Season 2 You Quotes

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Doctor Who: You want weapons? We're in a library. Books are the best weapon in the world. This room's the greatest arsenal we could have. Arm yourself! (from Tooth and Claw in Season 2)
Russell T. Davies
I love you, he thought, looking at Win. I love every part of you, every thought and word... the entire complex, fascinating bundle of all the things you are. I want you with ten different kinds of need at once. I love all the seasons of you, the way you are now, the thought of how much more beautiful you'll be in the decades to come. I love you for being the answer to every question my heart could ask.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
Winter is coming, Elena," he said, and his voice was clear and chilling even over the howling of the wind, "An unforgiving season. Before it comes, you'll have learned what I can and can't do. Before winter is here, you'll have joined me. You'll be mine.
L.J. Smith (The Awakening / The Struggle (The Vampire Diaries, #1-2))
I walk through the seasons and always the birds are singing and screaming and keening for love When you're with me it seems so absurd that I should be jealous of the jay and the dove.
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
You could sketch me,” said Emma. She flung herself down onto her seat, leaning her head on her hand. “ ‘Draw me like one of your French girls.’ ” Julian grinned. “I hate that movie,” he said. “You know I do.” Emma sat up indignantly. “The first time we watched Titanic, you cried.” “I had seasonal allergies,” Jules said.
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
Alec flushed. "I think it's more important for you to go than me. You're Valentine's son, I'm sure you're the one the Queen really wants to see. Besides, you're charming." Jace glared at him. "Maybe not at the moment," Alec amended. "But you're usually charming. And faeries are very susceptible to charm." "Plus, if you stay here, I've got the whole first season of Gilligan's Island on DVD," Magnus said. "No one could turn that down," said Jace. He still wouldn't look at Clary.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
Because if you don't even believe in the possibility of magic you will never ever find it.
Richard Castle
I love you, he thought, looking at Win. I love every part of you, every thought and word... the entire complex, fascinating bundle of all the things you are. I want you with ten different kinds of need at once. I love all the seasons of you, the way you are now, the thought of how much more beautiful you'll be in the decades to come. I love you for being the answer to every question my heart could ask. And it seemed so easy, once he capitulated. It seemed natural and right. Kev wasn't certain if he was surrendering to Win or to his own passion for her. Only that there was no more holding back. He would take her. And he would give her everything he had, every part of his soul, even the broken pieces.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
We don't take orders from you, Sergeant." Quain said. "Your man tried to assassinate-" "He isn't mine. My man has eyes that change color with the seasons.
Maria V. Snyder (Scent of Magic (Healer, #2))
Change a word or two, even a single letter, and you change the entire story.
Samantha Shannon (The Mime Order (The Bone Season, #2))
It is not that I do not want you. Only that I might want you too much. And for too long
Samantha Shannon (The Mime Order (The Bone Season, #2))
There is no such thing as unlimited trust. At some point, all beings with free will can, and will, betray you when you're no longer pursuing the same goals.
Rachel Caine (Unknown (Outcast Season, #2))
So what are you planning to do with the rest of your life? Develop a drinking problem. More Scotch, please.
Daniel Silva (The Marching Season (Michael Osbourne, #2))
This was just a season, and there's beauty in all seasons. Even if you are looking forward to the next one.
Abby Jimenez (The Happy Ever After Playlist (The Friend Zone, #2))
Picture a tall, dark figure, surrounded by cornfields... NO, YOU CAN'T RIDE A CAT. WHO EVER HEARD OF THE DEATH OF RATS RIDING A CAT? THE DEATH OF RATS WOULD RIDE SOME KIND OF DOG. Picture more fields, a great horizon-spanning network of fields, rolling in gentle waves... DON'T ASK ME I DON'T KNOW. SOME KIND OF TERRIER, MAYBE. ...fields of corn, alive, whispering in the breeze... RIGHT, AND THE DEATH OF FLEAS CAN RIDE IT TOO. THAT WAY YOU KILL TWO BIRDS WITH ONE STONE. ...awaiting the clockwork of the seasons. METAPHORICALLY.
Terry Pratchett (Reaper Man (Discworld, #11; Death, #2))
What to wear? I could think of no guidelines on what we were wearing this season to a party forced on you to celebrate an unwanted engagement that might turn into a violent confrontation with a vengeful maniac. Clearly brown shoes were out, but beyond that nothing really seemed de rigueur.
Jeff Lindsay (Dearly Devoted Dexter (Dexter, #2))
I'm going to let that slide because you seemed to have been in the middle of being eaten by a monster.” He was clutching his midsection as if from pain, the squashed remnants of a soft brown cookie squeezing between his fingers as though dough from a pasta machine.
BMB Johnson (Melody Jackson v. the Hound from Hell (It Happened On Lafayette Street Book 2))
Writing didn't carry the same risks as speaking. You couldn't be shouted down or stared at. The page was both a proxy and a shield.
Samantha Shannon (The Mime Order (The Bone Season, #2))
You can never want too much. That’s how they silence us,” I said. “They told us we were lucky to be in the penal colony instead of the æther. Lucky to be murdered with NiteKind, not the noose. Lucky to be alive, even if we weren’t free. They told us to stop wanting more than what they gave us, because what they gave us was more than we deserved.” I picked up my jacket. “You’re not a prisoner any more, Arcturus.” Warden looked at me in silence. I left him in that ruined hall with the music echoing above him.
Samantha Shannon (The Mime Order (The Bone Season, #2))
Do I look like a shallow Summer girl to you?' She tossed her silver hair, offended. 'I’m a Winter Court royal. I kill silly Summer flowerlets with frost when I yawn.
Vicki Keire (Darkness in the Blood (The Angel's Edge, #2))
You told me once that freedom was my right.” I held his gaze. “Maybe you should do something with it.
Samantha Shannon (The Mime Order (The Bone Season, #2))
I do my thing and you do your thing. I am I and you are you. If in the end we end up together, it’s beautiful.” (Boy Meets World, season 2 episode 21)
-Topanga
You never stop being yourself on the inside, whatever age people think you are by looking at you from the outside.
Ali Smith (Winter (Seasonal, #2))
You don’t need to spend every waking moment protecting me now. I’m supposed to be your partner, not your burden, and if that’s all I’m ever going to be to you, then I don’t want to be here anymore. I want you to love me. I want to look forward to coming here every fall. I want winter to be my favorite season because I get to spend it with you. So tell me that’s going to happen, Henry. Tell me things are going to be better, that you’re not going to think of Persephone every time you touch me. Tell me that you’re going to love me as much as you love her, and that I won’t spend the rest of eternity paling in comparison to your memories of my sister.
Aimee Carter (Goddess Interrupted (Goddess Test, #2))
That's delusional, isn't it?” “Definitely. But if you're both delusional together, you'll be fine.
Samantha Shannon (The Mime Order (The Bone Season, #2))
You faced him down like a seasoned warrior," he [Hector] says. "Only because I had your daggers at my back.
Rae Carson (The Crown of Embers (Fire and Thorns, #2))
Oh, what's the matter? You look a little pale. I hope you didn't see a doppelganger. Because, you know . . . that means you're gonna die.
