Seam Quotes

There are two kinds of love...in the safe kind you look for someone who's exactly like you. It's what most folks settle for. But then there's the other kind of love. Everyone's born with a ragged edge, and some folks crave that piece that's a perfect fit. You'll search for it forever, if you have to. And if you're lucky enough to find it, it looks so right, you start to tear at your own seams, thinking, maybe I could look just as perfect. But then, of course, when you try to get close to their other half, you don't fit anymore. That kind of love...you come out of it a different person than you were when you started.

There are random moments - tossing a salad, coming up the driveway to the house, ironing the seams flat on a quilt square, standing at the kitchen window and looking out at the delphiniums, hearing a burst of laughter from one of my children's rooms - when I feel a wavelike rush of joy. This is my true religion: arbitrary moments of of nearly painful happiness for a life I feel privileged to lead.

But in the real world, you couldnt really just split a family down the middle, mom on one side, dad the other, with the child equally divided between. It was like when you ripped a piece of paper into two: no matter how you tried, the seams never fit exactly right again. It was what you couldn't see, those tiniest of pieces, that were lost in the severing, and their absence kept everything from being complete.

March is such a fickle month. It is the seam between winter and spring—though seam suggests an even hem, and March is more like a rough line of stitches sewn by an unsteady hand, swinging wildly between January gusts and June greens. You don’t know what you’ll find, until you step outside.

Under the seams runs the pain.

It was like when you ripped a piece of paper into two: no matter how you tried, the seams never fit exactly right again.

I felt a Cleaving in my Mind— As if my Brain had split— I tried to match it—Seam by Seam— But could not make it fit.

If we don’t manage to connect the dots anymore and the power of our imagination is creaking at the seams, in a world of withering expectations, we have to rewrite the script of our life. ("Into a new life")

Maybe your history just repeats and repeats until it batters you enough to snap the seams that hold you together

So everything is necessary. Every least thing. This is the hard lesson. Nothing can be dispensed with. Nothing despised. Because the seams are hid from us, you see. The joinery. The way in which the world is made. We have no way to know what could be taken away. What omitted. We have no way to tell what might stand and what might fall.

Look at that! The entire Australian kit dates from the 1940s and the uniforms are falling apart at the seams, the fucking boots you have issued to us are the same and everything is rotten. As for bloody weapons, we are issued with the Owen sub-machine gun. While the gun is still a very good weapon, the 9mm ammunition it uses is old WW2 stock and its propellants have deteriorated to the point where I doubt if the round will penetrate the back-pack of a fleeing Noggie!

Lunacy is when you can’t see the seams where they stitched the world together anymore.

Falling for someone is like pulling a loose thread. It happens stitch by stitch. You feel whole most of the time even while the seams pop, the knots loosen, everything that holds you together coming undone. It feels incredible, this opening of yourself to the world. Not like the unraveling it is. Only afterward do you glance down at the tangle of string around your feet that used to be a person who was whole and self-contained and realize that love is not a thing that we create. It's an undoing.

That cloak of love you were wearing—he’s torn it to shreds, undoing the seams of trust that held it together. How can you ever wear those shreds?

By the time I'm through sweeping you off your feet, you will be bursting at the seams, begging me to fuck you, never wanting another man inside you again.

It is different for us mortals. We are the ones who become old and grey. We are the ones who become worn at the seams and disappear. But not our dreams. They can live on in other people even after we have gone.

She wears life like Elvis wore sequins, with no apology laced into the seams.

I felt a Cleaving in my Mind— As if my Brain had split— I tried to match it—Seam by Seam— But could not make it fit. The thought behind, I strove to join Unto the thought before— But Sequence ravelled out of Sound Like Balls—upon a Floor.

You could be exactly what these countries need to stop their fighting. Or you could rip them apart at the seams.

The magician seemed to promise that something torn to bits might be mended without a seam, that what had vanished might reappear, that a scattered handful of doves or dust might be reunited by a word, that a paper rose consumed by fire could be made to bloom from a pile of ash. But everyone knew that it was only an illusion. The true magic of this broken world lay in the ability of things it contained to vanish, to become so thoroughly lost, that they might never have existed in the first place.

The world bursts at the seams with people ready to tell you you're not good enough. On occasion, some may be correct. But do not do their work for them. Seek any job; ask anyone out; pursue any goal. Don't take it personally when they say 'no' — they may not be smart enough to say 'yes.

Motherhood is a Sisyphean task. You finish sewing one seam shut, and another rips open. I have come to believe that this life I'm wearing will never really fit.

Wesley had called it self-destructive. Evan understood. It wasn't about flirting with death, like Mom. It was about wanting to live all the way to the seams of life.

You don't know what it's like to grow up with a mother who never said a positive thing in her life, not about her children or the world, who was always suspicious, always tearing you down and splitting your dreams straight down the seams. When my first pen pal, Tomoko, stopped writing me after three letters she was the one who laughed: You think someone's going to lose life writing to you? Of course I cried; I was eight and I had already planned that Tomoko and her family would adopt me. My mother of course saw clean into the marrow of those dreams, and laughed. I wouldn't write to you either, she said. She was that kind of mother: who makes you doubt yourself, who would wipe you out if you let her. But I'm not going to pretend either. For a long time I let her say what she wanted about me, and what was worse, for a long time I believed her.

