Scrub Day Quotes

We've searched our database for all the quotes and captions related to Scrub Day. Here they are! All 100 of them:

Grief can destroy you --or focus you. You can decide a relationship was all for nothing if it had to end in death, and you alone. OR you can realize that every moment of it had more meaning than you dared to recognize at the time, so much meaning it scared you, so you just lived, just took for granted the love and laughter of each day, and didn't allow yourself to consider the sacredness of it. But when it's over and you're alone, you begin to see that it wasn't just a movie and a dinner together, not just watching sunsets together, not just scrubbing a floor or washing dishes together or worrying over a high electric bill. It was everything, it was the why of life, every event and precious moment of it. The answer to the mystery of existence is the love you shared sometimes so imperfectly, and when the loss wakes you to the deeper beauty of it, to the sanctity of it, you can't get off your knees for a long time, you're driven to your knees not by the weight of the loss but by gratitude for what preceded the loss. And the ache is always there, but one day not the emptiness, because to nurture the emptiness, to take solace in it, is to disrespect the gift of life.
Dean Koontz (Odd Hours (Odd Thomas, #4))
6 months, 2 weeks, 4 days, and I still don’t know which month it was then or what day it is now. Blurred out lines from hangovers to coffee Another vagabond lost to love. 4am alone and on my way. These are my finest moments. I scrub my skin to rid me from you and I still don’t know why I cried. It was just something in the way you took my heart and rearranged my insides and I couldn’t recognise the emptiness you left me with when you were done. Maybe you thought my insides would fit better this way, look better this way, to you and us and all the rest. But then you must have changed your mind or made a wrong because why did you leave? 6 months, 2 weeks, 4 days, and I still don’t know which month it was then or what day it is now. I replace cafés with crowded bars and empty roads with broken bottles and this town is healing me slowly but still not slow or fast enough because there’s no right way to do this. There is no right way to do this. There is no right way to do this.
Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving)
Nothing takes the romance and grandeur out of life than scrubbing stains out of sheets.
Susan Ee (Angelfall (Penryn & the End of Days, #1))
That is one of the great mistakes people make: assuming that someone who does menial work does not like thinking. Physical labor is great for the mind, as it leaves all kinds of time to consider the world. Other work, like accounting or scribing, demands little of the body—but siphons energy from the mind. If you wish to become a storyteller, here is a hint: sell your labor, but not your mind. Give me ten hours a day scrubbing a deck, and oh the stories I could imagine. Give me ten hours adding sums, and all you’ll have me imagining at the end is a warm bed and a thought-free evening.
Brandon Sanderson (Tress of the Emerald Sea (The Cosmere, #28))
The stars are brilliant at this time of night and I wander these streets like a ritual I don’t dare to break for darling, the times are quite glorious. I left him by the water’s edge, still waving long after the ship was gone and if someone would have screamed my name I wouldn’t have heard for I’ve said goodbye so many times in my short life that farewells are a muscular task and I’ve taught them well. There’s a place by the side of the railway near the lake where I grew up and I used to go there to burry things and start anew. I used to go there to say goodbye. I was young and did not know many people but I had hidden things inside that I never dared to show and in silence I tried to kill them, one way or the other, leaving sin on my body scrubbing tears off with salt and I built my rituals in farewells. Endings I still cling to. So I go to the ocean to say goodbye. He left that morning, the last words still echoing in my head and though he said he’d come back one day I know a broken promise from a right one for I have used them myself and there is no coming back. Minds like ours are can’t be tamed and the price for freedom is the price we pay. I turned away from the ocean as not to fall for its plea for it used to seduce and consume me and there was this one night a few years back and I was not yet accustomed to farewells and just like now I stood waving long after the ship was gone. But I was younger then and easily fooled and the ocean was deep and dark and blue and I took my shoes off to let the water freeze my bones. I waded until I could no longer walk and it was too cold to swim but still I kept on walking at the bottom of the sea for I could not tell the difference between the ocean and the lack of someone I loved and I had not yet learned how the task of moving on is as necessary as survival. Then days passed by and I spent them with my work and now I’m writing letters I will never dare to send. But there is this one day every year or so when the burden gets too heavy and I collect my belongings I no longer need and make my way to the ocean to burn and drown and start anew and it is quite wonderful, setting fire to my chains and flames on written words and I stand there, starring deep into the heat until they’re all gone. Nothing left to hold me back. You kissed me that morning as if you’d never done it before and never would again and now I write another letter that I will never dare to send, collecting memories of loss like chains wrapped around my veins, and if you see a fire from the shore tonight it’s my chains going up in flames. The time of moon i quite glorious. We could have been so glorious.
Charlotte Eriksson (You're Doing Just Fine)
Five things I'd rather do than swatch for my new project 1. Get a spinal tap. 2. Scrub the bathtub after all three of my daughters have come home from "Sandbox day" at the park. 3. Babysit two-year-old triplets while simultaneously diffusing a bomb. 4. Bathe a cat. 5. KNIT MY NEW PROJECT.
Stephanie Pearl-McPhee (Things I Learned From Knitting (whether I wanted to or not))
Alexander speaks. “Anthony, I’m going to tell you something. In 1941, when I met your mother, she had turned seventeen and was working at the Kirov factory, the largest weapons production facility in the Soviet Union. Do you know what she wore? A ratty brown cardigan that belonged to her grandmother. It was tattered and patched and two sizes too big for her. Even though it was June, she wore her much larger sister’s black skirt that was scratchy wool. The skirt came down to her shins. Her too-big thick black cotton stockings bunched up around her brown work boots. Her hands were covered in black grime she couldn’t scrub off. She smelled of gasoline and nitrocellulose because she had been making bombs and flamethrowers all day. And still I came every day to walk her home.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
Here's the thing, say Shug. The thing I believe. God is inside you and inside everybody else. You come into the world with God. But only them that search for it inside find it. And sometimes it just manifest itself even if you not looking, or don't know what you looking for. Trouble do it for most folks, I think. Sorrow, lord. Feeling like shit. It? I ast. Yeah, It. God ain't a he or a she, but a It. But what do it look like? I ast. Don't look like nothing, she say. It ain't a picture show. It ain't something you can look at apart from anything else, including yourself. I believe God is everything, say Shug. Everything that is or ever was or ever will be. And when you can feel that, and be happy to feel that, you've found It. Shug a beautiful something, let me tell you. She frown a little, look out cross the yard, lean back in her chair, look like a big rose. She say, My first step from the old white man was trees. Then air. Then birds. Then other people. But one day when I was sitting quiet and feeling like a motherless child, which I was, it come to me: that feeling of being part of everything, not separate at all. I knew that if I cut a tree, my arm would bleed. And I laughed and I cried and I run all around the house. I knew just what it was. In fact, when it happen, you can't miss it. It sort of like you know what, she say, grinning and rubbing high up on my thigh. Shug! I say. Oh, she say. God love all them feelings. That's some of the best stuff God did. And when you know God loves 'em you enjoys 'em a lot more. You can just relax, go with everything that's going, and praise God by liking what you like. God don't think it dirty? I ast. Naw, she say. God made it. Listen, God love everything you love? and a mess of stuff you don't. But more than anything else, God love admiration. You saying God vain? I ast. Naw, she say. Not vain, just wanting to share a good thing. I think it pisses God off if you walk by the color purple in a field somewhere and don't notice it. What it do when it pissed off? I ast. Oh, it make something else. People think pleasing God is all God care about. But any fool living in the world can see it always trying to please us back. Yeah? I say. Yeah, she say. It always making little surprises and springing them on us when us least expect. You mean it want to be loved, just like the bible say. Yes, Celie, she say. Everything want to be loved. Us sing and dance, make faces and give flower bouquets, trying to be loved. You ever notice that trees do everything to git attention we do, except walk? Well, us talk and talk bout God, but I'm still adrift. Trying to chase that old white man out of my head. I been so busy thinking bout him I never truly notice nothing God make. Not a blade of corn (how it do that?) not the color purple (where it come from?). Not the little wildflowers. Nothing. Now that my eyes opening, I feels like a fool. Next to any little scrub of a bush in my yard, Mr. ____s evil sort of shrink. But not altogether. Still, it is like Shug say, You have to git man off your eyeball, before you can see anything a'tall. Man corrupt everything, say Shug. He on your box of grits, in your head, and all over the radio. He try to make you think he everywhere. Soon as you think he everywhere, you think he God. But he ain't. Whenever you trying to pray, and man plop himself on the other end of it, tell him to git lost, say Shug. Conjure up flowers, wind,water, a big rock. But this hard work, let me tell you. He been there so long, he don't want to budge. He threaten lightening, floods and earthquakes. Us fight. I hardly pray at all. Every time I conjure up a rock, I throw it. Amen
Alice Walker (The Color Purple)
She found out that having something to do prevented you from feeling seasick, and that even a job like scrubbing a deck could be satisfying, if it was done in a seamanlike way. She was very taken with this notion, and later on she folded the blankets on her bunk in a seamanlike way, and put her possessions in the closet in a seamanlike way, and used 'stow' instead of 'tidy' for the process of doing so. After two days at sea, Lyra decided that this was the life for her.
Philip Pullman (The Golden Compass (His Dark Materials, #1))
Prayer is asking God to incarnate, to get dirty in your life. Yes, the eternal God scrubs floors. For sure we know he washes feet. So take Jesus at his word. Ask him. Tell him what you want. Get dirty. Write out your prayer requests; don't mindlessly drift through life on the American narcotic of busyness. If you try to seize the day, the day will eventually break you. Seize the corner of his garment and don't let go until he blesses you. He will reshape the day.
Paul E. Miller (A Praying Life: Connecting With God In A Distracting World)
Hester shook her head. 'Don't confuse what you do with who you are, dearie. Besides, there's no shame in humble work. Why, Aesop himself, the king of storytellers, was a slave his whole life. Never drew a free breath, yet he shaped the world with just three small words: there once was. And where are his great masters now, hmm? Rotting in tombs, if they're lucky. But Aesop - he still lives to this day, dancin' on the tip of every tongue what's ever told a tale.' She winked at Molly. 'Think on that, next time you're scrubbing floors.
Jonathan Auxier (The Night Gardener)
I was born on a Thursday, hence the name. My brother was born on a Monday and they called him Anton--go figure. My mother was called Wednesday, but was born on a Sunday--I don't know why--and my father had no name at all--his identity and existence had been scrubbed by the ChronoGuard after he went rogue. To all intents and purposes he didn't exist at all. It didn't matter. He was always Dad to me...
Jasper Fforde (The Eyre Affair (Thursday Next, #1))
The good guys fight for freedom, justice and most words that don’t put food on the table. The bad fight to scrub those words from our speech. Only problem is, both sides claim to be good.
David Gunn (Day of the Damned (Death's Head #3))
A sombrero fell out of the sky and landed on the main street of town in front of the mayor, his cousin, and a person out of work. The day was scrubbed clean by the desert air. The sky was blue. It was the blue of human eyes, waiting for something to happen. There was no reason for a sombrero to fall out of the sky. No airplane or helicopter was passing overhead and it was not a religious holiday.
Richard Brautigan (Sombrero Fallout (Arena Books))
Invisible She scanned through the magazine for girls who looked like her with deeper hues, flat nose, and thick hair. The day she turned fifteen she scrubbed herself with bleach while screaming for God, whispering over and over again "the darker the skin, the deeper the struggle" releasing a sigh that made her soul shake.
Ijeoma Umebinyuo (Questions for Ada)
I had this dream that my life was a rolling canvas. Everyday it rolled off the sheet, bleached white, into the beach of my life. Come sunup, I'd begin to paint it with my thoughts and actions. My breathing, my living, and my dying. Some days the pictures pleased me, maybe pleased others, pleased God himself, but some days, some months, even some years, they didn't, and I didn't ever want to look at them again. But the thing is this . . . every day, no matter what I'd painted the day before, I got a new canvas, washed white. 'Cause each night the tide rolled in, scrubbed it clean, and receded, taking it's stains with it. And my dreams . . . I just stood on the beach and watched all that stuff wash out to sea.- Nothing more than ripples in the water. No canvas is ever stained clean through. Not one.
Charles Martin (Chasing Fireflies)
Believe it or not, missy, back in my salad days, I was what we called a gay blade, he says. Had a fine manly figger. I had dash an charm an... oh, I was devilish handsome, no word of a lie. Females flocked to me, helpless moths to my deadly flame. There you go, says Em. You jest need to scrub up some.
