest secrets and do not judge you for them, asking in return that you do not judge me for mine. It means that I care enough to fight for what we have and that I love you enough not to let go. It means thinking of you, dreaming of you, wanting and needing you constantly, and hoping you feel the same way for me
”
”
Deanne Laura Gilbert
“
It’s no secret I want him to pay. I don’t particularly care how. I’d prefer in blood—but I’ll settle for sweat and tears.
”
”
Lotchie Burton (Dante's Revenge (The Men of Thorne Enterprises Book 3))
“
Koschei smiled. His pale lips sought hers, crushing her into a kiss like dying. She tasted sweetness there, as though he still kissed her with honey and sugar on his tongue. When he pulled away, his eyes shone.
"I don't care, Marya Morevna. Kiss him. Take him to your bed, and the vila, too, for all it matters to me. Do you understand me, wife? There need never be any rules between us. Let us be greedy together; let us hoard. Let us hit each other with birch branches and lock each other in dungeons; let us drink each other's blood in the night and betray each other in the sun. Let us lie and lust and take hundreds of lovers; let us dance until snow melts beneath us. Let us steal and eat until we grow fat and roll in the pleasures of life, clutching each other for purchase. Only leave me my death — let me hold this one thing sacred and unmolested and secret — and I will serve you a meal myself, served on a platter of all the world's bounty. Only do not leave me, swear that you will never leave me, and no empress will stand higher. Forget the girls in the factory. Be selfish and cruel and think nothing of them. I am selfish. I am cruel. My mate cannot be less than I. I will have you in my hoard, Marya Morevna, my black mirror.
”
”
Catherynne M. Valente (Deathless)
“
See, the thing about guys is that I didn't really care to be around them. I mean, guys really made me uncomfortable. I don't know why, not exactly. I just, I don't know, I just didn't belong. I think it embarrassed the hell out of me that I was a guy. And it really depressed me that there was the distinct possibility that I was going to grow up and be like one of those assholes.
”
”
Benjamin Alire Sáenz (Aristotle and Dante Discover the Secrets of the Universe (Aristotle and Dante, #1))
“
I’m so happy to see you that I wouldn’t care if you’re secretly a ninja sent from the future to destroy kittens and rainbows.
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
Professor Langdon,' called a young man with curly hair in the back row, 'if Masonry is not a secret society, not a corporation, and not a religion, then what is it?'
'Well, if you were to ask a Mason, he would offer the following definition: Masonry is a system of morality, veiled in allegory and illustrated by symbols.'
'Sounds to me like a euphemism for "freaky cult." '
'Freaky, you say?'
'Hell yes!' the kid said, standing up. 'I heard what they do inside those secret buildings! Weird candlelight rituals with coffins, and nooses, and drinking wine out of skulls. Now that's freaky!'
Langdon scanned the class. 'Does that sound freaky to anyone else?'
'Yes!' they all chimed in.
Langdon feigned a sad sigh. 'Too bad. If that's too freaky for you, then I know you'll never want to join my cult.'
Silence settled over the room. The student from the Women's Center looked uneasy. 'You're in a cult?'
Langdon nodded and lowered his voice to a conspiratorial whisper. 'Don't tell anyone, but on the pagan day of the sun god Ra, I kneel at the foot of an ancient instrument of torture and consume ritualistic symbols of blood and flesh.'
The class looked horrified.
Langdon shrugged. 'And if any of you care to join me, come to the Harvard chapel on Sunday, kneel beneath the crucifix, and take Holy Communion.'
The classroom remained silent.
Langdon winked. 'Open your minds, my friends. We all fear what we do not understand.
”
”
Dan Brown (The Lost Symbol (Robert Langdon, #3))
“
Shep claimed eating cake like that so early in the morning was a 'whore's breakfast.' The rest of them didn't care. They were happy little whores who didn't worry about saving a morsel.
”
”
Rebecca Wells (Divine Secrets of the Ya-Ya Sisterhood)
“
For if a room that exists under the governance, authority, and intent of others seems smaller than it is, then a room that exists in secret can, regardless of its dimensions, seem as vast as one cares to imagine. Rising
”
”
Amor Towles (A Gentleman in Moscow)
“
I know you don’t….” He shook his head and glanced up at the stark white wall across the way from his cell, starting over. “I know you care about me. That’s all I need. I just figured… we have enough secrets between us,” he continued as he looked back up at Zane and smiled nervously. “Now it’s just one less.
”
”
Abigail Roux (Fish & Chips (Cut & Run, #3))
“
So, if this were indeed my Final Hour, these would be my words to you. I would not claim to pass on any secret of life, for there is none, or any wisdom except the passionate plea of caring ... Try to feel, in your heart's core, the reality of others. This is the most painful thing in the world, probably, and the most necessary. In times of personal adversity, know that you are not alone. Know that although in the eternal scheme of things you are small, you are also unique and irreplaceable, as are all of your fellow humans everywhere in the world. Know that your commitment is above all to life itself.
”
”
Margaret Laurence
“
I lend everyone my ear,
But nobody my heart,
And I sure would like to change that,
But I don't know where to start,
I smile more to myself,
Than the world will ever see,
Because the only time my smile is real,
Is in my own company,
People don't know how I feel,
They never even ask,
It seems I have fooled them all,
They can't see past my mask,
If they were with me late at night,
When the world was still asleep,
Maybe I'd let them sort,
Through the secrets that I keep,
But when I wake at 2am,
Nobody is ever there,
And I learnt that why I hide my heart,
Is because no-one really cares.
”
”
Erin Hanson
“
You could care enough to keep a secret, but you could care enough to tell one, too.
”
”
Deb Caletti (Stay)
“
Nature, keeping only useless secrets, had placed within reach and in sight of human beings the things it was necessary for them to know.
”
”
Michel Foucault (The History of Sexuality, Volume 3: The Care of the Self)
“
I like places like this," he announced.
I like old places too," Josh said, "but what's to like about a place like this?"
The king spread his arms wide. "What do you see?"
Josh made a face. "Junk. Rusted tractor, broken plow, old bike."
Ahh...but I see a tractor that was once used to till these fields. I see the plow it once pulled. I see a bicycle carefully placed out of harm's way under a table."
Josh slowly turned again, looking at the items once more.
And i see these things and I wonder at the life of the person who carefully stored the precious tractor and plow in the barn out of the weather, and placed their bike under a homemade table."
Why do you wonder?" Josh asked. "Why is it even important?"
Because someone has to remember," Gilgamesh snapped, suddenly irritated. "Some one has to remember the human who rode the bike and drove the tractor, the person who tilled the fields, who was born and lived and died, who loved and laughed and cried, the person who shivered in the cold and sweated in the sun." He walked around the barn again, touching each item, until his palm were red with rust." It is only when no one remembers, that you are truely lost. That is the true death.
”
”
Michael Scott (The Sorceress (The Secrets of the Immortal Nicholas Flamel, #3))
“
[He] was brave. He didn't care if the whole world knew he was kind.
”
”
Benjamin Alire Sáenz (Aristotle and Dante Discover the Secrets of the Universe (Aristotle and Dante, #1))
“
The secret of the universe is this: The universe doesn't care. That part of the job is yours.
”
”
David Gerrold
“
He was simply someone who floated through our lives and didn't seem to care how flatly he perceived everyone or that he'd shared our secret failures with the world, showcasing the youthful indifference, the gleaming nihilism, glamorizing the horror of it all.
”
”
Bret Easton Ellis (Imperial Bedrooms)
“
There is a latent fairy in all women, but look how carefully we have to secrete her in order to be taken seriously. And fairies come in all shapes, colours, sizes and types, they don't have to be fluffy. They can be demanding and furious if hey like. They do, however, have to wear a tiara. That much is compulsory.
”
”
Dawn French (A Tiny Bit Marvellous)
“
Once you're out here in the world, nobody cares where you used to live. Who you are, that's what counts.
”
”
Jennifer R. Hubbard (The Secret Year)
“
So she made no secret about being gay?"
"Why should she?" the little old lady asked. "Nobody would care but a bunch of stuffy old men.
”
”
John Sandford (Rough Country (Virgil Flowers, #3))
“
I have noticed that if you look carefully at people’s eyes the first five seconds they look at you, the truth of their feelings will shine through for just an instant before it flickers away.
”
”
Sue Monk Kidd (The Secret Life of Bees)
“
How many times do we lose an occasion for soul work by leaping ahead to final solutions without pausing to savor the undertones? We are a radically bottom-line society, eager to act and to end tension, and thus we lose opportunities to know ourselves for our motives and our secrets.
”
”
Thomas Moore (Care of the Soul: A Guide for Cultivating Depth and Sacredness in Everyday Life)
“
Alek was right behind her now, his body pressing close as he adjusted her sword arm. She hadn't realized this fencing business would be so touchy.
He grasped her waist, sending a crackle across her skin.
If Alek moved his hands any higher, he might notice what was hidden beneath her careful tailoring.
“Always keep sideways to your opponent,” he said, gently turning her. “That way, your chest presents the smallest possible target.”
“Aye, the smallest possible target,” Deryn sighed. Her secret was safe, it seemed.
”
”
Scott Westerfeld (Behemoth (Leviathan, #2))
“
Matthew, confess now. Are you a closeted font nerd? Do you go to these conferences? I promise I won't respect you any less if you are. OK, fine, secretly I will, but it's better to get this off your chest and be who you are, than to live in deception. Hiding the truth will only cripple your emotional development"
"Well, I'm sorry to dissapoint you. I'm not a font nerd. You can email me in Papyrus and I won't care.
”
”
Jessica Park (Flat-Out Love (Flat-Out Love, #1))
“
They’d seen his deepest secrets. They knew who he was, what he was. But they didn’t seem to care. No … they cared more. They weren’t judging him. They were concerned.
”
”
Rick Riordan
“
So, that's the secret to happiness? Don't tak life seriously?" I ask.
"No," she says. "Take life seriously. That you have to do. Don't take yourself seriously, that's the key. Let it all go. Don't care for a second what people think of you. In fact, go out of your way to keep them guessing.
”
”
Katie Kacvinsky (First Comes Love (First Comes Love, #1))
“
Whimsy...needs to be fully experienced to be fully known. Whimsy doesn't care if you are the driver or the passenger; all that matters is that you are on your way.
”
”
Bob Goff (Love Does: Discover a Secretly Incredible Life in an Ordinary World)
“
...and her mother had been a great beauty who cared only to go to parties and amuse herself with gay parties.
”
”
Frances Hodgson Burnett (The Secret Garden)
“
We do not have to spend money and go hungry and struggle and study to become sensual; we always were. We need not believe we must somehow earn good erotic care; we always deserved it.
Femaleness and its sexuality are beautiful. Women have long secretly suspected as much. In that sexuality, women are physically beautiful already; superb; breathtaking.
Many, many men see this way too. A man who wants to define himself as a real lover of women admires what shows of her past on a woman's face, before she ever saw him, and the adventures and stresses that her body has undergone, the scars of trauma, the changes of childbirth, her distinguishing characteristics, the light is her expression. The number of men who already see in this way is far greater than the arbiters of mass culture would lead us to believe, since the story they need to tell ends with the opposite moral.
”
”
Naomi Wolf (The Beauty Myth)
“
And loved my father too, for the careful way he spoke. I came to understand that my father was a careful man. To be careful with people and with words was a rare and beautiful thing.
”
”
Benjamin Alire Sáenz (Aristotle and Dante Discover the Secrets of the Universe (Aristotle and Dante, #1))
“
She has a target on her back because of what you and I have put into place, but you’d better fucking believe I’m not going to let anything else happen to her or my cousin, the rest of my family or my men. If anything happens to anyone I care about… Those motherfuckers were after my attention, and they’ve got it. Just make sure they don’t hurt anyone else.
”
”
Becky Wilde (Bratva Connection: Maxim (Whimsical Words Publishing))
“
The whole time I pretend I have mental telepathy. And with my mind only, I’ll say — or think? — to the target, 'Don’t do it. Don’t go to that job you hate. Do something you love today. Ride a roller
coaster. Swim in the ocean naked. Go to the airport and get on the next flight to anywhere just for the fun of it. Maybe stop a spinning globe with your finger and then plan a trip to that very spot; even if it’s in the middle of the ocean you can go by boat. Eat some type of ethnic food you’ve never even
heard of. Stop a stranger and ask her to explain her greatest fears and her secret hopes and aspirations in detail and then tell her you care because she is a human being. Sit down on the sidewalk and make pictures with colorful chalk. Close your eyes and try to see the world with your nose—allow smells
to be your vision. Catch up on your sleep. Call an old friend you haven’t seen in years. Roll up your pant legs and walk into the sea. See a foreign film. Feed squirrels. Do anything! Something! Because you start a revolution one decision at a time, with each breath you take. Just don’t go back to thatmiserable place you go every day. Show me it’s possible to be an adult and also be happy. Please. This is a free country. You don’t have to keep doing this if you don’t want to. You can do anything you want. Be anyone you want. That’s what they tell us at school, but if you keep getting on that train and going to the place you hate I’m going to start thinking the people at school are liars like the Nazis who told the Jews they were just being relocated to work factories. Don’t do that to us. Tell us the truth. If adulthood is working some death-camp job you hate for the rest of your life, divorcing your secretly criminal husband, being disappointed in your son, being stressed and miserable, and dating a poser and pretending he’s a hero when he’s really a lousy person and anyone can tell that just by shaking his slimy hand — if it doesn’t get any better, I need to know right now. Just tell me. Spare me from some awful fucking fate. Please.
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
“
It is so strange, to encounter an ex. It's as if you're in a foreign film, and what you're saying face-to-face has nothing to do with the subtitles flowing beneath you. We are so careful not to touch, although once upon a time, I slept plastered to him in our bed, like lichen on a rock. We are two strangers who knows every shameful secret, every hidden freckle, every fatal flaw in each other.
”
”
Jodi Picoult (Sing You Home)
“
The fragility of crystal is not a weakness but a fineness. My parents understood that fine crystal glass had to be cared for or may be shattered. But when it came to my brother, they didn’t seem to know or care that their course of their secret action brought the kind of devastation that could cut them. Their fraudulent marriage and our father’s denial of his other son was for Chris a murder of every day’s truth. He felt his whole life turned like a river suddenly reversing the direction of its flow. Suddenly running uphill. These revelations struck at the core of Chris’s sense of identity. They made his entire childhood seem like fiction. Chris never told them he knew and made me promise silence as well.
”
”
Jon Krakauer (Into the Wild)
“
Don’t do it. Don’t go to that job you hate. Do something you love today. Ride a roller coaster. Swim in the ocean naked. Go to the airport and get on the next flight to anywhere just for the fun of it. Maybe stop a spinning globe with your finger and then plan a trip to that very spot; even if it’s in the middle of the ocean you can go by boat. Eat some type of ethnic food you've never even heard of. Stop a stranger and ask her to explain her greatest fears and her secret hopes and aspirations in detail and then tell her you care because she is a human being. Sit down on the sidewalk and make pictures with colorful chalk. Close your eyes and try to see the world with your nose — allow smells
to be your vision. Catch up on your sleep. Call an old friend you haven’t seen in years. Roll up your pant legs and walk into the sea. See a foreign film. Feed squirrels. Do anything! Something! Because you start a revolution one decision at a time, with each breath you take. Just don’t go back to that miserable place you go every day. Show me it’s possible to be an adult and also be happy. Please. This is a free country. You don’t have to keep doing this if you don’t want to. You can do anything you want. Be anyone you want.