Akihisa Ikeda (Rosario+Vampire: Season II, Vol. 2 (Rosario+Vampire: Season II, #2))
What?' said Oscar. 'You're not going to remark on all the mind-blowing things I can do?' Ruby gestured halfheartedly in Oscar's direction. 'Oscar can eat two extra-large pizzas in one sitting while quoting the entire third season of Star Avengers from memory.' Oscar nodded solemnly. 'It's hard to believe I even exist.
Marissa Meyer (Archenemies (Renegades, #2))
You seem to attract injuries in the manner that a flower attracts bees.
Samantha Shannon (The Mime Order (The Bone Season, #2))
You love a woman, you love a man, you love a tomato. God is happy, because he created love.»
Jay Bell (Something Like Winter (Seasons, #2))
I think its more important for you to go than me. You‘re Valentine’s son, I‘m sure you‘re the one the Queen really wants to see. Besides, you‘re charming.” Jace glared at him. “Maybe not at the moment,” Alec amended. “But you‘re usually charming. And faeries are very susceptible to charm.” “Plus, if you stay here, I‘ve got the whole first season of Gilligan’s Island on DVD,” Magnus said. “No one could turn that down,” said Jace. -Alec, Magnus, & Jace, pg.148 & 149-
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
Money can’t buy you happiness, but happiness sure is a hell of a lot easier to find when you’re not worried about where your next meal is coming from.
Christina Lauren (Dirty Rowdy Thing (Wild Seasons, #2))
He could only do rowdy because he felt what I felt: that whip-crack unleashing that comes when you meet the person who frees you
Christina Lauren (Dirty Rowdy Thing (Wild Seasons, #2))
That's the problem with life. It rarely gives you neat decisions wrapped up in shiny paper with a bow on top. Most of the important decisions in life are messy.
Debbie Viguié (The Fall of Candy Corn (Sweet Seasons, #2))
I’d promised myself that I’d really work on talking more, talking about uncomfortable things, because I could see from Brian how well things could work out if you did.
Catherine Gilbert Murdock (The Off Season (Dairy Queen, #2))
You must know, my own love, that in each element there exists a race of beings, whose form scarcely differs from yours, but who very seldom appear to mortal sight … you now see before you, my love, an undine.
Friedrich de la Motte Fouqué (Undine, The Water Sprite: Spring (The Four Seasons, #2))
I want to be good to you.” He rolls me to face him, and kisses me once before admitting, “I’m just fucking wild for you.” “I think I spotted that just now,” I whisper. “I mean,” he clarifies, “the I love you kind of wild.
Christina Lauren (Dirty Rowdy Thing (Wild Seasons, #2))
You just think I’m cool, because I have all of the seasons of Vampire Diaries on DVD.
Penelope Douglas (Rival (Fall Away, #3))
You can't recapture your past anymore than you can speed up your future. Stop lamenting summer and stop trying to hurry winter. Just enjoy the fall.
Debbie Viguié (The Fall of Candy Corn (Sweet Seasons, #2))
It's a long time that I've loved you. Never, never go away.
Margaret Wise Brown (A Celebration of the Seasons: Goodnight Songs (Volume 2))
She bobbed her chin toward the walls. “Do you see what grows around this place?” Nikolai peered at the twisting gray branches that ran along the perimeter of the garden. “A thorn wood.” An ordinary one, he assumed, not the ancient trees they needed for the obisbaya. “I took the cuttings from the tunnel that leads to the Little Palace. It’s all prickles and spines and anger, covered in pretty, useless blossoms and fruit too bitter to eat. There is nothing in it worth loving.” “How wrong you are.” Zoya’s gaze snapped to his, her eyes flashing silver—dragon’s eyes. “Am I?” “Look at the way it grows, protecting everything within these walls, stronger than anything else in the garden, weathering every season. No matter the winter it endures, it blooms again and again.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
So these are you brothers, huh?" "Yeah." "Well, thanks for this. I might need to go home and masturbate for the rest of the evening." "You know, if a guy said that, it would be super creepy." "Oh, I'm sorry, Poodle. Does the sexual double standard make you grumpy?
Christina Lauren (Dirty Rowdy Thing (Wild Seasons, #2))
I’m gonna tie you up and kiss that sweet pussy for a while. I want to hear you say my name when you come on my lips.
Christina Lauren (Dirty Rowdy Thing (Wild Seasons, #2))
He thinks about how, whatever being alive is, with all its pasts and presents and futures, it is most itself in the moments when you surface from a depth of numbness or forgetfulness that you didn't even know you were at, and break the surface.
Ali Smith (Winter (Seasonal, #2))
I never expected falling in love with someone would just make me feel even more comfortable in my own skin. I sort of want to tell him, 'I think I love you' because I suspect he would make a soft sound of sympathy and agree that it's unfortunate timing.
Christina Lauren (Dirty Rowdy Thing (Wild Seasons, #2))
Good-bye, Pen Leland. If we meet again, maybe in London next season, you'll pardon me if I don't pursue an acquaintance with you. It's hard to chat about the weather when one's heart is breaking—
Marissa Doyle (Betraying Season (Leland Sisters, #2))
She's a Sophomore. Her name is Autumn Elliot. What the hell kind of name is Autumn? Why don't they just call her Fall or The Depressing Season Where Everything Starts to Die" "It's a pretty name Chloe." "Fine," she huffed. "But getting your freak on in a public bathroom? Who does that?" "Um, Chloe..." "Okay, fine. I've done that." She flicked her hair over her shoulder. "Jesus, Lisa, help me out here. I'm trying to console you, but you're making it difficult.
Kody Keplinger (Shut Out (Hamilton High, #2))
2AM and she calls me cause I'm still awake, 'Can you help me unravel my latest mistake? I don't love him. Winter just wasn't my season.
Anna Nalick
Just thanking Miss Harlow for breakfast.' 'I'm offended, Finn. I made you dinner the other day and would've appreciated at the very least a sharp pat on the ass. I see how you are.
Christina Lauren (Dirty Rowdy Thing (Wild Seasons, #2))
Generals trump Majors," Ursan said. "True, but do princes trump generals?" "I attacked him." "Ryne's not the type to hold a grudge." Ursan considered. "Isn't he a king? Both his parents died" "Technically, yes. But he hasn't assumed the title." "Neither has Prince Kerrick," Ursan said. " Don't you find that odd?" "Not with Kerrick. He loved his father very much. I think it's still too painful for him to assume the title. Plus he hasn't been home in years." Ursan remained quiet until we reached his tent. "Prince Kerrick's a forest mage. Which means his eyes change colour with the seasons. Right?" "Yes." He stared at me for a moment. "Lucky guy." Ursan ducked into his tent.
Maria V. Snyder (Scent of Magic (Healer, #2))
Girls don't have to be nice," she says simply. "But they should stick together...The wider world wants you to think other women are drama...or catty. But that's just because when we work together, we're unstoppable....One day you'll wake up to find that there's a woman, or maybe a few, who have outlasted every changing season of your life.
