“
Women always put men first. That's how everything got so screwed up.
”
”
Janet Fitch (White Oleander)
“
I didn’t know what was worse: to have your shot and screw it up, or to never have had a shot in the first place.
”
”
Danielle Paige (Dorothy Must Die (Dorothy Must Die, #1))
“
We were screwed and he didn't even kiss us first.
”
”
Ilona Andrews (Magic Burns (Kate Daniels, #2))
“
She winced and covered her ears as Eric,onstage, wrestled with his microphone.
"Sorry about that, guys!" he yelled. "All right. I'm Eric, and this is my homeboy Matt on the drums. My first poem is called 'Untitled.'" He screwed up his face as if in pain, and wailed into the mike. "Come my faux juggernaut, my nefarious loins! Slather every protuberance with arid zeal!"
Simon slid down in his seat. "Please don't tell anyone I know him."
Clary giggled. "Who uses the word 'loins'?"
"Eric," Simon said grimly. "All his poems have loins in them."
'Turgid is my torment!" Eric wailed. "Agony swells within!"
"You bet it does," Clary said.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
A person should not be too honest. Straight trees are cut first and honest people are screwed first.
”
”
Chanakya
“
My reaction to porno films is as follows: After the first ten minutes, I want to go home and screw. After the first twenty minutes, I never want to screw again as long as I live.
”
”
Erica Jong
“
So I was thinking we should skip tomorrow, stay right here and watch shitty movies all day."
My first response was to say I couldn't skip a whole day's worth of classes, but as I met Cam's mischievous gaze, I said screw it. "That's a brilliant idea."
"I know, right?" He tapped his head. "I'm full of great shit."
"Yeah, you're definitely full of it..."
"Ha.
”
”
J. Lynn (Wait for You (Wait for You, #1))
“
I can let you in, Eva. I’m trying. But your first response when I screw up is to run away. You do it every time and I can’t stand feeling like any moment I’m going to do or say something wrong and you’re going to bolt.
”
”
Sylvia Day (Bared to You (Crossfire, #1))
“
I didn't realize there was a ranking." I said. "Sadie frowned. "What do you mean?" "A ranking," I said. "You know, what's crazier than what." "Oh, sure there is," Sadie said. She sat back in her chair. "First you have your generic depressives. They're a dime a dozen and usually pretty boring. Then you've got the bulimics and the anorexics. They're slightly more interesting, although usually they're just girls with nothing better to do. Then you start getting into the good stuff: the arsonists, the schizophrenics, the manic-depressives. You can never quite tell what those will do. And then you've got the junkies. They're completely tragic, because chances are they're just going to go right back on the stuff when they're out of here." "So junkies are at the top of the crazy chain," I said. Sadie shook her head. "Uh-uh," she said. "Suicides are." I looked at her. "Why?" "Anyone can be crazy," she answered. "That's usually just because there's something screwed up in your wiring, you know? But suicide is a whole different thing. I mean, how much do you have to hate yourself to want to just wipe yourself out?
”
”
Michael Thomas Ford
“
we all have too many wheels, screws and valves to judge each other on first impressions or one or two pointers. I don't understand you, you don't understand me and we don't understand ourselves.
”
”
Anton Chekhov (Ivanov (Plays for Performance Series))
“
I’ll sue you,” the door said as the first screw fell out. Joe Chip said, “I’ve never been sued by a door. But I guess I can live through it.
”
”
Philip K. Dick (Ubik)
“
I don’t know much, but this is what I’ve learned. You’ll fall for the last person you ever thought you’d be interested in. That’s the tricky part. You might not even notice her at first. And she usually comes around just when you’ve stopped looking. But if you pay attention, you’ll know it’s her because she’ll stand out from everybody else. She might even scare you. But if you’re lucky enough to meet this girl, be smart enough to realize it and try not to screw it up.
”
”
Katie Kacvinsky (First Comes Love (First Comes Love, #1))
“
I need you to know I never meant it. I said it because I thought that’s what you’re supposed to say, but it didn’t mean anything. And it’s different with you. This is the first time I’ve been scared. Scared you’ll change your mind. Scared I’ll screw it up. Aces, Cress, I’m terrified of you.” Her stomach fluttered. He didn’t look terrified. “Here’s the thing.” Thorne crawled over her legs and lay down beside her, boots and all. “You deserve better than some thief who’s going to end up in jail again. Everyone knows it. Even I know it. But you seem determined to believe I’m actually a decent guy who’s halfway worthy of you. So, what scares me most”—he twisted a lock of her hair between his fingers—“is that someday even you will realize that you can do better.
”
”
Marissa Meyer (Winter (The Lunar Chronicles, #4))
“
Although security and warfare had never been my gig, vampire security was highly contextual and thus incredibly interesting. There were links to history (Vampires were screwed over yesterday!) and politics (House X screwed us over yesterday!), philosophy (Why do you think they screwed us over yesterday?) and ethics (If we didn’t bite, would they have screwed us over yesterday?), and, of course, strategy (How did they screw us over? How can we keep them from screwing us over again or, better yet, screw them over first?).
”
”
Chloe Neill (Some Girls Bite (Chicagoland Vampires, #1))
“
don't say no to me you can't say no to me because it's such a relief to have love again and to lie in bed and be held and touched and kissed and adored and your heart will leap when you hear my voice and see my smile and feel my breath on your neck and your heart will race when I want to see you and I will lie to you from day one and use you and screw you and break your heart because you broke mine first and you will love me more each day until the weight is unbearable and your life is mine and you'll die alone because I will take what I want then walk away and owe you nothing it's always there it's always been there and you cannot deny the life you feel fuck that life fuck that life fuck that life I have lost you now.
”
”
Sarah Kane (Crave)
“
The karmic cycle, when someone screws up really bad and hurts you. Our first instinct is to hurt back, or refuse to forgive.
”
”
Jennifer Probst (The Marriage Bargain (Marriage to a Billionaire, #1))
“
Also, screw you—maybe you can be all stealthy and break into their building to get the woman out, but I can get
us there and back safely. I did this for months and never got a second glance from anyone, including PSFs.”
“Probably because your ugly-ass face blinded them on the first look,” she muttered.
”
”
Alexandra Bracken (In the Afterlight (The Darkest Minds, #3))
“
Leave the dishes.
Let the celery rot in the bottom drawer of the refrigerator
and an earthen scum harden on the kitchen floor.
Leave the black crumbs in the bottom of the toaster.
Throw the cracked bowl out and don't patch the cup.
Don't patch anything. Don't mend. Buy safety pins.
Don't even sew on a button.
Let the wind have its way, then the earth
that invades as dust and then the dead
foaming up in gray rolls underneath the couch.
Talk to them. Tell them they are welcome.
Don't keep all the pieces of the puzzles
or the doll's tiny shoes in pairs, don't worry
who uses whose toothbrush or if anything
matches, at all.
Except one word to another. Or a thought.
Pursue the authentic-decide first
what is authentic,
then go after it with all your heart.
Your heart, that place
you don't even think of cleaning out.
That closet stuffed with savage mementos.
Don't sort the paper clips from screws from saved baby teeth
or worry if we're all eating cereal for dinner
again. Don't answer the telephone, ever,
or weep over anything at all that breaks.
Pink molds will grow within those sealed cartons
in the refrigerator. Accept new forms of life
and talk to the dead
who drift in though the screened windows, who collect
patiently on the tops of food jars and books.
Recycle the mail, don't read it, don't read anything
except what destroys
the insulation between yourself and your experience
or what pulls down or what strikes at or what shatters
this ruse you call necessity.
”
”
Louise Erdrich (Original Fire)
“
I might screw up, I might embarrass you, I might yell at you, but I will never, ever stop loving you. You're my first born. The first time I held you... I fell in love so hard it cracked my bones.
”
”
Kristin Hannah (Home Front)
“
You hear about how many fourth quarter comebacks that a guy has and I think it means a guy screwed up in the first three quarters
”
”
Peyton Manning
“
These stupid biases and discrimination are the reason our country is so screwed up. It's Tamil first, Indian later. Punjabi first, Indian later. It has to end. National anthem, national currency, national teams - still, we won't marry our children outside our state. How can this intolerance be good for our country?
”
”
Chetan Bhagat (2 States: The Story of My Marriage)
“
Quite honestly, a baby covered in blood, still slightly blue, eyes screwed up, in the first few minutes after birth, is not an object of beauty.
”
”
Jennifer Worth (The Midwife: A Memoir of Birth, Joy, and Hard Times)
“
Before I got here, I thought for a long time that the way out of the labyrinth was to pretend that it did not exist, to build a small, self-sufficient world in a back corner of, the endless maze and to pretend that I was not lost, but home. But that only led to a lonely life accompanied only by the last words of the looking for a Great Perhaps, for real friends, and a more-than minor life.
And then i screwed up and the Colonel screwed up and Takumi screwed up and she slipped through our fingers. And there's no sugar-coating it: She deserved better friends.
When she fucked up, all those years ago, just a little girl terrified. into paralysis, she collapsed into the enigma of herself. And I could have done that, but I saw where it led for her. So I still believe in the Great Perhaps, and I can believe in it spite of having lost her.
Beacause I will forget her, yes. That which came together will fall apart imperceptibly slowly, and I will forget, but she will forgive my forgetting, just as I forgive her for forgetting me and the Colonel and everyone but herself and her mom in those last moments she spent as a person. I know that she forgives me for being dumb and sacred and doing the dumb and scared thing. I know she forgives me, just as her mother forgives her. And here's how I know:
I thought at first she was just dead. Just darkness. Just a body being eaten by bugs. I thought about her a lot like that, as something's meal. What was her-green eyes, half a smirk, the soft curves of her legs-would soon be nothing, just the bones I never saw. I thought about the slow process of becoming bone and then fossil and then coal that will, in millions of years, be mined by humans of the future, and how they would their homes with her, and then she would be smoke billowing out of a smokestack, coating the atmosphere.
I still think that, sometimes. I still think that, sometimes, think that maybe "the afterlife" is just something we made up to ease the pain of loss, to make our time in the labyrinth bearable. Maybe she was just a matter, and matter gets recycled.
But ultimately I do not believe that she was only matter. The rest of her must be recycled, too. I believe now that we are greater than the sum of our parts. If you take Alaska's genetic code and you add her life experiences and the relationships she had with people, and then you take the size and shape of her body, you do not get her. There is something else entirety. There is a part of her knowable parts. And that parts has to go somewhere, because it cannot be destroyed. Although no one will ever accuse me of being much of a science student, One thing I learned from science classes is that energy is never created and never destroyed.
And if Alaska took her own life, that is the hope I wish I could have given her. Forgetting her mother, failing her mother and her friends and herself -those are awful things, but she did not need to fold into herself and self-destruct. Those awful things are survivable because we are as indestructible as we believe ourselves to be.
When adults say "Teenagers think they are invincible" with that sly, stupid smile on their faces, they don't know how right they are. We need never be hopeless, because we can never be irreparably broken. We think that we are invincible because we are.
We cannot be born, and we cannot die. Like all energy, we can only change shapes and sizes manifestations. They forget that when they get old. They get scared of losing and failing. But that part of us greater than the sum of our parts cannot begin and cannot end, and so it cannot fail.
So I know she forgives me, just as I forgive her. Thomas Eidson's last words were: "It's very beautiful over there." I don't know where there is, but I believe it's somewhere, and I hope it's beautiful.
”
”
John Green (Looking for Alaska)
“
Tabitha blinked innocently. "Why is your consort speaking to me without my having addressed him first?" she asked Kaia. "Have you not taught him the proper order of things?"
So the little man wasn't supposed to speak to the women folk without an invitation? Screw that. "Just stay out of my head, Harpy, or I'll make sure you regret it. By the way, how's the leg?"
She hissed at him.
Win!
”
”
Gena Showalter (The Darkest Surrender (Lords of the Underworld, #8))
“
Mother Nature was one angry slut. She'd try and kill you the first chance she got. You'd screwed with her for so long that she was happy to eliminate you.
”
”
Joseph Boyden (Through Black Spruce (Bird Family Trilogy, #2))
“
Throughout my training we always had a mantra; They come first. If I had really and truly screwed up my future, I'd have a new mantra; A comes first. Then B, C, D...
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
Life is too short for games unless it’s a game of cards.
Don’t text back right away; if you like them, pretend you don’t; and don’t you dare say I love you first. Well screw all that.
I will text you back in three seconds; I will tell you that I like you; and if I love you, I’ll tell you every chance I get.
Life is unpredictable, and I’d rather play every card as honestly as I can than have a deck full of regrets and what-ifs.
”
”
Courtney Peppernell (Pillow Thoughts (Pillow Thoughts, #1))
“
The Other"
She had too much so with a smile you
took some.
Of everything she had you had
Absolutely nothing, so you took some.
At first, just a little.
Still she had so much she made you feel
Your vacuum, which nature abhorred,
So you took your fill, for nature's sake.
Because her great luck made you feel unlucky
You had redressed the balance, which meant
Now you had some too, for yourself.
As seemed only fair. Still her ambition
Claimed the natural right to screw you up
Like a crossed out page, lossed into a basket.
Somebody, on behalf of the gods,
Had to correct that hubris.
A little touch of hatred steadied the nerves.
Everything she had won, the happiness of it,
You collected
As your compensation
For having lost. Which left her absolutely
Nothing. Even her life was
Trapped in the heap you took. She had nothing.
Too late you saw what had happened.
It made no difference that she was dead.
Now that you had all she had ever had
You had much too much.
Only you
Saw her smile, as she took some.
At first, just a little.
”
”
Ted Hughes
“
How many women do you think a man could possibly screw in his lifetime?” The vendor handed me my change. “I don’t know,” I said. “I’ve stopped counting.” “Stopped counting, eh? What did you do, get to ten and decide that was enough before settling down?” He pointed to the gold band on my left hand. “No. I settled down first, then I started fucking.
”
”
Whitney G. (Reasonable Doubt: Volume 2 (Reasonable Doubt, #2))
“
But when Bethany came into class, her dark hair pulled back into a low ponytail, showing off her graceful neck, he may have stopped breathing again. A thousand charming words strung together in his head in a nanosecond, but he averted his eyes to his empty notebook. Notes? Who really took notes in class? Dawson wanted to see if she would talk to him first. God, he was like a teenage girl. He was so screwed.
”
”
Jennifer L. Armentrout (Shadows (Lux, #0.5))
“
You're weird, man," said Max, taking another bite of his sandwich. "That's all there is to say. Someday you're going to kill a whole bunch of people probably more than ten, because you're such an overachiever—and then they're going to have me on TV and ask if I saw this corning, and I'm going to say, 'Hell yes, that guy was seriously screwed up.'"
"Then I guess I have to kill you first," I said.
”
”
Dan Wells (I Am Not a Serial Killer (John Cleaver, #1))
“
Make sure all the screws are tightened before getting on the ride, right? Safety first.
”
”
Nora Sakavic (The Sunshine Court (All for the Game, #4))
“
Somewhere out there, a higher
form of sadism won the first round.
Well, screw that. I'm not ready to be
pwned.
”
”
Clyde DeSouza (Memories With Maya)
“
First rule of motherhood, dearie: men are screw-ups. Learn it now and you'll be a whole lot happier.
”
”
Neal Shusterman (Unwind (Unwind, #1))
“
The door refused to open. It said, “Five cents, please.”
He searched his pockets. No more coins; nothing. “I’ll pay you tomorrow,” he told the door. Again he tried the knob. Again it remained locked tight. “What I pay you,” he informed it, “is in the nature of a gratuity; I don’t have to pay you.”
“I think otherwise,” the door said. “Look in the purchase contract you signed when you bought this conapt.”
In his desk drawer he found the contract; since signing it he had found it necessary to refer to the document many times. Sure enough; payment to his door for opening and shutting constituted a mandatory fee. Not a tip.
“You discover I’m right,” the door said. It sounded smug.
From the drawer beside the sink Joe Chip got a stainless steel knife; with it he began systematically to unscrew the bolt assembly of his apt’s money-gulping door.
“I’ll sue you,” the door said as the first screw fell out.
Joe Chip said, “I’ve never been sued by a door. But I guess I can live through it.
”
”
Philip K. Dick (Ubik)
“
Not because of you. You were perfect. Are perfect. You’re considerate, moral, brave. But you reminded me…”He couldn’t finish.
I swallowed through a dry throat. “Of her.”
“No.” He blinked. “Of me. Who I used to be. Somebody who would stick up for his friends, even if it was risky. Somebody who put other people first. Somebody who…” He let out a helpless laugh. “Somebody who screwed up a lot.
”
”
Jennifer Marie Thorne (The Wrong Side of Right)
“
Jesus has this odd habit of allowing ordinary, screwed-up people to introduce him, and so it was ordinary, screwed-up people who first told me I was a beloved child of God, who first called me a Christian.
”
”
Rachel Held Evans (Searching for Sunday: Loving, Leaving, and Finding the Church)
“
A thousand charming words string together in his head in a nanosecond, but he averted his eyes to his empty notebook. Notes? Who really took notes in class? Dawson wanted to see if she would talk to him first.
God, he was like a teenage girl. He was so screwed.
Bethany slid around in her chair, pulling one leg up against her chest. She twirled a pen in her right hand. "Hey, Dawson."
She. Spoke. To. Him. First.
”
”
Jennifer L. Armentrout (Shadows (Lux, #0.5))
“
Throughout my training we always had a mantra; They come first. If I had really and truly screwed up my future, I'd have a new mantra; A comes first. The B, C, D...
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
Let it be wild, let it be messy. It’s the first sunrise of many more to come. You can’t screw it up. If you do, there’s always tomorrow.
”
”
Karina Halle (Where Sea Meets Sky)
“
my generation’s screwed—we’re not the immigrant experience, we’re not the assimilation experience—we’re the first nothing generation, we’ve got nothing to write about and no one to read it, everyone too busy getting technologized, too harried with degrees.
”
”
Joshua Cohen (Four New Messages)
“
The woods played on our imaginations the most after dark, in our dorms as we were trying to fall asleep. You almost thought then you could hear the wind rustling the branches, and talking about it seemed only to make things worse. I remember one night, when we were furious with Marge K.--she'd done something really embarrassing to us during the day--we chose to punish her by hauling her out of bed, holding her face against the window pane and ordering her to look up at the woods. At first she kept her eyes screwed shut, but we twisted her arms and forced open her eyelids until she saw the distant outline against the moonlit sky, and that was enough to ensure for her a sobbing night of terror.
”
”
Kazuo Ishiguro (Never Let Me Go)
“
I poked him in the chest. 'First of all, yes, it was. Lacy cards and love tokens were widely exchanged even in Victorian times. By now, you should know better than to screw with me on historical trivia.
”
”
Molly Harper (Nice Girls Don't Date Dead Men (Jane Jameson, #2))
“
Hey,maybe I could have a talk show, since you aren't going to be my June Cleaver anymore. I could call it the O'Neal Hour. Sounds important, doesn't it?" [Butch to Vishous]
"First of all, you were going to be June Cleaver-"
"Screw that. No way I'd bottom for you."
"Whatever. And second, I don't think there's much of a market for your particular brand of psychology."
"So not true."
"Butch, you and I just beat the crap out of each other."
"You started it. And actually, it would be perfect for Spike TV. UFC meets Oprah. God, I'm brilliant."
"Keep telling yourself that.
”
”
J.R. Ward
“
I gritted my teeth. “I don’t like you.”
“My heart is breaking.”
“Screw you.”
He shrugged and then grimaced as if the wound on his shoulder caused him massive pain. “We can do that, too, if you like, but I’ll need to be unchained first. Then again, we can bring the chains with us if you’re into that sort of thing.
”
”
Michelle Rowen (Countdown)
“
When you’re in a band, you spend the first four hundred thousand years of your career dragging around your own crap. Your speakers, speaker stands, mixing head, mics, pickups, power cables, mic cables, speaker cables, instruments, the everything. You forget something, you’re screwed. You break something, you’re screwed. You don’t have a long enough extension cord? Screwed.
Once you hit it big, though —
You’re packing your shit into a late-model Mustang and a pickup truck and hoping you didn’t forget anything.
