Seaside Living Quotes

While I love romance, I’ve never believed in the concept of soul mates, which has always seemed a little like men’s rights activism: not a real thing. Love isn’t immediate or automatic; it takes effort and time and patience. The truth of it was that I’d probably never have the kind of luck with love the women who live in fictional seaside towns do. But sometimes I get this strange feeling, an ache not for something I miss, but for something I’ve never known.

I didn't want to be in the teeming mass of the working class.... I didn't want to live and die in the same place with only a week at the seaside in between. I dreamed of escape -- but what is terrible about industrialisation is that it makes escape necessary. In a system that generates masses, individualism is the only way out. But then what happens to community -- to society?

There is an internal landscape, a geography of the soul; we search for its outlines all our lives. Those who are lucky enough to find it ease like water over a stone, onto its fluid contours, and are home. Some find it in the place of their birth; others may leave a seaside town, parched, and find themselves refreshed in the desert. There are those born in rolling countryside who are really only at ease in the intense and busy loneliness of the city. For some, the search is for the imprint of another; a child or a mother, a grandfather or a brother, a lover, a husband, a wife, or a foe. We may go through our lives happy or unhappy, successful or unfulfilled, loved or unloved, without ever standing cold with the shock of recognition, without ever feeling the agony as the twisted iron in our soul unlocks itself and we slip at last into place.

Live your life as if each moment is your last. This isn't about going crazy. It's about appreciation.

Welcome to the land of the living sweetheart. Everyone's messed up. It's what makes us human.

Some people spend their whole lives looking for themselves, yet our self is the one thing we surely cannot lose (how like a cheap philosopher I am become, staying in this benighted place). From the moment we are conceived it is the pattern in our blood and our bones are printed through with it like sticks of seaside rock. Nora, on the other hand, says that she’s surprised anyone knows who they are, considering that every cell and molecule in our bodies has been replaced many times over since we were born.

I found a tiny starfish In a tide pool by the sand. I found a tiny starfish And I put him in my hand. An itty-bitty starfish No bigger than my thumb, A wet and golden starfish Belonging to no one. I thought that I would take him From the tidepool by the sea, And bring him home to give you A loving gift from me. But as I held my starfish, His skin began to dry. Without his special seaside home, My gift for you would die. I found a tiny starfish In a tide pool by the sea. I hope whoever finds him next Will leave him there, like me! And the gift I've saved for you? The best that I can give: I found a tiny starfish, And for you, I let him live.

Seaside gusts of wind, And a house in which we don't live, And the shadow of a cherished cedar In front of a forbidden window... Perhaps there is someone in this world To whom I could send all these lines. Well then! Let the lips smile bitterly And a tremor touch the heart again.

But, slowly, she was learning how to live in the tension between heartache and hope. How to trust the heart of God who stayed even when her own heart drifted, knowing He’d always find a way to draw her back.

We’re often wrong at predicting who or what will transform us. Encountering certain people, books, music, places, or ideas … at just the right time can immediately make our lives happier, richer, more beautiful, resonant, or meaningful. When it happens, we feel a kind of instant love for them, both deep and abiding. Now and then it can be something as trifling as a children’s book, a returned telephone call, or a night at a seaside bar in Mykonos.

There is an internal landscape, a geography of the soul: we search for its outlines all over our lives. Those who are lucky enough to find it ease like water over stone, onto its fluid contours, and are home. Some find it in a place of their birth; others may leave a seaside town, parched, and find themselves refreshed in the desert. there are those born in rolling countryside who are really only at ease in the intense and busy loneliness of the city. For some, the search is for the imprint of another; a child or a mother, a grandfather or a brother, a lover, a husband, a wife, or a foe. We may go through our lives happy or unhappy, successful or unfulfilled, loved, or unloved, without ever standing cold with the shock or recognition, without ever feeling the agony as the twisted iron in our soul unlocks itself and we slip at last into place.

I have often plotted my great escape to the beach. To live seaside and to be able to stare possibility and tranquility in the face every day ... I wanted it bad enough to taste. All the while forgetting, I can lap underneath an open sky at any moment and feel awe rush over me. I can bring it close to me like a blanket—if I only remember He is my rest and refuge.