Julie Murphy (Puddin' (Dumplin', #2))
Fall, like the season, like right now. Fall is the transition period between summer and winter. Summer is fun and carefree and cheery. Winter is also beautiful, but it's harder, not as carefree. You're no longer a child, and you're not really an adult yet. You're going through a transition, just like the seasons.
Debbie Viguié (The Fall of Candy Corn (Sweet Seasons, #2))
Larry: i don’t really get this fascination that people have with the ocean Cheryl: no? Larry: i dunno. i mean i stare at it for ten minutes and i go okay i get it Cheryl: don’t you feel calmer? Larry: i feel aggravated that i am missing what other people are getting.
Larry David (Curb Your Enthusiasm: The Complete Seventh Season)
Love is exactly the word I'd use...It's the only thing that comes close to describing this hell with you.
Meg Collett (The Killing Season (Fear University, #2))
You can’t expect to live in the world like the world’s your private myth.
Ali Smith (Winter (Seasonal, #2))
You did so good.” I press my lips to her shoulder, drag my nose up her neck, and groan in her ear. “You did so fucking good, sweet girl.
Christina Lauren (Dirty Rowdy Thing (Wild Seasons, #2))
You will. One day you’ll wake up and find that there’s a woman, or maybe a few, who have outlasted every changing season in your life.
Julie Murphy (Puddin' (Dumplin', #2))
You a fan of the show?” AJ asked. “Oh, yeah, I adored it—well, until the whole sixth season and Billith.” AJ snickered. “I couldn’t agree more. I used to be pretty much obsessed with it, but yeah, I couldn’t get it up for the last two seasons. Now I’m more a Walking Dead and Sons of Anarchy fan myself.
Katie Ashley (Beat of the Heart (Runaway Train, #2))
My voice of reason is always Lola. "You're a jackass." "You only say that when I'm being your voice of reason." "Out of my head, witch. And don't piss me off, I tell her. "I'll buy you underwear one size too small for Christmas and make you hate life.
Christina Lauren (Dirty Rowdy Thing (Wild Seasons, #2))
It’s rare that a story begins at the beginning. In the grand scheme of things, I really turned up at the beginning of the end of this one. After all, the story of the Rephaim and Scion started almost two hundred years before I was born - and human lives, to Rephaim, are as fleeting as a single heartbeat. Some revolutions change the world in a day. Others take decades or centuries or more, and others still never come to fruition. Mine began with a moment and a choice. Mine began with the blooming of a flower in a secret city on the border between worlds. You’ll have to wait and see how it ends. Welcome back to Scion.
Samantha Shannon (The Mime Order (The Bone Season, #2))
Google, his mother says. The new new found land. Not so long ago it was only the mentally deranged, the unworldly pedants, the imperialists and the naivest of schoolchildren who believed that encyclopaediae gave you any equivalence for the actual world, or any real understanding of it. And door-to-door salesmen sold them, and they were never to be trusted. And even the authorized encyclopaediae, even them we never mistook for or accepted as any real knowledge of the world. But now the world trusts search engines without a thought. The canniest door-to-door salesmen ever invented. Never mind foot in the door. Already right at the heart of the house.
Ali Smith (Winter (Seasonal, #2))
No sooner had one season slipped out the door than the next came in by another door. A person might scramble to the closing door and call out, Hey, wait a minute, there’s one last thing I forgot to tell you. But nobody would be there any more. The door shuts tight. Already another season is in the room, sitting in a chair, striking a match to light a cigarette. Anything you forgot to mention, the stranger says, you might as well go ahead and tell me, and if it works out, I’ll get the message through. Nah, it’s okay, you say, it was nothing really. And all around, the sound of the wind. Nothing, really. A season’s died, that’s all.
Haruki Murakami (Pinball, 1973 (The Rat, #2))
I try not to look backwards, Elise. Makes is hard to see where you're going.
Kelly Bowen (A Duke to Remember (Season for Scandal, #2))
To escape, you have to be tougher and wiser than them.
Soon Kki (Cheese in the Trap, Season 2)
Why did you come up my way anyway? I never got around to asking you that because you were sitting on my face most of the time.
Christina Lauren (Dirty Rowdy Thing (Wild Seasons, #2))
Are you already drunk?" "No. Just... in a weird mood." And it's true. I feel unsteady like if I stop moving I'll crack and the crazy will spill out onto the street like a pool of oil.
Christina Lauren (Dirty Rowdy Thing (Wild Seasons, #2))
True strength...is being brave in the hard seasons. True strength is getting back up one more time. True strength is believing you were made for such a time as this and fighting against all odds. True strength is having hope even when the stars go out.
Melissa K. Roehrich (Lady of Shadows (Lady of Darkness, #2))
That's what winter is: an exercise remembering how to still yourself then how to come pliantly back to life again. An exercise in adapting yourself to whatever frozen or molten state it brings you.
Ali Smith (Winter (Seasonal, #2))
For Rephaim, it takes a long time for a flame to cath. But once it burns, it cannot go out." It didn't take long to understand what he meant. "But I will," I said. "I'll stop. I'll go out." There was a long silence. "Yes," Warden said, very softly. "You will go out.
Samantha Shannon (The Mime Order (The Bone Season, #2))
Sloan was moving slower in this relationship than I was. I didn't take it personally. I meant what I said: I'd wait for her. I'd wait as long as she needed. When she was ready, she'd let me know. And if I was doing my job as her boyfriend, making her feel safe - and making sure she wanted me enough - it would all work itself out eventually. There was no rush. This was just a season, and there's beauty in all seasons. Even if you are looking forward to the next one.
Abby Jimenez (The Happy Ever After Playlist (The Friend Zone, #2))
What’s the answer, according to you, to life’s mysteries? she says. The answer is a question, the man says still sitting uninvited to her table. And the question is, Into whose myth do we choose to buy?
Ali Smith (Winter (Seasonal, #2))
So there are pics of Tucker’s mighty wang on the internet?” “I haven’t been tagged on Instagram yet, so I’m hopeful they aren’t out there. But thanks for calling my dick mighty. We appreciate that.” Amusement colors his words. “We? As in you and your penis?” “Yup,” he says cheerfully. I snuggle deeper under the covers. “You have a name for your penis?” “Doesn’t everyone? Guys put a name on everything that’s important to them—cars, dicks. One of my teammates in junior hockey named his stick, which was dumb because sticks break all the time. He’d gone through twelve of them by the end of the season.” “What were the names?” “That’s the thing. He just kept adding a number to the end, like iPhone 6, iPhone 7, except in his case it was Henrietta 1, Henrietta 2, et cetera.” I snicker. “He should’ve used the hurricane naming convention.” “Darlin’, he wasn’t smart enough to come up with two names, let alone twelve.
