Sea Of Thieves Quotes

What a grin he had, what ferocious eyes, what a creature he was. He had dreamt himself an entire life and death. Ronan said, "I want to go back." "Then take it," said his father. "You know how now." And Ronan did. Because Niall Lynch was a forest fire, a rising sea, a car crash, a closing curtain, a blistering symphony, a catalyst with planets inside him. And he had given all of that to his middle son.

WE two boys together clinging, One the other never leaving, Up and down the roads going, North and South excursions making, Power enjoying, elbows stretching, fingers clutching, Arm'd and fearless, eating, drinking, sleeping, loving. No law less than ourselves owning, sailing, soldiering, thieving, threatening, Misers, menials, priests alarming, air breathing, water drinking, on the turf or the sea-beach dancing, Cities wrenching, ease scorning, statutes mocking, feebleness chasing, Fulfilling our foray.

Crooked Warden, I will fear no darkness for the night is yours," muttered Locke, pointing the first two fingers of his left hand into the darkness. The Dagger of the Thirteenth, a thief's gesture against evil. "Your night is my cloak, my shield, my escape from those who hunt to feed the noose. I will fear no evil, for you have made the night my friend." "Bless the Benefactor," said Jean, squeezing Locke's left forearm. "Peace and profit to his children.

Agrabah is yours." "No," Jasmine said, looking out at the sea of guild leaders, and the thieves, and the genie, and all the people of her city. "Agrabah is ours.

Marry, then, sweet wag, when thou art king, let not us that are squires of the night’s body be called thieves of the day’s beauty. Let us be Diana’s foresters, gentlemen of the shade, minions of the moon, and let men say we be men of good government, being governed, as the sea is, by our noble and chaste mistress the moon, under whose countenance we steal.

Am I making myself clear, Orrin? I don't regret how I've lived these past few years. I move where I will. I set no appointments. I guard no borders. What landbound king has the freedom of a ship's captain? The Sea of Brass provides. When I need haste, it gives me winds. When I need gold, it gives me galleons." Thieves prosper, thought Locke. The rich remember. He made his decision, and gripped the rail to avoid shaking. "Only gods-damned fools die for lines drawn on maps," said Zamira. "But nobody can draw lines around my ship. If they try, all I need to do to slip away is set more sail.

Because Niall Lynch was a forest fire, a rising sea, a car crash, a closing curtain, a blistering symphony, a catalyst with planets inside him. And he had given all of that to his middle son.

In medieval times, contrary to popular belief, most knights were bandits, mercenaries, lawless brigands, skinners, highwaymen, and thieves. The supposed chivalry of Charlemagne and Roland had as much to do with the majority of medieval knights as the historical Jesus with the temporal riches and hypocrisy of the Catholic Church, or any church for that matter. Generally accompanied by their immoral entourage or servants, priests, and whores, they went from tourney to tourney like a touring rock and roll band, sports team, or gang of South Sea pirates. Court to court, skirmish to skirmish, rape to rape. Fighting as the noble's substitution for work.

Have you forgotten who I am?” I tilted my head, smiling sweetly. “I raid and thieve wealthy arseholes for personal gain.” “Wretched pirate.

And Ronan did because Niall Lynch was a forest fire, a rising sea, a car crash, a closing curtain, a blistering symphony, a catalyst with planets inside him. And he has given all of that to his middle son.

Niall Lynch was a forest fire, a rising sea, a car crash, a closing curtain, a blistering symphony, a catalyst with planets inside him. And he had given all of that to his middle son.

Paris has a child, and the forest has a bird; the bird is called the sparrow; the child is called the gamin. Couple these two ideas which contain, the one all the furnace, the other all the dawn; strike these two sparks together, Paris, childhood; there leaps out from them a little being. Homuncio, Plautus would say. This little being is joyous. He has not food every day, and he goes to the play every evening, if he sees good. He has no shirt on his body, no shoes on his feet, no roof over his head; he is like the flies of heaven, who have none of these things. He is from seven to thirteen years of age, he lives in bands, roams the streets, lodges in the open air, wears an old pair of trousers of his father's, which descend below his heels, an old hat of some other father, which descends below his ears, a single suspender of yellow listing; he runs, lies in wait, rummages about, wastes time, blackens pipes, swears like a convict, haunts the wine-shop, knows thieves, calls gay women thou, talks slang, sings obscene songs, and has no evil in his heart. This is because he has in his heart a pearl, innocence; and pearls are not to be dissolved in mud. So long as man is in his childhood, God wills that he shall be innocent. If one were to ask that enormous city: "What is this?" she would reply: "It is my little one.

My face is full, but also slight, I pale in the bright of light, I whisper sweet to the forest owl, I kiss the air with Wolf's sad howl, Eyes follow me from sea to sea, Yet alone in this world... I will ever be.

Eventually they climb sixteen steps into the Gallery of Mineralogy. The guide shows them a gate from Brazil and violet amethysts and a meteorite on a pedestal that he claims is as ancient as the solar system itself. Then he leads them single file down two twisting staircases and along several corridors and stops outside an iron door with a single keyhole. “End of tour,” he says. A girl says, “But what’s through there?” “Behind this door is another locked door, slightly smaller.” “And what’s behind that?” “A third locked door, smaller yet.” “What’s behind that?” “A fourth door, and a fifth, on and on until you reach a thirteenth, a little locked door no bigger than a shoe.” The children lean forward. “And then?” “Behind the thirteenth door”—the guide flourishes one of his impossibly wrinkled hands—“is the Sea of Flames.” Puzzlement. Fidgeting. “Come now. You’ve never heard of the Sea of Flames?” The children shake their heads. Marie-Laure squints up at the naked bulbs strung in three-yard intervals along the ceiling; each sets a rainbow-colored halo rotating in her vision. The guide hangs his cane on his wrist and rubs his hands together. “It’s a long story. Do you want to hear a long story?” They nod. He clears his throat. “Centuries ago, in the place we now call Borneo, a prince plucked a blue stone from a dry riverbed because he thought it was pretty. But on the way back to his palace, the prince was attacked by men on horseback and stabbed in the heart.” “Stabbed in the heart?” “Is this true?” A boy says, “Hush.” “The thieves stole his rings, his horse, everything. But because the little blue stone was clenched in his fist, they did not discover it. And the dying prince managed to crawl home. Then he fell unconscious for ten days. On the tenth day, to the amazement of his nurses, he sat up, opened his hand, and there was the stone. “The sultan’s doctors said it was a miracle, that the prince never should have survived such a violent wound. The nurses said the stone must have healing powers. The sultan’s jewelers said something else: they said the stone was the largest raw diamond anyone had ever seen. Their most gifted stonecutter spent eighty days faceting it, and when he was done, it was a brilliant blue, the blue of tropical seas, but it had a touch of red at its center, like flames inside a drop of water. The sultan had the diamond fitted into a crown for the prince, and it was said that when the young prince sat on his throne and the sun hit him just so, he became so dazzling that visitors could not distinguish his figure from light itself.” “Are you sure this is true?” asks a girl. “Hush,” says the boy. “The stone came to be known as the Sea of Flames. Some believed the prince was a deity, that as long as he kept the stone, he could not be killed. But something strange began to happen: the longer the prince wore his crown, the worse his luck became. In a month, he lost a brother to drowning and a second brother to snakebite. Within six months, his father died of disease. To make matters even worse, the sultan’s scouts announced that a great army was gathering in the east. "The prince called together his father’s advisers. All said he should prepare for war, all but one, a priest, who said he’d had a dream. In the dream the Goddess of the Earth told him she’d made the Sea of Flames as a gift for her lover, the God of the Sea, and was sending the jewel to him through the river. But when the river dried up, and the prince plucked it out, the goddess became enraged. She cursed the stone and whoever kept it.