I had taken out of my pocket the photographs of us all which I had wanted to show Freddie, and among them the photo of Gay Orlov as a little girl. I had not noticed until then that she was crying. One could tell by the wrinkling of her brows. For a moment, my thoughts transported me far from this lagoon, to the other end of the world, to a seaside resort in Southern Russia where the photo had been taken, long ago. A little girl is returning from the beach, at dusk, with her mother. She is crying for no reason at all, because she would have liked to continue playing. She moves off into the distance. She has already turned the corner of the street, and do not our lives dissolve into the evening as quickly as this grief of childhood?

You know better than anyone that nothing lasts. Nothing good. Nothing bad. Everything lives. Everything dies. Sometimes cities just fall into the sea. It's not a tragedy, that's just the way it is. People look around them and see the world and say this is how the world is supposed to be. Then they fight to keep it that way. They believe that this is what was intended - whether by design or cosmic accident - and that everything exists in a tenuous balance that must be preserved. But the balance is bullshit. The only thing constant in this world is the speed at which things change. Rain falls, waters rise, shorelines erode. What is one day magnificent seaside property in ancient Greece is the next resting thirty feet below the surface. Islands rise from the sea and continents crack and part ways forever. What was once a verdant forest teeming with life is now resting one thousand feet beneath a sheet of ice in Antarctica; what was once a glorious church now rests at the bottom of a dammed-up lake in Kansas. The job of nature is to march on and keep things going; ours is to look around, appreciate it, and wonder what's next?

When I was on a book tour last year, I saw a sign in a bookstore in a seaside town in Maine that was carefully drawn with popular symbols of coastal living and these words were entwined: Hope anchors the soul. From that childhood that many might call "disadvantaged," I was anchored in the belief that most things are possible.

Language as a Prison The Philippines did have a written language before the Spanish colonists arrived, contrary to what many of those colonists subsequently claimed. However, it was a language that some theorists believe was mainly used as a mnemonic device for epic poems. There was simply no need for a European-style written language in a decentralized land of small seaside fishing villages that were largely self-sufficient. One theory regarding language is that it is primarily a useful tool born out of a need for control. In this theory written language was needed once top-down administration of small towns and villages came into being. Once there were bosses there arose a need for written language. The rise of the great metropolises of Ur and Babylon made a common written language an absolute necessity—but it was only a tool for the administrators. Administrators and rulers needed to keep records and know names— who had rented which plot of land, how many crops did they sell, how many fish did they catch, how many children do they have, how many water buffalo? More important, how much then do they owe me? In this account of the rise of written language, naming and accounting seem to be language's primary "civilizing" function. Language and number are also handy for keeping track of the movement of heavenly bodies, crop yields, and flood cycles. Naturally, a version of local oral languages was eventually translated into symbols as well, and nonadministrative words, the words of epic oral poets, sort of went along for the ride, according to this version. What's amazing to me is that if we accept this idea, then what may have begun as an instrument of social and economic control has now been internalized by us as a mark of being civilized. As if being controlled were, by inference, seen as a good thing, and to proudly wear the badge of this agent of control—to be able to read and write—makes us better, superior, more advanced. We have turned an object of our own oppression into something we now think of as virtuous. Perfect! We accept written language as something so essential to how we live and get along in the world that we feel and recognize its presence as an exclusively positive thing, a sign of enlightenment. We've come to love the chains that bind us, that control us, for we believe that they are us (161-2).

Welcome to the land of the living, sweetheart. Everyone’s messed up. It’s what makes us human.

Life is over in a blink of an eye — so why waste your time being anything but happy that you’ve been given another day to live?

Once, on the balcony of a seaside villa, she said she wished she'd met him earlier in life, and he said, "We're gonna make up for that. We're gonna live a long time together.

The seaside is great. Humans have lived by the ocean since ancient times, so our DNA responds to it fondly. That’s what he’d said at the time.

Because she was connected to you. Because even despite her absence, she existed and you existed. You are a fact in each other’s lives in the same way that the sea exists even if you never go to the seaside.

There was a feeling of freshness and vigour in the very streets; and when I got free of the town, when my foot was on the sands and my face towards the broad, bright bay, no language can describe the effect of the deep, clear azure of the sky and ocean, the bright morning sunshine on the semicircular barrier of craggy cliffs surmounted by green swelling hills, and on the smooth, wide sands, and the low rocks out at sea—looking, with their clothing of weeds and moss, like little grass–grown islands—and above all, on the brilliant, sparkling waves. And then, the unspeakable purity—and freshness of the air! There was just enough heat to enhance the value of the breeze, and just enough wind to keep the whole sea in motion, to make the waves come bounding to the shore, foaming and sparkling, as if wild with glee. Nothing else was stirring—no living creature was visible besides myself. My footsteps were the first to press the firm, unbroken sands;—nothing before had trampled them since last night’s flowing tide had obliterated the deepest marks of yesterday, and left them fair and even, except where the subsiding water had left behind it the traces of dimpled pools and little running streams.