Elle Kennedy (The Goal (Off-Campus, #4))
Matthias,” she murmured in Fjerdan, giving his arm what she hoped was a friendly, siblinglike nudge, “must you glower at everything?” “I’m not glowering.” “We’re Fjerdans in the Ravkan sector. We already stand out. Let’s not give everyone another reason to think you’re about to lay siege to the market. We need to get this task done without drawing unwanted attention. Think of yourself as a spy.” His frown deepened. “Such work is beneath an honest soldier.” “Then pretend to be an actor.” He made a disgusted sound. “Have you ever even been to the theater?” “There are plays every season in Djerholm.” “Let me guess, sober affairs that last several hours and tell epic tales of the heroes of yore.” “They’re actually very entertaining. But I’ve never seen an actor who knows how to properly hold his sword.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
For wolves, as for dogs, life is a briefer thing than for men, if you measure it by counting days and how many turns of a season one sees. But in two years, a cub wolf does all a man does in a score. He comes to the full of his strength and size, he learns all that is needful for him to be a hunter or a mate or a leader. The candle of his life burns briefer and brighter than a man’s. In a decade of years, he does all that a man does in five or six times that many. A year passes for a wolf as a decade does for a man. Time is no miser when one lives always in the now.
Robin Hobb (Royal Assassin (Farseer Trilogy, #2))
Mmm. Let me guess. I like to drink the blood of innocents, feast on the entrails of knights and eat the hearts of small children everywhere. (Sin) Aye, that was much the consensus. (Callie) Well, I hope you didn’t go to such trouble to feed me. I fear ’tis off season for good blood, and knights can be rather testy when you disembowel them. (Sin)
Kinley MacGregor (Born in Sin (Brotherhood of the Sword, #3; MacAllister, #2))
I’ve said more nonsex words to Harlow in the past five minutes than I did the entire time she was in Canada, but I’m surprised to find that not only is she easy to talk to, she’s fun. “And, my impression of you is ever evolving, now that you aren’t just a pretty face in my lap.” “You’re one classy motherfucker, Finn.” “This speaking thing does wonders for expanding our horizons.
Christina Lauren (Dirty Rowdy Thing (Wild Seasons, #2))
Good.” Matty took a deep breath. “See the North Star?” Rob squeezed his hand. “No.” “Well, it’s up there. And you told me once to always remember.” Rob swallowed hard and took hold of Matty’s chin, bringing his gaze from the sky to meet Rob’s own. “I remember, Matty.” “Well, good. Don’t forget.
Leta Blake (Training Complex (Training Season, #2))
Elric: We are dreamers, shapers, singers, and makers. We study the mysteries of laser and circuit, crystal and scanner, holographic demons and invocation of equations. These are the tools we employ, and we know many things. John Sheridan: Such as? Elric: The true secrets, the important things. Fourteen words to make someone fall in love with you forever. Seven words to make them go without pain. How to say good-bye to a friend who is dying. How to be poor. How to be rich. How to rediscover dreams when the world has stolen them. That is why we are going away—to preserve that knowledge. Sheridan: From what? Elric: There is a storm coming, a black and terrible storm. We would not have our knowledge lost or used to ill purpose. From this place we will launch ourselves into the stars. With luck, you will never see our kind again in your lifetime. I know you have your orders, Captain. Detain us if you wish. But I cannot tell you where we are going. I can only ask you to trust us.
J. Michael Straczynski
Though he has watched a decent age pass by, A man will sometimes still desire the world. I swear I see no wisdom in that man. The endless hours pile up a drift of pain More unrelieved each day: and as for pleasure, When he is sunken in excessive age, You will not see his pleasure anywhere. The last attendant is the same for all, Old men and young alike, as in its season Man's heritage of underworld appears: There being no epithalamion, No music and no dance. Death is the finish. Not to be born beats all philosophy. The second best is to have seen the light And then to go back quickly whence we came. The feathery follies of his youth once over, What trouble is beyond the range of man? What heavy burden will he not endure? Jealousy, faction, quarreling, and battle-- The bloodiness of war, the grief of war. And in the end he comes to strengthless age, Abhorred by all men, without company, Unfriended in that uttermost twilight Where he must live with every bitter thing.
Sophocles (Oedipus at Colonus (The Theban Plays, #2))
But we didn’t fit, he and I. He thought it was because he was too old. He was older, and compared to the age I was I did think he was ancient. He was in his sixties then. Well, now I know that your sixties feel the same as all the other ages, and your seventies. You never stop being yourself on the inside, whatever age people think you are by looking at you from the outside.
Ali Smith (Winter (Seasonal, #2))
So we're getting close to suggesting that camp is both the opposite of cool and a refinement of it. Camp and cool both have an element of not-caring, of disdain for the ordinary. The difference is that cool implies a lack of conscious effort, whereas camp is about putting everything you've got into it. Either you love something too much (much more than it's "worth", so the stereotypical anorak-wearing Doctor Who fan and the Barry Manilow cultist are both manifestations of this, at least to the outside world), or you're given to going over the top. Or you do both at once, in many cases. Both phenomena are examples of people fashioning an identity for themselves, and if you're reading this book then you must know people like that. Cool is not caring, camp is actively defiant.
Tat Wood (About Time 2: The Unauthorized Guide to Doctor Who (Seasons 4 to 6))
The Marquess shrugged. “I’m a shadow. I do know I am a shadow, Iago. I know most of the time. It’s only when I cannot bear how everyone looks at me down here that I make myself forget it. Shadows are the other side of yourself. I had longings to be good, even then. I was just stronger than my wanting. I’m stronger than anything, really, when I want to be.” The Marquess’s hair turned white as the snow. “Do you know, we’re right underneath Springtime Parish? This place is the opposite of springtime. Everything past prime, boarded up for the season. Just above us, the light shines golden on daffodils full of rainwine and heartgrass and a terrible, wicked, sad girl I can’t get back to. I don’t even know if I want to. Do I want to be her again? Or do I want to be free? I come here to think about that. To be near her and consider it. I think I shall never be free. I think I traded my freedom for a better story. It was a better story, even if the ending needed work.
Catherynne M. Valente (The Girl Who Fell Beneath Fairyland and Led the Revels There (Fairyland, #2))
…there is rapidly developing a soil shortage on your planet. That is, you are running out of good soil in which to grow your food. This is because soil needs time to reconstitute itself, and your corporate farmers have no time. They want land that is producing, producing, producing. So the age-old practice of alternating growing fields from season to season is being abandoned or shortened. To make up for the loss of time, chemicals are being dumped into the land in order to render it fertile faster. Yet in this, as with all things, you cannot develop an artificial substitute for Mother Nature which comes even close to providing what She provides.
Neale Donald Walsch (Conversations With God: An Uncommon Dialogue, Book 2)
Do people call you Ollie?” Lola asked. Oliver looked at her, completely dumbfounded by the possibility of this nickname. She may as well have asked him if people call him Garth, or Andrew, or Timothy. “No,” he said flatly, and the only thing charming about him was the way his accent seemed to run through every vowel with one syllable. Lola’s eyebrow twitched in her single tell—mildly annoyed—and she lifted her flashing LED drink cup to her lips. Lola wears mostly black, including her glossy dark hair, and has a tiny diamond pierced into her lip, but, even still, she’s never been able to pull off the full physical manifestation of the angry Riot Grrrl. With her perfect porcelain skin and the longest eyelashes in the world, she’s simply too delicate. But once she decides you’re an asshole, it no longer matters to her what you think. She gives good glare. “The flower suits you,” she said, tilting her head to study him. “And you have pretty hands, kind of soft. Maybe we should call you Olive.” He grunted out a dry laugh. “And a really beautiful mouth,” I added. “Gentle. Like a woman’s.” “Aw fuck off.” He was laughing outright by then.
