“
Your memory feels like home to me.
So whenever my mind wanders, it always finds it’s way back to you.
”
”
Ranata Suzuki
“
The human heart has hidden treasures, In secret kept, in silence sealed; The thoughts, the hopes, the dreams, the pleasures, Whose charms were broken if revealed.
”
”
Charlotte Brontë
“
…the sad part is, that I will probably end up loving you without you for much longer than I loved you when I knew you.
Some people might find that strange.
But the truth of it is that the amount of love you feel for someone and the impact they have on you as a person, is in no way relative to the amount of time you have known them.
”
”
Ranata Suzuki
“
If you cannot hold me in your arms, then hold my memory in high regard.
And if I cannot be in your life, then at least let me live in your heart.
”
”
Ranata Suzuki
“
I had someone once who made every day mean something.
And now…. I am lost….
And nothing means anything anymore.
”
”
Ranata Suzuki
“
I think perhaps I will always hold a candle for you – even until it burns my hand.
And when the light has long since gone …. I will be there in the darkness holding what remains, quite simply because I cannot let go.
”
”
Ranata Suzuki
“
If you’re searching for a quote that puts your feelings into words – you won’t find it.
You can learn every language and read every word ever written – but you’ll never find what’s in your heart.
How can you?
He has it.
”
”
Ranata Suzuki
“
He was both everything I could ever want…
And nothing I could ever have…
”
”
Ranata Suzuki
“
This is for girls who have the tendency to stay up at night listening to music that reminds them of their current situation. Who hide their fears, hurt, pain and tears under the smiles, laughs and giggles on a daily basis. The girls who wear their heart on their sleeve. The girls who pray that things will work out just once and they'll be satisfied. The girls who sceam and cry to their pillows because everyone else fails to listen. The girls who have so many secrets but wont tell a soul. The girls who have mistakes and regrets as a daily moral. The girls that never win. The girls that stay up all night thinking about that one boy and hoping that he'll notice her one day. The girls who take life as it comes, to the girls who are hoping that it'll get better somewhere down the road. For the girls who love with all their heart although it always gets broken. To girls who think it's over. To real girls, to all girls: You're beautiful.
”
”
Zayn Malik
“
I raised you so high that every other man on earth is now doomed to live in your shadow.
”
”
Ranata Suzuki
“
Though these words will never find you, I hope that you knew I was thinking of you today….. and that I was wishing you every happiness.
Love Always,
The girl you loved once.
”
”
Ranata Suzuki
“
It’s difficult for me to imagine the rest of my life without you. But I suppose I don’t have to imagine it... I just have to live it
”
”
Ranata Suzuki
“
The last time I felt alive – I was looking into your eyes.
Breathing your air…. touching your skin…
… Saying goodbye….
The last time I felt alive…. I was dying.
”
”
Ranata Suzuki
“
It’s painful, loving someone from afar.
Watching them – from the outside.
The once familiar elements of their life reduced to nothing more than occasional mentions in conversations and faces changing in photographs…..
They exist to you now as nothing more than living proof that something can still hurt you … with no contact at all.
”
”
Ranata Suzuki
“
Your smile and your laughter lit my whole world.
”
”
Ranata Suzuki
“
I didn’t love you to seek revenge.
I didn’t love you out of loneliness or unhappiness.
I didn’t love you for any of the misguided reasons that time might convince you I did.
I just loved you because you’re you.
”
”
Ranata Suzuki
“
I would have followed you to hell and back... if only you'd lead me back.
”
”
Ranata Suzuki
“
I will love you as a thief loves a gallery and as a crow loves a murder, as a cloud loves bats and as a range loves braes. I will love you as misfortune loves orphans, as fire loves innocence and as justice loves to sit and watch while everything goes wrong. I will love you as a battlefield loves young men and as peppermints love your allergies, and I will love you as the banana peel loves the shoe of a man who was just struck by a shingle falling off a house. I will love you as a volunteer fire department loves rushing into burning buildings and as burning buildings love to chase them back out, and as a parachute loves to leave a blimp and as a blimp operator loves to chase after it.
I will love you as a dagger loves a certain person’s back, and as a certain person loves to wear dagger proof tunics, and as a dagger proof tunic loves to go to a certain dry cleaning facility, and how a certain employee of a dry cleaning facility loves to stay up late with a pair of binoculars, watching a dagger factory for hours in the hopes of catching a burglar, and as a burglar loves sneaking up behind people with binoculars, suddenly realizing that she has left her dagger at home. I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled.
I will love you until every fire is extinguised and until every home is rebuilt from the handsomest and most susceptible of woods, and until every criminal is handcuffed by the laziest of policemen. I will love until M. hates snakes and J. hates grammar, and I will love you until C. realizes S. is not worthy of his love and N. realizes he is not worthy of the V. I will love you until the bird hates a nest and the worm hates an apple, and until the apple hates a tree and the tree hates a nest, and until a bird hates a tree and an apple hates a nest, although honestly I cannot imagine that last occurrence no matter how hard I try. I will love you as we grow older, which has just happened, and has happened again, and happened several days ago, continuously, and then several years before that, and will continue to happen as the spinning hands of every clock and the flipping pages of every calendar mark the passage of time, except for the clocks that people have forgotten to wind and the calendars that people have forgotten to place in a highly visible area. I will love you as we find ourselves farther and farther from one another, where we once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively.
I will love you until the chances of us running into one another slip from slim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you don’t see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and now matter how I am discovered after what happens to me as I am discovering this.
”
”
Lemony Snicket
“
They had battled and bloodied one another, they had kept secrets, broken hearts, lied, betrayed, exiled, they had walked away, said goodbye and sworn it was forever, and somehow, every time, they had mended, they had forgiven, they had survived. Some mistakes could never be fixed - some, but not all. Some people can't be driven away, no matter how hard you try. Some friendships won't break.
”
”
Robin Wasserman (Greed (Seven Deadly Sins, #7))
“
Don't you dare weep," he commanded.
"You've broken my heart."
"I'll fix it later.
”
”
Julie Garwood (The Secret (Highlands' Lairds, #1))
“
I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you as the starfish loves a coral reef and as kudzu loves trees, even if the oceans turn to sawdust and the trees fall in the forest without anyone around to hear them. I will love you as the pesto loves the fettuccini and ats the horseradish loves the miyagi, and the pepperoni loves the pizza. I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the doctor loves his sickest patient and a lake loves its thirstiest swimmer. I will love you as the beard loves the chin, and the crumbs love the beard, and the damp napkin loves the crumbs, and the precious document loves the dampness of the napkin, and the squinting eye of the reader loves the smudged document, and the tears of sadness love the squinting eye as it misreads what is written.
I will love you as the iceberg loves the ship, and the passengers love the lifeboat, and the lifeboat loves the teeth of the sperm whale, and the sperm whale loves the flavor of naval uniforms. I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp... I will love you until all such compartments are discovered and opened, and all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled. I will love you until every fire is extinguished and rebuilt from the handsomest and most susceptible of woods. I will love you until the bird hates a nest and the worm hates an apple. I will love you as we find ourselves farther and farther from one another, where once we were so close... I will love you until your face is fogged by distant memory. I will love you no matter where you go and who you see, I will love you if you don't marry me. I will love you if you marry someone else--and i will love you if you never marry at all, and spend your years wishing you had married me after all. That is how I will love you even as the world goes on its wicked way.
”
”
Lemony Snicket (The Beatrice Letters)
“
Our parting was like a stalemate….
Neither of us won. Yet both of us lost.
And worse still … that unshakable feeling that nothing was ever really finished.
”
”
Ranata Suzuki
“
Though I never really had you….
… to me you will always be the one that got away.
”
”
Ranata Suzuki
“
Though life has fated that we never cross paths again, don’t ever feel alone. For we are parallel …. and I will always be by your side.
”
”
Ranata Suzuki
“
My heart’s been empty since you left - but still I refuse to put up a vacancy sign.
I’m just not ready for anybody else to move in yet.
”
”
Ranata Suzuki
“
I don’t think you ever really understood….
…. All the love I had in the world went to you.
”
”
Ranata Suzuki
“
I need to stop running back to you in my mind all the time.
”
”
Ranata Suzuki
“
You’re everything to me.
But at best, I’m just a memory to you.
”
”
Ranata Suzuki
“
But when he died, I saw - nothing. There was nothing left to see. It happened and it was impossible and beautiful and then it ended before it even really began, leaving nothing behind but secrets and broken hearts.
”
”
Sarah Ockler (Twenty Boy Summer)
“
He started to estrange her...