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
“
I KNOW THE WAY YOU CAN GET
I know the way you can get
When you have not had a drink of Love:
Your face hardens,
Your sweet muscles cramp.
Children become concerned
About a strange look that appears in your eyes
Which even begins to worry your own mirror
And nose.
Squirrels and birds sense your sadness
And call an important conference in a tall tree.
They decide which secret code to chant
To help your mind and soul.
Even angels fear that brand of madness
That arrays itself against the world
And throws sharp stones and spears into
The innocent
And into one's self.
O I know the way you can get
If you have not been drinking Love:
You might rip apart
Every sentence your friends and teachers say,
Looking for hidden clauses.
You might weigh every word on a scale
Like a dead fish.
You might pull out a ruler to measure
From every angle in your darkness
The beautiful dimensions of a heart you once
Trusted.
I know the way you can get
If you have not had a drink from Love's
Hands.
That is why all the Great Ones speak of
The vital need
To keep remembering God,
So you will come to know and see Him
As being so Playful
And Wanting,
Just Wanting to help.
That is why Hafiz says:
Bring your cup near me.
For all I care about
Is quenching your thirst for freedom!
All a Sane man can ever care about
Is giving Love!
”
”
null
“
Here are a few important principles to remember with regard to the giving and receiving between males and females. When a male demands, a female reacts; she doesn’t respond. When a male gives, a female responds. When a male commits, a female submits. Nothing is more precious to a female than a committed male. Nothing is no more depressing to a female than an uncommitted male. Here’s the secret, guys: If you want a submitted female, be a committed male. It’s that simple. When a male abuses, a female refuses. Whenever a man abuses a woman, she refuses to respond. When a male shares, a female cares. If you find a man who is willing to share with the woman in his life, you will find a woman who is willing to care for her man. When a male leads, a female follows. When a man carries out his God-given responsibility for leadership, a woman responds by following his lead. Leadership does not mean being bossy, always telling others what to do. No, leadership means going ahead, not putting others in the front. Good leaders lead by example, not by decree. Jesus led by example, and so did Moses, Peter, Paul, and all the other great leaders in the Bible. Leading by example means doing ourselves the things we wish others to do.
”
”
Myles Munroe (The Purpose and Power of Love & Marriage)
“
Be careful who you tell your secrets to because when situations change... sometimes, so do people.
”
”
Gwen Ro
“
We all have our little secrets, and as long as they're harmless, who really cares? With time, the secrets often go away and things don't matter anymore.
”
”
John Grisham (The Accused (Theodore Boone, #3))
“
I would have been here sooner but Lysander held me prisoner in our cloud," Bianka said with a grin. "He wouldn't relent until Sabin gave the ok. Which I still don't understand and will continue to punish him for until he spills. Secrets or guts, I don't care which.
”
”
Gena Showalter (The Darkest Surrender (Lords of the Underworld, #8))
“
This world is unforgiving and cruel to those it judges as even the slightest bit outside the norm. If anyone should be kind, understanding, accepting, loving to their fellow outcasts, it’s you. All of you. You are the guardians of the secrets of the universe, beloved of worlds that most will never dream of, much less see … can’t you see where you owe it to yourselves to be kind? To care for one another? No one outside this room will ever understand what you’ve been through the way the people around you right now understand.
”
”
Seanan McGuire (Every Heart a Doorway (Wayward Children, #1))
“
Cole,” I said, “do you think I’m lovable?”
“As in ‘cuddly and’?”
“As in ‘able to be loved,’” I said.
Cole’s gaze was unwavering. Just for a moment, I had the strange idea that I could see exactly what he had looked like when he was younger, and exactly what he’d look like when he was older. It was piercing, a secret glimpse of his future. “Maybe,” he said. “But you won’t let anybody try.”
I closed my eyes and swallowed. “I can’t tell the diference between not fighting,” I said,“and giving up.”
Despite my eyelids being tightly shut, a single, hot tear ran out of my left eye. I was so angry that it had escaped. I was so angry.
Beneath me, the bed tipped as Cole edged closer. I felt him lean over me. His breath, warm and measured, hit my cheek. Two breaths. Three. Four. I didn’t know what I wanted. Then I heard him stop breathing, and a second later, I felt his lips on my mouth. It wasn’t the sort of kiss I’d had with him before, hungry, wanting, desperate. It wasn’t the sort of kiss I’d had with anyone before. This kiss was so soft that it was like a memory of a kiss, so careful on my lips that it waslike a memory of a kiss, so careful on my lips that it was like someone running his fingers along them. My mouth parted and stilled; it was so quiet, a whisper, not a shout. Cole’s hand touched my neck, thumb pressed into the
skin next to my jaw. It wasn’t a touch that said “I need more”. It was a touch that said “I want this.”
It was all completely soundless. I didn’t think either of us was breathing.
Cole sat back up, slowly, and I opened my eyes. His expression, as ever, was blank, the face he wore when something mattered.
He said, “That’s how I would kiss you, if I loved you.
”
”
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
“
But then in middle school science, Mr. Martinez asked who among us had ever fantasized about living in the clouds, and everyone raised their hand. Then Mr. Martinez told us that up in the clouds the wind blew one hundred and fifty miles an hour and the temperature was thirty below zero and there was no oxygen and we’d all die within seconds.”
“Sounds like a nice guy.”
“He specialized in the murder of dreams, Hazel Grace.let me tell you. You think volcanoes are awesome? Tell that to the ten thousand screaming corpses at Pompeii. You still secretly believe that there is an element of magic to this world? It’s all just soulless molecules bouncing against each other randomly. Do you worry about who will take care of you if your parents die? As well you should, because they will be worm food in the fullness of time.
”
”
John Green (The Fault in Our Stars)
“
Forgive me for being the stupidest man on the planet?”
“Careful. You’re talking about the man I love.
”
”
Sarah Mayberry (Her Secret Fling)
“
There's nothing like a song about lost love to remind you how everything precious can slip through the hinges where you've hung it so careful.
”
”
Sue Monk Kidd (The Secret Life of Bees)
“
We're on vacation, Kaia, Strider grumbled. You weren't invited.
She waved away his words as if they were unimportant. Deep down I know you meant to invite me, so ta-da. Here I am. You're welcome.
It's scary how well you know us. Here, pay for this, William said, dumping his candy into Strider's arms. We'll be in the care. Making out.
”
”
Gena Showalter (The Darkest Secret (Lords of the Underworld, #7))
“
Now I want you to listen to me," he said in a low voice, taking her chin in his hand and forcing her to look at him. "And listen carefully, because I'm only going to say this once. You are going to marry me before this week is out. Since you have conveniently run off to Scotland, we don't need a special license. You're just lucky I don't haul you off to a church right this instant. Get yourself a dress and get yourself some flowers, because, sweeetheart, you're getting yourself a new name.
”
”
Julia Quinn (The Secret Diaries of Miss Miranda Cheever (Bevelstoke, #1))
“
HE was standing across the street, staring at her with a look of shock and dismay. One look in Oliver's eyes and she knew he knew. But how? How could he have known? The'd been so careful to keep their love a secret. The grief etched all over his face was too much to bear. Schuyler felt the words catch in her throat as she crossed the stree to stand in front of him. "Ollie...it's not..." Oliver shot her a look of pure hatred, turned on his heel and began to run away. "OLIVER, please,let me explain..
”
”
Melissa de la Cruz (Revelations (Blue Bloods, #3))
“
My rotting brain had lied to me; of course talking would help. Of course my loving, caring friends telling me it would get better would help. They fed ropes down the hold I'd been digging, and even if they couldn't pull me up, they at least reminded me that there was a world beyond this, where I'd been before.
”
”
Dodie Clark (Secrets for the Mad)
“
I have to see Glory right now,” he said to Tsunami. “The NightWings are planning to attack tonight.” She gasped, and the trees around her all gasped at the same time. Tsunami turned to frown at the apparently empty branches. “I told you all you could go back to the village,” she said. “I don’t need a bodyguard. I can take care of myself.” Nobody answered. Tsunami sighed.
”
”
Tui T. Sutherland (The Dark Secret (Wings of Fire, #4))
“
I’ve changed my mind,” Catarina announced. She put her arm around Alec’s neck and gave him a kiss on the cheek. “I like you.”
“Oh,” said Alec, looking baffled. “Thanks.”
“Please take care of Magnus,” Catarina added.
“I try,” said Alec.
Catarina gave Magnus a delighted look over Alec’s shoulder. “At last,” she murmured. “A keeper.”
“Can we get out of the collapsing building now?” said Magnus crossly, though he was secretly pleased.
”
”
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
“
Dreams that last hold secrets from the past.
Out of reach. Impossible to breach.
Fragile to clutch. Fleeting to touch.
Like stars and snowflakes and visions all aglow.
Time is endless in our youth. Our dreams are rustproof.
Our time to chase is aloof.
From the horizon of hope comes the challenge to dare.
Our time to dream has changed in midair.
Dreams that last hold secrets from the past—
uniquely ours to share if we so care.
Starla Jordan's therapy - writing song lyrics or poetry.
”
”
JoDee Neathery (A Kind of Hush)
“
I waited at least two hours. I'd begun to think that he'd given up on me in the weeks that had passed. Or that he no longer cared about me. Hated me even. And the idea of losing him for ever, my best friend, the only person I'd ever trusted with my secrets, was so painful I couldn't stand it. Not on top of everything else that had happened. I could feel my eyes tearing up and my throat starting to close the way it does when I get upset.
Then I look up and there he was, three metres away, just watching me. Without even thinking, I jumped up and threw my arms around him, making some weird sound that combined laughing, choking and crying.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
Private Parts
The first love of my life never saw me naked - there was always a parent coming home in half an hour - always a little brother in the next room.
Always too much body and not enough time for me to show it.
Instead, I gave him my shoulder, my elbow, the bend of my knee - I lent him my corners, my edges, the parts of me I could afford to offer - the parts I had long since given up trying to hide.
He never asked for more.
He gave me back his eyelashes, the back of his neck, his palms - we held each piece we were given like it was a nectarine that could bruise if we weren’t careful.
We collected them like we were trying to build an orchid.
And the spaces that he never saw, the ones my parents half labeled “private parts” when I was still small enough to fit all of myself and my worries inside a bathtub - I made up for that by handing over all the private parts of me.
There was no secret I didn’t tell him, there was no moment I didn’t share - and we didn’t grow up, we grew in, like ivy wrapping, moulding each other into perfect yings and yangs.
We kissed with mouths open, breathing his exhale into my inhale - we could have survived underwater or outer space.
Breathing only of the breathe we traded, we spelled love, g-i-v-e, I never wanted to hide my body from him - if I could have I would have given it all away with the rest of me - I did not know it was possible.
To save some thing for myself.
Some nights I wake up knowing he is anxious, he is across the world in another woman’s arms - the years have spread us like dandelion seeds - sanding down the edges of our jigsaw parts that used to only fit each other.
He drinks from the pitcher on the night stand, checks the digital clock, it is 5am - he tosses in sheets and tries to settle, I wait for him to sleep.
Before tucking myself into elbows and knees reach for things I have long since given up.
”
”
Sarah Kay
“
Anyone who tells you that the Yao people never care for their daughters is lying. We may be worthless. We may be raised for another family. But often we are loved and cherished, despite our natal families' best efforts not to have feelings for us.
”
”
Lisa See (Snow Flower and the Secret Fan)
“
Our secret thoughts - do they ever show up? The small flame of our soul can be burning hot, but no one comes to its warmth. Passersby see only a small whiff going through the chimney. Don't we need to take care of that flame, cherish it and patiently wait until someone will come and sit at it, do we?
”
”
Irving Stone (Lust for Life)
“
Frank Churchill was waiting for her when she arrived. He had now been a convenient sixth with their party on multiple occasions, escorting Jane following the Campbells and Dixons, and it seemed so natural as he greeted them and slipped into place as they entered the hall. “Have a care, you are sparkling tonight,” he murmured under his breath. “Almost as if you had recently become engaged to the love of your life.”
Jane did not dare look at him as she smiled. If she did, the entire world would know their secret.
”
”
Jeanette Watts (My Dearest Miss Fairfax)
“
Elend shook his head. "We can survive this. But, the only way that will happen is if our people don't give up. They need leaders who laugh, leaders who feel that this fight can be won. So, this is what I ask of you. I don't care if you're an optimist or a pessimist—I don't care if secretly, you think we'll all be dead before the month ends. On the outside, I want to see you smiling. Do it in defiance, if you have to. If the end does come, I want this group to meet that end smiling. As the Survivor taught us.
”
”
Brandon Sanderson (The Hero of Ages (Mistborn, #3))
“
Most of us have spent our whole lives being taught to believe everyone else's opinions about our bodies, rather than to believe what our own bodies are trying to tell us. For some of us, it's been so long since we listened to our bodies, we hardly know how to start understanding what they're trying to tell us, much less how to trust and believe what they're saying. To make matters worse, the more exhausted we are, the noisier the signal is, and the harder it is to hear the message.
”
”
Emily Nagoski (Burnout: The Secret to Unlocking the Stress Cycle)
“
Even if I tried to tell myself that I had given him nothing, that the children were mostly mine, that they had remained within the radius of my body, subject to my care, still I couldn't avoid thinking what aspects of his nature inevitably lay hidden in them. Mario would explode suddenly from inside their bones, now, over the days, over the years, in ways that were more and more visible. How much of him would I be forced to love forever, without even realizing it, simply by virtue of the fact that I loved them? What a complex foamy mixture a couple is. Even if the relationship shatters and ends, it continues to act in secret pathways, it doesn't die, it doesn't want to die.
