Seanan Mcguire Quotes

We've searched our database for all the quotes and captions related to Seanan Mcguire. Here they are! All 100 of them:

We notice the silence of men. We depend upon the silence of women.
Seanan McGuire (Every Heart a Doorway (Wayward Children, #1))
You’re nobody’s doorway but your own, and the only one who gets to tell you how your story ends is you.
Seanan McGuire (Every Heart a Doorway (Wayward Children, #1))
She was a story, not an epilogue.
Seanan McGuire (Every Heart a Doorway (Wayward Children, #1))
You're nobody's rainbow. You're nobody's princess. You're nobody's doorway but your own, and the only one who gets to tell you how your story ends is you.
Seanan McGuire (Every Heart a Doorway (Wayward Children, #1))
I’m a cat. We aren’t required to make sense.
Seanan McGuire (A Local Habitation (October Daye, #2))
Some adventures require nothing more than a willing heart and the ability to trip over the cracks in the world.
Seanan McGuire (Down Among the Sticks and Bones (Wayward Children, #2))
Their love wanted to fix her, and refused to see that she wasn't broken.
Seanan McGuire (Every Heart a Doorway (Wayward Children, #1))
When Rome burned, the emperor's cats still expected to be fed on time.
Seanan McGuire (Rosemary and Rue (October Daye, #1))
This world is unforgiving and cruel to those it judges as even the slightest bit outside the norm.
Seanan McGuire (Every Heart a Doorway (Wayward Children, #1))
It gets better. It never gets easy, but it does start to hurt a little less.
Seanan McGuire (Every Heart a Doorway (Wayward Children, #1))
If anything attacked us, we could just panic at it until it went away.
Seanan McGuire (Rosemary and Rue (October Daye, #1))
If you want to help her, you need to help yourself first. No one serves their friends by grinding themselves into dust on the altar of compassion.
Seanan McGuire (In an Absent Dream (Wayward Children, #4))
That's the nice thing about insanity: evil people kill you, but crazy ones try to make you understand.
Seanan McGuire (A Local Habitation (October Daye, #2))
For us, places we went were home. We didn't care if they were good or evil or neutral or what. We cared about the fact that for the first time, we didn't have to pretend to be something we weren't. We just got to be. That made all the difference in the world.
Seanan McGuire (Every Heart a Doorway (Wayward Children, #1))
Because hope is a knife that can cut through the foundations of the world.
Seanan McGuire (Every Heart a Doorway (Wayward Children, #1))
Just once, I want to meet the villain in a cheerful, brightly lit room. Possibly one with kittens.
Seanan McGuire (An Artificial Night (October Daye, #3))
Never tell anyone to be careful, never ask what that noise was, and for the love of God, never, ever say that you'll be right back." —Evelyn Baker
Seanan McGuire (Discount Armageddon (InCryptid, #1))
Now I know that if you open the right door at the right time, you might finally find a place where you belong.
Seanan McGuire (Every Heart a Doorway (Wayward Children, #1))
There is kindness in the world, if we know how to look for it. If we never start denying it the door.
Seanan McGuire (Beneath the Sugar Sky (Wayward Children, #3))
A single revelation does not change a life. It is a start.
Seanan McGuire (Down Among the Sticks and Bones (Wayward Children, #2))
Every choice feeds every choice that comes after, whether we want those choices or no.
Seanan McGuire (Down Among the Sticks and Bones (Wayward Children, #2))
The problem with people who say monsters don't really exist is that they're almost never saying it to the monsters." —Alice Healy
Seanan McGuire (Discount Armageddon (InCryptid, #1))
You can't skip to the end of the story just because you're tired of being in the middle. You'd never survive.
Seanan McGuire (Middlegame (Alchemical Journeys, #1))
She had tried to make sure they knew that there were a hundred, a thousand, a million different ways to be a girl, and that all of them were valid, and that neither of them was doing anything wrong.
