Second Chapter Quotes

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Quote taken from Chapter 1: "The police should be in it, not us. We’re out of here.” Bill did an about-face to retrace their route to the door. Piper whipped out a hand and snagged him by the shirttail. Her tone returned to crisp and decisive. “Slow down, Roadrunner. I’m not ready to leave. We’ve got work to do.” Incredulous, he stared gape-mouthed at her. “You'd better explain,” he said. She wiggled her nose. “I’m growing nosier by the second about the circumstances surrounding Anna’s murder.
Ed Lynskey (The Corpse Wore Gingham (Piper & Bill Robins, #1))
He was my partner, my soulmate. As my body started to weaken, he wrapped his arms around me, supporting me. He kept his focus until the last of the senses had floated from me to him and then, when it was just us, the kiss lingered as we stole a few extra seconds. We both knew it was wrong – but letting go seemed impossible..
Jessica Shirvington (Endless (The Violet Eden Chapters, #4))
You will, I am sure, agree with me that... if page 534 only finds us in the second chapter, the length of the first one must have been really intolerable.
Arthur Conan Doyle
I took delight in hurling books across the room if I knew I would not be reading the second chapter. Then I’d go and pick them up again, because they are books, after all, and we are not savages.
Neil Gaiman
Small things were important. Seconds were small things, and if you heaped enough of those on top of one another, they became a man's life.
Brandon Sanderson (Towers of Midnight (The Wheel of Time, #13))
Every morning the maple leaves. Every morning another chapter where the hero shifts from one foot to the other. Every morning the same big and little words all spelling out desire, all spelling out You will be alone always and then you will die. So maybe I wanted to give you something more than a catalog of non-definitive acts, something other than the desperation. Dear So-and-So, I’m sorry I couldn’t come to your party. Dear So-and-So, I’m sorry I came to your party and seduced you and left you bruised and ruined, you poor sad thing. You want a better story. Who wouldn’t? A forest, then. Beautiful trees. And a lady singing. Love on the water, love underwater, love, love and so on. What a sweet lady. Sing lady, sing! Of course, she wakes the dragon. Love always wakes the dragon and suddenly flames everywhere. I can tell already you think I’m the dragon, that would be so like me, but I’m not. I’m not the dragon. I’m not the princess either. Who am I? I’m just a writer. I write things down. I walk through your dreams and invent the future. Sure, I sink the boat of love, but that comes later. And yes, I swallow glass, but that comes later. Let me do it right for once, for the record, let me make a thing of cream and stars that becomes, you know the story, simply heaven. Inside your head you hear a phone ringing and when you open your eyes only a clearing with deer in it. Hello deer. Inside your head the sound of glass, a car crash sound as the trucks roll over and explode in slow motion. Hello darling, sorry about that. Sorry about the bony elbows, sorry we lived here, sorry about the scene at the bottom of the stairwell and how I ruined everything by saying it out loud. Especially that, but I should have known. Inside your head you hear a phone ringing, and when you open your eyes you’re washing up in a stranger’s bathroom, standing by the window in a yellow towel, only twenty minutes away from the dirtiest thing you know. All the rooms of the castle except this one, says someone, and suddenly darkness, suddenly only darkness. In the living room, in the broken yard, in the back of the car as the lights go by. In the airport bathroom’s gurgle and flush, bathed in a pharmacy of unnatural light, my hands looking weird, my face weird, my feet too far away. I arrived in the city and you met me at the station, smiling in a way that made me frightened. Down the alley, around the arcade, up the stairs of the building to the little room with the broken faucets, your drawings, all your things, I looked out the window and said This doesn’t look that much different from home, because it didn’t, but then I noticed the black sky and all those lights. We were inside the train car when I started to cry. You were crying too, smiling and crying in a way that made me even more hysterical. You said I could have anything I wanted, but I just couldn’t say it out loud. Actually, you said Love, for you, is larger than the usual romantic love. It’s like a religion. It’s terrifying. No one will ever want to sleep with you. Okay, if you’re so great, you do it— here’s the pencil, make it work … If the window is on your right, you are in your own bed. If the window is over your heart, and it is painted shut, then we are breathing river water. Dear Forgiveness, you know that recently we have had our difficulties and there are many things I want to ask you. I tried that one time, high school, second lunch, and then again, years later, in the chlorinated pool. I am still talking to you about help. I still do not have these luxuries. I have told you where I’m coming from, so put it together. I want more applesauce. I want more seats reserved for heroes. Dear Forgiveness, I saved a plate for you. Quit milling around the yard and come inside.
Richard Siken
It marked the beginning and, of course, an end. At that moment a chapter, no, a whole stage of my closed. Had I known, and had there been a spare second or two, I might have allowed myself a little nostalgia.
Ian McEwan (Enduring Love)
He was reading the morning paper. She was giving their toddler pieces of toast and jam, which the little girl proceeded to wipe all over her face and the wall behind. The woman laughed as the toddler squealed, and he couldn't help peeking over the top of his paper every few seconds to watch them, admiring the view. That's what it was supposed to be like. Two people meet, fall in love, and then do normal things.
Jessica Shirvington (Embrace (The Violet Eden Chapters, #1))
...but that is how the clues God leaves sometimes work. Sometimes nothing comes of them. Sometimes, as in a great novel, you cannot see until you get to the end that God was leaving clues for you all along. Sometimes you wonder, how did I miss it? Surely any idiot should have been able to see from the second chapter that it was Miss Scarlet in the conservatory with the rope.
Lauren F. Winner (Girl Meets God)
And then he grins back, and I’m giddy and breathless and kind of unraveled. And I didn’t sleep at all last night. Not even for a second. I’ve basically been picturing this moment for ten hours, and now that it’s here, I don’t have a clue what I’m supposed to say. Probably something awesome and witty and not school-related. Probably not: “Did you finish the chapter?
Becky Albertalli (Simon vs. the Homo Sapiens Agenda)
If you say in the first chapter that there is a rifle hanging on the wall, in the second or third chapter it absolutely must go off. If it's not going to be fired, it shouldn't be hanging there.
Anton Chekhov
I have described, in the second chapter, the gait and appearance of a dog when cheerful, and the marked antithesis presented by the same animal when dejected and disappointed, with his head, ears, body, tail, and chops drooping, and eyes dull.
Charles Darwin (The Expression of the Emotions in Man and Animals)
Juliette" I inhale too quickly. A stifled cough is balloning in my throat. His glassy green eyes glint in my direction. "Are you not hungry?" "No, thank you." He licks his bottom lip into a smile. "Don't confuse stupidity for bravery, love. I know you haven't eaten anything in days." Something in my patioence snaps. "I'd rather die than eat your food and listen to you call me love," I tell him. Adam drops his fork. Warner spares him a swift glance and when he looks at my way again his eyes have hardened. He holds my gaze fo a few infinitely long seconds before he pulls a gun out of his jacket pocket. He fires.
Tahereh Mafi (Shatter Me (Shatter Me, #1))
I want a first chapter, and a second and a third—those long chapters, you know, the ones you have to take a break from halfway through. I want all of it, not just the end.” He looked down at my hands, and took them in his, and squeezed them tightly. “And I want it with you.
Ashley Poston (A Novel Love Story)
chain-smoking, chapter by chapter, all the silly things the words mean, all the false promises, all the second-hand notions and time-worn philosophies.
Ray Bradbury (Fahrenheit 451)
For the sake of trust building, the third chapter will follow the second. But then we will jump directly to chapter five, do you understand? No chapter four. Why? Because sometimes things don’t go like they should.
Allie Brosh (Solutions and Other Problems)
It’s not so much that we are losing our identities, but rather that we are no longer embracing false identities. If we hold on to what once defined us, we will miss out on the authentic identity we are being called to.
Dale Hanson Bourke (Second Calling: Finding Passion & Purpose for the Rest of Your Life)
These five values are both unconventional and uncomfortable. But, to me, they are life-changing. The first, which we’ll look at in the next chapter, is a radical form of responsibility: taking responsibility for everything that occurs in your life, regardless of who’s at fault. The second is uncertainty: the acknowledgement of your own ignorance and the cultivation of constant doubt in your own beliefs. The next is failure: the willingness to discover your own flaws and mistakes so that they may be improved upon. The fourth is rejection: the ability to both say and hear no, thus clearly defining what you will and will not accept in your life. The final value is the contemplation of one’s own mortality; this one is crucial, because paying vigilant attention to one’s own death is perhaps the only thing capable of helping us keep all our other values in proper perspective.
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
left her to work, grabbed a book that Holly had lent me, and tried to get past the second chapter. It was about vampires and werewolves and the love of a good woman. Apparently it had a lot of fans. I wasn’t amongst them. About thirty pages in and I’d already come to the conclusion that it was shit, but I figured it could only get better.
Steve McHugh (Crimes Against Magic (Hellequin Chronicles, #1))
Remove everything that has no relevance to the story. If you say in the first chapter that there is a rifle hanging on the wall, in the second or third chapter it absolutely must go off. If it's not going to be fired, it shouldn't be hanging there.
Anton Chekhov
Once [your romantic leads] have kissed, you don’t get any pay-off from a second kiss. In fact, you risk reducing the tension. Every step forward has to up the stakes. But if the stakes go too high too early, it becomes a tension arms race. Escalate too soon and you’ve got all-out nuclear war in chapter four and scorched romantic earth for the rest of the story
C.S. Pacat
He’d never given it much thought before, but every second he spent with her, the yearning to connect, to know every chapter of her story, ate at him. He shouldn’t pry. It was none of his business. After tonight, she’d have her replica to sell for the Digi Robins. For all he knew, she’d go back to being a broker at his firm, nothing more. His hand slipped off the ratline and he cursed under his breath. “Damn it.” “If you fall on me, I’m gonna be pissed.” Harmony called from below. He grinned in spite of himself as he found his rhythm again. “I’m not fallin’ anytime soon, love.” But truth be told…he was starting to suspect he’d already had. For her.
Lisa Kessler (Pirate's Pleasure (Sentinels of Savannah, #3))
The Bible says, ‘If any would not work, neither should he eat.’ Saint Paul wrote that, in Second Thessalonians, chapter three, verse ten,
Ken Follett (A Dangerous Fortune)
My God, what do we want? What does any human being want? Take away an accident of pigmentation of a thin layer of our outer skin and there is no difference between me and anyone else. All we want is for that trivial difference to make no difference. What can I say to a man who asks that? All I can do is try to explain to him why he asks the question. You have looked at us for years as different from you that you may never see us really. You don’t understand because you think of us as second-class humans. We have been passive and accommodating through so many years of your insults and delays that you think the way things used to be is normal. When the good-natured, spiritual-singing boys and girls rise up against the white man and demand to be treated like he is, you are bewildered. All we want is what you want, no less and no more. (Chapter 13).
Shirley Chisholm (Unbought And Unbossed)
I chose her. I chose my daughter. I’ll choose her every second of every day for the rest of my life because she is my everything. So, let’s stop pretending that we are ever going to live happily ever after. You are not my final sentence, you are not my last word. You are simply a chapter I wish I could delete.