And they became strangers
Who knew each other's heart,
So broken as they drifted apart.
”
”
Ana Claudia Antunes (Pierrot & Columbine (The Pierrot´s Love Book 1))
“
For you are you, and I am I, and once we were we… but as long as I exist and so do you – know that I will always love you.
”
”
Ranata Suzuki
“
It hurts that I was just one page in the book of your life…
But what hurts more is knowing you’ll revise that chapter someday….
….. and you’ll erase me completely.
”
”
Ranata Suzuki
“
I’d never dreamed anybody could love me the way he did. And even when he proved it to me time and again – I still could hardly believe it was true.
”
”
Ranata Suzuki
“
I used to fear it
meant that I had no real choices. Then I secretly hoped fate was real and
that you and I were fated, that by some miraculous chance I was your true
love. But now I don’t care if fate is real—because I don’t need it to decide
for me. I don’t need it to make this choice. I’ve made my decision, Jacks.
It’s you. It will always be you, until the end of time. And I’ll fight fate or
anyone else who tries to tear us apart- including you. You are my choice.
You are my love. You are mine. And you are not going to be the end of me,
Jacks.
”
”
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
“
She broke my heart over and over, day after day, but I love her.
”
”
Kelly Moran (Summer's Road (Seasmoke Friends #1))
“
I have loved in life and I have been loved.
I have drunk the bowl of poison from the hands of love as nectar,
and have been raised above life's joy and sorrow.
My heart, aflame in love, set afire every heart that came in touch with it.
My heart has been rent and joined again;
My heart has been broken and again made whole;
My heart has been wounded and healed again;
A thousand deaths my heart has died, and thanks be to love, it lives yet.
I went through hell and saw there love's raging fire,
and I entered heaven illumined with the light of love.
I wept in love and made all weep with me;
I mourned in love and pierced the hearts of men;
And when my fiery glance fell on the rocks, the rocks burst forth as volcanoes.
The whole world sank in the flood caused by my one tear;
With my deep sigh the earth trembled, and when I cried aloud the name of my beloved,
I shook the throne of God in heaven.
I bowed my head low in humility, and on my knees I begged of love,
"Disclose to me, I pray thee, O love, thy secret."
She took me gently by my arms and lifted me above the earth, and spoke softly in my ear,
"My dear one, thou thyself art love, art lover,
and thyself art the beloved whom thou hast adored.
”
”
Hazrat Inayat Khan (The Dance of the Soul: Gayan, Vadan, Nirtan (Sufi Sayings))
“
I write what I love.
I will not stop – even when my hand hurts….
…. because I cannot stop – even though my heart hurts….
”
”
Ranata Suzuki
“
While this is all very amusing, the kiss that will free the girl is the kiss that she most desires,” she said. “Only that and nothing more.”
Jace’s heart started to pound. He met the Queen’s eyes with his own. “Why are you doing this?”
… “Desire is not always lessened by disgust…And as my words bind my magic, so you can know the truth. If she doesn’t desire your kiss, she won’t be free.”
“You don’t have to do this, Clary, it’s a trick—” (Simon)
...Isabelle sounded exasperated. ‘Who cares, anyway? It’s just a kiss.”
“That’s right,” Jace said. Clary looked up, then finally, and her wide green eyes rested on him. He moved toward her... and put his hand on her shoulder, turning her to face him… He could feel the tension in his own body, the effort of holding back, of not pulling her against him and taking this one chance, however dangerous and stupid and unwise, and kissing her the way he had thought he would never, in his life, be able to kiss her again. “It’s just a kiss,” he said, and heard the roughness in his own voice, and wondered if she heard it, too.
Not that it mattered—there was no way to hide it. It was too much. He had never wanted like this before... She understood him, laughed when he laughed, saw through the defenses he put up to what was underneath. There was no Jace Wayland more real than the one he saw in her eyes when she looked at him… All he knew was that whatever he had to owe to Hell or Heaven for this chance, he was going to make it count.
He...whispered in her ear. “You can close your eyes and think of England, if you like,” he said.
Her eyes fluttered shut, her lashes coppery lines against her pale, fragile skin. “I’ve never even been to England,” she said, and the softness, the anxiety in her voice almost undid him. He had never kissed a girl without knowing she wanted it too, usually more than he did, and this was Clary, and he didn’t know what she wanted. Her eyes were still closed, but she shivered, and leaned into him — barely, but it was permission enough.
His mouth came down on hers. And that was it. All the self-control he’d exerted over the past weeks went, like water crashing through a broken dam. Her arms came up around his neck and he pulled her against him… His hands flattened against her back... and she was up on the tips of her toes, kissing him as fiercely as he was kissing her... He clung to her more tightly, knotting his hands in her hair, trying to tell her, with the press of his mouth on hers, all the things he could never say out loud...
His hands slid down to her waist... he had no idea what he would have done or said next, if it would have been something he could never have pretended away or taken back, but he heard a soft hiss of laughter — the Faerie Queen — in his ears, and it jolted him back to reality. He pulled away from Clary before he it was too late, unlocking her hands from around his neck and stepping back... Clary was staring at him. Her lips were parted, her hands still open. Her eyes were wide. Behind her, Alec and Isabelle were gaping at them; Simon looked as if he was about to throw up.
...If there had ever been any hope that he could have come to think of Clary as just his sister, this — what had just happened between them — had exploded it into a thousand pieces... He tried to read Clary’s face — did she feel the same? … I know you felt it, he said to her with his eyes, and it was half bitter triumph and half pleading. I know you felt it, too…She glanced away from him... He whirled on the Queen. “Was that good enough?” he demanded. “Did that entertain you?”
The Queen gave him a look: special and secretive and shared between the two of them. “We are quite entertained," she said. “But not, I think, so much as the both of you.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
When We Two Parted
When we two parted
In silence and tears,
Half broken-hearted
To sever for years,
Pale grew thy cheek and cold,
Colder thy kiss;
Truly that hour foretold
Sorrow to this.
The dew of the morning
Sunk chill on my brow—
It felt like the warning
Of what I feel now.
Thy vows are all broken,
And light is thy fame:
I hear thy name spoken,
And share in its shame.
They name thee before me,
A knell to mine ear;
A shudder comes o'er me—
Why wert thou so dear?
They know not I knew thee,
Who knew thee too well:
Long, long shall I rue thee,
Too deeply to tell.
In secret we met—
In silence I grieve,
That thy heart could forget,
Thy spirit deceive.
If I should meet thee
After long years,
How should I greet thee?
With silence and tears.
”
”
Lord Byron (Byron: Poetical Works)
“
A kiss….
….. is just a kiss….
Until it’s all you reminisce.
(Then the memory becomes your most treasured possession.)
”
”
Ranata Suzuki
“
Every man carries a wound. I have never met a man without one. No matter how good your life may have seemed to you, you live in a broken world full of broken people.
”
”
John Eldredge (Wild at Heart Revised and Updated: Discovering the Secret of a Man's Soul)
“
Smartass Disciple: Master, how do you heal the broken heart?
Master of Stupidity: It isn’t a disease need to be healed. It’s life.
”
”
Toba Beta
“
I love you, Jacks. I used to wonder if fate was real. I used to fear it meant that I had no real choices. Then I secretly hoped fate was real and that you and I were fated, that by some miraculous chance I was true love. But now I don't care if fate is real--because I don't need it to decide for me. I don't need it to make this choice. I've made my decision, Jacks. It's you. It will always be you, until the end of time. And I'll fight fate or anyone else who tries to tear us apart--including you. You are my choice. You are my love. You are mine. And you are not going to be the end of me, Jacks.
”
”
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
“
Do broken hearts make you brave or do they just make you stupid?
”
”
Lynn Weingarten (The Secret Sisterhood of Heartbreakers (The Secret Sisterhood of Heartbreakers, #1))
“
She stopped and listened to him and somehow his cheerful, friendly little whistle gave her a pleased feeling--even a disagreeable little girl may be lonely, and the big closed house and big bare moor and big bare gardens had made this one feel as if there was no one left in the world but herself. If she had been an affectionate child, who had been used to being loved, she would have broken her heart, but even though she was "Mistress Mary Quite Contrary" she was desolate, and the bright-breasted little bird brought a look into her sour little face which was almost a smile. She listened to him until he flew away. He was not like an Indian bird and she liked him and wondered if she should ever see him again. Perhaps he lived in the mysterious garden and knew all about it.
