Scrolling Gallery Quotes

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The large drawing-room was an immense, long room, with a sort of gallery that ran from one pavilion to the other, taking up the whole of the façade on the garden side. A large French window opened on to the steps. This gallery glittered with gold. The ceiling, gently arched, had fanciful scrolls winding round great gilt medallions, that shone like bucklers. Bosses and dazzling garlands encircled the arch; fillets of gold, resembling threads of molten metal, ran round the walls, framing the panels, which were hung with red silk; festoons of roses, topped with tufts of full-blown blossoms, hung down along the sides of the mirrors. An Aubusson carpet spread its purple flowers over the polished flooring. The furniture of red silk damask, the door-hangings and window-curtains of the same material, the huge ormolu clock on the mantel-piece, the porcelain vases standing on the consoles, the legs of the two long tables
Émile Zola (Delphi Complete Works of Emile Zola)
BARABAS: As for myself, I walk abroad a-nights, And kill sick people groaning under walls. Sometimes I go about and poison wells; And now and then, to cherish Christian thieves, I am content to lose some of my crowns, That I may, walking in my gallery, See 'em go pinion'd along by my door. Being young, I studied physic, and began To practice first upon the Italian; There I enrich'd the priests with burials, And always kept the sexton's arms in ure With digging graves and ringing dead men's knells. And, after that, was I an engineer, And in the wars 'twixt France and Germany, Under pretence of helping Charles the Fifth, Slew friend and enemy with my stratagems: Then, after that, was I an usurer, And with extorting, cozening, forfeiting, And tricks belonging unto brokery, I fill'd the gaols with bankrupts in a year, And with young orphans planted hospitals; And every moon made some or other mad, And now and then one hang himself for grief, Pinning upon his breast a long great scroll How I with interest tormented him. But mark how I am blest for plaguing them: I have as much coin as will buy the town.
Christopher Marlowe (The Jew of Malta)
Humankind cannot exist without the makeshift paradigm of innovative art, which genuine amoeba expresses elusive and unsayable thoughts. Humankind’s gallery of artistic impressions ranges from the starkness of personified cave drawings to the free ranging lexis of modern art. Collection of multihued stories of the ages portrays the vivid panoply of enigmatic vitas etched by humankind’s self-imposed sense of urgency. Each passing generation’s effusion of trope offerings seamlessly folds its shared renderings into the shimmering panorama of the cosmos, the sparkling nightscape that houses the intangible life force all communal souls.
Kilroy J. Oldster (Dead Toad Scrolls)
Art translates human souls. Each passing eon’s public display of sophisticated hieroglyphics cast a unique depiction upon the rudimentary art of survival. Humankind cannot exist without the makeshift paradigm of innovative art, which genuine amoeba expresses elusive and unsayable thoughts. Humankind’s gallery of artistic impressions ranges from the starkness of personified cave drawings to the free ranging lexis of modern art. Collection of multihued stories of the ages portrays the vivid panoply of enigmatic vitas etched by humankind’s self-imposed sense of urgency. Each passing generation’s effusion of trope offerings seamlessly folds its shared renderings into the shimmering panorama of the cosmos, the sparkling nightscape that houses the intangible life force all communal souls.
Kilroy J. Oldster (Dead Toad Scrolls)
Yeah, who needs an extra two hundred dollars for three hours of work?” Kristen said, flipping a hand dismissively. “Not Miguel apparently.” I froze. “Two hundred dollars?” Sloan sprayed the counter with lemon-scented all-purpose cleaner. “Sometimes it’s more—right, Kristen? It depends on the style?” Kristen stared at her best friend like she was telling her to shut up. Then she dragged her eyes back to me. “The stairs run four to five hundred dollars apiece, plus shipping. I split the profits fifty-fifty, minus the materials, with my carpenter. So yeah. Sometimes it’s more.” “Do you have a picture of the stairs?” I asked. Kristen unenthusiastically handed me her phone and I scrolled through a website gallery of ridiculous tiny steps with Stuntman Mike posed on them in different outfits. These were easy. Well within my ability. “You know, I think I do have time for this. I’ll do it if you don’t have anyone else.” A few of these and I could pay off my Lowe’s card. This was real money. Kristen shook her head. “I think I’d rather take my chances with the organ thieves.” Sloan gasped, and Brandon froze and looked at Kristen and me. “Is that right?” I said, eyeballing her. “How about we talk about this over coffee.” Kristen narrowed her eyes and I arched an eyebrow. “Fine,” she said like it was physically painful. “You can build the damn stairs. But only until I find a different guy. And I will be looking for a different guy.” Sloan looked back and forth between us. “Is there something you guys want to tell us?” “I caught him staring at my ass,” Kristen said without skipping a beat. I shrugged. “She did. I have no excuse. It’s a great ass.” Brandon chuckled and Sloan eyed her best friend. Kristen tried to look mad, but I could tell she took the compliment.
Abby Jimenez (The Friend Zone (The Friend Zone, #1))