Brittainy C. Cherry (The Gravity of Us (Elements, #4))
He did not yet known how many commenced lefe-romances are doomed never to get beyond the first, or at most the second chapter.
Charlotte Brontë (Shirley)
Edward Gibbon (1737-1794) in his Decline and Fall of the Roman Empire said that the following five attributes marked Rome at its end: first, a mounting love of show and luxury (that is, affluence); second, a widening gap between the very rich and the very poor (this could be among countries in the family of nations as well as in a single nation); third, an obsession with sex; fourth, freakishness in the arts, masquerading as originality, and enthusiasms pretending to be creativity; fifth, an increased desire to live off the state. It all sounds so familiar. We have come a long road since our first chapter, and we are back in Rome.
Francis A. Schaeffer (How Should We Then Live? The Rise and Decline of Western Thought and Culture)
Light the third page from the second and so on, chain-smoking, chapter by chapter, all the silly things the words mean, all the false promises, all the second-hand notions and time-worn philosophies
Ray Bradbury (Fahrenheit 451)
How did you know? That she wasn't the one for him?" Now he's staring at his hands, slowing rubbing them together. "They just didn't have that . . . natural magic. You know? It never seemed easy." My voice grows tiny. "Do you think things have to be easy? For it to work?" Cricket's head shoots up, his eyes bulging as they grasp my meaning. "NO. I mean, yes, but . . . sometimes there are ... extenuating circumstances. That prevent it from being easy. For a while. But then people overcome those ...circumstances . . . and . . ." "So you believe in second chances?" I bite my lip. "Second, third, fourth. Whatever it takes. However long it takes. If the person is right," he adds. If the person is . . . Lola?" This time, he holds my gaze. "Only if the other person is Cricket." Chapter 27 Pg 273
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
And does history repeat itself, the first time as tragedy, the second time as farce?No, that’s too grand, too considered a process. History just burps, and we taste again that raw-onion sandwich it swallowed centuries ago.
Julian Barnes (A History of the World in 10½ Chapters)
Is any of this real? Dangerous question. Sometimes I don’t know the answer. I doubt myself. I doubt what I think I know. I try to forget about it. After all, if it’s real, why doesn’t anyone else know about it. Every one knows that change is inevitable. From the second law of thermodynamics to Darwinian evolution, from Buddhism’s insistence that nothing is permanent and all suffering results from our delusions of permanence to the third chapter of Ecclesiastes (“To everything there is a season”), change is part of life, of existence, of the common wisdom. But I don’t believe we’re dealing with all that that means. We haven’t even begun to deal with it.
Octavia E. Butler (Parable of the Sower (Earthseed, #1))
But surely, Philip Philipovich, everybody says that 30-degree vodka is quite good enough.’ ‘Vodka should be at least 40 degrees, not 30 – that’s firstly,’ Philip Philipovich interrupted him didactically, ‘and secondly – God knows what muck they make into vodka nowadays. What do you think they use?’ ‘Anything they like,’ said the other doctor firmly. ‘I quite agree,’ said Philip Philipovich and hurled the contents of his glass down his throat in one gulp. ‘Ah . . . m’m . . . Doctor Bormenthal – please drink that at once and if you ask me what it is, I’m your enemy for life. “From Granada to Seville . . .” Chapter 3
Mikhail Bulgakov (Heart of a Dog)
I read about that in introduction to Psychology; that, and the chapter on caged rats who'd give themselves electric shocks for something to do And the one on the pigeons, trained to peck a button that made a grain of corn appear. Three groups of them: the first got one grain per peck, the second one grain every other peck, the third was random. When the man in charge cut off the grain, the first group gave up quite soon, the second group a little later. The third group never gave up. They'd peck themselves to death, rather than quit. Who knew what worked?
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
If people are like plants, what are the conditions we need to flourish? In the happiness formula from chapter 5, H(appiness) = S(etpoint) + C(onditions) + V(oluntary activities), what exactly is C? The biggest part of C, as I said in chapter 6, is love. No man, woman, or child is an island. We are ultrasocial creatures, and we can’t be happy without having friends and secure attachments to other people. The second most important part of C is having and pursuing the right goals, in order to create states of flow and engagement. In the modern world, people can find goals and flow in many settings, but most people find most of their flow at work.
Jonathan Haidt (The Happiness Hypothesis: Finding Modern Truth in Ancient Wisdom)
It's hard to reconcile this August with the other one. and to be honest I don't try very hard. I've seen flashes of this August before-This brightness, this conviviality, this generosity of spirit-but I know what he's capable of, and I won't forget it. The others can believe what they like, but I don't believe for a second that this is the real August and the other an aberration And yet I can see how they might be fooled-
Sara Gruen (Water for Elephants)
The French Revolution, which is nothing more nor less than the ideal armed with the sword, rose abruptly, and by that very movement, closed the door of evil and opened the door of good. It released the question, promulgated truth, drove away miasma, purified the century, crowned the people. We can say it created man a second time, in giving him a second soul, his rights. Page 997 Saint-Denis chapter 7 Argot part III
Victor Hugo (Les Misérables)
Bad horror stories concern themselves with six ways to kill a vampire, and graphic accounts of how the rats ate Billy's genitalia. Good horror stories are about larger things. About hope and despair. About love and hatred, lust and jealousy. About friendship and adolescence and sexuality and rage, loneliness and alienation and psychosis, courage and cowardice, the human mind and body and spirit under stress and in agony, the human heart in unending conflict with itself. Good horror stories make us look at our reflections in dark distorting mirrors, where we glimpse things that disturb us, things that we did not really want to look at. Horror looks into the shadows of the human soul, at the fears and rages that live within us all. But darkness is meaningless without light, and horror is pointless without beauty. The best horror stories are stories first and horror second, and however much they scare us, they do more than that as well. They have room in them for laughter as well as screams, for triumph and tenderness as well as tragedy. They concern themselves not simply with fear, but with life in all its infinite variety, with love and death and birth and hope and lust and transcendence, with the whole range of experiences and emotions that make up the human condition. Their characters are people, people who linger in our imagination, people like those around us, people who do not exist solely to be the objects of violent slaughter in chapter four. The best horror stories tell us truths.
George R.R. Martin (Dreamsongs, Volume I)
Quinn froze. There was nothing he could do now that would not be a mistake. Whatever choice he made--and he had to make a choice--would be arbitrary, a submission to chance. Uncertainty would haunt him to the end. At that moment, the two Stillmans started on their way again. The first turned right, the second turned left. Quin craved an amoeba's body, wanting to cut himself in half and run off in two directions at once. (Chapter 7)
Paul Auster (City of Glass)
How do you get through any of your classes?" Cath had hours of assigned reading, almost every single night. "Coping strategies." "Such as?" "I record my lectures and listen to them later. Professors usually cover most of what's on the test in class. And I find study groups." "And you lean on Reagan --" "Not just Reagan." He grinned. "I'm really good at quickly identifying the smartest girl in every class." Cath frowned at him. "God, Levi, that's so exploitive." "How is it exploitive? I don't make them wear miniskirts. I don't call them 'baby.' I just say, 'Hello, smart girl, would you like to talk to me about Great Expectations?'" "They probably think you like them." "I do like them." "If it wasn't exploitive, you'd harass smart boys, too --" "I do, in a pinch. Do you feel exploited, Cather?" He was still grinning at her over his coffee cup. "No," she said, "I know that you don't like me." "You don't know anything." "So, this is old hat for you? Finding a girl to read a whole book to you?" He shook his head. "No, this is a first." "Well, now I feel exploited," she said, setting her drink down and reaching for the book. "Thank you," he said. "Chapter seven --" "I'm serious." Levi pulled the book down and looked at her. "Thank you." Cath held his eyes for a few seconds. Then she nodded and pulled back the book.
Rainbow Rowell (Fangirl)
Watch. Delicately, like the petals of a flower. Light the first page, light the second page. Each becomes a black butterfly. Beautiful, eh? Light the third page, from the second and so on, chain-smoking, chapter by chapter, all the silly things the words mean, all the false promises, all the secondhand notions and time-worn philosophies.
Ray Bradbury (Fahrenheit 451)
Though completely irrelevant to the story, seventeen minutes and thirty-two seconds later, every instance of the word “the” that appeared in this chapter transmogrified into a tiny, blue, pineapple-headed bat that flew away to France to start a brand new life even though they all hated France (except for French fries, guillotines, and that place in France where the naked ladies dance). Regarding the latter, apparently there’s a hole in the wall where tiny, blue, pineapple-headed bats can see it all.
Douglas Hackle (The Hottest Gay Man Ever Killed in a Shark Attack)
He tried to sacrifice you,' Jacks growled. 'He's a monster.' 'I'm not saying that Apollo was a good person,' Evangeline said. 'I just keep thinking that you've changed, and it makes me feel as if he should get a chance to change as well.' 'I think he's already gotten everything he deserves,' Jacks grumbled. 'And if it wasn't for you, I would never have changed. I wouldn't have been foolish enough to end up stuck in a tree, but I guarantee I deserved something similar.' (Waterstones Exclusive Edition Alternate Ending).
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
I wait, washed, brushed, fed, like a prize pig. Sometime in the eighties they invented pig balls, for pigs who were being fattened in pens. Pig balls were large colored balls; the pigs rolled them around with their snouts. The pig marketers said this improved their muscle tone; the pigs were curious, they liked having something to think about. I read about that in Introduction to Psychology; that, and the chapter on caged rats who'd give themselves electric shocks for something to do. And the one on the pigeons trained to peck a button that made a grain of corn appear. Three groups of them: the first one got one grain per peck, the second one grain every other peck, the third was random. When the man in charge cut off the grain, the first group gave up quite soon, the second group a little later. The third group never gave up. They'd peck themselves to death, rather than quit. Who knew what worked? I wish I had a pig ball.
Margaret Atwood
Style still matters, for at least three reasons. First, it ensures that writers will get their message across, sparing readers from squandering their precious moments on earth deciphering opaque prose. When the effort fails, the result can be calamitous-as Strunk and White put it, "death on the highway caused by a badly worded road sign, heartbreak among lovers caused by a misplaced phrase in a well-intentioned letter, anguish of a traveler expecting to be met at a railroad station and not being met because of a slipshod telegram." Governments and corporations have found that small improvements in clarity can prevent vast amounts of error, frustration, and waste, and many countries have recently made clear language the law of the land. Second, style earns trust. If readers can see that a writer cares about consistency and accuracy in her prose, they will be reassured that the writer cares about those virtues in conduct they cannot see as easily. Here is how one technology executive explains why he rejects job applications filled with errors of grammar and punctuation: "If it takes someone more than 20 years to notice how to properly use it's, then that's not a learning curve I'm comfortable with." And if that isn't enough to get you to brush up your prose, consider the discovery of the dating site OkCupid that sloppy grammar and spelling in a profile are "huge turn-offs." As one client said, "If you're trying to date a woman, I don't expect flowery Jane Austen prose. But aren't you trying to put your best foot forward?" Style, not least, adds beauty to the world. To a literate reader, a crisp sentence, an arresting metaphor, a witty aside, an elegant turn of phrase are among life's greatest pleasures. And as we shall see in the first chapter, this thoroughly impractical virtue of good writing is where the practical effort of mastering good writing must begin.