”
”
Frances Hodgson Burnett (Secret Garden (Dover Children's Evergreen Classics))
“
True strength does not come out of bravado. Until we are broken, our life will be self-centered, self-reliant; our strength will be our own. So long as you think you are really something in and of yourself, what will you need God for? I don’t trust a man who hasn’t suffered; I don’t let a man get close to me who hasn’t faced his wound. Think of the posers you know—are they the kind of man you would call at 2:00 A.M., when life is collapsing around you? Not me. I don’t want clichés; I want deep, soulful truth, and that only comes when a man has walked the road I’ve been talking about.
”
”
John Eldredge (Wild at Heart Revised and Updated: Discovering the Secret of a Man's Soul)
“
The old Amy, the girl of the big laugh and the easy ways, literally shed herself, a pile of skin and soul on the floor, and stepped this new, brittle, bitter Amy ... a razor-wire knot daring me to unloop her, and I was not up to the job with my thick, numb, nervous fingers. Country fingers. Flyover fingers untrained in the intricate, dangerous work of 'solving Amy'. When I'd hold up the bloody stumps, she'd sigh and turn to her secret mental notebooks on which she tallied all my deficiencies, forever noting disappointments, frailties, shortcomings.
”
”
Gillian Flynn (Gone Girl)
“
The secret to staying in love is having someone who will catch you when you start to fall out of it' and I promise to always catch you.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
The secret to a beautiful death is to live a beautiful life. Putting your heart out there. Letting it get broken. Taking chances. Making mistakes.... Promise me, kid,...that you'll let yourself live.
”
”
Mikki Brammer (The Collected Regrets of Clover)
“
I mean, what if you don’t get over him? What if you just learn how to get on without him? People who’ve been in love have that haunted look in their eyes. It’s like a piece of them is unattainable, forever held back and protected at all cost.
”
”
H.M. Ward (SECRETS Vol. 4 (Secrets, #4))
“
And when that happens, I know it. A message saying so merely confirms a piece of news some secret vein had already received, severing from me an irreplaceable part of myself, letting it loose like a kite on a broken string. That is why, walking across a school campus on this particular December morning, I keep searching the sky. As if I expected to see, rather like hearts, a lost pair of kites hurrying towards heaven.
”
”
Truman Capote (A Christmas Memory)
“
God does not love you just because of who you are; He loves you because love is who He is. So never stop praying. Even when the pain is too much to bear, even when you have broken a thousand promises, even if all that comes out is a silent whisper that only God can hear. No matter what storms you are facing, no matter how bad you mess up, no matter how painful life becomes, the door to prayer is always open for you. After all, as Imam Ali said, “When the world pushes you to your knees, you’re in the perfect position to pray.
”
”
A. Helwa (Secrets of Divine Love: A Spiritual Journey into the Heart of Islam)
“
Someone you love has at least one secret that would break your heart.
”
”
Rhein Fathia (Gloomy Gift)
“
I think God pays attention to our hearts and enjoys when people want to get close to Him. He knows our sadness and the brokenness we want to hide from Him, and He sends people to look for us.
”
”
Bob Goff (Love Does: Discover a Secretly Incredible Life in an Ordinary World)
“
I should have learned my lesson from Greek myths, really. It so doesn't pay to fall in love with a god. It’s either you get transformed – flower, bull, you name it, the gods can be that petty – or you just get…crushed.
”
”
Marian Tee (Drawn: His Secret Toy)
“
I love him. I tried to love him from afar. I tried to be his friend. I tried to make him mine. But now, I'm trying to let go.
”
”
MsButterfly (His Secret Agent Bride To Be (BHO, #2))
“
The secret to staying in love is having someone who will catch you when you start to fall out of it.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
God’s relationship with us and with our world is just that: a relationship. As with every relationship, there’s a certain amount of unpredictability, and the ever-present likelihood that you’ll get hurt. The ultimate risk anyone ever takes is to love, for as C. S. Lewis says, “Love anything and your heart will be wrung and possibly broken. If you want to make sure of keeping it intact you must give it to no one, not even an animal.” But God does give it, again and again and again, until he is literally bleeding from it all. God’s willingness to risk is just astounding—far beyond what any of us would do were we in his position.
”
”
John Eldredge (Wild at Heart Revised and Updated: Discovering the Secret of a Man's Soul)
“
Evening Solace
The human heart has hidden treasures,
In secret kept, in silence sealed;
The thoughts, the hopes, the dreams, the pleasures,
Whose charms were broken if revealed.
And days may pass in gay confusion,
And nights in rosy riot fly,
While, lost in Fame's or Wealth's illusion,
The memory of the Past may die.
But, there are hours of lonely musing,
Such as in evening silence come,
When, soft as birds their pinions closing,
The heart's best feelings gather home.
Then in our souls there seems to languish
A tender grief that is not woe;
And thoughts that once wrung groans of anguish,
Now cause but some mild tears to flow.
And feelings, once as strong as passions,
Float softly back-a faded dream;
Our own sharp griefs and wild sensations,
The tale of others' sufferings seem.
Oh ! when the heart is freshly bleeding,
How longs it for that time to be,
When, through the mist of years receding,
Its woes but live in reverie !
And it can dwell on moonlight glimmer,
On evening shade and loneliness;
And, while the sky grows dim and dimmer,
Feel no untold and strange distress
Only a deeper impulse given
By lonely hour and darkened room,
To solemn thoughts that soar to heaven,
Seeking a life and world to come.
”
”
Charlotte Brontë (Poems)
“
She wants your secrets. She wants your soul. You've got to crack yourself open and find that broken, shameful piece of your heart that you'd hide from the world and God Himself if you could manage it. And then serve it up to her on a platter.
”
”
Tessa Dare (When a Scot Ties the Knot (Castles Ever After, #3))
“
Everything didn't have to be broken just because something was broken. I didn't have to be broken.
”
”
James R. Doty (Into the Magic Shop: A Neurosurgeon's Quest to Discover the Mysteries of the Brain and the Secrets of the Heart)
“
The lines of her face, turned up to the sky, would have broken your heart.
”
”
Tana French (The Secret Place (Dublin Murder Squad, #5))
“
You can easily tell when someone has been hit by a spear. he turns a deep shade of bitter. David never got hit. Gradually, he learned a very well-kept secret...
One, never learn anything about the fashionable, easily mastered art of spear throwing. Two, stay out of the company of all spear throwers. And three, keep your mouth tightly closed.
In this way, spears will never touch you, even when they pierce your heart.
”
”
Gene Edwards (A Tale of Three Kings: A Study in Brokenness (Biblical Fiction Based on the Stories of David, Saul, and Absalom))
“
He was foolish enough to fall completely in love with someone who didn't think he had a heart.
”
”
H.M. Ward (Collide (The Secret Life of Trystan Scott, #1))
“
It happened and it was impossible and beautiful and then it ended before it even really began, leaving nothing behind but secrets and broken hearts.
”
”
Sarah Ockler (Twenty Boy Summer)
“
The poets and writers are trying to understand the reality of woman, but up to this day they have not understood the hidden secret of her heart because they look upon her from behind the sexual veil and see nothing but the externals: they look upon her through a magnifying glass of hatefulness and find nothing except weakness and submission.
”
”
Kahlil Gibran (The Broken Wings)
“
. . . because she knows the secret: that humans need contact to thrive, that a broken heart is only one crack away from a broken spirit, and that both can be mended by smoothing on thin layers of love.
”
”
Amy Matayo (The Whys Have It)
“
I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled. I will love you until every fire is extinguished and until every home is rebuilt form the handsomest and most susceptible of woods, and until every criminal is handcuffed by the laziest of policemen. I will love you until M. hates snakes and J. hates grammar, and I will love you until C. realizes S. is not worthy of his love and N. realizes he is not worthy of the V. I will love you until the bird hates a nest and the worm hates an apple, and until the apple hates a tree and the tree hates a nest, and until a bird hates a tree and an apple hates a nest, although honestly I cannot imagine that last occurrence no matter how hard I try. I will love you as we grow older, which has just happened, and has happened again, and happened several days ago, continuously, and then several years before that, and will continue to happen as the spinning hands of every clock and the flipping pages of every calendar mark the passage of time, except for the clocks that people have forgotten to wind and the calendars that people have forgotten to place in a highly visible area. I will love you as we find ourselves farther and farther from one another, where once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively. I will love you until the chances of us running into one another slip from skim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you don’t see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and no matter how I am discovered after what happens to me happens to me as I am discovering this. I will love you if you don’t marry me. I will love you if you marry someone else – your co-star, perhaps, or Y., or even O., or anyone Z. through A., even R. although sadly I believe it will be quite some time before two women can be allowed to marry – and I will love you if you have a child, and I will love you if you have two children, or three children, or even more, although I personally think three is plenty, and I will love you if you never marry at all, and never have children, and spend your years wishing you had married me after all, and I must say that on late, cold nights I prefer this scenario out of all the scenarios I have mentioned. That, Beatrice, is how I will love you even as the world goes on its wicked way.
