Screen Shot Quotes

What was that you showed Sonya?” Dimitri suddenly joined Rose on the screen. She shot him an amused look. “Easy, comrade. You’ll get your chance to lecture them too.” “Geez,” said Adrian. “How many other people are there lurking off-screen?

Watching him lumber back toward the apartment building, I got so mad I did something I can't explain. As Gabe reached the doorway, I made the hand gesture I'd seen Grover make on the bus, a sort of warding-off-evil gesture, a clawed hand over my heart, then a shoving movement toward Gabe. The screen door slammed shut so hard it whacked him in the butt and sent him flying up the stair case as if he'd been shot from a cannon. Maybe it was just the wind, or some freak accident with the hinges, but I didn't stay long enough to find out. I got in the Camaro and told my mom to step on it.

His fingers, frozen in midfidget on his good knee, said PEOPLE AREN'T SUPPOSED TO ASK ME THAT. Either that or I HAVE JUST BEEN SHOT THROUGH THE PAPER SCREEN. He wasn't bleeding.

My words hang in the air. I look to the screen, hoping to see them recording some wave of reconciliation going through the crowd. Instead I watch myself get shot on television.

Jack leaned over. “Ever get the impression that these women are way out of our league?” “I shot the last guy who said that to me.” “And people say I’m cranky.” Nick chuckled as his eyes turned back to the television screen. As it turned out, he didn’t care whose league Jordan was in. All that mattered was that she was his.

[Jean] had the guts to kill herself, and I admire her for it, although, of course, she was quite crazy at the time, with a brain misfiring like a cross-wired laptop. Pressing the keystrokes love, the screen read die. Pressing the keystrokes survive, the screen read die. The damn thing, her mind-machine, was shot.

Cover me!' Augustus said as he jumped out from behind the wall and raced toward the school. Isaac fumbled for his controller and then started firing while the bullets rained down on Augustus, who was shot once and then twice but still ran, Augustus shouting,'YOU CAN’T KILL MAX MAYHEM!' and with a final flurry of button combinations, he dove onto the grenade, which detonated beneath him. His dismembered body exploded like a geyser and the screen went red. A throaty voice said, 'MISSION FAILURE,' but Augustus seemed to think otherwise as he smiled at his remnants on the screen. He reached into his pocket, pulled out a cigarette, and shoved it between his teeth. 'Saved the kids' he said. 'Temporarily' I pointed out. 'All salvation is temporary' Augustus shot back. 'I bought them a minute. Maybe that’s the minute that buys them an hour, which is the hour that buys them a year. No one’s gonna buy them forever, Hazel Grace, but my life bought them a minute. And that’s not nothing.

It's something of a parodox that film, the art that most resembles our daydreams, is the one most difficult to bring into existence.

I, on the other hand, do. I have the same damn weakness I’ve always had. It’s still there as I stare up at the big screen. As I watch Jamie Canning stop another dizzying slap shot. As I admire the grace and deadly precision with which he moves. My weakness is him.

The difference between shooters and scorers is that shooters usually need plays to be run for them or screens to get their shot.

Forgive your enemies!! But keep their screen shots!!

Anyway, gotta go. Just wanted to tell you how hot you look.” My boyfriend leans in and smacks a very loud kiss on my lips, which I’m pretty sure is captured by every news camera and cell phone in the rink. Instinctively I look up at the jumbotron. Sure enough, the screen is frozen on a shot of Blake kissing me. THE KISSCAM STARTS NOW, FANS, it screams. “Cheezus,” I mutter. My five siblings are probably laughing their asses off right now. “Babe. You said cheezus.” “I did no—yeah.” I grin up at the loud, crazy, incredible man I love. “I guess I did.

Is six a.m. too early to watch The Bachelor and mock all the giggly, desperate women?" "Go for it. Though I bet it'd work better as a drinking game," Laurel said. "One shot for the flirty arm touch. Chug if they strip and bum-rush the pool." Anne hit play. "Like they'd get their hair wet." Laurel stared at the screen, laughed at Anne's comments but felt another weird pang upset her insides. "Would you say this show makes something incredibly complex--you know, relationships--into something mind-numbingly vapid? Or does it make something actually rather simple into a big fucking circus?" "Both. That's why I love it." "I couldn't stand competing for a man like that," Laurel murmured. "I don't have the right...programming for it. Like to fight like that. Some people get an adrenaline rush and they're like foosh, give me somebody to beat down. I just, like curl up into a ball and want to hide." "I'm somewhere in the middle," Anne said. "I'm like a ninja. I'll like, come out of my shadowy hiding space and beat you down, bitches. You won't even see me.