Moira Young (Rebel Heart (Dust Lands, #2))
And at the start of every new day, I still believed I could choose my own beginning, one that was scrubbed clean of everything past
Nami Mun (Miles from Nowhere)
GONE TO STATIC it sounds better than it is, this business of surviving, making it through the wrong place at the wrong time and living to tell. when the talk shows and movie credits wear off, it's just me and my dumb luck. this morning I had that dream again: the one where I'm dead. I wake up and nothing's much different. everything's gone sepia, a dirty bourbon glass by the bed, you're still dead. I could stumble to the shower, scrub the luck of breath off my skin but it's futile. the killer always wins. it's just a matter of time. and I have time. I have grief and liquor to fill it. tonight, the liquor and I are talking to you. the liquor says, 'remember' and I fill in the rest, your hands, your smile. all those times. remember. tonight the liquor and I are telling you about our day. we made it out of bed. we miss you. we were surprised by the blood between our legs. we miss you. we made it to the video store, missing you. we stopped at the liquor store hoping the bourbon would stop the missing. there's always more bourbon, more missing tonight, when we got home, there was a stray cat at the door. she came in. she screams to be touched. she screams when I touch her. she's right at home. not me. the whisky is open the vcr is on. I'm running the film backwards and one by one you come back to me, all of you. your pulses stutter to a begin your eyes go from fixed to blink the knives come out of your chests, the chainsaws roar out from your legs your wounds seal over your t-cells multiply, your tumors shrink the maniac killer disappears it's just you and me and the bourbon and the movie flickering together and the air breathes us and I am home, I am lucky I am right before everything goes black
Daphne Gottlieb (Final Girl)
Grief can destroy you—or focus you. You can decide a relationship was all for nothing if it had to end in death, and you alone. Or you can realize that every moment of it had more meaning than you dared to recognize at the time, so much meaning it scared you, so you just lived, just took for granted the love and laughter of each day, and didn’t allow yourself to consider the sacredness of it. But when it’s over and you’re alone, you begin to see it wasn’t just a movie and a dinner together, not just watching sunsets together, not just scrubbing a floor or washing dishes together or worrying over a high electric bill. It was everything, it was the why of life, every event and precious moment of it. The answer to the mystery of existence is the love you shared sometimes so imperfectly, and when the loss wakes you to the deeper beauty of it, to the sanctity of it, you can’t get off your knees for a long time, you’re driven to your knees not by the weight of the loss but by gratitude for what preceded the loss. “And the ache is always there, but one day not the emptiness, because to nurture the emptiness, to take solace in it, is to disrespect the gift of life.
Dean Koontz (Odd Hours (Odd Thomas, #4))
I could scrub every inch of the store every day for the next ten years and it wouldn’t come close to what she deserved. It was why I’d helped her myself instead of hiring a crew to do it. She warranted attention, not delegation.
Ana Huang (King of Greed (Kings of Sin, #3))
Eat slowly," the blueblood said. "Don't cut your food with the fork. Cut it with the knife, and make the pieces small enough so you can answer a question without having to swallow first." Why me? "Right. Any other tips?" Her sarcasm whistled right over his head. "Yes. Look at me and not at your plate. If you have to look at your plate, glance at it occasionally." Rose put down her fork. "Lord Submarine..." "Camarine." "Whatever." "You can call me Declan." He said it as if granting her a knighthood. The nerve. "Declan, then. How did you spend your day?" He frowned. "It's a simple question: How did you spend your day? What did you do prior to the fight and the pancake making?" "I rested from my journey," he said with a sudden regal air. "You took a nap" "Possibly." "I spent my day scrubbing, vacuuming and dusting ten offices in the Broken. I got there at seven thirty in the morning and left at six. My back hurts, I can still smell bleach on my fingers, and my feet feel as flat as these pancakes. Tomorrow, I have to go back to work, and I want to eat my food in peace and quiet. I have good table manners. They may not be good enough for you, but they're definitely good enough for the Edge, and they are the height of social graces in this house. So please keep your critique to yourself." The look on his face was worth having him under her roof. As if he had gotten slapped. She smiled at him. "Oh and thank you for the pancakes. They are delicious.
Ilona Andrews (On the Edge (The Edge, #1))
Must've been some lay for her to be so bent out of shape over it." "I couldn't say," he muttered. "I don't remember." "Were you drunk?" "No. Jesus." He scrubbed at his face. "What the hell did she tell you?
Sylvia Day (Entwined with You (Crossfire, #3))
The only clouds are pale and thin, hung as high as they can manage, like cobwebs in the high arches of a stairwell, and the sky is a freshly scrubbed blue, as permanent-looking as the first day of the holidays.
Jon McGregor (If Nobody Speaks Of Remarkable Things)
My husband claims I have an unhealthy obsession with secondhand bookshops. That I spend too much time daydreaming altogether. But either you intrinsically understand the attraction of searching for hidden treasure amongst rows of dusty shelves or you don't; it's a passion, bordering on a spiritual illness, which cannot be explained to the unaffected. True, they're not for the faint of heart. Wild and chaotic, capricious and frustrating, there are certain physical laws that govern secondhand bookstores and like gravity, they're pretty much nonnegotiable. Paperback editions of D. H. Lawrence must constitute no less than 55 percent of all stock in any shop. Natural law also dictates that the remaining 45 percent consist of at least two shelves worth of literary criticism on Paradise Lost and there should always be an entire room in the basement devoted to military history which, by sheer coincidence, will be haunted by a man in his seventies. (Personal studies prove it's the same man. No matter how quickly you move from one bookshop to the next, he's always there. He's forgotten something about the war that no book can contain, but like a figure in Greek mythology, is doomed to spend his days wandering from basement room to basement room, searching through memoirs of the best/worst days of his life.) Modern booksellers can't really compare with these eccentric charms. They keep regular hours, have central heating, and are staffed by freshly scrubbed young people in black T-shirts. They're devoid of both basement rooms and fallen Greek heroes in smelly tweeds. You'll find no dogs or cats curled up next to ancient space heathers like familiars nor the intoxicating smell of mold and mildew that could emanate equally from the unevenly stacked volumes or from the owner himself. People visit Waterstone's and leave. But secondhand bookshops have pilgrims. The words out of print are a call to arms for those who seek a Holy Grail made of paper and ink.
Kathleen Tessaro (Elegance)
There is something special about a coastal morning. The day seems to have so much more potential when there’s a seaside attached to it. Perhaps it’s the brightness from the water, scrubbing everything clean like a front step, ready for you to start again.
Joanna Cannon (Three Things About Elsie)
Have you ever had one of those days where you give up on being really clean, and settle for being largely clean? Where you don't have time for the entire scrubbing and exfoliating regime, so you settle for the basics? Where brushing your teeth becomes the most rigorous part of your cleaning ritual? Yeah, welcome to Monday morning at St. Sophia's School for (Slightly Grimy) Girls.
Chloe Neill (Firespell (The Dark Elite, #1))
Instead, Malcolm walked over to her and took the rag from her hands. She’d done enough scrubbing that day.
Alyssa Cole (An Extraordinary Union (The Loyal League #1))
Apart from the peace and emptiness of the landscape, there is a special smell about winter in Provence which is accentuated by the wind and the clean, dry air. Walking in the hills, I was often able to smell a house before I could see it, because of the scent of woodsmoke coming from an invisible chimney. It is one of the most primitive smells in life, and consequently extinct in most cities, where fire regulations and interior decorators have combined to turn fireplaces into blocked-up holes or self-consciously lit "architectural features." The fireplace in Provence is still used - to cook on, to sit around, to warm the toes, and to please the eye - and fires are laid in the early morning and fed throughout the day with scrub oak from the Luberon or beech from the foothills of Mont Ventoux. Coming home with the dogs as dusk fell, I always stopped to look from the top of the valley at the long zigzag of smoke ribbons drifting up from the farms that are scattered along the Bonnieux road. It was a sight that made me think of warm kitchens and well-seasoned stews, and it never failed to make me ravenous.
Peter Mayle (A Year in Provence (Provence, #1))
I have your gun" I pulled the Ruger out of my bag and gave it to Ranger. He held the gun flat in his hand and looked at it. "It smells like orange blossoms." "I washed it and sprayed it with air freshener" "You washed it?" "I wore rubber gloves and scrubbed it with my vegetable brush. It was.. icky" He yanked open the driver's side door, pulled me out of the car, and kissed me. The kiss involved tongue, and a hand on my ass, and made my nipples tingle. "I can always count on you to brighten my day" Ranger said. Ranger drove off, and I got back into the Buick. "That was hot," Lula said. "Imagine what he'd do if you washed his Glock -- After Stephanie threw up on Rangers gun.
Janet Evanovich (Notorious Nineteen (Stephanie Plum, #19))
A blessing, to know the talents and limitations of those closest to you, what they’re capable of and what they aren’t. One kind of friend who will spend hours sifting through your psyche; another who will sacrifice half a day to scrubbing your toilets.
Bruce Holsinger (The Gifted School)
It is time to buddle (scrub in water) all that is not illutile (unwash-awayable). Baudelaire said that humans were deluded if they thought they could wash away all their spots with vile tears, but Baudelaire was French and therefore knew nothing about hygiene or shower gel.
Mark Forsyth (The Horologicon: A Day's Jaunt Through the Lost Words of the English Language)
It was true that Al had asked her to move the jars and magazines, and there was probably a word for the way she'd stepped around those jars and magazines for the last eleven days, often nearly stumbling on them; maybe a psychiatric word with many syllables or maybe a simple word like "spite." But it seemed to her that he'd asked her to do more than "one thing" while he was gone. He'd also asked her to make the boys three meals a day, and clothe them and read to them and nurse them in sickness, and scrub the kitchen floor and wash the sheets and iron his shirts, and do it all without a husband's kisses or kind words. If she tried to get credit for these labors of hers, however, Al simply asked her whose labors had paid for the house and food and linens? Never mind that his work so satisfied him that he didn't need her love, while her chores so bored her that she needed his love doubly. In any rational accounting, his work canceled her work.
Jonathan Franzen (The Corrections)
Movements are restricted. Even a duke must manage with only six men to guard and serve him. Strangers are barred. Delivery men must quit the precincts as soon as they have dropped off their loads, and the royal nursery be scrubbed out twice a day.
Hilary Mantel (The Mirror & the Light (Thomas Cromwell, #3))
I knew he killed men every day; he came home wet with their blood, stains he scrubbed from his skin before dinner. But there were moments, like now, when that knowledge overwhelmed me.
Madeline Miller (The Song of Achilles)
All new inmates were stripped of their clothing and whatever personal belongings they possessed. They were then required to enter a communal bath and scrub themselves in water that had been used by every other person who had gained admission that day. Following this, much like prisoners, inmates were clothed in a functional workhouse uniform, which never truly belonged to them.
Hallie Rubenhold (The Five: The Untold Lives of the Women Killed by Jack the Ripper)
Willem puts down his fork and knife. 'This is falling in love.' With his finger, he swipes a bit of the Nutella from inside his crepe and puts a dollop on the inside of my wrist. It is hot and oozy and starts to melt against my sticky skin, but before it has a chance to slither away, Willem licks his thumb and wipes the smear of Nutella off and pops it into his mouth. It all happens fast, like a lizard zapping a fly. 'This is being in love.' And he takes my other wrist, the one with my watch on it, and moves the watchband around until he sees what he's looking for. Once again, he licks his thumb. Only this time, he rubs it against my birthmark, hard, as if trying to scrub it off. 'Being in love is a birthmark?' I joke as I retract my arm. But my voice has a tremble in it, and the place where his wet thumbprint is drying against my skin burns somehow. 'It's something that never comes off, no matter how much you might want it to.' 'You're comparing love to a...stain?' He leans so far back in his seat that the front legs of his chair scrape off the floor. He looks very satisfied, with the crepe or with himself, I'm not sure. 'Exactly.
Gayle Forman (Just One Day (Just One Day, #1))
He takes an exceptionally long shower, trying to make up for the four days he didn't shower, for the days he could barely get out of bed at all. He lathers the soap between his hands and imagines he can scrub off the days of fog, the days of never feeling fully awake, the days of climbing deeper and deeper into that place where he feeds the darkness with his self-loathing, his loneliness, his feelings of inadequacy.
Alison Cochrun
They were galloping...Bare level plain had taken the place of the scrub and they'd been cantering briskly, the foals prancing delightedly ahead, when suddenly the dog was a shoulder-shrugging streaking fleece, and as their mares almost imperceptibly fell into the long untrammelled undulating strides, Hugh felt the sense of change, the keen elemental pleasure one experienced too on board a ship which, leaving the choppy waters of the estuary, gives way to the pitch and swing of the open sea. A faint carillon of bells sounded in the distance, rising and falling, sinking back as if into the very substance of the day. Judas had forgotten; nay, Judas had been, somehow, redeemed.