Steven Pinker (The Sense of Style: The Thinking Person's Guide to Writing in the 21st Century)
The second ceremony, are the musical instruments, which began to be used in the service of the church, in the time of Pope Vitalian, about the year 600 as Platina relates out of the Pontifical; or as Aimonius rather thinks in book iv. chapter 114, after the year 820, in the time of Lewis the Pious.
Robert Bellarmine
Every one knows that change is inevitable. From the second law of thermodynamics to Darwinian evolution, from Buddhism's insistence that nothing is permanent and all suffering results from our delusions of permanence to the third chapter of Ecclesiastes ("To everything there is a season"), change is part of life, of existence, of the common wisdom. But I don't believe we're dealing with all that that means. We haven't even begun to deal with it.
Octavia E. Butler (Parable of the Sower (Earthseed, #1))
Forcing children causes three problems: First, it undermines their intrinsic motivation—that is, it erodes a children’s natural drive to voluntarily do a task (see chapter 6). Second, it can damage your relationship with your child. When you force a child to do something, you run the risk of starting fights and creating anger on both sides. You can build walls. Third, you remove the opportunity for the child to learn and make decisions on their own.
Michaeleen Doucleff (Hunt, Gather, Parent: What Ancient Cultures Can Teach Us About the Lost Art of Raising Happy, Helpful Little Humans)
It is time for this book in the second person to address itself no longer to a general male you, perhaps brother and double of a hypocrite I, but directly to you who appeared already in the second chapter as the Third Person necessary for the novel to be a novel, for something to happen between that male Second Person and the female Third, for something to take form, develop, or deteriorate according to the phases of human events. Or, rather, to follow the mental models through which we live our human events. Or, rather, to follow the mental models through which we attribute to human events the meanings that allow them to be lived.
Italo Calvino (If on a Winter's Night a Traveler)
The story of June and Mick Riva seemed like a tragedy to their oldest child, Nina. It felt like a comedy of errors to their first son, Jay. It was an origin story for their second son, Hud. And a mystery to the baby of the family, Kit. To Mick himself it was just a chapter of his memoir. But to June, it was, always and forever, a romance.
Taylor Jenkins Reid (Malibu Rising)
Every one knows that change is inevitable. From the second law of thermodynamics to Darwinian evolution, from Buddhism’s insistence that nothing is permanent and all suffering results from our delusions of permanence to the third chapter of Ecclesiastes (“To everything there is a season”), change is part of life, of existence, of the common wisdom.
Octavia E. Butler (Parable of the Sower (Earthseed, #1))
Chapter 3 discusses some unsettling research—stick your average person in a brain scanner, and show him a picture of someone of another race for only a tenth of a second. This is too fast for him to be aware of what he saw. But thanks to that anatomical shortcut, the amygdala knows . . . and activates. In contrast, show the picture for a longer time. Again the amygdala activates, but then the cognitive dlPFC does as well, inhibiting the amygdala—the effort to control what is for most people an unpalatable initial response.
Robert M. Sapolsky (Behave: The Biology of Humans at Our Best and Worst)
As I went to stand up, I felt a tiny point of pressure on my back. "Don't move," Kasey whispered. I stayed bent over. "Drop the knife," she said. "Excuse me, I'm using it," I said. She swallowed hard. "For what?" "Mom and Dad. You." The pressure on my back increased. "Drop it, Alexis." Drop it? Like I was a bad dog running around with a sock in my mouth. "How long will this take?" I asked, setting the knife on the floor. "I'm in the middle of something." Get in the bathroom," she said. The faster I indulged her, the faster it would be over with. So I walked into the bathroom. She followed, kicking the knife toward the end of the hallway and flipping on the bathroom light. "What's this all about, Kasey?" I asked, turning around. At the sight of my face, she gasped, and the point of the fireplace poker she was holding wavered in her hands. I realized a second too late that I'd missed my chance to grab it and smash it into the side of her head. "What's happening to you?" she whispered. I glanced in the mirror. The darkness had begun to spread from my mouth and eyes. It leached out in inky puddles with thin tendrils of black snaking out in delicate feathery patterns. What's happening to me? What was she talking about? "So you have a pointy stick," I said. "Big deal. get out of my way." "What are you going to do?" I sneered. "Poke me?" 'I'll hit you, Lexi." Her face was stony. "As hard as I have to." Whatever. I'm really not in the mood. "Can we talk about this in the morning?" I asked. After I kill you? "No," her eyes hardened. "Get your toothbrush." "What?" "Pick up your toothbrush, and stick it down your throat." "Kasey-" "Do it," she said. "Ugh, fine. You're sick, you know that?" "Get in the tub." "Happy?" I stuck the toothbrush into my throat. Instantly, I gagged and doubled over. "Do it again," she said. "God Kasey," I cried. Stabbing people was one thing. But making them barf- that was just disturbing.
Katie Alender (From Bad to Cursed (Bad Girls Don't Die, #2))
The phenomenon of bullshit jobs (see chapter 2) is perhaps the best illustration of this: In the second decade of the twenty-first century, half of the people were of the opinion that their job was meaningless.19 A 2013 Gallup World Poll found that only 13 percent of people worldwide were truly engaged in their job; 63 percent said they were not engaged
Mattias Desmet (The Psychology of Totalitarianism)
That’s all books are. Escapism borne of wonderfully crafted words that describe far off lands. Sentences that ask and answer within seconds. Paragraphs that slay dragons and ride horses into the midnight sky. Chapters that describe the sensation of pounding hearts and consuming desire, each feeling chronicling the incredible sensation of falling in love.
Emma Hart (Blind Date)
The good-to-great companies displayed two distinctive forms of disciplined thought. The first, and the topic of this chapter, is that they infused the entire process with the brutal facts of reality. (The second, which we will discuss in the next chapter, is that they developed a simple, yet deeply insightful, frame of reference for all decisions.) When,
Jim Collins (Good to Great: Why Some Companies Make the Leap...And Others Don't)
When there is no desire for fruit, there is no temptation for untruth or himsa (violence). Take any instance of untruth or violence, and it will be found that at its back was the desire to attain the cherished end. But it may be freely admitted that the Gita was not written to establish ahimsa. It was an accepted and primary duty even before the Gita age. The Gita had to deliver the message of renunciation of fruit. This is clearly brought out as early as the second chapter. 26. But if the Gita believed in ahimsa or it was included in desirelessness, why did the author take a warlike illustration? When the Gita was written, although people believed in ahimsa, wars were not only not taboo, but nobody observed the contradiction between them and ahimsa.
Mahatma Gandhi (Bhagavad Gita According to Gandhi)
Woman is only sexual, man is partly sexual, and this difference reveals itself in various ways. The parts of the male body by stimulation of which sexuality is excited are limited in area, and are strongly localised, whilst in the case of the woman, they are diffused over her whole body, so that stimulation may take place almost from any part. When in the second chapter of Part I., I explained that sexuality is distributed over the whole body of both sexes, I did not mean that, therefore, the sense organs, through which the definite impulses are stimulated, were equally distributed. There are, certainly, areas of greater excitability, even in the case of the woman, but there is not, as in the man, a sharp division between the sexual areas and the body generally. The morphological isolation of the sexual area from the rest of the body in the case of man, may be taken as symbolical of the relation of sex to his whole nature. Just as there is a contrast between the sexual and the sexless parts of a man's body, so there is a time-change in his sexuality. The female is always sexual, the male is sexual only intermittently. The sexual instinct is always active in woman (as to the apparent exceptions to this sexuality of women, I shall have to speak later on), whilst in man it is at rest from time to time. And thus it happens that the sexual impulse of the male is eruptive in character and so appears stronger. The real difference between the sexes is that in the male the desire is periodical, in the female continuous.
Otto Weininger (Sex and Character: An Investigation of Fundamental Principles)
Twelve chapters later, I’ve learned how our brains control many aspects of our physiology, including the tools that the body has available—from hormones and natural painkillers to the weapons of the immune system—to ease symptoms and fight disease. Instead of responding purely to physical circumstances, I’ve seen how the brain uses our perception of our environment, including memories of the past and predictions about the future, to decide how best to allocate its resources. These processes can have an effect within seconds, or they can influence our physiology for years to come.
Jo Marchant (Cure: A Journey into the Science of Mind Over Body)
And what percentage of people take up the option to die off?’ She looked at me, her glance telling me to be calm. ‘Oh, a hundred per cent, of course. Over many thousands of years, calculated by old time, of course. But yes, everyone takes the option, sooner or later.’ ‘So it’s just like the first time round? You always die in the end?’ ‘Yes, except don’t forget the quality of life here is much better. People die when they decide they’ve had enough, not before. The second time round it’s altogether more satisfying because it’s willed.’ She paused, then added, ‘As I say, we cater for what people want.’ I hadn’t been blaming her. I’m not that sort. I just wanted to find out how the system worked. ‘So … even people, religious people, who come here to worship God throughout eternity … they end up throwing in the towel after a few years, hundred years, thousand years?’ ‘Certainly. As I said, there are still a few Old Heaveners around, but their numbers are diminishing all the time.
Julian Barnes (A History of the World in 10½ Chapters)
I know people who read interminably, book after book, from page to page, and yet I should not call them 'well-read people'. Of course they 'know' an immense amount; but their brain seems incapable of assorting and classifying the material which they have gathered from books. They have not the faculty of distinguishing between what is useful and useless in a book; so that they may retain the former in their minds and if possible skip over the latter while reading it, if that be not possible, then--when once read--throw it overboard as useless ballast. Reading is not an end in itself, but a means to an end. Its chief purpose is to help towards filling in the framework which is made up of the talents and capabilities that each individual possesses. Thus each one procures for himself the implements and materials necessary for the fulfilment of his calling in life, no matter whether this be the elementary task of earning one's daily bread or a calling that responds to higher human aspirations. Such is the first purpose of reading. And the second purpose is to give a general knowledge of the world in which we live. In both cases, however, the material which one has acquired through reading must not be stored up in the memory on a plan that corresponds to the successive chapters of the book; but each little piece of knowledge thus gained must be treated as if it were a little stone to be inserted into a mosaic, so that it finds its proper place among all the other pieces and particles that help to form a general world-picture in the brain of the reader. Otherwise only a confused jumble of chaotic notions will result from all this reading. That jumble is not merely useless, but it also tends to make the unfortunate possessor of it conceited. For he seriously considers himself a well-educated person and thinks that he understands something of life. He believes that he has acquired knowledge, whereas the truth is that every increase in such 'knowledge' draws him more and more away from real life, until he finally ends up in some sanatorium or takes to politics and becomes a parliamentary deputy. Such a person never succeeds in turning his knowledge to practical account when the opportune moment arrives; for his mental equipment is not ordered with a view to meeting the demands of everyday life. His knowledge is stored in his brain as a literal transcript of the books he has read and the order of succession in which he has read them. And if Fate should one day call upon him to use some of his book-knowledge for certain practical ends in life that very call will have to name the book and give the number of the page; for the poor noodle himself would never be able to find the spot where he gathered the information now called for. But if the page is not mentioned at the critical moment the widely-read intellectual will find himself in a state of hopeless embarrassment. In a high state of agitation he searches for analogous cases and it is almost a dead certainty that he will finally deliver the wrong prescription.