Mack and the boys, too, spinning in their orbits. They are the Virtues, the Graces, the Beauties of the hurried mangled craziness of Monterey and the cosmic Monterey where men in fear and hunger destroy their stomachs in the fight to secure certain food, where men hungering for love destroy everthing lovable about them. Mack and the boys are the Beauties, the Virtues, the Graces. In a world ruled by tigers with ulcers, rutted by strictured bulls, scavenged by blind jackals, Mack and the boys dine delicately with the tigers, fondle the frantic heifers, and wrap up the crumbs to feed the sea gulls of Cannery Row. What can it profit a man to gain the whole world and come to his property with a gastric ulcer, a blown prostate, and bifocals? Mack and the boys avoid the trap, walk around the poison, step over the noose while a generation of trapped, poisoned, and trussed-up men scream at them and call them no-goods, come-to-bad-ends, blots-on-the-town, thieves, rascals, bums. Our father who art in nature, who has given the gift of survival to the coyote, the common brown rat, the English sparrow, the house fly and the moth, must have a great and overwhelming love for no-goods and blots-on-the-town and bums, and Mack and the boys. Virtues and graces and laziness and zest. Our Father who art in nature.

On the whole, perhaps, it might be admitted that rough justice was done, but it exasperated the assistant that his chief trusted his instinct rather than the evidence. He would not listen to reason. He browbeat the witnesses and when they did not see what he wished them to called them thieves and liars.

The Kalmucks are small of stature, but robust; excellent horsemen, quick, agile, and smart. Their food is a little flour, mixed with water, and cooked with horseflesh. But they are confirmed drunkards, skilful thieves, ignorant, superstitious to excess, incorrigible gamblers, like all the nomads of the Caucasian steppes.

For this scribe has read a great many of these accounts and taken away another lesson: that to be a woman is to have your story misremembered. Discarded. Twisted. In courtyard tales, women are the adulterous wives whose treachery begins a husband’s descent into murderous madness or the long-suffering mothers who give birth to proper heroes. Biographers polish away the jagged edges of capable, ruthless queens so they may be remembered as saints, and geographers warn believing men away from such and such a place with scandalous tales of lewd local females who cavort in the sea and ravish foreign interlopers. Women are the forgotten spouses and unnamed daughters. Wet nurses and handmaidens; thieves and harlots. Witches. A titillating anecdote to tell your friends back home or a warning.

Too Loud a Solitude, by Bohumil Hrabel Train Dreams, by Denis Johnson Sula, by Toni Morrison The Shadow-Line, by Joseph Conrad The All of It, by Jeannette Haine Winter in the Blood, by James Welch Swimmer in the Secret Sea, by William Kotzwinkle The Blue Flower, by Penelope Fitzgerald First Love, by Ivan Turgenev Wide Sargasso Sea, by Jean Rhys Mrs. Dalloway, by Virginia Woolf Waiting for the Barbarians, by J. M. Coetzee Fire on the Mountain, by Anita Desai Sailboat Table (table by Quint Hankle) The Voyage of the Narwhal, by Andrea Barrett Complete Stories, by Clarice Lispector Boy Kings of Texas, by Domingo Martinez The Marrow Thieves, by Cherie Dimaline A Brief History of Seven Killings, by Marlon James There There, by Tommy Orange Citizen: An American Lyric, by Claudia Rankine Underland, by Robert Macfarlane The Undocumented Americans, by Karla Cornejo Villavicencio Deacon King Kong, by James McBride The Dutch House, by Ann Patchett Will and Testament, by Vigdis Hjorth Every Man Dies Alone, by Hans Fallada

Hail, oh woman, who was so afflicted, It was our ruin that you were in chains, Our fine land in the possession of thieves... While you were sold to the foreigners! Oh-ro, welcome home Oh-ro, welcome home Oh-ro, welcome home Now that summer's coming!' Gráinne Mhaol is coming over the sea, Armed warriors as her guard, Only Irish are they, not French nor Spanish... and they will rout the foreigners! May it please God that we might see, Although we may live but one week after, Gráinne Mhaol and a thousand warriors... Dispersing the foreigners!

We Two Boys Together Clinging We two boys together clinging, One the other never leaving, Up and down the roads going, North and South excursions making, Power enjoying, elbows stretching, fingers clutching, Arm'd and fearless, eating, drinking, sleeping, loving. No law less than ourselves owning, sailing, soldiering, thieving, threatening, Misers, menials, priests alarming, air breathing, water drinking, on the turf or the sea-beach dancing, Cities wrenching, ease scorning, statutes mocking, feebleness chasing, Fulfilling our foray.