Malcolm Lowry (Under the Volcano)
Tired of his lack of understanding, she asked him for an unusual birthday gift: that for one day he would take care of the domestic chores. He accepted in amusement, and indeed took charge of the house at dawn. He served a splendid breakfast, but he forgot that fried eggs did not agree with her and that she did not drink café con leche. Then he ordered a birthday luncheon for eight guests and gave instructions for tidying the house, and he tried so hard to manage better than she did that before noon he had to capitulate without a trace of embarrassment. From the first moment he realized he did not have the slightest idea where anything was, above all in the kitchen, and the servants let him upset everything to find each item, for they were playing the game too. At ten o’clock no decisions had been made regarding lunch because the housecleaning was not finished yet, the bedroom was not straightened, the bathroom was not scrubbed; he forgot to replace the toilet paper, change the sheets, and send the coachmen for the children, and he confused the servants’ duties: he told the cook to make the beds and set the chambermaids to cooking. At eleven o’clock, when the guests were about to arrive, the chaos in the house was such that Fermina Daza resumed command, laughing out loud, not with the triumphant attitude she would have liked but shaken instead with compassion for the domestic helplessness of her husband. He was bitter and offered the argument he always used: “Things did not go as badly for me as they would for you if you tried to cure the sick.” But it was a useful lesson, and not for him alone. Over the years they both reached the same wise conclusion by different paths: it was not possible to live together in any way, or love in any other way, and nothing in this world was more difficult than love.
Gabriel García Márquez (Love in the Time of Cholera)
We used to manage quite well when she was away sitting for artists, because in those days we lived mostly on bread, vegetables and eggs; but now that we can afford some meat or even chickens, I keep coming to grief. I scrubbed some rather dirty-looking chops with soap which proved very lingering, and I did not take certain things out of a chicken that I ought to have done.
Dodie Smith
The sky is scrubbed fresh and stark blue by the gone rain, but every trace of that water has evaporated from the earth around them. It feels like a dream, all that rainfall. 'This is a cycle,' she thinks. Every day a fresh horror, and when it's over, this feeling of surreal detachment. A disbelief, almost, in what they just endured. The mind is magical. Human beings are magical.
Jeanine Cummins (American Dirt)
However we resolve the issue in our individual homes, the moral challenge is, put simply, to make work visible again: not only the scrubbing and vacuuming, but all the hoeing, stacking, hammering, drilling, bending, and lifting that goes into creating and maintaining a livable habitat. In an ever more economically unequal world, where so many of the affluent devote their lives to ghostly pursuits like stock trading, image making, and opinion polling, real work, in the old-fashioned sense of labor that engages hand as well as eye, that tires the body and directly alters the physical world tends to vanish from sight. The feminists of my generation tried to bring some of it into the light of day, but, like busy professional women fleeing the house in the morning, they left the project unfinished, the debate broken off in mid-sentence, the noble intentions unfulfilled. Sooner or later, someone else will have to finish the job.
Barbara Ehrenreich (Global Woman: Nannies, Maids, and Sex Workers in the New Economy)
The parking lot is hidden by thickets of scrub and at a field's distance from the mission compound. Yes, you can imagine the solitude of the landscape; you can imagine the hardness of the life. Perhaps I was expecting too much. La Purísima reminds me of nothing so much as those churches the Soviet government used to ridicule by making of them shrines to history. La Purísima is Williamsburg and Sutter's Fort and worse. The state's [California's] insistence that here are matters only of fact is depressing, the triumph of history over memory.
Richard Rodríguez (Days of Obligation: An Argument With My Mexican Father)
This. I live in this place, make porridge, scrub toilets, do laundry, and for days, weeks, I am brave and I do get out of bed and I think on this. I study this, the full life, the being fully ready for the end. I start to think that maybe there is a way out of nightmares to dreams? Maybe?
Ann Voskamp (One Thousand Gifts: A Dare to Live Fully Right Where You Are)
Time, like a skilful tailor, had seamlessly stitched together the two fabrics that sheathed Peri’s life: what people thought of her and what she thought of herself. The impression she left on others and her self-perception had been sewn into a whole so consummate that she could no longer tell how much of each day was defined by what was wished upon her and how much of it was what she really wanted. She often felt the urge to grab a bucketful of soapy water and scrub the streets, the public squares, the government, the parliament, the bureaucracy, and, while she was at it, wash out a few mouths too. There was so much filth to clean up; so many broken pieces to fix; so many errors to correct. Every morning when she left her house she let out a quiet sigh, as if in one breath she could will away the detritus of the previous day. While Peri questioned the world without fail, and was not one to keep silent in the face of injustice, she had resolved some years ago to be content with what she had. It would therefore come as a surprise when, on a middling kind of day, at the age of thirty-five, established and respected, she found herself staring at the void in her soul.
Elif Shafak (Havva'nın Üç Kızı)
There was music from my neighbor's house through the summer nights. In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars. At high tide in the afternoon I watched his guests diving from the tower of his raft, or taking the sun on the hot sand of his beach while his two motor-boats slit the waters of the Sound, drawing aquaplanes over cataracts of foam. On week-ends his Rolls-Royce became an omnibus, bearing parties to and from the city between nine in the morning and long past midnight, while his station wagon scampered like a brisk yellow bug to meet all trains. And on Mondays eight servants, including an extra gardener, toiled all day with mops and scrubbing-brushes and hammers and garden-shears, repairing the ravages of the night before. Every Friday five crates of oranges and lemons arrived from a fruiterer in New York--every Monday these same oranges and lemons left his back door in a pyramid of pulpless halves. There was a machine in the kitchen which could extract the juice of two hundred oranges in half an hour if a little button was pressed two hundred times by a butler's thumb. At least once a fortnight a corps of caterers came down with several hundred feet of canvas and enough colored lights to make a Christmas tree of Gatsby's enormous garden. On buffet tables, garnished with glistening hors-d'oeuvre, spiced baked hams crowded against salads of harlequin designs and pastry pigs and turkeys bewitched to a dark gold. In the main hall a bar with a real brass rail was set up, and stocked with gins and liquors and with cordials so long forgotten that most of his female guests were too young to know one from another. By seven o'clock the orchestra has arrived, no thin five-piece affair, but a whole pitful of oboes and trombones and saxophones and viols and cornets and piccolos, and low and high drums. The last swimmers have come in from the beach now and are dressing up-stairs; the cars from New York are parked five deep in the drive, and already the halls and salons and verandas are gaudy with primary colors, and hair shorn in strange new ways, and shawls beyond the dreams of Castile. The bar is in full swing, and floating rounds of cocktails permeate the garden outside, until the air is alive with chatter and laughter, and casual innuendo and introductions forgotten on the spot, and enthusiastic meetings between women who never knew each other's names. The lights grow brighter as the earth lurches away from the sun, and now the orchestra is playing yellow cocktail music, and the opera of voices pitches a key higher. Laughter is easier minute by minute, spilled with prodigality, tipped out at a cheerful word. The groups change more swiftly, swell with new arrivals, dissolve and form in the same breath; already there are wanderers, confident girls who weave here and there among the stouter and more stable, become for a sharp, joyous moment the centre of a group, and then, excited with triumph, glide on through the sea-change of faces and voices and color under the constantly changing light. Suddenly one of the gypsies, in trembling opal, seizes a cocktail out of the air, dumps it down for courage and, moving her hands like Frisco, dances out alone on the canvas platform. A momentary hush; the orchestra leader varies his rhythm obligingly for her, and there is a burst of chatter as the erroneous news goes around that she is Gilda Gray's understudy from the FOLLIES. The party has begun.
F. Scott Fitzgerald (The Great Gatsby)
I would like to turn in my skin and change it for a new epidermis. It feels as if I will never be able to rinse the sadness from my soul. All the while I am cognizant of the fact that I am trying to purge myself of my feelings. I start with my shell. I am in the water at least an hour. I immerse my head. My long, thick mane is so heavy, but I feel the lightness of my hair as it floats. I can hear my heart beating in my ears. I wonder what would happen if I died in this water. I drain the bathtub and refill it. I scrub my skin until it stings. I still don't feel clean. I close my eyes. I switch to lying on my back. I gaze at the heavens through the skylight on the ceiling above the tub. I am thinking about Isabella. I am struck by the feeling of uncleanness that I have been immersed in that day. I would imagine that this child feels unclean always, in body and in mind. I am hoping that the sheets in her foster home are snow white and fragrant. I am hoping that she felt safe. I am worried that she is so deeply alone and frightened. I know somewhere deep inside of me that the decisions and choices I made today were sound. I am praying, with eyes glued to the stars, that I will not awaken in the night with my heart beating out of my chest; that I will not be haunted by Francis's diseased body; that I will not perseverate on ever nuance of my day - the smells, the cockroaches, the piercing torment of Isabella's unseeing eye, her father's sore-ridden penis penetrating her tiny body. Yet in many ways this is an experience I hope never to forget. The pearls. I must not forget the pearls that I have promised her.
Holly A. Smith (Fire of the Five Hearts)
Now, in every city into which I venture, uniforms rush upon me, dust dandruff from my collar, press a brochure into my hand, recite the latest weather report, pray for my soul, throw walk-shields over nearby puddles, wipe off my windshield, hold an umbrella over my head on sunny or rainy days, or shine an ultra-infra flashlight before me on cloudy ones, pick lint from my belly-button, scrub my back, shave my neck, zip up my fly, shine my shoes and smile—all before I can protest— right hand held at waist-level. What a goddamn happy place the universe would be if everyone wore uniforms that glinted and crinkled. Then we'd all have to smile at each other.
Roger Zelazny (Isle of the Dead)
Aaron opened his mouth, closed it again, and fixed Nicky with an annoyed look. "You're explaining this to Andrew when he gets back." "Oh, hell no," Nicky said, and jerked a thumb at Neil. "I'mma leave that one to him. Thanks for taking one for the team, Neil. You're a real friend." Nicky grinned over at Neil, but his amusement didn't last. He seemed confused by whatever he saw on Neil's face and backpedaled with, "Don't worry, we'll send Renee along with you for backup. Last I checked Andrew only wins half their fights, so you might actually survive. Uh. Neil?" He should just let it go, or at least leave it to think about later, but Neil couldn't resist. "Are we?" he asked, because hadn't Betsy said it just a few days ago? He hadn't understood it then and hadn't even tried, too angry and upset over everything else that was happening. Tonight it almost meant something, though what, Neil didn't know. Realizing Nicky couldn't follow his twisting train of thought, Neil forced himself to say, "Friends?" It was like that one word punched all the joy out of Nicky, but the look that crossed Nicky's face next was too fast for Neil to decipher. Nicky's smile was back a second later, but it didn't reach his eyes. Neil might have apologized, except Nicky reached out and scrubbed a gloved hand through Neil's hair. "You are going to be the absolute death of me," Nicky said. "Yeah, kid. We're friends. You're stuck with us, like it or not.
Nora Sakavic (The Raven King (All for the Game, #2))
Faith founded schools; it is not dependent on them. A high authority has told us that we are more likely to find faith in an old woman on her knees scrubbing the floors of a public building than in a bishop on his throne.
Thornton Wilder (The Eighth Day: A Novel (Harper Perennial Modern Classics))
The crews flew from dawn to dusk every day and at night returned to their airfield in Chernigov to decontaminate their machines, discard their uniforms, and scrub radioactive dust from their bodies in a sauna. But it proved almost impossible to entirely remove the radiation from the helicopters, and when they returned each morning to begin a new mission, the airmen found the grass beneath their parked aircraft had turned yellow overnight.
