Scuffed Quotes

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Imagine life is a game in which you are juggling five balls. The balls are called work, family, health, friends, and integrity. And you're keeping all of them in the air. But one day you finally come to understand that work is a rubber ball. If you drop it, it will bounce back. The other four balls...are made of glass. If you drop one of these, it will be irrevocably scuffed, nicked, perhaps even shattered.
James Patterson (Suzanne's Diary for Nicholas)
I don't want a knight in shining armor. I don't want a knight in scuffed armor. I want his helmet to have dents. I want my knight to be real, and dark and savage. I want my knight to be a survivor. Someone who's been tested and got through his trails. Not some pussy in gleaming metal.
Belle Aurora (Raw (RAW Family, #1))
Work is a rubber ball. If you drop it, it will bounce back. The other four balls-- family, health, friends, integrity-- are made of glass. If you drop one of these, it will be irrevocably scuffed, nicked, perhaps even shattered.
Gary Keller (The One Thing: The Surprisingly Simple Truth Behind Extraordinary Results)
Her lips full and inviting, she has an infectious laugh and glassy cackle in her eyes, and a 2000 volt sexual charisma that beckons me like a fluff girl on scuffed knees.
Brett Tate
In the end, that was the problem with romance. It was so easy to romanticise romance because it was everywhere. It was in music and on TV and in filtered Instagram photos. It was in the air, crisp and alive with fresh possibility. It was in falling leaves, crumbling wooden doorways, scuffed cobblestones and fields of dandelions. It was in the touch of hands, scrawled letters, crumpled sheets and the golden hour. A soft yawn, early morning laugher, shoes lined up together dy the door. Eyes across a dance floor. I could see it all, all the time, all around, but when I got closer, I found nothing was there.
Alice Oseman (Loveless)
Shit, I guess I already loved you then. Doomed like a wineglass knowing it’ll get dropped someday, shoes that’ll be scuffed in no time, the new shirt you’ll soon enough muck up filthy.
Daniel Handler (Why We Broke Up)
What do you like to do?” She scuffed a toe amongst the rushes. “Needlework.” “Very restful, isn’t it?” “Well,” said Arya, “not the way I do it.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
Settling into a new country is like getting used to a new pair of shoes. At first they pinch a little, but you like the way they look, so you carry on. The longer you have them, the more comfortable they become. Until one day without realizing it you reach a glorious plateau. Wearing those shoes is like wearing no shoes at all. The more scuffed they get, the more you love them and the more you can't imagine life without them.
Tahir Shah (In Arabian Nights: A Caravan of Moroccan Dreams)
I watched the edges of the leaves slowly unfold, fluttering in the breeze. "How long did you wait?" It would've been unbearably romantic if he'd had he courage to look into my face and say it, but instead, he dropped his eyes to the ground and scuffed his boot in the leaves- countless possibilities for happy days- on the ground. "I haven't stopped.
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
I waved but couldn’t answer, because I was finally letting myself grin as wide as I’d wanted all afternoon, all evening, every sec of every minute with you, Ed. Shit, I guess I already loved you then. Doomed like a wineglass knowing it’ll get dropped someday, shoes that’ll be scuffed in no time, the new shirt you’ll soon enough muck up filthy.
Daniel Handler (Why We Broke Up)
Imagine life as a game in which you are juggling some five balls in the air. You name them - work, family, health, friends and spirit - and you're keeping all of these in the air. You will soon understand that work is a rubber ball. If you drop it, it will bounce back. But the other four balls - family, health, friends and spirit - are made of glass. If you drop one of these, they will be irrevocably scuffed, marked, nicked, damaged or even shattered. They will never be the same. You must understand that and strive for balance in your life.
Brian Dyson
I don’t want a knight in shining armor. I want a knight in scuffed armor. I want his helmet to have dents. I want my knight to be real, and dark, and savage. I want my knight to be a survivor. Someone who’s been tested and got through his trials. Not some pussy in gleaming metal. I don’t want gleaming metal. I don’t need a fucking knight. I need a fearless warrior. I need Twitch.
Belle Aurora (Raw (RAW Family, #1))
Houses need humans,” Red said. “You all should know that. Oh, sure, humans cause wear and tear—scuffed floors and stopped-up toilets and such—but that’s nothing compared to what happens when a house is left on its own. It’s like the heart goes out of it. It sags, it slumps, it starts to lean toward the ground.
Anne Tyler (A Spool of Blue Thread)
Weren't you scared?" I ask. "Yes. But it was a good scared." "There's a good kind?" "Oh, yes." Her voice drops so low I have to strain to hear. "Orlin made me scared all the time. Scared I would starve. Scared I would get too cold. Scared he would hurt me again or get so mad he'd throw me to one of the men. That was nasty bad scared." She pauses, scuffing her boots against the floor. "But you never hit me, even though I'm your slave... You always feed me. You call me my true name. Now when I'm scared, it's not because of meanness. And today, I chose my own scared. It's always a good scared, when you get to pick it your own self.
Rae Carson (The Bitter Kingdom (Fire and Thorns, #3))
Her home was so...shiny. She was shiny too, her skin, her hair, her shoes, her teeth. I hadn't even realized before; I am matte, dull and scuffed.
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
West Wind #2 You are young. So you know everything. You leap into the boat and begin rowing. But listen to me. Without fanfare, without embarrassment, without any doubt, I talk directly to your soul. Listen to me. Lift the oars from the water, let your arms rest, and your heart, and heart’s little intelligence, and listen to me. There is life without love. It is not worth a bent penny, or a scuffed shoe. It is not worth the body of a dead dog nine days unburied. When you hear, a mile away and still out of sight, the churn of the water as it begins to swirl and roil, fretting around the sharp rocks – when you hear that unmistakable pounding – when you feel the mist on your mouth and sense ahead the embattlement, the long falls plunging and steaming – then row, row for your life toward it.
Mary Oliver (West Wind)
His heart was like a battered guitar; worn and scuffed from a life spent out on the road, but still capable of bringing forth beautiful music.
John Mark Green
Imagine life is a game in which you are juggling five balls. The balls are called work, family, health, friends, and integrity. And you’re keeping all of them in the air. But one day you finally come to understand that work is a rubber ball. If you drop it, it will bounce back. The other four balls—family, health, friends, integrity—are made of glass. If you drop one of these, it will be irrevocably scuffed, nicked, perhaps even shattered.
Gary Keller (The ONE Thing: The Surprisingly Simple Truth About Extraordinary Results)
After you were bitten, I knew what would happen. I waited for you to change, every night, so I could bring you back and keep you from getting hurt." A chilly gust of wind lifter his hair and sent a shower of golden leaves glimmering down around him. He spred out his arms, letting them fall into his hands. He looked like a dark angel in an eternal autumn wood. "Did you know you get one happy day for everyone you catch?" I didn't know what he meant, even after he opened his fist to show me the quivering leaves crumpled in his palm. One happy day for every falling leaf you catch." Sam's voice was low. I watched the egdes of the leaves slowly unfold, fluttering in the breeze."How long did you wait?" It would have been romantic if hr'd had the courage to look into my face to say it, but instead, he dropped his eyes to the ground and scuffed his boots in the leaves- countless possibilities for happy days- on the ground. "I haven't stopped." And I should've said something romantic too, but i didn't have the courage, either. So instead, I watched the shy way he was chewing his lip and studying the leaves, and said, "That must've been very borring.
Maggie Stiefvater
He turned his back on his mother, but the dead battlefield surrounded him on everyside. Deliberately scuffing his polished shoes, he kicked the cartridge cases at the sleeping soldiers. I cupped my hands over my ears, trying to catch the sound that would wake them.
J.G. Ballard (The Kindness of Women)
Fallen. Who tracks our footsteps, I wonder? We who are the forgotten, the discounted and the ignored. When the path is failure, it is never willingly taken. The fallen. Why does my heart weep for them? Not them but us, for most assuredly I am counted among them. Slaves, serfs, nameless peasants and labourers, the blurred faces in the crowd—just a smear on memory, a scuffing of feet down the side passages of history. Can one stop, can one turn and force one’s eyes to pierce the gloom? And see the fallen? Can one ever see the fallen? And if so, what emotion is born in that moment? There were tears on his cheeks, dripping down onto his chafed hands. He knew the answer to that question, knife-sharp and driven deep, and the answer was…recognition.