Sailboat Table (table by Quint Hankle) The Voyage of the Narwhal, by Andrea Barrett Complete Stories, by Clarice Lispector Boy Kings of Texas, by Domingo Martinez The Marrow Thieves, by Cherie Dimaline A Brief History of Seven Killings, by Marlon James There There, by Tommy Orange Citizen: An American Lyric, by Claudia Rankine Underland, by Robert Macfarlane The Undocumented Americans, by Karla Cornejo Villavicencio Deacon King Kong, by James McBride The Dutch House, by Ann Patchett Will and Testament, by Vigdis Hjorth Every Man Dies Alone, by Hans Fallada The Door, by Magda Svabo The Plot Against America, by Philip Roth Fates and Furies, by Lauren Groff The Overstory, by Richard Power Night Train, by Lise Erdrich Her Body and Other Parties, by Carmen Maria Machado The Penguin Book of the Modern American Short Story, edited by John Freeman Between the World and Me, by Ta-Nehisi Coates Birds of America, by Lorrie Moore Mongrels, by Stephen Graham Jones The Office of Historical Corrections, by Danielle Evans Tenth of December, by George Saunders Murder on the Red River, by Marcie R. Rendon Leave the World Behind, by Rumaan Alam Ceremony, by Leslie Marmon Silko On Earth We’re Briefly Gorgeous, by Ocean Vuong The Unwomanly Face of War, by Svetlana Alexievich Standard Deviation, by Katherine Heiny All My Puny Sorrows, by Miriam Toews The Death of the Heart, by Elizabeth Bowen Mean Spirit, by Linda Hogan NW, by Zadie Smith Being Mortal, by Atul Gawande Americanah, by Chimamanda Ngozi Adichie Firekeeper’s Daughter, by Angeline Boulley Erasure, by Percival Everett Sharks in the Time of Saviors, by Kawai Strong Washburn Heaven, by Mieko Kawakami Books for Banned Love Sea of Poppies, by Amitav Ghosh The English Patient, by Michael Ondaatje Euphoria, by Lily King The Red and the Black, by Stendahl Luster, by Raven Leilani Asymmetry, by Lisa Halliday All the Pretty Horses, by Cormac McCarthy Middlesex, by Jeffrey Eugenides The Vixen, by Francine Prose Legends of the Fall, by Jim Harrison The Winter Soldier, by Daniel Mason

This puts me in mind of a circumstance that occurred when I was laboring on a mission in London many, many years ago: We had an old gentleman there that had been in the army. He was a war veteran and he was preaching the gospel of Jesus Christ on the streets. A man came up and slapped him on the face. "Now," he says, "if you are a Christian turn the other cheek." So old daddy turned the other cheek, but he said: "Hit again and down you go." He would have gone down, too, if he had struck again. True, Jesus Christ taught that non-resistance, was right and praiseworthy and a duty under certain circumstances and conditions; but just look at him when he went into the temple, when he made that scourge of thongs, when he turned out the money-changers and kicked over their tables and told them to get out of the house of the Lord! "My house is a house of prayer," he said, "but ye have made it a den of thieves." Get out of here! Hear him crying, "Woe unto you Scribes, Pharisees, hypocrites, ye compass sea and land to make one proselyte, and then ye make him ten-fold more the child of hell than he was before." That was the other side of the spirit of Jesus. Jesus was no milksop. He was not to be trampled under foot. He was ready to submit when the time came for his martyrdom, and he was to be nailed on the cross as a sacrifice for the sins of the world, but he was ready at any time to stand up for his rights like a man. He is not only called "the Lamb slain from the foundation of the world," but also "the Lion of the Tribe of Judah," and He will be seen to be terrible by and by to his enemies. Now while we are not particularly required to pattern after the "lion" side of his character unless it becomes necessary, the Lord does not expect us to submit to be trodden under foot by our enemies and never resist. The Lord does not want us to inculcate the spirit of war nor the spirit of bloodshed. In fact he has commanded us not to shed blood, but there are times and seasons, as we can find in the history of the world, in [the] Bible and the Book of Mormon, when it is justifiable and right and proper and the duty of men to go forth in the defense of their homes and their families and maintain their privileges and rights by force of arms.

Christopher observed the passage of the coach from his sight and then turned his gaze to the pair of men who approached them. It was Farrell and Captain Daniels, and while the latter was smiling broadly, the former frowned in sharp disapproval at the couple. Christopher thrust out a hand in greeting to his captain, then looked to his wife’s brother. “Farrell, I don’t think we’ve been properly introduced.” Christopher smiled as he extended his hand. “I am Lord Saxton.” The young man’s eyes widened, and he searched the softly smiling visage of his sister as he mechanically accepted the hand. “Lord Saxton? The Lord Saxton?” “Aye, I am the one who wore the mask and walked with a limp,” Christopher confessed. “ ’Twas done partly to fool the thieves into believing the man they had murdered was still alive, and then too, I desired to wed your sister and found no other way. I hope you will value the friendship we began when you knew me as the cripple.” Farrell tried to grasp all the facts and put them together in their proper places. “You are really married to my sister, and you are the father of her…” Erienne blushed as she glanced hesitantly toward the sea captain, who seemed to be enjoying the whole exchange. His smile broadened as her husband gave a reply. “You needn’t sharpen your skill with firearms to avenge your sister’s honor,” Christopher replied. The teasing gleam in his eyes shone brighter. “ ’Twas quite properly made, I assure you.” -Christopher & Farrell

Save thee, Timon. Tim. Now, thieves? All [Banditti]. Soldiers, not thieves. Tim. Both too, and women's sons. All [Banditti]. We are not thieves, but men that much do want. Tim. Your greatest want is, you want much of meat. Why should you want? Behold, the earth hath roots; Within this mile break forth a hundred springs; The oaks bear mast, the briers scarlet hips; The bounteous housewife, nature, on each bush Lays her full mess before you. Want! why want? 1. Ban. We cannot live on grass, on berries, water, As beasts and birds and fishes. Tim. Nor on the beasts themselves, the birds, and fishes; You must eat men. Yet thanks I must you con That you are thieves profess'd, that you work not In holier shapes: for there is boundless theft In limited professions. Rascal thieves, Here's gold. Go, suck the subtle blood o' the grape, Till the high fever seethe your blood to froth, And so 'scape hanging: trust not the physician; His antidotes are poison, and he slays Moe than you rob: take wealth and lives together; Do villany, do, since you protest to do't, Like workmen. I'll example you with thievery. The sun's a thief, and with his great attraction Robs the vast sea: the moon's an arrant thief, And her pale fire she snatches from the sun: The sea's a thief, whose liquid surge resolves The moon into salt tears: the earth's a thief, That feeds and breeds by a composture stolen From general excrement: each thing's a thief: The laws, your curb and whip, in their rough power Have uncheque'd theft. Love not yourselves: away, Rob one another. There's more gold. Cut throats: All that you meet are thieves: to Athens go, Break open shops; nothing can you steal, But thieves do lose it: steal no less for this I give you; and gold confound you howsoe'er! Amen. 3. Ban. Has almost charmed me from my profession, by persuading me to it. 1. Ban. 'Tis in the malice of mankind that he thus advises us; not to have us thrive in our mystery. 2 Ban. I'll believe him as an enemy, and give over my trade. 1 Ban. Let us first see peace in Athens: there is no time so miserable but a man may be true. Exeunt Thieves [the Banditti]