Dark seams radiated outwards like a shotgun blast of ink, as if Nico's body were trying to expel all the shadows he'd travelled through. Yesterday had been worse: an entire meadow withering, skeletons rising from the earth. Reyna wasn't anxious for that to happen again.

I am not falling apart. I am being ripped at the seams, my insides torn out until I am hollow.

There is nothing simple about something (love) that can fill you with the greatest joy you have ever known. It can make men build cities, crush enemies, seek out ways to move mountains, and bring even the greatest to his knees. There is nothing simple about something that can rip the very seams of your soul in half, shred every amount of dignity you've ever had, and strip every inhibition from who you are.

Even when I was happy, I felt like I was always looking for the edges on life. The seams. I was so perfectly born to die.

Heart of a queen you’ll see me burst at the seams.

The world is full of holes and uneven seams, wrinkled places that you can’t make smooth, no matter how hard you try.

It was like when you ripped a piece of paper into two: no matter how you tried, the seams never fit exactly right again. It was what you couldn't see, those tiniest of pieces, that were lost in the severing, and their absence kept everything from being complete.

Everybody's got the seam of goodness in them, Kit," said Grandpa. "Just a matter of whether it can be found and brought out into the light.

It's like being home again, when they bring in the hopelessly mangled person from the mine explosion, or the woman in her third day of labor, or the famished child struggling against pneumonia and my mother and Prim, they wear that same look on their faces. Now is the times to run away tho the woods, to hide in the trees until the patient is long gone and in another part of the Seam the hammers make the coffin. But I'm held here both by the hovercraft walls and the same force that holds the loved ones of the dying. How often I've seen them, ringed around our kitchen table and I thought, Why don't they leave? Why do they stay to watch? And now I know. It's because you have no choice.

She must have really loved him to leave her home for the Seam. I try to remember that when all I can see is the woman who sat by, blank and unreachable, while her children turned to skin and bones. I try to forgive her for my father's sake. But to be honest, I'm not the forgiving type.

The days and nights come apart. I feel them corroding at the seams.

Days Pass By Somehow But Nights Now Are Wagon Of Pain Injuries May Heal With Time But Marks Will Always Remain Restless On My Comfortable Bed I Toss And Turn And Try To sleep But Thoughts Are Walking My Head And Formed A Huge Heap The Past Is Flashing Its Scorching Light Beams Tearing Me Apart, Breaking Me At The Seams The Darkness Of My Life Is More Visible In The Dark !!

The night is falling down around us. Meteors rain like fireworks, quick rips in the seam of the dark... Every second, another streak of silver glows: parentheses, exclamation points, commas - a whole grammar made of light, for words too hard to speak.

When you find out there is no ultimate good and evil in which you can place your faith, the world does not fall apart at the seams. It simply means that every decision is more difficult, more critical, because you are creating the good and evil yourself and they are very real.

Perfection is not real. Perfection is not human. Carlos is not perfect- no, even better- he is imperfect. Everything about him, and us, and all of this is imperfect. And those imperfections in our reality are the seams and cracks into which our outsized love can seep and pool.

I can see in your eyes that there’s no seam of untapped joy left in you. The best of life has come and gone. Those days when sudden epiphanies swept over you, and you had visions of the rightness of all things and of your place amongst them; they’re history. You’re in a darker place now.

But what of you?” Gabriel said, and they were very close now, almost touching. “It is your choice to make now, to stay or return.” “I will stay,” Cecily said. “I choose the war.” Gabriel let out the breath he hadn’t realized he was holding. “You will give up your home?” “A drafty old house in Yorkshire?” Cecily said. “This is London.” “And give up what is familiar?” “Familiar is dull.” “And give up seeing your parents? It is against the Law …” She smiled, the glimmer of a smile. “Everyone breaks the Law.” “Cecy,” he said, and closed the distance between them, though it was not much, and then he was kissing her—his hands awkward around her shoulders at first, slipping on the stiff taffeta of her gown before his fingers slid behind her head, tangling in her soft, warm hair. She stiffened in surprise before softening against him, the seam of her lips parting as he tasted the sweetness of her mouth. When she drew away at last, he felt light-headed. “Cecy?” he said again, his voice hoarse. “Five,” she said. Her lips and cheeks were flushed, but her gaze was steady. “Five?” he echoed blankly. 907/1090 “My rating,” she said, and smiled at him. “Your skill and technique may, perhaps, require work, but the native talent is certainly there. What you require is practice.” “And you are willing to be my tutor?” “I should be very insulted if you chose another,” she said, and leaned up to kiss him again.

I was in the black silence of a medieval street, and blindly I followed its sharp turns, comforted by the height of its narrow tenements, which seemed at any moment capable of falling together, closing this alleyway under indifferent stars like a seam.

...when life demands to break through and bust the seams of chaos, you can´t stop it. It goes on.

I hope I haven’t already driven past my greatest moments. I hope there is something beautiful on the horizon that’s just as impatient as I am. Something so eager, it wants to meet me halfway. A moment that is diligently staring at its watch, trembling with nervousness, frustrated, and bursting at the seams, wondering what’s taking me so long to arrive.

Jesper and Kaz swung around, crashed into the mechanism of the clock, righted themselves. It wasn’t a fight, it was a brawl—graceless, a tangle of elbows and fists. “Ghezen and his works, someone stop them!” Wylan said desperately. “Jesper hasn’t shot him,” Nina said. “Kaz isn’t using his cane,” said Inej. “You think they can’t kill each other with their bare hands?” They were both bleeding—Jesper from a cut on his lip and Kaz from somewhere near his brow. Jesper’s shirt was halfway over his head and Kaz’s sleeve was tearing at the seam.