Adam Higginbotham (Midnight in Chernobyl: The Untold Story of the World's Greatest Nuclear Disaster)
Here’s a list (not exhaustive, by any means!) of phrases that make the Bullsh*t Bingo list. Scrub them from your vocabulary! They will make your talk sound dated and stale. • Synergy • Out of the box • Bottom line • Revisit • 24/7 • Out of the loop • Benchmark • Value-added • Proactive • Win-win • Think outside the box • Fast track • Result-driven • Empower (or empowerment) • Knowledge base • At the end of the day • Touch base • Ballpark • Game plan • Leverage
Peter Meyers (As We Speak)
Well then. Let us begin with essentials. Are you free to marry me?” He exhaled slowly, in a pointed effort not to hold his breath. “Of course. When I come of age, that is.” “Tell me your birthday.” She smiled. “The first of February.” “It will be our wedding day.” He traced the shape of the birthmark on her hip. “Very convenient for me, for your birthday and our anniversary to coincide. I’ll be more likely to remember both.” “I wish you would stop touching me there.” “Do you? Why?” “Because it is ugly. I hate it.” He tilted his head, surprised. “I quite adore it. It reminds me that you are imperfectly perfect and entirely mine.” He slid down her body and bent to kiss the mark to prove the point. “There’s a little thrill in knowing no one else has seen it.” “No other man, you mean.” He kissed her there again, this time tracing the shape with his tongue. She squirmed and laughed. “When I was a child, I would scrub at it in the bath. My nursemaid used to tell me, God gives children birthmarks so they won’t get lost.” Her mouth curled in a bittersweet smile. “Yet here I am, adrift on the ocean on the other side of the world. Don’t they call that irony?” “I believe they call it Providence.” He tightened his hands over her waist. “You’re here, and I’ve found you. And I take pains not to lose what’s mine.” He kissed her hip again, then slid his mouth toward her center as he settled between her thighs. “Gray,” she protested through a sigh of pleasure. “It’s late. We must rise.” “I assure you, I’ve risen.” “I’ve work to do.” She writhed in his grip. “The men will be wanting their breakfast.” “They’ll wait until the captain has finished his.” “Gray!” She gave a gasp of shock, then one of pleasure. “What a scoundrel you are.” He came to his knees and lifted her hips, sinking into her with a low groan. “Sweet,” he breathed as she began to move with him, “you would not have me any other way.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
8:30 P.M.: Personal time. Free of Reznik at last. We wash our jumpsuits, shine our boots, scrub the barracks floor and the latrine, clean our rifles, pass around dirty magazines, and swap other contraband like candy and chewing gum. We play cards and bust each other’s nuts and complain about Reznik. We share the day’s rumors and tell bad jokes and push back against the silence inside our own heads, the place where the never-ending voiceless scream rises like the superheated air above a lava flow. Inevitably
Rick Yancey (The 5th Wave (The 5th Wave, #1))
For now, the Simple Daily Practice means doing ONE thing every day. Try any one of these things each day: A) Sleep eight hours. B) Eat two meals instead of three. C) No TV. D) No junk food. E) No complaining for one whole day. F) No gossip. G) Return an e-mail from five years ago. H) Express thanks to a friend. I) Watch a funny movie or a stand-up comic. J) Write down a list of ideas. The ideas can be about anything. K) Read a spiritual text. Any one that is inspirational to you. The Bible, The Tao te Ching, anything you want. L) Say to yourself when you wake up, “I’m going to save a life today.” Keep an eye out for that life you can save. M) Take up a hobby. Don’t say you don’t have time. Learn the piano. Take chess lessons. Do stand-up comedy. Write a novel. Do something that takes you out of your current rhythm. N) Write down your entire schedule. The schedule you do every day. Cross out one item and don’t do that anymore. O) Surprise someone. P) Think of ten people you are grateful for. Q) Forgive someone. You don’t have to tell them. Just write it down on a piece of paper and burn the paper. It turns out this has the same effect in terms of releasing oxytocin in the brain as actually forgiving them in person. R) Take the stairs instead of the elevator. S) I’m going to steal this next one from the 1970s pop psychology book Don’t Say Yes When You Want to Say No: when you find yourself thinking of that special someone who is causing you grief, think very quietly, “No.” If you think of him and (or?) her again, think loudly, “No!” Again? Whisper, “No!” Again, say it. Louder. Yell it. Louder. And so on. T) Tell someone every day that you love them. U) Don’t have sex with someone you don’t love. V) Shower. Scrub. Clean the toxins off your body. W) Read a chapter in a biography about someone who is an inspiration to you. X) Make plans to spend time with a friend. Y) If you think, “Everything would be better off if I were dead,” then think, “That’s really cool. Now I can do anything I want and I can postpone this thought for a while, maybe even a few months.” Because what does it matter now? The planet might not even be around in a few months. Who knows what could happen with all these solar flares. You know the ones I’m talking about. Z) Deep breathing. When the vagus nerve is inflamed, your breathing becomes shallower. Your breath becomes quick. It’s fight-or-flight time! You are panicking. Stop it! Breathe deep. Let me tell you something: most people think “yoga” is all those exercises where people are standing upside down and doing weird things. In the Yoga Sutras, written in 300 B.C., there are 196 lines divided into four chapters. In all those lines, ONLY THREE OF THEM refer to physical exercise. It basically reads, “Be able to sit up straight.” That’s it. That’s the only reference in the Yoga Sutras to physical exercise. Claudia always tells me that yogis measure their lives in breaths, not years. Deep breathing is what keeps those breaths going.
James Altucher (Choose Yourself)
It was four o'clock of a stickily wet Saturday. As long as it is anything from Monday to Friday the average library attendant goes around thanking her stars she isn't a school-teacher; but the last day of the week, when the rest of the world is having its relaxing Saturday off and coming to gloat over you as it acquires its Sunday-reading best seller, if you work in a library you begin just at noon to wish devoutly that you'd taken up scrubbing-by-the-day, or hack-driving, or porch-climbing or- anything on earth that gave you a weekly half-holiday!
Margaret Widdemer (The Rose-Garden Husband)
You know, we still have like, half an hour down here. Seems a shame to waste it.” I poked him in the ribs, and he gave an exaggerated wince. “No way, dude. My days of cellar, mill, and dungeon lovin’ are over. Go castle or go home.” “Fair enough,” he said as we interlaced our fingers and headed for the stairs. “But does it have to be a real castle, or would one of those inflatable bouncy things work?” I laughed. “Oh, inflatable castles are totally out of-“ I skidded to a stop on the first step, causing Archer to bump into me. “What the heck is that?” I asked, pointing to a dark stain in the nearest corner. “Okay, number one question you don’t want to hear in a creepy cellar,” Archer sad, but I ignored him and stepped off the staircase. The stain bled out from underneath the stone wall, covering maybe a foot of the dirt floor. It looked black and vaguely…sticky. I swallowed my disgust as I knelt down and gingerly touched the blob with one finger. Archer crouched down next to me and reached into his pocket. He pulled out a lighter, and after a few tries, a wavering flame sprung up. We studied my fingertip in the dim glow. “So that’s-“ “It’s blood, yeah,” I said, not taking my eyes off my hand. “Scary.” “I was gonna go with vile, but scary works.” Archer fished in his pockets again, and this time he produced a paper napkin. I took it from him and gave Lady Macbeth a run for her money in the hand-scrubbing department. But even as I attempted to remove a layer of skin from my finger, something was bugging me. I mean, something other than the fact that I’d just touched a puddle of blood. “Check the other corners,” I told Archer. He stood up and moved across the room. I stayed where I was, trying to remember that afternoon Dad and I had sat with the Thorne family grimoire. We’d looked at dozens of spells, but there had been one- “There’s blood in every corner,” Archer called from the other side of the cellar. “Or at least that’s what I’m guessing it is. Unlike some people, I don’t have the urge to go sticking my fingers in it.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
In the late-day sun, the square had become a hive of preparation for the School Master’s arrival. The men sharpened swords, set traps, and plotted the night’s guard, while the women lined up the children and went to work. Handsome ones had their hair lopped off, teeth blackened, and clothes shredded to rags; homely ones were scrubbed, swathed in bright colors, and fitted with veils. Mothers begged the best-behaved children to curse or kick their sisters, the worst were bribed to pray in the church, while the rest in line were led in choruses of the village anthem: “Blessed Are the Ordinary.
Soman Chainani (The School for Good and Evil (The School for Good and Evil, #1))
So—there were still four hundred scabs, and it was painful to think of them as scabs because they were just like the others, but they were frightened. They were frightened because they were hungry now, but if they lost their jobs they would be hungrier, and winter was coming. Winter haunted them all because there was only scrub cotton to pick for awhile, maybe a few oranges now and then, maybe not anything. There were colds and flu and pneumonia, and babies being born and unborn, and school, and shoes wearing out. There were old men and women dying, and sometimes the young died before their time. Babies died. Life was just a little thing to them: a shrunken breast, a colorless tent wall in their curious sight, hunger without name and explanation, pain, and the dark. Sometimes in the short winter days, the mothers looked at old magazines and saw ads for milk and pretty blankets and lacy pillows, and insurance for your baby’s education, and sometimes they found articles about how to care for a baby, and they knew why their babies died. They knew anyway. Often they wondered why their babies did not die, how they could survive without all the things necessary to babies in the outside world.
Sanora Babb (Whose Names Are Unknown)
It felt good to scrub my skin, as if I was removing everything that felt dead about me. I was the "queen of skin care." Who knew that simply exfoliating my skin until raw (which I knew better than to do but now couldn't resist) would one day be what was left of my skin care regimen? My daily cleansing and moisturizing, weekly hydrating and purifying masks, along with monthly photo facials, glycolic peels, or microdermabrasion, was down to "super-scrub Saturdays." Pampering was a thing of the past. No more sunscreen applications to guard against the "UVAging" rays that were out to get me 365 days a year. No more weekly Epsom salts hot baths to detox my body, or lathering up with my favorite vanilla-scented moisturizing cream. No more applications of extra virgin olive oil to the ends of my hair to prevent splitting. I didn't even treat myself to my bedtime chamomile tea. All that had been replaced by a new nightly ritual of passing out on the bed, face down, which went against my cardinal rule of youth maintenance. Before the deep hollow pain was born inside me, I slept on my back, at the perfect thirty-degree angle to ensure proper circulation and prevention of any unnecessary creasing or wrinkling.
Cari Kamm (Fake Perfect Me)
Curiously enough, though, it was Jeanette who came home one day with a C on a test. Prior to that, B was the lowest grade any of us had gotten, and even a B caused Mommy to shake her head and ask, 'Did anyone in the class get an A? Then you can get an A, too. You just have to study harder.' But this time she looked at the C on Jeanette's paper and said nothing. Wasn't she going to lay into Jeanette? Was Doc so special that she could get away with anything? The rest of us were stunned. I, for one, resolved that if that's the way it was going to be, I was darned if I was going to work so hard at studying from then on. Then Saturday came. Mommy roused Jeanette at 6:00 A.M., told her to dress in old clothes, and ordered her to the kitchen, where she handed Jeanette a bucket and scrub clothes. 'You and I are going to clean the kitchen from top to bottom,' Mommy announced. 'I'm going to teach you how to do it and do every bit of it right because that's what you're going to be doing for a living when you grow up'. Jeanette was outraged. 'I'm going to be a doctor'! 'Anybody who gets a C on a test is either too dumb or too lazy to be a doctor. You're going to end up working in somebody's kitchen, so you'd better know how to do it. Now, start by scouring the oven. And I want it spotless'.
Yvonne S. Thornton (The Ditchdigger's Daughters: A Black Family's Astonishing Success Story)
A BRAVE AND STARTLING TRUTH We, this people, on a small and lonely planet Traveling through casual space Past aloof stars, across the way of indifferent suns To a destination where all signs tell us It is possible and imperative that we learn A brave and startling truth And when we come to it To the day of peacemaking When we release our fingers From fists of hostility And allow the pure air to cool our palms When we come to it When the curtain falls on the minstrel show of hate And faces sooted with scorn are scrubbed clean When battlefields and coliseum No longer rake our unique and particular sons and daughters Up with the bruised and bloody grass To lie in identical plots in foreign soil When the rapacious storming of the churches The screaming racket in the temples have ceased When the pennants are waving gaily When the banners of the world tremble Stoutly in the good, clean breeze When we come to it When we let the rifles fall from our shoulders And children dress their dolls in flags of truce When land mines of death have been removed And the aged can walk into evenings of peace When religious ritual is not perfumed By the incense of burning flesh And childhood dreams are not kicked awake By nightmares of abuse When we come to it Then we will confess that not the Pyramids With their stones set in mysterious perfection Nor the Gardens of Babylon Hanging as eternal beauty In our collective memory Not the Grand Canyon Kindled into delicious color By Western sunsets Nor the Danube, flowing its blue soul into Europe Not the sacred peak of Mount Fuji Stretching to the Rising Sun Neither Father Amazon nor Mother Mississippi who, without favor, Nurture all creatures in the depths and on the shores These are not the only wonders of the world When we come to it We, this people, on this minuscule and kithless globe Who reach daily for the bomb, the blade and the dagger Yet who petition in the dark for tokens of peace We, this people on this mote of matter In whose mouths abide cankerous words Which challenge our very existence Yet out of those same mouths Come songs of such exquisite sweetness That the heart falters in its labor And the body is quieted into awe We, this people, on this small and drifting planet Whose hands can strike with such abandon That in a twinkling, life is sapped from the living Yet those same hands can touch with such healing, irresistible tenderness That the haughty neck is happy to bow And the proud back is glad to bend Out of such chaos, of such contradiction We learn that we are neither devils nor divines When we come to it We, this people, on this wayward, floating body Created on this earth, of this earth Have the power to fashion for this earth A climate where every man and every woman Can live freely without sanctimonious piety Without crippling fear When we come to it We must confess that we are the possible We are the miraculous, the true wonder of this world That is when, and only when We come to it.
Maya Angelou (A Brave and Startling Truth)
I’m haunted every day by what I did as an economic hit man (EHM). I’m haunted by the lies I told back then about the World Bank. I’m haunted by the ways in which that bank, its sister organizations, and I empowered US corporations to spread their cancerous tentacles across the planet. I’m haunted by the payoffs to the leaders of poor countries, the blackmail, and the threats that if they resisted, if they refused to accept loans that would enslave their countries in debt, the CIA’s jackals would overthrow or assassinate them. I wake up sometimes to the horrifying images of heads of state, friends of mine, who died violent deaths because they refused to betray their people. Like Shakespeare’s Lady Macbeth, I try to scrub the blood from my hands. But the blood is merely a symptom.