A change in direction was required. The story you finished was perhaps never the one you began. Yes! He would take charge of his life anew, binding his breaking selves together. Those changes in himself that he sought, he himself would initiate and make them. No more of this miasmic, absent drift. How had he ever persuaded himself that his money-mad burg would rescue him all by itself, this Gotham in which Jokers and Penguins were running riot with no Batman (or even Robin) to frustrate their schemes, this Metropolis built of Kryptonite in which no Superman dared set foot, where wealth was mistaken for riches and the joy of possession for happiness, where people lived such polished lives that the great rough truths of raw existence had been rubbed and buffed away, and in which human souls had wandered so separately for so long that they barely remembered how to touch; this city whose fabled electricity powered the electric fences that were being erected between men and men, and men and women, too? Rome did not fall because her armies weakened but because Romans forgot what being Roman meant. Might this new Rome actually be more provincial than its provinces; might these new Romans have forgotten what and how to value, or had they never known? Were all empires so undeserving, or was this one particularly crass? Was nobody in all this bustling endeavor and material plenitude engaged, any longer, on the deep quarry-work of the mind and heart? O Dream-America, was civilization's quest to end in obesity and trivia, at Roy Rogers and Planet Hollywood, in USA Today and on E!; or in million-dollar-game-show greed or fly-on-the-wall voyeurism; or in the eternal confessional booth of Ricki and Oprah and Jerry, whose guests murdered each other after the show; or in a spurt of gross-out dumb-and-dumber comedies designed for young people who sat in darkness howling their ignorance at the silver screen; or even at the unattainable tables of Jean-Georges Vongerichten and Alain Ducasse? What of the search for the hidden keys that unlock the doors of exaltation? Who demolished the City on the Hill and put in its place a row of electric chairs, those dealers in death's democracy, where everyone, the innocent, the mentally deficient, the guilty, could come to die side by side? Who paved Paradise and put up a parking lot? Who settled for George W. Gush's boredom and Al Bore's gush? Who let Charlton Heston out of his cage and then asked why children were getting shot? What, America, of the Grail? O ye Yankee Galahads, ye Hoosier Lancelots, O Parsifals of the stockyards, what of the Table Round? He felt a flood bursting in him and did not hold back. Yes, it had seduced him, America; yes, its brilliance aroused him, and its vast potency too, and he was compromised by this seduction. What he opposed in it he must also attack in himself. It made him want what it promised and eternally withheld. Everyone was an American now, or at least Americanized: Indians, Uzbeks, Japanese, Lilliputians, all. America was the world's playing field, its rule book, umpire, and ball. Even anti-Americanism was Americanism in disguise, conceding, as it did, that America was the only game in town and the matter of America the only business at hand; and so, like everyone, Malik Solanka now walked its high corridors cap in hand, a supplicant at its feast; but that did not mean he could not look it in the eye. Arthur had fallen, Excalibur was lost and dark Mordred was king. Beside him on the throne of Camelot sat the queen, his sister, the witch Morgan le Fay.

(I) went to see the noble knights of Holy Anocracy. By the time they assembled, the inn finished assimilating the new gaming consoles. I waved my hand and three huge flat screen opened in the stone walls of the vampire quarters. Wall spat out sets of controllers. “Greetings,” I said. “House Krah, House Sabla and House Vorga, may I present Call of Duty.” The three screens ignited simultaneously, playing the opening of the Call of Duty: Advanced Warfare. Soldiers in high tech armor shot at target, flew across the screen from bomb impacts, and walked dramatically in slow motion. Vehicles roared, Marines roared louder, and Kevin Spacey informed us that politicians didn’t know how to solve problems but he did. The vampires stared at the screens. “This is a game of cooperative action,” I said, “Where a small elite force can triumph against overwhelming odds.” At the word elite, they perked up like wild dogs who heard a rabbit cry. “The game will teach you how to play it. May the best House triumph over their opponents.