Little by little, or maybe all at once, everything comes to mean its opposite; unreason argues itself into reason, and vice versa, and we cannot see the seams.

"Nix, I know you're faking the static." She could picture her sister blowing into her fist directly at the receiver. The static abruptly stopped. "Why?" "It seamed less rude than the alternative." "What's that?" Click.

My father got to know my mother because on his hunts he would sometimes collect medicinal herbs and sell them to her shop to be brewed into remedies. She must have really loved him to leave her home for the Seam. I try to remember that when all I can see is the woman who sat by, blank and unreachable, while her children turned to skin and bones. I try to forgive her for my father's sake. But to be honest, I'm not the forgiving type.

I told you before that nothing would ever stop me from getting to you if you needed me, and that will remain true forevermore. I would tear the universe apart at its seams if I must.

Everything casts a shadow," he begins. "Even the world we live in. And as with every shadow, there is a place where it must touch. A seam, where the shadow meets its source.

It's to the Capitol's advantage to have us divided among ourselves. Another tool to cause misery in our district. A way to plant hatred between the starving workers [of the Seam] and those who can generally count on supper and thereby ensure we will never trust one another.

At night I would lie in bed and watch the show, how bees squeezed through the cracks of my bedroom wall and flew circles around the room, making that propeller sound, a high-pitched zzzzzz that hummed along my skin. I watched their wings shining like bits of chrome in the dark and felt the longing build in my chest. The way those bees flew, not even looking for a flower, just flying for the feel of the wind, split my heart down its seam.

She thought of death like the seam of a hem: each time you lose someone close, it unraveled a little. You could still go along with your life, but you'd be forever tripping over something you previously took for granted.

My love for her is beyond any love I have ever heard described. It is a love that is beyond love; a soul connection in which no seam is visible.

The Skin Horse had lived longer in the nursery than any of the others. He was so old that his brown coat was bald in patches and showed the seams underneath, and most of the hairs in his tail had been pulled out to string bead necklaces. He was wise, for he had seen a long succession of mechanical toys arrive to boast and swagger, and by-and-by break their mainsprings and pass away, and he knew that they were only toys, and would never turn into anything else. For nursery magic is very strange and wonderful, and only those playthings that are old and wise and experienced like the Skin Horse understand all about it. "What is REAL?" asked the Rabbit one day, when they were lying side by side near the nursery fender, before Nana came to tidy the room. "Does it mean having things that buzz inside you and a stick-out handle?" "Real isn't how you are made," said the Skin Horse. "It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real." "Does it hurt?" asked the Rabbit. "Sometimes," said the Skin Horse, for he was always truthful. "When you are Real you don't mind being hurt." "Does it happen all at once, like being wound up," he asked, "or bit by bit?" "It doesn't happen all at once," said the Skin Horse. "You become. It takes a long time. That's why it doesn't happen often to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand." "I suppose you are real?" said the Rabbit. And then he wished he had not said it, for he thought the Skin Horse might be sensitive. But the Skin Horse only smiled. "The Boy's Uncle made me Real," he said. "That was a great many years ago; but once you are Real you can't become unreal again. It lasts for always.

There is but one world and everything that is imaginable is necessary to it. For this world also which seems to us a thing of stone and flower and blood is not a thing at all but is a tale. And all in it is a tale and each tale the sum of all lesser tales and yet these are also the selfsame tale and contain as well all else within them. So everything is necessary. Every least thing. This is the hard lesson. Nothing can be dispensed with. Nothing despised. Because the seams are hid from us, you see. The joinery. The way in which the world is made. We have no way to know what could be taken away. What omitted. We have no way to tell what might stand and what might fall. And those seams that are hid from us are of course in the tale itself and the tale has no abode or place of beind except in the telling only and there it lives and makes its home and therefore we can never be done with the telling. Of the telling there is no end. And . . . in whatever . . . place by whatever . . . name or by no name at all . . . all tales are one. Rightly heard all tales are one.

A floorboard cracked; knuckles tapped once on the open door. Adam looked up to see Niall Lynch standing in the doorway. No, it was Ronan, face lit bright on one side, in stark shadow on the other, looking powerful and at ease with his thumbs tucked in the pockets of his jeans, leather bracelets looped over his wrist, feet bare. He wordlessly crossed the floor and sat beside Adam on the mattress. When he held out his hand, Adam put the model into it. “This old thing,” Ronan said. He turned the front tyre, and again the music played out of it. They sat like that for a few minutes, as Ronan examined the car and turned each wheel to play a different tune. Adam watched how intently Ronan studied the seams, his eyelashes low over his light eyes. Ronan let out a breath, put the model down on the bed beside him, and kissed Adam. Once, when Adam had still lived in the trailer park, he had been pushing the lawn mower around the scraggly side yard when he realized that it was raining a mile away. He could smell it, the earthy scent of rain on dirt, but also the electric, restless smell of ozone. And he could see it: a hazy gray sheet of water blocking his view of the mountains. He could track the line of rain travelling across the vast dry field towards him. It was heavy and dark, and he knew he would get drenched if he stayed outside. It was coming from so far away that he had plenty of time to put the mower away and get under cover. Instead, though, he just stood there and watched it approach. Even at the last minute, as he heard the rain pounding the grass flat, he just stood there. He closed his eyes and let the storm soak him. That was this kiss. They kissed again. Adam felt it in more than his lips. Ronan sat back, his eyes closed, swallowing. Adam watched his chest rise and fall, his eyebrows furrow. He felt as bright and dreamy and imaginary as the light through the window. He did not understand anything. It was a long moment before Ronan opened his eyes, and when he did, his expression was complicated. He stood up. He was still looking at Adam, and Adam was looking back, but neither said anything. Probably Ronan wanted something from him, but Adam didn’t know what to say. He was a magician, Persephone had said, and his magic was making connections between disparate things. Only now he was too full of white, fuzzy light to make any sort of logical connections. He knew that of all the options in the world, Ronan Lynch was the most difficult version of any of them. He knew that Ronan was not a thing to be experimented with. He knew his mouth still felt warm. He knew he had started his entire time at Aglionby certain that all he wanted to do was get as far away from this state and everything in it as possible. He was pretty sure he had just been Ronan’s first kiss. “I’m gonna go downstairs,” Ronan said.