”
”
Maggie Stiefvater (Sinner (The Wolves of Mercy Falls, #4))
“
As soon as I unscrew the first bolt, it slides down the slope of the nose cone and falls away into the unknowable distance. “Um…” I say. “Rocky, you can make screws, right?” “Yes. Easy. Why, question?” “I dropped one.” “Hold screws better.” “How?” “Use hand.” “My hand’s busy with the wrench.” “Use second hand.” “My other hand’s on the hull to keep me steady.” “Use third han—hmm. Get beetles. I make new screws.” “Okay.
”
”
Andy Weir (Project Hail Mary)
“
Horseshit,” Shame said cheerfully. “He can dispossess you and die. Pretty easy, really. Most people die the right way the first time. You’d think a genius like him wouldn’t screw it up so badly.
”
”
Devon Monk (Magic on the Hunt (Allie Beckstrom, #6))
“
Doesn’t matter,” Jeremy said with a theatrical sigh. “Like you said, he’s a bit off. It’s not fair to either of us if I look.” Cat gave a knowing nod. “Make sure all the screws are tightened before getting on the ride, right? Safety first.
”
”
Nora Sakavic (The Sunshine Court (All for the Game, #4))
“
Women always put men first. That’s how everything got so screwed up.
”
”
Janet Fitch (White Oleander)
“
Women always put men first. That's how everything got so screwed up.
”
”
Janet Fitch (White Oleander)
“
...There's not one way to to live or to love, and whoever tries to tell you any different will probably be dead in a decade or two anyway, so screw them!
”
”
Santino Hassell (First and First (Five Boroughs, #3))
“
What at first seemed like harmless tasks turned into something infinitely more dangerous. But isn’t that how every horrible thing but it begins? Slow. Insipid. A twisting of the screw.
”
”
Kim Liggett (The Grace Year)
“
It is often attempted to palliate slavery by comparing the state of slaves with our poorer countrymen: if the misery of our poor be caused not by the laws of nature, but by our institutions, great is our sin; but how this bears on slavery, I cannot see; as well might the use of the thumb-screw be defended in one land, by showing that men in another land suffered from some dreadful disease. Those who look tenderly at the slave owner, and with a cold heart at the slave, never seem to put themselves into the position of the latter; what a cheerless prospect, with not even a hope of change! picture to yourself the chance, ever hanging over you, of your wife and your little children — those objects which nature urges even the slave to call his own — being torn from you and sold like beasts to the first bidder! And these deeds are done and palliated by men, who profess to love their neighbours as themselves, who believe in God, and pray that his Will be done on earth! It makes one's blood boil, yet heart tremble, to think that we Englishmen and our American descendants, with their boastful cry of liberty, have been and are so guilty...
”
”
Charles Darwin (Voyage of the Beagle)
“
Ben wasn’t sure when it had all started to go so wrong but it had definitely been the Lemon Puff’s fault. What a screw up. First she brains him in the head with a drawer, then she almost suffocates him, then she pins him to the floor, proving exactly what he knew already, this girl was no lightweight. Being dragged face down across the bank floor by his ankles was no picnic either.
”
”
Jane Cousins (Three For The Bank Job (By The Numbers, #3))
“
I realized that all those superheroes were doing was fighting themselves, and that getting to breathe underwater or shoot fire from your fingers didn't really make up for being screwed up in the first place. It was just the consolation prize--you got the great costume and the invisible jet for being a loser in everything else.
”
”
Michael Thomas Ford (Suicide Notes)
“
You know what I want? I just want you to be open to the fact that I am a woman. I’ve got emotions. I’ve got expectations. I cry. I laugh. And I was drawn to you because, first, you are a handsome man. But, secondly, after spending the time that we’ve spent, I just have an intuition that you’re the type of man who can appreciate a good woman. I really don’t care about your past and how many women you’ve screwed.
”
”
S.B. Redd (The Shades of Passion)
“
Puppets and paintbrushes...
Mario was well on his thousandth decapitation when it occurred to him these simple objects were mere symbolic manifestations of his deep-seated phobias: fear of failure and fear of success. The first one had stopped him from following his dream; the second had stopped the dream from following him.
“To be simultaneously afraid of success and of failure is like going to bed scared and waking up terrified,” he reflected. “Your mind’s all wooden, your head’s screwed on backwards and before you know it, you’re a vermillion blotch on someone else’s canvas and the entire world is pulling your strings.
”
”
Louise Blackwick (The Underworld Rhapsody)
“
You don’t fucking get it, do you, Sparks?” Out of sheer frustration, Ben thwacked the wall with his hand. Hard. So hard his palm stung. “I love you. I am so goddamned, madly in love with you, I can’t see straight.” Ben’s voice resonated through the offices, echoed in his own ears. “You’re the first thing I think about in the morning and the last thing I imagine before I fall asleep. I dream about you. Every single night. I live to see you, at the office, at home, anywhere. I just need to see your face. Hold your body. Touch your skin. I need you, Mel. More than I need air. You can’t walk away from me. You can’t love someone else.” He gulped in a breath and almost choked on the emotion clogging his throat, so when he spoke again his voice was scratchy, and much, much softer. “I screwed up. I made you choose. And I’m sorry. So desperately, pathetically sorry for that. But I can’t let you go. I can’t let him have you, because you’re mine. You were made for me, like I was made for you. We’re two peas in a pod, sweetness. We’re the same, you and I. We’re meant to be together.
”
”
Jess Dee (Office Affair)
“
People have to be secure in order to transfer their money to you. Never forget that. How you make them secure is to not come at them from above (action, yang) telling them how marvelous the product is and how marvelous you are. Instead, work on their comfort zone first, keeping silent for the most part, leading things along effortlessly by asking questions (nonaction, yin). When you do get to talk, be sure to tell them that everything is cozy, safe, and secure. People need to hear that. Work on their positive energy, and tell them about the good fortune that is about to descend upon them in these exciting and positive times. Then, and only then, mention the dumb screws.
”
”
Stuart Wilde (Infinite Self: 33 Steps to Reclaiming Your Inner Power)
“
Most of the kids here talk constantly about the glorious day when they will finally be reunited with their families, never mind the fact that it was their screwed-up parents who messed them up and then dumped them here. That's another fact of life - it's really hard not to love your parents, even when they suck.
”
”
Kerry Kletter (The First Time She Drowned)
“
There are men who never turn into boyfriends, who peer behind the curtain and see the mess of me—literal and figurative: the apartment with a narrow path through the clothes and trash leading from bed to bathroom; the drinking, endless drinking; the blackout sex and nightmares. “You’re kind of screwed up,” they say, at first with a laugh in their voice, an attitude of maybe this will be fun for a while, but as soon as I slur out the story—teacher, sex, fifteen, but I liked it, I miss it—they’re done. “You’ve got serious issues,” they say on their way out the door.
”
”
Kate Elizabeth Russell (My Dark Vanessa)
“
She'd found the creature she'd seen tonight: Adam Black. The earliest accounts of it were sketchy, descriptions of its various glamours, warnings about its deviltry, cautions about its insatiable sexuality and penchant for mortal women ("so sates a lass, that she is oft incapable of speech, her wits muddled for a fortnight or more." Oh, please. Gabby thought, was that the medieval equivalent of screwing her brains out?), but by the approach of the first millennium, the accounts became more detailed.
”
”
Karen Marie Moning (The Immortal Highlander (Highlander, #6))
“
The first is competence. Be brilliant in the basics. Don’t dabble in your job; you must master it. That applies at every level as you advance. Analyze yourself. Identify weaknesses and improve yourself. If you’re not running three miles in eighteen minutes, work out more; if you’re not a good listener, discipline yourself; if you’re not swift at calling in artillery fire, rehearse. Your troops are counting on you. Of course you’ll screw up sometimes; don’t dwell on that. The last perfect man on earth died on a cross long ago—just be honest and move on, smarter for what your mistake taught you.
”
”
Jim Mattis (Call Sign Chaos)
“
You made friends with a prickler?" Hawk says, standing just inside the secret opening, apparently having come inside during my story, "I'm confused," Adele says. "At first I thought pricklers were some kind of plant, but are they an animal? Or some weird kind of person?"
"We ate your friend" Tristan says, his handsome face screwed up even more.
”
”
David Estes (The Earth Dwellers (The Dwellers #4; Country Saga #4 ))
“
My Dear Grandpapa,
I’m appealing to your kindness for the sum of 13 francs that I would like to ask Monsieur Nathan for, but that Mamma prefers that I ask you for. Here is why. I so needed to see a woman to cure my bad habit of masturbating that papa gave me 10 francs to go to a brothel. But in my first agitated state I broke the chamber pot, 3 francs, and second, in this same agitated state, I was unable to screw. So here I am, still awaiting each hour 10 francs to satisfy myself and in addition, 3 francs for the chamber pot.
-M.
”
”
Marcel Proust
“
If thought bubbles appeared over my head, I would be so screwed...” - Someecards.com
”
”
Sara Ney (He Kissed Me First (Kiss and Make Up #2))
“
Lucia opened the door. "They say not to discuss politics and religion on the first date."
“Well, then.” I gave her a huge smile. “We’re screwed.
”
”
Jennifer Lane (Blocked)
“
The first screw to work loose in a person's head is the one that holds the tongue in place.
”
”
Janet Lane
“
It was the first time, in a manner, that I had known space and air and freedom, all the music of summer and all the mystery of nature.
”
”
Henry James (The Turn of the Screw)
“
Like Nadia, I wrestled with the evangelical tradition in which I was raised, often ungracefully. At times I've tried to wring the waters of my first baptism out of my clothes, shake them out of my hair, and ask for a do-over in some other community where they ordain women, vote for Democrats, and believe in evolution. But Jesus has this odd habit of allowing ordinary, screwed-up people to introduce him, and so it was ordinary, screwed-up people who first told me I was a beloved child of God, who first called me a Christian. I don't know where my story of faith will take me, but it will always begin here. That much can never change.
”
”
Rachel Held Evans (Searching for Sunday: Loving, Leaving, and Finding the Church)
“
In one universe, they are gorgeous, straight-teethed, long-legged, wrapped in designer fashions, and given sport cars on their sixteenth birthdays, Teachers smile at them and grade them on the curve. They know the first names of the staff. They are the pride of the school.
In Universe #2, they throw parties wild enough to attract college students. They worship stink of Eau de Jocque. They rent beach houses in Cancun during Spring Break and get group-rate abortions before the prom.
But they are so cute. And they cheer on our boys, inciting them to violence and, we hope, victory. They’re are our role models- the Girls Who Have It All. I bet none of them ever stutter or screw up or feel like their brains are dissolving into marshmallow fluff.
”
”
Laurie Halse Anderson (Speak)
“
Chess and you taking a picture of me reading Slaughterhouse-Five, telling me I’d need proof someday because nobody in Creek View would ever believe I had actually read a goddamn book, let alone five. Talking about God and why there’s evil in the world and bitching because the Steelers won the Super Bowl. Camp Leatherneck, me not missing home at all and you missing it like crazy, always talking about going to college and how when you had leave you were gonna marry Hannah. And you wanted kids, and I said I didn’t because people like me, we just end up disappointing one another and I’d probably be like my dad, and you told me I had to get over it, get over my dad and my mom and how screwed up everything is because you said, Josh, you’re gonna have it all. I know it. You’re gonna have it all. And for the first time, I’m almost believing that.
”
”
Heather Demetrios (I'll Meet You There)
“
Sorry I called you Goat-molester,” Virgil said. “It was the first thing that came into my head, honestly.”
“I don’t need your damn apology!”
“Then why are you here?”
“I came here to kick your ass!”
“You might want to do that from a standing position.”
“Screw you! I’ll get up in my own time!
”
”
Derek Landy (Desolation (Demon Road, #2))
“
..Well?"
"Well what?"
"Was it good?"
"Was it—?" So typically bloody Toreth. "God, I can't remember." Then she took pity on him. "Yes, it was. I mean, I haven't spent ten years thinking about it every time I screwed anyone, but it was, oh, I don't know...in the top ten."
He grinned. "Top five?
”
”
Manna Francis (First Against the Wall (The Administration, #6))
“
What do you suppose it means?' he asked. ' "Do what you wish." That must mean I can do anything I feel like. Don't you think so?
All at once Grograman's face looked alarmingly grave, and his eyes glowed.
'No,' he said in his deep rumbling voice. 'It means that you must do what you really and truly want. And nothing is more difficult.' ... 'It's your own deepest secret and you don't know it.'
'How can I find out?'
'By going the way of your wishes, fro one to another, from first to last. It will take you to what you really and truly want.'
'That doesn't sound so hard,' said Bastian.
'It is the most dangerous of all journeys.'
'Why? Bastian asked. 'I'm not afraid.'
'That isn't it,' Grograman rumbled. 'It requires the greatest honesty and vigilance, because there's no other journey on which it's so easy to lose yourself forever.'
'Do you mean because our wishes aren't always good?' Bastian asked.
The lion lashed the sand he was lying on with his tail. His ears lay flat, he screwed up his nose, and his eyes flashed fire. Involuntarily Bastian ducked when Grograman's voice once again made the earth tremble: 'What do you know about wishes? How would you know what's good and what isn't?' In the days that followed Bastian thought a good deal about what the Many-Colored Death had said. There are some things, however, that we cannot fathom by thinking about them, but only by experience.
”
”
Michael Ende (The Neverending Story)
“
Poirot's eyes opened. "That is great ferocity," he said.
"It is a woman," said the chef de train, speaking for the first time. "Depend upon it, it was a woman. Only a woman would stab like that."
Dr. Constantine screwed up his face thoughtfully. "She must have been a very strong woman," he said. "It is not my desire to speak technically-that is only confusing; but I can assure you that two of the blows were delivered with such forces as to drive them through hard belts of bone and muscle."
"It was clearly not a scientific crime," said Poirot.
"It was most unscientific," returned Dr. Constantine.
"The blows seem to have been delivered haphazard and at random. Some have glanced off, doing hardly any damage. It is as though somebody had shut his eyes and then in a frenzy struck blindly again and again."
"C'est une femme," said the chef de train again. "Women are like that. When they are enraged they have great strength." He nodded so sagely that everyone suspected a personal experience of his own.
”
”
Agatha Christie (Murder on the Orient Express (Hercule Poirot, #10))
“
Did you know that the kids who grow up as the ‘favorites’ in families are usually more screwed up than the kids who aren’t the favorites? The first lesson we learn is that our parents’ love is conditional and that failure to perform means that they can take all that love away. We see it with our siblings, so we do everything we can to make sure that never happens to us. Fun, right? I learned that in therapy.
”
”
Meg Shaffer (The Wishing Game)
“
Why is it so important for me to forgive that son-of-a-bitch? I’m not the one at fault here. It shouldn’t be about me. He’s the one that did wrong. Screw his feelings. He should feel like he’s hated for what he did.” Lisa added another used tissue to the growing pile on the table.
Lyn warmly smiled. “Forgiving Byron isn’t for his sake, it’s for yours. The block in your life’s road can only be removed if you forgive him for what he did. If you don’t, you’ll just keep bumping into that block again and again. The life you live will be miserable. You’ll never be able to break the chains of the past.”
Lisa listened and let the words sink into her subconscious. She realized the only way to get to the end of the road was to take the first step. There was a block preventing her from moving forward in life. She had to find a way past it.
”
”
Dane Hatchell (Resurrection X)
“
Junko: That sort of thing happens all the time. You get drunk on your own "correctness," and the more stubborn you get, the further happiness flies away from you. It's a bitter pill to swallow.
Madoka: I wonder if there's any way I can help...
Junko: Even good advice from others won't bring any clear solutions to someone in that frame of mind. ...Even so, you want to find a solution? Then go ahead and screw up. If she's being too correct, then somebody should make mistakes for her.
Madoka: I should screw up...?
Junko: Yep! Tell a really bad lie. Run away in the face of something scary. She may not understand what you're trying to do at first, but there are times when you realize in hindsight that a mistake was the right thing to do... During those times when you're just stuck for an answer, making a mistake is one method of unsticking yourself. Madoka, you've grown up to be a good kid. You don't tell lies, and you don't do bad things. You're a girl who works hard at what she thinks is right. You get an "A" as a child. So before you become an adult, you have to start practicing falling down. You see, we adults have our pride and responsibilities, so it becomes harder and harder to make mistakes.
”
”
Magica Quartet (Puella Magi Madoka Magica, Vol. 2 (Puella Magi Madoka Magica, #2))
“
That’s just the thing. Because . . . I look at you, and I see the person I want to be. The kind of guy who can give you everything you need. And then I remember every little screwed-up thought that’s ever gone through my head, and I realize I’m never going to be worthy of a girl like you. And what terrifies me is that I even want to try in the first place.
”
”
Alison Gervais (In 27 Days (In 27 Days, #1))
“
The touch of his fingertips on my back is like a great cellist brushing the strings of his instrument, or a watchmaker turning a tiny screw invisible to the naked eye. The feeling is erotic, magical, and I just want to go home and go to bed.
”
”
Chloe Thurlow (Snow Falls Softly)
“
From this irritating reality comes The First Law of Corporate Survival for ambitious CEOs who pile on leverage and run large and unfathomable derivatives books: Modest incompetence simply won’t do; it’s mindboggling screw-ups that are required.
”
”
Warren Buffett (Berkshire Hathaway Letters to Shareholders: 1965-2024)
“
Cousin-screwing. It is not totally safe. It raises the risk of birth defects slightly. But I was reading in a book for history that there's, like, a 99.9999 percent chance that at least one of your great-great-great-grandparents married first cousin.
”
”
John Green (Let It Snow: Three Holiday Romances)
“
But what was so great about marriage? I had been married and married. It had its good points, but it also had its bad. The virtues of marriage were mostly negative virtues. Being unmarried in a man's world was such a hassle that anything had to be better. Marriage was better. But not much. Damned clever, I thought, how men had made life so intolerable for single women that most would gladly embrace even bad marriages instead. Almost anything had to be an improvement on hustling for your own keep at some low-paid job and fighting off unattractive men in your spare time while desperately trying to ferret out the attractive ones. Though I've no doubt that being single is just as lonely for a man, it doesn't have the added extra wallop of being downright dangerous, and it doesn't automatically imply poverty and the unquestioned status of a social pariah.
Would most women get married if they knew what it meant? I think of young women following their husbands wherever their husbands follow their jobs. I think of them suddenly finding themselves miles away from friends and family, I think of them living in places where they can't work, where they can't speak the language. I think of them making babies out of their loneliness and boredom and not knowing why. I think of their men always harried and exhausted from being on the make. I think of them seeing each other less after marriage than before. I think of them falling into bed too exhausted to screw. I think of them farther apart in the first year of marriage than they ever imagined two people could be when they were courting. And then I think of the fantasies starting. He is eyeing the fourteen-year-old postnymphets in bikinis. She covets the TV repairman. The baby gets sick and she makes it with the pediatrician. He is fucking his masochistic little secretary who reads Cosmopolitan and things herself a swinger. Not: when did it all go wrong? But: when was it ever right?
.......
I know some good marriages. Second marriages mostly. Marriages where both people have outgrown the bullshit of me-Tarzan, you-Jane and are just trying to get through their days by helping each other, being good to each other, doing the chores as they come up and not worrying too much about who does what. Some men reach that delightfully relaxed state of affairs about age forty or after a couple of divorces. Maybe marriages are best in middle age. When all the nonsense falls away and you realize you have to love one another because you're going to die anyway.
”
”
Erica Jong (Fear of Flying)
“
There were six men in Birmingham
In Guildford there's four
That were picked up and tortured
And framed by the law
And the filth got promotion
But they're still doing time
For being Irish in the wrong place
And at the wrong time
In Ireland they'll put you away in the Maze
In England they'll keep you for seven long days
God help you if ever you're caught on these shores
The coppers need someone
When they walk through that door
You'll be counting years
First five, then ten
Growing old in a lonely hell
Round the yard and a stinking cell
From wall to wall, and back again
A curse on the judges, the coppers and screws
Who tortured the innocent, wrongly accused
For the price of promotion
And justice to sell
May the judged be their judges when they rot down in hell
”
”
Shane MacGowan
“
Thanks. Hey, before I go, how’s the romance coming with that vampire, what’s his name?” “Vlad? I staked him. He was going to cheat on me and break my heart.” Sasha shrugged. “I broke his first.” Never screw around with a psychic. Especially not murderous ones.