I, on the other hand, do. I have the same damn weakness I’ve always had. It’s still there as I stare up at the big screen. As I watch Jamie Canning stop another dizzying slap shot. As I admire the grace and deadly precision with which he moves. My weakness is him.

[Texting] discourages thoughtful discussion or any level of detail. And the addictive problems are compounded by texting's hyperimmediacy. E-mails take some time to work their way through the Internet, through switches and routers and servers, and they require that you take the step of explicitly opening them. Text messages magically appear on the screen of your phone and demand immediate attention from you. Add to that the social expectation that an unanswered text feels insulting to the sender, and you've got a recipe for addiction: You receive a text, and that activates your novelty centers. You respond and feel rewarded for having completed a task (even though that task was entirely unknown to you fifteen seconds earlier). Each of those delivers a shot of dopamine as your limbic system cries out "More! More! Give me more!

Alan Rickman had to drop into a blue screen stretched over a bag. It might have been 30 feet, which is plenty scary. You’d break your back, especially if you were untrained, but this is the thing about it: What you see on his face when he lets go is real fear. It’s one of the greatest shots ever.

Thus the “brainy” economy designed to produce this happiness is a fantastic vicious circle which must either manufacture more and more pleasures or collapse—providing a constant titillation of the ears, eyes, and nerve ends with incessant streams of almost inescapable noise and visual distractions. The perfect “subject” for the aims of this economy is the person who continuously itches his ears with the radio, preferably using the portable kind which can go with him at all hours and in all places. His eyes flit without rest from television screen, to newspaper, to magazine, keeping him in a sort of orgasm-with-out-release through a series of teasing glimpses of shiny automobiles, shiny female bodies, and other sensuous surfaces, interspersed with such restorers of sensitivity—shock treatments—as “human interest” shots of criminals, mangled bodies, wrecked airplanes, prize fights, and burning buildings. The literature or discourse that goes along with this is similarly manufactured to tease without satisfaction, to replace every partial gratification with a new desire. For this stream of stimulants is designed to produce cravings for more and more of the same, though louder and faster, and these cravings drive us to do work which is of no interest save for the money it pays—to buy more lavish radios, sleeker automobiles, glossier magazines, and better television sets, all of which will somehow conspire to persuade us that happiness lies just around the corner if we will buy one more.

All film technique, I am convinced (and like many of my theories I am probably alone in adhering to it), originates in dreaming. We could dream slow motion before the moving camera was invented. In our dreams we could cut between parallel actions, we assembled montage shots long before some self-important Russian claimed to show us how. This is where film derives its particular power. It re-creates on screen what has been going on in our unconscious.

A throaty voice said, “MISSION FAILURE,” but Augustus seemed to think otherwise as he smiled at his remnants on the screen. He reached into his pocket, pulled out a cigarette, and shoved it between his teeth. “Saved the kids,” he said. “Temporarily,” I pointed out. “All salvation is temporary,” Augustus shot back. “I bought them a minute. Maybe that’s the minute that buys them an hour, which is the hour that buys them a year. No one’s gonna buy them forever, Hazel Grace, but my life bought them a minute. And that’s not nothing.

You could spend hours following the trail of a single dispute, through smoking battlefields of interlinked comments threads and screen shots and blogs where the message “this post has been deleted by its author” stands like a tombstone over the grave of the one witness who can tell you what really happened. I know, because I’ve wandered extensively over this blasted heath in the past couple of weeks.

Well," they said, "did you see the blighter shot?" "You bet I did," he said, in a loud and casual voice. "Everything go off alright?" "He wriggled a bit." He turned to the bartender. "Same as usual, John.

To be a damn genius, you are so obtuse. I don’t care if it’s Godzilla or Frankenstein or fucking Teenage Mutant Ninja Turtles. It doesn’t matter what’s on the screen, Banner. I just don’t want you to leave.

Marx sat down next to Sam, and Sam handed him the keyboard so that he could play a round. Because SHOOT I could not SHOOT stop for SHOOT kindly An ink pot combusted on the screen, indicating that Marx, having shot the wrong phrase, had lost a life. “This is the most violent poetry game I’ve ever played,” Marx said. “You’ve played other poetry games?” “Well, technically, no,” Marx said. “Your friend’s talented. And odd.