”
”
Lemony Snicket (The Beatrice Letters)
“
I'm here!" I said..."I'm read to go home!" As if they couldn't see me. As if I couldn't remember what it had been like, fluttering next to someone's ear and whispering into it. How the whole earth was like a musical instrument that we could play effortlessly.
...I could not fly. My sister was not there. My heart was broken.
”
”
Carolyn Turgeon (Godmother: The Secret Cinderella Story)
“
So many times during the day, Helen had seen a dark presence take hold of the prince, as though he was haunted by some dire purpose or secret too terrible to bear. As she stared up into his almond eyes, she saw it again, this time recognizing the darkness for what it was: the same abandonment she felt ripping her heart in pieces.
”
”
Aria Cunningham (The Princess of Sparta (Heroes of the Trojan War, #1))
“
It was in America that horses first roamed. A million years before the birth of man, they grazed the vast plains of wiry grass and crossed to other continents over bridges of rock soon severed by retreating ice. They first knew man as the hunted knows the hunter, for long before he saw them as a means to killing other beasts, man killed them for their meat.
Paintings on the walls of caves showed how. Lions and bears would turn and fight and that was the moment men speared them. But the horse was a creature of flight not fight and, with a simple deadly logic, the hunter used flight to destroy it. Whole herds were driven hurtling headlong to their deaths from the tops of cliffs. Deposits of their broken bones bore testimony. And though later he came pretending friendship, the alliance with man would ever be but fragile, for the fear he'd struck into their hearts was too deep to be dislodged.
Since that neolithic moment when first a horse was haltered, there were those among men who understood this.
They could see into the creature's soul and soothe the wounds they found there. Often they were seen as witches and perhaps they were. Some wrought their magic with the bleached bones of toads, plucked from moonlit streams. Others, it was said, could with but a glance root the hooves of a working team to the earth they plowed. There were gypsies and showmen, shamans and charlatans. And those who truly had the gift were wont to guard it wisely, for it was said that he who drove the devil out, might also drive him in. The owner of a horse you calmed might shake your hand then dance around the flames while they burned you in the village square.
For secrets uttered softly into pricked and troubles ears, these men were known as Whisperers.
”
”
Nicholas Evans (The Horse Whisperer)
“
The proletariat could plan to massacre the whole ruling class; a fanatic Jew or black could dream of seizing the secret of the atomic bomb and turning all of humanity entirely Jewish or entirely black: but a woman could not even dream of exterminating males. The tie that binds her to her oppressors is unlike any other. The division of the sexes is a biological given, not a moment in human history. Their opposition took shape within an original Mitsein, and she has not broken it. The couple is a fundamental unit with the two halves riveted to each other: terristic of woman: she is the Other at the heart of a whole whose two components are necessary to each other.
”
”
Simone de Beauvoir
“
It’s not true, and the people who say it is are gaslighting you. The truth is you learned helplessness from experiences of being helpless.
We unlearn helplessness by doing a thing—a thing that uses our body. Go for a walk. Scream into a pillow. Or, as Carrie Fisher put it, “Take your broken heart, make it into art.” Reverse the effects of helplessness by creating a context where you can do a thing.
”
”
Emily Nagoski (Burnout: The Secret to Unlocking the Stress Cycle)
“
The song is gone; the dance
is secret with the dancers in the earth,
the ritual useless, and the tribal story
lost in an alien tale.
Only the grass stands up
to mark the dancing-ring; the apple-gums
posture and mime a past corroboree,
murmur a broken chant.
The hunter is gone; the spear
is splintered underground; the painted bodies
a dream the world breathed sleeping and forgot.
The nomad feet are still.
Only the rider's heart
halts at a sightless shadow, an unsaid word
that fastens in the blood of the ancient curse,
the fear as old as Cain.
”
”
Judith A. Wright
“
Whoa,” I pinned my dress under my legs and nudged his chest with my elbow. “Put me down. This is kidnapping.”
“No, it's not,” he stated with a smile, keeping his eyes on the path ahead, “It's is a rescue.”
“Rescue?” I scoffed, but imagined a white horse waiting for us as we burst through the doors. “I don't need to be rescued.”
He stopped walking and looked down at me; I shrank into his arms a little. “The fair maiden, who is locked in the darkest tower, guarded by the cruellest beast, never believes herself to be in danger, only suffering from sorrows untold and a heart untouched.
”
”
Angela M. Hudson (Tears of the Broken (Dark Secrets, #0))
“
Hey,” Fitz said, leaning closer. “You trust me, don’t you?” Sophie’s traitorous heart still fluttered, despite her current annoyance. She did trust Fitz. Probably more than anyone. But having him keep secrets from her was seriously annoying. She was tempted to use her telepathy to steal the information straight from his head. But she’d broken that rule enough times to know the consequences definitely weren’t worth it. “What is with these clothes?” Biana interrupted, appearing out of thin air next to Keefe. Biana was a Vanisher, like her mother, though she was still getting used to the ability. Only one of her legs reappeared, and she had to hop up and down to get the other to show up. She wore a sweatshirt three sizes too big and faded, baggy jeans. “At least I get to wear my shoes,” she said, hitching up her pants to reveal purple flats with diamond-studded toes. “But why do we only have boy stuff?” “Because I’m a boy,” Fitz reminded her. “Besides, this isn’t a fashion contest.” “And if it was, I’d totally win. Right, Foster?” Keefe asked. Sophie actually would’ve given the prize to Fitz—his blue scarf worked perfectly with his dark hair and teal eyes. And his fitted gray coat made him look taller, with broader shoulders and— “Oh please.” Keefe shoved his way between them. “Fitz’s human clothes are a huge snoozefest. Check out what Dex and I found in Alvar’s closet!” They both unzipped their hoodies, revealing T-shirts with logos underneath. “I have no idea what this means, but it’s crazy awesome, right?” Keefe asked, pointing to the black and yellow oval on his shirt. “It’s from Batman,” Sophie said—then regretted the words. Of course Keefe demanded she explain the awesomeness of the Dark Knight. “I’m wearing this shirt forever, guys,” he decided. “Also, I want a Batmobile! Dex, can you make that happen?” Sophie wouldn’t have been surprised if Dex actually could build one. As a Technopath, he worked miracles with technology. He’d made all kinds of cool gadgets for Sophie, including the lopsided ring she wore—a special panic switch that had saved her life during her fight with one of her kidnappers. “What’s my shirt from?” Dex asked, pointing to the logo with interlocking yellow W’s. Sophie didn’t have the heart to tell him it was the symbol for Wonder Woman.
”
”
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
“
Stories don’t change much across continents and centuries. Hearts are broken. Pride is wounded. Souls wander too far from home and become lost. The wrong roads are taken. The incorrect choice is made. Stories echo with loneliness. Grief. Longing. Redemption. Forgiveness. Hope. And love.” Now it was her turn to point at the bookstore. “That building is stuffed with books that, once opened, reveal our communal story. And, if you’re lucky, the words in those books will force you to grapple with the hardest truths of your life. After reducing you to a puddle of tears, they’ll raise you to your feet again. The words will pull you up, higher and higher, until you feel the sun on your face again. Until you’re suddenly humming on the way to the mailbox. Or you’re buying bouquets of gerbera daisies because you crave bright colors. And you’ll laugh again—as freely as champagne bubbling in a tall, glass flute. When’s the last time you laughed like that?
”
”
Ellery Adams (The Secret, Book, & Scone Society (Secret, Book, & Scone Society, #1))
“
I forced my weary body up from the ground, my eyes burning with rage. I'd had enough of nearly dying. I'd had enough of secrets and mysteries. I was filled to the brim with pain and misery. It had taken its toll on me. It was hard to hold on to the very things that made you human, when there was nothing good left inside of you. In fact, I no longer felt human. I didn't feel anything except anger.
It was time to find Kellan.
”
”
Rose Wynters (Phase Four: Analyze (Territory of the Dead, #4))
“
Someone is pounding on a door within you and hoping for an answer. They want to tell us the secret tale of ourselves. The stories we’ve never told.
Some African tribes believe if you were to tell someone your entire story the audience would actually become you. From then on, the only life the teller would have would be in and through the listener. Some believe this is the relationship between Jesus and his disciples.