Seanan McGuire (Down Among the Sticks and Bones (Wayward Children, #2))
You are truly endearing when you sleep. I attribute this to the exotic nature of seeing you in a state of silence. —Tybalt
Seanan McGuire (A Local Habitation (October Daye, #2))
That's why people shouldn't get too hung up on labels. Sometimes I think that's part of what we do wrong. We try to make things make sense, even when they're never going to.
Seanan McGuire (Beneath the Sugar Sky (Wayward Children, #3))
Blood is thicker than water, but family isn’t just about blood. Family is about faith, and loyalty, and who you love. If you don’t have those things, I don’t care what the blood says. You’re not family.
Seanan McGuire (Midnight Blue-Light Special (InCryptid, #2))
Hope means you keep on holding to things that won't ever be so again, and so you bleed an inch at a time until there's nothing left.
Seanan McGuire (Every Heart a Doorway (Wayward Children, #1))
There's no such thing as a normal life. Some lives are just more interesting than others, and we shouldn't judge people for being boring. —Evelyn Price
Seanan McGuire (Discount Armageddon (InCryptid, #1))
Sometimes that’s all you can do. Just keep getting through until you don’t have to do it anymore, however much time that takes, however difficult it is.
Seanan McGuire (Beneath the Sugar Sky (Wayward Children, #3))
She was a woman with something to protect. That made her more dangerous than they could ever have suspected.
Seanan McGuire (Every Heart a Doorway (Wayward Children, #1))
You want to go back, and so you hold on to the habits you learned while you were traveling, because it's better than admitting the journey's over.
Seanan McGuire (Every Heart a Doorway (Wayward Children, #1))
Because ‘boys will be boys’ is a self-fulfilling prophecy,” said Lundy. “They’re too loud, on the whole, to be easily misplaced or overlooked; when they disappear from the home, parents send search parties to dredge them out of swamps and drag them away from frog ponds. It’s not innate. It’s learned. But it protects them from the doors, keeps them safe at home. Call it irony, if you like, but we spend so much time waiting for our boys to stray that they never have the opportunity. We notice the silence of men. We depend upon the silence of women.
Seanan McGuire (Every Heart a Doorway (Wayward Children, #1))
Enjoy yourself. There are many good things in the world, and each of them happens for the first time only once, and never again.
Seanan McGuire (In an Absent Dream (Wayward Children, #4))
Everyone thinks of them in terms of poisoned apples and glass coffins, and forgets that they represent girls who walked into dark forests and remade them into their own reflections.
Seanan McGuire (Indexing (Indexing, #1))
Cats never listen. They’re dependable that way; when Rome burned, the emperor’s cats still expected to be fed on time.
Seanan McGuire (Rosemary and Rue (October Daye, #1))
The laws of physics have already been violated. What happens if they decide to press charges?
Seanan McGuire (A Local Habitation (October Daye, #2))
Real' is a four-letter word, and I'll thank you to use it as little as possible while you live under my roof.
Seanan McGuire (Every Heart a Doorway (Wayward Children, #1))
She was ordinary. She was remarkable. Of such commonplace contradictions are weapons made.
Seanan McGuire (In an Absent Dream (Wayward Children, #4))
We all make mistakes. Luckily for us, there are very few mistakes that cant be solved with a suitable application of either lipstick or hand grenades" —Frances Brown
Seanan McGuire (Discount Armageddon (InCryptid, #1))
There are worlds built on rainbows and worlds built on rain. There are worlds of pure mathematics, where every number chimes like crystal as it rolls into reality. There are worlds of light and worlds of darkness, worlds of rhyme and worlds of reason, and worlds where the only thing that matters is the goodness in a hero's heart.
Seanan McGuire (Down Among the Sticks and Bones (Wayward Children, #2))
Crazy gets all the knives.
Seanan McGuire (Discount Armageddon (InCryptid, #1))
We have to burn brightly. We can’t burn forever
Seanan McGuire (Rosemary and Rue (October Daye, #1))
The mountain was as powerful as the tide, just...in a different way.