Steven Erikson (Midnight Tides (Malazan Book of the Fallen, #5))
Fare-fucking-well, Miss Alice.” He pauses before turning away, shiny shoes scuffing against the filthy stone floor beneath our feet. “Try not to die before we meet again?
C.M. Stunich (Allison's Adventures in Underland (Harem of Hearts, #1))
The house smells like an Italian restaurant when I walk through the door. I turn to Logan, who shoots me a WTF look, and I shrug as if to say fuck if I know, because I honestly don’t know. I bend down to unlace my scuffed black boots, then follow the mouthwatering aroma to the kitchen. When I reach the doorway, I blink like I’ve just stumbled upon a desert mirage. Hannah’s sexy ass greets my eyes. She’s angled over the oven door, wearing Tuck’s pink oven mitts as she pulls a steaming pan of lasagna off the middle shelf. At the sound of my footsteps, she glances over her shoulder and smiles. “Oh, hey. Perfect timing.
Elle Kennedy (The Deal (Off-Campus, #1))
The gown rustles and slides around her, speaking a glossolalia all of its own, the silk moving against the rougher nap of the underskirts, the bone supports of the bodice straining and squealing against their coverings, the cuffs scuffing and chafing the skin of her wrists, the stiffened collar hooking and nibbling at her nape, the hip supports creaking like the rigging of a ship. It is a symphony, an orchestra of fabrics, and Lucrezia would like to cover her ears, but she cannot.
Maggie O'Farrell (The Marriage Portrait)
I have been hanging here headless for so long that the body has forgotten why or where or when it happened and the toes walk along in shoes that do not care and although the fingers slice things and hold things and move things and touch things such as oranges apples onions books bodies I am no longer reasonably sure what these things are they are mostly like lamplight and fog then often the hands will go to the lost head and hold the head like the hands of a child around a ball a block air and wood - no teeth no thinking part and when a window blows open to a church hill woman dog or something singing the fingers of the hand are senseless to vibration because they have no ears senseless to color because they have no eyes senseless to smell without a nose they country goes by as nonsense the continents the daylights and evenings shine on my dirty fingernails and in some mirror my face a block to vanish scuffed part of a child’s ball while everywhere moves worms and aircraft fires on the land tall violets in sanctity my hands let go let go let go
Charles Bukowski (Burning in Water, Drowning in Flame)
He’s tall, taller than Kyol, but not as thickly muscled, and his silver eyes, while intense, have a lighter, livelier hue to them. He’s wearing a poorly made, dark jaedric cuirass over a once-white tunic, loose gray pants, and scuffed black boots. His golden-blond hair looks like it’s been chopped off with a knife or, perhaps, the sword in his hand. Despite his haphazard appearance, he’s confident, he’s alert, and he’s completely focused on me, his prey.
Sandy Williams (The Shadow Reader (Shadow Reader, #1))
That was a heroic deed.” Embarrassed, Eragon scuffed his boots against the ground. “I wouldn’t have survived if not for Arya.” “You are too modest, Argetlam,” she admonished. “It was you who struck the final blow.
Christopher Paolini (Eldest (The Inheritance Cycle, #2))
Quote from James Patterson's book "Suzanne's Diary for Nicholas" "Imagine life is a game in which you are juggling five balls. The balls are called work, family, health, friends, and integrity. And you're keeping all of them in the air. But one day you finally come to understand that work is a rubber ball. If you drop it, it will bounce back. The other four balls - family, health, friends, integrity - are made of glass. If you drop one of these, it will be irrevocably scuffed, nicked, perhaps even shattered. And once you truly understand the lesson of the five balls, you will have the beginnings of balance in your life.
James Patterson (Suzanne's Diary for Nicholas)
So you don’t fancy meeting up again?’ Max persisted, though Neve didn’t know why, because she thought she’d made her position perfectly clear. ‘Swap war stories?’ ‘I don’t have any war stories,’ Neve said, and in that moment she felt that she never would. That every night would be spent creeping round her flat in her socks with the telly turned down so low that she could barely hear it, so in the end she’d have no other option but to escape into the pages of books where there were other girls falling in and out of love but not her. Never her. She stared down at the scuffed toes of her faux Ugg boots in sudden and tired defeat. ‘If you don’t have any war stories, then at least you don’t have any war wounds,’ Max said, so quietly that Neve had to strain her ears to catch his words. ‘Take my number.
Sarra Manning (You Don't Have to Say You Love Me)
You cannot allow yourself to become distracted. Everything in this room, especially the uninvited third wheel, needs to fade away.” “Hey,” Roth scuffed. “That’s offensive.” “This is my I-don’t-care face,” Zayne replied. I planted my hands on my hips. “I think I know how to concentrate, Zayne.” “And I think I’ve been around you enough to know that you have the concentration level of a puppy on its first car ride.” Roth laughed.
Jennifer L. Armentrout (Rage and Ruin (The Harbinger, #2))
Instead of the macho, trigger-happy man our culture has perversely wanted him to be, the cowboy is more apt to be convivial, quirky, and softhearted. To be "tough" on a ranch has nothing to do with conquests and displays of power. More often than not, circumstances - like the colt he's riding or an unexpected blizzard - are overpowering him. It's not toughness but "toughing it out" that counts. In other words, this macho, cultural artifact the cowboy has become is simply a man who possesses resilience, patience, and an instinct for survival. "Cowboys are just like a pile of rocks - everything happens to them. They get climbed on, kicked, rained and snowed on, scuffed up by wind. Their job is 'just to take it,' " one old-timer told me.
Gretel Ehrlich (The Solace of Open Spaces)
God, there were so many of them. So many sets of dying eyes and scuffing feet.
Markus Zusak (The Book Thief)
I realized I still had my eyes shut. I had shut them when I put my face to the screen, like I was scared to look outside. Now I had to open them. I looked out the window and saw for the first time how the hospital was out in the country. The moon was low in the sky over the pastureland; the face of it was scarred and scuffed where it had just torn up out of the snarl of scrub oak and madrone trees on the horizon. The stars up close to the moon were pale; they got brighter and braver the farther they got out of the circle of light ruled by the giant moon. I was off on a hunt with Papa and the uncles and I lay rolled in blankets Grandma had woven, lying off a piece from where the men hunkered around the fire as they passed a quart jar of cactus liquor in a silent circle. I watched that big Oregon prairie moon above me put all the stars around it to shame. I kept awake watching, to see if the moon ever got dimmer or the stars got brighter, till the dew commenced to drift onto my cheeks and I had to pull a blanket over my head.
Ken Kesey (One Flew Over the Cuckoo’s Nest)
After the storm the city lies becalmed. It is a sunny morning, still and cold. Branches litter the streets like broken limbs. People clear away the wreckage. They swarm around like ants whose anthill has been scuffed; how doggedly they rebuild their lives.
Deborah Moggach (Tulip Fever)
Ronan wasn’t exactly sure why he was angry. Although Gansey had done nothing to invoke his ire, he was definitely part of the problem. Currently, he propped his cell between ear and shoulder as he eyed a pair of plastic plates printed with smiling tomatoes. His unbuttoned collar revealed a good bit of his collarbone. No one could deny that Gansey was a glorious portrait of youth, the well-tended product of a fortunate and moneyed pairing. Ordinarily, he was so polished that it was bearable, though, because he was clearly not the same species as Ronan’s rough-and-ready family. But tonight, under the fluorescent lights of Dollar City, Gansey’s hair was scuffed and his cargo shorts were a greasy ruin from mucking over the Pig. He was barelegged and sockless in his Top-Siders and very clearly a real human, an attainable human, and this, somehow, made Ronan want to smash his fist through a wall.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
Jacks reclined in a throne of ice as he glared down at a fox that looked more corporeal than ghost- all fluffy white fur, save for a circle of tawny surrounding one of its coal-dark eyes. He appeared horrified by the animal, as if it's adorableness might somehow soften some of his nasty edges. Evangeline wished it would as she stood back a little to watch, enjoying that for once, Jacks was the one in the uncomfortable position. He flinched when the creature nuzzled his scuffed boots. She laughed, finally drawing his attention. 'I think it likes you.' 'I don't know why,' Jacks scowled at the beast. It responded by affectionately licking the buckle at his ankle. Evangeline continued to smile. 'You should name it.' 'If I do that, it will think it's a pet.' Jacks words dripped with disgust, which only further convinced Evangeline this fox might be the best thing that had ever happened to this Fate. 'How about I name her for you? What do you think of Princess of the Fluffikins?' 'Don't ever say that again.