How I wished for my story to be blemish free. How I wished to be a good-natured soul giving back to the world, regardless of how broken I was. In the end, it’s those things we are willing to die to change that sculpt our story.
Some people open the floodgates of their minds and hearts so memories burst forth like water through a breached dam. Pieces of our lives can be found among the floating wreckage, and somewhere, the presence of God hovers over the surface of the deep.
Inside, I am treading, biding my time, waiting for the magic I thought I owned as a child. Many seek this enchantment. I sought my wife, daughter and the power to conjure hope.
”
”
Christopher Hawke (Unnatural Truth)
“
Would you teach me, Seth?’
Seth smiled and leaned back in his seat.
‘You do realise, of course, that you have no idea what you ask of me?’ Seth replied after a moment.
‘Of course,’ Christopher replied quietly. ‘Could you tell me?’
‘No. That is the problem you see,’ Seth said. ‘Magic is something you can never prepare someone for. Magic will make you, Christopher. It will find all the secret empty places of longing in you and fill them more surely than any other love. And magic will break your heart.’ A slight, rather sad smile crossed Christopher’s face for a moment. ‘I know what you’re thinking. You think your heart is already broken, you think that this crooked and winding way is the only path left for you now. But you’re wrong. The heart breaks like every wave on the beach and there’s a darkness you’ll have to pass through that you can’t even see from where you are now.
”
”
Lee Morgan (Wooing the Echo: Book One of the Christopher Penrose Novels)
“
As much as he cared for Kaitlin, he knew that the clan’s survival was much more important that his own heart. Without her, he would be heartbroken all over again. He would lose her just as he had lost Angela with no hope of ever seeing her again, but he could run the clan with a broken heart. He would be a stronger, more feared leader without her, but he was sure that if Kaitlin had known his reasoning, she would have understood. She was the only one to understand him.
”
”
Elaine White (Runaway Girl (The Secrets of Avelina Chronicles, #1))
“
I love you, Jacks.'
He closed his eyes as she said the word love.
She hoped a little harder. She wanted to ask him to look at her, but all that mattered was that he didn't let her go.
'I used to wonder if fate was real,' she said gently. 'I used to fear it meant that I had no real choices. Then I secretly hoped fate was real and that you and I were fated, that by some miraculous chance I was your true love. But now I don't care if fate is real- because I don't need it to decide for me. I don't it to make this choice. I've made my decision, Jacks. It's you. It will always be you, until the end of time. And I'll fight fate or anyone else who tries to tear us apart- including you. You are my choice. You are my love. You are mine. And you are not going to be the end of me, Jacks.'
'I think I already am.' He opened his eyes as they dripped red tears. 'Let me go, Evangeline.'
'Tell me you won't set fire to your heart, and I will let you go.'
'Don't ask me to do that.'
'Then don't ask me to let you go!
”
”
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
“
A Tear And A Smile -
I would not exchange the sorrows of my heart
For the joys of the multitude.
And I would not have the tears that sadness makes
To flow from my every part turn into laughter.
I would that my life remain a tear and a smile.
A tear to purify my heart and give me understanding
Of life's secrets and hidden things.
A smile to draw me nigh to the sons of my kind and
To be a symbol of my glorification of the gods.
A tear to unite me with those of broken heart;
A smile to be a sign of my joy in existence.
I would rather that I died in yearning and longing than that I live Weary and despairing.
I want the hunger for love and beauty to be in the
Depths of my spirit,for I have seen those who are
Satisfied the most wretched of people.
I have heard the sigh of those in yearning and Longing, and it is sweeter than the sweetest melody.
With evening's coming the flower folds her petals
And sleeps, embracingher longing.
At morning's approach she opens her lips to meet
The sun's kiss.
The life of a flower is longing and fulfilment.
A tear and a smile.
The waters of the sea become vapor and rise and come
Together and area cloud.
And the cloud floats above the hills and valleys
Until it meets the gentle breeze, then falls weeping
To the fields and joins with brooks and rivers to Return to the sea, its home.
The life of clouds is a parting and a meeting.
A tear and a smile.
And so does the spirit become separated from
The greater spirit to move in the world of matter
And pass as a cloud over the mountain of sorrow
And the plains of joy to meet the breeze of death
And return whence it came.
To the ocean of Love and Beauty----to God.
”
”
Kahlil Gibran (A Tear and a Smile)
“
Everything was Amelia’s fault. He hadn’t done anything wrong and neither had Kaitlin, but they were the ones paying the price and for what? To bring back a girl that he hated and wished he could kill but couldn’t? To bring back a girl who had broken her mother’s heart to such an extent that it killed her? As far as Damian was concerned, it wasn’t worth it. She didn’t deserve to come back; she didn’t deserve to live. No, Amelia deserved nothing, and especially not his love.
”
”
Elaine White (Runaway Girl (The Secrets of Avelina Chronicles, #1))
“
Sonnet of the Garland of Roses"
A garland, quick, a wreath: I come and die.
Braid flowers as they fade. Sing, cry, and sing!
Heart in my throat, a storm swelling a gorge
shadowed and silvered by a thousand falls.
Between your own desire and my desire
the space is starry, each step quakes the ground,
and forests of anemones will spring
to round the year, making their secret sound.
Lovers in my wound's landscape, overjoyed,
can watch the reeds bend in the crossing currents,
can drink from red pools in the honeyed thigh.
But hurry, let's entwine ourselves as one,
our mouth broken, our soul bitten by love,
so time discovers us safely destroyed.
”
”
Federico García Lorca (Sonetos del amor oscuro: Recopilación y reflexiones (Spanish Edition))
“
Ara. Ara, stop.” He propped my body against the wall and unfastened my hands from his neck.
“Why? What's wrong?” I wiped my mouth dry with the back of my wrist. “Did I hurt you?”
“Yes, you little leech.” He cupped his hand over the bite mark and pulled it away to look at it. “I may not have a heartbeat, but I still feel pain.”
“You're bruising.” I squinted through the dull light to see his neck.
“I know. I can feel that.”
“I'm sorry.”
“Are you kidding me?” He looked up at me. “Ara, that felt amazing. It hurt, but damn it was hard for me to control myself.”
“Control yourself?”
“Yeah. I wanted to...” He looked down and shook his head.
“You wanted to what?” I lifted his face.
“I wanted to do...things to you.”
“What kinds of...things.” Excitement and fear made my heart thump. “Bad things?”
“Yes. Bad things.” He reached up slowly and slipped the shoestring strap of my dress down my shoulder, then ran a delicate line of kisses along the curve of my neck, making the skin on my lower back tingle.
“That doesn't feel like bad things.”
“This is not what I had in mind,” he said into my shoulder.
”
”
Angela M. Hudson (Tears of the Broken (Dark Secrets, #0))
“
If we put this whole progression in terms of our discussion of the possibilities of heroism, it goes like this: Man breaks through the bounds of merely cultural heroism; he destroys the character lie that had him perform as a hero in the everyday social scheme of things; and by doing so he opens himself up to infinity, to the possibility of cosmic heroism, to the very service of God. His life thereby acquires ultimate value in place of merely social and cultural, historical value. He links his secret inner self, his authentic talent, his deepest feelings of uniqueness, his inner yearning for absolute significance, to the very ground of creation. Out of the ruins of the broken cultural self there remains the mystery of the private, invisible, inner self which yearned for ultimate significance, for cosmic heroism. This invisible mystery at the heart of every creature now attains cosmic significance by affirming its connection with the invisible mystery at the heart of creation. This is the meaning of faith. At the same time it is the meaning of the merger of psychology and religion in Kierkegaard's thought. The truly open person, the one who has shed his character armor, the vital lie of his cultural conditioning, is beyond the help of any mere "science," of any merely social standard of health. He is absolutely alone and trembling on the bring of oblivion-which is at the same time the brink of infinity. To give him the new support that he needs, the "courage to renounce dread without any dread...only faith is capable of," says Kierkegaard. Not that this is an easy out for man, or a cure-all for the human condition-Kierkegaard is never facile. He gives a strikingly beautiful idea:
not that [faith] annihilates dread, but remaining ever young, it is continually developing itself out of the death throe of dread.
In other words, as long as man is an ambiguous creature he can never banish anxiety; what he can do instead is to use anxiety as an eternal spring for growth into new dimensions of thought and trust. Faith poses a new life task, the adventure in openness to a multi-dimensional reality.