”
”
Elena Ferrante (The Days of Abandonment)
“
It’s loneliness. Even though I’m surrounded by loved ones who care about me and want only the best, it’s possible they try to help only because they feel the same thing—loneliness—and why, in a gesture of solidarity, you’ll find the phrase “I am useful, even if alone” carved in stone. Though the brain says all is well, the soul is lost, confused, doesn’t know why life is being unfair to it. But we still wake up in the morning and take care of our children, our husband, our lover, our boss, our employees, our students, those dozens of people who make an ordinary day come to life. And we often have a smile on our face and a word of encouragement, because no one can explain their loneliness to others, especially when we are always in good company. But this loneliness exists and eats away at the best parts of us because we must use all our energy to appear happy, even though we will never be able to deceive ourselves. But we insist, every morning, on showing only the rose that blooms, and keep the thorny stem that hurts us and makes us bleed hidden within. Even knowing that everyone, at some point, has felt completely and utterly alone, it is humiliating to say, “I’m lonely, I need company. I need to kill this monster that everyone thinks is as imaginary as a fairy-tale dragon, but isn’t.” But it isn’t. I wait for a pure and virtuous knight, in all his glory, to come defeat it and push it into the abyss for good, but that knight never comes. Yet we cannot lose hope. We start doing things we don’t usually do, daring to go beyond what is fair and necessary. The thorns inside us will grow larger and more overwhelming, yet we cannot give up halfway. Everyone is looking to see the final outcome, as though life were a huge game of chess. We pretend it doesn’t matter whether we win or lose, the important thing is to compete. We root for our true feelings to stay opaque and hidden, but then … … instead of looking for companionship, we isolate ourselves even more in order to lick our wounds in silence. Or we go out for dinner or lunch with people who have nothing to do with our lives and spend the whole time talking about things that are of no importance. We even manage to distract ourselves for a while with drink and celebration, but the dragon lives on until the people who are close to us see that something is wrong and begin to blame themselves for not making us happy. They ask what the problem is. We say that everything is fine, but it’s not … Everything is awful. Please, leave me alone, because I have no more tears to cry or heart left to suffer. All I have is insomnia, emptiness, and apathy, and, if you just ask yourselves, you’re feeling the same thing. But they insist that this is just a rough patch or depression because they are afraid to use the real and damning word: loneliness. Meanwhile, we continue to relentlessly pursue the only thing that would make us happy: the knight in shining armor who will slay the dragon, pick the rose, and clip the thorns. Many claim that life is unfair. Others are happy because they believe that this is exactly what we deserve: loneliness, unhappiness. Because we have everything and they don’t. But one day those who are blind begin to see. Those who are sad are comforted. Those who suffer are saved. The knight arrives to rescue us, and life is vindicated once again. Still, you have to lie and cheat, because this time the circumstances are different. Who hasn’t felt the urge to drop everything and go in search of their dream? A dream is always risky, for there is a price to pay. That price is death by stoning in some countries, and in others it could be social ostracism or indifference. But there is always a price to pay. You keep lying and people pretend they still believe, but secretly they are jealous, make comments behind your back, say you’re the very worst, most threatening thing there is. You are not an adulterous man, tolerated and often even admired, but an adulterous woman, one who is ...
”
”
Paulo Coelho (Adultery)
“
I love the performance of a craft, whether it is modest or mean-spirited, yet I walk away when discussions of it begin - as if one should ask a gravedigger what brand of shovel he uses or whether he prefers to work at noon or in moonlight. I am interested only in the care taken, and those secret rehearsals behind it. Even if I do not understand fully what is taking place.
”
”
Michael Ondaatje (Divisadero)
“
Relief was what I was looking for that day, and I didn’t care how I got it. What I wanted - what I needed - was a pain that I could see and deal with. I couldn’t cope with the mess inside of me any longer, and cutting myself seemed to be the best solution. I knew that it would work. What I didn’t know was that I was about t engage in a behavior that was not just dangerous but highly, highly addictive.
”
”
Victoria Leatham (Bloodletting: A Memoir of Secrets, Self-Harm, and Survival)
“
Mysticism keeps men sane. As long as you have mystery you have health; when you destroy mystery you create morbidity. The ordinary man has always been sane because the ordinary man has always been a mystic. He has permitted the twilight. He has always had one foot in earth and the other in fairyland. He has always left himself free to doubt his gods; but (unlike the agnostic of to-day) free also to believe in them. He has always cared more for truth than for consistency. If he saw two truths that seemed to contradict each other, he would take the two truths and contradiction along with them. His spiritual sight is stereoscopic, like his physical sight: he sees two different pictures at once and yet sees all the better for that. Thus, he has always believed that there was such a thing as fate, but such a thing as free will also. Thus, he believes that children were indeed the kingdom of heaven, but nevertheless ought to be obedient to the kingdom of earth. He admired youth because it was young and age because it was not. It is exactly this balance of apparent contradictions that has been the whole buoyancy of the healthy man. The whole secret of mysticism is this: that man can understand everything by the help of what he does not understand. The morbid logician seeks to make everything lucid, and succeeds in making everything mysterious. The mystic allows one thing to be mysterious, and everything else becomes lucid.
”
”
G.K. Chesterton
“
But we shouldn't be concerned about trees purely for material reasons, we should also care about them because of the little puzzles and wonders they present us with. Under the canopy of the trees, daily dramas and moving love stories are played out. Here is the last remaining piece of Nature, right on our doorstep, where adventures are to be experienced and secrets discovered. And who knows, perhaps one day the language of trees will eventually be deciphered, giving us the raw material for further amazing stories. Until then, when you take your next walk in the forest, give free rein to your imagination-in many cases, what you imagine is not so far removed from reality, after all!
”
”
Peter Wohlleben (The Hidden Life of Trees: What They Feel, How They Communicate: Discoveries from a Secret World)
“
I was on a mission. I had to learn to comfort myself, to see what others saw in me and believe it. I needed to discover what the hell made me happy other than being in love. Mission impossible.
When did figuring out what makes you happy become work? How had I let myself get to this point, where I had to learn me..? It was embarrassing. In my college psychology class, I had studied theories of adult development and learned that our twenties are for experimenting, exploring different jobs, and discovering what fulfills us. My professor warned against graduate school, asserting, "You're not fully formed yet. You don't know if it's what you really want to do with your life because you haven't tried enough things." Oh, no, not me.." And if you rush into something you're unsure about, you might awake midlife with a crisis on your hands," he had lectured it. Hi. Try waking up a whole lot sooner with a pre-thirty predicament worm dangling from your early bird mouth.
"Well to begin," Phone Therapist responded, "you have to learn to take care of yourself. To nurture and comfort that little girl inside you, to realize you are quite capable of relying on yourself. I want you to try to remember what brought you comfort when you were younger."
Bowls of cereal after school, coated in a pool of orange-blossom honey. Dragging my finger along the edge of a plate of mashed potatoes. I knew I should have thought "tea" or "bath," but I didn't. Did she want me to answer aloud?
"Grilled cheese?" I said hesitantly.
"Okay, good. What else?"
I thought of marionette shows where I'd held my mother's hand and looked at her after a funny part to see if she was delighted, of brisket sandwiches with ketchup, like my dad ordered. Sliding barn doors, baskets of brown eggs, steamed windows, doubled socks, cupcake paper, and rolled sweater collars. Cookouts where the fathers handled the meat, licking wobbly batter off wire beaters, Christmas ornaments in their boxes, peanut butter on apple slices, the sounds and light beneath an overturned canoe, the pine needle path to the ocean near my mother's house, the crunch of snow beneath my red winter boots, bedtime stories. "My parents," I said. Damn. I felt like she made me say the secret word and just won extra points on the Psychology Game Network. It always comes down to our parents in therapy.
”
”
Stephanie Klein (Straight Up and Dirty)
“
Sensation precedes manifestation and is the foundation upon which all manifestation rests. Be careful of your moods and feelings, for there is an unbroken connection between your feelings and your visible world. Your body is an emotional filter and bears the unmistakable marks of your prevalent emotions. Emotional disturbances, especially suppressed emotions, are the causes of all disease. To feel intensely about a wrong without voicing or expressing that feeling is the beginning of disease – disease – in both body and environment. Do not entertain the feeling of regret or failure for frustration or detachment from your objective results in disease.
”
”
Neville Goddard (Feeling is the Secret)
“
Introverts tend to assume leadership positions within groups when they really have something to contribute….they listen carefully to the ideas of the people they lead. All of this gives them a big advantage over leaders who rise to the top simply because they're comfortable talking a lot or being in control.
”
”
Susan Cain (Quiet Power: The Secret Strengths of Introverts)
“
She, of all people, knew the sacred trust that word -- "librarian" -- implied. Because a librarian was supposed to to be a spiritual, intellectual mentor who kept your secrets and didn't give you a funny look when you checked out a book on the care and feeding of pythons...A librarian opened up new doors for you, intellectually, too, without shoving you through them.
A librarian was important.
”
”
Beth Fantaskey (Buzz Kill)
“
In the end, it seems to me that forgiveness may be the only realistic antidote we are offered in love, to combat the inescapable disappointments of intimacy."
“Women’s sense of integrity seems to be entwined with an ethic of care, so that to see themselves as women as to see themselves in a relationship of connection…I believe that many modern women, my mother included, carry within them a whole secret New England cemetery, wherein that have quietly buried in many neat rows– the personal dreams they have given up for their families…(Women) have a sort of talent for changing form, enabling them to dissolve and then flow around the needs of their partners, or the needs of their children, or the needs of mere quotidian reality. They adjust, adapt, glide, accept.”
“The cold ugly fact is that marriage does not benefit women as much as it benefits men. From studies, married men perform dazzingly better in life, live longer, accumulate more, excel at careers, report to be happier, less likely to die from a violent death, suffer less from alcoholism, drug abuse, and depression than single man…The reverse is not true. In fact, every fact is reverse, single women fare much better than married women. On average, married women take a 7% pay cut. All of this adds up to what Sociologists called the “Marriage Benefit Imbalance”…It is important to pause here and inspect why so women long for it (marriage) so deeply.
”
”
Elizabeth Gilbert (Committed: A Skeptic Makes Peace with Marriage)
“
It is a bad world, Donatus, an incredibly bad world. But I have discovered in the midst of it a quiet and good people who have learned the great secret of life. They have found a joy and wisdom which is a thousand times better than any of the pleasures of our sinful life. They are despised and persecuted, but they care not. They are masters of their souls. They have overcome the world. These people, Donatus, are Christians. . . and I am one of them.
”
”
Cyprian
“
...the qualifications that I have to speak on world affairs are exactly the same ones Henry Kissinger has, and Walt Rostow has, or anybody in the Political Science Department, professional historians—none, none that you don't have. The only difference is, I don't pretend to have qualifications, nor do I pretend that qualifications are needed. I mean, if somebody were to ask me to give a talk on quantum physics, I'd refuse—because I don't understand enough. But world affairs are trivial: there's nothing in the social sciences or history or whatever that is beyond the intellectual capacities of an ordinary fifteen-year-old. You have to do a little work, you have to do some reading, you have to be able to think but there's nothing deep—if there are any theories around that require some special kind of training to understand, then they've been kept a carefully guarded secret.
”
”
Noam Chomsky (Understanding Power: The Indispensable Chomsky)
“
It is not certain that some wicked one of your race will not find out a secret as evil as the Deplorable Word and use it to destroy all living things. And soon, very soon, before you are an old man and an old woman, great nations in your world will be ruled by tyrants who care no more for joy and justice and mercy than the Empress Jadis. Let your world beware. That is the warning.
”
”
C.S. Lewis (The Magician's Nephew (Chronicles of Narnia, #1) (Publication Order, #6))
“
…money and honour have no attraction for them; good men do not wish to be openly demanding payment for governing and so to get the name of hirelings, nor by secretly helping themselves out of the public revenues to get the name of thieves. And not being ambitious they do not care about honour. Wherefore necessity must be laid upon them, and they must be induced to serve from the fear of punishment. And this, as I imagine, is the reason why the forwardness to take office, instead of waiting to be compelled, has been deemed dishonourable. Now the worst part of the punishment is that he who refuses to rule is liable to be ruled by one who is worse than himself. And the fear of this, as I conceive, induces the good to take office, not because they would, but because they cannot help — not under the idea that they are going to have any benefit or enjoyment themselves, but as a necessity, and because they are not able to commit the task of ruling to any one who is better than themselves, or indeed as good. For there is reason to think that if a city were composed entirely of good men, then to avoid office would be as much an object of contention as to obtain office is at present…
”
”
Socrates
“
What's wrong?" His voice was loud, so sharp that he sounded angry.
I knew I should be careful, keep the secret, but I was too far gone to talk around it. My chest was working in huge spasms and I could barely breathe. "I kissed her."
"And then you went into anaphylactic shock?"
I closed my eyes and let the rain patter against my face through the open window "She has her tongue pierced.
”
”
Brenna Yovanoff (The Replacement)
“
On 20 July 1969, Neil Armstrong and Buzz Aldrin landed on the surface of the moon. In the months leading up to their expedition, the Apollo II astronauts trained in a remote moon-like desert in the western United States. The area is home to several Native American communities, and there is a story – or legend – describing an encounter between the astronauts and one of the locals. One day as they were training, the astronauts came across an old Native American. The man asked them what they were doing there. They replied that they were part of a research expedition that would shortly travel to explore the moon. When the old man heard that, he fell silent for a few moments, and then asked the astronauts if they could do him a favour. ‘What do you want?’ they asked. ‘Well,’ said the old man, ‘the people of my tribe believe that holy spirits live on the moon. I was wondering if you could pass an important message to them from my people.’ ‘What’s the message?’ asked the astronauts. The man uttered something in his tribal language, and then asked the astronauts to repeat it again and again until they had memorised it correctly. ‘What does it mean?’ asked the astronauts. ‘Oh, I cannot tell you. It’s a secret that only our tribe and the moon spirits are allowed to know.’ When they returned to their base, the astronauts searched and searched until they found someone who could speak the tribal language, and asked him to translate the secret message. When they repeated what they had memorised, the translator started to laugh uproariously. When he calmed down, the astronauts asked him what it meant. The man explained that the sentence they had memorised so carefully said, ‘Don’t believe a single word these people are telling you. They have come to steal your lands.
”
”
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
“
Mr. Scoresby...told me there were truthtellers, and they needed to know what the truth was, so as to tell it. And there were liars, and they needed to know what the truth was, so they could change it or avoid it. And there were bullshitters, who didn't care about the truth at all. They weren't interested. What they spoke wasn't the truth and it wasn't lies; it was bullshit. All they were interested in was their own performance.
”
”
Philip Pullman (The Secret Commonwealth (The Book of Dust, #2))
“
We feel that to reveal embarrassing or private things, like, say, masturbatory habits (for me, about once a day, usually in the shower), we have given someone something, that, like a primitive person fearing that a photographer will steal his soul, we identify our secrets, our pasts and their blotches, with our identity, that revealing our habits or losses or deeds somehow makes one less of oneself. But it's just the opposite, more is more is more—more bleeding, more giving. These things, details, stories, whatever, are like the skin shed by snakes, who leave theirs for anyone to see. What does he care where it is, who sees it, this snake, and his skin? He leaves it where he molts. Hours, days or months later, we come across a snake's long-shed skin and we know something of the snake, we know that it's of this approximate girth and that approximate length, but we know very little else. Do we know where the snake is now? What the snake is thinking now? No. By now the snake could be wearing fur; the snake could be selling pencils in Hanoi. The skin is no longer his, he wore it because it grew from him, but then it dried and slipped off and he and everyone could look at it.
”
”
Dave Eggers (A Heartbreaking Work of Staggering Genius)
“
One real danger in love relationships is that most people secretly believe that they must control the love object in order to feel safe in loving and being loved. The cause of this is simple—children are made to feel that they must "give themselves up" if they are to be loved. Thus, for most humans the act of surrender has meant the loss of autonomy or worse—loss of one's own mind.
Surrender is neither control nor morbid dependency and cannot be made contingent upon giving away one's "soul"; nonetheless, the person surrendering opens completely to the moment, and runs the risk of being deeply hurt. Sadly, in our society this is not uncommon and frequently serves to harden or embitter a person toward life in general. Or, on the other had being deeply hurt in the act of surrender can lead to angry and painful "cries for help." When this occurs there is an insatiable and wrathful desire to be cared for as a child is cared for and the horrid fear of loss of independence.