This time the skin seperates and she blinks her way back into the universe, watches the valley fold open, the blood seaming up along the cut and pressing out, blue to red in the air of this world, and as usual the pain springs her into the here and now.

I see that if you try to fit someone in a box, she might slip through the seams like water and become her own river.

One of them hissed-not the hiss of a cat, a long, steady tone-more like the hiss of air escaping the rubber raft that is all that lies between you and a dark sea full of sharks, the hiss of your life leaking out at the seams.

She looked for the deposition transcript she had dropped, she turned around and— —the entire audience in the galley cried out in shock. Unbeknownst to Payton, when she had fallen her skirt—those damn slim-fit skirts she liked so much—had torn at the seam and now gaped open, and sweet Jesus, she was wearing a thong and two tiny white butt cheeks peeked out from between the folds of her skirt— J.D.’s jaw nearly hit the floor.

In these dangerous times, where it seems that the world is ripping apart at the seams, we all can learn how to survive from those who stare death squarely in the face every day and [we] should reach out to each other and bond as a community, rather than hide from the terrors of life at the end of the millennium.

Riley squinted. He ran his fingers along my neck. When he found the collar he explored the surface and tried to tug it. "No seams. It doesn't fell like metal. The colour is amazing". "Why?" (Trella) "It blends in. It matches your skin. Didn't you know?" (Riley) "No mirrors in my cell." (Trella) He gasped with mock horror. "So cruel! How did you ever survive?" (Riley)

With great power often comes great confusion.

I know you loved us all, in your own way. Magdalena for her brilliance, Alexi for his loveliness. But I was your war bride, your faithful Constanta, and you loved me for my will to survive. You coaxed that tenacity out of me and broke it down in your hands, leaving me on your work table like a desiccated doll until you were ready to repair me. You filled me with your loving guidance, stitched up my seams with thread in your favorite color, taught me how to walk and talk and smile in whatever way pleased you best. I was so happy to be your marionette, at first. So happy to be chosen.

But unvented - ahh! One un-vents something; one unearths it; one digs it up, one runs it down in whatever recesses of the eternal consciousness it has gone to ground. I very much doubt if anything is really new when one works in the prehistoric medium of wool with needles. The products of science and technology may be new, and some of them are quite horrid, but knitting? In knitting there are ancient possibilities; the earth is enriched with the dust of the millions of knitters who have held wool and needles since the beginning of sheep. Seamless sweaters and one-row buttonholes; knitted hems and phoney seams - it is unthinkable that these have, in mankind's history, remained undiscovered and unknitted. One likes to believe that there is memory in the fingers; memory undeveloped, but still alive.

Jesus, you never fail to surprise me, baby.” He’s supporting the heavy bike, and us, with his strong legs braced on either side. He reaches between us and rips my yoga pants at the seam of my crotch. Holy fucking shit! My panties are next, and before I know it, he’s lowered the waist of his pants and is filling me.

And she remembered the way he had gone from total control to utter disaster with the flip of a switch, like watching an intricate glass sculpture shatter into a thousand pieces—only to pull together again until you could barely see the seams.

If you were my little girl, I would worship every inch of your body for as long as our souls are tethered to this earth. My tongue would leave no part of you untouched.” I nip at her bottom lip, wringing a whimper from her throat. “Untasted,” I murmur, my tongue darting out, sliding along the seam of her lips.

I had become a kind of information magpie, gathering to myself all manner of shiny scraps of fact and hokum and books and art-history and politics and music and film, and developing, too, a certain skill in manipulating and arranging these pitiful shards so that they glittered and caught the light. Fool's gold, or priceless nuggets mined from my singular childhood's rich bohemian seam? I leave it to others to decide.

You see I thought love got easier over, the years so it didn’t hurt so bad when it hurt, or feel so good when it felt good. I thought it smoothed out and old people hardly noticed it. I thought it curled up and died, I guess. Now I saw it rear up like a whip and lash. She loved him. She was jealous. She mourned him like the dead. And he just smiled into the air, trapped in the seams of his mind.

I can see the…seams where they’re put together. And, almost, see the apparatus inside them take the words I just said and try to fit the words in here and there, this place and that, and when they find the words don’t have any place ready-made where they’ll fit, the machinery disposes of the words like they weren’t even spoken.