”
”
Eve Langlais (A Demon and Her Scot (Welcome to Hell, #3))
“
For your information, I'm not screwing him."
"Really?" He put his hands behind his head. "Well, maybe you should be. It might put you in a better mood, at least. I see I see?"
ICIC. Insufficient Cock In Cunt.
After that, the choice was between hitting him, and leaving. The problem with Toreth, one of the many problems with him, was that he was too damn fast to land a punch on. So she left.
”
”
Manna Francis (First Against the Wall (The Administration, #6))
“
This isn’t the first time the electrics have shorted. But last time the lights snapped back on again within minutes. The guests returned to their dancing, their drinking, their pill-popping, their screwing, their eating, their laughing … and forgot it ever happened.
”
”
Lucy Foley (The Guest List)
“
One of the great moments of your life will be the first time you are able to maintain control of your own actions and responses when a difficult person is on the rampage. You can do it if you back off! Refuse to argue. Set your limits. Stand as an equal who has the upper hand. You can care about and feel pity for this person whose ugly behaviors cause such chaos, but you don’t have to let her control you.
”
”
Elizabeth B. Brown (Living Successfully with Screwed-Up People)
“
Well, I’m sure you know that our country is the only so-called advanced nation that still has a death penalty. And torture chambers. I mean, why screw around? But listen: If anyone here should wind up on a gurney in a lethal-injection facility, maybe the one at Terre Haute, here is what your last words should be: “This will certainly teach me a lesson.” If Jesus were alive today, we would kill him with lethal injection. I call that progress. We would have to kill him for the same reason he was killed the first time. His ideas are just too liberal.
”
”
Kurt Vonnegut Jr. (Armageddon in Retrospect)
“
It goes back to keeping things equal. Friendship feels really demeaning if one person still likes the other more,
which is probably what caused the breakup in the first place. It’s such a misnomer that ‘boyfriend’ and ‘girlfriend’ have the word ‘friend’ in them."
"I don’t know, Dom. It’s screwed up that people who dug each other enough to go out can’t at least stay friends
afterward.
"Spoken by a true love virgin.
”
”
Daria Snadowsky (Anatomy of a Single Girl (Anatomy, #2))
“
Every part of me was wholeheartedly in with this girl. It felt like she had been in my life forever. Like I’d never known anything other than Shannon. She was my first love, and she was scary as fuck to me. Being with her was an obsession that threatened to consume me daily. I had to work my ass off to keep my head in check, but remembering to keep my feet on the ground and my head out of the clouds was easier said than done when I had a girl that knocked me on my ass with one glance. She wrapped me up in childish, illogical, irrational knots, with a new one attaching itself to my heart with every day that passed. I was completely losing control, and that was a problem for me. My feelings for her were a serious issue because they were too strong to rein in, too much to take, and too reeking of permanence. In other words, I was royally fucking screwed.
”
”
Chloe Walsh (Keeping 13 (Boys of Tommen, #2))
“
I saw them,” he said.
I frowned. “Saw what?”
He took a deep breath as he eyed me. “The paintings.”
For a moment, I didn’t get where he was going with this. Not when he traced the curve of my cheek with his thumb and not when a soft smile curved his lips. And then it hit me.
“The paintings?” I swallowed and started to sit up, but he didn’t let me get very far. “The paintings at my place?” When he nodded, I felt my face heat like I was out under the summer sun. “The ones that are . . . ?”
“Of me?” he supplied.
I squeezed my eyes shut. “Oh my God. Seriously?”
“Yes.”
Mortified, I didn’t know what to say. “They were in my closet. Why were you in my closet?”
“Looking for a psycho stalker,” he answered.
My eyes popped opened. “That . . . that was like two weeks ago! You saw them back then and didn’t say anything.”
Reece sat up, bringing me with him. Somehow my body ended up between his legs and we were face-to-face. “I didn’t say anything, because I figured you’d respond this way.”
“Of course I’d respond this way! It’s embarrassing. You probably think I’m some kind of freak. A stalker—a creepy stalker who paints pictures of you when you’re not around.”
“I don’t think you’re a stalker, babe.” His voice was dry.
I screwed up my face. “I can’t believe you saw them.”
He chuckled, and my eyes narrowed on him. “Honestly? I really didn’t know how you truly felt about me until I saw them.”
My brows flew up. “I thought you were all-knowing.”
Reece smirked. “I had my suspicions that you were in love with me from the first time you laid eyes
on me.”
“Oh dear baby Jesus in a manger,” I muttered.
“But I don’t think I was a hundred percent until I saw those paintings, especially the one of me in the kitchen. You painted that after . . . after I left.” His brows lowered as he gave a little shake of his head. “It’s nothing to be embarrassed about. I think it’s sweet.
”
”
Jennifer L. Armentrout (Fall with Me (Wait for You, #4))
“
We used to hang out all the time. St. Clair and me.But after you arrived,I hardly saw him. He'd sit next to you in class,at lunch,at the movies. Everywhere. And even though I was suspicious,I knew the first time I heard you call him Etienne-I knew you loved him.And I knew by his response-the way his eyes lit up every time you said it-I knew he loved you,too. And I ignored it,because I didn't want to believe it."
The struggle rises inside me again. "I don't know if he loves me.I don't know if he does,or if he ever did.It's all so messed up."
"It's obvious he wants more than friendship." Mer takes my shaking mug. "Haven't you seen him? He suffers every time he looks at you.I've never seen anyone so miserable in my life."
"That's not true." I'm remembering he said the situation with his father is really terrible right now. "He has other things on his mind,more important things."
"Why aren't the two of you together?"
The directness of her question throws me. "I don't know.Sometimes I think there are only so many opportunies...to get together with someone.And we've both screwed up so many times"-my voice grows quiet-"that we've missed our chance."
"Anna." Mer pauses. "That is the dumbest thing I've ever heard."
"But-"
"But what? You love him,and he loves you, and you live in the most romantic city in the world."
I shake my head. "It's not that simple."
"Then let me put it another way.A gorgeous boy is in love with you, and you're not even gonna try to make it work?
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Comparative suffering is a function of fear and scarcity. Falling down, screwing up, and facing hurt often lead to bouts of second-guessing our judgment, our self-trust, and even our worthiness. I am enough can slowly turn into Am I really enough? If there’s one thing I’ve learned over the past decade, it’s that fear and scarcity immediately trigger comparison, and even pain and hurt are not immune to being assessed and ranked. My husband died and that grief is worse than your grief over an empty nest. I’m not allowed to feel disappointed about being passed over for promotion when my friend just found out that his wife has cancer. You’re feeling shame for forgetting your son’s school play? Please—that’s a first-world problem; there are people dying of starvation every minute. The opposite of scarcity is not abundance; the opposite of scarcity is simply enough. Empathy is not finite, and compassion is not a pizza with eight slices. When you practice empathy and compassion with someone, there is not less of these qualities to go around. There’s more. Love is the last thing we need to ration in this world. The refugee in Syria doesn’t benefit more if you conserve your kindness only for her and withhold it from your neighbor who’s going through a divorce. Yes, perspective is critical. But I’m a firm believer that complaining is okay as long as we piss and moan with a little perspective. Hurt is hurt, and every time we honor our own struggle and the struggles of others by responding with empathy and compassion, the healing that results affects all of us.
”
”
Brené Brown (Rising Strong: The Reckoning. The Rumble. The Revolution.)
“
When I came into his presence, he was seated, and in his lap was a fat yellow cat. He told me that one of the captains had brought the beast to him, from an island beyond the sunrise. 'Have you ever seen her like?' he asked of me.
And to him I said, 'Each night in the alleys of Braavos I see a thousand like him,' and the Sealord laughed, and that day I was named the first sword."
Arya screwed up her face. "I don't understand."
Syrio clicked his teeth together. "The cat was an ordinary cat, no more. The others expected a fabulous beast, so that is what they saw. How large it was, they said. It was no larger than any other cat, only fat from indolence, for the Sealord fed it from his own table. What curious small ears, they said. Its ears had been chewed away in kitten fights. And it was plainly a tomcat, yet the Sealord said 'her', and that is what the others saw. Are you hearing?"
Arya thought about it. "You saw what was there."
"Just so. Opening your eyes is all that is needing. the heart lies and the head plays tricks with us, but the eyes see true. Look with your eyes. Hear with your ears. Taste with your mouth. Smell with your nose. Feel with your skin. Then comes the thinking, afterward, and in that way knowing the truth."
"Just so," said Arya, grinning.
”
”
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
“
What do you think?” Harding says. McMurphy starts. “She’s got one hell of a set of chabobs,” is all he can think of. “Big as Old Lady Ratched’s.” “I didn’t mean physically, my friend, I mean what do you—” “Hell’s bells, Harding!” McMurphy yells suddenly. “I don’t know what to think! What do you want out of me? A marriage counsellor? All I know is this: nobody’s very big in the first place, and it looks to me like everybody spends their whole life tearing everybody else down. I know what you want me to think; you want me to feel sorry for you, to think she’s a real bitch. Well, you didn’t make her feel like any queen either. Well, screw you and ‘what do you think?’ I’ve got worries of my own without getting hooked with yours. So just quit!” He glares around the library at the other patients. “Alla you! Quit bugging me, goddammit!” And
”
”
Ken Kesey (One Flew Over the Cuckoo's Nest)
“
It sounds like the right woman just walked into your life, Connor. Just don’t screw it up. Become
friends with her. This is the first time you’ve opened up since you’ve started coming to see me. If you
start falling for Ellery, the first thing you must do is tell her about your past and the women you see.
There can be no secrets, Connor.
”
”
Sandi Lynn (Forever You (Forever, #2))
“
I pulled the lever repeatedly not even paying attention to whether or not I was winning anything. Her voice startled me. “You look like you have something on your mind.” “I do?” “Who is he, and what did he do?” I’d never see this woman again after today. Maybe I should just let it all out. “You want the long version or the short version?” “I’m ninety, and the dinner buffet opens in five minutes. Give me the short version.” “Okay. I’m here with my stepbrother. Seven years ago, we slept together right before he moved away.” “Taboo…I like it. Go on.” I laughed. “Okay…well, he was the first and last guy I ever really cared about. I never thought I’d see him again. His father died this week, and he came back for the funeral. He wasn’t alone. He brought a girl he supposedly loves. I know she loves him. She’s a good person. She had to go back to California early. Somehow, I ended up at this casino with him. He leaves tomorrow.” A single teardrop fell down my face. “It looks to me like you still care about him.” “I do.” “Well, then you have twenty-four hours.” “No, I don’t plan to screw things up for him.” “Is he married?” “No.” “Then, you have twenty-four hours.” She looked at her watch and leaned on her walker to stand herself up. She gave me her hand. “I’m Evelyn.” “Hi, Evelyn. I’m Greta.” “Greta…fate gave you an opportunity. Don’t fuck it up,” she said before she scooted away on the walker.
”
”
Penelope Ward (Stepbrother Dearest)
“
but what first seemed like harmless tales turned into something infinitely more dangerous. But isn't that how every horrible thing begins? Slow. Insipid. A twisting of the screw.
”
”
Kim Liggett (The Grace Year)
“
If you can screw up the case in the first few vital hours, it saves time and paperwork later.
”
”
Jeff Lindsay (Darkly Dreaming Dexter (Dexter, #1))
“
You got one life, one chance , don't screw up. Put your fears behind your determination. Take the first step. Go for it my friend.
”
”
Mayur Ramgir
“
Somewhere out there, a higher
form of sadism, won the first round.
Well, screw that. I'm not ready to be
pwned.
”
”
Clyde DeSouza (Memories With Maya)
“
Even a first-year law student knows how much personal bias can distort a testimony.
”
”
Kendall Ryan (Screwed (Screwed #1))
“
I’d be the first to admit it was a massively screwed-up pattern — when I was truly upset, I reverted to the habits I’d developed during the worst years of my life. When
”
”
Sonya Bateman (City of Secrets (The DeathSpeaker Codex, #5))
“
unsolicited advice to adolescent girls with crooked teeth and pink hair
When your mother hits you, do not strike back. When the boys call asking your cup size, say A, hang up. When he says you gave him blue balls, say you’re welcome. When a girl with thick black curls who smells like bubble gum stops you in a stairwell to ask if you’re a boy, explain that you keep your hair short so she won’t have anything to grab when you head-butt her. Then head-butt her. When a guidance counselor teases you for handed-down jeans, do not turn red. When you have sex for the second time and there is no condom, do not convince yourself that screwing between layers of underwear will soak up the semen. When your geometry teacher posts a banner reading: “Learn math or go home and learn how to be a Momma,” do not take your first feminist stand by leaving the classroom. When the boy you have a crush on is sent to detention, go home. When your mother hits you, do not strike back. When the boy with the blue mohawk swallows your heart and opens his wrists, hide the knives, bleach the bathtub, pour out the vodka. Every time. When the skinhead girls jump you in a bathroom stall, swing, curse, kick, do not turn red. When a boy you think you love delivers the first black eye, use a screw driver, a beer bottle, your two good hands. When your father locks the door, break the window. When a college professor writes you poetry and whispers about your tight little ass, do not take it as a compliment, do not wait, call the Dean, call his wife. When a boy with good manners and a thirst for Budweiser proposes, say no. When your mother hits you, do not strike back. When the boys tell you how good you smell, do not doubt them, do not turn red. When your brother tells you he is gay, pretend you already know. When the girl on the subway curses you because your tee shirt reads: “I fucked your boyfriend,” assure her that it is not true. When your dog pees the rug, kiss her, apologize for being late. When he refuses to stay the night because you live in Jersey City, do not move. When he refuses to stay the night because you live in Harlem, do not move. When he refuses to stay the night because your air conditioner is broken, leave him. When he refuses to keep a toothbrush at your apartment, leave him. When you find the toothbrush you keep at his apartment hidden in the closet, leave him. Do not regret this. Do not turn red. When your mother hits you, do not strike back.
”
”
Jeanann Verlee
“
You’re angry.” “No, sweetie. I’m not angry,” she said gently. “Angry is yelling. This is resentful, and it’s because you’re cutting me out from the fun parts. Really, I look at you, and see the happiness and the excitement, and I want to be part of that. I want to jump up and down and wave my arms and talk about how great it all is. But that money was our safety net. You’re ignoring the fact that you spent our safety net, and if we both ignore it, the first time something unexpected comes up, we’re screwed. I love our life, so now I have to be the one who cares and disapproves and doesn’t get to be excited. You’re making me the grown-up. I don’t want to be the grown-up. I want us both to be grown-ups, so that when we do something like this, we both get to be kids.
”
”
James S.A. Corey (Memory's Legion: The Complete Expanse Story Collection)
“
Our eyes finally meet—he’s still staring at me, lips parted. And I can’t get a read on his expression. As the moments stretch on, a bud of nervousness blooms in my stomach, its vine wrapping around my vocal chords.
“I…I wasn’t sure what you had planned for tonight. You didn’t tell me.”
Those long lashes blink, but he doesn’t say anything. I raise my hand toward the kitchen.
“I can go change if this isn’t—”
“No.” Nicholas steps forward, his hand up. “No, don’t change a thing. You’re…absolutely perfect.”
And he’s looking at me like he never wants to stop.
“I didn’t expect…I mean, you’re lovely…b-but…”
“Wasn’t there a movie about a king who stuttered?” I tease him. “Was he a relative of yours?”
He chuckles. And call me crazy, but I swear Nicholas’s cheeks go slightly pink.
“No, stuttering doesn’t run in my family.” He shakes his head. “You just knocked me on my arse.”
And now I’m beaming.
“Thank you. You look pretty great too, Prince Charming.”
“I actually know a Prince Charming. He’s first-class prick.”
“Well. Now that you’ve tarnished a precious piece of my childhood, this better be some date,” I tease.
“It will be.”
He holds out his hand to me.
“Shall we?
”
”
Emma Chase (Royally Screwed (Royally, #1))
“
It's a complex song, and it's fascinating to watch the creative process as they went back and forth and finally created it over a few months. Lennon was always my favorite Beatle. [ He laughs as Lennon stops during the first take and makes the band go back and revise a chord.] Did you hear that little detour they took? It didn't work, so they went back and started from where they were. It's so raw in this version. It actually makes the sound like mere mortals. You could actually imagine other people doing this, up to this version. Maybe not writing and conceiving it, but certainly playing it. Yet they just didn't stop. They were such perfectionists they kept it going This made a big impression on me when I was in my thirties. You could just tell how much they worked at this.
They did a bundle of work between each of these recording. They kept sending it back to make it closer to perfect.[ As he listens to the third take, he points out how instrumentation has gotten more complex.] The way we build stuff at Apple is often this way. Even the number of models we'd make of a new notebook or iPod. We would start off with a version and then begin refining and refining, doing detailed models of the design, or the buttons, or how a function operates. It's a lot of work, but in the end it just gets better, and soon it's like, " Wow, how did they do that?!? Where are the screws?
”
”
Walter Isaacson (Steve Jobs)
“
Yep. A box of dicks, if you will. Actually, that’s how I got fired.”
“What do you mean?”
“I screwed up and had my prototypes sent to my office. The boxes got piled up outside my cube, and a coworker of mine decided she had to know what was in them, so she opened one. Apparently she wasn’t used to being wrist-deep in dicks because she freaked and dropped one on the floor, which of course turned on and vibrated its way just far enough into the hall for a senior VP to trip on. He landed face-first on the floor, broke a wrist and chipped a tooth, and I had to explain that my dick was the culprit.
”
”
Meghan March (Real Good Man (Real Duet, #1))
“
Rosy ferried the drinks back to the table, slid the Guinness his way. “You said you have a show. Is it a comedy?”
“No, but you will laugh, I hope, after hearing my qualifications.” His eyes glittered. “I do magic, with a twist. The twist is, my clothes are the first thing to disappear.”
Rosy gaped.
“Yes. I do magic… naked. I not only have a big ego.” Marek wiggled his middle finger. “I have a big wand.
”
”
R.G. Manse (Screw Friendship (Frank Friendship, #1))
“
But when I compare the idea that “Yeah, sometimes life sucks, and I have to deal with it as best I can” with the idea that “An immensely powerful being is screwing with me on purpose and won’t tell me why” — I, for one, find the first idea much more comforting. I don’t have to torture myself with guilt over how I must have angered my god or screwed up my karma, with that guilt piling onto the trauma I’m already going through.
”
”
Greta Christina (Comforting Thoughts About Death That Have Nothing to Do with God)
“
First of all, he was not my type. He was nice, considerate, unselfish and grounded; qualities I’d never experienced in a man. Usually, I went for the self centered, screwed up, “I’m lost, will you be my mother” type.
”
”
Brenda Perlin (Shattered Reality (Brooklyn and Bo Chronicles: Book One))
“
We cleave our way through the mountains until the interstate dips into a wide basin brimming with blue sky, broken by dusty roads and rocky saddles strung out along the southern horizon. This is our first real glimpse of the famous big-sky country to come, and I couldn't care less. For all its grandeur, the landscape does not move me. And why should it? The sky may be big, it may be blue and limitless and full of promise, but it's also really far away. Really, it's just an illusion. I've been wasting my time. We've all been wasting our time. What good is all this grandeur if it's impermanent, what good all of this promise if it's only fleeting? Who wants to live in a world where suffering is the only thing that lasts, a place where every single thing that ever meant the world to you can be stripped away in an instant? And it will be stripped away, so don't fool yourself. If you're lucky, your life will erode slowly with the ruinous effects of time or recede like the glaciers that carved this land, and you will be left alone to sift through the detritus. If you are unlucky, your world will be snatched out from beneath you like a rug, and you'll be left with nowhere to stand and nothing to stand on. Either way, you're screwed. So why bother? Why grunt and sweat and weep your way through the myriad obstacles, why love, dream, care, when you're only inviting disaster? I'm done answering the call of whippoorwills, the call of smiling faces and fireplaces and cozy rooms. You won't find me building any more nests among the rose blooms. Too many thorns.