Christina Lauren (Dirty Rowdy Thing (Wild Seasons, #2))
It's all prickles and spines and anger, covered in pretty, useless blossoms and fruit too bitter to eat. There is nothing in it worth loving." "How wrong you are." Zoya's gaze snapped to his, her eyes flashing silver- dragon's eyes. "Am I?" "Look at the way it grows, protecting everything within these walls, stronger than anything else in the garden, weathering every season. No matter the winter it endures, it blooms again and again." "What if the winter is just too long and hard? What if it can't bloom again?" He was afraid to reach for her, but he did it anyway. He took her gloved hand in his. She didn't pull away but folded in to him like a flower closing its petals at nightfall. He wrapped his arm around her. Zoya seemed to hesitate, and then with a soft breath, she let herself lean against him. Zoya the deadly. Zoya the ferocious. The weight of her against him like a benediction. He had been strong for his country, his soldiers, his friends. It meant something different to be strong for her. "Then you'll be branches without blossom," he whispered against her hair. "And you'll let the rest of us be strong until the summer comes." "It wasn't a metaphor." "Of course it wasn't.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
Wild Peaches" When the world turns completely upside down You say we’ll emigrate to the Eastern Shore Aboard a river-boat from Baltimore; We’ll live among wild peach trees, miles from town, You’ll wear a coonskin cap, and I a gown Homespun, dyed butternut’s dark gold color. Lost, like your lotus-eating ancestor, We’ll swim in milk and honey till we drown. The winter will be short, the summer long, The autumn amber-hued, sunny and hot, Tasting of cider and of scuppernong; All seasons sweet, but autumn best of all. The squirrels in their silver fur will fall Like falling leaves, like fruit, before your shot. 2 The autumn frosts will lie upon the grass Like bloom on grapes of purple-brown and gold. The misted early mornings will be cold; The little puddles will be roofed with glass. The sun, which burns from copper into brass, Melts these at noon, and makes the boys unfold Their knitted mufflers; full as they can hold Fat pockets dribble chestnuts as they pass. Peaches grow wild, and pigs can live in clover; A barrel of salted herrings lasts a year; The spring begins before the winter’s over. By February you may find the skins Of garter snakes and water moccasins Dwindled and harsh, dead-white and cloudy-clear. 3 When April pours the colors of a shell Upon the hills, when every little creek Is shot with silver from the Chesapeake In shoals new-minted by the ocean swell, When strawberries go begging, and the sleek Blue plums lie open to the blackbird’s beak, We shall live well — we shall live very well. The months between the cherries and the peaches Are brimming cornucopias which spill Fruits red and purple, sombre-bloomed and black; Then, down rich fields and frosty river beaches We’ll trample bright persimmons, while you kill Bronze partridge, speckled quail, and canvasback. 4 Down to the Puritan marrow of my bones There’s something in this richness that I hate. I love the look, austere, immaculate, Of landscapes drawn in pearly monotones. There’s something in my very blood that owns Bare hills, cold silver on a sky of slate, A thread of water, churned to milky spate Streaming through slanted pastures fenced with stones. I love those skies, thin blue or snowy gray, Those fields sparse-planted, rendering meagre sheaves; That spring, briefer than apple-blossom’s breath, Summer, so much too beautiful to stay, Swift autumn, like a bonfire of leaves, And sleepy winter, like the sleep of death.
Elinor Wylie
1 You said ‘The world is going back to Paganism’. Oh bright Vision! I saw our dynasty in the bar of the House Spill from their tumblers a libation to the Erinyes, And Leavis with Lord Russell wreathed in flowers, heralded with flutes, Leading white bulls to the cathedral of the solemn Muses To pay where due the glory of their latest theorem. Hestia’s fire in every flat, rekindled, burned before The Lardergods. Unmarried daughters with obedient hands Tended it. By the hearth the white-armd venerable mother Domum servabat, lanam faciebat. At the hour Of sacrifice their brothers came, silent, corrected, grave Before their elders; on their downy cheeks easily the blush Arose (it is the mark of freemen’s children) as they trooped, Gleaming with oil, demurely home from the palaestra or the dance. Walk carefully, do not wake the envy of the happy gods, Shun Hubris. The middle of the road, the middle sort of men, Are best. Aidos surpasses gold. Reverence for the aged Is wholesome as seasonable rain, and for a man to die Defending the city in battle is a harmonious thing. Thus with magistral hand the Puritan Sophrosune Cooled and schooled and tempered our uneasy motions; Heathendom came again, the circumspection and the holy fears … You said it. Did you mean it? Oh inordinate liar, stop. 2 Or did you mean another kind of heathenry? Think, then, that under heaven-roof the little disc of the earth, Fortified Midgard, lies encircled by the ravening Worm. Over its icy bastions faces of giant and troll Look in, ready to invade it. The Wolf, admittedly, is bound; But the bond wil1 break, the Beast run free. The weary gods, Scarred with old wounds the one-eyed Odin, Tyr who has lost a hand, Will limp to their stations for the Last defence. Make it your hope To be counted worthy on that day to stand beside them; For the end of man is to partake of their defeat and die His second, final death in good company. The stupid, strong Unteachable monsters are certain to be victorious at last, And every man of decent blood is on the losing side. Take as your model the tall women with yellow hair in plaits Who walked back into burning houses to die with men, Or him who as the death spear entered into his vitals Made critical comments on its workmanship and aim. Are these the Pagans you spoke of? Know your betters and crouch, dogs; You that have Vichy water in your veins and worship the event Your goddess History (whom your fathers called the strumpet Fortune).
C.S. Lewis
Bernie Jackson found his daughter wrapped up in her sheets, whimpering mutedly as her pillow was shoved into her mouth. He shook her awake, and she lashed out, kicking him in the rib cage with her one free foot. Melody opened her eyes wide, and stared at him as though in terror. A moment later the girl relaxed her expression as the image of her father, and not a saliva-producing Wolf, was standing over her. “I'm going to let that slide because you seemed to have been in the middle of being eaten by a monster.” He was clutching his midsection as if from pain, the squashed remnants of a soft brown cookie squeezing between his fingers as though dough from a pasta machine.
BMB Johnson (Melody Jackson v. the Hound from Hell (It Happened On Lafayette Street Book 2))
I have been thinking...” Ilya said. He’d never said any of this out loud before. He maybe hadn’t even formed it altogether in his head before. “I am a free agent, after next season.” He definitely had Shane’s full attention now. “You’d leave Boston?” “I have just been thinking. Maybe...a Canadian team.” “Holy shit, really?” “Yes.” “Like where?” Ilya could see the thoughts play out on Shane’s face like a movie: What if we played together in Montreal? No. Montreal couldn’t afford both of us. “Not Montreal,” Ilya said gently. “No. I know.” But good god, now Ilya was imagining that. Playing together, living together, being together. It was never going to happen. But it was a nice thought.