Finding the right mentor is not always easy. But we can locate role models in a more accessible place: the stories of great originals throughout history. Human rights advocate Malala Yousafzai was moved by reading biographies of Meena, an activist for equality in Afghanistan, and of Martin Luther King, Jr. King was inspired by Gandhi as was Nelson Mandela. In some cases, fictional characters can be even better role models. Growing up, many originals find their first heroes in their most beloved novels where protagonists exercise their creativity in pursuit of unique accomplishments. When asked to name their favorite books, Elon Musk and Peter Thiel each chose “Lord of the Rings“, the epic tale of a hobbit’s adventures to destroy a dangerous ring of power. Sheryl Sandberg and Jeff Bezos both pointed to “A Wrinkle in Time“ in which a young girl learns to bend the laws of physics and travels through time. Mark Zuckerberg was partial to “Enders Game“ where it’s up to a group of kids to save the planet from an alien attack. Jack Ma named his favorite childhood book as “Ali Baba and the Forty Thieves“, about a woodcutter who takes the initiative to change his own fate. … There are studies showing that when children’s stories emphasize original achievements, the next generation innovates more.… Unlike biographies, in fictional stories characters can perform actions that have never been accomplished before, making the impossible seem possible. The inventors of the modern submarine and helicopters were transfixed by Jules Vern’s visions in “20,000 Leagues Under the Sea” and “The Clippership of the Clouds”. One of the earliest rockets was built by a scientist who drew his motivation from an H.G. Wells novel. Some of the earliest mobile phones, tablets, GPS navigators, portable digital storage desks, and multimedia players were designed by people who watched “Star Trek” characters using similar devices. As we encounter these images of originality in history and fiction, the logic of consequence fades away we no longer worry as much about what will happen if we fail… Instead of causing us to rebel because traditional avenues are closed, the protagonist in our favorite stories may inspire originality by opening our minds to unconventional paths.

Gods in The Lost Hero Aeolus The Greek god of the winds. Roman form: Aeolus Aphrodite The Greek goddess of love and beauty. She was married to Hephaestus, but she loved Ares, the god of war. Roman form: Venus Apollo The Greek god of the sun, prophecy, music, and healing; the son of Zeus, and the twin of Artemis. Roman form: Apollo Ares The Greek god of war; the son of Zeus and Hera, and half brother to Athena. Roman form: Mars Artemis The Greek goddess of the hunt and the moon; the daughter of Zeus and the twin of Apollo. Roman form: Diana Boreas The Greek god of the north wind, one of the four directional anemoi (wind gods); the god of winter; father of Khione. Roman form: Aquilon Demeter The Greek goddess of agriculture, a daughter of the Titans Rhea and Kronos. Roman form: Ceres Dionysus The Greek god of wine; the son of Zeus. Roman form: Bacchus Gaea The Greek personification of Earth. Roman form: Terra Hades According to Greek mythology, ruler of the Underworld and god of the dead. Roman form: Pluto Hecate The Greek goddess of magic; the only child of the Titans Perses and Asteria. Roman form: Trivia Hephaestus The Greek god of fire and crafts and of blacksmiths; the son of Zeus and Hera, and married to Aphrodite. Roman form: Vulcan Hera The Greek goddess of marriage; Zeus’s wife and sister. Roman form: Juno Hermes The Greek god of travelers, communication, and thieves; son of Zeus. Roman form: Mercury Hypnos The Greek god of sleep; the (fatherless) son of Nyx (Night) and brother of Thanatos (Death). Roman form: Somnus Iris The Greek goddess of the rainbow, and a messenger of the gods; the daughter of Thaumas and Electra. Roman form: Iris Janus The Roman god of gates, doors, and doorways, as well as beginnings and endings. Khione The Greek goddess of snow; daughter of Boreas Notus The Greek god of the south wind, one of the four directional anemoi (wind gods). Roman form: Favonius Ouranos The Greek personification of the sky. Roman form: Uranus Pan The Greek god of the wild; the son of Hermes. Roman form: Faunus Pompona The Roman goddess of plenty Poseidon The Greek god of the sea; son of the Titans Kronos and Rhea, and brother of Zeus and Hades. Roman form: Neptune Zeus The Greek god of the sky and king of the gods. Roman form: Jupiter

The Scientific Revolution was revolutionary in a way that is hard to appreciate today, now that its discoveries have become second nature to most of us. The historian David Wootton reminds us of the understanding of an educated Englishman on the eve of the Revolution in 1600: He believes witches can summon up storms that sink ships at sea. . . . He believes in werewolves, although there happen not to be any in England—he knows they are to be found in Belgium. . . . He believes Circe really did turn Odysseus’s crew into pigs. He believes mice are spontaneously generated in piles of straw. He believes in contemporary magicians. . . . He has seen a unicorn’s horn, but not a unicorn. He believes that a murdered body will bleed in the presence of the murderer. He believes that there is an ointment which, if rubbed on a dagger which has caused a wound, will cure the wound. He believes that the shape, colour and texture of a plant can be a clue to how it will work as a medicine because God designed nature to be interpreted by mankind. He believes that it is possible to turn base metal into gold, although he doubts that anyone knows how to do it. He believes that nature abhors a vacuum. He believes the rainbow is a sign from God and that comets portend evil. He believes that dreams predict the future, if we know how to interpret them. He believes, of course, that the earth stands still and the sun and stars turn around the earth once every twenty-four hours.7 A century and a third later, an educated descendant of this Englishman would believe none of these things. It was an escape not just from ignorance but from terror. The sociologist Robert Scott notes that in the Middle Ages “the belief that an external force controlled daily life contributed to a kind of collective paranoia”: Rainstorms, thunder, lightning, wind gusts, solar or lunar eclipses, cold snaps, heat waves, dry spells, and earthquakes alike were considered signs and signals of God’s displeasure. As a result, the “hobgoblins of fear” inhabited every realm of life. The sea became a satanic realm, and forests were populated with beasts of prey, ogres, witches, demons, and very real thieves and cutthroats. . . . After dark, too, the world was filled with omens portending dangers of every sort: comets, meteors, shooting stars, lunar eclipses, the howls of wild animals.8 To the Enlightenment thinkers the escape from ignorance and superstition showed how mistaken our conventional wisdom could be, and how the methods of science—skepticism, fallibilism, open debate, and empirical testing—are a paradigm of how to achieve reliable knowledge. That knowledge includes an understanding of ourselves.