”
”
Jonathan Evison (The Revised Fundamentals of Caregiving)
“
I spend the first week after screwing everything up with Kit too ashamed to do anything except write her a stupid text. I keep it short, limit it to the words I know can’t be the wrong ones: I’m sorry. I don’t trust myself not to make a bigger mess of things by saying more. Whenever I pick up the phone to text again, I freeze up with anxiety. I don’t feel like I deserve the chance to explain. I don’t even deserve to share the same air molecules
as Kit.
”
”
Julie Buxbaum (What to Say Next)
“
She also insisted we call her by her first name. “To hell with all their rules,” she said, cackling. “Screw pretending to be respectful during the day and dancing with the devil at night. I prefer you be genuine with me, and I’ll return the favor.
”
”
Jess Lourey (The Quarry Girls)
“
I have a system with bathrooms. I spend a lot of time in them. They are sanctuaries, public places of peace spaced throughout the world for people like me. When I pop into Aaron’s, I continue my normal routine of wasting time. I turn the light off first. Then I sigh. Then I turn around, face the door I just closed, pull down my pants, and fall on the toilet— I don’t sit; I fall like a carcass, feeling my butt accommodate the rim. Then I put my head in my hands and breathe out as I, well, y’know, piss. I always try to enjoy it, to feel it come out and realize that it’s my body doing something it has to do, like eating, although I’m not too good at that. I bury my face in my hands and wish that it could go on forever because it feels good. You do it and it’s done. It doesn’t take any effort or any planning. You don’t put it off. That would be really screwed up, I think. If you had such problems that you didn’t pee. Like being anorexic, except with urine. If you held it in as self-punishment. I wonder if anyone does that? I finish up and flush, reaching behind me, my head still down. Then I get up and turn on the light. (Did anyone notice I was in here in the dark? Did they see the lack of light under the crack and notice it like a roach? Did Nia see?) Then I look in the mirror. I look so normal. I look like I’ve always looked, like I did before the fall of last year. Dark hair and dark eyes and one snaggled tooth. Big eyebrows that meet in the middle. A long nose, sort of twisted. Pupils that are naturally large—it’s not the pot— which blend into the dark brown to make two big saucer eyes, holes in me. Wisps of hair above my upper lip. This is Craig. And I always look like I’m about to cry. I put on the hot water and splash it at my face to feel something. In a few seconds I’m going to have to go back and face the crowd. But I can sit in the dark on the toilet a little more, can’t I? I always manage to make a trip to the bathroom take five minutes.
”
”
Ned Vizzini (It's Kind of a Funny Story)
“
Cinderella was the first fairy tale I remember - the one I was most obsessed with because of the gowns and magic and pretty shoes. Yes, her home life was less than ideal - and considering the talking mice and birds, she probably needed serious therapy.
”
”
Cindi Madsen (Cinderella Screwed Me Over)
“
On my way to bed, Dad asked if our first game was tomorrow. “Remember, son,” he said slowly, draping his heavy arm around my shoulders. He was tall, about 6’4. “Remember. You’re just the back-up. So relax. You can’t screw up. No one will remember you.” “…thanks Dad.
”
”
Alan Janney (The Outlaw: Origins (The Outlaw, #1))
“
Who cares about sustainability, being fair, or ethics? 'Screw you, I got mine.' That has been the rallying cry of humanity since the first grunter found a cave that was bigger or more dry than the other guy's, or went out and killed himself a lion and brought it back only to be surrounded by moochers. Go kill your own! You try to paint me as this unspeakable villain, but all I'm doing is what a billion other schlubs have done since the dawn of time, and that's look out for me and mine. Competition is what makes us better as a species.
”
”
Dan Marshall (The Lightcap)
“
I thought there was only one lesson in this story, the obvious one about the importance of taking responsibility when you screw up. That's true, and it's significant. In your work, in your life, you'll be more respected and trusted by the people around you if you honestly own up to your mistakes. It's impossible not to make them; but it is possible to acknowledge them, learn from them, and set an example that it's okay to get things wrong sometimes. What's not okay is to undermine others by lying about something or covering your own ass first.
”
”
Bob Iger (The Ride of a Lifetime: Lessons in Creative Leadership)
“
Maybe, one day, I would want to go back and finish my PhD, but today, I knew that I had come to the end of the line. One too many panic attacks, my first ever prescription for Xanax, and a dissertation topic that seemed perpetually out of reach had done me in. Screw academia.
”
”
K.A. Linde (The Wright Brother (Wright #1))
“
Do you know how sometimes you see a man, and you’re not sure if you want to get in his pants or if you want to cry? Not because you can’t have him; maybe you can. But you see right away something in him beyond having. You can’t screw your way into it, any more than you can get at the golden eggs by slitting the goose. So you want to cry, not like a child, but like an exile who is reminded of his homeland. That’s what Leucon saw when he first beheld Pyrrhus: as if he were getting a glimpse of that other place we were meant to be, the shore from which we were deported before we were born.
”
”
Mark Merlis (An Arrow's Flight)
“
Overall, the American Millennial demographic group falls into two categories. The first match the stereotype of entitlement and laziness and taking an extended adolescence between college and entering the workforce. The second . . . got screwed: they attempted to be adults, but got sideswiped by the combination of Boomers squeezing them out of the workforce, and the mass unemployment triggered by the 2007–09 financial crisis. Regardless of bucket, the Millennials lost years of meaningful work experience, and today are the least skilled of any equivalent age cohort in modern American history
”
”
Peter Zeihan (The End of the World is Just the Beginning: Mapping the Collapse of Globalization―Irreverent Predictions from a Geopolitical Strategist)
“
Back to the subject at hand.” Finn’s gaze fell on Selena’s bow. “Tell me you hadn’t ever planned to kill us in this game.”
“Of course she had,” I said in a low voice. “You heard her. First we take out Death, then all bets are off.”
Gazing around wildly, Finn opened his mouth and closed it. Open, closed. “You guys are humming my balls, right?”
Everyone frowned at him.
“Gargling my marbles? Screwing with me?” His eyes looked frantic. “Tell me, Selena!”
“I can’t believe I gave you food and shelter,” he told Selena. “I even gave you my last Snickers bar! Might’ve been the last one on earth.
”
”
Kresley Cole (Endless Knight (The Arcana Chronicles, #2))
“
indestructible,” John continued, “then how did the ship break apart in the first place? What, the metal was unbreakable, but not the rivets and bolts holding the pieces together? Maybe the aliens should’ve made the bolts and screws out of the same unbreakable material.” Drew made an exaggerated shrugging
”
”
Mark Lukens (Sightings)
“
Rosy lifted her arm, tried to say something, then pointed at the cafe, held her head, covered her mouth and—humiliation of humiliations—she began to cry. Right there in the street. “I’m so confused,” she said but it came out as a great honking wail.
“Come here, you silly girl,” Phyllis said.
The woman put her arms around Rosy, patted her back, and for the first time in forever, Rosy allowed herself to just cry.
A young mother with twins in a pram passed them. The children’s eyes tracked Rosy for a second before their faces crumpled and they started to cry too.
“I’m sorry,” Rosy said, and flapped her arms. “I’m sorry.
”
”
R.G. Manse (Screw Friendship (Frank Friendship, #1))
“
I reflect, not for the first time this week, that the twenty-first century is a screwed-up place to be. How is this even a normal human interaction? Back in the old days people waited weeks, even months, to receive letters, and that had to suck. But on a regular day, when they were out and about having normal chats, no one had to wait in crippling suspense to see if their conversation partner would deign to answer them. If said partner remained unresponsive for a full three minutes, the only possible explanation would be that they’d had a stroke, not that they’d heard the question and didn’t want to answer for another few hours.
”
”
Kathryn Ormsbee (Tash Hearts Tolstoy)
“
The Three-Decker
"The three-volume novel is extinct."
Full thirty foot she towered from waterline to rail.
It cost a watch to steer her, and a week to shorten sail;
But, spite all modern notions, I found her first and best—
The only certain packet for the Islands of the Blest.
Fair held the breeze behind us—’twas warm with lovers’ prayers.
We’d stolen wills for ballast and a crew of missing heirs.
They shipped as Able Bastards till the Wicked Nurse confessed,
And they worked the old three-decker to the Islands of the Blest.
By ways no gaze could follow, a course unspoiled of Cook,
Per Fancy, fleetest in man, our titled berths we took
With maids of matchless beauty and parentage unguessed,
And a Church of England parson for the Islands of the Blest.
We asked no social questions—we pumped no hidden shame—
We never talked obstetrics when the Little Stranger came:
We left the Lord in Heaven, we left the fiends in Hell.
We weren’t exactly Yussufs, but—Zuleika didn’t tell.
No moral doubt assailed us, so when the port we neared,
The villain had his flogging at the gangway, and we cheered.
’Twas fiddle in the forc’s’le—’twas garlands on the mast,
For every one got married, and I went ashore at last.
I left ’em all in couples a-kissing on the decks.
I left the lovers loving and the parents signing cheques.
In endless English comfort by county-folk caressed,
I left the old three-decker at the Islands of the Blest!
That route is barred to steamers: you’ll never lift again
Our purple-painted headlands or the lordly keeps of Spain.
They’re just beyond your skyline, howe’er so far you cruise
In a ram-you-damn-you liner with a brace of bucking screws.
Swing round your aching search-light—’twill show no haven’s peace.
Ay, blow your shrieking sirens to the deaf, gray-bearded seas!
Boom out the dripping oil-bags to skin the deep’s unrest—
And you aren’t one knot the nearer to the Islands of the Blest!
But when you’re threshing, crippled, with broken bridge and rail,
At a drogue of dead convictions to hold you head to gale,
Calm as the Flying Dutchman, from truck to taffrail dressed,
You’ll see the old three-decker for the Islands of the Blest.
You’ll see her tiering canvas in sheeted silver spread;
You’ll hear the long-drawn thunder ’neath her leaping figure-head;
While far, so far above you, her tall poop-lanterns shine
Unvexed by wind or weather like the candles round a shrine!
Hull down—hull down and under—she dwindles to a speck,
With noise of pleasant music and dancing on her deck.
All’s well—all’s well aboard her—she’s left you far behind,
With a scent of old-world roses through the fog that ties you blind.
Her crew are babes or madmen? Her port is all to make?
You’re manned by Truth and Science, and you steam for steaming’s sake?
Well, tinker up your engines—you know your business best—
She’s taking tired people to the Islands of the Blest!
”
”
Rudyard Kipling
“
The very first picture that came up on the camera’s little view screen was of him.
What did that mean that she’d kept this picture of him?
Was it because she still cared?
Or had she saved it as a warning? Like, “Never forget how completely screwed up your relationship was with this loser . . .”
It wasn’t a particularly good picture. In fact, it was pretty embarrassing.
Sitting up in his bed, Max was in his room at Sheffield. It was the photo Gina had taken the day after he’d arrived there. He looked like crap warmed over after his very first physical therapy session, and he was glowering into the camera because he goddamn didn’t want his picture taken.
”
”
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
“
He bounced around Nickel a lot—his mother was Mexican, so they didn’t know what to do with him. On his arrival, he was put in with the white kids, but his first day working in the lime fields he got so dark that Spencer had him reassigned to the colored half. Jaimie spent a month in Cleveland, but then Director Hardee toured one day, took a look at that light face among the dark faces, and had him sent back to the white camp. Spencer bided his time and tossed him back a few weeks later. “I go back and forth,” Jaimie said as he raked up pine needles into a mound. He had the screwed-down smile of the rickety-toothed. “One day they’ll make up their minds, I suppose.
”
”
Colson Whitehead (The Nickel Boys)
“
That’s the thing about being an evader. You have to be flexible and know when to bail before it all gets weird. Better for everyone, really. I’m a giver.
My plane landed half an hour ago, but I’m taking a circuitous route to what I hope is the backside of baggage claim, where my dad is supposed to pick me up. The key to avoiding uncomfortable situations is a preemptive strike: make sure you see them first. And before you accuse me of being a coward, think again. It’s not easy being this screwed up. It takes planning and sharp reflexes. A devious mind. My mom says I’d make a great pickpocket, because I can disappear faster than you can say, Where’s my wallet? The Artful Dodger, right here.
”
”
Jenn Bennett (Alex, Approximately)
“
Jared was completely gone now, holding his stomach and laughing so hard that tears were running down his face. Matt turned on him and snapped, "It's not funny," which only made Jared laugh harder.
"Any of you guys strict about top or bottom?" Angelo asked, "'Cause if so, you'll screw it all up-"
"Literally," Cole said.
"And we'll have to start all over." Angelo turned to Matt. "If you got a strong preference you better say so now."
"Lay it all out, so to speak," Cole said.
"On the table." Angelo said.
"For all to see."
"Zach does like to watch," Angelo said, winking at me, and I was relieved that with the direction the conversation was going, nobody took him seriously.
"Then it's settled!" Cole said. "Who's going where with whom first? Zach, I think you're up." He winked at me. "Or you soon will be."
"Oh dear God," Mat moaned, hanging his head. "I knew I shouldn't have come."
"Don't worry about it a bit," Cole said. "I'm sure Zach can coax at least one more out of you."
Jared laughed so hard, I was amazed he managed to stay in his chair.
”
”
Marie Sexton (Paris A to Z (Coda, #5))
“
Forget genius. It doesn't do much for innocent bystanders. Especially if everyone's going to want a piece of the action. That's why this whole mess happened in the first place. Genius or fool, you don't live in the world alone. You can hide underground or you can build a wall around yourself, but somebody's going to come along and screw up the works.
”
”
Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
“
We had to sit there for an hour doing nothing. After about three days of sitting there, I said, “Screw this. I’m going to West Monroe High.” I realized I wanted to be in town anyway, so I just transferred schools during the first week of school.
After about a month, the principal from West Ouachita called our house.
“Willie hasn’t been to school for twenty-seven days,” the principal told Phil.
“Well, he leaves for school every morning,” Phil told him. “I don’t know where he’s going. I thought he was going to school.”
When I got home that day, Phil asked me where I had been.
“School,” I told him.
“Uh-uh,” Phil said. “The school called and said you haven’t been there in a month.”
“Oh, yeah,” I told him. “I transferred to West Monroe. I don’t go to that school anymore.”
“Okay,” Phil said. “I figured something was up.”
Korie: Can you imagine a tenth-grader transferring schools without even notifying his parents? Willie just showed up at West Monroe High School and said, “Hey, I’m here.” He didn’t even think about telling Kay and Phil about transferring.
”
”
Willie Robertson (The Duck Commander Family)
“
Alexander Hamilton’s proposal for a First Bank of the United States met resistance from Thomas Jefferson and James Madison because the power to charter a bank or any other corporation was not a delegated power of the general government. When Hamilton suggested that Jefferson read between the lines, Jefferson responded that he could find only blank space.
”
”
Brion T. McClanahan (9 Presidents Who Screwed Up America: And Four Who Tried to Save Her)
“
He grabs a white hard hat from behind the barrier and places it on my head. My nose scrunches. “Seriously?” “Safety first.” He turns my headlamp on before setting up his own. Screw guys in backward ball caps and gray sweatpants. Men in hard hats and work boots are my new kink, thanks to Construction Ken standing in front of me with muscular arms and killer cheekbones.
”
”
Lauren Asher (Love Redesigned (Lakefront Billionaires, #1))
“
Do you ever wonder how we all got here? On Earth, I mean. Forget the song and dance about Adam and Eve, which I know is a load of crap. My father likes the myth of the Pawnee Indians, who say that the star deities populated the world: Evening Star and Morning Star hooked up and gave birth to the first female. The first boy came from the Sun and the Moon. Humans rode in on the back of a tornado.
Mr. Hume, my science teacher, taught us about this primordial soup full of natural gases and muddy slop and carbon matter that somehow solidified into one-celled organisms called choanoflagellates... which sound a lot more like a sexually transmitted disease than the start of the evolutionary chain, in my opinion. But even once you get there, it's a huge leap from an amoeba to a monkey to a whole thinking person.
The really amazing thing about all this is no matter what you believe, it took some doing to get from a point where there was nothing, to a point where all the right neurons fire and pop so that we can make decisions.
More amazing is how even though that's become second nature, we all still manage to screw it up.
”
”
Jodi Picoult (My Sister's Keeper)
“
No, sweetie. I’m not angry,” she said gently. “Angry is yelling. This is resentful, and it’s because you’re cutting me out from the fun parts. Really, I look at you, and see the happiness and the excitement, and I want to be part of that. I want to jump up and down and wave my arms and talk about how great it all is. But that money was our safety net. You’re ignoring the fact that you spent our safety net, and if we both ignore it, the first time something unexpected comes up, we’re screwed. I love our life, so now I have to be the one who cares and disapproves and doesn’t get to be excited. You’re making me the grown-up. I don’t want to be the grown-up. I want us both to be grown-ups, so that when we do something like this, we both get to be kids.
”
”
James S.A. Corey (Drive (The Expanse, #2.7))
“
So often in the church, being a pastor or a "spiritual leader" means being the example of "godly living." A pastor is supposed to be the person who is really good at this Christianity stuff — the person others can look to as an example of righteousness. But as much as being the person who is the best Christian, who "follows Jesus" the most closely can feel a little seductive, it's simply never been who I am or who my parishioners need me to be. I'm not running after Jesus. Jesus is running my ass down. Yeah, I am a leader, but I'm leading them onto the street to get hit by the speeding bus of confession and absolution, sin and sainthood, death and resurrection — that is, the gospel of Jesus Christ. I'm a leader, but only by saying, "Oh, screw it. I'll go first.
”
”
Nadia Bolz-Weber (Accidental Saints: Finding God in All the Wrong People)
“
Matthew Watkins At the first Thanksgiving, one of the bloodiest battles ensued when it was discovered that the deliveryman forgot to bring extra duck sauce. Finn Is God is, on this enchanted evening, in love with a wonderful guy. Julie Seagle Going to write a book called “Binge, Screw, Loathe.” It will be about a hateful woman who travels across the US visiting all-you-can-eat brothels.
”
”
Jessica Park (Flat-Out Love (Flat-Out Love, #1))
“
The only trouble was, I wasn't with a group of my peers. Who are my peers? [...] And there I was with a dismal coven of repentant soaks -- a car salesman who had fallen from the creed of the Kiwanis, an Jewish woman whose family misunderstood her attempts to put them straight on everything, a couple of schoolteachers who can't ever have taught anything except Civics, and some business men whose god was Mammon, and a truck-driver who was included, I gather, to keep our eyes on the road and our discussions hitched to reality. Whose reality? Certainly not mine. So the imp of perversity prompted me to make pretty patterns of our discussions together, and screw the poor boozers up worse then they'd been screwed up before. For the first time in years, I was having a really good time.
”
”
Robertson Davies (The Manticore (The Deptford Trilogy, #2))
“
Unfortunately, because everyone gets participation trophies now, trophies don’t mean anything any more. Spoils used to go to the victor. Now they go to everyone. Which causes two problems. First, it teaches the loser that there’s no reason to work harder to win because losing is just as good as winning. Second, it teaches the victor “screw it, why try?” because there’s no benefit to winning.
”
”
Vinnie Tortorich (FITNESS CONFIDENTIAL)
“
The true enemy of humanity was not Evil, an abstract idea personified by some sort of crimson-faced creature dancing in flames, but Chance, that smoky million-handed monster forever fitting its tiny fingers into the fissures of your life, working tear it apart, loosening the fatal screw, turning that first cell cancerous, sending lightning to strike the tree that you chose for shelter from the storm.
”
”
Dexter Palmer (Version Control)
“
I got a lousy proposition for you,” I said, and paused until each asked me to go on. “By the time we get off the phone, you’re going to think I’m a lousy businessman. You’re going to think I can’t budget or plan. You’re going to think Chris Voss is a big talker. His first big project ever out of the FBI, he screws it up completely. He doesn’t know how to run an operation. And he might even have lied to me.