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
In the end, that was the problem with romance. It was so easy to romanticize romance because it was everywhere. It was in music and on TV and in filtered Instagram photos. It was in the air, crisp and alive with fresh possibility. It was in falling leaves, crumbling wooden doorways, scuffed cobblestones, and fields of dandelions. It was in the touch of hands, scrawled letters, crumpled sheets, and the golden hour. A soft yawn, early morning laughter, shoes lined up together by the door. Eyes across a dance floor. I could see it all, all the time, all around, but when I got closer, I found that nothing was there. A mirage.
Alice Oseman (Loveless)
Wear your new boots." He passed her the clothes. "They'll work well with that, and with the coat as well." "What new boots?" Her eyebrows drew together as he took them off a shelf. "And where did they come from?" "The boot elves, I assume." "The boot elves are going to be pissed when they're dinged and scuffed inside a week." "Oh, I think they're more tolerant than that." "Those elves keep this up I'm going to need a bigger closet." But she dressed as advised, then sat to pull on the boots while Roarke programmed breakfast for two. They slid on like--as Peabody might say--butter. "Okay." She stood, took some strides. "They're great. Sturdy--I could definitely kick some teeth in with these." "The elves had that as top priority.
J.D. Robb (Celebrity in Death (In Death, #34))
One only has to watch aging siblings scrap over the worthless pots and pans and scuffed furniture of a deceased parent's estate- like toddlers over toys- to see how desperate is the need to wrest some last, pathetic, tangible measure of their parent's devotion.
Victoria Secunda (Women and Their Fathers: The Sexual and Romantic Impact of the First Man in Your Life)
My feet scuffed through the golden leaves carpeting the wide sidewalks. Sunlight and shadow danced on ivy-covered walls.
Ben Carson (Gifted Hands: The Ben Carson Story)
I mumble a youknowwhatever and shuffle my Chucks on the tiles. Whoa, first time I've really noticed them. Holy scuffed to hell.
James Brandon (Ziggy, Stardust and Me)
That’s when I noticed the damage on the door. Just a little scuffing at the edge. Right about where you’d put a crowbar if you wanted to break in. I winced. “Aww, come on…” I pushed open the door and peeked into the foyer. No sign of Irina or Trond. A decorative vase lay on the ground next to its usual display pedestal. A splash of bright-red blood on the wall— “Nope!” I said. I spun on my heel and stormed back into the hallway. “Nope, nope, nope!
Andy Weir (Artemis)
sir. My behavior is appalling, isn’t it!” Instinctively, she returned his grin, feeling him scrutinize her. Lion was interested and curious at the sight of the tiny, scuffed girl with
Cynthia Wright (Touch The Sun (Beauvisage, #2))
They stood in silence for a few moments with Ryan watching him carefully. He was fiddling with his t-shirt and scuffing his sneaker against the floor as he appeared to turn something over in his mind. His expression went through a variety of metamorphoses before he finally sighed and shook his head. "Y'know, I'm not a big expert on this stuff. I've never even been in a real relationship and I'm twenty-five, but like..." He trailed off for a minute, bit his lip and then shrugged before pressing on. "But I saw the way both of you guys were at the start of this whole thing, and if you two could have that kind of intense fire stuff considering the way you both were... I dunno, I wouldn't give up so easy. But then again, maybe I read too much fanfic.
Santino Hassell (Evenfall (In the Company of Shadows, #1))
I’ve been waiting for you,” he says in his low, ragged voice. All of him is ragged: his patched cloak; his shabby gloves, the fingertips thin and worn; his scuffed boots. His words always seem to catch on my insides, like a goose grass burr, or a torn fingernail dragged across silk. His voice sticks.
Melinda Salisbury (The Sleeping Prince (The Sin Eater’s Daughter, #2))
I don't want to collect anything for myself right now. I really have to watch myself, especially around plants. Even now, just being here, I still get that collector feeling. You know what I mean. I'll see something and then suddenly I get that feeling. It's like I can't just have something - I have to have it and learn about it and grow it and sell it and master it and have a million of it. " He shook his head and scuffed up some gravel. "You know, I'll see something, just anything, and I can't help but thinking to myself, Well, Jesus Christ, now that's interesting! Jesus, I'll bet you could find a lot of those.
Susan Orlean (The Orchid Thief)
Imagine life is a game in which you are juggling five balls. The balls are called work, family, health, friends, and integrity. And you're keeping all of them in the air. But one day you finally come to understand that work is a rubber ball. If you drop it, it will bounce back. The other four balls-family, health, friends, integrity-are made of glass. If you drop one of these, it will be irrevocably scuffed, nicked, perhaps even shattered. And once you truly understand the lesson of the five balls, you will have the beginnings of balance in your life.
James Patterson (Suzanne's Diary for Nicholas)
Scuffing her bare feet into slippers, she shrugged into a silk robe, then hesitated, looking down at Perrin. He would be able to see her clearly, if he woke, but to her, he was just a shadowed mound. She wished her mother were there, now, to advise her. She loved Perrin with every fiber of her being, and he confused every fiber. Actually understanding men was impossible, of course, but he was so unlike anyone she had grown up with. He never swaggered, and instead of laughing at himself, he was... modest. She had not believed a man could be modest! He insisted that only chance had made him a leader, claimed he did not know how to lead, when men who met him were ready to follow after an hour. He dismissed his own thinking as slow, when those slow, considering thoughts saw so deeply that she had to dance a merry jig to keep any secrets at all. He was a wonderful man, her curly-haired wolf. So strong. And so gentle.
Robert Jordan (The Path of Daggers (The Wheel of Time, #8))
Tenways showed his rotten teeth. ‘Fucking make me.’ ‘I’ll give it a try.’ A man came strolling out of the dark, just his sharp jaw showing in the shadows of his hood, boots crunching heedless through the corner of the fire and sending a flurry of sparks up around his legs. Very tall, very lean and he looked like he was carved out of wood. He was chewing meat from a chicken bone in one greasy hand and in the other, held loose under the crosspiece, he had the biggest sword Beck had ever seen, shoulder-high maybe from point to pommel, its sheath scuffed as a beggar’s boot but the wire on its hilt glinting with the colours of the fire-pit. He sucked the last shred of meat off his bone with a noisy slurp, and he poked at all the drawn steel with the pommel of his sword, long grip clattering against all those blades. ‘Tell me you lot weren’t working up to a fight without me. You know how much I love killing folk. I shouldn’t, but a man has to stick to what he’s good at. So how’s this for a recipe…’ He worked the bone around between finger and thumb, then flicked it at Tenways so it bounced off his chain mail coat. ‘You go back to fucking sheep and I’ll fill the graves.’ Tenways licked his bloody top lip. ‘My fight ain’t with you, Whirrun.’ And it all came together. Beck had heard songs enough about Whirrun of Bligh, and even hummed a few himself as he fought his way through the logpile. Cracknut Whirrun. How he’d been given the Father of Swords. How he’d killed his five brothers. How he’d hunted the Shimbul Wolf in the endless winter of the utmost North, held a pass against the countless Shanka with only two boys and a woman for company, bested the sorcerer Daroum-ap-Yaught in a battle of wits and bound him to a rock for the eagles. How he’d done all the tasks worthy of a hero in the valleys, and so come south to seek his destiny on the battlefield. Songs to make the blood run hot, and cold too. Might be his was the hardest name in the whole North these days, and standing right there in front of Beck, close enough to lay a hand on. Though that probably weren’t a good idea. ‘Your fight ain’t with me?’ Whirrun glanced about like he was looking for who it might be with. ‘You sure? Fights are twisty little bastards, you draw steel it’s always hard to say where they’ll lead you. You drew on Calder, but when you drew on Calder you drew on Curnden Craw, and when you drew on Craw you drew on me, and Jolly Yon Cumber, and Wonderful there, and Flood – though he’s gone for a wee, I think, and also this lad here whose name I’ve forgotten.’ Sticking his thumb over his shoulder at Beck. ‘You should’ve seen it coming. No excuse for it, a proper War Chief fumbling about in the dark like you’ve nothing in your head but shit. So my fight ain’t with you either, Brodd Tenways, but I’ll still kill you if it’s called for, and add your name to my songs, and I’ll still laugh afterwards. So?’ ‘So what?’ ‘So shall I draw?