Seanan McGuire (Every Heart a Doorway (Wayward Children, #1))
We don't teach you how to dwell. We also don't teach you how to forget. We teach you how to move on.
Seanan McGuire (Every Heart a Doorway (Wayward Children, #1))
Someone with sharp enough eyes might see the instant where one wounded heart begins to rot while the other starts to heal.
Seanan McGuire (Down Among the Sticks and Bones (Wayward Children, #2))
That's the beauty of the future. We get to change it.
Seanan McGuire (One Salt Sea (October Daye, #5))
I don’t do that. With anyone.” “You’re celibate?” “No. Celibacy is a choice. I’m asexual. I don’t get those feelings.
Seanan McGuire (Every Heart a Doorway (Wayward Children, #1))
Words can be whispered bullet-quick when no one's looking, and words don't leave blood or bruises behind. Words disappear without a trace. That's what makes them so powerful. That's what makes them so important. That's what makes them hurt so much.
Seanan McGuire (Middlegame (Alchemical Journeys, #1))
The Moors exist in eternal twilight, in the pause between the lightning strike and the resurrection. They are a place of endless scientific experimentation, of monstrous beauty, and of terrible consequences.
Seanan McGuire (Down Among the Sticks and Bones (Wayward Children, #2))
Tybalt’s what we call ‘Cait Sidhe’— the fairy cats. Which explains the attitude. And the eyes.” “Meow,” said Tybalt, deadpan.
Seanan McGuire (Ashes of Honor (October Daye, #6))
Sometimes 'fair' is bigger than just you. Sometimes ‘fair’ has to think about what’s best for everyone.
Seanan McGuire (In an Absent Dream (Wayward Children, #4))
I am a genius of infinite potential and highly limited patience. People shouldn’t try me so.
Seanan McGuire (Every Heart a Doorway (Wayward Children, #1))
Is there any time in your life when you do not feel the need for caffeine?" "Sure. Sometimes I'm asleep.
Seanan McGuire (Chimes at Midnight (October Daye, #7))
In my defense, the corpse was entirely unexpected.
Seanan McGuire
Because they're the wrong colors, right? Somebody else's rainbow.
Seanan McGuire (Every Heart a Doorway (Wayward Children, #1))
Time is the alchemy that turns compassion into love...
Seanan McGuire (Down Among the Sticks and Bones (Wayward Children, #2))
For others, the lure of a world where they fit is too great to escape, and they will spend the rest of their lives rattling at windows and peering at locks, trying to find the way home.
Seanan McGuire (Beneath the Sugar Sky (Wayward Children, #3))
Their past is littered with the unburied bodies of the people they chose never to become.
Seanan McGuire (Middlegame (Alchemical Journeys, #1))
Call me paranoid. I'm frequently right.
Seanan McGuire (A Local Habitation (October Daye, #2))
Where did you find the whipped cream?” he asked. “You had milk, I had science,” said Jack. “It’s amazing how much of culinary achievement can be summarized by that sentence. Cheese making, for example. The perfect intersection of milk, science, and foolish disregard for the laws of nature.
Seanan McGuire (Every Heart a Doorway (Wayward Children, #1))
Death was precious. That didn't change the fact that life was limited.
Seanan McGuire (Every Heart a Doorway (Wayward Children, #1))
Who would come for her?" he snarled, rallying. Behind me, a voice shouted, "Tybalt, King of Cats. My claim precedes yours.
Seanan McGuire (An Artificial Night (October Daye, #3))
No one should have to sit and suffer and pretend to be someone they’re not because it’s easier, or because no one wants to help them fix it.
Seanan McGuire (Come Tumbling Down (Wayward Children, #5))
Because hope is a knife that can cut through the foundations of the world," said Sumi. Her voice was suddenly crystalline and clear, with none of her prior whimsy. She looked at Nancy with calm, steady eyes. "Hope hurts. That's what you need to learn, and fast, if you don't want it to cut you open from the inside out. Hope is bad. Hope means you keep on holding to things that won't ever be so again, and so you bleed an inch at a time until there's nothing left. Ely-Eleanor is always saying 'don't use this word' and 'don't use that word,' but she never bans the ones that really bad. She never bans hope.