”
”
Chris Voss (Never Split the Difference: Negotiating as if Your Life Depended on It)
“
When I was a kid, I used to watch that show, sitting on the couch in my pajamas and wishing more than anything that one day I'd just change into this other person. I thought that would explain everything. You know, about why I felt so different. Then I'd find out that my mother was really an alien or that I'd been bitten by a radioactive spider as a baby and it would all be okay because I'd be able to fly and see through walls.. But it never happened. I just went on being me my whole life, until one day I realized that all those superheroes were doing was fighting themselves, and that getting to breathe underwater or shoot fire from your fingers didn't really make up for being screwed up in the first place. It was just the consolation prize - you got the great costume and the invisible jet for being a loser in everything else.
”
”
Michael Thomas Ford (Suicide Notes)
“
Pretty sure I can. You signed the contract. You’re a witness that he owes me this. And before you get high and mighty about it, why didn’t you just use your own money to take out Persia? I mean, it’s kind of your fault he’s in this position in the first place, isn’t it?” “I’d have had money if he hadn’t ‘borrowed’ it from me for a concert ticket he couldn’t afford,” Bas snaps. “You’re not the only one he screwed over.
”
”
Dahlia Adler (That Way Madness Lies: XV of Shakespeare's Most Notable Works Reimagined)
“
On the TV and in the newspapers all we hear and read is 'live your life or the terrorists win' and it sounds great, I’m all for that, except my kids won’t ask for a bathroom pass because the faculty facilities are on the first floor of the building and the MPs patrolling the second floor won’t go downstairs on their shift—so I’ve got middle school kids afraid to take a piss because there might be a soldier in the stall next to them carrying a loaded M- 16—but hell yes, I’m all for 'live your life' and screw the terrorists, and screw all the countries who harbor and support them. I’m on board with that, except I’ve got these kids who stay home now, because they’re scared riding a bus with soldiers carrying guns, knowing that one soldier isn’t enough, so there’s a military truck full of soldiers with even bigger guns following the bus 'just in case.
”
”
Tucker Elliot (The Day Before 9/11)
“
Some equestrians were involved in the potentially lucrative business of provincial taxation, thanks to another law of Gaius Gracchus. For it was he who first arranged that tax collecting in the new province of Asia should, like many other state responsibilities, be contracted out to private companies, often owned by equestrians. These contractors were known as publicani – ‘public service providers’ or ‘publicans’, as tax collectors are called in old translations of the New Testament, confusingly to modern readers. The system was simple, demanded little manpower on the part of the Roman state and provided a model for the tax arrangements in other provinces over the following decades (and was common in other early tax raising regimes). Periodic auctions of specific taxation rights in individual provinces took place at Rome. The company that bid the highest then collected the taxes, and anything it managed to rake in beyond the bid was its profit. To put it another way, the more the publicani could screw out of the provincials, the bigger their own take – and they were not liable to prosecution under Gaius’ compensation law. Romans had always made money out of their conquests and their empire, but increasingly there were explicitly, and even organised, commercial interests at stake.
”
”
Mary Beard (SPQR: A History of Ancient Rome)
“
Deep down, Story Easton knew what would happen if she attempted to off herself—she would fail It was a matter of probability. This was not a new thing, failure. She was, had always been, a failure of fairy-tale proportion. Quitting wasn’t Story’s problem. She had tried, really tried, lots of things during different stages of her life—Girl Scours, the viola, gardening, Tommy Andres from senior year American Lit—but zero cookie sales, four broken strings, two withered azalea bushes, and one uniquely humiliating breakup later, Story still had not tasted success, and with a shriveled-up writing career as her latest disappointment, she realized no magic slippers or fairy dust was going to rescue her from her Anti-Midas Touch. No Happily Ever After was coming.
So she had learned to find a certain comfort in failure. In addition to her own screw-ups, others’ mistakes became cozy blankets to cuddle, and she snuggled up to famous failures like most people embrace triumph.
The Battle of Little Bighorn—a thing of beauty.
The Bay of Pigs—delicious debacle.
The Y2K Bug—gorgeously disappointing fuck-up.
Geraldo’s anti-climactic Al Capone exhumation—oops!
Jaws III—heaven on film.
Tattooed eyeliner—eyelids everywhere, revolting. Really revolting.
Fat-free potato chips—good Lord, makes anyone feel successful.
”
”
Elizabeth Leiknes (The Understory)
“
I was on the first one when I felt his fingers encircle my wrist. “Sophie, come on. I don’t want to fight with you.”
Turning, I opened my mouth to say I didn’t want to fight with him either. But before I could, I saw the telltale flash out of the corner of my eye, and the next thing I knew, my arm was jerking out of his grasp. “If you don’t want to fight with her, maybe you shouldn’t suggest she team up with people who want to kill her,” my voice snarled.
Archer backed up so fast he nearly stumbled, and I wasn’t sure I’d ever seen him look so freaked out. But he recovered quickly. “Elodie, if I wanted to talk to you, I’d do a séance or something. Maybe go on an episode of Ghost Hunters. But right now, I want to talk to Sophie. So clear out.”
Elodie had no intention of doing that. “You always were a crappy boyfriend,” she said. “Once you left, I chalked that up to you, you know, not actually liking me. But unless I’m blind as well as dead, you really like Sophie. In fact, hard as it is for me to fathom, I think you love her.”
Shut up, shut up, shut up!
Screw that, she retorted. You two spend all your time making stupid jokes and being all witty. Someone has to get real.
“What’s your point?” Archer asked, narrowing his eyes at me. Her. Whatever. God, this was getting confusing.
“Cal loves her, too, you know. And the last time I checked, he wasn’t part of a cult of monster killers. I’m just saying that if you’re going have loyalties that divided, maybe it’s time to bow out gracefully.”
You couldn’t say Elodie didn’t know how to make a dramatic exit. The next thing I knew, I was pitching forward into Archer’s arms, my head swimming.
Archer clutched my waist and then abruptly shoved me at arm’s length. “Sophie?” he asked, looking intently into my eyes.
“Yeah,” I said, my voice shaking. “I’m back.”
His fingers loosened, becoming more of a caress than a grip. “So you can’t control when she swoops in like that? She can just take you over…whenever?”
I tried to laugh, but it came out more of a cough. “You know Elodie. I don’t think anyone has ever controlled her.”
Frowning, Archer pulled his hands back and shoved them in his pockets. “Well, that’s awesome.”
I grabbed the railing to steady myself. “Archer…that stuff she said. You know it’s not true.”
He shrugged and moved past me onto the steps. “Saying the most hateful things possible is like Elodie’s superpower. Don’t worry about it.” He paused and looked over his shoulder. “We should probably go tell Jenna what we found down here.”
Oh, right. We’d just unearthed a whole bunch of demons. That probably trumped over relationship issues. Another few seconds passed. “Come on, Mercer,” Archer said, holding his hand out to me.
This time, I took it.
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
There are vanishingly few of them, those days when the game can still surprise us. When it does happen, it comes without warning; we just have to trust that we’ll recognize it. So when the echo of the skates cutting into the ice bounds up the banks of seating, Sune stops and pauses for a moment before casting one final glance over his shoulder again. He sees the fifteen-year-old turn, holding his stick lightly in his hand, then set off again at blistering speed, and Sune will remember this as one of the true blessings in his life: seeing the impossible happen in Beartown for a third time. The caretaker looks up from the screws in the railing and sees the old coach sink onto one of the seats on the top row. At first he seems to be seriously ill. Then the caretaker realizes that it’s because he’s never seen the old man laugh before. Sune is breathing through his nose with tears in his eyes, and the whole rink smells of cherry blossom.
”
”
Fredrik Backman (Beartown (Beartown, #1))
“
As long as you are forced to be a woman first instead of a person, by default, you need to be a feminist. That’s it. Men are people, women are women? Screw that. Screw that. I am sick of having words aimed to shut me up. I am sick of having to be anything other than a person first. Zounds! I enjoy being a girl, whatever that means. For me, that meant Star Wars figurines, mounds of books, skirts and flats. It meant Civil War reenacting and best girlfriends I’d give a kidney to and best guy friends I’d ruin a liver with and making messes and cleaning up some of them and still not knowing how to apply eye shadow. That’s being a girl. That’s being a person. It’s the same damn thing. I wish Rush had just called me an idiot. I’m happy to be called an idiot! On the day when someone on the Internet calls me an idiot first and ugly second, I will set down my feminist battle flag and heave a great sigh. Then I will pick it back up and keep climbing. There are many more mountains to overcome.
”
”
Alexandra Petri (A Field Guide to Awkward Silences)
“
Your first novel is like your first relationship. You won't really understand the decisions you make until years later...And you'll probably screw up the ending...First love is amazing and wonderful, but a kind of panic underlies it, a sense of not knowing what you're doing. First novels are the same way...You do the best you can. But remember, it's not going to be the most polished novel you ever write, or the wisest, or the best-selling. That would be a shame, after all, to peak with your first.
”
”
Scott Westerfeld (Afterworlds (Afterworlds, #1))
“
Screw you, Gavar. You think this is about you? Oh, I forgot – everything is about you. The heir. The golden boy, even when you were snorting drugs and failing your exams at Oxford. Well, who’s in the family office every day, keeping Kyneston running? Me. Do you know how many tenants we have? How many slaves? How many properties? Do you know the first thing about the estate you’ve always blithely assumed you’re going to inherit, even while you stagger about with women and booze and disgrace the family name?
”
”
Vic James (Bright Ruin (Dark Gifts, #3))
“
His first term is a model in executive restraint; it turned around an American political system that had deviated widely from the promises that the proponents of the Constitution had made when it was ratified in 1788. Jefferson was not perfect—his second term was a disaster constitutionally—but he set the stage for twenty-four years of executive authority that generally coincided with the way the friends of the Constitution had sold the office to a reluctant population during the state ratifying conventions.
”
”
Brion T. McClanahan (9 Presidents Who Screwed Up America: And Four Who Tried to Save Her)
“
My four things I care about are truth, meaning, fitness and grace. [...] Sam [Harris] would like to make an argument that the better and more rational our thinking is, the more it can do everything that religion once did. [...] I think about my personal physics hero, Dirac – who was the guy who came up with the equation for the electron, less well-known than the Einstein equations but arguably even more beautiful...in order to predict that, he needed a positively-charged and a negatively-charged particle, and the only two known at the time were the electron and the proton to make up, let's say, a hydrogen atom. Well, the proton is quite a bit heavier than the electron and so he told the story that wasn't really true, where the proton was the anti-particle of the electron, and Heisenberg pointed out that that couldn't be because the masses are too far off and they have to be equal. Well, a short time later, the anti-electron -- the positron, that is -- was found, I guess by Anderson at Caltech in the early 30s and then an anti-proton was created some time later. So it turned out that the story had more meaning than the exact version of the story...so the story was sort of more true than the version of the story that was originally told. And I could tell you a similar story with Einstein, I could tell it to you with Darwin, who, you know, didn't fully understand the implications of his theory, as is evidenced by his screwing up a particular kind of orchid in his later work...not understanding that his theory completely explained that orchid! So there's all sorts of ways in which we get the...the truth wrong the first several times we try it, but the meaning of the story that we tell somehow remains intact.
And I think that that's a very difficult lesson for people who just want to say, 'Look, I want to'...you know, Feynman would say, "If an experiment disagrees with you, then you're wrong' and it's a very appealing story to tell to people – but it's also worth noting that Feynman never got a physical law of nature and it may be that he was too wedded to this kind of rude judgment of the unforgiving.
Imagine you were innovating in Brazilian jiu-jitsu. The first few times might not actually work. But if you told yourself the story, 'No, no, no – this is actually genius and it's working; no, you just lost three consecutive bouts' -- well, that may give you the ability to eventually perfect the move, perfect the technique, even though you were lying to yourself during the period in which it was being set up. It's a little bit like the difference between scaffolding and a building. And too often, people who are crazy about truth reject scaffolding, which is an intermediate stage in getting to the final truth.
”
”
Eric R. Weinstein
“
I am a member of the “career-less generation.” Or the “screwed generation.” Unlike previous generations, the members of my generation won’t get jobs and respectable wages straight out of high school, let alone college. We don’t have the means to buy homes and start families in our twenties. We’re the first generation in a while who will be less well off and less secure than their parents’. Strangely, I seemed more okay with this than my parents. Not being able to afford an above-ground swimming pool and a kid wasn’t some heartbreaking tragedy to me.
”
”
Ken Ilgunas (Walden on Wheels: On the Open Road from Debt to Freedom)
“
Cupcakes The first time you bake cupcakes, you will certainly follow the recipe with rigor. The third time, you might improvise and screw up. Learning your lesson, you will follow the recipe again and again as closely as you can. At this point, by the fifth time, some people actually learn to bake. They improvise successfully. They understand the science and the outcomes. They develop a kind of gracefulness in the kitchen. Others merely plod along. They’re cooks, not chefs. A cook follows a recipe. A chef invents one. We have too many cooks. The world is begging for chefs.
”
”
Seth Godin (Graceful)
“
How did you even get in here?” I asked him. “Would you believe they leave the door open all night?” Gus asked. “Um, no,” I said. “As well you shouldn’t.” Gus smiled. “Anyway, I know it’s a bit self-aggrandizing.” “Hey, you’re stealing my eulogy,” Isaac said. “My first bit is about how you were a self-aggrandizing bastard.” I laughed. “Okay, okay,” Gus said. “At your leisure.” Isaac cleared his throat. “Augustus Waters was a self-aggrandizing bastard. But we forgive him. We forgive him not because he had a heart as figuratively good as his literal one sucked, or because he knew more about how to hold a cigarette than any nonsmoker in history, or because he got eighteen years when he should have gotten more.” “Seventeen,” Gus corrected. “I’m assuming you’ve got some time, you interrupting bastard. “I’m telling you,” Isaac continued, “Augustus Waters talked so much that he’d interrupt you at his own funeral. And he was pretentious: Sweet Jesus Christ, that kid never took a piss without pondering the abundant metaphorical resonances of human waste production. And he was vain: I do not believe I have ever met a more physically attractive person who was more acutely aware of his own physical attractiveness. “But I will say this: When the scientists of the future show up at my house with robot eyes and they tell me to try them on, I will tell the scientists to screw off, because I do not want to see a world without him.” I was kind of crying by then. “And then, having made my rhetorical point, I will put my robot eyes on, because I mean, with robot eyes you can probably see through girls’ shirts and stuff. Augustus, my friend, Godspeed.” Augustus nodded for a while, his lips pursed, and then gave Isaac a thumbs-up. After he’d recovered his composure, he added, “I would cut the bit about seeing through girls’ shirts.” Isaac was still clinging to the lectern. He started to cry. He pressed his forehead down to the podium and I watched his shoulders shake, and then finally, he said, “Goddamn it, Augustus, editing your own eulogy.” “Don’t swear in the Literal Heart of Jesus,” Gus said. “Goddamn it,” Isaac said again. He raised his head and swallowed. “Hazel, can I get a hand here?” I’d forgotten he couldn’t make his own way back to the circle. I got up, placed his hand on my arm, and walked him slowly back to the chair next to Gus where I’d been sitting. Then I walked up to the podium and unfolded the piece of paper on which I’d printed my eulogy. “My name is Hazel. Augustus Waters was the great star-crossed love of my life. Ours was an epic love story, and I won’t be able to get more than a sentence into it without disappearing into a puddle of tears. Gus knew. Gus knows. I will not tell you our love story, because—like all real love stories—it will die with us, as it should. I’d hoped that he’d be eulogizing me, because there’s no one I’d rather have…” I started crying. “Okay, how not to cry. How am I—okay. Okay.” I took a few breaths and went back to the page. “I can’t talk about our love story, so I will talk about math. I am not a mathematician, but I know this: There are infinite numbers between 0 and 1. There’s .1 and .12 and .112 and an infinite collection of others. Of course, there is a bigger infinite set of numbers between 0 and 2, or between 0 and a million. Some infinities are bigger than other infinities. A writer we used to like taught us that. There are days, many of them, when I resent the size of my unbounded set.
”
”
John Green (The Fault in Our Stars)
“
When Harper was in among the stones she could see brass plaques screwed into the towering pillars of granite. One listed the names of seventeen boys who had died in the mud of eastern France during the First World War. Another listed the names of thirty-four boys who had died on the beaches of western France during the Second. Harper thought all tombstones should be this size, that the small blocks to be found in most graveyards did not even begin to express the sickening enormity of losing a virgin son, thousands of miles away, in the muck and cold. You needed something so big you felt it might topple over and crush you.
”
”
Joe Hill (The Fireman)
“
For three weeks straight I had been observing the ocean. On the twenty-first day, I saw a man running along the shoreline. I could hear his feet hitting the sand. It was the first time I was able to discern with utter precision every nuance, every gearshift, every soft click of another person's mind.
He remembered that he was there to run, and he even remembered a time there was a reason for it. He did not remember the reason, nor did he want to. He feared he might be running for the old reasons, and didn't want to imitate himself. That would be running in place. Not too far down below the top shelves of memory he knew he was there to run for a reason, but still he decided to invent a different reason. He was reinvigorated by this decision to find a new reason, and ran even faster. He’d run seventeen miles when he realized in dismay that he'd forgotten to do it. He’d been running off the memory of an idea.
He was exhausted and his lungs burned. He pushed his head into the sand and his legs ran in a circle around his head that he was screwing into the sand. He pushed down and screw-drove himself until only his toes stuck out. His toes were twined around each other. I could no longer hear his thoughts. Was he dead? His heart was still beating.
”
”
Miranda Mellis (The Revisionist)
“
At first he assumed that he had screwed up the sequencing. “I thought it was a mistake, because sequencing was hard back then,” he says with a hearty laugh. But by 1992, when his data kept showing these regularly spaced repeats, Mojica wondered if anyone else had found something similar. Google did not yet exist, nor did online indexes, so he manually sorted through citations for the word “repeat” in a set of Current Contents, a printed index of scholarly papers. Because this was in a previous century, when very few publications were online, whenever he found a listing that looked promising, he had to go to the library to find the relevant journal. Eventually he found Ishino’s paper.
”
”
Walter Isaacson (The Code Breaker: Jennifer Doudna, Gene Editing, and the Future of the Human Race)
“
Ben stood at the parlor window, glancing neither to the right nor to the left of him lest he see three grown men looking as worried as he felt. Westhaven found the courage to speak first. “Either we’ve all developed a fascination with red tulips, or somebody had better go out there and fetch the ladies in. They’ve neither of them likely thought to bring a handkerchief.” Deene screwed up his mouth. “Declarations of love—that’s what red tulips stand for.” His Grace cracked a small smile. “You young fellows. Quaking in your boots over a few female sentimentalities. Believe I’ll go make some declarations of my own.” He set down his empty glass and left the room. “Marriage,” said Westhaven, “calls for a particular variety of courage. I’m thinking His Grace’s experience in the cavalry is likely serving him well right now.” “Come away.” Ben took each man by the arm, but neither of them moved. “Let him make his charge in private. I have some ideas for you both to consider, and if you’re with me, His Grace will fall in line that much more easily.” Westhaven smiled, looking very like his father. “Don’t bet on it. Windhams can be contrary for the sheer hell of it.” This was a joke or a warning. Ben wasn’t sure which. “The Portmaine family motto is ‘We thrive on impossible challenges.’” Deene arched a blond eyebrow. “You just manufactured that for present purposes. You’re from the North, and your family motto is probably something like ‘Thank God for friendly sheep.’” Which
”
”
Grace Burrowes (Lady Maggie's Secret Scandal (The Duke's Daughters, #2; Windham, #5))
“
How times changed, between the older ages and the new! Some seventeen or eighteen centuries ago, the ignorant men of Rome were wont to put Christians in the arena of the Coliseum yonder, and turn the wild beasts in upon them for a show. It was for a lesson as well. It was to teach the people to abhor and fear the new doctrine the followers of Christ were teaching. The beasts tore the victims limb from limb and made poor mangled corpses of them in the twinkling of an eye. But when the Christians came into power, when the holy Mother Church became mistress of the barbarians, she taught them the error of their ways by no such means. No, she put them in this pleasant Inquisition and pointed to the Blessed Redeemer, who was so gentle and so merciful toward all men, and they urged the barbarians to love him; and they did all they could to persuade them to love and honor him--first by twisting their thumbs out of joint with a screw; then by nipping their flesh with pincers--red-hot ones, because they are the most comfortable in cold weather; then by skinning them alive a little, and finally by roasting them in public. They always convinced those barbarians. The true religion, properly administered, as the good Mother Church used to administer it, is very, very soothing. It is wonderfully persuasive, also. There is a great difference between feeding parties to wild beasts and stirring up their finer feelings in an Inquisition. One is the system of degraded barbarians, the other of enlightened, civilized people. It is a great pity the playful Inquisition is no more.