I on the other hand, do. I have the same damn weakness I’ve always had. It’s still there as I stare up at the big screen. As I watch Jamie Canning stop another dizzying slap shot. As I admire the grace and deadly precision with which he moves. My weakness is him.

He’d been foolish enough to keep his face in the shot, so I screen-grabbed the picture and tweeted it using my anonymous account to the international chain of coffee outlets that employed him, stating his name and the branch where he worked and had taken the picture.

and well-informed insights into their insular world. We all took our seats as a picture of a smiling Paul Verdun in toque was projected up onto screens. White jackets streamed from the kitchen: the amuse-bouche, a shot glass filled with a bite-sized baby octopus cooked in its “natural essence,” extra virgin olive oil from Puglia, and a single

Well, I’m glad we got a lead on Jill,” she said. “But you guys really should have been more careful about—” “What was that you showed Sonya?” Dimitri suddenly joined Rose on the screen. She shot him an amused look. “Easy, comrade. You’ll get your chance to lecture them too.” “Geez,” said Adrian. “How many other people are there lurking off-screen?

I palmed my cell and looked down at the screen, triple-checking the address that Boogie had texted me, just in case. Yep, it was still correct. I opened my text messaging app before I forgot and shot my sister a new message. She still hadn’t replied to me about needing a date to the quinceañera. Me: I’m going into a house I’ve never been in before. If I don’t text you back in an hour, call the cops. The address is 555 Rose Hill Lane. I stopped, thought about it, and sent her another message. Me: Don’t invite anyone I don’t like to my funeral. Then I sent her another one. Me: And don’t forget to drop my laptop in a swamp if something happens. I thought about it for another second. Me: And don’t forget you’re the only one I want to clean out my nightstand. Wear gloves and don’t judge me. I slipped my phone back into my purse as I stopped in front of what had to be at least an eight-thousand-square-foot home and eyed the combination of brick and stone walls, telling myself that I had to do this. Boogie had asked. And the sooner I did this, the sooner I could go home.

A good clean shot to end it all. Only there’s no arrow, no bullet. Is it possible he can’t see me? No. Above us, on the giant screens placed around the City Circle, everyone can watch the whole thing being played out. He sees, he knows, but he doesn’t follow through. Just as I didn’t when he was captured. Sorry excuses for hunters and friends. Both of us. I’m on my own.

The crowd started going crazy. Like even crazier than when Romeo got up from the hit. I was clinging to the railing, wondering if I would like prison, when Ivy sighed. "I swear. You have all the luck." Confused, I glanced around. Romeo was jogging toward us, helmet in his hands. Quickly, I glanced at the big screen and it was showing a wide shot of me clinging onto the rails and him running toward us. When he arrived, he slapped the guard on his back and said something in his ear. The guard looked at me and grinned and then walked away. Romeo stepped up to where I was. At the height I was at one the railing, for once I was taller than him. "You're killing me, Smalls," he said. "I had to interrupt a championship game to keep you from going to the slammer." "I was worried. You didn't get up." "And so you were just going to march out on the field and what?" God, he looked so… so incredible right then. His uniform stretched out over his wide shoulders and narrow waist. The pads strapped to his body made him look even stronger. He had grass stains on his knees, sweat in his hair, and ornery laughter in his sparkling blue eyes. I swear I'd never seen anyone equal parts of to-die-for good looks and boy-next-door troublemaker. "I was going to come out there and kiss it and make it better." He threw back his head and laughed, and the stadium erupted once more. I was aware that every moment between us was being broadcast like some reality TV show, but for once, I didn't care how many people were staring. This was our moment. And I was so damn happy he wasn't hurt. "So you're okay, then?" I asked. "Takes a lot more than a shady illegal attack to keep me down." Behind him, the players were getting back to the game, rushing out onto the field, and the coach was yelling out orders. "I'll just go back to my seat, then," I said. He rushed forward and grabbed me off the railing. The crown cheered when he slid me down his body and pressed his lips to mine. It wasn't a chaste kiss. It was the kind of kiss that made me blush when I watched it on TV. But I kissed him back anyway. I got lost in him. When he pulled back, I said, "By the way, You're totally kicking ass out there." He chuckled and put me back on the railing and kept one hand on my butt as I climbed back over. Back in the stands, I gripped the cold metal and gave him a small wave. He'd been walking backward toward his team, but then he changed direction and sprinted toward me. In one graceful leap, he was up on the wall and leaning over the railing. "Love you," he half-growled and pressed a swift kiss to my lips. "Next touchdown's for you.