Adolf Hitler
...Although the term Existentialism was invented in the 20th century by the French philosopher Gabriel Marcel, the roots of this thought go back much further in time, so much so, that this subject was mentioned even in the Old Testament. If we take, for example, the Book of Ecclesiastes, especially chapter 5, verses 15-16, we will find a strong existential sentiment there which declares, 'This too is a grievous evil: As everyone comes, so they depart, and what do they gain, since they toil for the wind?' The aforementioned book was so controversial that in the distant past there were whole disputes over whether it should be included in the Bible. But if nothing else, this book proves that Existential Thought has always had its place in the centre of human life. However, if we consider recent Existentialism, we can see it was the French philosopher Jean-Paul Sartre who launched this movement, particularly with his book Being and Nothingness, in 1943. Nevertheless, Sartre's thought was not a new one in philosophy. In fact, it goes back three hundred years and was first uttered by the French philosopher René Descartes in his 1637 Discours de la Méthode, where he asserts, 'I think, therefore I am' . It was on this Cartesian model of the isolated ego-self that Sartre built his existential consciousness, because for him, Man was brought into this world for no apparent reason and so it cannot be expected that he understand such a piece of absurdity rationally.'' '' Sir, what can you tell us about what Sartre thought regarding the unconscious mind in this respect, please?'' a charming female student sitting in the front row asked, listening keenly to every word he had to say. ''Yes, good question. Going back to Sartre's Being and Nothingness it can be seen that this philosopher shares many ideological concepts with the Neo-Freudian psychoanalysts but at the same time, Sartre was diametrically opposed to one of the fundamental foundations of psychology, which is the human unconscious. This is precisely because if Sartre were to accept the unconscious, the same subject would end up dissolving his entire thesis which revolved around what he understood as being the liberty of Man. This stems from the fact that according to Sartre, if a person accepts the unconscious mind he is also admitting that he can never be free in his choices since these choices are already pre-established inside of him. Therefore, what can clearly be seen in this argument is the fact that apparently, Sartre had no idea about how physics, especially Quantum Mechanics works, even though it was widely known in his time as seen in such works as Heisenberg's The Uncertainty Principle, where science confirmed that first of all, everything is interconnected - the direct opposite of Sartrean existential isolation - and second, that at the subatomic level, everything is undetermined and so there is nothing that is pre-established; all scientific facts that in themselves disprove the Existential Ontology of Sartre and Existentialism itself...
Anton Sammut (Paceville and Metanoia)
All languages that derive fromLatin form the word 'compassion' by combining the prefix meaning 'with' (com-) and the root meaning 'suffering' (Late Latin, passio). In other languages- Czech, Polish, German, and Swedish, for instance- this word is translated by a noun formed of an equivalent prefixcombined with the word that means 'feeling' (Czech, sou-cit; Polish, wsspół-czucie; German, Mit-gefühl; Swedish, medkänsla). In languages that derive from Latin, 'compassion' means: we cannot look on coolly as others suffer; or, we sympathize with those who suffer. Another word with approximately the same meaning, 'pity' (French, pitié; Italian, pietà; etc.), connotes a certain condescension towards the sufferer. 'To take pity on a woman' means that we are better off than she, that we stoop to her level, lower ourselves. That is why the word 'compassion' generally inspires suspicion; it designates what is considered an inferior, second-rate sentiment that has little to do with love. To love someone out of compassion means not really to love. In languages that form the word 'compassion' not from the root 'suffering' but from the root 'feeling', the word is used in approximately the same way, but to contend that it designates a bad or inferior sentiment is difficult. The secret strength of its etymology floods the word with another light and gives it a broader meaning: to have compassion (co-feeling) means not only to be able to live with the other's misfortune but also to feel with him any emotion- joy, anxiety, happiness, pain. This kind of compassion (in the sense of soucit, współczucie, Mitgefühl, medkänsla) therefore signifies the maximal capacity of affective imagination, the art of emotional telepathy. In the hierarchy of sentiments, then, it is supreme. By revealing to Tomas her dream about jabbing needles under her fingernails, Tereza unwittingly revealed that she had gone through his desk. If Tereza had been any other woman, Tomas would never have spoken to her again. Aware of that, Tereza said to him, 'Throw me out!' But instead of throwing her out, he seized her and kissed the tips of her fingers, because at that moment he himself felt the pain under her fingernails as surely as if the nerves of her fingers led straight to his own brain. Anyone who has failed to benefit from the the Devil's gift of compassion (co-feeling) will condemn Tereza coldly for her deed, because privacy is sacred and drawers containing intimate correspondence are not to be opened. But because compassion was Tomas's fate (or curse), he felt that he himself had knelt before the open desk drawer, unable to tear his eyes from Sabina's letter. He understood Tereza, and not only was he incapable of being angry with her, he loved her all the more.
Milan Kundera
were running down his cheeks. I hadn’t seen him cry in years, not even when Mom and Dad had been killed. (I remembered the funeral. I had sobbed in spite of myself; Soda had broken down and bawled like a baby; but Darry had only stood there, his fists in his pockets and that look on his face, the same helpless, pleading look that he was wearing now.) In that second what Soda and Dally and Two-Bit had been trying to tell me came through. Darry did care about me, maybe as much as he cared about Soda, and because he cared he was trying too hard to make something of me. When he yelled “Pony, where have you been all this time?” he meant “Pony, you’ve scared me to death. Please be careful, because I couldn’t stand it if anything happened to you.” Darry looked down and turned away silently. Suddenly I broke out of my daze. “Darry!” I screamed, and the next thing I knew I had him around the waist and was squeezing the daylights out of him. “Darry,” I said, “I’m sorry . . .” He was stroking my hair and I could hear the sobs racking him as he fought to keep back the tears. “Oh, Pony, I thought we’d lost you . . . like we did Mom and Dad . . .” That was his silent fear then—of losing another person he loved. I remembered how close he and Dad had been, and I wondered how I could ever have thought him hard and unfeeling. I listened to his heart pounding through his T-shirt and knew everything was going to be okay now. I had taken the long way around, but I was finally home. To stay. Chapter 7
S.E. Hinton (The Outsiders)
Ritual abuse diagnosis research – excerpt from a chapter in: Lacter, E. & Lehman, K. (2008).Guidelines to Differential Diagnosis between Schizophrenia and Ritual Abuse/Mind Control Traumatic Stress. In J.R. Noblitt & P. Perskin(Eds.), Ritual Abuse in the Twenty-first Century: Psychological, Forensic, Social and Political Considerations, pp. 85-154. Bandon, Oregon: Robert D. Reed Publishers. quotes: A second study revealed that these results were unrelated to patients’ degree of media and hospital milieu exposure to the subject of Satanic ritual abuse. “In fact, less media exposure was associated with production of more Satanic content in patients reporting ritual abuse, evidence that reports of ritual abuse are not primarily the product of exposure contagion.” Responses are consistent with the devastating and pervasive abuse these victims have experienced, so often including immediate family members.
James Randall Noblitt (Ritual Abuse in the Twenty-First Century: Psychological, Forensic, Social, and Political Considerations)
This fundamental subject of Natural Selection will be treated at some length in the fourth chapter; and we shall then see how Natural Selection almost inevitably causes much Extinction of the less improved forms of life and induces what I have called Divergence of Character. In the next chapter I shall discuss the complex and little known laws of variation and of correlation of growth. In the four succeeding chapters, the most apparent and gravest difficulties on the theory will be given: namely, first, the difficulties of transitions, or in understanding how a simple being or a simple organ can be changed and perfected into a highly developed being or elaborately constructed organ; secondly the subject of Instinct, or the mental powers of animals, thirdly, Hybridism, or the infertility of species and the fertility of varieties when intercrossed; and fourthly, the imperfection of the Geological Record. In
Charles Darwin (On the Origin of Species)
I’d internally combust from hormone overdose if I went anywhere near Hotness right now. Like getting too close to the sun, he’d probably burn me with one of his deadly testosterone rays.’ ‘As if he sensed I was blushing over him that very second, Hotness–or as Eva had dubbed him, Mason Lowe–glanced in our direction and made eye contact. With me. I stopped laughing. Stopped smiling. Pretty much stopped breathing. Gawd, but the boy sure knew how to hold a heated stare.
Linda Kage (Price of a Kiss (Forbidden Men, #1))
David and Goliath is a book about what happens when ordinary people confront giants. By “giants,” I mean powerful opponents of all kinds—from armies and mighty warriors to disability, misfortune, and oppression. Each chapter tells the story of a different person—famous or unknown, ordinary or brilliant—who has faced an outsize challenge and been forced to respond. Should I play by the rules or follow my own instincts? Shall I persevere or give up? Should I strike back or forgive? Through these stories, I want to explore two ideas. The first is that much of what we consider valuable in our world arises out of these kinds of lopsided conflicts, because the act of facing overwhelming odds produces greatness and beauty. And second, that we consistently get these kinds of conflicts wrong. We misread them. We misinterpret them. Giants are not what we think they are. The same qualities that appear to give them strength are often the sources of great weakness. And the fact of being an underdog can change people in ways that we often fail to appreciate: it can open doors and create opportunities and educate and enlighten and make possible what might otherwise have seemed unthinkable.
Malcolm Gladwell (David and Goliath: Underdogs, Misfits, and the Art of Battling Giants)
The best example of the incarnate presence of Christ to withstand worldly power is Solzhenitsyn, the most distinguished contemporary Russian writer. [...] He realized that we can be free only if we are free in our souls; that a man in a prison camp who has learned to be free inside himself is freer than the freest man, whether in the so-called free world of the West or in the ideological Marxist world of the East. One chapter in his second Gulag book is called 'The Ascent'. In that chapter he describes this process of illumination in a classic document of what it means to be liberated, to be free through Christ. St. Paul called it 'the glorious freedom of the children of God', the only authentic freedom that exists in this mortal life.
Malcolm Muggeridge (The End of Christendom)
CHAPTER ELEVEN Man The Destroyer   Darkness will be preferred to light, and death will be thought more profitable than life…the pious will be deemed insane, and the impious wise, the madman will be thought a brave man, and the wicked will be esteemed as good – Hermes Trismegistus As we mentioned, the titanic reversals were not merely physical, but psychic. Human consciousness was as shattered as the world, and the consequences of ruined minds is seen all around us. In short, the human tendency to commit evil acts is the consequence of trauma primarily caused by four tragic events: The Destruction of Tiamat (and first deluge) Genetic Alteration The War of the Gods The Pole Shift (second deluge and subsequent global carnage and fallout) Once we accept that colossal violent upheavals took place, we cannot avoid contemplating their effect on consciousness. Strangely, no mainstream scientist or psychologist has competently addressed this fundamentally important question. Academics avoid dealing with the problem of evil because they know what a threat the answers pose to the Establishment, and particularly to religion.