”
”
Christopher S. Hyatt (Sex Magic, Tantra & Tarot: The Way of the Secret Lover)
“
I shall have to go. But-" and here Frodo looked hard at Sam- "if you really care about me, you will have to keep that DEAD secret. See? If you don't, if you even breathe a word of what you've heard here, then I hope Gandalf will turn you into a spotted toad and fill the garden full of grass snakes."
Sam fell on his knees, trembling. "Get up, Sam!" Said Gandalf. "I have thought of something better than that. Something to keep you quiet, and punish you properly for listening. You shall go away with Mr. Frodo!"
"Me, sir!" cried Sam, springing up like a dog invited for a walk. "Me go and see Elves and all! Hooray!" he shouted, and then burst into tears.
”
”
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
“
. . . children should draw [a husband & wife] nearer than ever, not separate you, as if they were all yours, and [your husband] had nothing to do but support them. . . . don't neglect husaband for children, don't shut him out of the nursery, but teach him how to help in it. His place is there as well as yours, and the children need him; let him feel that he has his part to do, and he will do it gladly and faithfully, and it will be better for you all. . . . That is the secret of our home happiness: he does not let business wean him from the little cares and duties that affect us all, and I try not to let domestic worries destroy my interest in his pursuits. Each do our part alone in many things, but at home we work together, always. . . . no time is so beautiful and precious to parents as the first years of the little lives given them to train. Don't let [your husband] be a stranger to the babies, for they will do more to keep him safe and happy in this world of trial and temptation than anything else, and through them you will learn to know and love one another as you should.
”
”
Louisa May Alcott (Good Wives. Meg, Jo, Beth, and Amy: Being a Sequel to 'Little Women'. With Illustrations by Jessie T. Mitchell)
“
BISMILLAH
It's a habit of yours to walk slowly.
You hold a grudge for years.
With such heaviness, how can you be modest?
With such attachments, do you expect to arrive anywhere?
Be wide as the air to learn a secret.
Right now you're equal portions clay
and water, thick mud.
Abraham learned how the sun and moon and the stars all set. He said, No longer will I try to assign partners for God.
You are so weak. Give up to grace.
The ocean takes care of each wave
till it gets to shore.
You need more help than you know.
You're trying to live your life in open scaffolding.
Say Bismillah, In the name of God,
as the priest does with a knife when he offers an animal.
Bismillah your old self
to find your real name.
”
”
Jalal ad-Din Muhammad ar-Rumi (The Essential Rumi)
“
In Plaster
I shall never get out of this! There are two of me now:
This new absolutely white person and the old yellow one,
And the white person is certainly the superior one.
She doesn't need food, she is one of the real saints.
At the beginning I hated her, she had no personality --
She lay in bed with me like a dead body
And I was scared, because she was shaped just the way I was
Only much whiter and unbreakable and with no complaints.
I couldn't sleep for a week, she was so cold.
I blamed her for everything, but she didn't answer.
I couldn't understand her stupid behavior!
When I hit her she held still, like a true pacifist.
Then I realized what she wanted was for me to love her:
She began to warm up, and I saw her advantages.
Without me, she wouldn't exist, so of course she was grateful.
I gave her a soul, I bloomed out of her as a rose
Blooms out of a vase of not very valuable porcelain,
And it was I who attracted everybody's attention,
Not her whiteness and beauty, as I had at first supposed.
I patronized her a little, and she lapped it up --
You could tell almost at once she had a slave mentality.
I didn't mind her waiting on me, and she adored it.
In the morning she woke me early, reflecting the sun
From her amazingly white torso, and I couldn't help but notice
Her tidiness and her calmness and her patience:
She humored my weakness like the best of nurses,
Holding my bones in place so they would mend properly.
In time our relationship grew more intense.
She stopped fitting me so closely and seemed offish.
I felt her criticizing me in spite of herself,
As if my habits offended her in some way.
She let in the drafts and became more and more absent-minded.
And my skin itched and flaked away in soft pieces
Simply because she looked after me so badly.
Then I saw what the trouble was: she thought she was immortal.
She wanted to leave me, she thought she was superior,
And I'd been keeping her in the dark, and she was resentful --
Wasting her days waiting on a half-corpse!
And secretly she began to hope I'd die.
Then she could cover my mouth and eyes, cover me entirely,
And wear my painted face the way a mummy-case
Wears the face of a pharaoh, though it's made of mud and water.
I wasn't in any position to get rid of her.
She'd supported me for so long I was quite limp --
I had forgotten how to walk or sit,
So I was careful not to upset her in any way
Or brag ahead of time how I'd avenge myself.
Living with her was like living with my own coffin:
Yet I still depended on her, though I did it regretfully.
I used to think we might make a go of it together --
After all, it was a kind of marriage, being so close.
Now I see it must be one or the other of us.
She may be a saint, and I may be ugly and hairy,
But she'll soon find out that that doesn't matter a bit.
I'm collecting my strength; one day I shall manage without her,
And she'll perish with emptiness then, and begin to miss me.
--written 26 Feburary 1961
”
”
Sylvia Plath (The Collected Poems)
“
Lucie announced she planned to read to James from her work in progress, Secret Princess Lucie Is Rescued from Her Terrible Family. James listened with a carefully arranged look of interest, even though he was subjected to endless tales of Cruel Prince James and his many awful deeds.
“I think that Cruel Prince James has been somewhat boxed in by his name,” James offered at one point. Lucie informed him that she wasn’t looking for critique at this stage in the creative process.
“Secret Princess Lucie only wishes to be kind, but Cruel Prince James is driven to cruelty because he simply cannot stand to see Princess Lucie best him again and again, in every domain,” said Lucie.
“I’m going to go now,” said James.
”
”
Cassandra Clare (Chain of Gold (The Last Hours, #1))
“
My mom says, "Do you know what the AIDS memorial quilt is all about?"
Jump to how much I hate my brother at this moment.
I bought this fabric because I thought it would make a nice panel for Shane," Mom says. "We just ran into some problems with what to sew on it."
Give me amnesia.
Flash.
Give me new parents.
Flash.
Your mother didn't want to step on any toes," Dad says. He twists a drumstick off and starts scraping the meat onto a plate. "With gay stuff you have to be so careful since everything means something in secret code. I mean, we didn't want to give people the wrong idea."
My Mom leans over to scoop yams onto my plate, and says, "Your father wanted a black border, but black on a field of blue would mean Shane was excited by leather sex, you know, bondage and discipline, sado and masochism." She says, "Really, those panels are to help the people left behind."
Strangers are going to see us and see Shane's name," my dad says. "We didn't want them thinking things."
The dishes all start their slow clockwise march around the table. The stuffing. The olives. The cranberry sauce. "I wanted pink triangles but all the panels have pink triangles," my mom says. "It's the Nazi symbol for homosexuals." She says,"Your father suggested black triangles, but that would mean Shane was a lesbian. It looks like female pubic hair. The black triangle does."
My father says, "Then I wanted a green border, but it turns out that would mean Shane was a male prostitute."
My mom says, "We almost chose a red border, but that would mean fisting. Brown would mean either scat or rimming, we couldn't figure which."
Yellow," my father says, "means watersports."
A lighter shade of blue," Mom says, "would mean just regular oral sex."
Regular white," my father says, "would mean anal. White could also mean Shane was excited by men wearing underwear." He says, "I can't remember which."
My mother passes me the quilted chicken with the rolls still warm inside.
We're supposed to sit and eat with Shane dead all over the table in front of us.
Finally we just gave up," my mom says, "and I made a nice tablecloth out of the material."
Between the yams and the stuffing, Dad looks down at his plate and says, "Do you know about rimming?"
I know it isn't table talk.
And fisting?" my mom asks.
I say, I know. I don't mention Manus and his vocational porno magazines.
We sit there, all of us around a blue shroud with the turkey more like a big dead baked animal than ever, the stuffing chock full of organs you can still recognize, the heart and gizzard and liver, the gravy thick with cooked fat and blood. The flower centerpiece could be a casket spray.
Would you pass the butter, please?" my mother says. To my father she says, "Do you know what felching is?
”
”
Chuck Palahniuk (Invisible Monsters)
“
Babe!” Ranger shouted from the bathroom. “Come get your grandmother.” Ranger was standing in the glass-enclosed shower with the door open, looking out at Grandma. He was dripping wet and seemed not especially concerned that he was naked. “It’s like she’s paralyzed,” he said. “Amazing,” Grandma said, eyes wide, staring in unblinking stupefaction. I yanked Grandma out and closed the bathroom door. “It was mesmerizing,” Grandma said. “It was like staring into the eye of a cobra. I don’t care if I do anything else on the bucket list. This was awesome. It was like a biblical experience.
”
”
Janet Evanovich (Top Secret Twenty-one (Stephanie Plum, #21))
“
I had a dream about you. It's been a while since I could remember any of my dreams, and still, this one has left me with such strong impression. Even now, when I am fully awake, your face flashes before my eyes. It's a face I can totally relate to, as if it wasn't any more yours than it is mine. Terrifying thing, you know? I can't say I've felt that sort of intimacy with anyone. For a moment you knew all my secrets, without me even having to tell them. For a moment I even knew them myself…
While I was looking into your eyes, I suddenly started to realize things about myself that were unspoken for years, like fragments of my inner life that were deeply repressed. It’s hard to distinguish if they were buried inside because dealing with them was such a dirty work, or if leaving them unnamed meant that it was not possible to define them precisely enough, so they would keep their true meaning. Perhaps, all this life that I've known so far was in fact no more but a dream about living. The only thing that has kept me in touch with reality was you…
I know it comes as a surprise, and you may be wondering why it took me so long to come clean. You also may be wondering how come you've never noticed before. I've tricked you on purpose, yes, and you must realize it really has nothing to do with you. It’s always been me. This is why, seeing you in my dream like that, came out as a shock. You also must forgive me. You must forgive me because I know how it looks like, that everything we ever shared was a lie, and it wasn't…
I am more of an illusionist that a deceiver, but it all comes from being in fact, a very private person. Even if it was true that you knew me better than anyone, I’d never admit it. I’d rather dig my own heart out, with a rotten spoon, than admitting it. I may let people in my own little world occasionally, but I would never let them be aware of it. I don’t throw my intimacy in front of others, especially when I care. The more I care, the less I give away, and this is something for you to understand, and grant me your forgiveness. I didn't play my tricks on you in order to deceive you, but rather to save myself, and maybe even deceive myself as well. I’ve had hidden my feelings for you so deeply that I've learned to live with them, as if any other casualty. I have done wrong to myself as much as I did to you, and I don’t know if I can forgive myself. So now I wonder, could you forgive me without feeling sorry for me? I certainly don’t deserve your pity. Especially not now that I am awake.
”
”
Aleksandra Ninković (Dreaming is for lovers)
“
Does this mean I get to be part of the team?” She clapped her hands again.
“Yes,” Nate said.
“No,” Gabriel said at the same time.
“Duuuude,” Nate said to Gabriel between his teeth. “I really want to talk to this Mr. Brooks guy.”
“Fine.” Gabriel sighed. “Let her help. I don’t care. But if you die,” Gabriel pointed at Heather, “or get cursed or something, that’s your fault.”
Heather nodded merrily, still clapping. “Yay, I’m part of the team.”
“We’re not a team,” Gabriel said through gritted teeth.
Heather ignored him and looked at Nate. “I think we need a team name.”
“Ooh! Good idea.” Nate pointed a finger into the air. “How about Team Awesome?”
Heather wrinkled her nose. “Too vague. Team Super Secret Fountain Seekers?”
“Too specific.” Nate shook his head. “Team Ash Guy Hunters?”
“Ashman.” Heather shook her head. “Too hard to say.”
Nate scoffed. “And ‘Super Secret Fountain Seekers’ is easy to say?”
Gabriel huffed and started walking toward the door. “You guys can stay here and pick a name and a Team Captain or whatever, but I’m going to find Mr. Brooks.” He opened the door to leave, night falling on the forest around them.
Heather said, “Mr. Brooks doesn’t open his door when it’s dark outside.” She shrugged. “So we’re going to have to wait until tomorrow after school.”
Frustrated, Gabriel closed the cabin door on the setting sun. “Tomorrow then.”
“Perfect.” Nate nodded, shifting his eyes from Scarlet, to Gabriel, and then to Heather.
A moment passed.
“I call dibs on Team Captain,” Nate said.
Gabriel rolled his eyes.
”
”
Chelsea Fine (Awry (The Archers of Avalon, #2))
“
Annabelle stared straight ahead at the canvas, neither seeing nor caring about the fluctuations of light and color that conveyed impressions of approaching nightfall…the dusk of the Roman Empire. Hunt seemed similarly indifferent to the show, his head inclined toward hers, his gaze locked on her face. Though his breathing remained soft and disciplined, it seemed to her that its rhythm had changed ever so slightly.
Annabelle moistened her dry lips. “You…you mustn’t stare at me like that.”
Soft as the murmur was, he caught it. “With you here, nothing else is worth looking at.
”
”
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
“
Might I,” quavered Mary, “might I have a bit of earth?”
In her eagerness she did not realize how queer the words would sound and that they were not the ones she had meant to say. Mr. Craven looked quite startled.
“Earth!” he repeated. “What do you mean?”
“To plant seeds in—to make things grow—to see them come alive,” Mary faltered.
He gazed at her a moment and then passed his hand quickly over his eyes.
“Do you—care about gardens so much,” he said slowly.
“I didn’t know about them in India,” said Mary. “I was always ill and tired and it was too hot. I sometimes made little beds in the sand and stuck flowers in them. But here it is different.”
Mr. Craven got up and began to walk slowly across the room.
“A bit of earth,” he said to himself, and Mary thought that somehow she must have reminded him of something. When he stopped and spoke to her his dark eyes looked almost soft and kind.
“You can have as much earth as you want,” he said. “You remind me of some one else who loved the earth and things that grow. When you see a bit of earth you want,” with something like a smile, “take it, child, and make it come alive.
”
”
Frances Hodgson Burnett (The Secret Garden)
“
For if in careless summer days
In groves of Ashtaroth we whored,
Repentant now, when winds blow cold,
We kneel before our rightful lord;
The lord of all, the money-god,
Who rules us blood and hand and brain,
Who gives the roof that stops the wind,
And, giving, takes away again;
Who spies with jealous, watchful care,
Our thoughts, our dreams, our secret ways,
Who picks our words and cuts our clothes,
And maps the pattern of our days;
Who chills our anger, curbs our hope,
And buys our lives and pays with toys,
Who claims as tribute broken faith,
Accepted insults, muted joys;
Who binds with chains the poet’s wit,
The navvy’s strength, the soldier’s pride,
And lays the sleek, estranging shield
Between the lover and his bride.