His eyes went back to the screen. I felt him sink a little further back into the bed. We were both stroking in earnest now. His breathing became shallower, and the sound of it sent another shot of lust up my spine. I wanted to be the one making him pant like that. But then his pace faltered, and I looked up to find out why. The video had ended. I’d chosen a clip that was only a few minutes long. And

When they finally broke into the lagoon, where the ratty shack with rusted-out screens hunkered under the oaks, Maria clutched her youngest child, Jodie, fighting tears. Pa assured her, “Don’t ya worry none. I’ll get this fixed up in no time.” But Jake never improved the shack or finished high school. Soon after they arrived, he took up drinking and poker at the Swamp Guinea, trying to leave that foxhole in a shot glass.

I still suffer hate and pain in my heart every time I see the word "Duke" on a TV screen, and that rotten Thing happened nine years ago when that Swine Christian Laettner hit that impossible last-second shot against Kentucky. I still have a Memory Block about it -- but as I recall it was in the East Regional final that is still known as "the Best basketball game ever played." Geez, it Was and remains the Worst Shock I've experienced in my Life.

Thus the “brainy” economy designed to produce this happiness is a fantastic vicious circle which must either manufacture more and more pleasures or collapse—providing a constant titillation of the ears, eyes, and nerve ends with incessant streams of almost inescapable noise and visual distractions. The perfect “subject” for the aims of this economy is the person who continuously itches his ears with the radio, preferably using the portable kind which can go with him at all hours and in all places. His eyes flit without rest from television screen, to newspaper, to magazine, keeping him in a sort of orgasm-with-out-release through a series of teasing glimpses of shiny automobiles, shiny female bodies, and other sensuous surfaces, interspersed with such restorers of sensitivity—shock treatments—as “human interest” shots of criminals, mangled bodies, wrecked airplanes, prize fights, and burning buildings.

Douglas looked off at the twilight sky. "Frozen statues, every single one of you, the next three minutes!" said John. Douglas felt john walking around him even as he had walked around John a moment ago. He felt John sock him on the arm once, not too hard. "So long," he said. Then there was a rushing sound and he knew without looking that there was nobody behind him now. Far away, a train whistle sounded..... ... And then he felt himself walking across the lawns among all the other statues now, and whether they, too, were coming to life he did not know. They did not seem to be moving at all. For that matter he himself was only moving from the knees down. The rest of him was cold stone, and very heavy. Going up the front porch of his house, he turned suddenly to look at the lawns behind him. The lawns were empty. A series of rifle shots. Screen doors banged one after the other, a sunset volley, along the street.

Star Wars introduced a new way for using the five screen speakers [in theaters]. By pushing left and right sound channels to the farthest out speakers the pair just inside those was made available. Lucas' mixers then placed low frequency effects in those speakers, and named it the 'baby boom' channel. Human ears can hear frequencies up to around 20,000 hertz, and down to around 20 Hertz for very low sounds. Below that you don't *hear* the sound, but if the 'volume' is 'loud' enough, you can *feel* the sound. Super-low frequencies affect us emotionally, usually inducing something like fear. We feel them during earthquakes. Lucasfilm put sound effects in the baby boom channel for audiences to feel--for instance, in the opening shot of Star Wars where the little diplomatic ship is running from the Imperial Cruiser. It's no wonder this is one of the most memorable and ominous shots in cinematic history. It was not only cool looking, but cool *sounding*

Fugitives from slavery ripped open the screen behind which America tried to conceal the reality of life for black Americans, most of whom lived in the South, out of sight and out of mind for most people in the North. Fugitive slaves exposed the contradiction between the myth that slavery was a benign institution and the reality that a nation putatively based on the principle of human equality was actually a prison house in which millions of Americans had virtually no rights at all. By awakening northerners to this grim fact, and by enraging southerners who demanded the return of their “absconded” property, fugitive slaves pushed the nation toward confronting the truth about itself. They incited conflict in the streets, the courts, the press, the halls of Congress, and perhaps most important in the minds and hearts of Americans who had been oblivious to their plight. This manifold conflict—under way long before the first shots were fired in the Civil War—was the war before the war.