Michael Tsarion (Atlantis, Alien Visitation and Genetic Manipulation)
Augustine, who assumed that Genesis 1 was chapter 1 in a book that contained the literal words of God, and that Genesis 2 was the second chapter in the same book, put the two chapters together and read the latter as a sequel. Genesis 2, he assumed, described the fall from the perfection and original goodness of creation depicted in chapter 1. So almost inevitably the Christian scriptures from the fourth century on were interpreted against the background of this (mis) understanding. The primary trouble with this theory was that by the fourth century of the Common Era there were no Jews to speak of left in the Christian movement, and therefore the only readers and interpreters of the ancient Hebrew myths were Gentiles, who had no idea what these stories originally meant. Consequently, they interpreted them as perfection established by God in chapter 1, followed by perfection ruined by human beings in chapter 2. Why was that a problem? Well I, for one, have never known a Jewish scripture scholar to treat the Garden of Eden story in the same way that Gentiles treat it. Jews tend to see this story not as a narrative about sin entering the world, but as a parable about the birth of self-consciousness. It is, for the Jews, not a fall into sin, but a step into humanity. It is the birth of a new relationship with God, changing from master-servant to interdependent cooperation. The forbidden fruit was not from an apple tree, as so many who don’t bother to read the text seem to think. It was rather from “the tree of knowledge,” and the primary thing that one gained from eating the fruit of the tree of knowledge was the ability to discern good from evil. Gaining that ability did not, in the minds of the Jewish readers of the book of Genesis, corrupt human nature. It simply made people take responsibility for their freely made decisions. A slave has no such freedom. The job of the slave is simply to obey, not to think. The job of the slave-master is to command. Thus the relationship of the master to the slave is a relationship of the strong to the weak, the parent to the child, the king to the serf, the boss to the worker. If human beings were meant to live in that kind of relationship with God, then humanity would have been kept in a perpetual state of irresponsible, childlike immaturity. Adam and Eve had to leave the Garden of Eden, not because they had disobeyed God’s rules, but because, when self-consciousness was born, they could no longer live in childlike dependency. Adam and Eve discovered, as every child ultimately must discover, that maturity requires that the child leave his or her parents’ home, just as every bird sooner or later must leave its nest and learn to fly on its own. To be forced out of the Garden of Eden was, therefore, not a punishment for sin, so much as it was a step into maturity.
John Shelby Spong (Biblical Literalism)
Eliot's understanding of poetic epistemology is a version of Bradley's theory, outlined in our second chapter, that knowing involves immediate, relational, and transcendent stages or levels. The poetic mind, like the ordinary mind, has at least two types of experience: The first consists largely of feeling (falling in love, smelling the cooking, hearing the noise of the typewriter), the second largely of thought (reading Spinoza). The first type of experience is sensuous, and it is also to a great extent monistic or immediate, for it does not require mediation through the mind; it exists before intellectual analysis, before the falling apart of experience into experiencer and experienced. The second type of experience, in contrast, is intellectual (to be known at all, it must be mediated through the mind) and sharply dualistic, in that it involves a breaking down of experience into subject and object. In the mind of the ordinary person, these two types of experience are and remain disparate. In the mind of the poet, these disparate experiences are somehow transcended and amalgamated into a new whole, a whole beyond and yet including subject and object, mind and matter. Eliot illustrates his explanation of poetic epistemology by saying that John Donne did not simply feel his feelings and think his thoughts; he felt his thoughts and thought his feelings. He was able to "feel his thought as immediately as the odour of a rose." Immediately" in this famous simile is a technical term in philosophy, used with precision; it means unmediated through mind, unshattered into subject and object. Falling in love and reading Spinoza typify Eliot's own experiences in the years in which he was writing The Waste Land. These were the exciting and exhausting years in which he met Vivien Haigh-Wood and consummated a disastrous marriage, the years in which he was deeply involved in reading F. H. Bradley, the years in which he was torn between the professions of philosophy and poetry and in which he was in close and frequent contact with such brilliant and stimulating figures as Bertrand Russell and Ezra Pound, the years of the break from his family and homeland, the years in which in every area of his life he seemed to be between broken worlds. The experiences of these years constitute the material of The Waste Land. The relevant biographical details need not be reviewed here, for they are presented in the introduction to The Waste Land Facsimile. For our purposes, it is only necessary to acknowledge what Eliot himself acknowledged: the material of art is always actual life. At the same time, it should also be noted that material in itself is not art. As Eliot argued in his review of Ulysses, "in creation you are responsible for what you can do with material which you must simply accept." For Eliot, the given material included relations with and observations of women, in particular, of his bright but seemingly incurably ill wife Vivien(ne).
Jewel Spears Brooker (Reading the Waste Land: Modernism and the Limits of Interpretation)
Gabriel looked at me hopefully, expectantly, waiting for my response. I felt my eyes welling up with tears. “Yes,” I said, “yes, yes, yes…” We hugged each other and cried and laughed. He’s in bed now, asleep. I had to sneak away and write all this down—I want to remember this day for the rest of my life. Every single second of it. I feel joyous. I feel full of hope. CHAPTER FOURTEEN I KEPT THINKING ABOUT what Max Berenson had said—about Alicia’s suicide attempt, following her father’s death. There was no mention of it in her file, and I wondered why. I rang Max the next day, catching him just as he was leaving the office.
Alex Michaelides (The Silent Patient)
Indians like to classify, and the eighteen chapters of the Gita are said to break into three six-chapter parts. The first third, according to this, deals with karma yoga, the second with jnana yoga, and the last with bhakti yoga: that is, the Gita begins with the way of selfless action, passes into the way of Self-knowledge, and ends with the way of love. This scheme is not tight, and non-Hindu readers may find it difficult to discover in the text. But the themes are there, and Krishna clearly shifts his emphasis as he goes on using this one word yoga. Here he focuses on transcendental knowledge, there on selfless action, here on meditation, there on
Krishna-Dwaipayana Vyasa (The Bhagavad Gita)
Secondly, it is the very nature of spiritual life to grow. Wherever they principle of this life is to be found, it can be no different for it must grow. "But the path of the just is as the shining light, that shineth more and more unto the perfect day" (Prov. 4:18); "The righteous also shall hold on his way, and he that hath clean hands shall be stronger and stronger" (Job 17:9). This refers to the children of GOd, who are compared to palm and cedar trees (Psa. 92:12). As natural as it is for children and trees to grow, so natural is growth for the regenerated children of God. Thirdly, the growth of His children is the goal and objective God has in view by administering the means of grace to them. "And He gave some, apostles; and some, prophets; and some, evangelists; and some, pastors and teachers; for the perfecting of the saints...that we henceforth be no more children...but speaking the truth in love, may grow up into Him in all things, which is the Head" (Eph. 4:11-15). This is also to be observed in 1 Peter 2:2: "as newborn babes, desire the sincere milk of the word, that ye may grow thereby, " God will reach His goal and His word will not return to Him void; thus God's children will grow in grace. Fourthly, is is the duty to which God's children are continually exhorted, and their activity is to consist in a striving for growth. That it is their duty is to be observed in the following passages: "But grow in grace, and in the knowledge of our Lord and Saviour Jesus Christ" (2 Peter 3:18); "He that is righteous, let him be righteous still: and he that is holy, let him be holy still" (Rev. 22:11). The nature of this activity is expressed as follows: "Not as though I had already attained, either were already perfect: but I follow after" (Phil. 3:12). If it were not necessary for believers to grow the exhortations to that end would be in vain. Some remain feeble, having but little life and strength. this can be due to a lack of nourishment, living under a barren ministry, or being without guidance. It can also be that they naturally have a slow mind and a lazy disposition; that they have strong corruptions which draw them away; that they are without much are without much strife; that they are too busy from early morning till late evening, due to heavy labor, or to having a family with many children, and thus must struggle or are poverty-stricken. Furthermore, it can be that they either do not have the opportunity to converse with the godly; that they do not avail themselves of such opportunities; or that they are lazy as far as reading in God's Word and prayer are concerned. Such persons are generally subject to many ups and downs. At one time they lift up their heads out of all their troubles, by renewal becoming serious, and they seek God with their whole heart. It does not take long, however , and they are quickly cast down in despondency - or their lusts gain the upper hand. Thus they remain feeble and are, so to speak, continually on the verge of death. Some of them occasionally make good progress, but then grieve the Spirit of God and backslide rapidly. For some this lasts for a season, after which they are restored, but others are as those who suffer from consumption - they languish until they die. Oh what a sad condition this is! (Chapter 89. Spiritual Growth, pg. 140, 142-143)
Wilhelmus à Brakel (The Christian's Reasonable Service, Vol. 4)
I’m a big believer in cooking your own meals. It makes it much easier not only to ensure that you eat fresh foods but also to follow the second rule of eating (see previous chapter), which advises incorporating as many colors, tastes, textures, and aromas as possible into one’s meal. Beyond those benefits, I feel that cooking celebrates self-respect, and it’s especially important on the Warrior Diet. Through cooking, you can control exactly what you put inside your body. It’s a creative process, where you use trial and error to determine what you like.You can use different herbs and spices to increase or balance flavors, aromas, and textures.You’re not a scavenger on the Warrior Diet.
Ori Hofmekler (The Warrior Diet)
It is the responsibility of all of us to invest time and effort in uncovering our biases and in verifying our sources of information. As noted in earlier chapters, we cannot investigate everything ourselves. But precisely because of that, we need at least to investigate carefully our favourite sources of information – be they a newspaper, a website, a TV network or a person. In Chapter 20 we will explore in far greater depth how to avoid brainwashing and how to distinguish reality from fiction. Here I would like to offer two simple rules of thumb. First, if you want reliable information – pay good money for it. If you get your news for free, you might well be the product. Suppose a shady billionaire offered you the following deal: ‘I will pay you $30 a month, and in exchange, you will allow me to brainwash you for an hour every day, installing in your mind whichever political and commercial biases I want.’ Would you take the deal? Few sane people would. So the shady billionaire offers a slightly different deal: ‘You will allow me to brainwash you for one hour every day, and in exchange, I will not charge you anything for this service. The second rule of thumb is that if some issue seems exceptionally important to you, make the effort to read the relevant scientific literature. And by scientific literature I mean peer-reviewed articles, books published by well-known academic publishers, and the writings of professors from reputable institutions. Science obviously has its limitations, and it has got many things wrong in the past. Nevertheless, the scientific community has been our most reliable source of knowledge for centuries. If you think that the scientific community is wrong about something, that’s certainly possible, but at least know the scientific theories you are rejecting, and provide some empirical evidence to support your claim.
Yuval Noah Harari (21 Lessons for the 21st Century)
Unexpectedly, we found that the factors most people usually think of as driving group performance—i.e., cohesion, motivation, and satisfaction—were not statistically significant. The largest factor in predicting group intelligence was the equality of conversational turn taking; groups where a few people dominated the conversation were less collectively intelligent than those with a more equal distribution of conversational turn taking. The second most important factor was the social intelligence of a group’s members, as measured by their ability to read each other’s social signals. Women tend to do better at reading social signals, so groups with more women tended to do better (see the Social Signals Special Topic Box [at the end of Chapter 7]).