In conclusion, without art our hearts are a solid pieces of stone, our children’s lives are crumbly like sandcastle by the seaside, Travelling through the sequence of my own grim childhood - my own world was dark and delicate like a sandcastle without the power of art. This is my story, may be yours, this story belongs to most of us Welcome to the world of sandcastles!

The past had already been dealt with, to one end or another, it was certain, fixed, the horror of it was already over. For the living at least. They grieved, yes, but they were not trapped in the terror of the moment. Not so for my poor, elegant wraiths. They were like the old-fashioned zoetropes you find at the seaside: a tiny slice of a world in a box, brief yet somehow also eternal.

As for the other neighbors, they had been on vacation for a while already or had left Friday afternoon for a weekend in the mountains, at the sea. The three of us, too, would have been settled at least a month earlier at some seaside vacation place, as we were every year, if Mario hadn't left. The lech. Empty building, August was like that. I felt like guffawing at every door, sticking out my tongue, thumbing my nose. I didn't give a shit about them. Happy little families, good money from professions, comfort constructed by selling at a high price services that should be free. Like Mario, who allowed us to live well by selling his ideas, his intelligence, the persuasive tones of his voice when he taught. Ilaria called to me from the landing: "I don't want to stay with the vomit stink.

lived within a mile of the place." My grandmother, who held that, when one went to the seaside, one ought to be on the beach from morning to night, to taste the salt breezes, and that one should not know anyone in the place, because calls and parties and excursions were so much time stolen from what belonged, by rights, to the sea-air, begged him on no account to speak to Legrandin of our plans; for already, in her mind's eye, she could see his sister, Mme. de Cambremer, alighting from her carriage at the door of our hotel just as we were on the point of going out fishing, and obliging us to remain indoors all afternoon to entertain her. But Mamma laughed her fears to scorn, for she herself felt that the danger was not so threatening, and that Legrandin would shew no undue anxiety to make us acquainted with his sister. And, as it happened, there was no need for any of us to introduce the subject of Balbec, for it was Legrandin himself who, without the least suspicion that we had ever had any intention of visiting those parts, walked into the trap uninvited one evening, when we met him strolling on the banks of the Vivonne. "There are tints in the clouds this evening, violets and blues, which are very beautiful, are they not, my friend?" he said to my father. "Especially a blue which is far more floral than atmospheric, a cineraria blue, which it is surprising to see in the sky.

Blast. This day had not gone as planned. By this time, he was supposed to be well on his way to the Brighton Barracks, preparing to leave for Portugal and rejoin the war. Instead, he was…an earl, suddenly. Stuck at this ruined castle, having pledged to undertake the military equivalent of teaching nursery school. And to make it all worse, he was plagued with lust for a woman he couldn’t have. Couldn’t even touch, if he ever wanted his command back. As if he sensed Bram’s predicament, Colin started to laugh. “What’s so amusing?” “Only that you’ve been played for a greater fool than you realize. Didn’t you hear them earlier? This is Spindle Cove, Bram. Spindle. Cove.” “You keep saying that like I should know the name. I don’t.” “You really must get around to the clubs. Allow me to enlighten you. Spindle Cove-or Spinster Cove, as we call it-is a seaside holiday village. Good families send their fragile-flower daughters here for the restorative sea air. Or whenever they don’t know what else to do with them. My friend. Carstairs sent his sister here last summer, when she grew too fond of the stable boy.” “And so…?” “And so, your little militia plan? Doomed before it even starts. Families send their daughters and wards here because it’s safe. It’s safe because there are no men. That’s why they call it Spinster Cove.” “There have to be men. There’s no such thing as a village with no men.” “Well, there may be a few servants and tradesmen. An odd soul or two down there with a shriveled twig and a couple of currants dangling between his legs. But there aren’t any real men. Carstairs told us all about it. He couldn’t believe what he found when he came to fetch his sister. The women here are man-eaters.” Bram was scarcely paying attention. He focused his gaze to catch the last glimpses of Miss Finch as her figure receded into the distance. She was like a sunset all to herself, her molten bronze hair aglow as she sank beneath the bluff’s horizon. Fiery. Brilliant. When she disappeared, he felt instantly cooler. And then, only then, did he turn to his yammering cousin. “What were you saying?” “We have to get out of here, Bram. Before they take our bollocks and use them for pincushions.” Bram made his way to the nearest wall and propped one shoulder against it, resting his knee. Damn, that climb had been steep. “Let me understand this,” he said, discreetly rubbing his aching thigh under the guise of brushing off loose dirt. “You’re suggesting we leave because the village is full of spinsters? Since when do you complain about an excess of women?” “These are not your normal spinsters. They’re…they’re unbiddable. And excessively educated.” “Oh. Frightening, indeed. I’ll stand my ground when facing a French cavalry charge, but an educated spinster is something different entirely.” “You mock me now. Just you wait. You’ll see, these women are a breed unto themselves.” “These women aren’t my concern.” Save for one woman, and she didn’t live in the village. She lived at Summerfield, and she was Sir Lewis Finch’s daughter, and she was absolutely off limits-no matter how he suspected Miss Finch would become Miss Vixen in bed.