John Perkins (The New Confessions of an Economic Hit Man)
Huge thing’s your ego. Awful that you weren’t the only man for her. Girl scrubs your toilets for twenty-three years, you begrudge her the life she had when you weren’t around.” “But she lied,” he said. “Please. Marriage is made of lies. Kind ones, mostly. Omissions. If you give voice to the things you think every day about your spouse, you’d crush them to paste. She never lied. Just never said.
Lauren Groff (Fates and Furies)
My classes commenced on the seventh of September, a tall blue day as crisp as the white starched blouses of the coeds who filed into my classroom and nervously took their seats. Standing behind the lectern at eight o'clock sharp, suit fresh-pressed and chin scraped clean, I felt my nostrils flare like a stud's at the nubby tight sex of them, flustered and pink-scrubbed, giggling and moist; my tighs flexed, and I yawned ferociously.
John Barth (The End of the Road)
On Earth We’re Briefly Gorgeous" i Tell me it was for the hunger & nothing less. For hunger is to give the body what it knows it cannot keep. That this amber light whittled down by another war is all that pins my hand to your chest. i You, drowning                         between my arms — stay. You, pushing your body                          into the river only to be left                          with yourself — stay. i I’ll tell you how we’re wrong enough to be forgiven. How one night, after backhanding mother, then taking a chainsaw to the kitchen table, my father went to kneel in the bathroom until we heard his muffled cries through the walls. And so I learned that a man, in climax, was the closest thing to surrender. i Say surrender. Say alabaster. Switchblade.                    Honeysuckle. Goldenrod. Say autumn. Say autumn despite the green                    in your eyes. Beauty despite daylight. Say you’d kill for it. Unbreakable dawn                    mounting in your throat. My thrashing beneath you                    like a sparrow stunned with falling. i Dusk: a blade of honey between our shadows, draining. i I wanted to disappear — so I opened the door to a stranger’s car. He was divorced. He was still alive. He was sobbing into his hands (hands that tasted like rust). The pink breast cancer ribbon on his keychain swayed in the ignition. Don’t we touch each other just to prove we are still here? I was still here once. The moon, distant & flickering, trapped itself in beads of sweat on my neck. I let the fog spill through the cracked window & cover my fangs. When I left, the Buick kept sitting there, a dumb bull in pasture, its eyes searing my shadow onto the side of suburban houses. At home, I threw myself on the bed like a torch & watched the flames gnaw through my mother’s house until the sky appeared, bloodshot & massive. How I wanted to be that sky — to hold every flying & falling at once. i Say amen. Say amend. Say yes. Say yes anyway. i In the shower, sweating under cold water, I scrubbed & scrubbed. i In the life before this one, you could tell two people were in love because when they drove the pickup over the bridge, their wings would grow back just in time. Some days I am still inside the pickup. Some days I keep waiting. i It’s not too late. Our heads haloed             with gnats & summer too early to leave any marks.             Your hand under my shirt as static intensifies on the radio.             Your other hand pointing your daddy’s revolver             to the sky. Stars falling one by one in the cross hairs.             This means I won’t be afraid if we’re already             here. Already more than skin can hold. That a body             beside a body must ma
Ocean Vuong (On Earth We're Briefly Gorgeous)
God lives in my soul, and I must spend my life scrubbing my soul clean of any trace of sin so that it derserves to host his presence. Repentance is a daily chore; at each morning prayer session we repent in advance for the sins we will commit that day. I look around at the others, who must sincerly believe in their inherent evil, as they are shamelessly crying and wailing to God to help them expunge the yetzer hara, or evil inclination, from their consciousness.
Deborah Feldman (Unorthodox: The Scandalous Rejection of My Hasidic Roots)
I headed to the church at five-thirty, wearing jeans, flip-flops, and brick red lipstick. My mom, calm and cool as a mountain lake, carried my white dress--plain and romantic, with a bodice that laced up corset-style in the back and delicate sheer sleeves. I carted in my shoes…my earrings…my makeup…and my exfoliating scrub, in case my face decided to pull a last-minute sloughing. I wasn’t about to roll over and take a last-minute sloughing without a fight. Not on my wedding day.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
The summer stretch had come into the evenings: it was gone seven, but the sky was a soft clear blue and the light flooding through the open windows was pale gold. All around us the Place was humming like a beehive, shimmering with a hundred different stories unfurling. Next door Mad Johnny Malone was singing to himself, in a cheerful cracked baritone: “Where the Strawberry Beds sweep down to the Liffey, you’ll kiss away the worries from my brow . . .” Downstairs Mandy shrieked delightedly, there was a tumble of thumping noises and then an explosion of laughter; farther down, in the basement, someone yelled in pain and Shay and his mates sent up a savage cheer. In the street, two of Sallie Hearne’s young fellas were teaching themselves to ride a robbed bike and giving each other hassle—“No, you golf ball, you’ve to go fast or you’ll fall off, who cares if you hit things?”—and someone was whistling on his way home from work, putting in all the fancy, happy little trills. The smell of fish and chips came in at the windows, along with smart-arse comments from a blackbird on a rooftop and the voices of women swapping the day’s gossip while they brought in their washing from the back gardens. I knew every voice and every door-slam; I even knew the determined rhythm of Mary Halley scrubbing her front steps. If I had listened hard I could have picked out every single person woven into that summer-evening air, and told you every story.
Tana French (Faithful Place (Dublin Murder Squad, #3))
I think I'll wear the Chian outfit,' he said to his body servant standing waiting for orders. Many men in Marius's position would have lain back in the bath water and demanded that they be scrubbed, scraped, and massaged by slaves, but Gaius Marius preferred to do his own dirty work, even now. Mind you, at forty-seven he was still a fine figure of a man. Nothing to be ashamed of about his physique! No matter how ostensibly inert his days might be, he got in a fair amount of exercise, worked with the dumbbells and the closhes, swam if he could several times across the Tiber in the reach called the Trigarium, then ran all the way back from the far perimeter of the Campus Martius to his house on the flanks of the Capitoline Arx. His hair was getting a bit thin on top, but he still had enough dark brown curls to brush forward into a respectable coiffure. There. That would have to do. A beauty he had never been, never would be. A good face - even an impressive one - but no rival for Gaius Julius Caesar's!
Colleen McCullough (The First Man in Rome (Masters of Rome, #1))
Or you can realize that every moment of it had more meaning than you dared to recognize at the time, so much meaning it scared you, so you just lived, just took for granted the love and laughter of each day, and didn’t allow yourself to consider the sacredness of it. But when it’s over and you’re alone, you begin to see it wasn’t just a movie and a dinner together, not just watching sunsets together, not just scrubbing a floor or washing dishes together or worrying over a high electric bill. It was everything, it was the why of life, every event and precious moment of it. The answer to the mystery of existence is the love you shared sometimes so imperfectly, and when the loss wakes you to the deeper beauty of it, to the sanctity of it, you can’t get off your knees for a long time, you’re driven to your knees not by the weight of the loss but by gratitude for what preceded the loss. And the ache is always there, but one day not the emptiness, because to nurture the emptiness, to take solace in it, is to disrespect the gift of life.
Dean Koontz (Odd Hours (Odd Thomas, #4))
Algren’s book opens with one of the best historical descriptions of American white trash ever written.* He traces the Linkhorn ancestry back to the first wave of bonded servants to arrive on these shores. These were the dregs of society from all over the British Isles—misfits, criminals, debtors, social bankrupts of every type and description—all of them willing to sign oppressive work contracts with future employers in exchange for ocean passage to the New World. Once here, they endured a form of slavery for a year or two—during which they were fed and sheltered by the boss—and when their time of bondage ended, they were turned loose to make their own way. In theory and in the context of history the setup was mutually advantageous. Any man desperate enough to sell himself into bondage in the first place had pretty well shot his wad in the old country, so a chance for a foothold on a new continent was not to be taken lightly. After a period of hard labor and wretchedness he would then be free to seize whatever he might in a land of seemingly infinite natural wealth. Thousands of bonded servants came over, but by the time they earned their freedom the coastal strip was already settled. The unclaimed land was west, across the Alleghenies. So they drifted into the new states—Kentucky and Tennessee; their sons drifted on to Missouri, Arkansas and Oklahoma. Drifting became a habit; with dead roots in the Old World and none in the New, the Linkhorns were not of a mind to dig in and cultivate things. Bondage too became a habit, but it was only the temporary kind. They were not pioneers, but sleazy rearguard camp followers of the original westward movement. By the time the Linkhorns arrived anywhere the land was already taken—so they worked for a while and moved on. Their world was a violent, boozing limbo between the pits of despair and the Big Rock Candy Mountain. They kept drifting west, chasing jobs, rumors, homestead grabs or the luck of some front-running kin. They lived off the surface of the land, like army worms, stripping it of whatever they could before moving on. It was a day-to-day existence, and there was always more land to the west. Some stayed behind and their lineal descendants are still there—in the Carolinas, Kentucky, West Virginia and Tennessee. There were dropouts along the way: hillbillies, Okies, Arkies—they’re all the same people. Texas is a living monument to the breed. So is southern California. Algren called them “fierce craving boys” with “a feeling of having been cheated.” Freebooters, armed and drunk—a legion of gamblers, brawlers and whorehoppers. Blowing into town in a junk Model-A with bald tires, no muffler and one headlight … looking for quick work, with no questions asked and preferably no tax deductions. Just get the cash, fill up at a cut-rate gas station and hit the road, with a pint on the seat and Eddy Arnold on the radio moaning good back-country tunes about home sweet home, that Bluegrass sweetheart still waitin, and roses on Mama’s grave. Algren left the Linkhorns in Texas, but anyone who drives the Western highways knows they didn’t stay there either. They kept moving until one day in the late 1930s they stood on the spine of a scrub-oak California hill and looked down on the Pacific Ocean—the end of the road.
Hunter S. Thompson (The Great Shark Hunt: Strange Tales from a Strange Time (The Gonzo Papers Series Book 1))
I scrubbed the filth from my keyboard, and placed a coffee coaster strategically on the desk. My schedule was relatively clear, and I was free to write each day. But for how long? And what about? Should I start from the beginning of the story and write in a linear fashion, or write the scenes that jumped to mind first? What do writers actually do when they say they write full-time? Is it nine to five? How many words constitute a productive day? Should I start smoking? Will that help? Do they sit there and look out the window, and does that count?
Hannah Kent (Burial Rites)
can destroy you—or focus you. You can decide a relationship was all for nothing if it had to end in death, and you alone. Or you can realize that every moment of it had more meaning than you dared to recognize at the time, so much meaning it scared you, so you just lived, just took for granted the love and laughter of each day, and didn’t allow yourself to consider the sacredness of it. But when it’s over and you’re alone, you begin to see it wasn’t just a movie and a dinner together, not just watching sunsets together, not just scrubbing a floor or washing dishes together or worrying over a high electric bill. It was everything, it was the why of life, every event and precious moment of it. The answer to the mystery of existence is the love you shared sometimes so imperfectly, and when the loss wakes you to the deeper beauty of it, to the sanctity of it, you can’t get off your knees for a long time, you’re driven to your knees not by the weight of the loss but by gratitude for what preceded the loss. And the ache is always there, but one day not the emptiness, because to nurture the emptiness, to take solace in it, is to disrespect the gift of life.
Dean Koontz (Odd Hours (Odd Thomas, #4))
Grief can destroy you or focus you. You can decide a relationship was all for nothing if it had to end in death, and you alone. Or you can realize that every moment of it had more meaning than you dared to recognize at the time,so much meaning it scared you, so you just lived, just took for granted the love and laughter of each day, and didn't allow yourself to consider the sacredness of it. But when it's over and you're alone, you begin to see it wasn't just a movie and a dinner together, not just watching sunsets together, not just scrubbing a floor or washing dishes together or worrying over a high electric bill. It was everything, it was the why of life, every event and precious moment of it. The answer to the mystery of existence is the love you shared sometimes so imperfectly, and when the loss wakes you to the deeper beauty of it, to the sanctity of it, you can't get off your knees for a long time, you're driven to your knees not by the weight of the loss but by gratitude for what preceded the loss. And the ache is always there, but one day not the emptiness, because to nurture the emptiness, to take solace in it, is to disrespect the gift of life.