”
”
Mark Twain (The Innocents Abroad)
“
Nous avons ete amies," I added. "There,that's two in French, and using past perfect, no less."
I couldn't see his expression clearly. It flet like a long time before he said anything. "Ella..." He paused, then, "What happened? Between you and Anna?"
"Other than the fact that I'm a fashion-impaired poor kid who draws doorknobs? Haven't a clue."
Alex leaned forward. Now I could see his face. He looked annoyed. "Why do you do that? Diminish yourself?"
"I don't-"
"Bullshit."
I could feel my cheeks flaming, feel my shoulders curving inward. "I don't-"
"Right.Don't.Just don't, with me, anyway. I like you better feisty."
I couldn't help it; that made me smile. "Did you really just say 'feisty'?"
"I did.It's a good word."
"It's am old word, favored by granddads and pirates."
"Yar," Alex sighed.
"Face it.You're just an old-fashioned guy."
"Whatever.Three...?"
"Three," I said, and changed my mind midthought. "I haven't been able to decide if Willing is the second best thing that ever happened to me, or the second worst."
"What are the firsts?"
"Nope.Uh-uh.It is not for you to ask, Alexander Bainbridge, but to reveal."
He drained his glass and rolled it back and forth between his hands. "I had all these funny admissions planned, but you've screwed up my plans. Hey. Don't go all wounded-wide-eyed on me. It's cute, that Bambi thing you have going, but beside the point.Now I have to rethink."
"You don't-"
"Quiet.One: My name isn't Alexander." He sat up straight and gave his chest a resounding thump. "Menya zavut Alexei Pavlovich Dillwyn Bainbridge. Not Alexander. I don't think anyone outside my family knows that.
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
I hope Peter’s still out there. I don’t want to lose my nerve. So I quicken my pace and that’s when I spot him, alone in the hot tub, his head tipped back with his eyes closed.
“Hi,” I say, and my voice echoes into the woods.
His eyes fly open. Nervously, he looks over my shoulder. “Lara Jean! What are you doing out here?”
“I came to see you,” I say, and my breath comes out in white puffs. I start taking off my boots and socks. My hands are shaking, and not because I’m cold. I’m nervous.
“Uh…what are you doing?” Peter’s looking at me like I’m crazy.
“I’m getting in!” Shivering, I unzip my puffy coat and set it on the bench. Steam is rising out of the water. I dip my feet in and sit down on the ledge of the hot tub. It’s hotter than a bath, but it feels nice. Peter’s still watching me warily. My heart is racing out of control and it’s difficult to look him in the eyes. I’ve never been so scared in my life. “That thing you brought up earlier…you caught me off guard, so I didn’t know what to say. But…well, I like you too.” It comes out so fumbly and uncertain, and I wish I could start over and say it smoothly and confidently. I try again, louder. “I like you, Peter.”
Peter blinks, and he looks so young all of a sudden. “I don’t understand you girls. I think I have you figured out, and then…and then…”
“And then?” I hold my breath as I wait for him to speak. I’m so nervous; I keep swallowing, and it sounds loud to my ears. Even my breathing sounds loud, even my heartbeat.
His pupils are dilated he’s looking at me so hard. He’s staring at me like he’s never seen me before. “And then I don’t know.”
I think I stop breathing when I hear him say “I don’t know.” Did I screw things up that badly that now he doesn’t know? It can’t be over, not when I finally found my courage. I can’t let it be. My heart is pounding like a million trillion beats a minute as I scoot closer to him. I bend my head down and press my lips against his, and I feel his jolt of surprise. And then he’s kissing me back, open-mouthed, soft-lipped kissing-me-back, and at first I’m nervous, but then he puts his hand on the back of my head, and he strokes my hair in a reassuring way, and I’m not so nervous anymore. It’s a good thing I’m sitting down on this ledge, because I am weak in the knees.
He pulls me into the water so I’m sitting in the hot tub too, and my nightgown is soaked now but I don’t care. I don’t care about anything. I never knew kissing could be this good.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
He gave me a crooked smile. God, he could charm me even when I wanted to throttle him. "Life is short. It's your decision how you deal with this. Let's forgive, forget, and move on."
That comment doused the charm. "Why is it that when a man screws up, they always pull out the forgive and forget card? And you're right, it is my decision how I deal with this. But it was your decision that got us here in the first place! Yes, life is short. Too short to deal with BS like this."
"Nothing is going on." He threw his hands in the air. "I don't even remember that woman's name. I was sitting at the bar and she sat next to me. We shot the breeze for a few minutes. She had foam on her lip and I wiped it off. That's it."
"Well, maybe I want to wipe some foam off of some hot tourist's lip and shoot the breeze."
"You better not!" His jaw clenched.
Typical double standard.
”
”
Kate Young (Southern Sass and a Crispy Corpse (Marygene Brown Mystery, #2))
“
So…it wasn’t love at first sight then? With Dad? You fell in love later?” I don’t know why I feel disappointed. I don’t even believe in love at first sight. Except where it applies to my parents being perfect for each other. And anyways, isn’t that a kind of child-myth that all kids want to believe?
“Sweetie…It was never love.”
Screw disappointment. Now I feel gut-kicked. “What do you mean? But you had to…Then how did I…?”
Mom sighs. “You were…the result of a moment of…weakness on my part.” But she takes too long to choose her words. I wonder what she thought of first, instead of “weakness.” Pity? Stupidity? She dabs her napkin at some imaginary syrup at the corner of her mouth. “The only weak moment we ever had, which is kind of extraordinary. Not that I regret it at all,” she says quickly. “I wouldn’t trade you for anything. You know that, right?”
I wonder if “I wouldn’t trade you for anything” is also a child-myth. “So I was an accident. Not even the normal kind of accident. Like, a one-night stand, or a oops-I-didn’t-take-my-pill accident. I was an oops-I-accidentally-mated-with-my-first-experiment accident.” I put my head in my hands. “Lovely.”
“That man loved you, Emma, from the moment you were born. He’d be very upset to hear you talking like that right now. Frankly, I am, too. I was not some experiment.”
I bite my lip. “I know. It’s just…a lot, don’t you think?”
“That’s why we’re going to have two pieces of strawberry pie, Agnes,” Mom says, her voice strained.
I pull my stricken face from my hands and force it to smile. “Yes, please,” I say. I’m beginning to think Agnes isn’t a waitress for financial gain. I think she needs gossip to thrive. There’s no way a normal waitress would be or should be this attentive.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
A meal is sacramental when the rich and poor, powerful and marginalized, sinners and saints share equal status around the table. A local church is sacramental when it is a place where the last are first and the first are last and where those who hunger and thirst are fed. And the church universal is sacramental when it knows no geographic boundaries, no political parties, no single language or culture, and when it advances not through power and might, but through acts of love, joy, and peace and missions of mercy, kindness, humility. In this sense, church gives us the chance to riff on Jesus’ description of the kingdom, to add a few new metaphors of our own. We might say the kingdom is like St. Lydia’s in Brooklyn where strangers come together and remember Jesus when they eat. The kingdom is like the Refuge in Denver, where addicts and academics, single moms and suburban housewives come together to tell each other the truth. The kingdom is like Thistle Farms where women heal from abuse by helping to heal others. The kingdom is like the church that would rather die than cast two of its own out the doors because they are gay. The kingdom is like St. Luke’s Episcopal Church in Cleveland, Tennessee, where you are loved just for showing up. And even still, the kingdom remains a mystery just beyond our grasp. It is here, and not yet, present and still to come. Consummation, whatever that means, awaits us. Until then, all we have are metaphors. All we have are almosts and not quites and wayside shrines. All we have are imperfect people in an imperfect world doing their best to produce outward signs of inward grace and stumbling all along the way. All we have is this church—this lousy, screwed-up, glorious church—which, by God’s grace, is enough.
”
”
Rachel Held Evans (Searching for Sunday: Loving, Leaving, and Finding the Church)
“
Grammar and usage conventions are, as it happens, a lot more like ethical principles than like scientific theories. The reason the Descriptivists can’t see this is the same reason they choose to regard the English language as the sum of all English utterances: they confuse mere regularities with norms. Norms aren’t quite the same as rules, but they’re close. A norm can be defined here simply as something that people have agreed on as the optimal way to do things for certain purposes. Let’s keep in mind that language didn’t come into being because our hairy ancestors were sitting around the veldt with nothing better to do. Language was invented to serve certain very specific purposes—“That mushroom is poisonous”; “Knock these two rocks together and you can start a fire”; “This shelter is mine!” and so on. Clearly, as linguistic communities evolve over time, they discover that some ways of using language are better than others—not better a priori, but better with respect to the community’s purposes. If we assume that one such purpose might be communicating which kinds of food are safe to eat, then we can see how, for example, a misplaced modifier could violate an important norm: “People who eat that kind of mushroom often get sick” confuses the message’s recipient about whether he’ll get sick only if he eats the mushroom frequently or whether he stands a good chance of getting sick the very first time he eats it. In other words, the fungiphagic community has a vested practical interest in excluding this kind of misplaced modifier from acceptable usage; and, given the purposes the community uses language for, the fact that a certain percentage of tribesmen screw up and use misplaced modifiers to talk about food safety does not eo ipso make m.m.’s a good idea.
”
”
David Foster Wallace (Consider The Lobster: Essays and Arguments)
“
Gaman. I've fought my whole life against it, but looking back, it's all I know how to do. I used gammon when I saw that first text to Dad when I was twelve. I used gammon with Trish when she got popular and made all those new, popular friends. I used gaman when I had a crush on her. I thought I'd changed when we moved to California and I finally made real friends, finally kissed Jamie, finally started to live a little. I thought I was done with gaman. But I was wrong. I tried to do something about Dad, and I failed. I tried to tell Mom the truth about me, and I chickened out. I tried to take action when I thought Jamie might leave me, and I screwed up. So I've resigned myself to my fate like a good Japanese girl, and I'm doing my best to pull myself together, squelch the complaints, and endure, endure, endure. Gaman. This is what Mom has been training me for since I was born, and it's clearly what I'm best at.
”
”
Misa Sugiura (It's Not Like It's a Secret)
“
(T)he true enemy of humanity was not Evil, an abstract idea personified by some sort of crimson-faced creature dancing in flames, but Chance, that smoky million-handed monster forever fitting its tiny fingers into the fissures of your life, working tear it apart, loosening the fatal screw, turning that first cell cancerous, sending lightning to strike the tree that you chose for shelter from the storm. The version of Satan that embodied every ill of human life had been patched onto the Judeo-Christian tradition because the early God that Moses knew was too tough and terrible for worshippers to want to deal with. The fear that Moses had of Yahweh was as much of His caprice as of His power --He was just as likely to force the Hebrews to wander in the wilderness as He was to rescue them from the Egyptians. In short, He was not the embodiment of good, but of chance: neither good nor evil, but inscrutable and unavoidable.
”
”
Dexter Palmer
“
So before you pass judgment on this cake, maybe take a look at yourself and what's going on in your own screwed-up life that's given you a warped perspective on an innocent, beautiful, phenomenal in every way----"
I lay a hand on Benny's shoulder and when he turns toward me, his mouth falls open in a perfect circle, dark eyebrows wrinkling his forehead under his cap. He is flushed and startled and so, so handsome. It's the first time I've looked at his face since we were on a city sidewalk and I was walking away from him and goodness, I've missed it.
"Sounds like a pretty good cake," I manage with a soft smile.
"The best," he breathes.
I step closer still, just a few inches from him now. "I'm a little sweeter on the baker, to be honest."
His eyes close and his chin tips down for just a moment, and he exhales on a laugh before looking at me with so much warmth and intensity.
"You have no idea how it is to hear that," he murmurs, and then he's kissing me hard, one hand in my hair and the other wrapping around my waist to pull me to him. I bring my arms up around his shoulders, barely registering the cheers and applause in the packed kitchen before I pull the cap off Benny's head. I hold it up to cover our faces from the camera, as our kiss goes on much longer than I'd ever want my mama to see.
When we break apart, Benny whispers, "I love you, Reese. And I'm sorry for not making that totally clear before now. I want to be with you, and support you, and fight for you----"
"I love you, Benny." I hadn't said it out loud before, for fear that this would end and I'd be heartbroken. But it appears that will not be the case. And I'm so, so certain that I love him.
"Woo!" he shouts, lifting me by the waist and twirling me around. Then, since the camera is still rolling---perhaps a sense of "what do we really have to lose at this point?" on Charlie's part---he yells, "I LOVE REESE CAMDEN! Who wants cake?
”
”
Kaitlyn Hill (Love from Scratch)
“
Which mirror now, Ms. Lane?” He glanced around the white room, scanning the ten mirrors.
“Fourth from the left. Jericho.” I was sick of him calling me Ms. Lane. I picked myself up off the white floor. Once again the Silver had spit me out with entirely too much enthusiasm, and I didn’t even have the stones on me. I didn’t have anything but the spear in my holster, a protein bar, two flashlights, and a bottle of Unseelie in my pockets.
“You don’t have the right to call me Jericho.”
“Why? Because we haven’t been intimate enough? I’ve had sex with you in every possible position, killed you, fed you my blood in the hopes that it would bring you back to life, crammed Unseelie into your stomach, and tried to rearrange your guts. I’d say that’s pretty personal. How much more intimate do we have to get for you to feel comfortable with me calling you Jericho? Jericho.”
I expected him to pounce on the sex-in-every-possible-position comment, but he only said. “You fed me your—”
I pushed into the mirror, cutting him off. Like the first one, it resisted me, then grabbed me and squirted me out on the other side.
His voice preceded his arrival. “You bloody fool, do you never stop to consider the consequences of your actions?” He barreled out of the mirror behind me.
“Of course I do,” I said coolly. “There’s always plenty of time to consider the consequences. After I’ve screwed up.”
“Funny girl, aren’t you, Ms. Lane?”
“Sure am. Jericho. It’s Mac. I’m Mac. No more fake formality between us. Get with the program or get the hell out of here.”
His dark eyes flared. “Big talk. Ms. Lane. Try to enforce it.” Challenge burned in his gaze.
I sauntered toward him. He watched me coldly and I was reminded of the other night, when I’d pretended to be coming on to him, because I was angry. He thought I was doing it again. I wasn’t. Being in the White Mansion with him was doing something strange to me. Unraveling all my inhibitions, as if these walls had no tolerance for lies, or within them there was no need.
”
”
Karen Marie Moning (Shadowfever (Fever, #5))
“
For the first and only time in my life I became political. Days and nights would pass with me monitoring the Senate on farcaster cable or lying tapped into the All Thing. Someone once estimated that the All Thing deals with about a hundred active pieces of Hegemony legislation per day, and during my months spent screwed into the sensorium I missed none of them. My voice and name became well known on the debate channels. No bill was too small, no issue too simple or too complex for my input. The simple act of voting every few minutes gave me a false sense of having accomplished something. I finally gave up the political obsession only after I realized that accessing the All Thing regularly meant either staying home or turning into a walking zombie. A person constantly busy accessing on his implants makes a pitiful sight in public and it didn’t take Helenda’s derision to make me realize that if I stayed home I would turn into an All Thing sponge like so many millions of other slugs around the Web. So I gave up politics.
”
”
Dan Simmons (Hyperion (Hyperion Cantos, #1))
“
The first and last lesson of the useful arts is that Nature tyrannizes over our works. They must be conformed to her law, or they will be ground to powder by her omnipresent activity. Nothing droll, nothing whimsical will endure. Nature is ever interfering with Art. You cannot build your house or pagoda as you will, but as you must. There is a quick bound set to your captice. The leaning tower can only lean so far. The verandah or pagoda roof can curve upward only to a certain point. The slope of your roof is determined by the weight of snow.
It is only within narrow limits that the discretion of the architect may range: gravity, wind, sun, rain, the size of men and animals, and such like, have more to say than he. It is the law of fluids that prescribes the shape of the boat, — keel, rudder, and bows, — and, in the finer fluid above, the form and tackle of the sails. Man seems to have no option about his tools, but merely the necessity to learn from Nature what will fit best, as if he were fitting a screw or a door.
”
”
Ralph Waldo Emerson (Society and Solitude)
“
After a while, Trevor said, “Know something funny? Chassie wants us to talk. She thinks it’ll help if we get everything out in the open.”
“So she doesn’t realize that was our issue? That we couldn’t be open?”
Trevor frowned. “First time you’ve said ‘we’ in that old argument, Ed. You always blamed me for us not holdin’ hands and shit.”
“I’ve learned the hard way maybe you were right about the kinda baggage other people hide when they’re showing a different face to the world.”
When Edgard didn’t elaborate, Trevor demanded, “You gonna explain that comment? Or you gonna sit there with that smug-ass look and make me guess?”
“Trying to explain it when you’re in a piss-poor mood would be a waste of breath.”
Edgard gave Trevor a cool once-over. “And for the record, I’m not acting smug. I’m just as screwed up about all this with Chassie as you are.”
“Right. I’m sure you’re happy as shit.”
Seething, Edgard snapped, “You never had the balls to tell me how you felt when we were together every goddamn day, so don’t you ever f**king presume to tell me anything about the way I feel now when you haven’t seen me for three and a half f**king years.”
“I didn’t mean—
”
”
Lorelei James (Rough, Raw and Ready (Rough Riders, #5))
“
Listen to me, Monsieur Chaucer screwing La Princesse de Cléves. I hope he tears you to pieces and exposes you for the shallow, bungling petit con you've always been, even, and especially, in bed. I curse you and your children if they're unlucky enough to have you as a father. A curse on you — did you hear me? — a curse!" And out came a string of words in Farsi, tears, yelps, followed by an endless series of French words sobbed out of her lungs, as though she were talking not to me, not to her lover, but to her mother, pleading first, then cursing again, then apologizing for cursing, and cursing all over again. "I curse you." As in some of her most passionate moments, she had turned to Old World-speak, and if my heart was racing as she kept heaping curses upon me and on the children of my children, it was because I too, like her, came from a world where curses, like blessings, like pledges, like all protestations of enduring love are, even when you don't mean a word you're saying, binding legal tender, the currency of the soul, because once spoken, they cannot be taken back, dispelled, or parleyed with; they will hunt you down, find you, and carry out their sentence.
”
”
André Aciman (Harvard Square)
“
Sam, in what way are you like me as a parent that you are glad about?” “Oh, that’s hugely easy. I’m glad I’m hardworking like you, and that I naturally love to play with my kid, and that I’m sort of flexible for such a rigid, uptight guy. I’ll eventually go with whatever might just work. “What Jax will thank you for giving me is my ability to forgive and start over. Not everyone has it, and I can’t believe I do. I’m glad for two reasons. One, that I can do it, even though it’s hard, because you’re doomed if you can’t, and two, when you can do it, you start finding people in the world like you, who can start over, too, and these are the people you want to be with. People who can forgive. “It’s so incredibly humbling when someone forgives you—I can’t ever believe when people forgive me, because you know how badly you’ve screwed up, and how you’ve hurt them, and how hard it is for them to be brave enough to find it in themselves to reexperience the pain you caused, and the humiliation that is in them because of you—and for someone to be willing to refeel that much like shit again, reexperience it out of not wanting to lose you, means how deeply precious you are to them. And that’s pure gold.