The Meaning of Birds Of the genesis of birds we know nothing, save the legend they are descended from reptiles: flying, snap-jawed lizards that have somehow taken to air. Better the story that they were crab-apple blossoms or such, blown along by the wind; time after time finding themselves tossed from perhaps a seaside tree, floated or lifted over the thin blue lazarine waves until something in the snatch of color began to flutter and rise. But what does it matter anyway how they got up high in the trees or over the rusty shoulders of some mountain? There they are, little figments, animated---soaring. And if occasionally a tern washes up greased and stiff, and sometimes a cardinal or a mockingbird slams against the windshield and your soul goes oh God and shivers at the quick and unexpected end to beauty, it is not news that we live in a world where beauty is unexplainable and suddenly ruined and has its own routines. We are often far from home in a dark town, and our griefs are difficult to translate into a language understood by others. We sense the downswing of time and learn, having come of age, that the reluctant concessions made in youth are not sufficient to heat the cold drawn breath of age. Perhaps temperance was not enough, foresight or even wisdom fallacious, not only in conception but in the thin acts themselves. So our lives are difficult, and perhaps unpardonable, and the fey gauds of youth have, as the old men told us they would, faded. But still, it is morning again, this day. In the flowering trees the birds take up their indifferent, elegant cries. Look around. Perhaps it isn't too late to make a fool of yourself again. Perhaps it isn't too late to flap your arms and cry out, to give one more cracked rendition of your singular, aspirant song.

Fully His I have been forgiven and set free from my sins. There was a boy who lived in a town on the seaside. He was a skilled and clever carver, and he carved himself a little wooden boat. When he put sails on it, it really sailed. One day, he took it down to the shore and was sailing it at the edge of the sea, but the tide changed and carried his boat out to sea, and he could not recover it. So, he went home without his boat. With the next change of the wind and tide, the boat came back again. A man walking along the seashore found the boat, picked it up, and saw it was a beautiful piece of work. He took it to a local shop and sold it. The shop owner cleaned it up and put it on display in his shop window with a price of thirty-five dollars. Some while later, the boy walked past the shop, looked in the window, and saw his boat with a price of thirty-five dollars. He knew, however, that he had no way to prove that it was his boat. If he wanted his boat, there was only one thing he could do: buy it back. He set to work, taking any job he could to earn the money to buy his boat. Once he earned the money, he walked into the shop and said, “I want to buy that boat.” He paid the money, and, when he got the boat in his hands, he walked outside and stopped on the sidewalk. He held the boat to his chest and said, “Now you’re mine. I made you and I bought you.” That is redemption. First, the Lord made us, but we were in Satan’s slave market. Then, He bought us. We are doubly His. Can you see how valuable you are to the Lord? Think of yourself as that boat for a moment. You may feel so inadequate, so worthless. You wonder whether God ever really cares. Just try to believe that you are that boat in the Lord’s arms and He is saying to you, “Now you’re Mine. I made you and I bought you. I own you; you’re fully Mine.”     Thank You,