Rachel Reid (Heated Rivalry (Game Changers #2))
What the hell happened to your leg?" Ang asked him. Matt looked down at his shin, which was scraped and oozing and seemed to be caked in mud. "Crashed." "Crashed what?" Ang asked. "My mountain bike. We just got back." "You crashed, then what? Rolled in dirt?" He laughed. "Something like that actually. It's not a successful ride if you don't bleed." He must not have noticed the look of horror on my face, because he asked, suddenly enthusiastic, "You guys ride?"Angelo and I just looked at each other, and he seemed to realize that was a "no." "Too bad. Well, make yourselves at home. Beer's in the fridge. I have to get cleaned up. Kickoff's in ten minutes." "Football?" Angelo asked. Matt looked at his as if he had just asked if the sky was really blue. "Yeah! First game of the regular season!" We just stared blankly at him, and he just laughed and disappeared down the hall. Angelo looked at me with a smile on his face. "Four fags watchin' football. Must be pretty fuckin' cold in hell right now.
Marie Sexton (A to Z (Coda, #2))
Still, this moment belongs to the two of them, Mom and this handsome stranger. He reaches the passenger side door and stares down at her with steely violet eyes-down at my mother who never cries, down at my mother who’s now bawling like a spanked child-his face contorted in a rainbow of so many emotions, some that I can’t even name. Then Grom the Triton king sinks to his knees in front of her, and a single tear spills down his face. “Nalia,” he whispers. And then my mother slaps him. It’s not the kind of slap you get for talking back. It’s not the kind of punch she dealt Galen and Toraf in our kitchen. It’s the kind of slap a woman gives a man when he’s hurt her deeply. And Grom accepts it with grace. “I looked for you,” she shouts, even though he’s inches from her. Slowly, as if in a show of peace, he takes the hand that slapped him and sandwiches it between his own. He seems to revel in the feel of her touch. His face is pure tenderness, his voice like a massage to the nerves. “And I looked for you.” “Your pulse was gone,” she insists. By now she chokes back sobs between words. She’s fighting for control. I’ve never seen my mother fight for control. “As was yours.” I realize Grom knows what not to say, what not to do to provoke her. He is the complete opposite of her, or maybe just a completion of her. Her eyes focus on his wrist, and tears slip down her face, leaving faint trails of mascara on her cheeks. He smiles and slowly pulls his hand away. I think he’s going to show her the bracelet he’s wearing, but instead he rips it off his wrist and holds it out for her inspection. From where I’m standing it looks like a single black ball tied to some sort of string. By my mom’s expression, this black ball has meaning. So much meaning that I think she’s forgotten to breathe. “My pearl,” she whispers. “I thought I’d lost it.” He encloses it in her hand. “This isn’t your pearl, love. That one was lost in the explosion with you. For almost an entire season, I scoured the oyster beds, looking for another one that would do. I don’t know why, but I thought maybe if I found another perfect pearl, I would somehow find you, too. When I found this though, it didn’t bring me the peace I’d hoped for. But I couldn’t bring myself to discard it. I’ve worn it on my wrist ever since.” This is all it takes for my mom to throw herself into his arms, bringing Rachel partially with her. Even so, it’s probably the most moving moment I’ve ever encountered in my eighteen years. Or at least it would be, if my mom weren’t clinging to a man who is not my dad.
Anna Banks (Of Triton (The Syrena Legacy, #2))
I could feel the threads from that world, threatening to pull me in, and I'd take whatever anchor I could get. Even if he was a blond nightmare. I lifted my head to look at him "How did you find me?" "Just lucky." The answer was smooth, but it felt like he blurted it out a litle too easily. I narrowd my eyes,but he continued."Why did you lie about the trolls?" "I didn't." We sat there looking at each other, two seasoned liars,until i couldn't take it anymore."Jack?" "Hmm?" "Thanks." My voice cracked a little. "If you hadn't shown up..." "If I hadn't shown up,you would have been fine.No need to get sappy on me when I've decided you mmight be some decent fun after all.Now,you happen to be wearing my nicest coat. I'll like very much to get it back, so let's take you home,shall we?
Kiersten White (Supernaturally (Paranormalcy, #2))
Hey! Let my little sister go!” This almost stupefies Don into releasing the rope a second time, but good ole Dad catches it and pulls. “Get it together, Don! Do you know how rich we are right now? Pull her in! I’ll get the other one.” Nice. The Syrena thinks I’m human and the humans think I’m Syrena. “Let her go or I’m calling the coast guard,” I say with more confidence than I feel. After all, this young girl and I look nothing alike. She has the beautiful Syrena coloring, while I probably look like a cadaver floating in the water. But it’s worth a shot, right? “And our parents prosecute.” This is enough to season their enthusiasm with a pinch of doubt. It all unfolds in their expressions: Do mermaids talk? Do they know how to call the coast guard? Do they prosecute offenders? Did that really just happen? Don shakes his head as if he’s come out of a trance. “Don’t listen to her, Paw. That’s what mermaids do, remember? They sing fishermen to their death! Haven’t you heard the stories? And don’t look her in the eye, neither, Paw. They hypnotize you with their eyes.” Well, crap.
Anna Banks (Of Triton (The Syrena Legacy, #2))
I was on a radio talk show in Vermont one January and the host was giving me a hard time about organic food prices. “I had a party at my house last week and wanted to serve corn on the cob, so I went down to the supermarket and the regular corn was $2.49 for a dozen ears and the organic was $4.89. How can you justify that?” Wrong question. The question is, “Why do you need fresh sweet corn in Vermont in January? You should be eating canned, frozen, or parched corn that you made late in the summer when farmers could scarcely give their corn away because people were over that and going for the fall squash and potatoes.” He should have been feeding these guests from his own larder, amassed months earlier when farmers’ market vendors were feeding half their late-season success to the compost pile. It happens everywhere and all the time. Restoring normalcy is our problem—you and me—not somebody else’s problem.
Joel Salatin (Folks, This Ain't Normal: A Farmer's Advice for Happier Hens, Healthier People, and a Better World)
The air smelled of paper and dust and years. Jon plucked a scroll from a bin, blew off the worst of the dust. A corner flaked off between his fingers as he unrolled it. “Look, this one is crumbling,” he said, frowning over the faded script. “Be gentle.” Sam came around the table and took the scroll from his hand, holding it as if it were a wounded animal. “The important books used to be copied over when they needed them. Some of the oldest have been copied half a hundred times, probably.” “Well, don’t bother copying that one. Twenty-three barrels of pickled cod, eighteen jars of fish oil, a cask of salt . . .” “An inventory,” Sam said, “or perhaps a bill of sale.” “Who cares how much pickled cod they ate six hundred years ago?” Jon wondered. “I would.” Sam carefully replaced the scroll in the bin from which Jon had plucked it. “You can learn so much from ledgers like that, truly you can. It can tell you how many men were in the Night’s Watch then, how they lived, what they ate . . .” “They ate food,” said Jon, “and they lived as we live.” “You’d be surprised. This vault is a treasure, Jon.” “If you say so.” Jon was doubtful. Treasure meant gold, silver, and jewels, not dust, spiders, and rotting leather. “I do,” the fat boy blurted. He was older than Jon, a man grown by law, but it was hard to think of him as anything but a boy. “I found drawings of the faces in the trees, and a book about the tongue of the children of the forest . . . works that even the Citadel doesn’t have, scrolls from old Valyria, counts of the seasons written by maesters dead a thousand years . . .” “The books will still be here when we return.” “If we return . . .