Seanan McGuire (Every Heart a Doorway (Wayward Children, #1))
Adulthood brings limitations like gravity and linear space and the idea that bedtime is a real thing, and not an artificially imposed curfew.
Seanan McGuire (Beneath the Sugar Sky (Wayward Children, #3))
asexual” and “aromantic” were different things. She liked holding hands and trading kisses. She’d had several boyfriends in elementary school, just like most of the other girls, and she had always found those practice relationships completely satisfying. It wasn’t until puberty had come along and changed the rules that she’d started pulling away in confusion and disinterest.
Seanan McGuire (Every Heart a Doorway (Wayward Children, #1))
There was still something unfinished around her eyes; she wasn’t done yet. She was a story, not an epilogue. And if she chose to narrate her own life one word at a time as she descended the stairs to meet her newest arrival, that wasn’t hurting anyone. Narration was a hard habit to break, after all. Sometimes it was all a body had.
Seanan McGuire (Every Heart a Doorway (Wayward Children, #1))
Following the rules didn't make you a good person, just like breaking them didn't make you a bad one, but it could make you an invisible person, and invisible people got to do as they liked.
Seanan McGuire (In an Absent Dream (Wayward Children, #4))
There weren’t any fairy tales in the streets around me. If there was ever a Cinderella, her glass slippers shattered under her weight and she limped home bleeding from the ball.
Seanan McGuire (Rosemary and Rue (October Daye, #1))
Nobody promised me a happy ending. They didn’t even promise me a happy existence.
Seanan McGuire (Beneath the Sugar Sky (Wayward Children, #3))
The moon is the friendliest of the celestial bodies, after all, glowing warm and white and welcoming, like a friend who wants only to know that all of us are safe in our narrow worlds, our narrow yards, our narrow, well-considered lives. The moon worries. We may not know how we know that, but we know it all the same: that the moon watches, and the moon worries, and the moon will always love us, no matter what.
Seanan McGuire (Down Among the Sticks and Bones (Wayward Children, #2))
Give ten children a toy box, and watch them select ten different toys, regardless of gender or religion or parental expectations. Children have preferences. The danger comes when they, as with any human, are denied those preferences for too long.
Seanan McGuire (Down Among the Sticks and Bones (Wayward Children, #2))
People who say “sticks and stones may break my bones, but words will never hurt me” don’t understand how words can be stones, hard and sharp-edged and dangerous and capable of doing so much more harm than anything physical.
Seanan McGuire (Middlegame (Alchemical Journeys, #1))
Didn't we talk about this?" "HAIL!" "That isn't an answer." I planted my hands on my hips. "Was there a reason for shoving the gummy bears off the counter? Did they tell you they were suicidal? On second thought," I raised a hand, palm out, "don't answer that. If the candy is talking, I don't want to know.
Seanan McGuire (Discount Armageddon (InCryptid, #1))
Hey!" I turned, crossing my arms and glaring. "I was talking to him!" Tybalt eyed me with amusement, which just made me glare harder. "No, you were inciting him to stab you with a toothpick. Again, the difference is small, but I think it matters.
Seanan McGuire (A Local Habitation (October Daye, #2))
The Moors were beautiful in their own way, and if their beauty was the quiet sort that required time and introspection to be seen, well, there was nothing wrong with that. The best beauty was the sort that took some seeking.