The joy of having sons is that they worship their mothers. Until one day, suddenly, they don’t. I am not like you, he realizes. We are different. Then, that boy—once small and sweet—begins the long, hard process of separation, until at last he rips the seam. But the holes where mother and son were once knit together remain.

His brow is seamed with line and scar; His cheek is red and dark as wine; The fires as of a Northern star Beneath his cap of sable shine. His right hand, bared of leathern glove, Hangs open like an iron gin, You stoop to see his pulses move, To hear the blood sweep out and in. He looks some king, so solitary In earnest thought he seems to stand, As if across a lonely sea He gazed impatient of the land. Out of the noisy centuries The foolish and the fearful fade; Yet burn unquenched these warrior eyes, Time hath not dimmed, nor death dismayed.

The human louse somewhat resembles a tiny lobster, and he lives chiefly in your trousers. Short of burning all your clothes there is no known way of getting rid of him. Down the seams of your trousers he lays his glittering white eggs, like tiny grains of rice, which hatch out and breed families of thier own at horrible speed. I think pacifists might find it helpful to illustrate thier pamphlets with enlarged photographs of lice. Glory of war indeed! In war all solderies are lousy, at the least when it is warm enough. The men that fought at Verdun, at Waterloo, at Flodden, at Senlac, at Thermopylae - every one of them had lice crawling over his testicles.

Cecy," he said, and closed the distance between them, though it was not much, and then he was kissing her-his hands awkward around her shoulders at first, slipping on the stiff taffeta of her gown before his fingers slipped behind her head, tangling in her soft, warm hair. She stiffened in surprise before softening against him, the seam of her lips parting as he tasted the sweetness of her mouth. When she drew away at last, he felt light-headed. "Cecy?" He said again, his voice hoarse. "Five," she said. Her lips and cheeks were flushed, but her gaze was steady. "Five?" He echoed blankly. "My rating," she said, and smiled at him. "Your skill and technique may, perhaps, require work, but the native talent is certainly there. What you require is practise." "And you are willing to be my tutor?" "I should be very insulted if you chose another," she said, and leaned up to kiss him again.

Spilling a Secret What its size, will have varying consequences. It’s not possible to predict what will happen if you open the gunnysack, let the cat escape. A liberated feline might purr on your lap, or it might scratch your eyes out. You can’t tell until you loosen the knot. Do you chance losing a friendship, if that friend’s well-being will only be preserved by betraying sworn-to silence trust? Once the seam is ripped, can it be mended again? And if that proves impossible, will you be okay when it all falls to pieces?

Sweetie. Look at me.” She did, but it was difficult now, when she could never remember a time she hadn’t wanted to look at his beloved face. She blinked, trying to force the fresh torrent of tears back where they belonged. It just wasn’t possible. No, there was no emptiness now. She was bursting at the seams, overflowing. “Don’t cry,” he said gently, swiping her cheeks with his thumbs. “You cry and I want to break something. Or someone. What is it?

I knew by then that I would never have my mother back, not in the way I had known her all my life. When you have seen your mother shattered, there's no putting her back together. There will always be seams, chipped edges, and clumps of dried glue. Even if you could get her to where she looks the same, she will never be stronger than a cracked plate.

I used to eat people, you know.” If he meant to shock her out of crying, he succeeded. A snort burst out of her. “That’s awful,” she said. Her nose was clogged. “I mean it, that’s awful. It’s not funny. I’m not laughing.” He sighed. “It was a long time ago. Thousands of years. Once I really was the beast the Elves call me.” She closed her eyes, took a deep, shuddering breath and rubbed her fingers along the seam of his T-shirt. “What made you stop?” “I had a conversation with somebody. It was an epiphany.” His voice was rueful.He rocked her. “From that point on I swore I would never eat something that could talk.” “Hey, that’s kind of your version of turning vegetarian, isn’t it?

Cherry" Love I said real love, it's like feeling no fear When you're standing in the face of danger 'Cause you just want it so much A touch From your real love It's like heaven taking the place of something evil And lettin' it burn off from the rush Yeah, yeah (Fuck) Darlin', darlin', darlin' I fall to pieces when I'm with you, I fall to pieces My cherries and wine, rosemary and thyme And all of my peaches (are ruined) Love, is it real love? It's like smiling when the firing squad's against you And you just stay lined up Yeah (Fuck) Darlin', darlin', darlin' I fall to pieces when I'm with you, I fall to pieces (bitch) My cherries and wine, rosemary and thyme And all of my peaches (are ruined, bitch) My rose garden dreams, set on fire by fiends And all my black beaches (are ruined) My celluloid scenes are torn at the seams And I fall to pieces (bitch) I fall to pieces when I'm with you (Why?) 'Cause I love you so much, I fall to pieces My cherries and wine, rosemary and thyme And all of my peaches (are ruined, bitch) Are ruined (bitch) Are ruined (fuck)

(The law) is like a single-bed blanket on a double bed and three folks in the bed and a cold night. There ain’t ever enough blanket to cover the case, no matter how much pulling and hauling, and somebody is always going to nigh catch pneumonia. Hell, the law is like the pants you bought last year for a growing boy, but it is always this year and the seams are popped and the shankbone’s to the breeze. The law is always too short and too tight for growing humankind.