”
”
George Orwell (Keep the Aspidistra Flying)
“
I don't care where an actor acts. It can be in summer stock, it can be over a radio, it can be over television, it can be in a goddam Broadway theatre, complete with the most fashionable, most well-fed, most sunburned-looking audience you can imagine. But I'll tell you a terrible secret — Are you listening to me? There isn't anyone out there who isn't Seymour's Fat Lady. That includes your Professor Tupper, buddy. And all his goddam cousins by the dozens. There isn't anyone anywhere that isn't Seymour's Fat Lady. Don't you know that? Don't you know that goddam secret yet? And don't you know — listen to me, now — don't you know who that Fat Lady really is? . . . Ah, buddy. Ah, buddy. It's Christ Himself. Christ Himself, buddy.
”
”
J.D. Salinger (Franny and Zooey)
“
And as for the vague something --- was it a sinister or a sorrowful, a designing or a desponding expression? --- that opened upon a careful observer, now and then, in his eye, and closed again before one could fathom the strange depth partially disclosed; that something which used to make me fear and shrink, as if I had been wandering amongst volcanic-looking hills, and had suddenly felt the ground quiver, and seen it gape: that something, I, at intervals, beheld still; and with throbbing heart, but not with palsied nerves. Instead of wishing to shun, I longed only to dare --- to divine it; and I thought Miss Ingram happy, because one day she might look into the abyss at her leisure, explore its secrets and analyse their nature.
”
”
Charlotte Brontë (Jane Eyre)
“
She talks. People talk easily to me. They think a bald albino hunchback can’t hide anything. My worst is all out in the open. It makes it necessary for people to tell you about themselves. They begin out of simple courtesy. Just being visible is my biggest confession, so they try to set me at ease by revealing our equality, by dragging out their apparent deformities. That’s how it starts. But I am like a stranger on the bus and they get hooked on having a listener. They go too far because I am one listener who is in no position to judge or find fault. They stretch out their dampest secrets because a creature like me has no values or morals. If I am “good" (and they assume that I am), it’s obviously for lack of opportunity to be otherwise. And I listen. I listen eagerly, warmly, because I care. They tell me everything eventually.
”
”
Katherine Dunn (Geek Love)
“
What's that you're doing, Sassenach?"
"Making out little Gizmo's birth certificate--so far as I can," I added.
"Gizmo?" he said doubtfully. "That will be a saint's name?"
"I shouldn't think so, though you never know, what with people named Pantaleon and Onuphrius. Or Ferreolus."
"Ferreolus? I dinna think I ken that one." He leaned back, hands linked over his knee.
"One of my favorites," I told him, carefully filling in the birthdate and time of birth--even that was an estimate, poor thing. There were precisely two bits of unequivocal information on this birth certificate--the date and the name of the doctor who's delivered him.
"Ferreolus," I went on with some new enjoyment, "is the patron saint of sick poultry. Christian martyr. He was a Roman tribune and a secret Christian. Having been found out, he was chained up in the prison cesspool to await trial--I suppose the cells must have been full. Sounds rather daredevil; he slipped his chains and escaped through the sewer. They caught up with him, though, dragged him back and beheaded him."
Jamie looked blank.
"What has that got to do wi' chickens?"
"I haven't the faintest idea. Take it up with the Vatican," I advised him.
"Mmphm. Aye, well, I've always been fond of Saint Guignole, myself." I could see the glint in his eye, but couldn't resist.
"And what's he the patron of?"
"He's involved against impotence." The glint got stronger. "I saw a statue of him in Brest once; they did say it had been there for a thousand years. 'Twas a miraculous statue--it had a cock like a gun muzzle, and--"
"A what?"
"Well, the size wasna the miraculous bit," he said, waving me to silence. "Or not quite. The townsfolk say that for a thousand years, folk have whittled away bits of it as holy relics, and yet the cock is still as big as ever." He grinned at me. "They do say that a man w' a bit of St. Guignole in his pocket can last a night and a day without tiring."
"Not with the same woman, I don't imagine," I said dryly. "It does rather make you wonder what he did to merit sainthood, though, doesn't it?"
He laughed.
"Any man who's had his prayer answered could tell yet that, Sassenach."
(PP. 841-842)
”
”
Diana Gabaldon (Drums of Autumn (Outlander, #4))
“
I am sorry for your girl, Ned. Truly. About the wolf, I mean. My son was lying, I’d stake my soul on it. My son … you love your children, don’t you?”
“With all my heart,” Ned said.
“Let me tell you a secret, Ned. More than once, I have dreamed of giving up the crown. Take ship for the Free Cities with my horse and my hammer, spend my time warring and whoring, that’s what I was made for. The sellsword king, how the singers would love me. You know what stops me? The thought of Joffrey on the throne, with Cersei standing behind him whispering in his ear. My son. How could I have made a son like that, Ned?”
“He’s only a boy,” Ned said awkwardly. He had small liking for Prince Joffrey, but he could hear the pain in Robert’s voice. “Have you forgotten how wild you were at his age?”
“It would not trouble me if the boy was wild, Ned. You don’t know him as I do.” He sighed and shook his head. “Ah, perhaps you are right. Jon despaired of me often enough, yet I grew into a good king.” Robert looked at Ned and scowled at his silence. “You might speak up and agree now, you know.”
“Your Grace …” Ned began, carefully.
Robert slapped Ned on the back. “Ah, say that I’m a better king than Aerys and be done with it. You never could lie for love nor honor, Ned Stark. I’m still young, and now that you’re here with me, things will be different. We’ll make this a reign to sing of, and damn the Lannisters to seven hells.
”
”
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
“
Life is Beautiful?
Beyond all the vicissitudes that are presented to us on this short path
within this wild planet, we can say that life is beautiful.
No one can ever deny that experiencing the whirlwind of emotions
inside this body is a marvel,
we grow with these life experiences,
we strengthen ourselves and stimulate our feelings every day,
in this race where the goal is imminent death
sometimes we are winners and many other times we lose and the darkness surprises us
and our heart is disconnected from this reality halfway
and connects us to the server of the matrix once more,
debugging and updating our database,
erasing all those experiences within this caracara of flesh and blood,
waiting to return to earth again.
"Life is beautiful gentlemen" is cruel and has unfair behavior
about people who looked like a bundle of light
and left this platform for no apparent reason,
but its nature is not similar to our consciousness and feelings,
she has a script for each of us
because it was programmed that way, the architects of the game of life
they know perfectly well that you must experiment with all the feelings, all the emotions and evolve to go to the next levels.
You can't take a quantum leap and get through the game on your own.
inventing a heaven and a hell in order to transcend,
that comes from our fears of our imagination
not knowing what life has in store for us after life is a dilemma
"rather said" the best kept secret of those who control us day by day.
We are born, we grow up, we are indoctrinated in the classrooms
and in the jobs, we pay our taxes,
we reproduce, we enjoy the material goods that it offers us
the system the marketing of disinformation,
Then we get old, get sick and die. I don't like this story!
It looks like a parody of Noam Chomsky,
Let's go back to the beautiful description of beautiful life, it sounds better!
Let's find meaning in all the nonsense that life offers us,
'Cause one way or another we're doomed
to imagine that everything will be fine until the end of matter.
It is almost always like that.
Sometimes life becomes a real nightmare.
A heartbreaking horror that we find impossible to overcome.
As we grow up, we learn to know the dark side of life.
The terrors that lurk in the shadows,
the dangers lurking around every corner.
We realize that reality is much harsher
and ruthless than we ever imagined.
And in those moments, when life becomes a real hell,
we can do nothing but cling to our own existence,
summon all our might and fight with all our might
so as not to be dragged into the abyss.
But sometimes, even fighting with all our might is not enough.
Sometimes fate is cruel and takes away everything we care about,
leaving us with nothing but pain and hopelessness.
And in that moment, when all seems lost,
we realize the terrible truth: life is a death trap,
a macabre game in which we are doomed to lose.
And so, as we sink deeper and deeper into the abyss,
while the shadows envelop us and terror paralyzes us,
we remember the words that once seemed to us
so hopeful: life is beautiful. A cruel and heartless lie,
that leads us directly to the tragic end that death always awaits us.
”
”
Marcos Orowitz (THE MAELSTROM OF EMOTIONS: A selection of poems and thoughts About us humans and their nature)
“
Well, everyone has a friend who holds a very special place in his life. Talking about men…a friend whom you love unconditionally and selflessly.....a friend who knows every secret of your life and who is always the first person whom you want to call when you are in some mess…a friend who tells you exactly what you want to hear. Ena was such a friend to me. My best friend – if that defines the zenith of good friendship. I would rather say, there is no definition of friendship that we shared with each other, the more I explain it, the more complicated it becomes to recite the aspects of our relationship.
She was that closer a friend to me, who knew all the nitty-gritties of my life…from every girl who ever came into my life, to passwords of my email accounts or public profiles. Absolutely everything! She was the only girl on earth I trusted blindly and cared for, truly and unconditionally. She was the only girl who could actually make me dance to her beats. We shared that deeper relationship with each other.
”
”
Shivam Singh (Best Friends)
“
Cunoști o femeie, o vezi, o auzi, constaîind o serie de calități și defecte, distrat și în treacăt, sau atent și cu dinadins, te deprinzi să rămîi “tu” în prezența ei, adică spectator mai mult sau mai puțin atras de spectacolul feminității ei, o critici mintal, o apreciezi uneori și o accepți treptat, aflînd cum e frumoasă, cum e deșteaptă sau mediocră, avînd surprize agreabile și dezamăgiri supărătoare, pînă cînd într-o zi simți că mai presus de aprecierea ta femeia aceea a devenit un fel de secret intim, pe care abea-l știi numai tu. Bătaia de inimă pe care ți-o dă acest secret te face să respiri adînc propriul tău suflet, în care au apărut arome mai misterioase decît cele aduse de sevele pămîntului. Întinzi brațele spre primavara lor. Iubești. Și femeia de mult cunoscută îți apare nouă, din clipa în care ai întîlnit-o. Te miri că n-ai vazut de atunci ceea ce abea descoperi într-o evidentă edenică. E o mirare intensă ca geniul, oricît ar fi de plat ceea ce-i urmează. Secunda acestei mirări hrănește cu luceferi pe poeți și cu cea mai virulentă toxină pe oamenii obișnuiți.
”
”
Ionel Teodoreanu (Lorelei)
“
We only have a few hours, so listen carefully.
If you’re hearing this story, you’re already in danger. Sadie and I might be your only chance.
Go to the school. Find the locker. I won’t tell you which school or which locker, because if you’re the right person, you’ll find it. The combination is 13/32/33. By the time you finish listening, you’ll know what those numbers mean. Just remember the story we’re about to tell you isn’t complete yet.
How it ends will depend on you.
The most important thing: when you open the package and find what’s inside, don’t keep it longer than a week. Sure, it’ll be tempting. I mean, it will grant you almost unlimited power. But if you possess it too long, it will consume you. Learn its secrets quickly and pass it on. Hide it for the next person, the way Sadie and I did for you. Then be prepared for your life to get very interesting.
”
”
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
“
My body had never felt so small or so fragile. In one sense, it was a moment of ecstasy and I was comforted with soft, almost compassionate, encouragement.
"Delicate," she said. The word imprinted on me like the cold before it. I was weak and going numb, but I was delicate. This is what I had wanted. I wanted to lose weight and retain some ounce of delicacy to resemble that of the spider-figured women I had seen in all those flashing images. Suddenly, the lack of strength displayed by my body was counterbalanced with a surging lease of mental satisfaction and might. As I lay in bed, buried under all my layers of clothes and bed sheets, the warmth still could not reach me. It was too late for that now and I didn’t care. I just wanted to sleep, basking in my success and enduring the cold until I could finally slip into a forgetful slumber.
”
”
Leanne Waters (My Secret Life)
“
See, I’m the worst breed of human. Let me explain. Some people are dead inside. They go through life knowing this, and they manage fine enough, because, well, they’re dead inside. They aren’t bitter because they don’t care enough to change. They just try to get by with the things they can control. Others live in the fucking clouds, watch romantic comedies, and dream about everything being perfect one day. These people are always fine because they have an everlasting well of hope inside them, and no matter what happens they’ll just romanticize their existence.
But when it comes to me…I’m someone who’s mostly dead inside but still has a little hope for something extraordinary, which, as I said, is the worst breed of human, because it means that I know everything is bullshit, but that I secretly hope for the day when it might not be. The tension makes me wish I were just completely dead inside. It would makes things much easier for me.
”
”
Nick Miller
“
Adam ” Lori called loudly enough for me to hear her but not so loud that her voice would carry up to my mom in the marina office- or to her dad who might be listening from their screened porch facing the water.
“I came over to get some tips from the boys about teaching Tammy and Rachel to board. Of course I did not come over here to see you. How could you think such a thing That would be disobedient.”
I held up the wax.
“For my own disobedience I have to buff the boat. Then I’m going for a jog.”
She tilted her head. Probably her eyes widened but I couldn’t see them behind her sunglasses. I hated not being able to see her eyes.
She asked “In this heat?”
I didn’t mind jogging in the heat. The heat was a big friendly animal that liked to wrestle and only occasionally sat on me until I lost my breath. Anyway she was missing the point.
I repeated carefully ”I am GOING for a JOG.”
“I HEARD you the FIRST time ” she said. “It’s late afternoon in the middle of June. It’s ninety-five degrees out here.”
“He means he’s GOING for a JOG” Rachel and Tammy said at the same time.
“He’s GOING for a JOG.”
Lori still didn’t get it. Normally her blondeness was one of the things I loved about her. At the moment not so much.
Exasperated Cameron told her “Adam wants you to go for a jog too.”
She said “Oh ”
“If you two airheads have to hook up secretly for very long ” Sean said “you’re not going to make it.
”
”
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
“
Closure
/klōZHər/ Noun
1. The thing women tell you what they want, but secretly they really want you to tell them why you don’t want them again, so they can try one last time to convince you that you were wrong.
2. The warped mentality that having someone tell you honestly why they don’t want you is going to somehow make you feel peace, so you can move on.
3. The neat packaging of finishing conversations because you have been stewing over it insecurely about the length of what a stalker does.
4. The one thing women don’t give themselves because if they didn’t care about the jerk they wouldn’t still be hanging onto another conversation that tells them what they already know: He just isn’t that interested in you.
5. The anal retentive art of perfecting every ending with meaning, rather than just excepting you went through something rather sucky and he doesn’t care.
6. The act of closing something with someone, when in reality you should slam the door.
”
”
Shannon L. Alder
“
The difference between Marilyn’s and Jayne’s approach to intellectual pursuits is that Marilyn carried big heavy books around and hung out with brainy people to absorb their intellect, while Jayne really had a thirst for knowledge. Jayne was very proud of the fact that if she like something enough she would commit it to memory. At that time, The Satanic Bible was still in monograph form, and Jayne had pored over those pages until she knew most of it by heart...Marilyn gave me a copy of Stendhal’s On Love, and I still have a copy of Walter Benton’s This is My Beloved, which we bought together on Sunset Boulevard. Marilyn turned me on to it—wanted me to read it and write something in it for her. I got as far as writing her name in it, but I ended up with the book. It meant a lot to me during a particularly dark period in my life after I left L.A. Jayne kept insisting I read The Story of O and I, Jan Cremer. She gave me a dog-eared copy of each. It seems a distinctly feminine trait to want to share books with people they care deeply about.