Angeline says that we’re not doing very well. Apparently they expected the Japs from the south, by the sea, but they came from the north instead and just breezed right through the defenses there. And it’s really awful outside.” Her voice hiccups. “I saw a dead baby on a pile of rubbish this morning as I came here. It’s all around, the rubbish and the corpses, I mean, and they’re burning it so it smells like what I imagine hell smells like. And I saw a woman being beaten with bamboo poles and then dragged off by her hair. She was half being dragged, half crawling along, and screaming like the end of the world. Her skin was coming off in ribbons. You’re supposed to wear sanitary pads so that . . . you know . . . if a soldier tries to . . . Well, you know. The locals and the Japanese both are looting anything that’s not locked down, and thieving and generally being impossible. They’re all over the place in Kowloon, running amok. We’re thinking about moving out to one of the hotels, just so we’re more in the middle of things, and we can see people and get more information. The Gloucester is packed to the rafters but my old friend Delia Ho has a room at the Repulse Bay and says we can have it because she’s leaving to go to China. We can share the room with Angeline, don’t you think? And apparently, the American Club has cots out and people are staying there as well. They have a lot of supplies, I suppose. Americans always do. Everyone wants to be around other people.

In this latter sense the Buddha has defined trivial talk. He said: If the mind of a monk inclines to talking, he should think thus: “I shall not engage in the low kind of talk that is vulgar, worldly and unprofitable; that does not lead to detachment, dispassionateness, cessation, tranquility, direct knowledge, enlightenment, Nirvana; namely talk about kings, thieves, ministers, armies, famine and war; about eating, drinking, clothing and lodgings; about garlands, perfumes, relatives, vehicles, villages, towns, cities and countries; about women and wine, the gossip of the street and the well, talk about ancestors, about various trifles, tales about the origins of the world and the sea, talk about things being so or otherwise, and similar matters.” Thus he has clear comprehension. “But talk that is helpful for leading the austere life, useful for mental clarity, that leads to complete detachment, dispassionateness, cessation, tranquility, direct knowledge, enlightenment and Nibbana; that is talk on frugality, contentedness, solitude, seclusion, application of energy, virtue, concentration, wisdom, deliverance and on the knowledge and vision bestowed by deliverance—in such talk shall I engage.” Thus he has clear comprehension.

in this moment of orangutans, wolves, and scavengers, of high heat redesigning the north & south poles and the wanderings of new tribes in limousines, with the confirmations of liars, thieves, and get-over artists, in the wilderness of pennsylvania avenue, standing rock, misspelled executive orders on yellow paper with crooked signatures. where are the kind language makers among us? at a time of extreme climate damage, deciphering fake news, alternative truths, and me-ism you saw the twenty-first century and left us not on your own accord or permission. you have fought and fought most of the twentieth century creating an army of poets who learned and loved language and stories of complicated rivers, seas, and oceans. where is the kind green nourishment of kale and wheatgrass? you thought, wrote, and lived poetry, knew that terror is also language based on denial, first-ism, and rich cowards. you were honey and yes to us, never ran from Black as in bones, Africa, blood and questioning yesterdays and tomorrows. we never saw you dance but you had rhythm, you were a warrior before the war, creating earth language, uncommon signs and melodies, and did not sing the songs of career slaves. keenly aware of tubman, douglass, wells-barnett, du bois, and the oversized consciousness and commitment of never-quit people religiously taking note of the bloodlust enemies of kindness we hear your last words: america if you see me as your enemy you have no friends.

The All of It, by Jeannette Haien Winter in the Blood, by James Welch Swimmer in the Secret Sea, by William Kotzwinkle The Blue Flower, by Penelope Fitzgerald First Love, by Ivan Turgenev Wide Sargasso Sea, by Jean Rhys Mrs. Dalloway, by Virginia Woolf Waiting for the Barbarians, by J. M. Coetzee Fire on the Mountain, by Anita Desai Sailboat Table (table by Quint Hankle) The Voyage of the Narwhal, by Andrea Barrett Complete Stories, by Clarice Lispector Boy Kings of Texas, by Domingo Martinez The Marrow Thieves, by Cherie Dimaline A Brief History of Seven Killings, by Marlon James There There, by Tommy Orange Citizen: An American Lyric, by Claudia Rankine

Long ago, folk believed the sea fae could heal anything,” Sigurd said. “Through their song, their touch, their kiss.

Those were the nights when a poor boy and a forgotten girl dreamed aloud of the new lives they’d live far across the sea. Of good kings and gods’ magic. Tales where they were not hunted, where they were not afraid. The sort of tales where heroes never died, and pain did not exist. Those were nights when the girl told the boy he was valiant and steady like a raven, and he said she looked as pretty as a rose. The boy whittled them, a raven and rose, then tied the raven to her neck, the rose to his, and told her he’d always keep her secrets. Always. In the loft, under the stars, littles could be little, and first loves could be safe and kind and wanted. But those tales were fables. In those grand adventures, love stories, and far-reaching kingdoms, no one ever told the boy and girl how the stories ended. No one ever said the kind brother would be lost to them. No one mentioned how brave little boys would grow to become killers. Or how sweet little girls would someday be the trickiest of thieves.

If we assess the results of this swift foray into the ancient Celtic literature, we can conclude the following: dwarfs are handsome or ugly, hostile or helpful, sometimes thieves or kidnappers. They inhabit kingdoms that are located on islands, in lakes, or in the sea, or are even underground. They live in communities there that are headed by a king. They celebrate festivals, play music, ride small horses, possess magical objects, and have supernatural powers. It appears they are excellent craftsmen. It is important that we underscore the fact that this image of the dwarf owes much to the romances, and the ancient features it contains no longer hold any value. It is obvious that there are several races of dwarfs—as the terms corr and afanc attest—who are deeply entangled with the otherworld, which does not seem to be restricted only to the land of Faery, and on this point the Celtic dwarfs and the dwarfs of the romances are opposites. But through the channel of the Matter of Britain, a veritable bridge set down between the Celtic world and the Romance world, certain peculiarities of these dwarfs from green Ireland and Wales have crossed over into France and combined with other motifs—motifs which, in this case, stem from the Germanic world.

What’s so amusing, wench?” came a gravel-throated voice from behind her, followed by a gentle swat across her sheet-covered backside. “Just plotting my mutiny, Captain,” she said. “Mutiny?” he said, pulling the sheet, and her, closer to him. “I thought I’d convinced you to join my merry little band of thieves.” He tugged at the sheet she’d grabbed in her fist, rolling her neatly over and right up against his side. “You don’t want to be the pirate queen of the high seas?” “You’re a merry band of one who can’t sail a boat, so--” He silenced her with a kiss. When he finally lifted his head, she sighed and let her head loll back on his arm. “Well, when you put it that way…” He rolled on top of her, making her squeal. “I’m happy to put it another way, if that’ll help persuade you.” “Sheath your sword, pirate king. Your wench needs some sustenance before she can allow you to have your pirate ways with her again.” “I thought I was sheathing my sword,” he said, then laughed when she hooked her leg over his and rolled him to his back. “I see you’ve been paying attention to my pirate tricks.” “Indeed I have,” she said, looking down into his handsome face and twinkling blue eyes. She didn’t want to think about the next chapter, not now, not yet. But there it was, staring up at her, framed in tousled blond hair and five o’clock shadow. This could be your life, Kerry McCrae. Just say yes.