Seanan McGuire (Down Among the Sticks and Bones (Wayward Children, #2))
Nothing lasts forever. That's the tragedy and the miracle of existence—that everything is impermanent. Everything changes. All we can do is make the best of the time we have. And go down shooting, naturally. —Enid Healy
Seanan McGuire (Discount Armageddon (InCryptid, #1))
The trouble with denying children the freedom to be themselves—with forcing them into an idea of what they should be, not allowing them to choose their own paths—is that all too often, the one drawing the design knows nothing of the desires of their model. Children are not formless clay, to be shaped according to the sculptor’s whim,
Seanan McGuire
I could give you children,” said Jack, sounding faintly affronted. “You’d have to tell me how many heads you wanted them to have, and what species you’d like them to be, but what’s the point of having all these graveyards if I can’t give you children when you ask for them?
Seanan McGuire (Down Among the Sticks and Bones (Wayward Children, #2))
Children are capable of grasping complex ideas long before most people give them credit for, wrapping them in a soothing layer of nonsense and illogical logic. To be a child is to be a visitor from another world muddling your way through the strange rules of this one, where up is always up, even when it would make more sense for it to be down, or backward, or sideways.
Seanan McGuire (In an Absent Dream (Wayward Children, #4))
He's going to be okay," said Quentin. "He has to. He's Tybalt. You'd be all weird and irritating if he wasn't around." "Weird and irritating?" I raised an eyebrow. "What gives you that idea?" Quentin shrugged. "That's already how you get when he isn't around.
Seanan McGuire (Ashes of Honor (October Daye, #6))
The trouble with denying children the freedom to be themselves—with forcing them into an idea of what they should be, not allowing them to choose their own paths—is that all too often, the one drawing the design knows nothing of the desires of their model.
Seanan McGuire (Down Among the Sticks and Bones (Wayward Children, #2))
Adults can still tumble down rabbit holes and into enchanted wardrobes, but it happens less and less with every year they live. Maybe this is a natural consequence of living in a world where being careful is a necessary survival trait, where logic wears away the potential for something bigger and better than the obvious.
Seanan McGuire (Beneath the Sugar Sky (Wayward Children, #3))
She discovered the pure joy of reading for pleasure, and was rarely - if ever - seen without a book in her hand. Even in slumber, she was often to be found clutching a volume with one slender hand, her fingers wrapped right around its spine, as if she feared to wake into a world where all books had been forgotten and removed, and this book might become the last she had to linger over.
Seanan McGuire (In an Absent Dream (Wayward Children, #4))
Some adventures begin easily. It is not hard, after all, to be sucked up by a tornado or pushed through a particularly porous mirror; there is no skill involved in being swept away by a great wave or pulled down a rabbit hole. Some adventures require nothing more than a willing heart and the ability to trip over the cracks in the world. Other adventures must be committed to before they have even properly begun. How else will they know the worthy from the unworthy, if they do not require a certain amount of effort on the part of the ones who would undertake them? Some adventures are cruel, because it is the only way they know to be kind.
Seanan McGuire (Down Among the Sticks and Bones (Wayward Children, #2))
No walking! No standing, no bending, no moving, no accessing the Shadow Roads, nothing. You don't swim for an hour after eating, you don't swan around like an idiot for an hour after narrowly avoiding death.' 'Toby does,' said Quentin. 'Toby is genetically predisposed to swan around like an idiot,' Jin shot back. 'Now sit.
Seanan McGuire (Ashes of Honor (October Daye, #6))
THE HABIT OF NARRATION, of crafting something miraculous out of the commonplace, was hard to break. Narration came naturally after a time spent in the company of talking scarecrows or disappearing cats; it was, in its own way, a method of keeping oneself grounded, connected to the thin thread of continuity that ran through all lives, no matter how strange they might become. Narrate the impossible things, turn them into a story, and they could be controlled.