I have this feeling that whoever’s elected president, no matter what promises you make on the campaign trail — blah, blah, blah — when you win, you go into this smoky room with the twelve industrialist, capitalist scumfucks that got you in there, and this little screen comes down ... and it’s a shot of the Kennedy assassination from an angle you’ve never seen before, which looks suspiciously off the grassy knoll ... and then the screen comes up, the lights come on, and they say to the new president, ‘Any questions?’” “Just what my agenda is.” — Bill Hicks

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What’s that?” “I’ll tell you after you guess what I am.” I kept a straight face. “Rumpelstiltskin?” He rolled his eyes. “Be serious.” “Werewolf? No, that might have explained the superhuman strength if I didn’t know about the runes. Vampire crossed my mind, but you don’t sparkle.” His eyebrows shot up. “Sparkle?” “Yeah, like Edward. He’s superhot and perfect.” Torin scowled. “You have seen vampires?” “Of course. On the screen, in my dreams. What are you doing?” “Climbing your tree.” I swallowed. “Why?” “I like getting close and personal when talking to a beautiful woman.” My cheeks grew warm, and I looked behind me. “Who?” “You, Freckles.” He stopped at one of the top, sturdy branches, leaned against it, and studied me. “You should see yourself through my eyes, Raine Cooper. Gorgeous, fascinating, stubborn, funny, but I wouldn’t have you anyway.” Oh, wow. No guy had ever complimented me with such conviction. My cheeks shot past warm to hot, which meant my face was red as beets. “You’re kidding, right?” “No, I’m not. Don’t you think you’re beautiful?” “I meant does that old line really work anymore. I like getting close and personal when talking to a beautiful woman,” I repeated, imitating his deep voice and wiggling my brow.

Cinematographer.” Such an ornate term, yet still so vague. I often wonder if that’s to blame for how overlooked we are as a profession. Or even worse, that dry title, “Director of Photography.” But we are the true artists. A director may quite literally call the shots, but it is the cinematographer that makes them. We choose the angles, the lighting, pretty much everything that you see on the screen. The camera is a brush, and we are the hand, the arm, the eye. The director’s basically just the mouth, making pointless noise while the hand does the actual work. Almost every famous director that you know who has a distinctive visual style has simply managed to lock down a talented DoP.

I shot him a smile and spun back around to face my computer screen, unable to process what the hell had just happened. That was when I noticed a small Post-It-note pressed against my Dell monitor. Scribbled across the neon pink sticky was a note from Jesse: Evie, what are you so afraid of? -Jesse What was I afraid of? I was afraid of everything. I was afraid of letting people in. I was afraid of falling. But most of all, I was afraid of myself. I was my own worst enemy. I grabbed a blank Post-It note from the container on my desk and pulled a black pen out of my coat pocket. I allowed my hand to move freely, not thinking of my response. Only then, after I placed the pen down on my desk did I read what I’d written. Reality.

As we strolled, I noticed the soft light and its effect on the buildings around us. Like an aging screen actress shot in soft light to conceal her age lines, this magical twilight softened the avenues of Paris and produced an elegant scene not unlike a movie. Lining the street ahead of us, the buildings were constructed of solid white stone and more than one hundred years old, but all traces of age or dirt were diffused by the twilight, while their classic French architecture was center stage and highlighted. Fifty Parisians, the bluish cobblestones of the sidewalk, glowing neon, and a colorful outdoor flower stand completed the scene in front of us. Overwhelmed and in awe of the setting, I stopped and stared silently ahead.

a nightmare, hope that in closing our eyes we might wake up to that other life, back on the other side of the screen, where we can watch from the safety of our couches and bedrooms, from bus and train seats, from our offices, anyplace that is not there, on the ground, playing like we’re dead so not playing at all, we’ll run like ghosts from our own dead bodies in hopes of getting away from the shots and the loud quiet of waiting for the next shot to fire, waiting for another sharp hot line to cut across a life, cut off breath, bring too quickly the heat and then cooling of too-soon death. We’ve expected the shooter to appear in our lives in the same way we know death is and always has been coming for us, with its decisive scythe, its permanent cut. We

screen T.V. A comfortable and well-stocked family room, including a wet bar with a locked liquor cabinet and a closet with door standing open, shelves packed with tennis rackets and snowshoes and ice skates. All the accoutrements of a well-off, athletic family in a room now tainted with the overwhelming presence of death. The father was slumped in a club chair in front of the television with a rifle at his feet and a bloody cavern where his head had been. Blood and brains sprayed the carpet beneath him. At first glimpse just about anyone would see it as a suicide. “Basement is concrete block,” Epps said. “Family probably never heard the shot.” “The gun his?” Roarke asked, and heard the edge in his voice. “From the cabinet upstairs. Guy is a sportsman,” Aceves answered.