”
”
Anton Szandor LaVey (The Secret Life of a Satanist: The Authorized Biography of Anton LaVey)
“
Rhett, do you really--is it to protect me that you--"
"Yes, my dear, it is my much advertised chivalry that makes me protect you." The mocking light began to dance in his black eyes and all signs of earnestness fled from his face. "And why? Because of my deep love for you, Mrs. Kennedy. Yes, I have silently hungered and thirsted for you and worshipped you from afar; but being an honorable man, like Mr. Ashley Wilkes, I have concealed it from you. You are, alas, Frank's wife and honor has forbidden my telling this to you. But even as Mr. Wilkes' honor cracks occasionally, so mine is cracking now and I reveal my secret passion and my--"
"Oh, for God's sake, hush!" interrupted Scarlett, annoyed as usual when he made her look like a conceited fool, and not caring to have Ashley and his honor become the subject of further conversation. "What was the other thing you wanted to tell me?"
"What! You change the subject when I am baring a loving but lacerated heart?
”
”
Margaret Mitchell (Gone with the Wind)
“
Dear daughter, I won't try to call my feeling for Arty love. Call it focus. My focus on Art was an ailment, noncommunicable, and, even to me all these years later, incomprehensible. Now I despise myself. But even so I remember, in hot floods, the way he slept, still as death, with his face washed flat, stony as a carved tomb and exquisite. His weakness and his ravening bitter needs were terrible, and beautiful, and irresistible as an earthquake. He scalded or smothered anyone he needed, but his needing and the hurt that it caused me were the most life I ever had. Remember what a poor thing I have always been and forgive me.
He saw no use for you and you interfered with his use of me. I sent you away to please him, to prove my dedication to him, and to prevent him from killing you...
My job was to come back [from the convent] directly, with nothing leaking from beneath my dark glasses, to give Arty his rubdown and then paint him for the next show, nodding cheerfully all the while, never showing anything but attentive care for his muscular wonderfulness. Because he could have killed you. He could have cut off the money that schooled and fed you. He could have erased you so entirely that I never would have had those letters and report cards and photos, or your crayon pictures, or the chance to spy on you, and to love you secretly when everything else was gone.
”
”
Katherine Dunn (Geek Love)
“
You will go through your life thinking there was a day in second grade that you must have missed, when the grown-ups came in and explained, everything important to other kids. they said, 'Look, you're human, you're going to feel isolated and afraid a lot of the time, nad have bad self-esteem, and feel uniquely ruined, but here is the magic phrase that will take this feeling away. It will be like a feather that will lift you out of that fear and self-consciousness every single time, all through your life.' And then they told the cildren who were there that day the magic phrase that everyone else in the world knows about and uses when feeling blue, which only you don't know, because you were home sick the day the grown-ups told the children the way the whole world works.
But there was not such a day in school. No one got the instructions. That is the secret of life. Everyone is flailing around, winging it most of the time, trying to find the way out, or through, or up, without a map. This lack of instruction manual is how most people develop compassion, and how they figure out to show up, care, help and serve, as the only way of filling up and being free. Otherwise you gorw up to be someone who needs to dominate and shame others so no one will know that you weren't there the day the instructions were passed out.
”
”
Anne Lamott
“
Oh, all right,” she said balefully, beginning to shake all over. “I’ll admit it—I want you. There, are you satisfied? I want you.”
“In what capacity? Lover, or husband?”
Annabelle stared at him in shock. “What?” His arms slid around her, holding her quivering frame securely against his. He said nothing, only watched her intently as she tried to grasp the implications of the question.
“But you’re not the marrying kind,” she managed to say weakly. He touched her ear, his fingertip tracing the fragile outer curve. “I’ve discovered that I am when it comes to you.” The subtle caress set fire to her blood, making it difficult to think.
“We would probably kill each other within the first month.” “Probably,” Hunt conceded, his smiling mouth brushing over her temple. The warmth of his lips sent a rush of dizzying pleasure through her.
“But marry me anyway, Annabelle. As I see things, it would solve most of your problems …and more than a few of mine.” His big hand slid gently down her spine, calming her tremors.
“Let me spoil you,” he whispered. “Let me take care of you. You’ve never had anyone to lean on, have you? I’ve got strong shoulders, Annabelle.” A deep laugh rumbled in his chest. “And I may possibly be the only man of your acquaintance who’ll be able to afford you.
”
”
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
“
But the most astonishing thing about trees is how social they are. The trees in a forest care for each other, sometimes even going so far as to nourish the stump of a felled tree for centuries after it was cut down by feeding it sugars and other nutrients, and so keeping it alive. Only some stumps are thus nourished. Perhaps they are the parents of the trees that make up the forest of today. A tree’s most important means of staying connected to other trees is a “wood wide web” of soil fungi that connects vegetation in an intimate network that allows the sharing of an enormous amount of information and goods. Scientific research aimed at understanding the astonishing abilities of this partnership between fungi and plant has only just begun. The reason trees share food and communicate is that they need each other. It takes a forest to create a microclimate suitable for tree growth and sustenance. So it’s not surprising that isolated trees have far shorter lives than those living connected together in forests. Perhaps the saddest plants of all are those we have enslaved in our agricultural systems. They seem to have lost the ability to communicate, and, as Wohlleben says, are thus rendered deaf and dumb. “Perhaps farmers can learn from the forests and breed a little more wildness back into their grain and potatoes,” he advocates, “so that they’ll be more talkative in the future.” Opening
”
”
Peter Wohlleben (The Hidden Life of Trees: What They Feel, How They Communicate — Discoveries from a Secret World)
“
Songs of the Soul
On a dark night,
Inflamed by love-longing -
O exquisite risk! -
Undetected I slipped away.
My house, at last, grown still.
Secure in the darkness,
I climbed the secret ladder in disguise -
O exquisite risk! -
Concealed by the darkness.
My house, at last, grown still.
That sweet night: a secret.
Nobody saw me;
I did not see a thing.
No other light, no other guide
Than the one burning in my heart.
This light led the way
More clearly than the risen sun
To where he was waiting for me
- The one I knew so intimately -
In a place where no one could find us.
O night, that guided me!
O night, sweeter than sunrise!
O night, that joined lover with Beloved!
Lover transformed in Beloved!
Upon my blossoming breast,
Which I cultivated just for him,
He drifted into sleep,
And while I caressed him,
A cedar breeze touched the air.
Wind blew down from the tower,
Parting the locks of his hair.
With his gentle hand
He wounded my neck
And all my senses were suspended.
I lost myself. Forgot myself.
I lay my face against the Beloved's face.
Everything fell away and I left myself behind,
Abandoning my cares
Among the lilies, forgotten.
”
”
Juan de la Cruz (Dark Night of the Soul (Illustrated))
“
When once more alone, I reviewed the information I had got; looked into my heart, examined its thoughts and feelings, and endeavoured to bring back with a strict hand such as had been straying through imagination's boundless and trackless waste, into the safe fold of common sense.
Arraigned to my own bar, Memory having given her evidence of the hopes, wishes, sentiments I had been cherishing since last night--of the general state of mind in which I had indulged for nearly a fortnight past; Reason having come forward and told, in her quiet way a plain, unvarnished tale, showing how I had rejected the real, and rapidly devoured the ideal--I pronounced judgement to this effect--
That a greater fool than Jane Eyre had never breathed the breath of life; that a more fantastic idiot had never surfeited herself on sweet lies, and swallowed poison as if it were nectar.
"You," I said, "a favourite with Mr. Rochester? You're gifted with the power of pleasing him? You're of importance to him in any way? Go!--your folly sickens me. And you have derived pleasure from occasional tokens of preference--equivocal tokens shown by a gentleman of family and a man of the world to dependent and novice. How dared you? Poor stupid dupe! Could not even self-interest make you wiser? You repeated to yourself this morning the brief scene of last night? Cover your face and be ashamed! He said something in praise of your eyes, did he? Blind puppy! Open their bleared lids and look on your own accursed senselessness! It does no good to no woman to be flattered by her superior, who cannot possibly intend to marry her; and it is madness in all women to let a secret love kindle within them, which, if unreturned and unknown, must devour the life that feeds it; and if discovered and responded to, must lead into miry wilds whence there is no extrication.
"Listen, then, Jane Eyre, to your sentence: tomorrow, place the glass before you, and draw in chalk your own pictures, faithfully, without softening on defect; omit no harsh line, smooth away no displeasing irregularity; write under it, 'Portrait of a Governess, disconnected, poor, and plain.'
"Afterwards, take a piece of smooth ivory--you have one prepared in your drawing-box: take your palette, mix your freshest, finest, clearest tints; choose your most delicate camel-hair pencils; delineate carefully the loveliest face you can imageine; paint it in your softest shades and sweetest lines, according to the description given by Mrs. Fairfax of Blanche Ingram; remember the raven ringlets, the oriental eye--What! you revert to Mr. Rochester as a model! Order! No snivel!--no sentiment!--no regret! I will endure only sense and resolution...
"Whenever, in the future, you should chance to fancy Mr. Rochester thinks well of you, take out these two pictures and compare them--say, "Mr. Rochester might probably win that noble lady's love, if he chose to strive for it; is it likely he would waste a serious thought on this indignent and insignifican plebian?"
"I'll do it," I resolved; and having framed this determination, I grew calm, and fell asleep.
”
”
Charlotte Brontë (Jane Eyre)
“
He is my other eyes that can see above the clouds; my other ears that hear above the winds. He is the part of me that can reach out into the sea. He has told me a thousand times over that I am his reason for being; by the way he rests against my leg; by the way he thumps his tail at my smallest smile; by the way he shows his hurt when I leave without taking him. (I think it makes him sick with worry when he is not along to care for me.) When I am wrong, he is delighted to forgive. When I am angry, he clowns to make me smile. When I am happy, he is joy unbounded. When I am a fool, he ignores it. When I succeed, he brags. Without him, I am only another man. With him, I am all-powerful. He is loyalty itself. He has taught me the meaning of devotion. With him, I know a secret comfort and a private peace. He has brought me understanding where before I was ignorant. His head on my knee can heal my human hurts. His presence by my side is protection against my fears of dark and unknown things. He has promised to wait for me... whenever... wherever - in case I need him. And I expect I will - as I always have. He is just my dog.
”
”
Gene Hill
“
He was very interested in everything that lay to the North because no one ever went that way and he was never allowed to go there himself. When he was sitting out of doors mending the nets, and all alone, he would often look eagerly to the North. One could see nothing but a grassy slope running up to a level ridge and beyond that the sky with perhaps a few birds in it.
Sometimes if Arsheesh was there Shasta would say, 'O my Father, what is there beyond that hill?' And then if the fisherman was in a bad temper he would box Shasta's ears and tell him to attend to his work. Or if he was in a peaceable mood he would say, "O my son, do not allow your mind to be distracted by idle questions. For one of the poets has said, 'Application to business is the root of prosperity, but those who ask questions that do not concern them are steering the ship of folly towards the rock of indigence'.
Shasta thought that beyond the hill there must be some delightful secret which his father wished to hide from him. In reality, however, the fisherman talked like this because he didn't know what lay to the North. Neither did he care. He had a very practical mind.
”
”
C.S. Lewis (The Chronicles of Narnia (The Chronicles of Narnia, #1-7))
“
Rich loved taking care of women. He would swoop in like Tarzan swinging on a vine, rescue them from whatever situation they found themselves in, and be their hero. He would make all the decisions, and he would be strong and dependable. "What a catch!" they would feel.
But they did not see his inability to allow them to disagree or have an opinion. He could not yield to another person. He could not show weakness or vulnerability. He would make up for that inflexibility by being a very attractive "strong man" to women who would want to be swept off their feet more than they wanted a real person.
So, they would be a perfect match—until he would see the other side of a passive, compliant woman. She would be sneaky and not tell him exactly what was going on. Then, lo and behold, one day she would really "mess up" and have a wish contrary to somthing he wanted or valued. Then, from his perspective, she had "changed" and had become "selfish." "She used to be nice, and now look!"
But in reality, this is not what had happened. She had not changed. When they first met, she showed only half of who she was, hiding the other half, which would come out in sneaky, indirect ways. After a while, it came out directly, such as when she disagreed with him. Then he would cry, "Foul."
So they both got what they asked for. In her compliance, she attracted a controller. In his control he attracted an adaptive person who had a secret side and was indirect. They were co-conspirators, and it always blew up.
”
”
Henry Cloud (How to Get a Date Worth Keeping)
“
My Father, the Age I Am Now Time, which diminishes all things, increases understanding for the aging. —PLUTARCH My mother was the star: Smart and funny and warm, A patient listener and an easy laugher. My father was . . . an accountant: Not one to look up to, Ask advice from, Confide in. A man of few words. We faulted him—my mother, my sister, and I, For being this dutiful, uninspiring guy Who never missed a day of work, Or wondered what our dreams were. Just . . . an accountant. Decades later, My mother dead, my sister dead, My father, the age I am now, Planning ahead in his so-accountant way, Sent me, for my records, Copies of his will, his insurance policies, And assorted other documents, including The paid receipt for his cemetery plot, The paid receipt for his tombstone, And the words that he had chosen for his stone. And for the first time, shame on me, I saw my father: Our family’s prime provider, only provider. A barely-out-of-boyhood married man Working without a safety net through the Depression years That marked him forever, Terrified that maybe he wouldn’t make it, Terrified he would fall and drag us down with him, His only goal, his life-consuming goal, To put bread on our table, a roof over our head. With no time for anyone’s secrets, With no time for anyone’s dreams, He quietly earned the words that made me weep, The words that were carved, the following year, On his tombstone: HE TOOK CARE OF HIS FAMILY.
”
”
Judith Viorst (Nearing Ninety: And Other Comedies of Late Life (Judith Viorst's Decades))
“
For Marius to arrive at this flourishing condition had required years. Hard years, and difficult ones; those to get through, these to climb. Marius had never given up for a single day. He had undergone everything, in the shape of privation; he had done everything, except get into debt. He gave himself this credit, that he had never owed a sou to anybody. For him a debt was the beginning of slavery. He felt even that a creditor is worse than a master; for a master owns only your person, a creditor owns your dignity and can belabour that. Rather than borrow, he did not eat. He had had many days of fasting. Feeling that all extremes meet, and that if we do not take care, abasement of fortune may lead to baseness of soul, he watched jealously over his pride. Such a habit or such a carriage as, in any other condition, would have appeared deferential, seemed humiliating and he braced himself against it. He risked nothing, not wishing to take a backward step. He had a kind of stern blush upon his face. He was timid even to rudeness.
In all his trials he felt encouraged and sometimes even upborne by a secret force within. The soul helps the body, and at certain moments uplifts it. It is the only bird which sustains its cage.