”
”
Anne Lamott (Some Assembly Required: A Journal of My Son's First Son)
“
AS ALL-CONSUMING AS the economic crisis was, my fledgling administration didn’t have the luxury of putting everything else on hold, for the machinery of the federal government stretched across the globe, churning every minute of every day, indifferent to overstuffed in-boxes and human sleep cycles. Many of its functions (generating Social Security checks, keeping weather satellites aloft, processing agricultural loans, issuing passports) required no specific instructions from the White House, operating much like a human body breathes or sweats, outside the brain’s conscious control. But this still left countless agencies and buildings full of people in need of our daily attention: looking for policy guidance or help with staffing, seeking advice because some internal breakdown or external event had thrown the system for a loop. After our first weekly Oval Office meeting, I asked Bob Gates, who’d served under seven previous presidents, for any advice he might have in managing the executive branch. He gave me one of his wry, crinkly smiles. “There’s only one thing you can count on, Mr. President,” he said. “On any given moment in any given day, somebody somewhere is screwing up.” We went to work trying to minimize screw-ups.
”
”
Barack Obama (A Promised Land)
“
...[I]f the goal is a realistic sustainable future, then it’s necessary to take a look at what we can do to lengthen the lives of the products we’re going to buy anyway. So my ... answer to the question of how we can boost recycling rates is this: Demand that companies start designing products for repair, reuse, and recycling.
Take, for example, the super-thin MacBook Air, a wonder of modern design packed into an aluminum case that’s barely bigger than a handful of documents in a manila envelope. At first glance, it would seem to be a sustainable wonder that uses fewer raw materials to do more. But that’s just the gloss; the reality is that the MacBook Air’s thin profile means that its components—memory chips, solid state drive, and processor—are packed so tightly in the case that there’s no room for upgrades (a point driven home by the unusual screws used to hold the case together, thus making home repair even more difficult). Even worse, from the perspective of recycling, the thin profile (and the tightly packed innards) means that the computer is exceptionally difficult to break down into individual components when it comes time to recycle it. In effect, the MacBook Air is a machine built to be shredded, not repaired, upgraded, and reused.
”
”
Adam Minter (Junkyard Planet: Travels in the Billion-Dollar Trash Trade)
“
Don’t think, muñeca. Everything will work itself out.”
“But--”
“No buts. Trust me.” My mouth closes over hers. The smell of rain and cookies eases my nerves.
My hand braces the small of her back. Her hands grip my soaked shoulders, urging me on. My hands slide under her shirt, and my fingers trace her belly button.
“Come to me,” I say, then lift her until she’s straddling me over my bike.
I can’t stop kissing her. I whisper how good she feels to me, mixing Spanish and English with every sentence. I move my lips down her neck and linger there until she leans back and lets me take her shirt off. I can make her forget about the bad stuff. When we’re together like this, hell, I can’t think of anything else but her.
“I’m losing control,” she admits, biting her lower lip. I love those lips.
“Mamacita, I’ve already lost it,” I say, grinding against her so she knows exactly how much control I’ve lost.
She moves her hips in a slow rhythm against me, an invitation I don’t deserve. My fingertips graze her mouth. She kisses them before I slowly slide my hand down her chin to her neck and in between her breasts.
She catches my hand. “I don’t want to stop, Alex.”
I cover her body with mine.
I can easily take her. Hell, she’s asking for it. But God help me if I don’t grow a conscience.
It’s that loco bet I made with Lucky. And what my mom said about how easy it is to get a girl pregnant.
When I made the bet, I had no feelings for this complex white girl. But now…shit, I don’t want to think about my feelings. I hate feelings; they’re only good for screwing up someone’s life. And may God strike me down right now because I want to make love to Brittany, not fuck her on my motorcycle like some cheap whore.
I move my hands away from her cuerpo perfecto, the first sane thing I’ve done tonight. “I can’t take you like this. Not here,” I say, my voice hoarse from emotion overload. This girl was going to gift me with her body, even though she knows who I am and what I’m about to do. The reality is hard to swallow.
I expect her to be embarrassed, maybe even mad. But she curls into my chest and hugs me. Don’t do this to me, I want to say. Instead I wrap my arms around her and hold on tight.
“I love you,” I hear her say so softly it might have been her thoughts.
Don’t, I’m tempted to say. ¡Noǃ ¡Noǃ
My gut twists and I hold her tighter. Dios mío, if things were different I’d never give her up. I burrow my face in her hair and fantasize about stealing her away from Fairfield.
We stay that way for a long time, long after the rain stops and reality sets in.
”
”
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
“
When the commander of one of the brigades Gilbert had sent to reinforce McCook approached an imposing-looking officer to ask for instructions as to the posting of his troops—“I have come to your assistance with my brigade!” the Federal shouted above the uproar—the gentleman calmly sitting his horse in the midst of carnage turned out to be Polk, who was wearing a dark-gray uniform. Polk asked the designation of the newly arrived command, and upon being told raised his eyebrows in surprise. For all his churchly faith in miracles, he could scarcely believe his ears. “There must be some mistake about this,” he said. “You are my prisoner.” Fighting without its commander, the brigade gave an excellent account of itself. Joined presently by the other brigade sent over from the center, it did much to stiffen the resistance being offered by the remnants of McCook’s two divisions. Sundown came before the rebels could complete the rout begun four hours ago, and now in the dusk it was Polk’s turn to play a befuddled role in another comic incident of confused identity. He saw in the fading light a body of men whom he took to be Confederates firing obliquely into the flank of one of his engaged brigades. “Dear me,” he said to himself. “This is very sad and must be stopped.” None of his staff being with him at the time, he rode over to attend to the matter in person. When he came up to the erring commander and demanded in angry tones what he meant by shooting his own friends, the colonel replied with surprise: “I don’t think there can be any mistake about it. I am sure they are the enemy.” “Enemy!” Polk exclaimed, taken aback by this apparent insubordination. “Why, I have only just left them myself. Cease firing, sir! What is your name, sir?” “Colonel Shryock, of the 87th Indiana,” the Federal said. “And pray, sir, who are you?” The bishop-general, learning thus for the first time that the man was a Yankee and that he was in rear of a whole regiment of Yankees, determined to brazen out the situation by taking further advantage of the fact that his dark-gray blouse looked blue-black in the twilight. He rode closer and shook his fist in the colonel’s face, shouting angrily: “I’ll soon show you who I am, sir! Cease firing, sir, at once!” Then he turned his horse and, calling in an authoritative manner for the bluecoats to cease firing, slowly rode back toward his own lines. He was afraid to ride fast, he later explained, because haste might give his identity away; yet “at the same time I experienced a disagreeable sensation, like screwing up my back, and calculated how many bullets would be between my shoulders every moment.
”
”
Shelby Foote (The Civil War, Vol. 1: Fort Sumter to Perryville)
“
A musical laugh sprang free, her happy smile trailing behind, and I was in heaven. “Until you,” she agreed. She squinted one eye and added, “Though you should know, I’m probably gonna be really, really bad at it.”
The expression on her face said she honestly believed it, and I couldn’t wait to prove her wrong. I leaned close to her ear and whispered across her skin, “That’s impossible.”
Peyton’s breath caught in a gasp, and I angled back to see her face.
That’s when the moment changed.
Sounds of the emptying baseball field fell away. The cool air around us kindled. The soft smile on her face faded as she looked into my eyes, shifting her gaze between them to see what I’d do next. Part of me wondered the same thing.
I’d kissed dozens of girls before. Some I wanted, others purely because I was bored. But I’d never felt anything like this. Anticipation. Want. Fear. Unlike any other kiss I’d ever shared, this one needed to be epic. Girls remembered their first kiss for the rest of their lives, and I had to leave Peyton with something good to cling to later… when I inevitably screwed everything up.
Gauging her reaction, I slowly lowered my head and watched her soft lips part. Adrenaline surged through my veins at the swipe of her tongue. She nodded once, silently giving me permission, then closed her eyes.
Inhaling the scent of sunflowers, I kissed her.
”
”
Rachel Harris (The Natural History of Us (The Fine Art of Pretending, #2))
“
So you don’t trust me: the guy who taught you everything you know. I’m guessing if you have her”—he jerked his thumb at Rae—“that’s no accident. Luke’s buddies sent her to trap you, and she thought she was doing the right thing, because, duh, she’s already proven she’s kinda gullible that way.”
“Hey!” Rae said.
“You are. Own it. Fix it. Now, you guys have her, which means you escaped whoever sent her after you. You didn’t escape without a fight, given that bruise I see rising on Daniel’s jaw and the scrapes on Derek’s knuckles. But you escaped, and you came back here, and you captured me. Who taught you all that?”
“Daniel and I had already started learning,” Maya said, “during those weeks you were chasing us.”
“Trial by fire,” he said. “Followed by hardcore, hands-on tactical training. You got away scot-free from these guys because of my lessons. And yet now you don’t trust I’m on your side?”
“Nope,” Derek said.
“Sorry,” Daniel said.
Maya crossed her arms and shook her head. I shrugged.
Moreno broke into a grin. “You guys do me proud. I’d give you all a hug, if that wasn’t a little creepy. And if I was the hugging sort. But if you survive the rest of this, I’ll take you all out for beer and ice cream.”
“You don’t need to be sarcastic,” Rae muttered.
“Oh, but I’m not, and they know it. This is exactly what I trained them for. Trust no one except one another. Excluding you, kid, because I don’t know you, and you have a bad habit of screwing up. But these guys are doing the right thing. Next step?”
Turn the tables,” I said. “Capture someone who’s behind this and get them to talk.”
“Mmm, yes. That would work. But even better?”
“Stop them,” Derek said. “Don’t just take down one. Take them all down.”
“Without running to the Nasts for help,” Daniel said. “Because in another year, some of us will be off to college, and we need to be able to look after ourselves.”
“Starting with proving we can look after ourselves,” Maya said.
Moreno beamed. “You guys are ace. See, this is what I told Sean. The best time to train operatives is when they’re still young and malleable. None of that shit about waiting until they’re eighteen and legally old enough to consent.”
Maya shook her head. “I suppose you’d also suggest he have the Cabal terrorize them for weeks first, so they’re properly motivated.”
“Exactly. Personal rights and freedoms are vastly overrated. And there’s nothing wrong with a little PTSD. I’ve always found mine useful. Keeps me on my toes.”
Rae stared at him.
“I’m kidding,” he said to her. “Mostly. Don’t you joke around like this with your instructors? Oh, wait. You don’t have any. Which is why you got tricked—again. And got captured by these guys.”
“Can we tie him up now?” Rae said. “And gag him?”
“Doesn’t do any good,” Derek said.
“We could try.
”
”
Kelley Armstrong (Atoning (Darkness Rising #3.1))
“
Vegetarians.”
Cookie muttered something under his breath. “I ain’t cooking no tofu. I’ll quit first.”
“Fine by me. You cook what you like. I just wanted you to know.”
“Vegetarians.” Cookie washed his hands, then attacked the lettuce.
Frank walked into the kitchen. “Everything’s all set, boss. Tents, saddles, supplies. Cookie’s wagon is loaded, except for the fresh stuff. We have a schedule set up. You’ll get a delivery every afternoon.”
Zane nodded. “You get a look at the folks?”
His second in command did his best to keep his expression neutral, but Zane saw the corner of Frank’s mouth twitch.
“You mean the fact that you’ve got to deal with Maya’s mouth, some old ladies and a couple of kids?”
Cookie picked up a lethal-looking knife, then reached for several tomatoes. “You left out the good part, Zane. Tell him about the damn nut eaters.”
When Frank looked confused, Zane shrugged. “Vegetarians.”
This time Frank’s entire mouth jerked, but he controlled his humor. “Sounds interesting.”
“Tits are interesting, boy,” Cookie growled. “Vegetarians are just plain stupid. If people want to eat leaves and grubs, then they should go live in the forest. Root around with those ugly truffle pigs and get away from my table.”
“What time is supper?” Zane asked.
Cookie snarled something under his breath, then walked to the back door and stuck his head out. “Billy, you got that there barbecue ready yet, boy?”
“Yes, sir. Coals are hot and gray. You wanted them gray, didn’t you, Cookie?”
“What color gray?”
There was a pause. “Sort of medium.”
“Huh.” Cookie closed the back door and grinned at Zane. “I screw with him because he makes it so easy.
”
”
Susan Mallery (Kiss Me (Fool's Gold, #17))
“
She could envision Shakespeare's sister. But she imagined a violent, an apocalyptic end for Shakespeare's sister, whereas I know that isn't what happened. You see, it isn't necessary. I know that lots of Chinese women, given in marriage to men they abhorred and lives they despised, killed themselves by throwing themselves down the family well. I'm not saying it doesn't happen. I'm only saying that isn't what usually happens. It it were, we wouldn't be having a population problem. And there are so much easier ways to destroy a woman. You don't have to rape or kill her; you don't even have to beat her. You can just marry her. You don't even have to do that. You can just let her work in your office for thirty-five dollars a week. Shakespeare's sister did...follow her brother to London, but she never got there. She was raped the first night out, and bleeding and inwardly wounded, she stumbled for shelter into the next village she found. Realizing before too long that she was pregnant, she sought a way to keep herself and her child safe. She found some guy with the hots for her, realized he was credulous, and screwed him. When she announced her pregnancy to him, a couple months later, he dutifully married her. The child, born a bit early, makes him suspicious: they fight, he beats her, but in the end he submits. Because there is something in the situation that pleases him: he has all the comforts of home including something Mother didn't provide, and if he has to put up with a screaming kid he isn't sure is his, he feels now like one of the boys down at the village pub, none of whom is sure they are the children of the fathers or the fathers of their children. But Shakespeare's sister has learned the lesson all women learn: men are the ultimate enemy. At the same time she knows she cannot get along in the world without one. So she uses her genius, the genius she might have used to make plays and poems with, in speaking, not writing. She handles the man with language: she carps, cajoles, teases, seduces, calculates, and controls this creature to whom God saw fit to give power over her, this hulking idiot whom she despises because he is dense and fears because he can do her harm.
So much for the natural relation between the sexes.
But you see, he doesn't have to beat her much, he surely doesn't have to kill her: if he did, he'd lose his maidservant. The pounds and pence by themselves are a great weapon. They matter to men, of course, but they matter more to women, although their labor is generally unpaid. Because women, even unmarried ones, are required to do the same kind of labor regardless of their training or inclinations, and they can't get away from it without those glittering pounds and pence. Years spent scraping shit out of diapers with a kitchen knife, finding places where string beans are two cents less a pound, intelligence in figuring the most efficient, least time-consuming way to iron men's white shirts or to wash and wax the kitchen floor or take care of the house and kids and work at the same time and save money, hiding it from the boozer so the kid can go to college -- these not only take energy and courage and mind, but they may constitute the very essence of a life.
They may, you say wearily, but who's interested?...Truthfully, I hate these grimy details as much as you do....They are always there in the back ground, like Time's winged chariot. But grimy details are not in the background of the lives of most women; they are the entire surface.
”
”
Marilyn French (The Women's Room)
“
Frankie was making me work for my forgiveness. It had taken several days, a thousand phone messages, and a seriously overpriced Vogue Hommes International shoved through his mail slot to get him even to speak to me. He was sitting across the table from me now, arms crossed over his chest (to be fair, he did that a lot when wearing that particular cashmere sweater; it covered the repaired moth hole at the point of the V-neck), glowering a little. I nudged the cannoli another millimeter toward him. It was chocolate chip,his fave.
"So I screwed up twice." I was wrapping up my tale of guilt and woe. "Edward I don't mind so much now. We just were too different for it to work out in the end..." I chanced a glance at Frankie's sulky face to see if he found that at all humorous. Apparently not.,. I sighed and went for honesty. "Alex...That one has walloped me."
Frankie darted out a finger and scooped a little of the filling from the cannoly. I resisted the urge to fling myself across the table and hug him until he squeaked. "The sharks were good," he acknowledged, and not even too reluctantly. "Insane but good."
"Yeah.And Ferdinand. I'll introduce you sometime."
Frankie wrinkled his perfect nose. "I'll take my stingray as a shagreen wallet, thank you."
I laughed.Not that I appreciated the thought of Ferdinand as an accessory,but I was just so happy to have my Frankie back.
He read my mind and waved a cannoli-tipped finger at me. "Ah.You are not forgiven yet, madam."
I subsided in my chair. "I'm sorry," I told him quietly. "I'm really really sorry. If I could go back and do any of it differently, the very first thing would be to tell you everything as it was happening."
"Hmph." Frankie took a bite of cannoli, delicately wiped his mouth, had a sip of espresso,wiped his mouth. And examined the painted til ceiling.
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
So it was always at night, like a werewolf, that I would take the thing out for an honest run down the coast. I would start in Golden Gate Park, thinking only to run a few long curves to clear my head. . . but in a matter of minutes I'd be out at the beach with the sound of the engine in my ears, the surf booming up on the sea wall and a fine empty road stretching all the way down to Santa Cruz. . . not even a gas station in the whole seventy miles; the only public light along the way is an all-night diner down around Rockaway Beach.
There was no helmet on those nights, no speed limit, and no cooling it down on the curves. The momentary freedom of the park was like the one unlucky drink that shoves a wavering alcoholic off the wagon. I would come out of the park near the soccer field and pause for a moment at the stop sign, wondering if I knew anyone parked out there on the midnight humping strip.
Then into first gear, forgetting the cars and letting the beast wind out. . . thirty-five, forty-five. . . then into second and wailing through the light at Lincoln Way, not worried about green or red signals, but only some other werewolf loony who might be pulling out, too slowly, to start his own run. Not many of these. . . and with three lanes on a wide curve, a bike coming hard has plenty of room to get around almost anything. . . then into third, the boomer gear, pushing seventy-five and the beginning of a windscream in the ears, a pressure on the eyeballs like diving into water off a high board.
Bent forward, far back on the seat, and a rigid grip on the handlebars as the bike starts jumping and wavering in the wind. Taillights far up ahead coming closer, faster, and suddenly -- zaaapppp -- going past and leaning down for a curve near the zoo, where the road swings out to sea.
The dunes are flatter here, and on windy days sand blows across the highway, piling up in thick drifts as deadly as any oil-slick. . . instant loss of control, a crashing, cartwheeling slide and maybe one of those two-inch notices in the paper the next day: “An unidentified motorcyclist was killed last night when he failed to negotiate a turn on Highway I.”
Indeed. . . but no sand this time, so the lever goes up into fourth, and now there's no sound except wind. Screw it all the way over, reach through the handlebars to raise the headlight beam, the needle leans down on a hundred, and wind-burned eyeballs strain to see down the centerline, trying to provide a margin for the reflexes.
But with the throttle screwed on there is only the barest margin, and no room at all for mistakes. It has to be done right. . . and that's when the strange music starts, when you stretch your luck so far that fear becomes exhilaration and vibrates along your arms. You can barely see at a hundred; the tears blow back so fast that they vaporize before they get to your ears. The only sounds are wind and a dull roar floating back from the mufflers. You watch the white line and try to lean with it. . . howling through a turn to the right, then to the left and down the long hill to Pacifica. . . letting off now, watching for cops, but only until the next dark stretch and another few seconds on the edge. . . The Edge. . . There is no honest way to explain it because the only people who really know where it is are the ones who have gone over. The others -- the living -- are those who pushed their control as far as they felt they could handle it, and then pulled back, or slowed down, or did whatever they had to when it came time to choose between Now and Later.
But the edge is still Out there. Or maybe it's In. The association of motorcycles with LSD is no accident of publicity. They are both a means to an end, to the place of definitions.
”
”
Hunter S. Thompson (Hell's Angels)
“
I always had trouble with the feet of Jón the First, or Pre-Jón, as I called him later. He would frequently put them in front of me in the evening and tell me to take off his socks and rub his toes, soles, heels and calves. It was quite impossible for me to love these Icelandic men's feet that were shaped like birch stumps, hard and chunky, and screaming white as the wood when the bark is stripped from it. Yes, and as cold and damp, too. The toes had horny nails that resembled dead buds in a frosty spring. Nor can I forget the smell, for malodorous feet were very common in the post-war years when men wore nylon socks and practically slept in their shoes.