Seanan McGuire (Every Heart a Doorway (Wayward Children, #1))
October— You were sleeping so peacefully that I was loath to wake you. Duke Torquill, after demanding to know what I was doing in your apartment, has requested that I inform you of his intent to visit after ‘tending to some business at the Queen’s Court.’ I recommend wearing something clinging, as that may distract him from whatever he wishes to lecture you about this time. Hopefully, it’s your manners. You are truly endearing when you sleep. I attribute this to the exotic nature of seeing you in a state of silence. —Tybalt
Seanan McGuire (A Local Habitation (October Daye, #2))
The world doesn't stop spinning because you're sad, and that's good; if it did, people would go around breaking hearts like they were sheets of maple sugar, just to keep the world exactly where it is. They'd make it out like it was a good thing, a few crying children in exchange for a peace that never falters or fades. We can be sad and we can be hurt and we can even be killed, but the world keeps turning, and the things we're supposed to do keep needing to be done.
Seanan McGuire (Come Tumbling Down (Wayward Children, #5))
Growing up in my family meant ambushes on your birthday, crossbows for Christmas, and games of dodge ball where the balls were occasionally rigged to explode. It also meant learning how to work your way out of a wide variety of death traps. Failure to get loose on your own could lead to missing dinner, or worse, being forced to admit that you missed dinner because your baby sister had tied you to the couch. Again.
Seanan McGuire (Discount Armageddon (InCryptid, #1))
It’s been a long time since I’ve loved someone, but I know what it feels like. When you turn from me, it hurts. When you think badly of me, I think badly of myself. When you do stupid, suicidal things, I want to slap you upside the head and demand to know how you can be so brilliant and so blind at the same time.” Tybalt’s expression was calm. “If that’s not love, what is it?” “Why are you telling me this?” I whispered. “Because we’re probably going to die today.” He waved his free hand toward the street. “I’ve always tried not to lie to you; I’ve seen how you react when others do. Dying without telling you how I felt would be lying. I’ve been patient. I’ve given you time to recognize my feelings, and I’ve seen you choose a man who loved the girl you were, not the woman you are. Now he’s gone, and I can’t be patient anymore. I love you, October. I’ll be sorry if we die here, but I won’t be sorry I helped you… and I won’t be sorry I finally told you.” “Tybalt…” “Cats never regret anything,” he said, and he turned and kissed me.
Seanan McGuire (Ashes of Honor (October Daye, #6))
This world is unforgiving and cruel to those it judges as even the slightest bit outside the norm. If anyone should be kind, understanding, accepting, loving to their fellow outcasts, it’s you. All of you. You are the guardians of the secrets of the universe, beloved of worlds that most will never dream of, much less see … can’t you see where you owe it to yourselves to be kind? To care for one another? No one outside this room will ever understand what you’ve been through the way the people around you right now understand.
Seanan McGuire (Every Heart a Doorway (Wayward Children, #1))
I stared at her. "But she drugged us." "That is no longer news, dumbass. Are you going to ask why she drugged you?" "Allright," I said, narrowing my eyes. "Why?" "Because, dear October, you're the most passively suicidal person I've ever met, and that's saying something. You'll never open your wrists, but you'll run headfirst into hell. You'll have good reasons. You'll have great reasons, even. And a part of you will be praying that you won't come out again.
Seanan McGuire (An Artificial Night (October Daye, #3))
Older than I look, younger than I ought to be. My skin is a riddle not to be solved, and even letting go of everything I love won’t offer me the answer. My window is closing, if that’s what you’re asking. Every day I wake up a little more linear, a little less lost, and one day I’ll be one of the women who says ‘I had the most charming dream,’ and I’ll mean it. Old enough to know what I’m losing in the process of being found.
Seanan McGuire (Every Heart a Doorway (Wayward Children, #1))
Children have always tumbled down rabbit holes, fallen through mirrors, been swept away by unseasonal floods or carried off by tornadoes. Children have always traveled, and because they are young and bright and full of contradictions, they haven’t always restricted their travel to the possible. Adulthood brings limitations like gravity and linear space and the idea that bedtime is a real thing, and not an artificially imposed curfew. Adults can still tumble down rabbit holes and into enchanted wardrobes, but it happens less and less with every year they live. Maybe this is a natural consequence of living in a world where being careful is a necessary survival trait, where logic wears away the potential for something bigger and better than the obvious. Childhood melts, and flights of fancy are replaced by rules. Tornados kill people: they don’t carry them off to magical worlds. Talking foxes are a sign of fever, not guides sent to start some grand adventure. But children, ah, children. Children follow the foxes, and open the wardrobes, and peek beneath the bridge. Children climb the walls and fall down the wells and run the razor’s edge of possibility until sometimes, just sometimes, the possible surrenders and shows them the way to go home.