Dean Koontz
Grief can destroy you—or focus you. You can decide a relationship was all for nothing if it had to end in death, and you alone. Or you can realize that every moment of it had more meaning than you dared to recognize at the time, so much meaning it scared you, so you just lived, just took for granted the love and laughter of each day, and didn’t allow yourself to consider the sacredness of it. But when it’s over and you’re alone, you begin to see it wasn’t just a movie and a dinner together, not just watching sunsets together, not just scrubbing a floor or washing dishes together or worrying over a high electric bill. It was everything, it was the why of life, every event and precious moment of it. The answer to the mystery of existence is the love you shared sometimes so imperfectly, and when the loss wakes you to the deeper beauty of it, to the sanctity of it, you can’t get off your knees for a long time, you’re driven to your knees not by the weight of the loss but by gratitude for what preceded the loss. And the ache is always there, but one day not the emptiness, because to nurture the emptiness, to take solace in it, is to disrespect the gift of life.
Dean Koontz (Odd Hours (Odd Thomas, #4))
Young man,” he went on, raising his head again, “in your face I seem to read some trouble of mind. When you came in I read it, and that was why I addressed you at once. For in unfolding to you the story of my life, I do not wish to make myself a laughing-stock before these idle listeners, who indeed know all about it already, but I am looking for a man of feeling and education. Know then that my wife was educated in a high-class school for the daughters of noblemen, and on leaving, she danced the shawl dance before the governor and other personages for which she was presented with a gold medal and a certificate of merit. The medal … well, the medal of course was sold—long ago, hm … but the certificate of merit is in her trunk still and not long ago she showed it to our landlady. And although she is most continually on bad terms with the landlady, yet she wanted to tell some one or other of her past honours and of the happy days that are gone. I don’t condemn her for it. I don’t blame her, for the one thing left her is recollection of the past, and all the rest is dust and ashes. Yes, yes, she is a lady of spirit, proud and determined. She scrubs the floors herself and has nothing but black bread to eat, but won’t allow herself to be treated with disrespect. That’s why she would not overlook Mr. Lebeziatnikov’s rudeness to her, and so when he gave her a beating for it, she took to her bed more from the hurt to her feelings than from the blows. She was a widow when I married her, with three children, one smaller than the other. She married her first husband, an infantry officer, for love, and ran away with him from her father’s house. She was exceedingly fond of her husband; but he gave way to cards, got into trouble and with that he died. He used to beat her at the end: and although she paid him back, of which I have authentic documentary evidence, to this day she speaks of him with tears and she throws him up at me; and I am glad, I am glad that, though only in imagination, she should think of herself as having once been happy.… And she was left at his death with three children in a wild and remote district where I happened to be at the time; and she was left in such hopeless poverty that, although I have seen many ups and downs of all sorts, I don’t feel equal to describing it even. Her relations had all thrown her off. And she was proud, too, excessively proud.… And then, honoured sir, and then, I, being at the time a widower, with a daughter of fourteen left me by my first wife, offered her my hand, for I could not bear the sight of such suffering. You can judge the extremity of her calamities, that she, a woman of education and culture and distinguished family, should have consented to be my wife. But she did! Weeping and sobbing and wringing her hands, she married me! For she had nowhere to turn! Do you understand, sir, do you understand what it means when you have absolutely nowhere to turn? No, that you don’t understand yet…
Fyodor Dostoevsky (Crime and Punishment)
I can't tell you how many times in my life I have been told that I have “control issues”. Historically, this statement has brought me annoyance—the kind of irritation that can only be described as a self-protective reaction to having my behaviours labelled for exactly what they were. Needless to say, these accusations would make me defensive. I'd pull my armour tighter and get out my weapons—anything to protect myself from the truth. I realized, one day, that there were only a few things I could control, and a whole lot of things that I couldn't. I realized that trying to control everything around me was a recipe for failure, because it simply wasn't possible. I wish I could tell you that I "let go" then—that it was a lovely, beautiful spiritual moment, and now I'm all better. But that isn't true. Because, for me, seeking to control things which can't be controlled isn't a random tick or flaw. It's a stage of communication in the language of my own mind. If I don't listen to the first whispers that tell me I've repressed some emotion or neglected to process some event—then, stage two starts. Every piece of dirt on the floor, every chewing noise, every unexpected obstacle... they all become intolerable. So, I have two choices when this happens. I can allow my desire to control the outside world to turn into trying to control it. Or, I can allow myself to hear what is being said to me—to interpret this strange language that I speak to myself in and respond with compassion. Do I consistently do the wise thing first? No. I forget. And then I remember, somewhere in the middle of neurotically scrubbing a wall. But I remember faster now than I did before, and sometimes I really am able to respond quickly. It's a journey. I'm not perfect. But I am doing the right thing, and I get better at it every time I have the chance to practice. That's what learning and letting go really is—a practice. It's never over. And it never is, and never will be, perfect.
Vironika Tugaleva
We head for 680, which will take us seventeen miles south to the next attack, the third that month. October 1978. Carter was president. Grease had been the huge summer movie, and John Travolta and Olivia Newton-John’s “Summer Nights” was still a radio mainstay, though the Who’s “Who Are You” was climbing the charts. The fresh-scrubbed face of thirteen-year-old Brooke Shields stared blankly from the cover of Seventeen. The Yankees beat the Dodgers in the World Series. Sid Vicious’s girlfriend Nancy Spungen bled to death from a stab wound on a bathroom floor at the Chelsea Hotel. John Paul II was the new pope. Three days before the San Ramon attack, the movie Halloween was released.
Michelle McNamara (I'll Be Gone in the Dark: One Woman's Obsessive Search for the Golden State Killer)
Monster. And yet … For her friends, for her family, she would gladly be a monster. For Rowan, for Dorian, for Nehemia, she would debase and degrade and ruin herself. She knew they would have done the same for her. She slung the washcloth into the water and sat up. Monster or no, never in ten thousand years would she have let Dorian face his father alone. Even if Dorian had told her to go. A month ago, she and Rowan had chosen to face the Valg princes together—to die together, if need be, rather than do so alone. You remind me of what the world ought to be; what the world can be, she’d once said to Chaol. Her face burned. A girl had said those things; a girl so desperate to survive, to make it through each day, that she hadn’t questioned why he served the true monster of their world. Aelin slipped back under the water, scrubbing at her hair, her face, her bloody body. She could forgive the girl who had needed a captain of the guard to offer stability after a year in hell; forgive the girl who had needed a captain to be her champion. But she was her own champion now. And she would not add another name of her beloved dead to her flesh. So when she awoke the next morning, Aelin wrote a letter to Arobynn, accepting his offer. One Valg demon, owed to the King of the Assassins. In exchange for his assistance in the rescue and safe return of Aedion Ashryver, the Wolf of the North.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
The Nazis no longer resorted to hypocritical pretexts about the urgency of opposing and eliminating Marxism. They did not just rob and steal, they gave free rein to every kind of private vengeful instinct. University professors were forced to scrub the streets with their bare hands; devout, white-bearded Jews were hauled into the synagogues by young men bawling with glee, and made to perform knee-bends while shouting “Heil Hitler!” in chorus. They rounded up innocent citizens in the streets like rabbits and dragged them away to sweep the steps of the SA barracks. All the sick, perverted fantasies they had thought up over many nights of sadistic imaginings were now put into practice in broad daylight. They broke into apartments and tore the jewels out of the ears of trembling women—it was the kind of thing that might have happened when cities were plundered hundreds of years ago in medieval wars, but the shameless pleasure they took in the public infliction of pain, psychological torture and all the refinements of humiliation was something new. All this has been described not by one victim but by thousands, and a more peaceful age, not morally exhausted like our own, will shudder some day to read what horrors were inflicted on that cultured city in the twentieth century by a single half-deranged man. For in the midst of his military and political victories, that was Hitler’s most diabolical triumph—one man succeeded in deadening every idea of what is just and right by the constant attrition of excess. Before
Stefan Zweig (The World of Yesterday: Memoirs of a European)
Anything . . . supernatural?” I asked. “No. Yes.” Jackaby rubbed his eyes. “Everything. The walls, the floor, even the ceiling . . .” “What?” I said. “Ha!” He shook his head and spun in place, marveling at the dark, dusty cobwebs hanging over us. “It’s been scrubbed clean, every inch.” I looked around. “This might be why you and Jenny rarely see eye to eye about housekeeping,” I said. “Not scrubbed clean of dust or droppings,” he said. “There are plenty of those, of course.” I decided not to look too closely for confirmation about the droppings. “Scrubbed clean of magical residue. I can’t pick out any unique otherworldly auras in this space.” “Couldn’t that just mean that this place doesn’t have any?” “Hardly. When you were young, did you ever spill red wine on your parents’ carpet?” I blinked. “Er—yes? I knocked a bottle of merlot off of the table once.” “And what did your mother do to clean it up?” “Nothing. My mother never did the cleaning. She always had a maid handle that sort of thing.” “Precisely—white vinegar! Nothing better for a stain. Except that the carpet is never quite like it used to be, is it? Even if you can’t see the red anymore, there’s always something about that spot. It’s a little too clean for the rest of the rug, and it keeps that lingering vinegar smell, right? Now a healthy suspension of sodium bicarbonate might help with that, but there’s always something left behind.” “You know a lot about cleaning carpets for someone whose floor looks like a topical map of the East Indies.” “I know the Viennese waltz, too, but I don’t waste my time doing it every day. Focus, Rook. 
William Ritter (Ghostly Echoes (Jackaby, #3))
She murmured, “Keeping me alive…intact…just so I can work their damned stele and get Cohort blood…all over my hands. Gun to your neck…blood on my hands…saints against God.” “Don’t talk,” said Crown roughly. “You’re spouting nonsense.” “You haven’t talked sense in months.” She burbled with coughing again. “You’re the one facing the dark night of the soul, Princess.” “Love that melodrama. Is there Eighth somewhere in your family tree?” “Gave yourself up… gave all of us up…for what? Propaganda and a leash…promise of salvation without understanding the sin. Hect and the hideous Sixth House mechanism…and now they are taken too. For what? Our lives? Is this living, Corona?” “You’ve never lived a single day in your life,” said Corona bitterly. “It’d be against regulations.” The Captain said, “Name and rank: Captain Judith Deuteros. House…Second,” and Crown scrubbed at her face with her hand, little licks of hair escaping from their elastic and curling over her forehead like light. The Captain broke off and said, “You think you’re walking the tightrope with fast talking and your face…steeled myself to the talking long ago. But you’re slipping, Princess…can’t save you from that…Hect, my hands are too filthy to save you…” It was funny to think of anyone wanting to save Camilla. The Captain’s eyes passed restlessly to Nona. Sweat was beading on her temples. The Captain focused, and said hoarsely, “Ninth, where is the mercy of the Tomb? Where is your sword in the coffin? Who are your masters now, and who do you master? Where is my cavalier, Reverend Daughter? Where is yours?” Her voice rose. “Because I saw her—in the waves—she was there in the grey water—I saw them all—they hurt me—where is my hunger? I eat and eat and eat without surcease, my green thing, my green-and-breathing thing…
Tamsyn Muir (Nona the Ninth (The Locked Tomb, #3))
He was a Kurd and the world would tell him he was nothing. He was poor and the world would give him nothing. He was a Muslim and the world would ignore him, and being ignored was like being dead. The boy had his name and his name was everything. Take away his name and the boy had no future, no honor, no respect, no reason to look in a mirror and see his own perfection. “Ouch, Baba! You’re doing it too hard.” smail’s skin was red from the scrubbing. He stopped and told the boy to rinse off. What if rem did something that denied her entry to Heaven? Skin was only the container of the soul, but the soul was a fragile membrane—it could easily be ripped and once it was, there was no sewing it back together. To kill her before she destroyed that, she would remain innocent, she would enter Paradise as a child, as clean as the day she was born. And smail wouldn’t have to feel less than anyone in this world, ever.
Alan Drew (Gardens of Water: A Novel)
All about them the golden girls, shopping for dainties in Lairville. Even in the midst of the wild-maned winter's chill, skipping about in sneakers and sweatsocks, cream-colored raincoats. A generation in the mold, the Great White Pattern Maker lying in his prosperous bed, grinning while the liquid cools. But he does not know my bellows. Someone there is who will huff and will puff. The sophmores in their new junior blazers, like Saturday's magazines out on Thursday. Freshly covered textbooks from the campus store, slide rules dangling in leather, sheathed broadswords, chinos scrubbed to the virgin fiber, starch pressed into straight-razor creases, Oxford shirts buttoned down under crewneck sweaters, blue eyes bobbing everywhere, stunned by the android synthesis of one-a-day vitamins, Tropicana orange juice, fresh country eggs, Kraft homogenized cheese, tetra-packs of fortified milk, Cheerios with sun-ripened bananas, corn-flake-breaded chicken, hot fudge sundaes, Dairy Queen root beer floats, cheeseburgers, hybrid creamed corn, riboflavin extract, brewer's yeast, crunchy peanut butter, tuna fish casseroles, pancakes and imitation maple syrup, chuck steaks, occasional Maine lobster, Social Tea biscuits, defatted wheat germ, Kellogg's Concentrate, chopped string beans, Wonderbread, Birds Eye frozen peas, shredded spinach, French-fried onion rings, escarole salads, lentil stews, sundry fowl innards, Pecan Sandies, Almond Joys, aureomycin, penicillin, antitetanus toxoid, smallpox vaccine, Alka-Seltzer, Empirin, Vicks VapoRub, Arrid with chlorophyll, Super Anahist nose spray, Dristan decongestant, billions of cubic feet of wholesome, reconditioned breathing air, and the more wholesome breeds of fraternal exercise available to Western man. Ah, the regimented good will and force-fed confidence of those who are not meek but will inherit the earth all the same.