Que sea distinto no quiere decir que sea malo ¿no?

Suppose a man falls among thieves, or wild beasts; is shipwrecked at sea by a sudden gale; is killed by a falling house or tree. Suppose another man wandering through the desert finds help in his straits; having been tossed by the waves, reaches harbor; miraculously escapes death by a finger’s breadth. Carnal reason ascribes all such happenings, whether prosperous or adverse, to fortune. But anyone who has been taught by Christ’s lips that all the hairs of his head are numbered [Matt. 10:30] will look farther afield for a cause, and will consider that all events are governed by God’s secret plan.

Muffled footsteps sounded in the distance. Goldie heard a shout, and the heavy clank of punishment chains. The footsteps came closer. A boy began to sing in a hoarse, adolescent voice. "Awa-a-a-y, across the ocean-a-an, awa-a-a-y, across the sea-a-a-a-." There was a slap, and a yell. The singing stopped, but only for a moment. When it started up again, there were a dozen or more voices, all caterwauling at the top of their lungs. "-I'll go-o-o-o where my heart takes me, where my-y-y-y love waits for me-e-e-e-e." A pause. A furious adult's voice said, "It's not your love that's waiting for you, you little villains, it's the House of Repentance! Deliberate destruction of property, putting the lives of others at risk, oh you're in for it, you are!" Clank clank clank, went the punishment chains. "I’ve be-e-e-e-en away so long, dear, I've tra-a-a-aveled far and wi-i-i-i-i-ide-" sang the voices. Goldie edged along the wall and eased the door open. There was a bustle and a shoving and a clanking, and suddenly the corridor in front of her was full of boys, milling backward and forward, rattling their chains and singing loudly. They were all older than Goldie, but they wore the same gray threadbare smock and leggings. Somewhere in the middle of them were two Blessed Guardians. The smell of burning hung over them all. There was no time to think. Goldie couldn't see Toadspit, but she was sure he must be there somewhere. She whispered a quick "thank you" to Bald Thoke, then she stepped out into the corridor and tucked herself between two of the boys. For a heart-stopping moment the song faltered. The boys on either side of Goldie shot incredulous glances at her- Then they closed smoothly around her and began to sing louder than ever, their voices bouncing off the high ceilings. "Three yea-a-a-a-ars I rowed the galley-y-y-ys, three year-a-a-a-ars I was a sla-a-a-a-ave-." They spilled out into the foyer, a laughing, shouting, singing rabble. The Guardians who led them were shouting too. Only Goldie was silent. She crouched between the tall, raucous boys, her smock blending with theirs, her pulse thundering in her ears. "What's this?" shouted the toad-like Guardian. "Where are you taking them at this time of night?" "Set fire to their beds?" shouted one of the other Guardians. "Don't know what's got into them! Marching them off to Repentance!" "I'll need their names!" "If I-I-I-I-I could turn back time, dea-a-a-a-ar, if I-I-I-I-I-I could start aga-a-a-a-a-in-" "For Great Wooden's sake, we'll give them to you when we come back. I can't bear this appalling racket a moment longer!" And with that, the boys, Goldie and the two Guardians spilled out the front door of Care, across the yard and through the gate.

Modern representations often depict pirates playing the accordion or some variant of it (also featured in Sea of Thieves), but those instruments did not exist until the 1820s. Much more likely, if they played anything at all, would be contemporary European instruments such as lutes or early guitars, viols, recorders, flutes, hurdy-gurdies, and bagpipes, among many others.

but it was just one more sting in a sea of jellyfish

But this was not enough for George White Rogers. He started to pocket charges to passengers for radiograms. But—and this was characteristic of his entire career as a petty criminal—he failed to make proper plans to escape detection. It is a curious paradox that a man with a mind capable of evolving the fairly complicated ploy to remove Stanley Ferson from his job overlooked the well-known fact that at the end of each voyage, inspectors from the Radiomarine Corporation checked the books against the money a chief operator handed in. Rogers failed to doctor the books and was found out in a bit of thieving worth only a few dollars. In less than three days’ time his career at sea would be terminated, unless something dramatic changed the course of events. Rogers already had a plan to ensure that there would be. He placed the bottles of sulphuric and nitric acid on the shelf above George Alagna’s bunk. During the evening he casually strolled over to the shelf, removed the bottles, and turned to Alagna. “What are you going to do with these, George?” asked a surprised Rogers. 5

They are men of simple pleasures. I, too, enjoy a good flask of rum from time to time, but I also take pleasure in longer-lasting rewards. I spend my earnings on good clothing and face paint. Appearance is important. I pay for information on big players on different islands. I enjoy meeting new people and learning their stories. The really interesting ones become members of my crew. But ultimately I always seek to win my father’s approval, to solidify myself as his heir and become the queen of sea thieves. I can’t imagine anything more fun than humbling stuffy land nobles as they cross the ocean. My ocean.

Kleptocracy, corruption, injustice, dirty politics, unscrupulous political movers, patronage politics, destructive and corrupt political dynasties, and impunity have found perpetual happiness in the Pearl of the Orient Seas. There are so many endless questions: What have you done? What are you going to do? Will silence, apathy, vindictiveness, emotional abuse, verbal abuse, psychological abuse and economic abuse go on? Will you just go with the flow of kleptocracy, corruption, injustice and impunity? When will you ever genuinely decolonise your mind from colonial mentality? Will you live and work upholding truth and honesty as you continue to help strengthen the country's collective memory of various factual incidents in history without being politically biased? Are you one of those who committed revisionism, cancelling out, discrediting others, peddled disinformation, calumny, gossip-mongering, fear-mongering, destructive lies, group political narcissist bullying, harassing, blaming, gloating, provoking, sabotaging, intimidating, threatening, abusing others as you are more loyal to a political party than the truth? Will there be honest public servants and honest lawmakers? Because with honesty as a top living value, you can find effective solutions to many issues in society. Are you willing to help minimise, stop and eliminate corruption, violence, injustice and impunity? Are you going to be one of those honest voices for the voiceless without breaking the law? Are you going to help hold accountable those thieves, perpetrators, scammers, and corrupt members of society without breaking the law? I have so many nagging questions, but I shall always end it with these: Will you be honest in every deal? How hard is it to be truthful? Will you uphold the truth and justice? Do the fact and truth whisper to your conscience? Then, are you willing to honestly listen to it and move toward the right, lawful and humane actions? ~ Ana Angelica Abaya van Doorn writing as Angelica Hopes Onestopia Book 3, Solo la verità è bella Trilogy

Devil’s

The thought of drowning no longer seemed to matter, not when there was still so much to do, so much to take.