Life is strewn with these miracles, for which people who are in love can always hope. It is possible that this one had been artificially brought about by my mother who, seeing that for some time past I had lost all interest in life, may have suggested to Gilberte to write to me, just as, when I was little and went first to the sea-side, so as to give me some pleasure in bathing, which I detested because it took away my breath, she used secretly to hand to the man who was to ‘dip’ me marvellous boxes made of shells, and branches of coral, which I believed that I myself had discovered lying at the bottom of the sea. However, with every occurrence which, in our life and among its contrasted situations, bears any relation to love, it is best to make no attempt to understand it, since in so far as these are inexorable, as they are unlooked-for, they appear to be governed by magic rather than by rational laws. When a multi-millionaire—who for all his millions is quite a charming person—sent packing by a poor and unattractive woman with whom he has been living, calls to his aid, in his desperation, all the resources of wealth, and brings every worldly influence to bear without succeeding in making her take him back, it is wiser for him, in the face of the implacable obstinacy of his mistress, to suppose that Fate intends to crush him, and to make him die of an affection of the heart, than to seek any logical explanation. These obstacles, against which lovers have to contend, and which their imagination, over-excited by suffering, seeks in vain to analyse, are contained, as often as not, in some peculiar characteristic of the woman whom they cannot bring back to themselves, in her stupidity, in the influence acquired over her, the fears suggested to her by people whom the lover does not know, in the kind of pleasures which, at the moment, she is demanding of life, pleasures which neither her lover nor her lover’s wealth can procure for her. In any event, the lover is scarcely in a position to discover the nature of these obstacles, which her woman’y cunning hides from him and his own judgment, falsified by love, prevents him from estimating exactly. They may be compared with those tumours which the doctor succeeds in reducing, but without having traced them to their source. Like them these obstacles remain mysterious but are temporary. Only they last, as a rule, longer than love itself. And as that is not a disinterested passion, the lover who is no longer in love does not seek to know why the woman, neither rich nor virtuous, with whom he was in love refused obstinately for years to let him continue to keep her. Now the same mystery which often veils from our eyes the reason for a catastrophe, when love is in question, envelops just as frequently the suddenness of certain happy solutions, such as had come to me with Gilberte’s letter. Happy, or at least seemingly happy, for there are few solutions that can really be happy when we are dealing with a sentiment of such a kind that every satisfaction which we can bring to it does no more, as a rule, than dislodge some pain. And yet sometimes a respite is granted us, and we have for a little while the illusion that we are healed.

So the years passed and everyone grew old and Nell’s husband died and Hilda grew to be a large, angry sort of woman very high up in local government. When Nell was eighty-four Hilda retired and they went to live at a sea-side place where Hilda had had meaningful holidays during the menopause with a woman called Audrey, now dead.

On the summits of these heights I found shells such as are picked up at the seaside. The Indians accounted for their appearance there by saying that once a great sea rolled over the face of the country and only one man in a boat escaped with his family. He had sailed about in the boat until the waters retired to their place, and, living there, became the father of all Indians.

If I may be permitted the indulgence of another of my favourite pictures, it is that of a seaside bay. With a small boat, and the tide low, one has to be extremely careful not to strike barely submerged rocks, and has to navigate with caution among the visible obstructions. The situation is by no means carefree; it could be damaging to one’s craft, even dangerous to one’s person.Yet, a few hours later, with a full tide, the whole scene is transformed. The menacing rocks are now at least several feet below one’s keel, and one may sail freely within the area. This has more than incidental parallels with James C. Thomson’s concept, which he named High Level Health. Not mere absence or avoidance of uncomfortable symptoms, but a genuine freedom to live and move fully

...guilt is like fear. It's going to be there, but you can't let it affect the way you live your life. The minute you give it power it grows. Don't feed it by dwelling on it. Instead, develop on the good that came out of the scary thing. So death is terrifying, but the good is really good, don't you think?

Some people spend their whole lives looking for themselves, yet our self is the one thing we cannot lose (how like a cheap philosopher i am become, staying in this benighted place). From the moment we are conceived it is the pàttern in our blood and our bones are printed through with it like sticks of seaside rock. Nora, on the other hand, says that she´s surprised anyone knows who they are, considering that every cell and molecule in our bodies has been replaced many times over since we were born.

That warehouse was worse than even my apartment, though I'd lived in worse. I'd spent twenty years in a rotting shack by the seaside. A wonderful twenty years, actually. I'd hunted sharks. It was mildly suicidal, I admit it.