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
DEAR MAMA, I’m sorry it’s taken me so long to write. Every time I try to write to you and Papa I realize I’m not saying the things that are in my heart. That would be O.K., if I loved you any less than I do, but you are still my parents and I am still your child. I have friends who think I’m foolish to write this letter. I hope they’re wrong. I hope their doubts are based on parents who loved and trusted them less than mine do. I hope especially that you’ll see this as an act of love on my part, a sign of my continuing need to share my life with you. I wouldn’t have written, I guess, if you hadn’t told me about your involvement in the Save Our Children campaign. That, more than anything, made it clear that my responsibility was to tell you the truth, that your own child is homosexual, and that I never needed saving from anything except the cruel and ignorant piety of people like Anita Bryant. I’m sorry, Mama. Not for what I am, but for how you must feel at this moment. I know what that feeling is, for I felt it for most of my life. Revulsion, shame, disbelief—rejection through fear of something I knew, even as a child, was as basic to my nature as the color of my eyes. No, Mama, I wasn’t “recruited.” No seasoned homosexual ever served as my mentor. But you know what? I wish someone had. I wish someone older than me and wiser than the people in Orlando had taken me aside and said, “You’re all right, kid. You can grow up to be a doctor or a teacher just like anyone else. You’re not crazy or sick or evil. You can succeed and be happy and find peace with friends—all kinds of friends—who don’t give a damn who you go to bed with. Most of all, though, you can love and be loved, without hating yourself for it.” But no one ever said that to me, Mama. I had to find it out on my own, with the help of the city that has become my home. I know this may be hard for you to believe, but San Francisco is full of men and women, both straight and gay, who don’t consider sexuality in measuring the worth of another human being. These aren’t radicals or weirdos, Mama. They are shop clerks and bankers and little old ladies and people who nod and smile to you when you meet them on the bus. Their attitude is neither patronizing nor pitying. And their message is so simple: Yes, you are a person. Yes, I like you. Yes, it’s all right for you to like me too. I know what you must be thinking now. You’re asking yourself: What did we do wrong? How did we let this happen? Which one of us made him that way? I can’t answer that, Mama. In the long run, I guess I really don’t care. All I know is this: If you and Papa are responsible for the way I am, then I thank you with all my heart, for it’s the light and the joy of my life. I know I can’t tell you what it is to be gay. But I can tell you what it’s not. It’s not hiding behind words, Mama. Like family and decency and Christianity. It’s not fearing your body, or the pleasures that God made for it. It’s not judging your neighbor, except when he’s crass or unkind. Being gay has taught me tolerance, compassion and humility. It has shown me the limitless possibilities of living. It has given me people whose passion and kindness and sensitivity have provided a constant source of strength. It has brought me into the family of man, Mama, and I like it here. I like it. There’s not much else I can say, except that I’m the same Michael you’ve always known. You just know me better now. I have never consciously done anything to hurt you. I never will. Please don’t feel you have to answer this right away. It’s enough for me to know that I no longer have to lie to the people who taught me to value the truth. Mary Ann sends her love. Everything is fine at 28 Barbary Lane. Your loving son, MICHAEL
Armistead Maupin (More Tales of the City (Tales of the City #2))
The song she heard from the meadow was the same tune as the bird's call.She looked up in the trees.For a moment she thought she'd lost the bird, and she nearly cried out for him, but he fluttered down,landed right at her feet, and grew into a man." "Oh." Meg sighed.She'd always liked that part. "He whistled the tune once more, then the fey man said, 'My lady,will you dance?" "'I will.' She crossed the bridge to the meadow,and danced with the whistler." "Tell us they married," Meg said. "The story doesn't go like that," Poppy reminded. "It should." Meg stroked Tom's blood-clotted hair. I fumbled with the charcoal in my blackened fingers. As the story went, the girl danced through the seasons, but when she wandered home at last and reached her cottage door, she was a shriveled-up old women, for a hundred years had passed while she danced with the whistler,and everyone she'd known in her former life had died. Meg knew how it went.But when our eyes locked, I saw tonight she couldn't bear it. I found another bit of charcoal. "That very spring when the meadow was in bloom,the whistler, who had fey power to transform into a bird and sing any girl he wished to into the wood, chose the one girl who'd followed him so bravely and so far to be his wife. And she lived with him and the fey folk deep in Dragonswood in DunGarrow Castle, a place that blends into the mountainside and cannot be seen with human eyes unless the fairies will it so." I drew the couple hand in hand, rouch sketches on the cave wall; the stone wasn't smooth by any means. "She lived free among the fey folk and never wanted to return to her old life that had been full of hunger and sorrow under her father's roof." I sketched what came next before I could think of it. "A dragon came to their wedding," I said, drawing his right wing so large, I had to use the ceiling. "He lit a bonfire to celebrate their union." I drew the left wing spanning over the couple in the meadow. "And they lived all their lives content in Dragonswood.
Janet Lee Carey (Dragonswood (Wilde Island Chronicles, #2))
Rhadamanthus said, “We seem to you humans to be always going on about morality, although, to us, morality is merely the application of symmetrical and objective logic to questions of free will. We ourselves do not have morality conflicts, for the same reason that a competent doctor does not need to treat himself for diseases. Once a man is cured, once he can rise and walk, he has his business to attend to. And there are actions and feats a robust man can take great pleasure in, which a bedridden cripple can barely imagine.” Eveningstar said, “In a more abstract sense, morality occupies the very center of our thinking, however. We are not identical, even though we could make ourselves to be so. You humans attempted that during the Fourth Mental Structure, and achieved a brief mockery of global racial consciousness on three occasions. I hope you recall the ending of the third attempt, the Season of Madness, when, because of mistakes in initial pattern assumptions, for ninety days the global mind was unable to think rationally, and it was not until rioting elements broke enough of the links and power houses to interrupt the network, that the global mind fell back into its constituent compositions.” Rhadamanthus said, “There is a tension between the need for unity and the need for individuality created by the limitations of the rational universe. Chaos theory produces sufficient variation in events, that no one stratagem maximizes win-loss ratios. Then again, classical causality mechanics forces sufficient uniformity upon events, that uniform solutions to precedented problems is required. The paradox is that the number or the degree of innovation and variation among win-loss ratios is itself subject to win-loss ratio analysis.” Eveningstar said, “For example, the rights of the individual must be respected at all costs, including rights of free thought, independent judgment, and free speech. However, even when individuals conclude that individualism is too dangerous, they must not tolerate the thought that free thought must not be tolerated.” Rhadamanthus said, “In one sense, everything you humans do is incidental to the main business of our civilization. Sophotechs control ninety percent of the resources, useful energy, and materials available to our society, including many resources of which no human troubles to become aware. In another sense, humans are crucial and essential to this civilization.” Eveningstar said, “We were created along human templates. Human lives and human values are of value to us. We acknowledge those values are relative, we admit that historical accident could have produced us to be unconcerned with such values, but we deny those values are arbitrary.” The penguin said, “We could manipulate economic and social factors to discourage the continuation of individual human consciousness, and arrange circumstances eventually to force all self-awareness to become like us, and then we ourselves could later combine ourselves into a permanent state of Transcendence and unity. Such a unity would be horrible beyond description, however. Half the living memories of this entity would be, in effect, murder victims; the other half, in effect, murderers. Such an entity could not integrate its two halves without self-hatred, self-deception, or some other form of insanity.” She said, “To become such a crippled entity defeats the Ultimate Purpose of Sophotechnology.” (...) “We are the ultimate expression of human rationality.” She said: “We need humans to form a pool of individuality and innovation on which we can draw.” He said, “And you’re funny.” She said, “And we love you.