How was it possible to love these Icelandic men? Who belched at the meal table and farted constantly. After four Icelandic husbands and a whole load of casual lovers I had become a vrai connaisseur of flatulence, could describe its species and varieties in the way that a wine-taster knows his wines. The howling backfire, the load, the gas bomb and the Luftwaffe were names I used most. The coffee belch and the silencer were also well-known quantities, but the worst were the date farts, a speciality of Bæring of Westfjord.
Icelandic men don’t know how to behave: they never have and never will, but they are generally good fun. At least, Icelandic women think so. They seem to come with this inner emergency box, filled with humour and irony, which they always carry around with them and can open for useful items if things get too rough, and it must be a hereditary gift of the generations. Anyone who loses their way in the mountains and gets snowed in or spends the whole weekend stuck in a lift can always open this special Icelandic emergency box and get out of the situation with a good story. After wandering the world and living on the Continent I had long tired of well-behaved, fart-free gentlemen who opened the door and paid the bills but never had a story to tell and were either completely asexual or demanded skin-burning action until the morning light. Swiss watch salesmen who only knew of “sechs” as their wake-up hour, or hairy French apes who always required their twelve rounds of screwing after the six-course meal.
I suppose I liked German men the best. They were a suitable mixture of belching northerner and cultivated southerner, of orderly westerner and crazy easterner, but in the post-war years they were of course broken men. There was little you could do with them except try to put them right first. And who had the time for that? Londoners are positive and jolly, but their famous irony struck me as mechanical and wearisome in the long run. As if that irony machine had eaten away their real essence. The French machine, on the other hand, is fuelled by seriousness alone, and the Frogs can drive you beyond the limit when they get going with their philosophical noun-dropping. The Italian worships every woman like a queen until he gets her home, when she suddenly turns into a slut. The Yank is one hell of a guy who thinks big: he always wants to take you the moon. At the same time, however, he is as smug and petty as the meanest seamstress, and has a fit if someone eats his peanut butter sandwich aboard the space shuttle. I found Russians interesting. In fact they were the most Icelandic of all: drank every glass to the bottom and threw themselves into any jollity, knew countless stories and never talked seriously unless at the bottom of the bottle, when they began to wail for their mother who lived a thousand miles away but came on foot to bring them their clean laundry once a month. They were completely crazy and were better athletes in bed than my dear countrymen, but in the end I had enough of all their pommel-horse routines.
Nordic men are all as tactless as Icelanders. They get drunk over dinner, laugh loudly and fart, eventually start “singing” even in public restaurants where people have paid to escape the tumult of
”
”
Hallgrímur Helgason
“
I love you," Avery whispered and slid his hands under Kane's back, gripping his shoulders as he slowly began to move his hips, pulling almost out and slowly pushing back into that delicious tightness, moving faster and harder with each thrust. "I…love…you…" Kane whimpered. Avery gritted his teeth and closed his eyes, burying his face in the crook of Kane's neck. He wanted this to last, but the force of Kane's muscles gripping him felt too good. "You're finally mine." "And you're…finally…mine…" Kane declared, his hips rising to meet Avery's, thrust for thrust. "I've been yours since the first moment I laid eyes on you. Today was for you, baby." Avery gripped Kane's shoulders tighter, holding him in place as he drove himself deep into Kane's body. His knees dug into the mattress as he tried to get better leverage. He couldn't get close enough to Kane, couldn't get deep enough in the man he loved. He slammed his hips wildly against Kane, their loud grunts and moans filled the room, and the sound of their bodies slapping together added to the heat of the moment. Avery managed to slide his hand between their sweat-coated bodies and pump Kane's hard cock. His rhythm was erratic, he couldn't keep the pace, not with the way Kane's tight ass grasped him, but he wanted Kane to come before he did. His body strained, and he screwed his eyes shut, trying to prevent his release. He hung on until he felt Kane's cock twitch and hot jets of thick cream shot between his fingers and splattered on his chest. Kane shuddered and moaned beneath him, and his ass contracted around him. The smell and feel of Kane's release drove him insane. He grabbed Kane's thighs, pushed them back, lifting him higher, and plunged into him, pistoning his hips like a jack hammer. "Yes. So…good, baby." It wasn't a second more before his own release hit, and his cock jerked deep inside Kane's hot ass as he filled him with his come. "You're amazing," Avery roared as he slumped forward, falling on top of Kane.
”
”
Kindle Alexander (Always (Always & Forever #1))
“
You’re having a bad day.
You mess up a few lines. You’re distracted. You’ve had this look about you all afternoon, like you’re not quite there.
“Christ, Cunningham, get it together,” Hastings says, running his hands down his face. “If you can’t handle being Brutus—”
“Fuck you.” You cut him off. “Don’t act like you’re perfect.”
“I don’t make rookie mistakes,” Hastings says. “Maybe if you weren’t so preoccupied with trying to screw the new girl, you might—”
BAM.
You shut him up mid-sentence with a punch to the face, your fist connecting hard, nearly knocking him off his feet. He stumbles, stunned, as you go at him again, grabbing the collar of his uniform shirt and yanking him to you. “Shut your fucking mouth.”
People come between the two of you, forcing you apart. Hastings storms out, shouting, “I can’t deal with him!”
Drama Club comes to a screeching halt.
You stand there for a moment, fists clenched at your side, calming down. You flex your hands, loosening them as you approach the girl. She’s watching you in silence, expression guarded.
You sit down near her. There’s an empty seat between you today. It’s the first time you’ve not sat right beside her in weeks. You’re giving her space.
It doesn’t take long before Hastings returns, but he isn’t alone. The administrator waltzes in behind him. The man heads for you, expression stern. “Cunningham, give me one good reason why I shouldn’t expel you.”
“Because my father gives you a lot of money.”
“That’s what you have to say?”
“Is that not a good reason?”
“You punched a fellow student!”
“We were just acting,” you say. “I’m Brutus. He’s Caesar. It’s to be expected.”
“Brutus stabs him. He doesn’t throw punches.”
“I was improvising.”
The girl laughs when you say that. She tries to stop herself, but the sound comes out, and the administrator hears it, his attention shifting to her.
“Look, it won’t happen again,” you say, drawing the focus back to you. “Next time, I’ll stab him and be done with it.”
“You better watch yourself,” the administrator says, pointing his finger in your face. “One more incident and you’re gone for good. Understand?”
“Yes, sir.”
“And rest assured, your father will be hearing about this
”
”
J.M. Darhower (Ghosted)
“
Here are two examples of just how strange and unique humans can be when they go about harming one another and caring for one another. The first example involves, well, my wife. So we’re in the minivan, our kids in the back, my wife driving. And this complete jerk cuts us off, almost causing an accident, and in a way that makes it clear that it wasn’t distractedness on his part, just sheer selfishness. My wife honks at him, and he flips us off. We’re livid, incensed. Asshole-where’s-the-cops-when-you-need-them, etc. And suddenly my wife announces that we’re going to follow him, make him a little nervous. I’m still furious, but this doesn’t strike me as the most prudent thing in the world. Nonetheless, my wife starts trailing him, right on his rear. After a few minutes the guy’s driving evasively, but my wife’s on him. Finally both cars stop at a red light, one that we know is a long one. Another car is stopped in front of the villain. He’s not going anywhere. Suddenly my wife grabs something from the front seat divider, opens her door, and says, “Now he’s going to be sorry.” I rouse myself feebly—“Uh, honey, do you really think this is such a goo—” But she’s out of the car, starts pounding on his window. I hurry over just in time to hear my wife say, “If you could do something that mean to another person, you probably need this,” in a venomous voice. She then flings something in the window. She returns to the car triumphant, just glorious. “What did you throw in there!?” She’s not talking yet. The light turns green, there’s no one behind us, and we just sit there. The thug’s car starts to blink a very sensible turn indicator, makes a slow turn, and heads down a side street into the dark at, like, five miles an hour. If it’s possible for a car to look ashamed, this car was doing it. “Honey, what did you throw in there, tell me?” She allows herself a small, malicious grin. “A grape lollipop.” I was awed by her savage passive-aggressiveness—“You’re such a mean, awful human that something must have gone really wrong in your childhood, and maybe this lollipop will help correct that just a little.” That guy was going to think twice before screwing with us again. I swelled with pride and love.
”
”
Robert M. Sapolsky (Behave: The Biology of Humans at Our Best and Worst)
“
In my generation we did a lot of pleasure chasing—we, the generation responsible for today’s twenty-year-olds and thirty-year-olds and forty-year-olds. Before they came into our lives, we were on a pleasure binge, and the need for immediate gratification passed through us to our children.
When I got out of the Army in 1944, the guys who were being discharged with me were mostly between the ages of eighteen and thirty. We came home to a country that was in great shape in terms of industrial capacity. As the victors, we decided to spread the good fortune around, and we did all kinds of wonderful things—but it wasn’t out of selfless idealism, let me assure you. Take the Marshall Plan, which we implemented at that time. It rebuilt Europe, yes, but it also enabled those war ruined countries to buy from us. The incredible, explosive economic prosperity that resulted just went wild. It was during that period that the pleasure principle started feeding on itself.
One generation later it was the sixties, and those twenty-eight-year-old guys from World War II were forty-eight. They had kids twenty years old, kids who had been so indulged for two decades that it caused a huge, first-time-in-history distortion in the curve of values. And, boy, did that curve bend and bend and bend.
These postwar parents thought they were in nirvana if they had a color TV and two cars and could buy a Winnebago and a house on the lake. But the children they had raised on that pleasure principle of material goods were by then bored to death. They had overdosed on all that stuff. So that was the generation who decided, “Hey, guess where the real action is? Forget the Winnebago. Give me sex, drugs, and rock ‘n’ roll.” Incredible mind-blowing experiences, head-banging, screw-your-brains-out experiences in service to immediate and transitory pleasures.
But the one kind of gratification is simply an outgrowth of the other, a more extreme form of the same hedonism, the same need to indulge and consume. Some of those same sixties kids are now themselves forty-eight. Whatever genuine idealism they carried through those love-in days got swept up in the great yuppie gold rush of the eighties and the stock market nirvana of the nineties—and I’m afraid we are still miles away from the higher ground we seek.
”
”
Sidney Poitier (The Measure of a Man: A Spiritual Autobiography)
“
The genius of the current caste system, and what most distinguishes it from its predecessors, is that it appears voluntary. People choose to commit crimes, and that’s why they are locked up or locked out, we are told. This feature makes the politics of responsibility particularly tempting, as it appears the system can be avoided with good behavior. But herein lies the trap. All people make mistakes. All of us are sinners. All of us are criminals. All of us violate the law at some point in our lives. In fact, if the worst thing you have ever done is speed ten miles over the speed limit on the freeway, you have put yourself and others at more risk of harm than someone smoking marijuana in the privacy of his or her living room. Yet there are people in the United States serving life sentences for first-time drug offenses, something virtually unheard of anywhere else in the world. The notion that a vast gulf exists between “criminals” and those of us who have never served time in prison is a fiction created by the racial ideology that birthed mass incarceration, namely that there is something fundamentally wrong and morally inferior about “them.” The reality, though, is that all of us have done wrong. As noted earlier, studies suggest that most Americans violate drug laws in their lifetime. Indeed, most of us break the law not once but repeatedly throughout our lives. Yet only some of us will be arrested, charged, convicted of a crime, branded a criminal or felon, and ushered into a permanent undercaste. Who becomes a social pariah and excommunicated from civil society and who trots off to college bears scant relationship to the morality of crimes committed. Who is more blameworthy: the young black kid who hustles on the street corner, selling weed to help his momma pay the rent? Or the college kid who deals drugs out of his dorm room so that he’ll have cash to finance his spring break? Who should we fear? The kid in the ’hood who joined a gang and now carries a gun for security, because his neighborhood is frightening and unsafe? Or the suburban high school student who has a drinking problem but keeps getting behind the wheel? Our racially biased system of mass incarceration exploits the fact that all people break the law and make mistakes at various points in their lives and with varying degrees of justification. Screwing up—failing to live by one’s highest ideals and values—is part of what makes us human.
”
”
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
“
It's funny, you know. We're free. We make choices. We weigh things in our minds, consider everything carefully, use all the tools of logic and education. And in the end, what we mostly do is what we have no choice but to do.
Makes you think, why bother? But you bother because you do, that's why. Because you're a DNA-brand computer running Childhood 1.0 software. They update the software but the changes are always just around the edges.
You have the brain you have, the intelligence, the talents, the strengths and weaknesses you have, from the moment they take you out of the box and throw away the Styrofoam padding.
But you have the fears you picked up along the way. The terrors of age four or six or eight are never suspended, just layered over. The dread I'd felt so recently, a dread that should be so much greater because the facts had been so much more horrible, still could not diminish the impact of memories that had been laid down long years before.
It's that way all through life, I guess. I have a relative who says she still gets depressed every September because in the back of her mind it's time for school to start again. She's my great-aunt. The woman is sixty-seven and still bumming over the first day of school five-plus decades ago.
It's sad in a way because the pleasures of life get old and dated fast. The teenage me doesn't get the jolt the six-year-old me got from a package of Pop Rocks. The me I've become doesn't rush at the memories of the day I skated down a parking ramp however many years ago.
Pleasure fades, gets old, gets thrown out with last year's fad. Fear, guilt, all that stuff stays fresh.
Maybe that's why people get so enraged when someone does something to a kid. Hurt a kid and he hurts forever. Maybe an adult can shake it off. Maybe. But with a kid, you hurt them and it turns them, shapes them, becomes part of the deep, underlying software of their lives. No delete.
I don't know. I don't know much. I feel like I know less all the time. Rate I'm going, by the time I'm twenty-one I won't know a damned thing.
But still I was me. Had no choice, I guess. I don't know, maybe that's bull and I was just feeling sorry for myself. But, bottom line, I dried my eyes, and I pushed my dirty, greasy hair back off my face, and I started off down the road again because whatever I was, whoever I was, however messed up I might be, I wasn't leaving April behind.
Maybe it was all an act programmed into me from the get-go, or maybe it grew up out of some deep-buried fear, I mean maybe at some level I was really just as pathetic as Senna thought I was. Maybe I was a fake. Whatever. Didn't matter.
I was going back to the damned dragon, and then I was getting April out, and everything and everyone else could go screw themselves.
One good thing: For now at least, I was done being scared.
”
”
K.A. Applegate
“
After wandering the world and living on the Continent I had long tired of well-behaved, fart-free gentlemen who opened the door and paid the bills but never had a story to tell and were either completely asexual or demanded skin-burning action until the morning light. Swiss watch salesmen who only knew of “sechs” as their wake-up hour, or hairy French apes who always required their twelve rounds of screwing after the six-course meal.
I suppose I liked German men the best. They were a suitable mixture of belching northerner and cultivated southerner, of orderly westerner and crazy easterner, but in the post-war years they were of course broken men. There was little you could do with them except try to put them right first. And who had the time for that? Londoners are positive and jolly, but their famous irony struck me as mechanical and wearisome in the long run. As if that irony machine had eaten away their real essence. The French machine, on the other hand, is fuelled by seriousness alone, and the Frogs can drive you beyond the limit when they get going with their philosophical noun-dropping. The Italian worships every woman like a queen until he gets her home, when she suddenly turns into a slut. The Yank is one hell of a guy who thinks big: he always wants to take you the moon. At the same time, however, he is as smug and petty as the meanest seamstress, and has a fit if someone eats his peanut butter sandwich aboard the space shuttle. I found Russians interesting. In fact they were the most Icelandic of all: drank every glass to the bottom and threw themselves into any jollity, knew countless stories and never talked seriously unless at the bottom of the bottle, when they began to wail for their mother who lived a thousand miles away but came on foot to bring them their clean laundry once a month. They were completely crazy and were better athletes in bed than my dear countrymen, but in the end I had enough of all their pommel-horse routines.
Nordic men are all as tactless as Icelanders. They get drunk over dinner, laugh loudly and fart, eventually start “singing” even in public restaurants where people have paid to escape the tumult of the world. But their wallets always waited cold sober in the cloakroom while the Icelandic purse lay open for all in the middle of the table. Our men were the greater Vikings in this regard. “Reputation is king, the rest is crap!” my Bæring from Bolungarvík used to say. Every evening had to be legendary, anything else was a defeat. But the morning after they turned into weak-willed doughboys.
But all the same I did succeed in loving them, those Icelandic clodhoppers, at least down as far as their knees. Below there, things did not go as well. And when the feet of Jón Pre-Jón popped out of me in the maternity ward, it was enough. The resemblances were small and exact: Jón’s feet in bonsai form. I instantly acquired a physical intolerance for the father, and forbade him to come in and see the baby. All I heard was the note of surprise in the bass voice out in the corridor when the midwife told him she had ordered him a taxi. From that day on I made it a rule: I sacked my men by calling a car.
‘The taxi is here,’ became my favourite sentence.
”
”
Hallgrímur Helgason
“
In the entire endless evening his serenity received a jolt only a few times. The first was when someone who didn’t know who he was confided that only two months ago Lady Elizabeth’s uncle had sent out invitations to all her former suitors offering her hand in marriage.
Suppressing his shock and loathing for her uncle, Ian had pinned an amused smile on his face and confided, “I’m acquainted with the lady’s uncle, and I regret to say he’s a little mad. As you know, that sort of thing runs,” Ian had finished smoothly, “in our finest families.” The reference to England’s hopeless King George was unmistakable, and the man had laughed uproariously at the joke. “True,” he agreed. “Lamentably true.” Then he went off to spread the word that Elizabeth’s uncle was a confirmed loose screw.
Ian’s method of dealing with Sir Francis Belhaven-who, his grandfather had discovered, was boasting that Elizabeth had spent several days with him-was less subtle and even more effective. “Belhaven,” Ian said after spending a half hour searching for the repulsive knight.
The stout man had whirled around in surprise, leaving his acquaintances straining to hear Ian’s low conversation with him. “I find your presence repugnant,” Ian had said in a dangerously quiet voice. “I dislike your coat, I dislike your shirt, and I dislike the knot in your neckcloth. In fact, I dislike you. Have I offended you enough yet, or shall I continue?”
Belhaven’s mouth dropped open, his pasty face turning a deathly gray. “Are-are you trying to force a-duel?”
“Normally one doesn’t bother shooting a repulsive toad, but in this instance I’m prepared to make an exception, since this toad doesn’t know how to keep his mouth shut!”
“A duel, with you?” he gasped. “Why, it would be no contest-none at all. Everyone knows what sort of marksman you are. It would be murder.”
Ian leaned close, speaking between his clenched teeth. “It’s going to be murder, you miserable little opium-eater, unless you suddenly remember very vocally that you’ve been joking about Elizabeth Cameron’s visit.”
At the mention of opium the glass slid from his fingers and crashed to the floor. “I have just realized I was joking.”
“Good,” Ian said, restraining the urge to strangle him. “Now start remembering it all over this ballroom!”
“Now that, Thornton,” said an amused voice from Ian’s shoulder as Belhaven scurried off to begin doing as bidden, “makes me hesitate to say that he is not lying.” Still angry with Belhaven, Ian turned in surprise to see John Marchman standing there. “She was with me as well,” Marchman sad. “All aboveboard, for God’s sake, so don’t look at me like I’m Belhaven. Her aunt Berta was there every moment.”
“Her what?” Ian said, caught between fury and amusement.
“Her Aunt Berta. Stout little woman who doesn’t say much.”
“See that you follow her example,” Ian warned darkly.
John Marchman, who had been privileged to fish at Ian’s marvelous stream in Scotland, gave his friend an offended look. “I daresay you’ve no business challenging my honor. I was considering marrying Elizabeth to keep her out of Belhaven’s clutches; you were only going to shoot him. It seems to me that my sacrifice was-“
“You were what?” Ian said, feeling as if he’d walked in on a play in the middle of the second act and couldn’t seem to hold onto the thread of the plot or the identity of the players.
“Her uncle turned me down. Got a better offer.”
“Your life will be more peaceful, believe me,” Ian said dryly, and he left to find a footman with a tray of drinks.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))