Penelope shared the public's illusion that writing is something that you sit down and do at prescribed sittings, and not that it is something that must be lived daily amid preoccuptions that have nothing to do putting together sentences - ordinary activities like cooking, going to the races, walking the dogs, seeing a bad movie and not writing about it, reading only for pleasure, going to pubs, the seaside, church. Not for her: embassy supper was obligatory, the church fete a tiresome frivolity.

Life is over in a blink of an eye — so why waste your time being anything but happy that you’ve been given another day to live?” “Hey,

Why a monk? How can he wear orange and breathe slowly all the time. Sometimes I’m convinced the human race as a whole is pathetic in it stupidity, but I’m beginning to understand why we’ve survived this long. We have the remarkable ability to get something out of nothing, explanations out of mystery, truth out of air. The great religions and causes are the best magic tricks in history, conjuring neither pigeons nor rabbits. Even an elephant out of a top hat would pale in comparison to the stunning answers we come up with to calm ourselves (or, as the case may be, enrage, justify, avenge ourselves). You don’t need to be a Buddhist, or a Christian, or a Muslim; the truth isn’t found only in ancient books. It can be anywhere, depending on your eyes. If I’m to believe the monk, and I do, we mould our lives according to dreams and visions whose substance is poorly imagined. Our truths are as numerous and unpredictable as wind currents, as invisible, as undeniable. The only prop necessary for the whole show is faith. With faith, you will have your truth, no matter how absurd it may appear to others. If you have a vision, you’re obliged to believe in it even if your neighbours think you are stark raving mad. What must the monk’s mother say of her eyebrowless, malnourished son, a perfectly sane young man living on rice and vegetables and pure Asian light? He relinquished his seaside, his clothes, his name, but he knows what he’s received in exchange. I like the image of him in my mind, the grey eyes, skin, mouth, egg-bald head rising out of orange sheets. He is so convinced, so convincing. I wonder about people like him, and the people who are monks without robes, the ones who wonder around in the noisier world, they’re gods in their pockets. Bertrand Russell was once asked if he would die for his beliefs. He laughed and said, “Of course not. After all, I may be wrong.” I laugh myself, thinking how wrong I might be. But it doesn’t matter. Belief, and the faith feeds itself; truth shines out like a new born moon.

I felt full of nervous energy so I went back inside the house, put on a music channel, and danced around the living room by myself till I could barely catch my breath. When “Seaside Heart” by Carnage came on, I curled up on the sofa and cried at the unfairness of the world.

John Langdon lived to be seventy-eight years old (no small achievement at the time), and although he was exceptionally generous in financing the nation’s war, such contributions appear not to have threatened his prosperous way of life. George Washington was quoted as saying that Portsmouth had many fine houses, but “among them, Col. Langdon’s may be esteemed the first.” If you travel today to that picturesque seaside city, you may still visit Langdon’s stately Georgian mansion and surrounding gardens.

Eventually, he decided to stay in his house where there were fewer things to hate. This was okay for a while but then some noisy neighbours moved in. Guess what? He hated them. In fact, he hated everyone he ever met, so he packed his things and moved far way to a house on a cliff by the seaside where there were hardly any other people to hate. Every day he sat on the cliff, watching the ocean and trying not to hate it. A little girl lived nearby and saw the man sitting by himself every day. She thought he must be lonely and felt sorry for him so she decided to make him a special present. She planted a geranium seed in a pot and watered it and loved it every day for six weeks. As the geranium plant grew, she spoke to it in a kind voice. She told it all about the lonely man who sat everyday on the cliff. When the geranium plant grew a beautiful pink flower, the girl carefully wrapped the pot in soft pink tissue paper. She carried it up to the cliff-top and, smiling shyly, gave it to the man. He hated it and threw it off the cliff. The girl ran home, crying. The end (Well, what did you expect? I told you at the start that he wasn’t