Joe Abercrombie (The Heroes)
Imagine life as a game in which you are juggling some five balls in the air. You name them --work, family, health, friends and spirit and you're keeping all of these in the air. You will soon understand that work is a rubber ball. If you drop it, it will bounce back. But the other four balls -- family, health friends and spirit are made of glass. If you drop one of these, they will be irrevocably scuffed, marked, nicked, damaged or even shattered. They will never be the same. You must understand that and strive for balance in your life." Brian Dyson, former vice chairman and COO of Coca-Cola.
Brian Dyson
Why’re you like that?” the boy persisted. “Like what?” Paragon finally asked in annoyance. “Ya’know. Allus mad. Or crazy fightin’ Say’n stuff ta be mean.” “How else do you expect me to be?” Paragon retorted. “Joyous that they’ve dragged me out here? All excited to go off on a hare-brained rescue mission with them?” He felt the boy’s shrug. “Ya could be.” “I could be?” Paragon snorted. “I’d like to know how.” “S’easy. Ya decide t’be.” “You decide to be happy? I should just forget everything that has been done to me, and be happy? Tra-la-la-la? Like that.” “Ya could.” He heard the boy’s nails against his scalp. “Lookit me. I coulda hated everyone o’ ‘em. I decided t’be happy. Decided ta take what I could get. Make a life outer it.” A pause. “S’not like I’m gonna get another life. Gotta make this’n work.” “It’s not that simple,” Paragon snapped. “Could be,” Cliff insisted. “In’t no harder than decidin’t’be mad allus.” The boy sauntered away slowly. His bare feet scuffed lightly on the deck. “But it’s a lot funner,” he called back over his shoulder. p. 406: Clef to Paragon
Robin Hobb (The Mad Ship (Liveship Traders, #2))
Count Alexander Ilyich Rostov stirred at half past eight to the sound of rain on the eaves. With a half-opened eye, he pulled back his covers and climbed from bed. He donned his robe and slipped on his slippers. He took up the tin from the bureau, spooned a spoonful of beans into the Apparatus, and began to crank the crank. Even as he turned the little handle round and round, the room remained under the tenuous authority of sleep. As yet unchallenged, somnolence continued to cast its shadow over sights and sensations, over forms and formulations, over what has been said and what must be done, lending each the insubstantiality of its domain. But when the Count opened the small wooden drawer of the grinder, the world and all it contained were transformed by that envy of the alchemists—the aroma of freshly ground coffee. In that instant, darkness was separated from light, the waters from the lands, and the heavens from the earth. The trees bore fruit and the woods rustled with the movement of birds and beasts and all manner of creeping things. While closer at hand, a patient pigeon scuffed its feet on the flashing. Easing
Amor Towles (A Gentleman in Moscow)
You're welcome to join us again sometime," Bella said.... "Right. Well, I don't know." Sam looked at the ground. scuffing one boot in the dirt. "I'm usually not very good company." "I'm hanging out with a teenager and a temperamental cat." Bella said with a small smile. "The bar is set very low around here.
Deborah Blake (Wickedly Powerful (Baba Yaga, #3))
So I said, “Hey, Joe,” and hoped it was a start. He was startled. He opened and closed his mouth a few times. He made a growling noise deep in his chest, a low rumble that made my skin itch. It was pleased, that sound, like even just me saying his name was enough to make him happy. For all I knew, it was. It cut off as quickly as it started. He looked faintly embarrassed. I scuffed my foot in the dirt, waiting. He said, “Hey, Ox.” He cleared his throat and looked down. “Hi.” It was weird, that disconnect between the boy I’d known and the man before me. His voice was deeper and he was bigger than he’d ever been. He radiated power that had never been there before. It fit him well. I remembered that day that I’d really seen him for the first time, wearing those running shorts and little else. I pushed those thoughts away. I didn’t want him sniffing me out. Not yet. Because attraction wasn’t the problem right now. Especially not right now. I
T.J. Klune (Wolfsong (Green Creek, #1))
Modern barber college, Smith eyes closed suffers a haircut fearing its ugliness 50 cents, a barber student olive-skinned 'Garcia' on his coat, two blond small boys one with feared face and big ears watching from seats, tell him 'You're ugly little boy & you've got big ears' he'd weep and suffer and it wouldn't even be true, the other thinfaced conscious concentrated patched bluejeans and scuffed shoes who watches me delicate, suffering child that grows hard and greedy with puberty.
Jack Kerouac
Aleister Crowley told a friend he could make any random fall over without touching them. To illustrate, he walked behind a stranger for a block or so, matching his footsteps precisely to the stranger’s. He then scuffed his heels, as if stumbling and falling. And the stranger fell over. The stranger had heard himself fall, and so he fell. If Facebook tells you that everything around you is sad and depressing often enough, you get sad and depressed. All hail the Great Beast 666 of black marketing.
Warren Ellis (CUNNING PLANS: Talks By Warren Ellis)
The closet was as bare as the rest of the room. A few suits of clothes. A pair of bedroom slippers and a pair of scuffed leather shoes. Three Time Life books on World War II, but that probably didn't mean anything. Books on World War II appear spontaneously in any house that contains a man over a certain age. I believe that's science.
T. Kingfisher (The Twisted Ones)
The point is,” he continued a little roughly, “I learned early on that we create our own narrative. It doesn’t matter what other people say about us as long as we know who and what we are. And here’s the other thing people don’t want you to know: you don’t have to be the same thing all the time. You can wear scuffed work boots one day, a bow tie the next.
Lauren Layne (Love on Lexington Avenue (Central Park Pact, #2))
My shoes are scuffed and dirty from dancing. The grave of my enemy is where I go to find my inner Astaire.
Jarod Kintz (At even one penny, this book would be overpriced. In fact, free is too expensive, because you'd still waste time by reading it.)
What do you like to do?” She scuffed a toe amongst the rushes. “Needlework.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
You can be dressed to the nines and have it all going on, but if you don’t have shoes to support your look, they can be your undoing. Your shoes should be appropriate, clean, polished, and maintained if you want to make a great impression and fortify your credibility. If your shoes are scuffed, dirty, or worn, clients may wonder what other details you’ve neglected to attend to.
Susan C. Young (The Art of Preparation: 8 Ways to Plan with Purpose & Intention for Positive Impact (The Art of First Impressions for Positive Impact, #2))
He stood and slipped into his jeans, leaving the waist unsnapped as he made his way to the plane in that loose, lanky stride that had her mouth watering. She loved the look of him, like a cowboy in some Madison Avenue ad. Except that he was the real thing, with big,work-roughened hands and scuffed boots and a high-voltage smile that could reduce her to puddles when it was directed her way.
R.C. Ryan (Montana Destiny)
All us kids had found out by now that all teachers had a sore spot; some went crazy over gum chewing, others insane over behind-the-back giggles, still others nuts over the repeated squeaking and scuffing of shoes on the linoleum. Machine-gun coughs, donkeylike snorts, a fusillade of throat clearing, spitballs stuck to the blackboard: all these were arsenals in the battle against Hitlerian teachers.
Robert McCammon (Boy's Life)
All us kids had found out by now that all teachers had a sore spot; some went crazy over gum chewing, others insane over behind-the-back giggles, still others nuts over the repeated squeaking and scuffing of shoes on the linoleum. Machine-gun coughs, donkeylike snorts, a fusillade of throat clearing, spitballs stuck to the blackboard: all these were arsenals in the battle against Hitlerian teachers. Who knows?