”
”
Ernest Becker (The Denial of Death)
“
He was beautiful when he sat alone, he was like me, he had wide lapels, he was holding the mug in the hardest possible way so that his fingers were all twisted but still long and beautiful, he didn’t like to sit alone all the time, but this time, I swear, he didn’t care on way or the other.
I’ll tell you why I like to sit alone, because I’m a sadist, that’s why we like to sit alone, because we’re the sadists who like to sit alone.
He sat alone because he was beautifully dressed for the occasion and because he was not a civilian.
We are the sadists you don’t have to worry about, you think, and we have no opinion on the matter of whether you have to worry about us, and we don’t even like to think about the matter because it baffles us.
Maybe he doesn’t mean a thing to me any more but I think he was like me.
You didn’t expect to fall in love, I said to myself and at the same time I answered gently, Do you think so?
I heard you humming beautifully, your hum said that I can’t ignore you, that I’d finally come around for a number of delicious reasons that only you knew about, and here I am, Miss Blood.
And you won’t come back, you won’t come back to where you left me, and that’s why you keep my number, so you don’t dial it by mistake when you’re fooling with the dial not even dialing numbers.
You begin to bore us with your pain and we have decided to change your pain. You said you were happiest when you danced, you said you were happiest when you danced with me, now which do you mean?
And so we changed his pain, we threw the idea of a body at him and we told him a joke, and then he thought a great deal about laughing and about the code.
And he thought that she thought that he thought that she thought the worst thing a woman could do was to take a man away from his work because that made her what, ugly or beautiful?
And now you’ve entered the mathematical section of your soul which you claimed you never had. I suppose that this, plus the broken heart, makes you believe that now you have a perfect right to go out and tame the sadists.
He had the last line of each verse of the song but he didn’t have any of the other lines, the last line was always the same, Don’t call yourself a secret unless you mean to keep it.
He thought he knew, or he actually did know too much about singing to be a singer; and if there is actually such a condition, is anybody in it, and are sadists born there?
It is not a question mark, it is not an exclamation point, it is a full stop by the man who wrote Parasites of Heaven. Even if we stated our case very clearly and all those who held as we do came to our side, all of them, we would still be very few.
”
”
Leonard Cohen (Parasites of Heaven)
“
Wren?' he says. 'Talk to me.'
I don't reply. What would be the point? I know he will twist me around his finger with words. I know that if I give him half the chance, love-starved creature that I am, I will be under his spell again. With him, I am forever a night-blooming flower, attracted and repelled by the heat of the sun.
'Let me explain,' he calls to me. 'Let me atone.'
I bite the tip of my tongue to keep myself from snapping at him. He meant to keep me ignorant. He tricked me. He lied with every smile. With every kiss. With the warmth in his eyes that should have been impossible to fake.
I'd know what he was capable of. Over and over, he'd shown me. And over and over, I believed there would be no more tricks. No more secrets.
Not anymore.
'You have good cause to be furious. But you couldn't have lied, had you known the truth. I was afraid you'd have to lie.' He waits, and when I say nothing, rolls into a sitting position. 'Wren?'
I can see the leather straps running across his cheeks. If he wears the bridle long enough, he'll have scars.
'Talk to me!' he shouts, standing and coming to the bars. I see the gold of his hair, the sharp lines of his cheekbones, the glint of his fox eyes. 'Wren! Wren!'
Coward that I am, I flee. My heart thundering, my hands shaking. But I can't pretend that I don't like the sound of him screaming my name.
”
”
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
“
Tatyana’s Letter to Onegin I’m writing you this declaration— What more can I in candour say? It may be now your inclination To scorn me and to turn away; But if my hapless situation Evokes some pity for my woe, You won’t abandon me, I know. I first tried silence and evasion; Believe me, you‘d have never learned My secret shame, had I discerned The slightest hope that on occasion— But once a week—I’d see your face, Behold you at our country place, Might hear you speak a friendly greeting, Could say a word to you; and then, Could dream both day and night again Of but one thing, till our next meeting. They say you like to be alone And find the country unappealing; We lack, I know, a worldly tone, But still, we welcome you with feeling. Why did you ever come to call? In this forgotten country dwelling I’d not have known you then at all, Nor known this bitter heartache’s swelling. Perhaps, when time had helped in quelling The girlish hopes on which I fed, I might have found (who knows?) another And been a faithful wife and mother, Contented with the life I led. Another! No! In all creation There’s no one else whom I’d adore; The heavens chose my destination And made me thine for evermore! My life till now has been a token In pledge of meeting you, my friend; And in your coming, God has spoken, You‘ll be my guardian till the end…. You filled my dreams and sweetest trances; As yet unseen, and yet so dear, You stirred me with your wondrous glances, Your voice within my soul rang clear…. And then the dream came true for me! When you came in, I seemed to waken, I turned to flame, I felt all shaken, And in my heart I cried: It’s he! And was it you I heard replying Amid the stillness of the night, Or when I helped the poor and dying, Or turned to heaven, softly crying, And said a prayer to soothe my plight? And even now, my dearest vision, Did I not see your apparition Flit softly through this lucent night? Was it not you who seemed to hover Above my bed, a gentle lover, To whisper hope and sweet delight? Are you my angel of salvation Or hell’s own demon of temptation? Be kind and send my doubts away; For this may all be mere illusion, The things a simple girl would say, While Fate intends no grand conclusion…. So be it then! Henceforth I place My faith in you and your affection; I plead with tears upon my face And beg you for your kind protection. You cannot know: I’m so alone, There’s no one here to whom I’ve spoken, My mind and will are almost broken, And I must die without a moan. I wait for you … and your decision: Revive my hopes with but a sign, Or halt this heavy dream of mine— Alas, with well-deserved derision! I close. I dare not now reread…. I shrink with shame and fear. But surely, Your honour’s all the pledge I need, And I submit to it securely.
”
”
Alexander Pushkin (Eugene Onegin)
“
By that tomb grows Gibran's sorrow together with the cypress trees, and above the tomb his spirit flickers every night commemorating Selma, joining the branches of the trees in sorrowful wailing, mourning and lamenting the going of Selma, who, yesterday was a beautiful tune on the lips of life and today is a silent secret in the bosom of the earth.
.
Solitude has soft, silky hands, but with strong fingers it grasps the heart and makes it ache with sorrow. Solitude is the ally of sorrow as well as a companion of spiritual exaltation.
.
He lives spiritually in the past because the present passes swiftly, and the future seems to him an approach to the oblivion of the grave.
.
Now I know that there is something higher than heaven and deeper than the ocean and stranger than life and death and time. I know now what I did not know before.
.
When I walked in the fields, I saw the token of Eternity in the awakening of nature, and when I sat by the seashore I heard the waves singing the song of Eternity.
.
We were three people, gathered and crushed by the hands of destiny; and all of us were toys in the hands of fate.
.
Be happy because I shall live in you after my death.
.
This is the only friend I shall have after you are gone, but how can he console me when he is suffering also? How can a broken heart find consolation in a disappointed soul? A sorrowful woman cannot be comforted by her neighbour's sorrow, nor can a bird fly with broken wings.
.
It is hard to write down in words the memories of those hours when I met Selma −−those heavenly hours, filled with pain, happiness, sorrow, hope, and misery.
.
A bird with broken wings cannot fly in the spacious sky.
.
He was born like a thought and died like a sigh and disappeared like a shadow.
.
His life began at the end of the night and ended at the beginning of the day.
”
”
Kahlil Gibran (The Broken Wings)
“
XXII. By those, that deepest feel, is ill exprest The indistinctness of the suffering breast; Where thousand thoughts begin to end in one, 1810 Which seeks from all the refuge found in none; No words suffice the secret soul to show, For Truth denies all eloquence to Woe. On Conrad’s stricken soul Exhaustion prest, And Stupor almost lulled it into rest; So feeble now — his mother’s softness crept To those wild eyes, which like an infant’s wept: It was the very weakness of his brain, Which thus confessed without relieving pain. None saw his trickling tears — perchance, if seen, 1820 That useless flood of grief had never been: Nor long they flowed — he dried them to depart, In helpless — hopeless — brokenness of heart: The Sun goes forth, but Conrad’s day is dim: And the night cometh — ne’er to pass from him. There is no darkness like the cloud of mind, On Grief’s vain eye — the blindest of the blind! Which may not — dare not see — but turns aside To blackest shade — nor will endure a guide!
”
”
Lord Byron (Delphi Complete Works of Lord Byron)
“
Right after Matt died, I was afraid to do basically everything. I couldn’t even bite my nails or sniff my shirt to see if I needed deodorant without feeling like he was watching me. I willed and prayed and begged him to give me a sign that he was watching, that he was with me, so I would know.