”
”
Victor Hugo (Les Misérables)
“
It’s one of the secrets of strength: We’re so much more likely to find it in the service of others than we are to find it in service to ourselves. We have no idea why this is. It’s not just the mother who lifts the car to free her child, or the guy who shields his girlfriend when the gunman starts to fire. Those are extremes, brave extremes, which life rarely calls on us to offer. No, it is the less extreme strength—a strength that is not so much situational as it is constitutional—that we will find in order to give. How often did we see this, as we were dying? How many soft-spoken lovers turned into fierce watchdogs over our care? How many reticent parents shed that reticence to be there with us? Not all. Certainly, not everyone showed strength. Some supposedly strong people in our lives showed that their strength was actually made of straw. But so many held us up in ways they would not have held themselves. They saw us through, even as their worlds crumbled through their fingers. They kept fighting, even after we were gone. Or especially because we were gone. They kept fighting for us.
”
”
David Levithan (Two Boys Kissing)
“
My blood, sweat and tears
My last dance
Take it away
My blood, sweat and tears
My cold breath
Take it away
My blood, sweat and tears
Even my blood, sweat and tears
Even my body, heart and soul
I know that it’s all yours
This is a spell that’ll punish me
Peaches and cream
Sweeter than sweet
Chocolate cheeks
And chocolate wings
But your wings are wings of the devil
In front of your sweet is bitter bitter
Kiss me, I don’t care if it hurts,
Hurry and choke me
So I can’t hurt any more
Baby, I don’t care if I get drunk, I’ll drink you in now
Your whiskey, deep into my throat
My blood, sweat and tears
My last dance
Take it away
My blood, sweat and tears
My cold breath
Take it away
I want you a lot, a lot, a lot
I want you a lot, a lot, a lot
I want you a lot, a lot, a lot
I want you a lot, a lot, a lot
I don’t care if it hurts, tie me up
So I can’t run away
Grab me tightly and shake me
So I can’t snap out of it
Kiss me on the lips lips,
Our own little secret
I wanna be addicted to your prison
So I can’t serve anyone that’s not you
Even though I know,
I drink the poisonous Holy Grail
My blood, sweat and tears
My last dance
Take it away
My blood, sweat and tears
My cold breath
Take it away
I want you a lot, a lot, a lot
I want you a lot, a lot, a lot
I want you a lot, a lot, a lot
I want you a lot, a lot, a lot
Kill me softly
Close my eyes with your touch
I can’t even reject you anyway
I can’t run away anymore
You’re too sweet, too sweet
Because you’re too sweet
My blood, sweat and tears
My blood, sweat and tears
”
”
BTS
“
If after I am free a friend of mine gave a feast, and did not invite me to it, I should not mind a bit. I can be perfectly happy by myself. With freedom, flowers, books, and the moon, who could not be perfectly happy? Besides, feasts are not for me any more. I have given too many to care about them. That side of life is over for me, very fortunately, I dare say. But if after I am free a friend of mine had a sorrow and refused to allow me to share it, I should feel it most bitterly. If he shut the doors of the house of mourning against me, I would come back again and again and beg to be admitted, so that I might share in what I was entitled to share in. If he thought me unworthy, unfit to weep with him, I should feel it as the most poignant humiliation, as the most terrible mode in which disgrace could be inflicted on me. But that could not be. I have a right to share in sorrow, and he who can look at the loveliness of the world and share its sorrow, and realise something of the wonder of both, is in immediate contact with divine things, and has got as near to God’s secret as any one can get.
”
”
Oscar Wilde (De Profundis)
“
The movement of descent and discovery begins at the moment you consciously become dissatisfied with life. Contrary to most professional opinion, this gnawing dissatisfaction with life is not a sign of "mental illness," nor an indication of poor social adjustment, nor a character disorder. For concealed within this basic unhappiness with life and existence is the embryo of a growing intelligence, a special intelligence usually buried under the immense weight of social shams. A person who is beginning to sense the suffering of life is, at the same time, beginning to awaken to deeper realities, truer realities. For suffering smashes to pieces the complacency of our normal fictions about reality, and forces us to become alive in a special sense—to see carefully, to feel deeply, to touch ourselves and our worlds in ways we have heretofore avoided. It has been said, and truly I think, that suffering is the first grace. In a special sense, suffering is almost a time of rejoicing, for it marks the birth of creative insight.
But only in a special sense. Some people cling to their suffering as a mother to its child, carrying it as a burden they dare not set down. They do not face suffering with awareness, but rather clutch at their suffering, secretly transfixed with the spasms of martyrdom. Suffering should neither be denied awareness, avoided, despised, not glorified, clung to, dramatized. The emergence of suffering is not so much good as it is a good sign, an indication that one is starting to realize that life lived outside unity consciousness is ultimately painful, distressing, and sorrowful. The life of boundaries is a life of battles—of fear, anxiety, pain, and finally death. It is only through all manner of numbing compensations, distractions, and enchantments that we agree not to question our illusory boundaries, the root cause of the endless wheel of agony. But sooner or later, if we are not rendered totally insensitive, our defensive compensations begin to fail their soothing and concealing purpose. As a consequence, we begin to suffer in one way or another, because our awareness is finally directed toward the conflict-ridden nature of our false boundaries and the fragmented life supported by them.
”
”
Ken Wilber (No Boundary: Eastern and Western Approaches to Personal Growth)
“
Georgette was a hip queer. She (he) didn't try to disguise or conceal it with marriage and mans talk, satisfying her homosexuality with the keeping of a secret scrapbook of pictures of favorite male actors or athletes or by supervising activities of young boys or visiting turkish baths or mens locker rooms, leering sidely while seeking protection behind a carefully guarded guise of virility (fearing that moment at a cocktail party or in a bar when this front may start crumbling from alcohol and be completely disintegrated with an attempted kiss or groping of an attractive young man and being repelled with a punch and - rotten fairy - followed with hysteria and incoherent apologies and excuses and running from the room) but, took a pride in being a homosexual by feeling intellectually and esthetically superior to those (especially women) who weren't gay (look at all the great artists who were fairies!); and with the wearing of womens panties, lipstick, eye makeup (this including occasionally gold and silver - stardust - on the lids),long marcelled hair, manicured and polished fingernails, the wearing of womens clothes complete with a padded bra, high heels and wig (one of her biggest thrills was going to BOP CITY dressed as a tall stately blond ( she was 6'4 in heels) in the company of a negro (he was a big beautiful black bastard and when he floated in all the cats in the place jumped and the squares bugged. We were at crazy pad before going and were blasting like crazy, and were up so high that I just didnt give ashit for anyone honey, let me tell you!); and the occasional wearing of menstrual napkin.
”
”
Hubert Selby Jr.
“
A reporter once asked me why I think progressive men who earn significantly less than their breadwinning wives still won't quit their jobs to take care of their children. Why do they still hold on to their careers, even if taking care of the children would make more financial sense because the cost of childcare is higher than their net salary?
I think I know the answer to that now, and it sucks. Women are not expected to live a life for themselves. When women dedicate their lives to children, it is deemed a worthy and respectable choice. When women dedicate themselves to a passion outside of the family that doesn't involve worshiping their husbands or taking care of their kids, they're seen as selfish, cold, or unfit mothers. But when a man spends hours grueling over a craft, profession, or project, he's admired and seen as a genius. And when a man finds a woman who worships him, who dedicates her life to serving him, he's lucky. But when a man dedicates himself to taking care of his children it's seen as a last resort. That it must be because he ran out of other options. That it's plan Z. That it's an indicator of his inability to provide for his family. Basically, that he's a fucking loser. I think it's one of the most important falsehoods we need to shatter when talking about women's rights.
”
”
Ali Wong (Dear Girls: Intimate Tales, Untold Secrets, & Advice for Living Your Best Life)
“
So, you care about me now,’ I said, meaning to make a joke of it, but it came out soft and low and full of something guttural that made me embarrassed. ‘Why?’
“Because I don’t know anybody like you. You’re like … a rare artefact. And it would be a shame if you got broken.’ Amusement spluttered from me in the most unattractive way. ‘Are you really comparing me to an antique right now? Oh my God, you nerd.”
He started laughing, and the carefree melody of it swept me up until I was laughing too, and it was absurd because our families were being threatened and murdered and there we were squished together in a hundred-degree heat outside a maximum security prison, and we used to hate each other and now we were laughing so hard I had tears in my eyes.
He composed himself first, but it took a while and I was left choking my laughter into silence. ‘What I meant was,’ his face twisted into a quiet smile that felt secret and deadly, ‘you’re a bright spark, Sophie. And I don’t want anyone to snuff you out.’
‘Oh.’ Well I couldn’t make fun of that. Was I supposed to say something back? Wasn’t that how compliments worked? The silence was growing and suddenly his words felt heavy and important and he was so close to me and I was perspiring and panicking, and … and I said, ‘And you’re kind of like a snowflake.’
Oh, Jesus Christ.
He masked his fleeting surprise with a quirked eyebrow. ‘Excuse me?’
‘Nothing,’ I said quickly. ‘I didn’t say anything.’
‘No, no,’ he said, rounding on me so his face was too close, his eyes too searing, his smile too irritating. ‘I’m a snowflake, am I?’
‘Shut up. Seriously.’ I pulled wisps of loose hair around my cheeks. ‘Shut up.’
‘I think you were trying to tell me I was special.’
‘Icy,’ I said. ‘I meant you were icy.’
I could practically taste his glee. I was floundering, and he was relishing it.
‘And unique, in that you’re uniquely annoying,’ I added. ‘God, you’re annoying.
”
”
Catherine Doyle (Inferno (Blood for Blood, #2))
“
What are you doing here?"
He takes a deep breath. "I came for you."
"And how on EARTH did you know I was up here?"
"I saw you." He pauses. "I came to make another wish,and I was standing on Point Zero when I saw you enter the tower. I called your name,and you looked around,but you didn't see me."
"So you decided to just...come up?" I'm doubtful,despite the evidence in front of me.It must have taken superhuman strength for him to make it past the first flight of stairs alone.
"I had to.I couldn't wait for you to come down,I couldn't wait any longer. I had to see you now.I have to know-"
He breaks off,and my pulse races. What what what?
"Why did you lie to me?"
The question startles me.Not what I was expecting.Nor hoping.He's still on the ground,but he stares up at me.His brown eyes are huge and heartbroken. I'm confused. "I'm sorry, I don't know what-"
"November.At the creperie. I asked you if we'd talked about anything strange that night I was drunk in your room.If I had said anything about our relationship,or my relationship with Ellie.And you said no."
Oh my God. "How did you know?"
"Josh told me."
"When?"
"November."
I'm stunned. "I...I..." My throat is dry. "If you'd seen the look on your face that day.In the restaurant. How could I possibly tell you? With your mother-"
"But if you had,I wouldn't have wasted all of these months.I thought you were turning me down.I thought you weren't interested."
"But you were drunk! You had a girlfriend! What was I supposed to do? God,St. Clair,I didn't even know if you meant it."
"Of course I meant it." He stands,and his legs falter.
"Careful!"
Step.Step.Step. He toddles toward me,and I reach for his hand to guide him.We're so close to the edge. He sits next to me and grips my hand harder. "I meant it,Anna.I mean it."
"I don't under-"
He's exasperated. "I'm saying I'm in love with you! I've been in love with you this whole bleeding year!"
My mind spins. "But Ellie-"
"I cheated on her every day.In my mind, I thought of you in ways I shouldn't have,again and again. She was nothing compared to you.I've never felt this way about anybody before-"
"But-"
"The first day of school." He scoots closer. "We weren't physics partners by accident.I saw Professeur Wakefield assigning lab partners based on where people were sitting,so I leaned forward to borrow a pencil from you at just the right moment so he'd think we were next to each other.Anna,I wanted to be your partner the first day."
"But..." I can't think straight.
"I doubt you love poetry! 'I love you as certain dark things are loved, secretly,between the shadow and the soul.'"
I blink at him.
"Neruda.I starred the passage.God," he moans. "Why didn't you open it?"
"Because you said it was for school."
"I said you were beautiful.I slept in your bed!"
"You never mave a move! You had a girlfriend!"
"No matter what a terrible boyfriend I was,I wouldn't actually cheat on her. But I thought you'd know.With me being there,I thought you'd know."
We're going in circles. "How could I know if you never said anything?"
"How could I know if you never said anyting?"
"You had Ellie!"
"You had Toph! And Dave!
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Our ability to leave our physical bodies and travel to other places has been demonstrated in controlled laboratory experiments by researchers with good academic credentials. These include Charles Tart at the University of California in Davis, and Russell Targ and Harold Puthoff at the Stanford Reesearch Institute. Russell Targ's research of "remote viewing" involves two people. The "viewer" stays in a carefully controlled laboratory environment while a "beacon" person is located somewhere outside that vicinity. A computer then selects a location that is unknown to the viewer.
The beacon person is secretly notified where he or she is to go, based on the computer's random selection of a site. After the beacon person gets to the site, the viewer is asked to describe what the beacon person is seeing. The distance between the beacon person and the viewer appears to have no significant effect on the viewer's ability to accurately describe the site; the distance between them can be a few blocks or many thousand miles. In several successful attempts, a Soviet psychic not only accurately described the location of Targ's associate Keith Harary who acted as a beacon, he also described what Harary would see at the next computer-selected site--even before he got there or knew what he would see!
”
”
Stanislav Grof (The Holotropic Mind: The Three Levels of Human Consciousness and How They Shape Our Lives)
“
You were in business making meth? Do you have any idea what that drug does to people?"
We weren't givin' it away," Concise snaps. "If someone was fool enough to mess himself up, that was his problem."
I shake my head, disgusted. "If you build it, they will come."
If you build it," Concise says, "you cover your rent. If you build it, you pay off the loan sharks. If you build it, you put shoes on your kid's feet and food in his belly and maybe even show up every now and then with a toy that every other goddamn kid in the school already has." He looks up at me. "If you build it, maybe your son don't have to, when he grow up."
It is amazing -- the secrets you can keep, even when you are living in close quarters. "You didn't tell me."
Concise gets up and braces his hands against the upper bunk. "His mama OD'd. He lives with her sister, who can't always be bothered to take care of him. I try to send money so that I know he's eatin' breakfast and gettin' school lunch tickets. I got a little bank account for him, too. Jus' in case he don't want to be part of a street gang, you know? Jus' in case he want to be an astronaut or a football player or somethin'." He digs out a small notebook from his bunk. "I'm writin' him. A diary, like. So he know who his daddy is, by the time he learn to read."
It is always easier to judge someone than to figure out what might have pushed him to the point where he might do something illegal or morally reprehensible, because he honestly believes he'll be better off. The police will dismiss Wilton Reynolds as a drug dealer and celebrate one more criminal permanently removed from society. A middle-class father who meets Concise on the street, with his tough talk and his shaved head, will steer clear of him, never guessing that he, to, has a little boy waiting for him at home. The people who read about me in the paper, stealing my daughter during a custody visit, will assume I am the worst sort of nightmare.