I want to know your story. I want to know you. I want—oh, fuck it." Ren cupped my cheek, his hand gentle as he tilted my head back, and before my heart could take another beat, he kissed me.  It was no slow or seductive kiss. He claimed my lips as if he were laying claim to my body, to my soul, and every part of me. His mouth was demanding as he tilted his head, his lips moving over mine, his tongue tracing the seam of my lips, willing them to part, and I . . . I opened for him. My lips parted, and he made this sound, this deep animalistic groan that sent flames lapping over my skin. The kiss deepened, and his tongue slid over mine, along the roof of my mouth. He took me with his mouth, tasted me and claimed me.

THE ELFIN KNIGHT Are you going to Scarborough Fair? Parsley, sage, rosemary, and thyme Remember me to one who lives there She must be a true love of mine Tell her she'll sleep in a goose-feather bed Parsley, sage, rosemary, and thyme Tell her I sear she'll have nothing to dread She must be a true love of mine Tell her tomorrow her answer make known Parsley, sage, rosemary, and thyme What e'er she may say I'll not leave her alone She must be a true love of mine Her answer came in a week and a day Parsley, sage, rosemary, and thyme I'm sorry good sir, I must answer thee nay I'll not be a true love of thine From the sting of my curse she can never be free Parsley, sage, rosemary, and thyme Unless she unravels my riddlings three She will be a true love of mine Tell her to make me a magical shirt Parsley, sage, rosemary, and thyme Without any seam or needlework Else she'll be a true love of mine Tell her to find me an acre of land Parsley, sage, rosemary, and thyme Between the salt water and the sea strand Else she'll be a true love of mine Tell her to plow it with just a goat's horn Parsley, sage, rosemary, and thyme And sow it all over with one grain of corn Else she'll be a true love of mine And her daughters forever possessions of mine

When I observe Gram, I see how fragile the notion of tradition can be. If I take my eyes off the way she kneads her Easter bread, or if I fail to study the way she sews a seam in suede, or if I lose the mental image I have of her when she negotiates a better deal with a button salesman, somehow, the very essence of her will be lost. When she goes, the responsibility for carrying on will fall to me. My mother says I’m the keeper of the flame, because I work here, and because I choose to live here. A flame is a very fragile thing, too, and there are times when I wonder if I’m the on who can keep it going.

I asked my schoolmate Mary to write a letter to me. She was funny and full of life. She liked to run around her empty house without any clothes on, even once she was too old for that. Nothing embarrassed her. I admired that so much, because everything embarrassed me, and that hurt me. She loved to jump on her bed. She jumped on her bed for so many years that one afternoon, while I watched her jump, the seams burst. Feathers filled the small room. Our laughter kept the feathers in the air. I thought about birds. Could they fly if there wasn’t someone, somewhere, laughing?

For this world also which seems to us a thing of stone and flower and blood is not a thing at all but a tale. And all in it is a tale and each tale the sum of all lesser tales and yet these are the selfsame tale and contain as well all within them. So everything is necessary. Every least thing. This is the hard lesson. Nothing can be dispensed with. Nothing despised. Because the seams are hid from us, you see. The joinery. The way in which the world is made. We have no way to know what could be taken away. What omitted. We have no way to tell what might stand and what might fall.

I carefully lifted out of the pose and spoke up: "Uh, Fran? When I'm doing the pose (camel), I have this feeling in my chest, kind of a scary, tight feeling." Fran was adjusting someone across the room. She had a way of looking like a thoughtful seamstress when she made adjustments: an inch let out here, a seam straightened there, and everything would be just right. She might as well have had pins tucked between her lips and a tape measure around her neck. Without missing a beat or looking up she said, "Oh, that's fear. Try the pose again." Fear. I hadn't even known it was there.

In most books, the I, or first person, is omitted; in this it will be retained; that, in respect to egotism, is the main difference. We commonly do not remember that it is, after all, always the first person that is speaking. I should not talk so much about myself if there were anybody else whom I knew as well. Unfortunately, I am confined to this theme by the narrowness of my experience. Moreover, I, on my side, require of every writer, first or last, a simple and sincere account of his own life, and not merely what he has heard of other men's lives; some such account as he would send to his kindred from a distant land; for if he has lived sincerely, it must have been in a distant land to me. Perhaps these pages are more particularly addressed to poor students. As for the rest of my readers, they will accept such portions as apply to them. I trust that none will stretch the seams in putting on the coat, for it may do good service to him whom it fits.

The articles were extremely eye-opening. Not just in Teen Vogue but in Seventeen and CosmoGirl as well. They were all about being yourself, staying natural, loving your body as is, and going green! The messages were the exact opposite of Vik and Viv's. Hmmmmm. Frankie turned to face the full-length mirror that was up against the yellow wardrobe. She opened her robe and examined her body. Fit, muscular, and exquisitely proportioned, she agreed with the magazines. So what if her skin was mint? Or her limbs were attached with seams? According to the magazines, which were - no offense! - way more in touch with the times than her parents were, she was suppose to love her body just the way it was. And she did! Therefor if the normies read magazines (which obviously they did, because they were in them), then they would love her, too. Natural was in. Besides she was Daddy's perfect little girl. And who didn't love perfect?

PLEASE BELIEVE that I am falling apart. I am not speaking metaphorically; nor is this the opening gambit of some melodramatic, riddling, grubby appeal for pity. I mean quite simply that I have begun to crack all over like an old jug—that my poor body, singular, unlovely, buffeted by too much history, subjected to drainage above and drainage below, mutilated by doors, brained by spittoons, has started coming apart at the seams. In short, I am literally disintegrating, slowly for the moment, although there are signs of acceleration. I ask you only to accept (as I have accepted) that I shall eventually crumble into (approximately) six hundred and thirty million particles of anonymous, and necessarily oblivious, dust.