But Anita Roddick had a different take on that. In 1976, before the words to say it had been found, she set out to create a business that was socially and environmentally regenerative by design. Opening The Body Shop in the British seaside town of Brighton, she sold natural plant-based cosmetics (never tested on animals) in refillable bottles and recycled boxes (why throw away when you can use again?) while paying a fair price to the communities worldwide that supplied cocoa butter, brazil nut oil and dried herbs. As production expanded, the business began to recycle its wastewater for using in its products and was an early investor in wind power. Meanwhile, company profits went to The Body Shop Foundation, which gave them to social and environmental causes. In all, a pretty generous enterprise. Roddick’s motivation? ‘I want to work for a company that contributes to and is part of the community,’ she later explained. ‘If I can’t do something for the public good, what the hell am I doing?’47 Such a values-driven mission is what the analyst Marjorie Kelly calls a company’s ‘living purpose’—turning on its head the neoliberal script that the business of business is simply business. Roddick proved that business can be far more than that, by embedding benevolent values and a regenerative intent at the company’s birth. ‘We dedicated the Articles of Association and Memoranda—which in England is the legal definition of the purpose of your company—to human rights advocacy and social and environmental change,’ she explained in 2005, ‘so everything the company did had that as its canopy.’48 Today’s most innovative enterprises are inspired by the same idea: that the business of business is to contribute to a thriving world. And the growing family of enterprise structures that are intentionally distributive by design—including cooperatives, not-for-profits, community interest companies, and benefit corporations—can be regenerative by design too.49 By explicitly making a regenerative commitment in their corporate by-laws and enshrining it in their governance, they can safeguard a ‘living purpose’ through times of leadership change and protect it from mission creep. Indeed the most profound act of corporate responsibility for any company today is to rewrite its corporate by-laws, or articles of association, in order to redefine itself with a living purpose, rooted in regenerative and distributive design, and then to live and work by it.

While I love romance, I’ve never believed in the concept of soul mates, which has always seemed a little like men’s rights activism: not a real thing. Love isn’t immediate or automatic; it takes effort and time and patience. The truth of it was that I’d probably never have the kind of luck with love the women who live in fictional seaside towns do. But sometimes I get this strange feeling, an ache not for something I miss, but for something I’ve never known.

1 cup strawberry preserves 8 herbal peach tea bags 12 fresh strawberries, cored and sliced Ice Using a medium saucepan, add 4 cups of water, strawberry preserves, and peach tea bags, and bring to a boil. Remove from heat, and steep 15 minutes. Pour in remaining 6 cups of cold water. Remove tea bags and let cool completely. Then, add strawberry slices, and stir.

I don’t believe that anyone truly dies. Although the physical body may no longer be with us, spirits live on in our hearts forever.

I am a hill where poets run. I invented the alphabet after watching the flight of cranes who made letters with their legs. I am a lake upon a plain. I am a word in a tree. I am a hill of poetry. I am a raid on the inarticulate. I have dreamt that all my teeth fell out but my tongue lived to tell the tale. For I am a still of poetry. I am a bank of song. I am a playerpiano in an abandoned casino on a seaside esplanade in a dense fog still playing.

Sometimes family isn’t made up of who you’re born to or who you share a name with. Sometimes it’s made up of a strange man you accidentally dial up and cuss out, or waitresses at a seaside restaurant, or seven-year-old twins who tell you you’re awesome and super pretty. Family are the people who support you and love you no matter what. Who care about your happiness and who don’t pass judgment. Who heal you. Who accept you and the life you’re living. That’s what family is, Mom.

If possible, it is best to have a balance between the civilisation of city life and the solitude of country living. Too much solitude and we can become isolated and lose the benefit of human culture, progress, and communication. Too much urban life and we lose our spiritual essence and our fundamental native homeostasis. Many people instinctively withdraw to the country or the seaside when they feel the noise of city life is drowning out the quiet, inner voice of peace. The country does what the city cannot. It quietens the mind and brings simplicity into one’s life. The city does what the country cannot. It enlivens the mind and brings culture into one’s life. We try to engage with both and benefit from the well-roundedness of a complete experience of all that life has to offer.

I remember explaining explaining what I saw to one brother who couldn't see the sea. "I see an endless body of blue," I said, "with a soul that courses through the Atlantic Ocean, the Mediterranean, and the Suez Canal, all the way to the Red Sea and the western coast of Yemen, where in the seaside town of Hudaydah, my father is at the market buying fish for a special meal. And when the tide comes in and the air is heavy with salt, my mind takes me straight to the port city of Aden and weekends I spent there with friends after high school. We'd lie on the beach and imagine our lives and the wives and families we would one day have.

In so many ways, she was the luckiest person in the world—someone who didn’t have to worry about money, someone who lived in a beautiful, exclusive area others paid a fortune to visit, someone who cared about the library and felt a great sense of purpose—and yet...something was missing. Her life wasn’t nearly as idyllic as others probably saw it.