”
”
Jodi Picoult (Vanishing Acts)
“
When Ronan was young and didn’t know any better, he thought everyone was like him. He made rules for humanity based upon observation, his idea of the truth only as broad as his world was. Everyone must sleep and eat. Everyone has hands, feet. Everyone’s skin is sensitive; no one’s hair is. Everyone whispers to hide and shouts to be heard. Everyone has pale skin and blue eyes, every man has long dark hair, every woman has long golden hair. Every child knows the stories of Irish heroes, every mother knows songs about weaver women and lonely boatmen. Every house is surrounded by secret fields and ancient barns, every pasture is watched by blue mountains, every narrow drive leads to a hidden world. Everyone sometimes wakes with their dreams still gripped in their hands. Then he crept out of childhood, and suddenly the uniqueness of experience unveiled itself. Not all fathers are wild, charming schemers, wiry, far-eyed gods; and not all mothers are dulcet, soft-spoken friends, patient as buds in spring. There are people who don’t care about cars and there are people who like to live in cities. Some families do not have older and younger brothers; some families don’t have brothers at all. Most men do not go to Mass every Sunday and most men do not fall in love with other men. And no one brings dreams to life. No one brings dreams to life. No one brings dreams to life.
”
”
Maggie Stiefvater (Call Down the Hawk (Dreamer Trilogy, #1))
“
Other personalities are created to handle new traumas, their existence usually occurring one at a time. Each has a singular purpose and is totally focused on that task. The important aspect of the mind's extreme dissociation is that each ego state is totally without knowledge of the other. Because of this, the researchers for the CIA and the Department of Defense believed they could take a personality, train him or her to be a killer and no other ego stares would be aware of the violence that was taking place. The personality running the body would be genuinely unaware of the deaths another personality was causing. Even torture could not expose the with, because the personality experiencing the torture would have no awareness of the information being sought.
Earlier, such knowledge was gained from therapists working with adults who had multiple personalities. The earliest pioneers in the field, such as Dr. Ralph Alison, a psychiatrist then living in Santa Cruz, California, were helping victims of severe early childhood trauma. Because there were no protocols for treatment, the pioneers made careful notes, publishing their discoveries so other therapists would understand how to help these rare cases. By 1965, the information was fairly extensive, including the knowledge that only unusually intelligent children become multiple personalities and that sexual trauma endured by a restrained child under the age of seven is the most common way to induce hysteric dissociation.
”
”
Lynn Hersha (Secret Weapons: How Two Sisters Were Brainwashed to Kill for Their Country)
“
You burn to have your photograph in a tennis magazine.”
“I’m afraid so.”
“Why again exactly, now?”
“I guess to be felt about as I feel about those players with their pictures in magazines.”
“Why?”
“Why? I guess to give my life some sort of meaning, Lyle.”
“And how would this do this again?”
“Lyle, I don’t know. I do not know. It just does. Would. Why else would I burn like this, clip secret pictures, not take risks, not sleep or pee?”
“You feel these men with their photographs in magazines care deeply about having their photographs in magazines. Derive immense meaning.”
“I do. They must. I would. Else why would I burn like this to feel as they feel?”
“The meaning they feel, you mean. From the fame.”
“Lyle, don’t they?”
“LaMont, perhaps they did at first. The first photograph, the first magazine, the gratified surge, the seeing themselves as others see them, the hagiography of image, perhaps. Perhaps the first time: enjoyment. After that, do you trust me, trust me: they do not feel what you burn for. After the first surge, they care only that their photographs seem awkward or unflattering, or untrue, or that their privacy, this thing you burn to escape, what they call their privacy is being violated. Something changes. After the first photograph has been in a magazine, the famous men do not enjoy their photographs in magazines so much as they fear that their photographs will cease to appear in magazines. They are trapped, just as you are.”
“Is this supposed to be good news? This is awful news.”
“LaMont, are you willing to listen to a Remark about what is true?”
“Okey-dokey.”
“The truth will set you free. But not until it is finished with you.”
“Maybe I ought to be getting back.”
“LaMont, the world is very old. You have been snared by something untrue. You are deluded. But this is good news. You have been snared by the delusion that envy has a reciprocal. You assume that there is a flip-side to your painful envy of Michael Chang: namely Michael Chang’s enjoyable feeling of being-envied-by-LaMont-Chu. No such animal.”
“Animal?”
“You burn with hunger for food that does not exist.”
“This is good news?”
“It is the truth. To be envied, admired, is not a feeling. Nor is fame a feeling. There are feelings associated with fame, but few of them are any more enjoyable than the feelings associated with envy of fame.”
“The burning doesn’t go away?”
“What fire dies when you feed it? It is not fame itself they wish to deny you here. Trust them. There is much fear in fame. Terrible and heavy fear to be pulled and held, carried. Perhaps they want only to keep it off you until you weigh enough to pull toward yourself.”
“Would I sound ungrateful if I said this doesn’t make me feel very much better at all?”
“LaMont, the truth is that the world is incredibly, incredibly, unbelievably old. You suffer with the stunted desire caused by one of its oldest lies. Do not believe the photographs. Fame is not the exit from any cage.”
“So I’m stuck in the cage from either side. Fame or tortured envy of fame. There’s no way out.”
“You might consider how escape from a cage must surely require, foremost, awareness of the fact of the cage.
”
”
David Foster Wallace (Infinite Jest)
“
My time in camp with Kaden had become awkward several times, or perhaps I was just more self-conscious now.
I had known he cared about me. It was hardly a secret. It was the reason I was still alive, but I hadn’t quite grasped how much he cared. And in spite of myself, I knew in my own way, I cared about him too. Not Kaden the assassin, but the Kaden I had known back in Terravin, the one who had caught my attention the minute he walked through the tavern door. The one who was calm and had mysterious, but kind, eyes.
I remembered dancing with him at the festival, his arms pulling me closer, and the way he struggled with his thoughts, holding them back. He didn’t hold back the night he was drunk. The fireshine had loosened his lips and he laid it all out quite blatantly. Slurred and sloshy but clear. He loved me. This from a barbarian who was sent to kill me.
I lay back, staring into the cloudless sky, a shade bluer and brighter than yesterday.
Did he even know what love was? For that matter, did I? Even my parents didn’t seem to know. I crossed my arms behind my head as a pillow. Maybe there was no one way to define it. Maybe there were as many shades of love as the blues of the sky.
I wondered if his interest had begun when I tended his shoulder. I remembered his odd look of surprise when I touched him, as if no one had ever shown him a kindness before. If Griz, Finch, and Malich were any indication of his past, maybe no one had. They showed a certain steely devotion to one another, but it in no way resembled kindness. And then there were those scars on his chest and back. Only cruel savage could have delivered those. Yet somewhere along the way, Kaden had learned kindness. Tenderness, even. It surfaced in small actions. He seemed like he was two separate people, the intensely loyal Vendan assassin and someone else far different, someone he had locked away, a prisoner just like me.
”
”
Mary E. Pearson (The Kiss of Deception (The Remnant Chronicles, #1))
“
Then someone else appeared from the crowd, and Annabeth's vision tunneled.
Percy smiled at her-that sarcastic, troublemaker's smile that had annoyed her for years but eventually had become endearing. His sea-green eyes were as gorgeous as she remembered. His dark hair was swept to one side, like he'd just come from a walk on the beach. He looked even better than he had six months ago-tanner and taller, leaner and more muscular.
Annabeth was to stunned to move. She felt that if she got any closer to him, all the molecules in her body might combust. She'd secretly had a crush on him sonar they were twelve years old. Last summer, she'd fallen for him hard. They'd been a happy couple together for four months-and then he'd disappeared.
During their separation, something had happened to Annabeth's feelings. They'd grown painfully intense-like she'd been forced to withdraw from a life-saving medication. Now she wasn't sure which was more excruciating-living with that horrible absence, or being with him again...
Annabeth didn't mean to, but she surged forward. Percy rushed toward her at the same time. The crowds tensed. Some reach d for swords that weren't there.
Percy threw his arms around her. They kissed, and for a moment nothing else mattered. An asteroid could have hit the planet and wiped out all life, Annabeth wouldn't have cared.
Percy smelled of ocean air. His lips were salty. Seaweed Brain, she thought giddily.
Percy pulled away and studied her face. "Gods, I never thought-"
Annabeth grabbed his wrist and flipped him over her shoulder. He slammed into the stone pavement. Romans cried out. Some surged forward, but Reyna shouted, "Hold! Stand down!"
Annabeth put her knee on Percy's chest. She pushed her forearm against his throat. She didn't care what the Romans thought. A white-hot lump of anger expanded in her chest-a tumor of worry and bitterness that she'd been carrying around since last autumn.
"Of you ever leave me again," she said, her eyes stinging, "I swear to all the gods-"
Percy had the nerve to laugh. Suddenly the lump of heated emotions melted inside Annabeth.
"Consider me warned," Percy said. "I missed you, too." Annabeth rose and helped him to his feet. She wanted to kiss him again SO badly, but she managed to restrain herself.
Jason cleared his throat. "So, yeah…It's good to be back…"
"And this is Annabeth," Jason said. "Uh, normally she doesn't judo-flip people.
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
In the Land under the Hill, in the Time Before …
Once upon a time, there was a beautiful lady of the Seelie Court who lost her heart to the son of an angel.
Once upon a time, there were two boys come to the land of Faerie, brothers noble and bold. One brother caught a glimpse of the fair lady and, thunderstruck by her beauty, pledged himself to her. Pledged himself to stay. This was the boy Andrew. His brother, the boy Arthur, would not leave his side.
And so the boys stayed beneath the hill, and Andrew loved the lady, and Arthur despised her.
And so the lady kept her boy close to her side, kept this beautiful creature who swore his fealty to her, and when her sister lay claim to the other, the lady let him be taken away, for he was nothing.
She gave Andrew a silver chain to wear around his neck, a token of her love, and she taught him the ways of the Fair Folk. She danced with him in revels beneath starry skies. She fed him moonshine and showed him how to give way to the wild.
Some nights they heard Arthur’s screams, and she told him it was an animal in pain, and pain was in an animal’s nature.
She did not lie, for she could not lie.
Humans are animals.
Pain is their nature.
For seven years they lived in joy. She owned his heart, and he hers, and somewhere, beyond, Arthur screamed and screamed. Andrew didn’t know; the lady didn’t care; and so they were happy.
Until the day one brother discovered the truth of the other.
The lady thought her lover would go mad with the grief of it and the guilt. And so, because she loved the boy, she wove him a story of deceitful truths, the story he would want to believe. That he had been ensorcelled to love her; that he had never betrayed his brother; that he was only a slave; that these seven years of love had been a lie.
The lady set the useless brother free and allowed him to believe he had freed himself.
The lady subjected herself to the useless brother’s attack and allowed him to believe he had killed her.
The lady let her lover renounce her and run away.
And the lady beheld the secret fruits of their union and kissed them and tried to love them. But they were only a piece of her boy. She wanted all of him or none of him.
As she had given him his story, she gave him his children.
She had nothing left to live for, then, and so lived no longer.
This is the story she left behind, the story her lover will never know; this is the story her daughter will never know.
This is how a faerie loves: with her whole body and soul.
This is how a faerie loves: with destruction.
I love you, she told him, night after night, for seven years. Faeries cannot lie, and he knew that.
I love you, he told her, night after night, for seven years. Humans can lie, and so she let him believe he lied to her, and she let his brother and his children believe it, and she died hoping they would believe it forever.
This is how a faerie loves: with a gift.
”
”
Cassandra Clare (Pale Kings and Princes (Tales from the Shadowhunter Academy, #6))
“
There is nothing extreme about ethical veganism.
What is extreme is eating decomposing flesh and animal secretions.
What is extreme is that we regard some animals as members of our family while, at the same time, we stick forks into the corpses of other animals.
What is extreme is thinking that it is morally acceptable to inflict suffering and death on other sentient creatures simply because we enjoy the taste of animal products or because we like the look of clothes made from animals.
What is extreme is that we say that we recognize that “unnecessary” suffering and death cannot be morally justified and then we proceed to engage in exploitation on a daily basis that is completely unnecessary.
What is extreme is pretending to embrace peace while we make violence, suffering, torture and death a daily part of our lives.
What is extreme is that we excoriate people like Michael Vick, Mary Bale and Sarah Palin as villains while we continue to eat, use, and consume animal products.
What is extreme is that we say that we care about animals and that we believe that they are members of the moral community, but we sponsor, support, encourage and promote “happy” meat/dairy labeling schemes. (see 1, 2, 3)
What is extreme is not eating flesh but continuing to consume dairy when there is absolutely no rational distinction between meat and dairy (or other animal products). There is as much suffering and death in dairy, eggs, etc., as there is in meat.
What is extreme is that we are consuming a diet that is causing disease and resulting in ecological disaster.
What is extreme is that we encourage our children to love animals at the same time that we teach them those that they love can also be those whom they harm. We teach our children that love is consistent with commodification. That is truly extreme—and very sad.
What is extreme is the fantasy that we will ever find our moral compass with respect to animals as long as they are on our plates and our tables, on our backs, and on our feet.
No, ethical veganism is not extreme. But there are many other things that we do not even pay attention to that are extreme.
If you are not vegan, go vegan. It’s easy; it’s better for your health and for the planet. But, most important, it’s the morally right thing to do.
”
”
Gary L. Francione
“
All of the Indians must have tragic features: tragic noses, eyes, and arms.
Their hands and fingers must be tragic when they reach for tragic food.
The hero must be a half-breed, half white and half Indian, preferably
from a horse culture. He should often weep alone. That is mandatory.
If the hero is an Indian woman, she is beautiful. She must be slender
and in love with a white man. But if she loves an Indian man
then he must be a half-breed, preferably from a horse culture.
If the Indian woman loves a white man, then he has to be so white
that we can see the blue veins running through his skin like rivers.
When the Indian woman steps out of her dress, the white man gasps
at the endless beauty of her brown skin. She should be compared to nature:
brown hills, mountains, fertile valleys, dewy grass, wind, and clear water.
If she is compared to murky water, however, then she must have a secret.
Indians always have secrets, which are carefully and slowly revealed.
Yet Indian secrets can be disclosed suddenly, like a storm.
Indian men, of course, are storms. The should destroy the lives
of any white women who choose to love them. All white women love
Indian men. That is always the case. White women feign disgust
at the savage in blue jeans and T-shirt, but secretly lust after him.
White women dream about half-breed Indian men from horse cultures.
Indian men are horses, smelling wild and gamey. When the Indian man
unbuttons his pants, the white woman should think of topsoil.
There must be one murder, one suicide, one attempted rape.
Alcohol should be consumed. Cars must be driven at high speeds.
Indians must see visions. White people can have the same visions
if they are in love with Indians. If a white person loves an Indian
then the white person is Indian by proximity. White people must carry
an Indian deep inside themselves. Those interior Indians are half-breed
and obviously from horse cultures. If the interior Indian is male
then he must be a warrior, especially if he is inside a white man.
If the interior Indian is female, then she must be a healer, especially if she is inside
a white woman. Sometimes there are complications.
An Indian man can be hidden inside a white woman. An Indian woman
can be hidden inside a white man. In these rare instances,
everybody is a half-breed struggling to learn more about his or her horse culture.
There must be redemption, of course, and sins must be forgiven.
For this, we need children. A white child and an Indian child, gender
not important, should express deep affection in a childlike way.
In the Great American Indian novel, when it is finally written,
all of the white people will be Indians and all of the Indians will be ghosts.
”
”
Sherman Alexie