Alex Pentland (Social Physics: how good ideas spread — the lessons from a new science)
The second was the chapter in Roger Penrose’s book The Emperor’s New Mind in which he discusses entropy. He points out that there’s a sense in which it’s incorrect to say we eat food because we need the energy it contains. The conservation of energy means that it is neither created nor destroyed; we are radiating energy constantly, at pretty much the same rate that we absorb it. The difference is that the heat energy we radiate is a high-entropy form of energy, meaning it’s disordered. The chemical energy we absorb is a low-entropy form of energy, meaning it’s ordered. In effect, we are consuming order and generating disorder; we live by increasing the disorder of the universe. It’s only because the universe started in a highly ordered state that we are able to exist at all.
Ted Chiang (Exhalation)
In this chapter, we’ve considered six psychological tendencies that exacerbate intertribal conflict. First, human tribes are tribalistic, favoring Us over Them. Second, tribes have genuine disagreements about how societies should be organized, emphasizing, to different extents, the rights of individuals versus the greater good of the group. Tribal values also differ along other dimensions, such as the role of honor in prescribing responses to threats. Third, tribes have distinctive moral commitments, typically religious ones, whereby moral authority is vested in local individuals, texts, traditions, and deities that other groups don’t recognize as authoritative. Fourth, tribes, like the individuals within them, are prone to biased fairness, allowing group-level self-interest to distort their sense of justice. Fifth, tribal beliefs are easily biased. Biased beliefs arise from simple self-interest, but also from more complex social dynamics. Once a belief becomes a cultural identity badge, it can perpetuate itself, even as it undermines the tribe’s interests. Finally, the way we process information about social events can cause us to underestimate the harm we cause others, leading to the escalation of conflict.
Joshua Greene (Moral Tribes: Emotion, Reason and the Gap Between Us and Them)
Colleges have now become privileged finishing schools for girls. Except rather than teaching manners, they teach women that men are the enemy and men are treated as such on campus, unless they go along with the program that keeps them cowed or striking a PC pose. Many men have just decided that they don’t belong in college and are going on strike, consciously or unconsciously. How will this affect their wages and lifestyles in the coming decades? If nothing changes and more and more men drop out of college or never attend, how will this change society? Will men continue to become the other, and be further relegated to second-class status where women and society are afraid of them and they are hesitant to participate fully in the public sphere? Is this already happening? The next chapter explores these questions.
Helen Smith (Men on Strike: Why Men Are Boycotting Marriage, Fatherhood, and the American Dream - and Why It Matters)
Hermione made purple and gold streamers erupt from the end of her wand and drape themselves artistically over the trees and bushes. “Nice,” said Ron, as with one final flourish of her wand, Hermione turned the leaves on the crabapple tree to gold. “You’ve really got an eye for that sort of thing.” “Thank you, Ron!” said Hermione, looking both pleased and a little confused. Harry turned away, smiling to himself. He had a funny notion that he would find a chapter on compliments when he found time to peruse his copy of Twelve Fail-Safe Ways to Charm Witches; he caught Ginny’s eye and grinned at her before remembering his promise to Ron and hurriedly striking up a conversation with Monsieur Delacour. “Out of the way, out of the way!” sang Mrs. Weasley, coming through the gate with what appeared to be a giant, beach-ball-sized Snitch floating in front of her. Seconds later Harry realized that it was his birthday cake, which Mrs. Weasley was suspending with her wand, rather than risk carrying it over the uneven ground. When the cake had finally landed in the middle of the table, Harry said, “That looks amazing, Mrs. Weasley.” “Oh, it’s nothing, dear,” she said fondly. Over her shoulder, Ron gave Harry the thumbs-up and mouthed, Good one.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
She used these moments as she used all such time now to gird herself for the coming necessities. Time pressed; a special calendar drove her. She had looked at a calendar before leaving Chapter House, caught as often happened to her by the persistence of time and its language: seconds, minutes, hours, days, weeks, months, years. . . Standard Years, to be precise. Persistence was an inadequate word for the phenomenon. Inviolability was more like it. Tradition. Never disturb tradition. She held the comparisons firmly in mind, the ancient flow of time imposed on planets that did not tick to the primitive human clock. A week was seven days. Seven! How powerful that number remained. Mystical. It was enshrined in the Orange Catholic Bible. The Lord made a world in six days “and on the seventh day He rested.” Good for Him! Odrade thought. We all should rest after great labors.
Frank Herbert (Heretics of Dune)
Devington could clearly ascertain by the end of the second lap that Slug was decidely undermanaged by his indolent jockey, and the high-strung Hawke was incontrovertibly terrized by his...By the end of the final lap of the arduous run, Lord Uxeter had completely used up his horse, and Slug had completely uased up his rider! ...Devington seized the moment to claim the lead, murmuring low to Rosie, "It would appear, my lovely girl, the race is ours.
Emery Lee (The Highest Stakes)
How to build a strong culture44 1. Have strong hiring filters in place. Explicitly filter for people with common values. You need to be careful that this does not act as a mechanism to inadvertently filter out diverse populations. You can have both a common sense of purpose and a diverse employee base at the same time. See later sections and the interview with Joelle Emerson for more information. 2. Constantly emphasize values day-to-day. Repeat them until you are blue in the face. The second you are really sick of saying the same thing over and over, you will find people have started repeating it back to you. 3. Reward people based on performance as well as culture. People should be rewarded (with promotions, financially, etc.) for both productivity and for living the company’s values. 4. Get rid of bad culture fits quickly. Fire bad culture fits even faster than you fire low performers.45 This chapter focuses on #1 above:
Elad Gil (High Growth Handbook: Scaling Startups From 10 to 10,000 People)
Apart from such chaotic classics as these, my own taste in novel reading is one which I am prepared in a rather especial manner, not only to declare, but to defend. My taste is for the sensational novel, the detective story, the story about death, robbery and secret societies; a taste which I share in common with the bulk at least of the male population of this world. There was a time in my own melodramatic boyhood when I became quite fastidious in this respect. I would look at the first chapter of any new novel as a final test of its merits. If there was a murdered man under the sofa in the first chapter, I read the story. If there was no murdered man under the sofa in the first chapter, I dismissed the story as tea-table twaddle, which it often really was. But we all lose a little of that fine edge of austerity and idealism which sharpened our spiritual standard in our youth. I have come to compromise with the tea-table and to be less insistent about the sofa. As long as a corpse or two turns up in the second, the third, nay even the fourth or fifth chapter, I make allowance for human weakness, and I ask no more. But a novel without any death in it is still to me a novel without any life in it. I admit that the very best of the tea-table novels are great art - for instance, Emma or Northanger Abbey. Sheer elemental genius can make a work of art out of anything. Michelangelo might make a statue out of mud, and Jane Austen could make a novel out of tea - that much more contemptible substance. But on the whole I think that a tale about one man killing another man is more likely to have something in it than a tale in which, all the characters are talking trivialities without any of that instant and silent presence of death which is one of the strong spiritual bonds of all mankind. I still prefer the novel in which one person does another person to death to the novel in which all the persons are feebly (and vainly) trying to get the others to come to life.
G.K. Chesterton (The Spice of Life)
The word zen itself is a Japanese mispronunciation of the Chinese word ch’an, which, in turn, is a Chinese mispronunciation of the Sanskrit dhyana, meaning “contemplation, meditation.” Contemplation, however, of what? Let us imagine ourselves for a moment in the lecture hall where I originally presented the material for this chapter. Above, we see the many lights. Each bulb is separate from the others, and we may think of them, accordingly, as separate from each other. Regarded that way, they are so many empirical facts; and the whole universe seen that way is called in Japanese ji hokkai, “the universe of things.” But now, let us consider further. Each of those separate bulbs is a vehicle of light, and the light is not many but one. The one light, that is to say, is being displayed through all those bulbs; and we may think, therefore, either of the many bulbs or of the one light. Moreover, if this or that bulb went out, it would be replaced by another and we should again have the same light. The light, which is one, appears thus through many bulbs. Analogously, I would be looking out from the lecture platform, seeing before me all the people of my audience, and just as each bulb seen aloft is a vehicle of light, so each of us below is a vehicle of consciousness. But the important thing about a bulb is the quality of its light. Likewise, the important thing about each of us is the quality of his consciousness. And although each may tend to identify himself mainly with his separate body and its frailties, it is possible also to regard one’s body as a mere vehicle of consciousness and to think then of consciousness as the one presence here made manifest through us all. These are but two ways of interpreting and experiencing the same set of present facts. One way is not truer than the other. They are just two ways of interpreting and experiencing: the first, in terms of the manifold of separate things; the second, in terms of the one thing that is made manifest through this manifold. And as, in Japanese, the first is known as ji hokkai, so the second is ri hokkai, the absolute universe.
Joseph Campbell (Myths to Live By)
our lives. First, we’ll look at practicing the power of being present. Which sounds a lot cooler, hipper, New Age, and Zen than I intend, because what I’m talking about, as you’ll see, is simply a fundamental awareness of God’s presence in each moment of our lives. The second area is one you may know but don’t practice regularly: taking a Sabbath. Notice I said “taking” instead of “observing” the Sabbath. Knowing how to rest, to unplug, to unwind is as much a spiritual discipline as prayer or fasting. As weird as it may sound, God commands us to rest. It’s not an option to keep going at the pace, intensity, and speed at which most of us live our lives. Busyness will remain the standard for many people for years to come. But we’re called to a different standard, a way of prioritizing our time that may seem weird to everyone around us. When we follow Jesus, we’re about our Father’s business, not about the world’s busyness. Check your watch. It’s time to get weird. Chapter 2 NO TIME LIKE THE PRESENT You must live in the present, launch yourself on every wave, find your eternity in each moment. — HENRY D
Craig Groeschel (WEIRD: Because Normal Isn’t Working)
Whether he talked or not made little difference to my mood. My only enemy was the clock on the dashboard, whose hands would move relentlessly to one o'clock. We drove east, we drove west, amidst the myriad villages that cling like limpets to the Mediterranean shore, and today I remember none of them. All I remember is the feel of the leather seats, the texture of the map upon my knee, its frayed edges, its worn seams, and how one day, looking at the clock, I thought to myself, 'This moment now, at twenty past eleven, this must never be lost, ' and I shut my eyes to make the experience more lasting. When I opened my eyes we were by a bend in the road, and a peasant girl in a black shawl waved to us; I can see her now, her dusty skirt, her gleaming, friendly smile, and in a second we had passed the bend and could see her no more. Already she belonged to the past, she was only a memory. I wanted to go back again, to recapture the moment that had gone, and then it came to me that if we did it would not be the same, even the sun would be changed in the sky, casting another shadow, and the peasant girl would trudge past us along the road in a different way, not waving this time, perhaps not even seeing us. There was something chilling in the thought, something a little melancholy, and looking at the clock I saw that five more minutes had gone by. Soon we would have reached our time limit, and must return to the hotel. 'If only there could be an invention', I said impulsively, 'that bottled up a memory, like scent. And it never faded, and it never got stale. And then, when one wanted it, the bottle could be uncorked, and it would be like living the moment all over again." (Rebecca, chapter five)
Daphne du Maurier
Chapter 1 14th November 1940: Coventry, England. Boom. Boom. The ground vibrated with each explosion. Unfamiliar sounds surrounded Rose Sherbourne as her body received blow after blow from displaced items of furniture. She jumped when shattering glass hit falling bricks, and everything around her crashed under their weight. Boom. Another explosion, followed by the sound of metal hitting metal, echoed out around Rose’s ears and her breath came thick and fast. Through the opening of what was once the front room, a sudden blast of hot air blew both her and her mother off their feet. Rose’s body fell against something hard and a searing pain shot through her back. For a few seconds she could not see, and she blinked, only to feel fine dust fall on her cheeks and into her eyes yet again. She wiped it away with the back of her hand and prepared herself to scrabble upright. Boom. A wall fell around her and, unable to move both with fear and because something was pinning down her right leg, Rose took a moment to catch her breath. Above her an intense whistling sound screamed from the sky, followed by an eerie whooshing sound. A continuous whistle followed. Rose held her breath.