Robert McCammon (Boy's Life)
see. I touched the loose peg gently, running my hands over the warm wood of the lute. The varnish was scraped and scuffed in places. It had been treated unkindly in the past, but that didn’t make it less lovely underneath. So yes. It had flaws, but what does that matter when it comes to matters of the heart? We love what we love. Reason does not enter into it. In many ways, unwise love is the truest love. Anyone can love a thing because.That’s as easy as putting a penny in your pocket. But to love something despite. To know the flaws and love them too. That is rare and pure and perfect. Stanchion made a sweeping gesture
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
dew. Their feet scuffed the dark sidewalks. Raymond had two moods now. Despair came with no warning, rogue waves of helplessness that sucked him out on a rippling tide. When it receded, he was left with a dry and
Edward W. Robertson (Breakers (Breakers, #1))
Sadness, excitement, then sadness again; it all rose and fell like the sounds of skaters scuffing the floor of the rink. Hold tight! she thought, conveying this to both herself and Cory, thinking of them in bed together, and the joint effort couples had to make to be a couple, and stay a couple. If one let go, then that was it, both of them fell. Hold tight! she thought, imagining his body, and her own much smaller body against it.
Meg Wolitzer (The Female Persuasion)
Is it anything to do with this?” she said. The thing she took out of her bag was battered and travel-worn as if it had been hurled into prehistoric rivers, baked under the sun that shines so redly on the deserts of Kakrafoon, half buried in the marbled sands that fringe the heady vapored oceans of Santraginus V, frozen on the glaciers of the moon of Jaglan Beta, sat on, kicked around spaceships, scuffed and generally abused, and since its makers had thought that these were exactly the sorts of things that might happen to it, they had thoughtfully encased it in a sturdy plastic cover and written on it, in large friendly letters, the words “Don’t Panic.
Douglas Adams (The Ultimate Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide to the Galaxy #1-5))
She is waiting. Each spring the hard rains come and the creek rises and quickens, and more of the bank peels off, silting the water brown ad bringing to light another layer of dark earth, Decades pass. She is patient, shelled inside the blue tarp. Each spring the water laps closer, paling roots, loosening stones, scuffing and smoothing. She is waiting and one day a bit of blue appears in the bank and then more blue. The rain pauses and the sun appears but she is ready now and the bank trembles a moment and heaves the stands of tarp unfurl and she spills into the stream and is free. Bits of bone gather in an eddy, form a brief necklace. The current moves on toward the sea.
Ron Rash (The Risen)
Annie Wilkes had her own interior set of rules; in her way she was strangely prim. She had made him drink water from a floor-bucket; had withheld his medication until he was in agony; had made him burn the only copy of his new novel; had hand-cuffed him and stuck a rag reeking of furniture polish in his mouth; but she would not take the money from his wallet. She brought it to him, the old scuffed Lord Buxton he’d had since college, and put it in his hands. All
Stephen King (Misery)
Now, the tourist hot spots of the city were the very parts that made it like everywhere else. Was it possible to imagine those buildings without inhaling the animal-fat stink of McDonald's or KFC? He never thought London would cease to appeal to him, but the little faded glory it still possessed was being scuffed away by the dead hand of globalization. On his down days he saw London as a crumbling ancient house, slowly collapsing under the weight of its own past.
Christopher Fowler
These I have loved: Pork with apple sauce; tea in a heavy mug; The smell of new books, and musty ones; A girl with red coils for curls --Her scream--Her smile; The slap of a blonde dog's tongue Against my face; and an old face--Nana's; A broken fence--a secret pathway between two houses; The sinking into a familiar bed; Sheets white and crispy clean; The return of a woman in a green coat-- Imperfect and human; The sound of poetry; And of pencil lead scuffing the page as I write; Made-up stores; and Truth. These I have loved.
Sarah Crossan (Apple and Rain)
School is a terrible place, I have decided. There is nothing good about it except for math class. Everything else is a total waste of time. As I mentioned before I have done a lot of reading about prisons, and I notice that they always describe them as painted in very dull colors, and my school is also painted in these kinds of colors, with greenish lockers and brownish walls and grayish floors. Actually they recently fixed up one wing of the school, and now that part of the school is just the opposite—all the colors are really bright, with bright red and yellow lockers and blue doors and shiny white floors that are already all scuffed up. It's funny because I thought the other colors were terrible but these are much worse, because they make it seem like it's normal to be happy there when it isn't.
Dara Horn (The World to Come)
Kim shut the door behind Norris at last, and Will heard the bolt go. He came back through the shop to where Will stood, face unreadable, eyes watchful, incongruous and beautiful in his scuffed black-and-white finery. Will stepped forward and shoved him against a bookcase.
K.J. Charles (Slippery Creatures (The Will Darling Adventures, #1))
[Daughter], I want to release you. IF you hate me or want to reject me, I understand. If you curse me, then want to atone, I also understand. I expect to be your home plate: kicked, scuffed, but always returned to. I expect to be the earth from which you spring. But if I release you too much, what will you have to fight against? You need my acceptance, but you may need my resistance more. I promise to stand firm while you come and go. I promise unwavering live while you experiment with hate. Hate is energy too -- sometimes brighter-burning energy than love. Hate is often the precondition for freedom. No matter how I try to disappear, I fear I cast too big a shadow. I would erase that shadow if I could. but if I erased it, how would you know your own shadow? And with no shadow, how would you ever fly? I want to release you from the fears that bound me, yet I know you can only release yourself. I stand here wearing my catcher's padding. I pray you won't need me to catch you if you fall. But I'm here waiting anyway. Freedom is full of fear. But fear isn't the worst thing we face. Paralysis is.
Erica Jong (Fear of Fifty: A Midlife Memoir)
You did a fine job mending Maria’s dress.” “I was glad to help.” She looks down at her shoes, scuffed gray at the toes but polished all the same. She blushes, caught in the hot rush of some emotion, some thought she will never share with Anton. He offers an arm. “Shall we go in?” When the ceremony is over and the bells ring out brightly, Anton feels as tired as Elisabeth looks, as stunned and committed. They have said the holy words before God; they have taken the sacrament and made their pledge. There is no going backward now. Their road stretches out before them, straight
Olivia Hawker (The Ragged Edge of Night)
Imagine life as a game in which you’re juggling five balls in the air. Let’s name them work, family, health, friends, and spirit. Somehow you’re keeping all those balls in the air. That’s not an easy thing to do. Sound familiar? Sound a little like your life? Well, it definitely sounds like mine. Hopefully, you come to understand that work is a rubber ball. If you drop it, it will usually bounce back. But the other four balls—family, health, friends, and spirit—are made of glass. If you drop one of these, it will be irrevocably scuffed, marked, nicked, damaged, or even shattered. It will never be the same.
James Patterson (James Patterson by James Patterson: The Stories of My Life)
I did it," she said. "Yup." "You made fun of me when i first got here," she said. "But I did it." "I was being friendly." "You were being a dick," she said. "Why do you think we like each other?" Stevie asked. "Does it matter?" "I don't know," she said. "I don't know how these things work." "Neither do I. Neither does anybody." "Some people seem to. I thin Janelle does." "Janelle," he said, "may know everything, but she doesn't know that. And I like you because . . ." He rolled up to his side and onto one elbow, gazing down into her face. He traced her jawline with one finger, sending such shivers down her body that she struggled not to squirm. ". . because you came to do something impossible and you did it. And you're smart. And you're really, really attractive." There, on the floor that had been scuffed by a thousand dance shoes, under the eyes of the masks on the wall that had seen decades go by, they kissed, over and over, each one renewing the last.
Maureen Johnson (The Hand on the Wall (Truly Devious, #3))
The subject of one experiment is a rat that receives mild electric shocks (roughly equivalent to the static shock you might get from scuffing your foot on a carpet). Over a series of these, the rat develops a prolonged stress-response: its heart rate and glucocorticoid secretion rate go up, for example. For convenience, we can express the long-term consequences by how likely the rat is to get an ulcer, and in this situation, the probability soars. In the next room, a different rat gets the same series of shocks—identical pattern and intensity; its allostatic balance is challenged to exactly the same extent. But this time, whenever the rat gets a shock, it can run over to a bar of wood and gnaw on it. The rat in this situation is far less likely to get an ulcer. You have given it an outlet for frustration. Other types of outlets work as well—let the stressed rat eat something, drink water, or sprint on a running wheel, and it is less likely to develop an ulcer.
Robert M. Sapolsky (Why Zebras Don't Get Ulcers: The Acclaimed Guide to Stress, Stress-Related Diseases, and Coping)
I share the same scuffed wood table with several white guys in their sixties reading the Seattle Times over their huevos rancheros and a group of stout, fleece-clad women debating whether they’re going to order the tempeh or the tofu burger because both sound “soooo good.” These are my people. This is the food I have been surrounded by all my life.