Richard Fariña (Been Down So Long It Looks Like Up to Me)
Without electricity or gas, the kitchen became a twilight mausoleum of dead appliances. One day, Natasha had an idea. Wearing latex gloves she found in Sonja’s room, she scrubbed the innards of the oven and refrigerator with steel wool and bleach. She cut a broomstick to the width of the refrigerator compartment, jammed it in below the thermostat control, and pulled out the plastic shelves. In her bedroom, she gathered clothes from the floor in sweeping armfuls and deposited them before the refrigerator and the oven. Ever since she had begun working for the shuttle trader, her wardrobe exceeded her closet space. She hung silk evening dresses and cashmere sweaters on the broomstick bar, set folded jeans and blouses on the oven rack. When finished, she opened the doors to her new closet and bureau and felt pleased with her ingenuity. This is how you will survive, she told herself. You will turn the holes in your life into storage space.
Anthony Marra (A Constellation of Vital Phenomena)
Isn't it surprising what an array of things a woman can drag forth, burrowing into attics, rooms and nooks! Things long out of mind; an old thing; a worn-out thing; but it has lain in that room, nook or bag until just such a riot of soap and scrubbing brush brings it out. And, as I think of it, a human mind could, and should go through just such a ransacking, occasionally; for you don’t know half of what an accumulation of rubbish is kicking about, in its dark, musty corridors. Old fashions in thoughts; bigotry; vanity; all lying stagnant. So why not drag out and sort all that stuff, discarding all which is of no valuation? About half of us will find, in our minds, a room, having on its door a card, saying: “It Was Not So In My Day.” Go at that room, right off. That “My Day” is long past. “Today” is boss, now. If that “My Day” could crawl up on “Today,” what a mix-up in World affairs would occur! Ox cart against aircraft; oil lamps against arc lights! Slow, mail information against radio! But, as all this stuff is laid out, what will you do with it? Nobody wants it. So I say, burn it, and tomorrow morning, how happy you will find that musty old mind!
Ernest Vincent Wright (Gadsby)
expression that I took to be surprised agreement. Because Birdie seemed to expect me to elucidate, I fumbled out what I thought she might want to say herself: “Grief can destroy you—or focus you. You can decide a relationship was all for nothing if it had to end in death, and you alone. Or you can realize that every moment of it had more meaning than you dared to recognize at the time, so much meaning it scared you, so you just lived, just took for granted the love and laughter of each day, and didn’t allow yourself to consider the sacredness of it. But when it’s over and you’re alone, you begin to see it wasn’t just a movie and a dinner together, not just watching sunsets together, not just scrubbing a floor or washing dishes together or worrying over a high electric bill. It was everything, it was the why of life, every event and precious moment of it. The answer to the mystery of existence is the love you shared sometimes so imperfectly, and when the loss wakes you to the deeper beauty of it, to the sanctity of it, you can’t get off your knees for a long time, you’re driven to your knees not by the weight of the loss but by gratitude for what preceded the loss. And the ache is always there, but one day not the emptiness, because to nurture the emptiness, to take solace in it, is to disrespect the gift of life.
Dean Koontz (Odd Hours (Odd Thomas, #4))
Is it Randall?” Oscar sounded out the name with care, as if testing dangerous waters. Camille closed her eyes and turned her face away from him, not wanting to have to see him when she said what she needed to say. “I have a duty, Oscar, just like my mother did. She failed at hers and look what happened; she destroyed so much. My father asked me not to say anything, but if I don’t marry Randall…I’m sorry, Oscar, I just have to.” Camille tried to edge by him, but Oscar held her back with his arm. “Do you think I’m a fool, Camille? Don’t try to blame marrying Randall on some duty you think you have.” She parted her lips to insist he was wrong. He cut her off. “If this is how you really feel, then you had no right to ask me to stay with you that night. You gave me a taste of what being with you might be like, and now you’re asking me to walk away. Who do you think you are?” Camille shook her head. He wasn’t listening. He had no idea how difficult it was for her, too, to have that one taste, that single moment of pure bliss to feed off of for the rest of her life. “I don’t have a choice-“ He slammed his fist against the pantry shelf behind her. “I don’t have a bank vault filled with money, or ten suits hanging in my closet to choose from each morning. I know I couldn’t give you all the things he could, but I can give you something he’ll never be able to. I love you, Camille,” he said, his mouth so close to hers his breath moistened her lips. “I love you. Not your last name or your pretty face or all the business opportunities you could bring me.” He laid his palm just beneath her neck, his thumb caressing the skin above where her heart lay. “Just you.” She stared at him, unblinking, unable to breathe, let alone speak. Oscar’s arm fell away. “You do have a choice, Camille. Or should I already be calling you Mrs. Jackson?” He stormed from the pantry, Camille on his heels. Promise or no promise to her father, she had to tell Oscar everything. “Please, Oscar, wait, if you’ll just listen-“ The companionway steps rattled, and Ira bounded into the galley. Oscar scooped up his shirt and shoved his arms inside the sleeves as Ira kicked out a bench at the table and sat down. “I’ve never been so friggin’ tried in my life,” Ira said, grabbing a mug for coffee. “And I once played a game of poker that lasted two days. Camille ignored him, Oscar’s anger still stinging. She’d created a massive mass. Ira peered at her, then at Oscar. “Why’re you two all red in the face?” he asked. Then his cheeks drew up and his teeth glistened. Oscar caught him before he could speak. “Save it, Ira,” he said, quickly glancing at Camille. She couldn’t plead with him to listen to her explain with Ira there. Oscar buttoned his shirt and left the galley. Ira directed his wily grin toward her. “Save it, Ira,” she echoed, and resumed scrubbing the floor.
Angie Frazier (Everlasting (Everlasting, #1))
The shower turned out to be glorious once I adjusted the water to a cool enough temperature so as not to produce any steam. I washed my hair, noticing that my favorite shampoo suddenly smelled like Hades--as did my trusty facial scrub, which had so loyally saved my face from looking like the back of a lizard on the day of my wedding. Just as I was rinsing the last of the suds from my hair, Marlboro Man suddenly burst through the door of the bathroom and yelled, “Hey!” I screamed bloody murder from the startle, then screamed again because I was naked and feeling queasy and unattractive. Then I felt sick from the excitement. “Hi,” I managed, grabbing a towel from the rack and wrapping it around myself as quickly as I could. “Gotcha,” he said, smiling the sexiest smile I’d ever seen while in such a sick state. Then he stopped and looked at me. “Are you okay?” He must have noticed the verdant glow of my skin. “I’ll be honest,” I said, making my way back to our bedroom. “It’s pretty bad. I’m going to try to get in to the doctor today and see if there’s anything he can do about it.” I fell backward onto the bed. “My ears must have been permanently damaged or something.” Marlboro Man moved toward me, looking like the cat that had just eaten the canary. “Scared you, didn’t I?” he chuckled as he wrapped his arms around my towel-cloaked body. I breathed him in, wrapping my arms around him, too. Then I shot up and raced back to the bathroom so I could throw up again.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Loss is the hardest thing,” I said. “But it’s also the teacher that’s the most difficult to ignore.” Her fanning hand went still. She regarded me with an expression that I took to be surprised agreement. Because Birdie seemed to expect me to elucidate, I fumbled out what I thought she might want to say herself: “Grief can destroy you—or focus you. You can decide a relationship was all for nothing if it had to end in death, and you alone. Or you can realize that every moment of it had more meaning than you dared to recognize at the time, so much meaning it scared you, so you just lived, just took for granted the love and laughter of each day, and didn’t allow yourself to consider the sacredness of it. But when it’s over and you’re alone, you begin to see it wasn’t just a movie and a dinner together, not just watching sunsets together, not just scrubbing a floor or washing dishes together or worrying over a high electric bill. It was everything, it was the why of life, every event and precious moment of it. The answer to the mystery of existence is the love you shared sometimes so imperfectly, and when the loss wakes you to the deeper beauty of it, to the sanctity of it, you can’t get off your knees for a long time, you’re driven to your knees not by the weight of the loss but by gratitude for what preceded the loss. And the ache is always there, but one day not the emptiness, because to nurture the emptiness, to take solace in it, is to disrespect the gift of life.
Dean Koontz (Odd Hours (Odd Thomas, #4))
I ran into him at the library one other time, with my mother, as he was coming out and we were walking past on our way to the post office. He tipped his hat to her, and she nodded, and though I wanted to tell my mother who he was, my stomach went cold, and all I managed was a meek hello. For the rest of the afternoon I felt like crying without knowing why. It wasn’t until later that I realized that I couldn’t picture Dr. Young walking into Mr. Awad’s store—how could I, when Mr. Awad warns us to always check for the back of a cloche hat or a curl of yellow hair before we step out to dress a mannequin, so that the American women won’t see our dirty hands? The white Americans might be ajanib, but my parents say we’re white, too, or we must be something close to it if we are both Christians, and I think they really believe that if we keep our noses in our work, a day will come when we’ll earn more than their disdain. In the meantime, my mother whispers about the widow Haddad and scrubs my face with turmeric, and my father warns me against dating like the American girls, saying, Do you know how hard we worked to get you here? Neither of them know what Mrs. Theodore taught me about my color in the back of that Rolls-Royce. In that moment with my mother and Dr. Young, little wing, when I felt the cold drip of fear in my stomach, I realized that an infinite number of moments had instilled in me a reflex as potent and inescapable as a sneeze. It was like seeing the shape of something large coming toward you in the dark.
Zeyn Joukhadar (The Thirty Names of Night)
Help,’ Jo moaned. ‘I think I’m in a coma.’ It was seven o’clock. The library walls were scrubbed clean and Allie’s neck and shoulders ached whenever she even thought about raising her arms as she sat on the dust sheet next to Jo. ‘Do your arms hurt?’ Allie asked, rubbing her shoulders. ‘God yes.’ ‘Then you’re not in a coma.’ Gingerly Allie stretched out her legs. ‘Jesus. What have I got myself into? Rachel has a swimming pool and horses. Horses, Jo. I could be floating in a pool and petting soft pony noses if I were still at her house.’ ‘Here.’ Jo turned to face her. ‘My nose is soft. You can pet it.’ Allie stroked her nose tiredly. ‘Wow. This is just like being at Rachel’s. Where’s the pool?’ ‘No pool,’ Jo said. ‘Showers.’ ‘Sucks.’ ‘Totally.’ ‘Are you two just going to lie there complaining? Or are you coming to dinner?’ Allie looked up to see Carter standing above them, studying them doubtfully. ‘Jo’s in a coma,’ Allie informed him. ‘She no longer needs food.’ ‘Wait. Did you say food? I think I’m actually awake.’ Jo scrambled to her feet. ‘My God,’ Allie said mildly. ‘It’s a miracle.’ ‘You’ve only been doing this one day, Sheridan.’ Carter reached down to pull her up. ‘You can’t be tired already.’ ‘Everything hurts,’ she said. ‘Shoulders, arms, back …’ ‘Legs, feet, head …’ Jo offered helpfully. ‘Ankles. Shins. Name a body part,’ Allie said. ‘It hurts.’ Carter didn’t look impressed. ‘Food will ease your pain.’ He steered them towards the dining hall. ‘He’s very wise,’ Allie told Jo. ‘Clearly,’ Jo replied.
C.J. Daugherty (Legacy (Night School, #2))
Our streets have days, and even hours. Where I was born, and where my baby will be born, you look down the street and you can almost see what's happening in the house: like, say, Saturday, at three in the afternoon, is a very bad hour. The kids are home from school. The men are home from work. You'd think that this might be a very happy get together, but it isn't. The kids see the men. The men see the kids. And this drives the women, who are cooking and cleaning and straightening hair and who see what men won't see, almost crazy. You can see it in the streets, you can hear it in the way the women yell for their children. You can see it in the way they come down out of the house - in a rush, like a storm - and slap the children and drag them upstairs, you can hear it in the child, you can see it in the way the men, ignoring all this, stand together in front of a railing, sit together in the barbershop, pass a bottle between them, walk to the corner to the bar, tease the girl behind the bar, fight with each other, and get very busy, later, with their vines. Saturday afternoon is like a cloud hanging over, it's like waiting for a storm to break. But, on Sunday mornings the clouds have lifted, the storm has done its damage and gone. No matter what the damage was, everybody's clean now. The women have somehow managed to get it all together, to hold everything together. So, here everybody is, cleaned, scrubbed, brushed, and greased. Later, they're going to eat ham hocks or chitterlings or fried or roasted chicken, with yams and rice and greens or combread or biscuits. They're going to come home and fall out and be friendly: and some men wash their cars, on Sundays, more carefully than they wash their fo­reskins.