That ring in particular once belonged to a young man who made a very foolish mistake, as young men often do. He fell in love.

Every day I wake up to yet more wondrous sights and sounds, and every night I take my rest with the thrill of an adventure riding high in my heart. I cannot abandon it.

For this scribe has read a great many of these accounts and taken away another lesson: that to be a woman is to have your story misremembered. Discarded. Twisted. In courtyard tales, women are the adulterous wives whose treachery begins a husband's descent into murderous madness or the long-suffering mothers who give birth to proper heroes. Biographers polish away the jagged edges of capable, ruthless queens so they may be remembered as saints, and geographers warn believing men away from such and such a place with scandalous tales of lewd local females who cavort in the sea and ravish foreign interlopers. Women are the forgotten spouses and unnamed daughters. Wet nurses and handmaidens; thieves and harlots. Witches. A titillating anecdote to tell your friends back home or a warning.

See, Beautiful, you were going to be my queen, and Cassilenne was to be my mistress—our mistress. I planned to have you framed for the king’s murder much later than this, after Cass and I had a chance to enjoy you awhile. After a suitable number of months I would have disposed of my father and blamed you for it—you, the mute spy, sent by enemies to destabilize our kingdom. But then you had to go and get yourself roughed up and robbed. I can’t have a wife who might be carrying some thieving wretch’s spawn in her womb. It’s a pity, really. I wanted you quiet and clean and perfect and mine.

And now look at you. The man will be forgotten, and all people will see is the monster.

Has your avarice really dragged your soul so deep that you can no longer see reason?

Thieves prosper, thought Locke. The rich remember.

You've got your alien abduction. Bigfoot abduction. Men in black. Genie wish gone awry. Interdimensional portal. Cursed Mesopotamian tablet. Sewer monster. Lake monster. Sea monster. Swamp monster. Killer clowns. Time paradox. Cults—you've got death cults, demon cults, occult cults, new age cults, basically any kind of cult. Witches. The giant Pacific octopus. Trapped on a ghost ship. Possessed. Possessed by a ghost ship—could happen. Knocked unconscious by genetically engineered mushroom spores. Genetically modified insect swarm. Genetically modified alligator. Lots of potential in the genetically modified space overall, really. Fell in a vat of invisible paint. Stolen by time thieves. Shrink ray on the highest setting. Unexpected wicker man festival. Psychically scrubbed from memory so you forget them as soon as you aren't looking at them. Mole men. Lizard men. Giant carnivorous pitcher plant. Giant carnivorous catfish. Bears. Got lost in Finland. Went hiking. Trapped in a TV show. Trapped in a haunted painting. Trapped in a mirror. Trapped in a snow globe. Trees. Not sure how they'd be involved but I always feel like we underestimate them. Moth man. Time loop. Wild hunt. Tax fraud. I could keep going.

Trapped him the gray people    as the great are brought down by the weak    when they are many As the hawk is mobbed by the roller birds    as the great sea eagle is brought down by gulls

their eyes occasionally turning to the sparkling black sea. It was almost time – almost but not quite. In the far distance across the water, a few studs of light marked out the Kent coast. Much nearer were the lights

Never liked the Dutch. Their ships are too dam’d swift.” -- Carnatus

This parting from my child was hard: harder than seeing Aventis nearly die from Plague; than feeling the hangman’s noose cinch around my own neck. All of my natural instincts, which, as “Megs,” I had thought long gone, now rose from the grave like a wight.

How could this be? I thought. To find the one Customs man unwilling to be bribed? I nearly wept for England.

Agrabah is yours.” “No,” Jasmine said, looking out at the sea of guild leaders, and the thieves, and the genie, and all the people of her city. “Agrabah is ours.

It was a beautiful blue afternoon, and as the day cooled, the port was coming to life. Venus' breath had whipped up the sea beyond the river mouth and it was a deep sapphire colour. The sails of the ships moving to and fro on the water made triangles of white and yellow against the blue.

It was a perfect summer evening. The warmth of the late afternoon sun had released all the scents of the garden and a sea breeze touched the leaves just enough to make them tremble. The sky was lavender and the garden was a deep green, filled with cool shadows.

Thousand Leagues Under the Sea out like a sword. “What are you going to do?” The Magister turned to her. “First, as I promised, I’ll free all fictional creatures I can find. I’ve explained the way things work to my friends, here. And they’d like to speak to their creators, much as I’d still like to.” He held out a hand. “Give me Jonathan Porterhouse, and no harm shall come to you.” Bethany swallowed hard. “What for?” “He will accompany any and all other writers into a fictional world, where they will be free to live or die as they can.” He spread his hands. “It is the only way to ensure an end to their power, and seems the fairest way to imprison them. After all, it is no more than they have done to us.” Bethany’s eyes went wide. “You can’t just send everyone into books! Do you have any idea what would happen?” “Do you know what happened to me?” the Magister roared. “Fighting a war for the freedom of my people, only to find none of it is real? Let the writers of this world decide if their dystopian futures, their dangerous magic, their monsters and stories of terror are so entertaining once it’s their own life or death they’re living out!” Her legs shaking, Bethany took a step forward. “I’m not going to let you do this,” she said quietly. “I can’t.” “Bethany, don’t,” Kiel whispered to her, but she shook her head. “There’s nothing you can do that I can’t undo,” she told the Magister. “So go ahead. Steal my power some more. I’ll just find a way to put everything back where it belongs, and will keep at it as long as I live.” “I understand,” the Magister said. “Then I suppose you leave me with no other option.” “NO!” Kiel shouted, but it was too late. The Magister gestured, and Bethany immediately crumpled to the ground, unmoving. CHAPTER 30 What’s the problem?” Charm said, waving her robotic hand for Owen to hurry up. “We don’t have much more time!” “Give me a minute,” Owen told her, trying not to look at the skeleton sitting on the computer-circuit throne. Kiel had mentioned wanting to bring his parents back to life using magic (before he found out he was a clone of Dr. Verity, of course), but the Magister had always forbidden it, saying that such dark magic led to horrible results.