Jonathan Kauffman (Hippie Food: How Back-to-the-Landers, Longhairs, and Revolutionaries Changed the Way We Eat)
I don't have any big adventures." "But of course you have big adventures," Papa said. You have adventures of all sorts, all the time." "Not like Radish in the Book of Tales," Geraldine said, scuffing a toe along the ground. "I could never be like Radish." "No, you don't have adventures exactly like Radish," Papa said. "But that's because you're not Radish and you must have your own adventures. All creatures must." "Happy ones?" Geraldine asked. "In the end, yes. But they won't all seem that way at first. They'll have unexpected twists and turns. You must let them play out to the end, like a story in the Book of Tales. Follow God, speak to him and listen to him, and all tales will be beautiful in their time.
Karin Kaufman (The Adventures of Geraldine Woolkins (Geraldine Woolkins #1))
I realized I still had my eyes shut. I had shut them when I put my face to the screen, like I was scared to look outside. Now I had to open them. I looked out the window and saw for the first time how the hospital was out in the country. The moon was low in the sky over the pastureland; the face of it was scarred and scuffed where it had just torn up out of the snarl of scrub oak and madrone trees on the horizon. The stars up close to the moon were pale; they got brighter and braver the farther they got out of the circle of light ruled by the giant moon. It called to mind how I noticed the exact same thing when I was off on a hunt with Papa and the uncles and I lay rolled in blankets Grandma had woven, lying off a piece from where the men hunkered around the fire as they passed a quart jar of cactus liquor in a silent circle. I watched that big Oregon prairie moon above me put all the stars around it to shame. I kept awake watching, to see if the moon ever got dimmer or if the stars got brighter, till the dew commenced to drift onto my cheeks and I had to pull a blanket over my head. Something moved on the grounds down beneath my window — cast a long spider of shadow out across the grass as it ran out of sight behind a hedge. When it ran back to where I could get a better look, I saw it was a dog, a young, gangly mongrel slipped off from home to find out about things went on after dark. He was sniffing digger squirrel holes, not with a notion to go digging after one but just to get an idea what they were up to at this hour. He’d run his muzzle down a hole, butt up in the air and tail going, then dash off to another. The moon glistened around him on the wet grass, and when he ran he left tracks like dabs of dark paint spattered across the blue shine of the lawn. Galloping from one particularly interesting hole to the next, he became so took with what was coming off — the moon up there, the night, the breeze full of smells so wild makes a young dog drunk — that he had to lie down on his back and roll. He twisted and thrashed around like a fish, back bowed and belly up, and when he got to his feet and shook himself a spray came off him in the moon like silver scales. He sniffed all the holes over again one quick one, to get the smells down good, then suddenly froze still with one paw lifted and his head tilted, listening. I listened too, but I couldn’t hear anything except the popping of the window shade. I listened for a long time. Then, from a long way off, I heard a high, laughing gabble, faint and coming closer. Canada honkers going south for the winter. I remembered all the hunting and belly-crawling I’d ever done trying to kill a honker, and that I never got one. I tried to look where the dog was looking to see if I could find the flock, but it was too dark. The honking came closer and closer till it seemed like they must be flying right through the dorm, right over my head. Then they crossed the moon — a black, weaving necklace, drawn into a V by that lead goose. For an instant that lead goose was right in the center of that circle, bigger than the others, a black cross opening and closing, then he pulled his V out of sight into the sky once more. I listened to them fade away till all I could hear was my memory of the sound.
Ken Kesey (One Flew Over the Cuckoo's Nest :Text and Criticism)
Quite rapidly Etta became acquainted with the realities of poverty in one of its loneliest forms -- that of the poor middle-class girl looking for a job. Only youth can engage in this struggle and survive as a vital human entity. For the other ones it is death, death of the spirit, because the pittance, the bit of bread and drink, the wisp of clothing, the flicker of fire must be begged of Business, not even as charity, but as a gracious boon in exchange for the best waking hours. It is always your money _and_ your life. Not that Business is intelligently ruthless, don't think it. Business is like a huge cretin, scuffing its great feet over the flower-beds of life while it thinks itself the most wonderful puffing billy, self-invented into the bargain.
Richard Aldington (Women Must Work)
The tree outside Skye’s bedroom had grown taller; the branch he’d used to climb in was now scraping the roof. Damian tilted his head back, following it, and saw a pair of brown legs dangling through the leaves. It was the nut-busting girl, with her scuffed-up, nut-busting shoes. She was leaning against the trunk, reading a book, unaware of being observed. Damian instinctively cupped his balls. What the fuck was she doing back here?
Leylah Attar (The Paper Swan)
Envision life as you're juggling 6 balls. The balls are called faith, work, family, health, friends, and integrity. But one day, you realize that work is a rubber ball. If dropped, it will bounce back. The other 5 balls faith, family, health, friends, & integrity are made of glass. If you drop one of these, it will be surely scuffed, nicked, or even shattered. Grasp this concept and you will have the beginnings of balance in your life.
Donavan Nelson Butler
How did you get into the castle, Alexandre, son of Gilles Smith?” Sand shrugged. “A saint kidnapped me from his shrine and put me into a fireplace here. So I guess the answer is, a miracle of Saint Melor. Or so I think. He has not told me.” “If you are trying to antagonize him, you are doing a good job,” Perrotte whispered. Sand scuffed his shoe at her. “I’m just telling the truth!” “You’re very good at telling it in the most maddening way possible.” “Thank you?
Merrie Haskell (The Castle Behind Thorns)
In the center of the room Sarra the demon hung upside down by one leg, its arms bound behind its back, its suit scuffed-looking. Beneath it, crawling around an intricately scribed circle, a woman with short, curly red hair drew binding symbols with a gold stick. She looked up as I fanned away the smoke that was billowing up from the crack in the tile. "You're a Summoner. Hullo. I'm Noelle. Did you know that you have mismatched eyes?" I walked around the demon. It glared at me. "Yes, I know. Why do you have Sarra strung up by one leg?" She drew another symbol. It flared bright green as soon as the stick lifted from the circle. "It was getting a bit stroppy with me. The Hanged Man always teaches them a few manners. It's retaliating with the smoke. Are those spirits I saw yours, then?" "Yes, they are. There are four others as well. I hate to be a bother, but I'm in a bit of a hurry, what with Christian being held by this one's master and all, so if you could possibly just give me the abbreviated version of what's going on here, I'll be on my way to rescue him." She leaned back on her heels and sucked the tip of her gold stick. "Asmodeus, eh?" The demon snarled. A chunk of ceiling fell behind me. We both ignored it. It just never does to give a demon the satisfaction of knowing it's startled you. "It's a nasty bag of tricks, but I heard through the demonic grapevine that it was weakened and searching for a suitable sacrifice to regain its power," she added. "Well, it can't have Christian; he's mine. Back to the demon, if you don't mind…" She looked up at Sarra, still sucking the stick. "It's a pretty specimen, isn't it? I like the hair gel. Nice touch. The mustache is a bit much, though, don't you think? Makes it look so smarmy." "Um…" "I'm destroying it, so I suppose it really doesn't matter." I blinked and avoided two wine bottles as they flew out of a rack when the demon hissed at the Guardian.
Katie MacAlister (Sex and the Single Vampire (Dark Ones #2))
Later he would tell her that their story began at the Royal Hungarian Opera House, the night before he left for Paris on the Western Europe Express. The year was 1937; the month was September, the evening unseasonably cold. His brother had insisted on taking him to the opera as a parting gift. The show was Tosca and their seats were at the top of the house. Not for them the three marble-arched doorways, the façade with its Corinthian columns and heroic entablature. Theirs was a humble side entrance with a red-faced ticket taker, a floor of scuffed wood, walls plastered with crumbling opera posters. Girls in knee-length dresses climbed the stairs arm in arm with young men in threadbare suits; pensioners argued with their white-haired wives as they shuffled up the five narrow flights. At the top, a joyful din: a refreshment salon lined with mirrors and wooden benches, the air hazy with cigarette smoke. A doorway at its far end opened onto the concert hall itself, the great electric-lit cavern of it, with its ceiling fresco of Greek immortals and its gold-scrolled tiers. Andras had never expected to see an opera here, nor would he have if Tibor hadn’t bought the tickets. But it was Tibor’s opinion that residence in Budapest must include at least one evening of Puccini at the Operaház. Now Tibor leaned over the rail to point out Admiral Horthy’s box, empty that night except for an ancient general in a hussar’s jacket. Far below, tuxedoed ushers led men and women to their seats, the men in evening dress, the women’s hair glittering with jewels.