James Baldwin (If Beale Street Could Talk)
We killed them all when we came here. The people came and burned their land The forests where they used to feed We burned the trees that gave them shade And burned to bush, to scrub, to heath We made it easier to hunt. We changed the land, and they were gone. Today our beasts and dreams are small As species fall to time and us But back before the black folk came Before the white folk’s fleet arrived Before we built our cities here Before the casual genocide, This was the land where nightmares loped And hopped and ran and crawled and slid. And then we did the things we did, And thus we died the things we died. We have not seen Diprotodon A wombat bigger than a room Or run from Dromornithidae Gigantic demon ducks of doom All motor legs and ripping beaks A flock of geese from hell’s dark maw We’ve lost carnivorous kangaroo A bouncy furrier T Rex And Thylacoleo Carnifex the rat-king-devil-lion-thing the dropbear fantasy made flesh. Quinkana, the land crocodile Five metres long and fast as fright Wonambi, the enormous snake Who waited by the water-holes and took the ones who came to drink who were not watchful, clever, bright. Our Thylacines were tiger-wolves until we drove them off the map Then Megalania: seven meters of venomous enormous lizard... and more, and more. The ones whose bones we’ve never seen. The megafauna haunt our dreams. This was their land before mankind Just fifty thousand years ago. Time is a beast that eats and eats gives nothing back but ash and bones And one day someone else will come to excavate a heap of stones And wonder, What were people like? Their teeth weren’t sharp. Their feet were slow. They walked Australia long ago before Time took them into tales We’re transients. The land remains. Until its outlines wash away. While night falls down like dropbears don’t to swallow up Australia Day.
Neil Gaiman
I am speaking of the evenings when the sun sets early, of the fathers under the streetlamps in the back streets returning home carrying plastic bags. Of the old Bosphorus ferries moored to deserted stations in the middle of winter, where sleepy sailors scrub the decks, pail in hand and one eye on the black-and-white television in the distance; of the old booksellers who lurch from one ϧnancial crisis to the next and then wait shivering all day for a customer to appear; of the barbers who complain that men don’t shave as much after an economic crisis; of the children who play ball between the cars on cobblestoned streets; of the covered women who stand at remote bus stops clutching plastic shopping bags and speak to no one as they wait for the bus that never arrives; of the empty boathouses of the old Bosphorus villas; of the teahouses packed to the rafters with unemployed men; of the patient pimps striding up and down the city’s greatest square on summer evenings in search of one last drunken tourist; of the broken seesaws in empty parks; of ship horns booming through the fog; of the wooden buildings whose every board creaked even when they were pashas’ mansions, all the more now that they have become municipal headquarters; of the women peeking through their curtains as they wait for husbands who never manage to come home in the evening; of the old men selling thin religious treatises, prayer beads, and pilgrimage oils in the courtyards of mosques; of the tens of thousands of identical apartment house entrances, their facades discolored by dirt, rust, soot, and dust; of the crowds rushing to catch ferries on winter evenings; of the city walls, ruins since the end of the Byzantine Empire; of the markets that empty in the evenings; of the dervish lodges, the tekkes, that have crumbled; of the seagulls perched on rusty barges caked with moss and mussels, unϩinching under the pelting rain; of the tiny ribbons of smoke rising from the single chimney of a hundred-yearold mansion on the coldest day of the year; of the crowds of men ϧshing from the sides of the Galata Bridge; of the cold reading rooms of libraries; of the street photographers; of the smell of exhaled breath in the movie theaters, once glittering aϱairs with gilded ceilings, now porn cinemas frequented by shamefaced men; of the avenues where you never see a woman alone after sunset; of the crowds gathering around the doors of the state-controlled brothels on one of those hot blustery days when the wind is coming from the south; of the young girls who queue at the doors of establishments selling cut-rate meat; of the holy messages spelled out in lights between the minarets of mosques on holidays that are missing letters where the bulbs have burned out; of the walls covered with frayed and blackened posters; of the tired old dolmuşes, ϧfties Chevrolets that would be museum pieces in any western city but serve here as shared taxis, huϫng and puϫng up the city’s narrow alleys and dirty thoroughfares; of the buses packed with passengers; of the mosques whose lead plates and rain gutters are forever being stolen; of the city cemeteries, which seem like gateways to a second world, and of their cypress trees; of the dim lights that you see of an evening on the boats crossing from Kadıköy to Karaköy; of the little children in the streets who try to sell the same packet of tissues to every passerby; of the clock towers no one ever notices; of the history books in which children read about the victories of the Ottoman Empire and of the beatings these same children receive at home; of the days when everyone has to stay home so the electoral roll can be compiled or the census can be taken; of the days when a sudden curfew is announced to facilitate the search for terrorists and everyone sits at home fearfully awaiting “the oϫcials”; CONTINUED IN SECOND PART OF THE QUOTE
Orhan Pamuk (Istanbul: Memories and the City)
Kestrel came often. One day, when she knew from Sarsine that Arin had returned home but she had not yet seen him, she went to the suite. She touched one of his violins, reaching furtively to pluck the highest string of the largest instrument. The sound was sour. The violin was ruined--no doubt all of them were. That is what happens when an instrument is left strung and uncased for ten years. A floorboard creaked somewhere in one of the outer chambers. Arin. He entered the room, and she realized that she had expected him. Why else had she come here so frequently, almost every day, if she hadn’t hoped that someone would notice and tell him to find her there? But even though she admitted to wanting to be here with him in his old rooms, she hadn’t imagined it would be like this. With her caught touching his things. Her gaze dropped. “I’m sorry,” she murmured. “It’s all right,” he said. “I don’t mind.” He lifted the violin off its nails and set it in her hands. It was light, but Kestrel’s arms lowered as if the violin’s hollowness were terribly heavy. She cleared her throat. “Do you still play?” He shook his head. “I’ve mostly forgotten how. I wasn’t good at it anyway. I loved to sing. Before the war, I worried that gift would leave me, the way it often does with boys. We grow, we change, our voices break. It doesn’t matter how well you sing when you’re nine years old, you know. Not when you’re a boy. When the change comes you just have to hope for the best…that your voice settles into something you can love again. My voice broke two years after the invasion. Gods, how I squeaked. And when my voice finally settled, it seemed like a cruel joke. It was too good. I hardly knew what to do with it. I felt so grateful to have this gift…and so angry, for it to mean so little. And now…” He shrugged, a self-deprecating gesture. “Well, I know I’m rusty.” “No,” Kestrel said. “You’re not. Your voice is beautiful.” The silence after that was soft. Her fingers curled around the violin. She wanted to ask Arin a question yet couldn’t bear to do it, couldn’t say that she didn’t understand what had happened to him the night of the invasion. It didn’t make sense. The death of his family was what her father would call a “waste of resources.” The Valorian force had had no pity for the Herrani military, but it had tried to minimize civilian casualties. You can’t make a dead body work. “What is it, Kestrel?” She shook her head. She set the violin back on the wall. “Ask me.” She remembered standing outside the governor’s palace and refusing to hear his story, and was ashamed once more. “You can ask me anything,” he said. Each question seemed the wrong one. Finally, she said, “How did you survive the invasion?” He didn’t speak at first. Then he said, “My parents and sister fought. I didn’t.” Words were useless, pitifully useless--criminal, even, in how they could not account for Arin’s grief, and could not excuse how her people had lived on the ruin of his. Yet again Kestrel said, “I’m sorry.” “It’s not your fault.” It felt as if it was. Arin led the way out of his old suite. When they came to the last room, the greeting room, he paused before the outermost door. It was the slightest of hesitations, no longer than if the second hand of a clock stayed a beat longer on its mark than it should. But in that fraction of time, Kestrel understood that the last door was not paler than the others because it had been made from a different wood. It was newer. Kestrel took Arin’s battered hand in hers, the rough heat of it, the fingernails still ringed with carbon from the smith’s coal fire. His skin was raw-looking: scrubbed clean and scrubbed often. But the black grime was too ingrained. She twined her fingers with his. Kestrel and Arin walked together through the passageway and the ghost of its old door, which her people had smashed through ten years before.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
We are praying to the God of our people, whom we call Hashem, literally, “the Name.” The true name for God is devastatingly holy and evocative; to utter it would represent a death wish, so we have safe nicknames for him instead: the Holy Name, the One, the Only, the Creator, the Destroyer, the Overseer, the King of All Kings, the One True Judge, the Merciful Father, Master of the Universe, O Great Architect, a long list of names for all his attributes. For the sake of this divinity I must surrender myself each morning, body and soul; for this God, my teachers say, I must learn silence so that only his voice can be heard through me. God lives in my soul, and I must spend my life scrubbing my soul clean of any trace of sin so that it deserves to host his presence. Repentance is a daily chore; at each morning prayer session we repent in advance for the sins we will commit that day. I look around at the others, who must sincerely believe in their inherent evil, as they are shamelessly crying and wailing to God to help them expunge the yetzer hara, or evil inclination, from their consciousness. Although I talk to God, it is not through prayer. I talk to him in my mind, and even I will admit that I do not come to God humbly, as I should. I talk to him frankly, as I would to a friend, and I’m constantly asking him for favors. Still, I feel like God and I are on pretty good terms, relatively speaking. This morning, as everyone sways passionately around me, I stand calmly in the sea of young girls, asking God to make this day a bearable one. I’m very easy to pick on. The teachers know I’m not important, that no one will defend me. I’m not a rabbi’s daughter, so when they get angry, I’m the perfect scapegoat. I make sure never to look up from my siddur during prayer, but Chavie Halberstam, the rabbi’s daughter, can elbow her friend Elky to point out the toilet paper stuck to the teacher’s shoe and it’s as if nothing happened. If I so much as smirk, I’m singled out immediately. This is why I need God on my side; I have no one else to stick up for me.
Deborah Feldman (Unorthodox: The Scandalous Rejection of My Hasidic Roots)
Try any one of these things each day: A) Sleep eight hours. B) Eat two meals instead of three. C) No TV. D) No junk food. E) No complaining for one whole day. F) No gossip. G) Return an e-mail from five years ago. H) Express thanks to a friend. I) Watch a funny movie or a stand-up comic. J) Write down a list of ideas. The ideas can be about anything. K) Read a spiritual text. Any one that is inspirational to you. The Bible, The Tao te Ching, anything you want. L) Say to yourself when you wake up, “I’m going to save a life today.” Keep an eye out for that life you can save. M) Take up a hobby. Don’t say you don’t have time. Learn the piano. Take chess lessons. Do stand-up comedy. Write a novel. Do something that takes you out of your current rhythm. N) Write down your entire schedule. The schedule you do every day. Cross out one item and don’t do that anymore. O) Surprise someone. P) Think of ten people you are grateful for. Q) Forgive someone. You don’t have to tell them. Just write it down on a piece of paper and burn the paper. It turns out this has the same effect in terms of releasing oxytocin in the brain as actually forgiving them in person. R) Take the stairs instead of the elevator. S) I’m going to steal this next one from the 1970s pop psychology book Don’t Say Yes When You Want to Say No: when you find yourself thinking of that special someone who is causing you grief, think very quietly, “No.” If you think of him and (or?) her again, think loudly, “No!” Again? Whisper, “No!” Again, say it. Louder. Yell it. Louder. And so on. T) Tell someone every day that you love them. U) Don’t have sex with someone you don’t love. V) Shower. Scrub. Clean the toxins off your body. W) Read a chapter in a biography about someone who is an inspiration to you. X) Make plans to spend time with a friend. Y) If you think, “Everything would be better off if I were dead,” then think, “That’s really cool. Now I can do anything I want and I can postpone this thought for a while, maybe even a few months.” Because what does it matter now? The planet might not even be around in a few months. Who knows what could happen with all these solar flares. You know the ones I’m talking about. Z) Deep breathing. When the vagus nerve is inflamed, your breathing becomes shallower. Your breath becomes quick. It’s fight-or-flight time! You are panicking. Stop it! Breathe deep. Let me tell you something: most people think “yoga” is all those exercises where people are standing upside down and doing weird things. In the Yoga Sutras, written in 300 B.C., there are 196 lines divided into four chapters. In all those lines, ONLY THREE OF THEM refer to physical exercise. It basically reads, “Be able to sit up straight.” That’s it. That’s the only reference in the Yoga Sutras to physical exercise. Claudia always tells me that yogis measure their lives in breaths, not years. Deep breathing is what keeps those breaths going.
James Altucher (Choose Yourself)