From the molten basements of the world, two hundred miles down, it comes. One crystal in a seam of others. Pure carbon, each atom linked to four equidistant neighbors, perfectly knit, octahedral, unsurpassed in hardness. Already it is old: unfathomably so. Incalculable eons tumble past. The earth shifts, shrugs, stretches. One year, one day, one hour, a great upflow of magma gathers a seam of crystals and drives it toward the surface, mile after burning mile; it cools inside a huge, smoking xenolith of kimberlite, and there it waits. Century after century. Rain, wind, cubic miles of ice. Bedrock becomes boulders, boulders become stones; the ice retreats, a lake forms, and galaxies of freshwater clams flap their million shells at the sun and close and die and the lake seeps away. Stands of prehistoric trees rise and fall and rise again in succession. Until another year, another day, another hour, when a storm claws one particular stone out of a canyon and sends it into a clattering flow of alluvium, where eventually it finds, one evening, the attention of a prince who knows what he is looking for.

SCARBOROUGH FAIR, or, THE LOVER'S PROMISE (Lucy:) Are you going to Scarborough Fair? Parsley, sage, rosemary, and thyme Remember me to one who lives there Always he'll be a true love of mine Tell him I've made him a magical shirt Parsley, sage, rosemary, and thyme Without any seam or needlework Always he'll be a true love of mine (Zach:) Tell her she's found me an acre of land Parsley, sage, rosemary, and thyme Between the salt water and the sea strand That makes her a true love of mine Tell her she's plowed it with just a goat's horn Parsley, sage, rosemary, and thyme She's sowed it all over with one grain of corn Yes, she is a true love of mine And her daughter forever a daughter of mine (Together:) Are you going to Scarborough Fair? Parsley, sage, rosemary, and thyme Remember us to all who live there Ours will be true love for all time

Ultimately, we will lose each other to something. I would hope for grand circumstance—death or disaster. But it might not be that way at all. It might be that you walk out one morning after making love to buy cigarettes, and never return, or I fall in love with another … It might be a slow drift into indifference. Either way, we’ll have to learn to bear the weight of the eventuality that we will lose each other to something. So why not begin now, while your head rests like a perfect moon in my lap …? Why not reach for the seam in this … night and tear it, just a little, so the falling can begin? Because later, when we cross each other on the streets, and are forced to look away, when we’ve thrown the disregarded pieces of our togetherness into bedroom drawers and the smell of our bodies is disappearing like the sweet decay of lilies—what will we call it, when it’s no longer love?

God, you're so sweet.” He holds my face in his hands and kisses me deeply. I slowly unzip his hoodie and touch a hand to his bare chest. I relish in the feel of it. Barely an hour ago I was admiring it from afar, and now it's no longer just a tease. When I slide my hand down to his stomach, he groans and his hands slip just under my shirt. “So that's why you didn't want to change.” I can feel his smile against my lips. “You just wanted me to take your clothes off for you.” “Guilty.” I lift my arms for him to pull it off. Instead of returning to kissing me, his eyes roam down my body. I fight the urge to cover myself; even though my bra is still on, I feel exposed. His hands lightly touch each side along the seam. My breath catches in my throat. Meeting my eyes, he says, “You're so damn beautiful.” He leans forward, pressing a soft kiss in between my breasts. I shiver at the light touch of his lips to my sensitive skin. If this is how he makes me feel with such little contact, then how will the rest of this feel? The need is building inside like a spark starting a fire.

I spent the last Friday of summer vacation spreading hot, sticky tar across the roof of George Washington High. My companions were Dopey, Toothless, and Joe, the brain surgeons in charge of building maintenance. At least they were getting paid. I was working forty feet above the ground, breathing in sulfur fumes from Satan's vomitorium, for free. Character building, my father said. Mandatory community service, the judge said. Court-ordered restitution for the Foul Deed. He nailed me with the bill for the damage I had done, which meant I had to sell my car and bust my hump at a landscaping company all summer. Oh, and he gave me six months of meetings with a probation officer who thought I was a waste of human flesh. Still, it was better than jail. I pushed the mop back and forth, trying to coat the seams evenly. We didn't want any rain getting into the building and destroying the classrooms. Didn't want to hurt the school. No, sir, we sure didn't.

The Universe is made of hands; Hands that twist fabric and sizzle in the air. Hands that grasp curls and flick words away Small, smooth fingers pouring gold over gaping wounds Before slicing into soft tissue, Blood mixing with gold. Hands that make it beautiful. The Universe is made of bones; Bones that cut against yards of skin, Warm and yielding and moulded around the wings that splay across his back. Bones that cage the heart and dig into the hollows. Bones that break, Tear the warm, yielding skin. Bones that shred and brush his chin. The Universe is made of lips; Lips that breathe and stutter warm sighs, Caressing the cracks in his broken body, the body that he broke. Lips that carve paths into stone, That leave trails upon gooseflesh, Lips that make incisions, Too delicate to mend. The Universe is made of blood; Blood that runs warm and hot and steady and crimson, Pumping beneath the stone and the gold. Blood that burns with every jerk of limbs. Blood that spills on open palms, Staining the fabric, Filling up his throat. The Universe is made of eyes; Eyes that breach and eyes that splice and eyes that never leave. Eyes that ripple oceans. Eyes that whisper in the dark. Eyes that rip open the seams. Eyes that create wounds, create chaos, create broken shards of blue. Eyes that alight and won’t let go. The Universe was built. The Universe fell. You took it apart, Dragged the chaos from my soul with your hands, Your bones, Your lips, Your blood, Your eyes. And now you’re back. And so is the Universe. And so, I suppose, am I. The Universe is made of five things. The Universe is made of you.