Julie Orringer (The Invisible Bridge (Vintage Contemporaries))
Two amber eyes watched from the woods. Blinking against the sunshine, Thunder unsheathed his claws. He smelled tom. Tasting the air, he detected the odd scent of frost and stone. This cat wasn’t from around here. He narrowed his eyes, glimpsing the dark shape of a black cat, and growled as the stranger’s gaze flicked toward the sparrow. “Catch your own prey,” he warned. “That was my prey.” The tom padded forward, his paws clumsily scuffing the sandy earth as he stepped from the trees. Thunder’s pelt pricked. “What do you mean?” “I was stalking it when you caught it.” Unease flashed through Thunder. He hadn’t even realized he was being watched. He needed to be more careful on this new territory. But the tom did not seem angry. Thunder suddenly saw how his pelt hung off his skinny frame, and how his shoulders jutted like twigs beneath his fur. He recognized the look of hunger hollowing the cat’s eyes and glanced guiltily at the sparrow. “I didn’t realize.” Should he give up his catch? What about Thistle and Clover? They were hungry too. “Where are you from?
Erin Hunter (Warriors: Dawn of the Clans #5: A Forest Divided)
Steps scuffed down the hall. A warning. From someone who knew how to remain silent. ... Cassian had just finished setting himself to rights when Azriel strode in. 'Good evening,' his brother said with a grating level of calm, striding toward the table. 'Az.' Cassian wasn't able to keep the bite out of his tone. He met his brother's too-aware stare and silently conveyed every bit of annoyance he felt at his timing. Azriel only shrugged, surveying the food the House had brought him. As if he knew exactly what he'd interrupted and took his chaperone duties very seriously. Nesta was watching them, but as soon as Cassian turned to her, she launched into movement, pushing off the table and aiming for the door. 'Good night.' She didn't wait for him to respond before she was gone. Cassian levelled a glare at Az. 'Thanks for that.' 'I don't know what you're talking about,' Az said, even as he smiled down at his food. 'Asshole.' Az chuckled. 'Don't show your hand all at once, Cass.' 'What's that supposed to mean?' Az nodded toward the doorway. 'Save something for later.' 'Busybody.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
I touched the loose peg gently, running my hands over the warm wood of the lute. The varnish was scraped and scuffed in places. It had been treated unkindly in the past, but that didn’t make it less lovely underneath. So yes. It had flaws, but what does that matter when it comes to matters of the heart? We love what we love. Reason does not enter into it. In many ways, unwise love is the truest love. Anyone can love a thing because. That’s as easy as putting a penny in your pocket. But to love something despite. To know the flaws and love them too. That is rare and pure and perfect.
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
It isn't just the idea of a woman in a truck. At this point, they're everywhere. The statisticians tell us today's woman is as likely to buy a truck as a minivan. One cheers the suffrage, but the effect is dilutive. My head doesn't snap around the way it used to. Ignoring for the moment that my head (or the gray hairs upon it) may be the problem, I think it's not about women in trucks, it's about certain women in certain trucks. Not so long ago I was fueling my lame tan sedan at the Gas-N-Go when a woman roared across the lot in a dusty pickup and pulled up to park by the yellow cage in which they lock up the LP bottles. She dismounted wearing scuffed boots and dirty jeans and a T-shirt that was overwashed and faded, and at the very sight of her I made an involuntary noise that went, approximately, ohf...! I suppose ohf...! reflects as poorly on my character as wolf whistle, but I swear it escaped without premeditation. Strictly a spinal reflex. [...] The woman plucking her eyebrows in the vanity mirror of her waxed F-150 Lariat does not elicit the reflex. Even less so if her payload includes soccer gear or nothing at all. That woman at the Gas-N-Go? I checked the back of her truck. Hay bales and a coon dog crate. Ohf...!
Michael Perry
Eragon and the others walked as quietly as they could, but the tunnel magnified sounds. Every bump and scrape echoed, filling the air with a multitude of overlapping whispers that seemed to murmur and sigh with a life of their own. The whispers made Eragon feel as if they were surrounded by a host of disembodied spirits who were commenting on their every move. So much for sneaking up on anyone, he thought as he scuffed his boot against a rock, which bounced against the side of the tunnel with a loud clack that multiplied a hundredfold as it spread through the tunnel. “Sorry,” he mouthed as everyone looked at him. A wry smile touched his lips. At least we know what causes the strange sounds underneath Dras-Leona.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
No one charged you with being my savior,” Camille’s voice shook, the confrontation not something she really wanted. “No one had to charge me with it. I made the decision on my own the night the Christina went down.” Oscar sealed his lips as if he’d let something slip he hadn’t intended. “What are you talking about?” she asked, her boots slipping once on the moss. He avoided her by looking out at the stream. He took a few moments to answer, and when he did he still didn’t meet her stare. “Do you remember when you woke up on the Londoner? When you asked me if I’d seen your father?” Camille nodded, and hoped their argument was over. “You said you didn’t see him.” He shook his head. “I lied. I did see him in the water. He was trying to stay above the surface after I got ahold of the dory.” It was as though freezing shocks of ocean water were striking Camille in the face all over again. She jumped from the rock, the hem of her skirt nearly tripping her. “Did you row to him? Did you try and save him?” He shook his head again. “No.” “Why not?” she screeched. “Oscar, how could you not help him?” She couldn’t blink. She couldn’t do anything but stare at him in disbelief. He’d abandoned her father, the man who had given him everything. “Because I spotted you,” he answered, hardly loud enough for her to hear. “I saw you in the waves and I chose to row to you.” She loosened her fists, stunned. Oscar sat down on the rock, the toes of his scuffed leather boots buried in the dry layer of pine needles. “I tried to go back for him,” he said, kicking at the needles, “but by the time I pulled you out of the water and looked back, he was gone.” She couldn’t move, could barely breathe. If she’d only held on to her father’s hand. Oscar would have been able to save them both. “If there had just been a way to get to the both of you,” he said. Camille sat on the rock beside him, laying a tentative hand on his arm. “You’re the most capable man I know, Oscar. If there had been a way, you’d have found it.” She pressed her hand against his solid arm, the flaxen hairs covering his skin coarse against her fingertips. She wanted to soothe him more, reassure him like he always did her.
Angie Frazier (Everlasting (Everlasting, #1))
17.2 One evening I was to meet Marilyn up at her mother's apartment for our ritual Friday night dinner. On my way up to the Bronx, when I got off at the 175th Street station, I decided to stop in and see what sort of sexual activity was going on in the subway john there. I'd never gone into that one before, perhaps because I usually came there with Marilyn. I pushed into the yellow-tiled space, with its dim, caged light-bulbs. There was only one guy at the urinal, a tall workman in greens and scuffed orange construction boots-- which had, only in the last year or so, become standard wear for the nation's laborers. I stood a stall away from him, and we glanced at each other. When I smiled, he turned toward me. I reached for his penis. Holding it, I realized something was wrong with it, but, for the moment, couldn't quite figure what. For its thickness and harness it was too short. It ended in a kind of flat stump, like a sawed-off dowel, without the collar or taper of glans, making me think he was uncircumcised. Only there was no cuff of skin. That's when he said, a little hoarsely, "That's what there is. If you want it, it's yours. But that's it." And I realized that, either from medical procedure or something else, the first inch or so had been amputated. He came very fast. I wanted to talk with him afterward, but he zipped up once we were finished and hurried away. I never saw him again, though I looked for him. But the image stayed, unsettlingly, for a while.