Glynis Peters (The Secret Orphan)
Fear resides in all things, and the heart of fear is the unexpected. Do not frighten your opponent with what is right before their eyes." The Book of Five Rings, The Fire Chapter The Way of Walking Alone Do not turn your back on the various ways of this world. Do not scheme for physical pleasure. Consider yourself lightly; consider the world deeply. Do not ever think in acquisitive terms. Do not regret things about your personal life. Do not envy another’s good or evil. Do not lament parting on any road whatsoever. Do not complain or feel bitterly about yourself or others. Have no heart for approaching the path of love. Do not have preferences. Do not harbor hopes for your own personal home. Do not have a liking for delicious food for yourself. Do not carry antiques handed down from generation to generation. Do not fast so that it affects your physically. While it’s different with the military equipment, do not be fond of material things. While on the Way, do not begrudge death. Do not be intent on possessing valuables or a fief in old age. Respect the gods and Buddhas, but do not depend on them. Though you give up your life, do not give up your honor. Never depart from the Way. Shinmen Musashi Twelfth day of the fifth month, Second Year of Shoho, 1645
Shinmen Musashi (A Book of Five Rings: The Classic Guide to Strategy)
Of all the conceptions of the divine, of all the language Jesus could put on the lips of the God character in the story he tells, that’s what he has the Father say. “You are always with me, and everything I have is yours.” ... Millions of people in our world were told that God so loved the world, that God sent his son to save the world, and that if they accept and believe in Jesus, then they’ll be able to have a relationship with God... But there’s more. Millions have been taught that if they don’t believe, if they don’t accept in the right way, that is, the way the person telling them "the gospel" does, and they were hit by a car and died later that same day, God will have no choice but to punish them forever in conscious torment in hell... A loving heavenly father who will go to extraordinary lengths to have a relationship with them would, in the blink of an eye, become a cruel, mean, vicious tormentor who would ensure that they had no escape from an endless future of agony... if your God is loving one second and cruel the next, if your God will punish people for all eternity for sins committed in a few short years, no amount of clever marketing or compelling language or good music or great coffee will be able to disguise that one, true, glaring, untenable, acceptable, awful reality... sometimes the reason people have a problem accepting the gospel is that they sense that the God lurking behind Jesus isn’t safe, loving, or good. It doesn’t make sense, it can’t be reconciled, and so they say no... God creates, because the endless joy and peace and shared life at the heart of this God knows no other way. Jesus invites us into THAT relationship, the one at the center of the universe... so when the gospel is diminished to a question of whether or not a person will “get into heaven,” that reduces the good news to a ticket, a way to get past the bouncer and into the club. The good news is better than that. (excerpts all from chapter 7)
Rob Bell (Love Wins: A Book About Heaven, Hell, and the Fate of Every Person Who Ever Lived)
Summary of Rule #4 The core idea of this book is simple: To construct work you love, you must first build career capital by mastering rare and valuable skills, and then cash in this capital for the type of traits that define compelling careers. Mission is one of those traits. In the first chapter of this rule, I reinforced the idea that this trait, like all desirable career traits, really does require career capital—you can’t skip straight into a great mission without first building mastery in your field. Drawing from the terminology of Steven Johnson, I argued that the best ideas for missions are found in the adjacent possible—the region just beyond the current cutting edge. To encounter these ideas, therefore, you must first get to that cutting edge, which in turn requires expertise. To try to devise a mission when you’re new to a field and lacking any career capital is a venture bound for failure. Once you identify a general mission, however, you’re still left with the task of launching specific projects that make it succeed. An effective strategy for accomplishing this task is to try small steps that generate concrete feedback—little bets—and then use this feedback, be it good or bad, to help figure out what to try next. This systematic exploration can help you uncover an exceptional way forward that you might have never otherwise noticed. The little-bets strategy, I discovered as my research into mission continued, is not the only way to make a mission a success. It also helps to adopt the mindset of a marketer. This led to the strategy that I dubbed the law of remarkability. This law says that for a project to transform a mission into a success, it should be remarkable in two ways. First, it must literally compel people to remark about it. Second, it must be launched in a venue conducive to such remarking. In sum, mission is one of the most important traits you can acquire with your career capital. But adding this trait to your working life is not simple. Once you have the capital to identify a good mission, you must still work to make it succeed. By using little bets and the law of remarkability, you greatly increase your chances of finding ways to transform your mission from a compelling idea into a compelling career.
Cal Newport (So Good They Can't Ignore You: Why Skills Trump Passion in the Quest for Work You Love)
Chapter 28 Genghis Cat Gracing Whatever Shithole This Is, Washington, USA You can all relax now, because I am here. What did you think? I’d run for safety at the whim of a fucking parrot with under-eye bags like pinched scrotums? Did you suspect I—a ninja with feather-wand fastness and laser-pointer focus—had the spine of a banana slug? Then you are a shit-toned oink with the senses of a sniveling salamander. Then you don’t know Genghis Cat. I look around and can see that we are surrounded by The Bird Beasts, those crepe-faced, hair ball–brained fuck goblins. I intensely dislike these lumpy whatthefuckareyous who straddle between the Mediocre Servant and animal worlds, trying to be one thing and really not being, like imitation crabmeat in a sushi log that is really just fucking whitefish and WE ALL KNOW IT. “Would you like a little of the crabmeat, Genghis?” my Mediocre Servants seemed to ask with their blobfish lips and stupid faces. “THAT’S FUCKING WHITEFISH, YOU REGURGITATED MOLES!” I’d yowl, and then I’d steal the sushi log and run off and growl very much so they couldn’t have it back, and later I would pee on their night pillows for good measure. I cannot imagine their lives before me. We mustn’t think of those bleak dark ages. But the Beasts are dangerous. I have watched them morph and chew into a house. I have seen them with spider legs and second stomachs and camouflage skins. I have seen them tear the legs off a horse and steal flight from those with feathers. Orange and I have lost family to their fuckish appetites. But they are still fakish faking beasts and I’m fucking Genghis Cat. They are imitation crab and Genghis is filet mignon Fancy Feast, bitch. Probably I should come clean here and tell you that I’m immortal. I always suspected it but can confirm it now that I have surpassed the allocated nine lives. I’m somewhere around life 884, give or take seventy-eight. Some mousers have called me a god, but I insist on modesty. I also don’t deny it. I might be a god. It seems to fit. It feels right. A stealthy, striped god with an exotically spotted tummy—it seems certain, doesn’t it to you? I’m 186 percent sure at this point. Orange insists we stay away from the Beasts all the time, but I only let Orange think he’s in charge. Orange is incredibly sensitive, despite being the size of a Winnebago. He hand-raised each of my kittens and has terrible nightmares, and I have to knead my paws on him to calm him down. Orange and I have a deal. I will kill anything that comes to harm Orange and Orange will continue to be the reason I purr.
Kira Jane Buxton (Feral Creatures (Hollow Kingdom #2))
Chapter 20 we will explore in far greater depth how to avoid brainwashing and how to distinguish reality from fiction. Here I would like to offer two simple rules of thumb. First, if you want reliable information, pay good money for it. If you get your news for free, you might well be the product. Suppose a shady billionaire offered you the following deal: “I will pay you $30 a month, and in exchange you will allow me to brainwash you for an hour every day, installing in your mind whichever political and commercial biases I want.” Would you take the deal? Few sane people would. So the shady billionaire offers a slightly different deal: “You will allow me to brainwash you for one hour every day, and in exchange, I will not charge you anything for this service.” Now the deal suddenly sounds tempting to hundreds of millions of people. Don’t follow their example. The second rule of thumb is that if some issue seems exceptionally important to you, make the effort to read the relevant scientific literature. And by scientific literature I mean peer-reviewed articles, books published by well-known academic publishers, and the writings of professors from reputable institutions. Science obviously has its limitations, and it has gotten many things wrong in the past. Nevertheless, the scientific community has been our most reliable source of knowledge for centuries. If you think the scientific community is wrong about something, that’s certainly possible, but at least know the scientific theories you are rejecting, and provide some empirical evidence to support your claim. Scientists, for their part, need to be far more engaged with current public debates. Scientists should not be afraid of making their voices heard when the debate wanders into their field of expertise, be it medicine or history. Of course, it is extremely important to go on doing academic research and to publish the results in scientific journals that only a few experts read. But it is equally important to communicate the latest scientific theories to the general public through popular science books, and even through the skillful use of art and fiction. Does that mean scientists should start writing science fiction? That is actually not such a bad idea. Art plays a key role in shaping people’s views of the world, and in the twenty-first century science fiction is arguably the most important genre of all, for it shapes how most people understand things such as AI, bioengineering, and climate change. We certainly need good science, but from a political perspective, a good science-fiction movie is worth far more than an article in Science or Nature.