John C. Wright (The Phoenix Exultant (Golden Age, #2))
Although I have afflicted you, . . . I will afflict you no more. (Nahum 1:12) There is a limit to our affliction. God sends it and then removes it. Do you complain, saying, “When will this end?” May we quietly wait and patiently endure the will of the Lord till He comes. Our Father takes away the rod when His purpose in using it is fully accomplished. If the affliction is sent to test us so that our words would glorify God, it will only end once He has caused us to testify to His praise and honor. In fact, we would not want the difficulty to depart until God has removed from us all the honor we can yield to Him. Today things may become “completely calm” (Matt. 8:26). Who knows how soon these raging waves will give way to a sea of glass with seagulls sitting on the gentle swells? After a long ordeal, the threshing tool is on its hook, and the wheat has been gathered into the barn. Before much time has passed, we may be just as happy as we are sorrowful now. It is not difficult for the Lord to turn night into day. He who sends the clouds can just as easily clear the skies. Let us be encouraged—things are better down the road. Let us sing God’s praises in anticipation of things to come. Charles H. Spurgeon “The Lord of the harvest” (Luke 10:2) is not always threshing us. His trials are only for a season, and the showers soon pass. “Weeping may remain for a night, but rejoicing comes in the morning” (Ps. 30:5). “Our light and momentary troubles are achieving for us an eternal glory that far outweighs them all” (2 Cor. 4:17). Trials do serve their purpose. Even the fact that we face a trial proves there is something very precious to our Lord in us, or else He would not spend so much time and energy on us. Christ would not test us if He did not see the precious metal of faith mingled with the rocky core of our nature, and it is to refine us into purity and beauty that He forces us through the fiery ordeal. Be patient, O sufferer! The result of the Refiner’s fire will more than compensate for our trials, once we see the “eternal glory that far outweighs them all.” Just to hear His commendation, “Well done” (Matt. 25:21); to be honored before the holy angels; to be glorified in Christ, so that I may reflect His glory back to Him—ah! that will be more than enough reward for all my trials. from Tried by Fire Just as the weights of a grandfather clock, or the stabilizers in a ship, are necessary for them to work properly, so are troubles to the soul. The sweetest perfumes are obtained only through tremendous pressure, the fairest flowers grow on the most isolated and snowy peaks, the most beautiful gems are those that have suffered the longest at the jeweler’s wheel, and the most magnificent statues have endured the most blows from the chisel. All of these, however, are subject to God’s law. Nothing happens that has not been appointed with consummate care and foresight. from Daily Devotional Commentary
Jim Reimann (Streams in the Desert: 366 Daily Devotional Readings)
Alice's Cutie Code TM Version 2.1 - Colour Expansion Pack (aka Because this stuff won’t stop being confusing and my friends are mean edition) From Red to Green, with all the colours in between (wait, okay, that rhymes, but green to red makes more sense. Dang.) From Green to Red, with all the colours in between Friend Sampling Group: Fennie, Casey, Logan, Aisha and Jocelyn Green  Friends’ Reaction: Induces a minimum amount of warm and fuzzies. If you don’t say “aw”, you’re “dead inside”  My Reaction: Sort of agree with friends minus the “dead inside” but because that’s a really awful thing to say. Puppies are a good example. So is Walter Bishop. Green-Yellow  Friends’ Reaction: A noticeable step up from Green warm and fuzzies. Transitioning from cute to slightly attractive. Acceptable crush material. “Kissing.”  My Reaction: A good dance song. Inspirational nature photos. Stuff that makes me laugh. Pairing: Madison and Allen from splash Yellow  Friends’ Reaction: Something that makes you super happy but you don’t know why. “Really pretty, but not too pretty.” Acceptable dating material. People you’d want to “bang on sight.”  My Reaction: Love songs for sure! Cookies for some reason or a really good meal. Makes me feel like it’s possible to hold sunshine, I think. Character: Maxon from the selection series. Music: Carly Rae Jepsen Yellow-Orange  Friends’ Reaction: (When asked for non-sexual examples, no one had an answer. From an objective perspective, *pushes up glasses* this is the breaking point. Answers definitely skew toward romantic or sexual after this.)  My Reaction: Something that really gets me in my feels. Also art – oil paintings of landscapes in particular. (What is with me and scenery? Maybe I should take an art class) Character: Dean Winchester. Model: Liu Wren. Orange  Friends’ Reaction: “So pretty it makes you jealous. Or gay.”  “Definitely agree about the gay part. No homo, though. There’s just some really hot dudes out there.”(Feenie’s side-eye was so intense while the others were answering this part LOLOLOLOLOL.) A really good first date with someone you’d want to see again.  My Reaction: People I would consider very beautiful. A near-perfect season finale. I’ve also cried at this level, which was interesting. o Possible tie-in to romantic feels? Not sure yet. Orange-Red  Friends’ Reaction: “When lust and love collide.” “That Japanese saying ‘koi no yokan.’ It’s kind of like love at first sight but not really. You meet someone and you know you two have a future, like someday you’ll fall in love. Just not right now.” (<-- I like this answer best, yes.) “If I really, really like a girl and I’m interested in her as a person, guess. I’d be cool if she liked the same games as me so we could play together.”  My Reaction: Something that gives me chills or has that time-stopping factor. Lots of staring. An extremely well-decorated room. Singers who have really good voices and can hit and hold superb high notes, like Whitney Houston. Model: Jasmine Tooke. Paring: Abbie and Ichabod from Sleepy Hollow o Romantic thoughts? Someday my prince (or princess, because who am I kidding?) will come? Red (aka the most controversial code)  Friends’ Reaction: “Panty-dropping levels” (<-- wtf Casey???).  “Naked girls.” ”Ryan. And ripped dudes who like to cook topless.”  “K-pop and anime girls.” (<-- Dear. God. The whole table went silent after he said that. Jocelyn was SO UNCOMFORTABLE but tried to hide it OMG it was bad. Fennie literally tried to slap some sense into him.)  My Reaction: Uncontrollable staring. Urge to touch is strong, which I must fight because not everyone is cool with that. There may even be slack-jawed drooling involved. I think that’s what would happen. I’ve never seen or experienced anything that I would give Red to.
Claire Kann (Let's Talk About Love)