He wordlessly crossed the floor and sat beside Adam on the mattress. When he held out his hand, Adam put the model into it. “This old thing,” Ronan said. He turned the front tyre, and again the music played out of it. They sat like that for a few minutes, as Ronan examined the car and turned each wheel to play a different tune. Adam watched how intently Ronan studied the seams, his eyelashes low over his light eyes. Ronan let out a breath, put the model down on the bed beside him, and kissed Adam. Once, when Adam had still lived in the trailer park, he had been pushing the lawn mower around the scraggly side yard when he realized that it was raining a mile away. He could smell it, the earthy scent of rain on dirt, but also the electric, restless smell of ozone. And he could see it: a hazy gray sheet of water blocking his view of the mountains. He could track the line of rain travelling across the vast dry field towards him. It was heavy and dark, and he knew he would get drenched if he stayed outside. It was coming from so far away that he had plenty of time to put the mower away and get under cover. Instead, though, he just stood there and watched it approach. Even at the last minute, as he heard the rain pounding the grass flat, he just stood there. He closed his eyes and let the storm soak him. That was this kiss. They kissed again. Adam felt it in more than his lips. Ronan sat back, his eyes closed, swallowing. Adam watched his chest rise and fall, his eyebrows furrow. He felt as bright and dreamy and imaginary as the light through the window. He did not understand anything. It was a long moment before Ronan opened his eyes, and when he did, his expression was complicated. He stood up. He was still looking at Adam, and Adam was looking back, but neither said anything. Probably Ronan wanted something from him, but Adam didn’t know what to say. He was a magician, Persephone had said, and his magic was making connections between disparate things. Only now he was too full of white, fuzzy light to make any sort of logical connections. He knew that of all the options in the world, Ronan Lynch was the most difficult version of any of them. He knew that Ronan was not a thing to be experimented with. He knew his mouth still felt warm. He knew he had started his entire time at Aglionby certain that all he wanted to do was get as far away from this state and everything in it as possible. He was pretty sure he had just been Ronan’s first kiss.

I am here because of a certain man. I came to retrace his steps. Perhaps to see if there were not some alternate course. What was here to be found was not a thing. Things separate from their stories have no meaning. They are only shapes. Of a certain size and color. A certain weight. When their meaning has become lost to us they no longer have even a name. The story on the other hand can never be lost from its place in the world for it is that place. And that is what was to be found here. The corrido. That tale. And like all corridos it ultimately told one story only, for there is only one to tell. The cats shifted and stirred, the fire creaked in the stove. Outside in the abandoned village the profoundest silence. What is the story? the boy said. In the town of Caborca on the Altar River there was a man who lived there who was an old man. He was born in Caborca and in Caborca he died. Yet he lived once in this town, in Huisiachepic. What does Caborca know of Huisiachepic, Huisiachepic of Caborca? They are different worlds, you must agree. Yet even so there is but one world and everything that is imaginable is necessary to it. For this world also which seems to us a thing of stone and flower and blood is not a thing at all but a tale. And all in it is a tale and each tale the sum of all lesser tales and yet they are the selfsame tale and contain as well all else within them. So everything is necessary. Every least thing. This is a hard lesson. Nothing can be dispensed with. Nothing despised. Because the seems are hid from us, you see. The joinery. The way in which the world is made. We have no way to tell what might stand and what might fall. And those seams that are hid from us are of course in the tale itself and the tale had no abode or place of being except in the telling only and there it lives and makes its home and therefore we can never be done with the telling. Of the telling there is no end. And whether in Caborca or Huisiachepic or in whatever other place by whatever other name or by no name at all I say again all tales are one. Rightly heard all tales are one.

Between them all the poor little Rabbit was made to feel himself very insignificant and commonplace, and the only person who was kind to him at all was the Skin Horse. The Skin Horse had lived longer in the nursery than any of the others. He was so old that his brown coat was bald in patches and showed the seams underneath, and most of the hairs in his tail had been pulled out to string bead necklaces. He was wise, for he had seen a long succession of mechanical toys arrive to boast and swagger, and by-and-by break their mainsprings and pass away, and he knew that they were only toys, and would never turn into anything else. For nursery magic is very strange and wonderful, and only those playthings that are old and wise and experienced like the Skin Horse understand all about it. "What is REAL?" asked the Rabbit one day, when they were lying side by side near the nursery fender, before Nana came to tidy the room. "Does it mean having things that buzz inside you and a stick-out handle?" "Real isn't how you are made," said the Skin Horse. "It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real." "Does it hurt?" asked the Rabbit. "Sometimes," said the Skin Horse, for he was always truthful. "When you are Real you don't mind being hurt." "Does it happen all at once, like being wound up," he asked, "or bit by bit?" "It doesn't happen all at once," said the Skin Horse. "You become. It takes a long time. That's why it doesn't happen often to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand." "I suppose you are real?" said the Rabbit. And then he wished he had not said it, for he thought the Skin Horse might be sensitive. But the Skin Horse only smiled.