But he never did. Time moved on. And I stopped being afraid. Until right now, vulnerable and insecure and a little bit drunk. Lying in the sand and falling in crazy love with someone I just met. Matt is watching me. Observing. Possibly judging. And the worst part of it is, I don’t want to wake up under his landslide of sad rocks anymore. I don’t want to taste the marzipan frosting and the clove cigarettes. I don’t want to think about the blue glass necklace or the books he read to me on his bed or the piles of college stuff or some random boy in the grocery store wearing his donated clothes.
I don’t want to be the dead boy’s best-friend-turned-something-else.
Or the really supportive neighbor friend.
Or the lifelong keeper of broken-hearted secrets.
”
”
Sarah Ockler (Twenty Boy Summer)
“
Perched upon the stones of a bridge
The soldiers had the eyes of ravens
Their weapons hung black as talons
Their eyes gloried in the smoke of murder
To the shock of iron-heeled sticks
I drew closer in the cripple’s bitter patience
And before them I finally tottered
Grasping to capture my elusive breath
With the cockerel and swift of their knowing
They watched and waited for me
‘I have come,’ said I, ‘from this road’s birth,
I have come,’ said I, ‘seeking the best in us.’
The sergeant among them had red in his beard
Glistening wet as he showed his teeth
‘There are few roads on this earth,’ said he,
‘that will lead you to the best in us, old one.’
‘But you have seen all the tracks of men,’ said I
‘And where the mothers and children have fled
Before your advance. Is there naught among them
That you might set an old man upon?’
The surgeon among this rook had bones
Under her vellum skin like a maker of limbs
‘Old one,’ said she, ‘I have dwelt
In the heat of chests, among heart and lungs,
And slid like a serpent between muscles,
Swum the currents of slowing blood,
And all these roads lead into the darkness
Where the broken will at last rest.
‘Dare say I,’ she went on,‘there is no
Place waiting inside where you might find
In slithering exploration of mysteries
All that you so boldly call the best in us.’
And then the man with shovel and pick,
Who could raise fort and berm in a day
Timbered of thought and measured in all things
Set the gauge of his eyes upon the sun
And said, ‘Look not in temples proud,
Or in the palaces of the rich highborn,
We have razed each in turn in our time
To melt gold from icon and shrine
And of all the treasures weeping in fire
There was naught but the smile of greed
And the thick power of possession.
Know then this: all roads before you
From the beginning of the ages past
And those now upon us, yield no clue
To the secret equations you seek,
For each was built of bone and blood
And the backs of the slave did bow
To the laboured sentence of a life
In chains of dire need and little worth.
All that we build one day echoes hollow.’
‘Where then, good soldiers, will I
Ever find all that is best in us?
If not in flesh or in temple bound
Or wretched road of cobbled stone?’
‘Could we answer you,’ said the sergeant,
‘This blood would cease its fatal flow,
And my surgeon could seal wounds with a touch,
All labours will ease before temple and road,
Could we answer you,’ said the sergeant,
‘Crows might starve in our company
And our talons we would cast in bogs
For the gods to fight over as they will.
But we have not found in all our years
The best in us, until this very day.’
‘How so?’ asked I, so lost now on the road,
And said he, ‘Upon this bridge we sat
Since the dawn’s bleak arrival,
Our perch of despond so weary and worn,
And you we watched, at first a speck
Upon the strife-painted horizon
So tortured in your tread as to soak our faces
In the wonder of your will, yet on you came
Upon two sticks so bowed in weight
Seeking, say you, the best in us
And now we have seen in your gift
The best in us, and were treasures at hand
We would set them humbly before you,
A man without feet who walked a road.’
Now, soldiers with kind words are rare
Enough, and I welcomed their regard
As I moved among them, ’cross the bridge
And onward to the long road beyond
I travel seeking the best in us
And one day it shall rise before me
To bless this journey of mine, and this road
I began upon long ago shall now end
Where waits for all the best in us.
―Avas Didion Flicker
Where Ravens Perch
”
”
Steven Erikson (The Crippled God (Malazan Book of the Fallen, #10))
“
My heart has been broken a million times by the same hand, yet I would let it happen a million times again if it meant it was by you.
I was weaker than I thought / my heart sagging like the stems of uncut, unkempt flowers because of the sunlight you held in your faraway heart / Maybe you weren't mine to love / I think I'm falling
The wallpaper above her bed frame was glued in my brain the way it was glued against her walls / I got so close to running my fingers against it / I wish I felt the confidence to tell you the truth, as strongly as I felt stubborn to hide it
Do you hear that? That's my heart knocking against my chest at the sight of you / I've never heard anything more terrifying / how could you provide me air and suffocate me at the same time?
Blue hydrangeas, pink tulips, red bleeding hearts / it's all you ever loved, but never yourself / I never understood why anyone spoke poorly of the color brown, it was a dream on you
And that kiss... I think about it all the time / was it wrong of me to think of you when you were never mine? / I feel lucky to have had you, but dismayed to know what life is like without you
Don't worry if the flowers pass, I'll be right there to plant you more / and when the soil grows old, I'll comfort it in the chaos of the storm
Am I a ghost in your story? / because you look at me with conviction when I don't even know the crime I committed
Burden me with your secrets / so I can carry the weight you're so fearful of letting go
To be close to you was to be haunted by what I couldn't have and to be reminded of how much I truly wanted you / and I'd be lying if I said I never thought about where my hands would take me across your body
Midnights and daydreaming hours of retracing steps to how we possibly got here / how did I ever let time pass this long without seeing you? / my heart was so full of our memories that painted my body like a scrapbook
I tried to stop loving you, but along the way, you found your way into the sound of my laugh, the style of my writing, and the threads of my clothes / I would've gone down on my knees just to hear you say yes
Neck stiff, legs weak, eyes set on what we could've looked like if you hadn't left / 'moving on' was a broken record that I never had the strength to lift the needle off of / If hearts were meant to love then why did mine feel so empty? / and suddenly, I fell
Glances, gazes, eyes following places they shouldn't have seen / intimacy was to be seen by you; free falling was to be touched by you / there was no such thing as a crowded room where you stood
She lives in between the pinks and yellows of the world / where a beautiful color is unknown to others / and when she speaks, I become a bee enthralled in a field of daisies
”
”
Liana Cincotti (Picking Daisies on Sundays (Picking Daisies on Sundays, #1))
“
Shortly after becoming a Christian, I counseled a woman who was in a closeted lesbian relationship and a member of a Bible-believing church. No one in her church knew. Therefore, no one in her church was praying for her. Therefore, she sought and received no counsel. There was no “bearing one with the other” for her. No confession. No repentance. No healing. No joy in Christ. Just isolation. And shame. And pretense. Someone had sold her the pack of lies that said that God can heal your lying tongue or your broken heart, even cure your cancer if he chooses, but he can’t transform your sexuality. I told her that my heart breaks for her isolation and shame and asked her why she didn’t share her struggle with anyone in her church. She said: “Rosaria, if people in my church really believed that gay people could be transformed by Christ, they wouldn’t talk about us or pray about us in the hateful way that they do.” Christian reader, is this what people say about you when they hear you talk and pray? Do your prayers rise no higher than your prejudice? I think that churches would be places of greater intimacy and growth in Christ if people stopped lying about what we need, what we fear, where we fail, and how we sin. I think that many of us have a hard time believing the God we believe in, when the going gets tough. And I suspect that, instead of seeking counsel and direction from those stronger in the Lord, we retreat into our isolation and shame and let the sin wash over us, defeating us again. Or maybe we muscle through on our pride. Do we really believe that the word of God is a double-edged sword, cutting between the spirit and the soul? Or do we use the word of God as a cue card to commandeer only our external behavior?