She stripped off the leather coat she’d worn to bridge, and he hung it on an elaborate yet unique coat tree next to some built-in bookshelves that were so extensive his living room almost resembled a library—at least on that side. Ariana guessed he’d put them where the staircase used to be. The new staircase was made of wrought iron and was no longer against the wall. “I love your shelves,” she said. “Thanks. I built them myself.

The only man who is right for you is the one you don’t want to live without.

I want to stand in that skycap and look out at the land below with you right there by my side—and one day with our children, if you’re willing—and create our own history. I want to wake up with you in my arms and know that at the end of the day, you’re right there with me, sharing our headaches and celebrating the best times in our lives. I want to grow old with you

Bozhe, another nail-curling evening of his sweat dripping on her face and his chest hairs in her mouth. Dominika lay in her bed after Yevgeny had left, listening to her heart beating. His latest gossip from Line KR had nearly made her vomit with the shock. In two weeks TRITON would be delivering a list of assets’ names—her name certainly included—to Zarubina. Benford could not protect her. The wolves were drawing close. Dominika strangely felt no fear, simply a rising determination to survive, for the sole purpose of destroying Their corrupt world. She had two weeks to live. That realization, and Putin’s silky invitation to the seaside mansion on the Gulf of Finland, finally had been the trigger to feverish thought that morphed into a plan—impossible, suicidal—she knew she would carry out: Ruin the piyavki, the leeches that attached themselves thick on the belly of the country. She would do it, if it was her last act.

What is it about the Greek character that has allowed this complex culture to thrive for millennia? The Greek Isles are home to an enduring, persevering people with a strong work ethic. Proud, patriotic, devout, and insular, these hardy seafarers are the inheritors of working methods that are centuries old. On any given day, fishermen launch their bots at dawn in search of octopi, cuttlefish, sponges, and other gifts of the ocean. Widows clad in black dresses and veils shop the local produce markets and gather in groups of two and three to share stories. Artisans stich decorative embroidery to adorn traditional costumes. Glassblowers, goldsmiths, and potters continue the work of their ancient ancestors, ultimately displaying their wares in shops along the waterfronts. The Greeks’ dedication to time-honored occupations and hard work is harmoniously complemented by their love of dance, song, food, and games. Some of the earliest works of art from the Greek Isles--including Minoan paintings from the second millennium B.C.E.--depict the central, day-to-day role of dance, and music. Today, life is still lived in common, and the old ways often survive in a deep separation between the worlds of women and men. In the more rural areas, dancing and drinking are--officially at least--reserved for men, as the women watch from windows and doorways before returning to their tasks. At seaside tavernas throughout the Greek Isles, old men sip raki, a popular aniseed-flavored liqueur, while playing cards or backgammon under grape pergolas that in late summer are heavy with ripe fruit. Woven into this love of pleasure, however, are strands of superstition and circumspection. For centuries, Greek artisans have crafted the lovely blue and black glass “eyes” that many wear as amulets to ward off evil spirits. They are given as baby and housewarming gifts, and are thought to bring good luck and protect their wearers from the evil eye. Many Greeks carry loops of wooden or glass beads--so-called “worry beads”--for the same purpose. Elderly women take pride in their ability to tell fortunes from the black grounds left behind in a cup of coffee.

Live this life as gently as you would breathe in the seaside air. Then release all those dreams and wonders to the water. Keep breathing until you’re inches from where you wish to be. Then exhale, remembering that gentle life you grew up from.

renovating the artist’s studio that sat nestled among a grouping of trees on the far side of the property. Initially, Kurt thought he might use the studio as a writing retreat separate from where he lived, with the idea that leaving the cottage to work might give him a chance to actually have a life and not feel pressure to write twenty-four-seven. What he found was that the studio was too far removed from the sights and sounds that inspired him, and it made him feel like even

It started about ten years ago, and now it’s a real middle-class retreat. Shit pubs. Shit atmosphere. They think that if they go there they’ll all live in harmony away from the moths. It’s such a Victorian idea. You can’t hide like that. It’s the Guardian’s version of The Prisoner. They’re so middle class they put pebbles on the beach so they don’t get any sand between their toes. No wonder nothing comes out of it. It’s not a patch on Blackpool. That’s the real seaside town.