Seanan McGuire (Beneath the Sugar Sky (Wayward Children, #3))
Let us speak, for a moment, on the matter of sisters. They can be enemies to fight or companions to lean upon: they can, at times, be strangers. They are not required to be friends, or to have involvement in one another's lives, or to be anything more than strangers united by the circumstances of their birth. Still, there is a magic in the word "sister," a magic which speaks of shared roots and hence shared branches, of a certain ease that is always to be pursued, if not always to be found.
Seanan McGuire (In an Absent Dream (Wayward Children, #4))
This, you see, is the danger of children: they are ambushes, each and every one of them. A person may look at someone else's child and see only the surface, the shiny shoes or the perfect curls. They do not see the tears and the tantrums, the late nights, the sleepless hours, the worry. They do not even really see the love, not really. It can be easy, when looking at children from the outside, the believe that they are things, dolls designed and programmed by their parents to behave in one manner, following one set of rules. It can be easy, when standing on the lofty shores of adulthood, not to remember that every adult was once a child, with ideas and ambitions of their own. It can be easy, in the end, to forget that children are people, and that people will do what people will do, the consequences be damned.
Seanan McGuire (Down Among the Sticks and Bones (Wayward Children, #2))
You died here," I said quietly. "October -" "I wasn't here, and the girl I'm supposed to be finding was, and you died ." I looked up at him, glaring through the tears in my eyes. I left my fingers balanced on the floor, letting his blood sing its song of pain and longing. Longing to live; refusal to let go of the world. Maybe that's what differentiates the Kings and Queens of Cats from the rest of Faerie. They have a cat's stubbornness and the power to back it up. So when death says, "Go," they just refuse. My heart hurt. My heart hurt so badly, and I was still trying to recover from Connor, and oh, Titania, I couldn't do this again. The thought startled me. I froze where I was, still glaring. Tybalt sighed. "I know." he hesitated before adding, "This is not the time, and this is not the place, and my nephew needs us. But I ask you to consider this. I got better. I will always get better." He hesitated again - possibly the first time I'd ever seen him pause more than once after he'd decided he was going to say something. Finally, he said, "Some of us, October, will not leave you.
Seanan McGuire (Ashes of Honor (October Daye, #6))
Do you know how long I’ve been telling myself you hated me? Or how hard it’s been to keep believing it? You’d do things, these amazing, insane things, like stealing me back from Blind Michael or breaking me out of jail, and I’d say, ‘Oh, he just wants to pay his debts,’ or, ‘Oh, who knows what a cat is thinking?’” My voice broke a little on the last word. Dammit. Tybalt’s eyes widened, hope kindling in their depths. “What are you saying?” “I’m saying— oak and ash, Tybalt, I’m saying I’m in love with you, I’ve been in love with you for a while, and the only way I was dealing with it was by not dealing with it, ever.” I shook my head. “I knew I’d never have you, so I told myself I didn’t want you, and if you don’t really want me, if you want some idea of me, or just want to chase and not catch, I’ll understand, but this has been a hard week, Tybalt, this has been such a hard week. I’ve been waiting for you to come here, because I need you to tell me. Okay? Just tell me what you want.” “Oh, October. Toby. My Toby.” He pulled one hand from mine, reaching up to tuck my hair behind my ear. His fingers were shaking. That was what I focused on, more than anything else. His fingers were shaking. “Do you think I’m cruel enough to do that to you?” I sniffled. “No,” I admitted. “Thank Oberon,” he said, and pulled me close, and kissed me.
Seanan McGuire (Ashes of Honor (October Daye, #6))