Classical literature not only questioned the reality of divine beings, it frequently laughed at them too. The works of Greek and Roman philosophy were full of punchy one-liners poking fun at religion. In one famous story, the Greek philosopher Diogenes finds himself standing next to a wall covered in temple inscriptions left by grateful sailors saved at sea. Noticing a man marvelling at the inscriptions, Diogenes remarks: ‘There would have been far more, if those who were not saved had set up offerings.’ In another story, Diogenes is watching some temple officials arrest a man who has stolen items from a temple treasury. Look, he says: ‘The great thieves are leading away the little thief.’ In yet another yarn – one whose punchline hit even closer to the mark – a philosopher named Antisthenes finds himself listening to a priest of Orphism, a Greek cult that believed in an afterlife. The priest explains at length how initiates to his religion would enjoy great advantages in the afterlife. Why then, asks Antisthenes bluntly, ‘don’t you die?

I loved the counter filled with lox, whitefish, sturgeon. Saperstein looked like a sturgeon, long, white, sharp-toothed. I marveled at the way he wielded his razor-sharp knife. Cutting a bit of translucent smoked sturgeon, you expected it to shred if you breathed on it. Manya achieved status as his sturgeon expert. She had grown up with sturgeon, a staple along the Black Sea, and she pronounced a sample too salty, too mealy from being packed in ice, too strong in flavor, or absolutely perfect. Saperstein, a purist, inevitably felt sad that his customers did not truly appreciate his top-of-the-line products. He communed with Bubby over a slice of sturgeon or belly lox as if having a religious moment. Even when bad weather kept customers away from our restaurant and we were low in cash, Bubby invested in a few slices of smoked sturgeon, not for her customers, but for our family. She could ignore lox, smoked whitefish, pickles or fresh herring, but she couldn't do without a weekly treat of sturgeon. To prove that he was a sporting man who approved of her taste, Saperstein created a cone from white paper and dropped in some caviar, which he kept in a tin secreted in a hole under the counter- God forbid during a robbery, the thieves would never discover his hiding place.

And Ronan did. Because Niall Lynch was a forest fire, a rising sea, a car crash, a closing curtain, a blistering symphony, a catalyst with planets inside him. And he had given all of that to his middle son.

Listen. The Sinspire is nearly sixty yards high, one thick Elderglass cylinder. You know those, you tried to jump off one about two months ago. Goes down another hundred feet or so into a glass hill. It’s got one door at street level, and exactly one door into the vault beneath the tower. One. No secrets, no side entrances. The ground is pristine Elderglass; no tunneling through it, not in a thousand years.” “Mmmm-hmmmm.” “Requin’s got at least four dozen attendants on each floor at any given time, plus dozens of table minders, card dealers, and waiters. There’s a lounge on the third floor where he keeps more out of sight. So figure, at minimum, fifty or sixty loyal workers on duty with another twenty to thirty he can call out. Lots of nasty brutes, too. He likes to recruit from ex-soldiers, mercenaries, city thieves, and such. He gives cushy positions to his Right People for jobs well done, and he pays them like he was their doting mother. Plus, there are stories of dealers getting a year’s wages in tips from lucky blue bloods in just a night or two. Bribery won’t be likely to work on anyone.” “Mmmm-hmmmm.” “He’s got three layers of vault doors, all of them ironshod witchwood, three or four inches thick. Last set of doors is supposedly backed with blackened steel, so even if you had a week to chop through the other two, you’d never get past the third. All of them have clockwork mechanisms, the best and most expensive Verrari stuff, private designs from masters of the Artificers’ Guild. The standing orders are, not one set of doors opens unless he’s there himself to see it; he watches every deposit and every withdrawal. Opens the door a couple times per day at most. Behind the first set of doors are four to eight guards, in rooms with cots, food, and water. They can hold out there for a week under siege.” “Mmmm-hmmmm.” “The inner sets of doors don’t open except for a key he keeps around his neck. The outer doors won’t open except for a key he always gives to his majordomo. So you’d need both to get anywhere.” “Mmmm-hmmmm.” “And the traps…they’re demented, or at least the rumors are. Pressure plates, counterweights, crossbows in the walls and ceilings. Contact poisons, sprays of acid, chambers full of venomous serpents or spiders…One fellow even said that there’s a chamber before the last door that fills up with a cloud of powdered strangler’s orchid petals, and while you’re choking to death on that, a bit of twistmatch falls out and lights the whole mess on fire, so then you burn to a crisp. Insult to injury.” “Mmmm-hmmmm.” “Worst of all, the inner vault is guarded by a live dragon attended by fifty naked women armed with poison spears, each of them sworn to die in Requin’s service. All redheads.” “You’re making that up, Jean.” “I wanted to see if you were listening. But what I’m saying is, I don’t care if he’s got a million solari in there, packed in bags for easy hauling. I’m inclined to the idea that this vault might not be breakable, not unless you’ve got three hundred soldiers, six or seven wagons, and a team of master clockwork artificers you’re not telling me about.” “Right.” “Do you have three hundred soldiers, six or seven wagons, and a team of master clockwork artificers you’re not telling me about?” “No, I’ve got you, me, the contents of our coin purses, this carriage, and a deck of cards.

Your will then, I suppose. If the gods are kind we’ll poke a stick into whatever hornet’s nest is left to be stirred up in the Ghostwinds. After all, we have no choice, do we?” “As it should be,” said Stragos. “You know, Locke,” said Jean in a lightly conversational tone of voice, “I like to imagine that there are thieves out there who only ever get caught up in perfectly ordinary, uncomplicated escapades. We should consider finding some and asking them what their secret is, one of these days.” “It’s probably as simple as staying the hell away from assholes like this,” said Locke, gesturing at the archon.

Captain Hornigold’s words were chosen well,” began the young pirate captain diplomatically. “At first glance, they seem to make sense. That is until one begins to look at the larger picture here. We don’t serve no king or country, and we don’t live in fear of the law—on land or the high seas. What we stand for is fairness in the face of an unfair world. A world dominated by the high and mighty. We’re not the bandits here. The real thieves are the royal pigs in their powdered wigs, the titled landowners, the wealthy merchants, and the cruel captains that lash a seaman for taking a simple ladle of water from a barrel in the heat of a summer sun. Make no mistake, they are the real thieves. They are the ones who should answer before the courts, not us.

Biographers polish away the jagged edges of capable, ruthless queens so they may be remembered as saints, and geographers warn believing men away from such and such a place with scandalous tales of lewd local females who cavort in the sea and ravish foreign interlopers. Women are the forgotten spouses and unnamed daughters. Wet nurses and handmaidens; thieves and harlots. Witches. A titillating anecdote to tell your friends back home or a warning.