Samuel R. Delany (The Motion of Light in Water: Sex and Science Fiction Writing in the East Village)
The way you see the change in a person you've been away from for a long time, where somebody who sees him every day, day in, day out, wouldn't notice because the change is gradual. All up the coast I could see the signs of what the Combine had accomplished since I was last through this country, things like, for example a train stopping at a station and laying a string of full-grown men in mirrored suits and machined hats, laying them like a hatch of identical insects, half-life things coming pht-pht-pht out of the last car, then hooting its electric whistle and moving on down the spoiled land to deposit another hatch. Or things like five thousand houses punched out identical by a machine and strung across the hills outside of town, so fresh from the factory theyre still linked together like sausages, a sign saying NEST IN THE WEST HOMES NO DWN. PAYMENT FOR VETS, a playground down the hill from the houses, behind a checker-wire fence and another sign that read ST. LUKE'S SCHOOL FOR BOYS there were five thousand kids in green corduroy pants and white shirts under green pullover sweaters playing crack-the-whip across an acre of crushed gravel. The line popped and twisted and jerked like a snake, and every crack popped a little kid off the end, sent him rolling up against the fence like a tumbleweed. Every crack. And it was always the same little kid, over and over. All that five thousand kids lived in those five thousand houses, owned by those guys that got off the train. The houses looked so much alike that, time and time again, the kids went home by mistake to different houses and different families. Nobody ever noticed. They ate and went to bed. The only one they noticed was the little kid at the end of the whip. He'd always be so scuffed and bruised that he'd show up out of place wherever he went. He wasn't able to open up and laugh either. It's a hard thing to laugh if you can feel the pressure of those beams coming from every new car that passes, or every new house you pass.
Ken Kesey (One Flew Over the Cuckoo’s Nest)
I'm sorry I looked. Or saw, I guess. I didn't go digging through your book. The pages fell out." "Yeah. I kinda figured that might have been what happened." He scuffed one heel against the cement. "The book fell out of my bag again...and,well..." And,well, there he was,forgiven. "Zippers," I said. "One of mankind's better inventions. Your bag has one; I've seen it." "You see much, Grasshopper." I blinked at him. "C'mon. Kung Fu?" He let go of his knees and sliced both hands through the air in a choppy spiral. "Shaolin monk fighting against injustice while searching for his long-lost brother in the Old West?" I shook my head. "Nope.Sorry."" "Sad. I bet you wouldn't recognize 'Live long and prosper,' either." "Nope." "How did I know? My dad got me into seventies TV.It's awfully brilliant. Or brilliantly awful, maybe." He had relaxed and was looking monumentally pleased with seventies television or himself or something. You're awfully beautiful, Alex Bainbridge. I managed to keep that one to myself,but... "You're really good." That one got away from me. "Your drawing, I mean.
Melissa Jensen (The Fine Art of Truth or Dare)
When he’d ordered the Aphrodite converted to accommodate passengers, the builder had given him an option. Did he want four gentlemen’s cabins, similar to the ladies’? Or would he prefer to squeeze six smaller berths into the same space? Gray’s answer? Six, of course. No question about it. Two extra beds meant two extra fares. He hadn’t dreamed he’d one day occupy one of these cramped berths. Six feet of angry man, lashed into a five-foot bunk, in the midst of a howling gale-it wasn’t a recipe for a good night’s sleep. Gray craved the space and comfort of his former quarters aboard the Aphrodite-the captain’s cabin. But as his brother had so officiously pointed out, Gray wasn’t the captain of this ship anymore. Throw his arse in the brig, had Joss threatened? Gray tossed indignantly, his chest straining against the ropes hat held him in the child-sized bed. The ship’s brig didn’t sound so bad right now. He’d put up with a few iron bars, the rancid bilgewater and rats, if it meant he could stretch his legs properly. Hell, this room was so damned small, he couldn’t even get his blasted boots off. He kicked the wall of his berth, no doubt scuffing the shine on his new Hessians. He hated the cursed things anyway. They pinched his feet. Why the devil he’d thought it a brilliant notion to get all dandified for this voyage, Gray couldn’t remember. Just who was he trying to impress? Stubb?
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
It got to the point where he didn’t even look up at the sky any more as he blundered back and forth. The human mind had evolved for just one universe, he thought. How much of this crap was he supposed to take? He felt exhausted, resentful, bewildered. “Wait.” He paused. He had loped out of the portal onto another stretch of scuffed, anonymous regolith. She was lying in his arms, her weight barely registering. He looked down into her face, and pushed up her gold sun visor. “Emma?” She licked her lips. “Look. Up there.” No Galaxy visible, but a starry sky. The stars looked, well, normal. But he’d learned that meant little. “So what?” Emma was lifting her arm, pointing. He saw three stars, dull white points, in a row. And there was a rough rectangle of stars around them—one of them a distinctive red—and what looked like a Galaxy disc, or maybe just a nebula, beneath … “Holy shit,” he said. She whispered, “There must be lots of universes like ours. But, surely to God, there is only one Orion.” And then light, dazzling, unbearably brilliant, came stabbing over the close horizon. It was a sunrise. He could actually feel its heat through the layers of his suit. He looked down at the ground at his feet. The rising light cast strong shadows, sharply illuminating the miniature crevices and craters there. And here was a “crater” that was elongated, and neatly ribbed. It was a footprint. He stepped forward, lifted his foot, and set it down in the print. It fit neatly. When he lifted his foot away the cleats of his boot hadn’t so much as disturbed a regolith grain. It was his own footprint. Good grief. After hundreds of universes of silence and remoteness and darkness, universes of dim light and shadows, he was right back where he started.
Stephen Baxter (Time (Manifold #1))
I'm sorry.' It was those two words that shattered me. Shattered me in a way I didn't know I could still be broken, a rending of every tether and leash. Stay with the High Lord. The Suriel's last warning. Stay... and live to see everything righted. A lie. A lie, as Rhys had lied to me. Stay with the High Lord. Stay. For there... the torn scraps of the mating bond. Floating on a phantom wind inside me. I grasped at them- tugged at them, as if he'd answer. Stay. Stay, stay, stay. I clung to those scraps and remnants, clawing at the voice that lurked beyond. Stay. I looked up at Tarquin, lip curling back from my teeth. Looked at Helion. And Thesan. And Beon and Kallias, Viviane weeping at his side. And I snarkled, 'Bring him back.' Blank faces. I screamed at them, 'BRING HIM BACK.' Nothing. 'You did it for me,' I said, breathing hard. 'Now do it for him.' 'You were human,' Helion said carefully. 'It is not the same-' 'I don't care. Do it.' When they didn't move, I rallied the dregs of my power, readying to rip into their minds and force them, not caring what rules or laws it broke. I wouldn't care, only if- Tarquin stepped forward. He slowly extended his hand toward me. 'For what he gave,' Tarquin said quietly. 'Today and for many years before.' And as the seed of light appeared in his palm... I began crying again. Watched it drop onto Rhys's bare throat and vanish onto the skin beneath, an echo of light flaring once. Helion stepped forward. That kernel of light in his hand flickered as it fell onto Rhys's skin. Then Kallias. And Thesan. Until only Beron stood there. Mor drew her sword and laid it on his throat. He jerked, having not seen her move. 'I do not mind making one more kill today,' she said. Beron gave her a withering glare, but shoved off the sword and strode forward. He practically chucked that fleck of light onto Rhys. I didn't care about that, either. I didn't know the spell, the power it came from. But I was High Lady. I held out my palm. Willing the spark of life to appear. Nothing happened. I took a steadying breath, remembering how it had looked. 'Tell me how,' I growled to no one. Thesan coughed and stepped forward. Explaining the core of power and on and on and I didn't care, but I listened, until- There. Small as a sunflower seed, it appeared in my palm. A bit of me- my life. I laid it gently on Rhys's blood-crusted throat. And I realised, just as he appeared, what was missing. Tamlin stood there, summoned by either the death of a fellow High Lord or one of the others around me. He was splattered in mud and gore, his new bandolier of knives mostly empty. He studied Rhys, lifeless before me. Studied all of us- the palms still out. There was no kindness on his face. No mercy. 'Please,' was all I said to him. Then Tamlin glanced between us- me and my mate. His face did not change. 'Please,' I wept. 'I will- I will give you anything-' Something shifted in his eyes at that. But not kindness. No emotion at all. I laid my head on Rhysand's chest, listening for any kind of heartbeat through that armour. 'Anything,' I breathed to no one in particular. 'Anything.' Steps scuffed on the rocky ground. I braced myself for another set of hands trying to pull me away, and dug my fingers in harder. The steps remained behind me for long enough that I looked. Tamlin stood there. Staring down at me. Those green eyes swimming with some emotion I couldn't place. 'Be happy, Feyre,' he said quietly. And dropped that final kernel of light onto Rhysand.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))