”
”
Rosaria Champagne Butterfield (The Secret Thoughts of an Unlikely Convert)
“
Those who, from the start, are the unfortunate, the downtrodden, the broken – these are the ones, the weakest, who most undermine life amongst men, who introduce the deadliest poison and scepticism into our trust in life, in man, in ourselves. Where can we escape the surreptitious glance imparting a deep sadness, the backward glance of the born misfit revealing how such a man communes with himself, – that glance which is a sigh. ‘If only I were some other person!’ is what this glance sighs: ‘but there’s no hope of that. I am who I am: how could I get away from myself ? And oh – I’m fed up with myself!’ . . . In such a soil of self-contempt, such a veritable swamp, every kind of weed and poisonous plant grows, all of them so small, hidden, dissembling and sugary. Here, the worms of revenge and rancour teem all round; here, the air stinks of things unrevealed and unconfessed; here, the web of the most wicked conspiracy is continually being spun, – the conspiracy of those who suffer against those who are successful and victorious, here, the sight of the victorious man is hated. And what mendacity to avoid admitting this hatred as hatred! What expenditure of big words and gestures, what an art of ‘righteous’ slander! These failures: what noble eloquence flows from their lips! How much sugared, slimy, humble humility swims in their eyes! What do they really want? At any rate, to represent justice, love, wisdom, superiority, that is the ambition of these who are ‘the lowest’, these sick people! And how skilful such an ambition makes them! In particular, we have to admire the counterfeiter’s skill with which the stamp of virtue, the ding-a-ling golden ring of virtue is now imitated. They have taken out a lease on virtue to keep it just for themselves, these weak and incurably sick people, there is no doubt about it: ‘Only we are good and just’ is what they say, ‘only we are the homines bonæ voluntatis’. They promenade in our midst like living reproaches, like warnings to us, – as though health, success, strength, pride and the feeling of power were in themselves depravities for which penance, bitter penance will one day be exacted: oh, how ready they themselves are, in the last resort, to make others penitent, how they thirst to be hangmen! Amongst them we find plenty of vengeance-seekers disguised as judges, with the word justice continually in their mouth like poisonous spittle, pursing their lips and always at the ready to spit at anybody who does not look discontented and who cheerfully goes his own way. Among their number there is no lack of that most disgusting type of dandy, the lying freaks who want to impersonate ‘beautiful souls’ and put their wrecked sensuality on the market, swaddled in verses and other nappies, as ‘purity of the heart’: the type of moral onanists and ‘self-gratifiers.’ The will of the sick to appear superior in any way, their instinct for secret paths, which lead to tyranny over the healthy, – where can it not be found, this will to power of precisely the weakest!
”
”
Friedrich Nietzsche
“
A Letter To Say, "I'll See You Later"
I remember just like it was yesterday the grapevine, clothesline, lilacs and peonies. I remember the secret hiding place for 50-cent pieces.
I remember just like it was yesterday the color wheel Christmas Tree, The Honeymooner’s, The Dukes of Hazzard and Jeopardy!
I remember just like it was yesterday the house was full of children, but I was your only and your favorite. You always made time for me, even when I deserved the fly swatter.
I remember just like it was yesterday falling asleep to the scent of Dove soap on your pillow, you lying for me so I wouldn’t be abused again.
I remember just like it was yesterday your big “Black Cat” and the late, dark nights driving to IFP and knowing there was “No Place Like Home.”
I remember just like it was yesterday the “horns” in your ‘do and the smell of Raffinee wafting through the house and Listerine in the bathroom. I remember your bows and polka dots and “just a few fries.” I remember the green blanket.
I remember just like it was yesterday the way it felt to sit on your lap and have you sing “She’s Grandma’s Little Baby.”
I remember just like it was yesterday the day you told me I could “Shit in the sugar bowl.”
I remember just like it was yesterday telling you that you were going to be a great-grandma…for the first time.
I remember just like it was yesterday the 1st time you held him in your arms; you helped me raise him. Your house was always our home.
I remember just like it was yesterday having my heart broken but you helped me mend it.
I remember just like it was yesterday asking for your help when I couldn’t do it on my own; you’ve always been my rock.
I remember just like it was yesterday confiding my secrets to you – you were the first to know another baby was on the way, this time a girl.
I remember just like it was yesterday the joy they brought to your life; they were the reason you didn’t give up.
I remember just like it was yesterday saying words I never meant, not spending more time with you because my life got in the way.
I remember just like it was yesterday you loving on me, your strength and vitality, your faith, hope and kindness.
I remember just like it was yesterday wishing for more tomorrows so I could tell you that I love you another time.
I remember just like it was yesterday having you tell me you love me, “more than anyone will ever know.”
I remember just like it was yesterday you taught me to never say good-bye, just say “I’ll see you later.
”
”
Amanda Strong
“
He smiled, and some of the knots in my stomach loosened. He would keep my secret.
Devon hesitated, then reached over and put his hand on top of mine. His skin was warm, as though the sun had soaked into his body. I breathed in, and the crisp, clean scent of him filled my nose, the one that made me want to bury my face in his neck and inhale the essence of him over and over again. But I forced myself to exhale and step back, putting some distance between us, even though our hands were still touching.
“Look,” I said, my voice carefully neutral. “You’re a nice guy, a great guy. But I’m going to . . . be here for a while. You’re an important member of the Family, and I’m your bodyguard, so it’s my job to protect you, and we’re going to have to work together. But I don’t think there should be anything . . . else.”
“Because of your mom, right?” he asked in a low voice. “Because you blame me for her death?”
I sucked in a breath, so rattled that I couldn’t even pretend I didn’t know what he was talking about. First, my magic, and now this. Somehow, Devon knew all my secrets.
“How do you know about my mom?” I croaked out.
“I remember everything about that day in the park,” he said. “Including the girl with the blue eyes who helped save me.”
I didn’t say anything. I could barely even hear him over the roar of my own heartbeat in my ears.
“It took me a while to figure out why you seemed so familiar. When I realized you reminded me of the girl in the park, I knew it had to be you. Mom would never have brought you here otherwise. Plus, there are several photos of your mother in the library. You look just like her. I know what happened to her. I’m sorry that she died because of me—so sorry.”
His green gaze locked with mine, that old, familiar guilt flaring to life in his eyes and punching me in the gut. And once again, I found myself wanting to comfort him.
“I don’t blame you for her death,” I said. “It wasn’t your fault. None of it was your fault. It was all the Draconis.”
“Do you really mean that?” he whispered.
“I do.”
Devon closed the distance between us and stared down at me. I let myself look into his eyes for another heartbeat.
Then I pulled my hand out from under his and stepped away.
Hurt flashed in his gaze before he could hide it. I wanted to stop. I wanted to tell him that I felt this thing, this attraction, this heat between us just as much as he did. I wanted to wrap my arms around his neck, pull his lips down to mine, and lose myself in him.
But I couldn’t.
Not when I was planning on leaving the mansion, the Family, and him, the second I thought it was safe. I already cared about Devon way too much. And Felix and Oscar and even Claudia. I didn’t need to fall any farther down that rabbit hole, especially where Devon was concerned, because I knew exactly where I would end up—with my heart broken.
”
”
Jennifer Estep (Cold Burn of Magic (Black Blade, #1))
“
Every year before the Days of Awe, the Ba-al Shem Tov, the founder of Hasidic Judaism, held a competition to see who would blow the shofar for him on Rosh Hashanah. Now if you wanted to blow the shofar for the Ba-al Shem Tov, not only did you have to blow the shofar like a virtuoso, but you also had to learn an elaborate system of kavanot — secret prayers that were said just before you blew the shofar to direct the shofar blasts and to see that they had the proper effect in the supernal realms.
All the prospective shofar blowers practiced these kavanot for months. They were difficult and complex. There was one fellow who wanted to blow the shofar for the Ba-al Shem Tov so badly that he had been practicing these kavanot for years. But when his time came to audition before the Ba-al Shem, he realized that nothing he had done had prepared him adequately for the experience of standing before this great and holy man, and he choked. His mind froze completely. He couldn’t remember one of the kavanot he had practiced for all those years. He couldn’t even remember what he was supposed to be doing at all. He just stood before the Ba-al Shem in utter silence, and then, when he realized how egregiously — how utterly — he had failed this great test, his heart just broke in two and he began to weep, sobbing loudly, his shoulders heaving and his whole body wracking as he wept.
All right, you’re hired, the Ba-al Shem said.
But I don’t understand, the man said. I failed the test completely. I couldn’t even remember one kavanah.
So the Ba-al Shem explained with the following parable: In the palace of the King, there are many secret chambers, and there are secret keys for each chamber, but one key unlocks them all, and that key is the ax. The King is the Lord of the Universe, the Ba-al Shem explained. The palace is the House of God. The secret chambers are the sefirot, the ascending spiritual realms that bring us closer and closer to God when we perform commandments such as blowing the shofar with the proper intention, and the secret keys are the kavanot. And the ax — the key that opens every chamber and brings us directly into the presence of the King, where he may be — the ax is the broken heart, for as it says in the Psalms, “God is close to the brokenhearted.
”
”
Alan Lew (This Is Real and You Are Completely Unprepared: The Days of Awe as a Journey of Transformation)