Yuval Noah Harari (21 Lessons for the 21st Century)
The second part of the folk theory holds that racism is entirely a matter of individual beliefs, intentions, and actions. In the folk theory, a racist is a person who believes that people of color are biologically inferior to Whites, so that White privilege is deserved and must be defended. Racism is what this kind of White supremacist thinks and does. The folk theory holds that such people are anachronisms, who are ignorant, vicious, and remote from the mainstream. Their ignorance can be cured by education. Their viciousness can be addressed by helping them to enjoy new advantages, so that they can gain self-esteem and will not have to look down on others. Since education and general well-being are increasing, racism should soon disappear entirely, except as a sign of mental derangement or disability. One of the most difficult exercises that this book recommends is to move away from thinking of racism as entirely a matter of individual beliefs and psychological states. White Americans generally agree that things happen in the world because individuals, with beliefs, emotions, and intentions, cause them to happen. They consider this understanding to be the most obvious kind of common sense. Yet not everyone approaches the world from this perspective, and it is very interesting to try to think about racism from outside the framework that it imposes. Critical theorists do not deny that individual beliefs figure in racism. But we prefer to emphasize its collective, cultural dimensions, and to avoid singling out individuals and trying to decide whether they are racists or not. Furthermore, critical theorists insist that ordinary people who do not share White supremacist beliefs can still talk and behave in ways that advance the projects of White racism. I will try to show, in chapters to come, how
Jane H. Hill (The Everyday Language of White Racism (Wiley Blackwell Studies in Discourse and Culture Book 4))
I begin this chapter with President Ronald Reagan’s Farewell Speech on January 11, 1989. President Reagan encouraged the rising generation to “let ’em know and nail ’em on it”—that is, to push back against teachers, professors, journalists, politicians, and others in the governing generation who manipulate and deceive them: An informed patriotism is what we want. And are we doing a good enough job teaching our children what America is and what she represents in the long history of the world? Those of us who are over 35 or so years of age grew up in a different America. We were taught, very directly, what it means to be an American. And we absorbed, almost in the air, a love of country and an appreciation of its institutions. If you didn’t get these things from your family, you got them from the neighborhood, from the father down the street who fought in Korea or the family who lost someone at Anzio. Or you could get a sense of patriotism from school. And if all else failed, you could get a sense of patriotism from the popular culture. The movies celebrated democratic values and implicitly reinforced the idea that America was special. TV was like that, too, through the mid-sixties. But now, we’re about to enter the nineties, and some things have changed. Younger parents aren’t sure that an unambivalent appreciation of America is the right thing to teach modern children. And as for those who create the popular culture, well-grounded patriotism is no longer the style. Our spirit is back, but we haven’t reinstitutionalized it. We’ve got to do a better job of getting across that America is freedom—freedom of speech, freedom of religion, freedom of enterprise. And freedom is special and rare. It’s fragile; it needs [protection]. So, we’ve got to teach history based not on what’s in fashion but what’s important—why the Pilgrims came here, who Jimmy Doolittle was, and what those 30 seconds over Tokyo meant. You know, 4 years ago on the 40th anniversary of D-Day, I read a letter from a young woman writing to her late father, who’d fought on Omaha Beach. Her name was Lisa Zanatta Henn, and she said, “We will always remember, we will never forget what the boys of Normandy did.” Well, let’s help her keep her word. If we forget what we did, we won’t know who we are. I’m warning of an eradication of the American memory that could result, ultimately, in an erosion of the American spirit. Let’s start with some basics: more attention to American history and a greater emphasis on civic ritual. And let me offer lesson number one about America: All great change in America begins at the dinner table. So, tomorrow night in the kitchen, I hope the talking begins. And children, if your parents haven’t been teaching you what it means to be an American, let ’em know and nail ’em on it. That would be a very American thing to do.1
Mark R. Levin (Plunder and Deceit: Big Government's Exploitation of Young People and the Future)
More specifically, this book will try to establish the following points. First, there are not two great liberal social and political systems but three. One is democracy—political liberalism—by which we decide who is entitled to use force; another is capitalism—economic liberalism—by which we decide how to allocate resources. The third is liberal science, by which we decide who is right. Second, the third system has been astoundingly successful, not merely as a producer of technology but also, far more important, as a peacemaker and builder of social bridges. Its great advantages as a social system for raising and settling differences of opinion are inherent, not incidental. However, its disadvantages—it causes pain and suffering, it creates legions of losers and outsiders, it is disorienting and unsettling, it allows and even thrives on prejudice and bias—are also inherent. And today it is once again under attack. Third, the attackers seek to undermine the two social rules which make liberal science possible. (I’ll outline them in the next chapter and elaborate them in the rest of the book.) For the system to function, people must try to follow those rules even if they would prefer not to. Unfortunately, many people are forgetting them, ignoring them, or carving out exemptions. That trend must be fought, because, fourth, the alternatives to liberal science lead straight to authoritarianism. And intellectual authoritarianism, although once the province of the religious and the political right in America, is now flourishing among the secular and the political left. Fifth, behind the new authoritarian push are three idealistic impulses: Fundamentalists want to protect the truth. Egalitarians want to help the oppressed and let in the excluded. Humanitarians want to stop verbal violence and the pain it causes. The three impulses are now working in concert. Sixth, fundamentalism, properly understood, is not about religion. It is about the inability to seriously entertain the possibility that one might be wrong. In individuals such fundamentalism is natural and, within reason, desirable. But when it becomes the foundation for an intellectual system, it is inherently a threat to freedom of thought. Seventh, there is no way to advance knowledge peacefully and productively by adhering to the principles advocated by egalitarians and humanitarians. Their principles are poisonous to liberal science and ultimately to peace and freedom. Eighth, no social principle in the world is more foolish and dangerous than the rapidly rising notion that hurtful words and ideas are a form of violence or torture (e.g., “harassment”) and that their perpetrators should be treated accordingly. That notion leads to the criminalization of criticism and the empowerment of authorities to regulate it. The new sensitivity is the old authoritarianism in disguise, and it is just as noxious.
Jonathan Rauch (Kindly Inquisitors: The New Attacks on Free Thought)
Progressives today are quick to fault “America” for slavery and a host of other outrages. America did this, America did that. As we will see in this book, America didn’t do those things, the Democrats did. So the Democrats have cleverly foisted their sins on America, and then presented themselves as the messiahs offering redemption for those sins. It’s crazy, but it’s also ingenious. We have to give them credit for ingenuity. The second whitewash is to portray the Civil War entirely in terms of the North versus the South. The North is supposedly the anti-slavery side and the South is the pro-slavery side. A recent example is Ta-Nehisi Coates’s article about the Confederate battle flag in The Atlantic.3 Now of course there is an element of truth in this, in that the Civil War was fought between northern states and southern states. But this neat and convenient division ignores several important details. First, the defenders of the Confederate cause were, almost without exception, Democrats. Coates cites many malefactors from Senator Jefferson Davis to Senator James Henry Hammond to Georgia Governor Joseph Brown. Yet while identifying these men as southerners and Confederates, Coates omits to identify them as Democrats. Second, Coates and other progressives conveniently ignore the fact that northern Democrats were also protectors of slavery. We will see in this chapter how Stephen Douglas and other northern Democrats fought to protect slavery in the South and in the new territories. Moreover, the southerners who fought for the Confederacy cannot be said to have fought merely to protect slavery on their plantations. Indeed, fewer than one-third of white families in the South on the eve of the Civil War had slaves. Thus the rigid North-South interpretation of the Civil War conceals—and is intended to conceal—the active complicity of Democrats across the country to save, protect, and even extend the “peculiar institution.” As the Charleston Mercury editorialized during the secession debate, the duty of the South was to “rally under the banner of the Democratic Party which has recognized and supported . . . the rights of the South.”4 The real divide was between the Democratic Party as the upholder of slavery and the Republican Party as the adversary of slavery. All the figures who upheld and defended American slavery—Senators John C. Calhoun and Stephen Douglas, President James Buchanan, Supreme Court Chief Justice Roger Taney, architect of the Dred Scott decision, and the main leaders of the Confederacy—were Democrats. All the heroes of black emancipation—from the black abolitionists Sojourner Truth and Frederick Douglass, to the woman who organized the Underground Railroad, Harriet Tubman, to the leader whose actions finally destroyed American slavery, Abraham Lincoln—were Republicans. It is of the utmost importance to progressive propagandists to conceal or at least ignore this essential historical truth.
Dinesh D'Souza (Hillary's America: The Secret History of the Democratic Party)
First, READ this book a chapter a day. We suggest at least five days a week for the next seven weeks, but whatever works for your schedule. Each chapter should only take you around ten minutes to read. Second, READ the Bible each day. Let the Word of God mold you into a person of prayer. We encourage you to read through the Gospel of Luke during these seven weeks and be studying it through the lens of what you can learn from Jesus about prayer. You are also encouraged to look up and study verses in each chapter that you are unfamiliar with that spark your interest. Third, PRAY every day. Prayer should be both scheduled and spontaneous. Choose a place and time when you can pray alone each day, preferably in the morning (Ps. 5:3). Write down specific needs and personal requests you’ll be targeting in prayer over the next few weeks, along with the following prayer: Heavenly Father, I come to You in Jesus’ name, asking that You draw me into a closer, more personal relationship with You. Cleanse me of my sins and prepare my heart to pray in a way that pleases You. Help me know You and love You more this week. Use all the circumstances of my life to make me more like Jesus, and teach me how to pray more strategically and effectively in Your name, according to Your will and Your Word. Use my faith, my obedience, and my prayers this week for the benefit of others, for my good, and for Your glory. Amen. May we each experience the amazing power of God in our generation as a testimony of His goodness for His glory! My Scheduled Prayer Time ___:___ a.m./p.m. My Scheduled Prayer Place ________________________ My Prayer Targets Develop a specific, personalized, ongoing prayer list using one or more of the following questions: What are your top three biggest needs right now? What are the top three things you are most stressed about? What are three issues in your life that would take a miracle of God to resolve? What is something good and honorable that, if God provided it, would greatly benefit you, your family, and others? What is something you believe God may be leading you to do, but you need His clarity and direction on it? What is a need from someone you love that you’d like to start praying about? 1. ______________________________________________ 2. ______________________________________________ 3. ______________________________________________ 4. ______________________________________________ 5. ______________________________________________ 6. ______________________________________________
Stephen Kendrick (The Battle Plan for Prayer: From Basic Training to Targeted Strategies)
Dreams in which the dead interact with the living are typically so powerful and lucid that there is no denying contact was real. They also fill us with renewed life and break up grief or depression. In chapter 16, on communicating with the dead, you will learn how to make such dreams come about. Another set of dreams in which the dead appear can be the stuff of horror. If you have had a nightmare concerning someone who has recently passed, know that you are looking into the face of personal inner conflict. You might dream, for instance, that your dead mother is buried alive or comes out of her grave in a corrupted body in search of you. What you are looking at here is the clash of two sets of ideas about death. On the one hand, a person is dead and rotting; on the other hand, that same person is still alive. The inner self uses the appropriate symbols to try to come to terms with the contradiction of being alive and dead at the same time. I am not sure to what extent people on the other side actually participate in these dreams. My private experience has given me the impression that the dreams are triggered by attempts of the departed for contact. The macabre images we use to deal with the contradiction, however, are ours alone and stem from cultural attitudes about death and the body. The conflict could lie in a different direction altogether. As a demonstration of how complex such dreams can be, I offer a simple one I had shortly after the death of my cat Twyla. It was a nightmare constructed out of human guilt. Even though I loved Twyla, for a combination of reasons she was only second best in the hierarchy of house pets. I had never done anything to hurt her, and her death was natural. Still I felt guilt, as though not giving her the full measure of my love was the direct cause of her death. She came to me in a dream skinned alive, a bloody mass of muscle, sinew, veins, and arteries. I looked at her, horror-struck at what I had done. Given her condition, I could not understand why she seemed perfectly healthy and happy and full of affection for me. I’m ashamed to admit that it took me over a week to understand what this nightmare was about. The skinning depicted the ugly fate of many animals in human hands. For Twyla, the picture was particularly apt because we used to joke about selling her for her fur, which was gorgeous, like the coat of a gray seal. My subconscious had also incorporated the callous adage “There is more than one way to skin a cat.” This multivalent graphic, typical of dreams, brought my feelings of guilt to the surface. But the real meaning was more profound and once discovered assuaged my conscience. Twyla’s coat represented her mortal body, her outer shell. What she showed me was more than “skin deep” — the real Twyla underneath,
Julia Assante (The Last Frontier: Exploring the Afterlife and Transforming Our Fear of Death)