And they were so very strange—these people! There were the boys and men who rose at dawn—yet never paused to watch the sun flood the world with light; who stayed in the fields all day—yet never raised their eyes to the big fleecy clouds overhead; who knew birds only as thieves after fruit and grain, and squirrels and rabbits only as creatures to be trapped or shot. The women—they were even more incomprehensible. They spent the long hours behind screened doors and windows, washing the same dishes and sweeping the same floors day after day. They, too, never raised their eyes to the blue sky outside, nor even to the crimson roses that peeped in at the window. They seemed rather to be looking always for dirt, yet not pleased when they found it—especially if it had been tracked in on the heel of a small boy's shoe!

We’re halfway to the airport when my phone buzzes with a text. I have it set so that none of my texts (especially the photos) show up on the screen unless I’m logged in. It’s a pretty crucial precaution, and the text Jamie has just sent me proves why. When I authenticate my thumbprint, the screen fills with a picture that is not safe for work. It’s both dirty and hysterical all at once. Jamie’s very hard dick fills the shot. Only it’s angled toward the wall where the full, pink head leans against a flat nail that it’s presumably pounding. And Jamie has used some app to draw a happy face on his cockhead. The effect is startlingly transformative. His dick looks like…an expressive, alien creature performing some minor home repair. I give a snort of laughter. And here they thought my shirt was gay. I’ll show you gay…

William worked on his passing too, so he could feed the ball to the best players in the park. He wanted to keep his place on the court, and he knew that if he made the other boys better, he had value. He learned where to run to provide space for the shooters to cut in to. He set screens so they could take their favorite shots. The boys slapped William on the back after a successful play, and they always wanted him on their side. This acceptance calmed some of the fear William carried inside him; on the basketball court, he knew what to do. By the time William entered high school, he was a good-enough player to start for the varsity team. He was five foot eight and played point guard. His hours of practice with the glasses had paid off; he was by far the best dribbler on the team, and he had a nice midrange jumper. He’d

Still lying on the floor of my bedroom, I took a deep breath and looked at my hand. I felt strange and tingly, almost separated from my body. I wasn’t really here, I told myself. I was in Chicago, and I was watching all of this happen to someone else. It was a movie, maybe on the big screen, maybe cable. But it couldn’t be my life…could it? My phone rang again. It was Marlboro Man. “Hey,” he said. I heard the diesel engine rattling in the background. “I just dropped Mike at the mall.” “Hi,” I said, smiling. “Thanks for doing that.” “I just wanted to tell you that…I’m happy,” he said. My heart leapt out of my chest and shot through the roof. “I am, too,” I said. “Surprised…and happy.” “Oh,” he continued. “I told Mike the news. But he promised he wouldn’t tell anybody.” Oh, Lord, I thought. Marlboro Man obviously has no idea who he’s dealing with.

Her phone buzzed in her pocket. Probably Olivia. She shimmied it out and looked at the screen. Beau. Could this night get any worse? She’d seen him today from a distance and had managed to steer Travis a different direction. She shut off the ringer and pocketed the phone. “Not gonna answer?” “Nope.” The fireworks picked up overhead, colorful blooms with thunderous booms and pops. The sounds ricocheted off the mountains. She’d never been so glad to see the finale. “Was it Meyers?” She sighed. What business was it of his? It was her phone, her life. “He has no business calling you.” For pity’s sake. “Just a phone call, Travis.” “You’re a married woman.” “Barely.” “Can’t be barely married—you either are or you’re not—and I have a certificate that says we are.” The fireworks fizzled to nothing but darkness and silence. “It’s over.” Relieved, Shay sat up and inched toward the tailgate, but not before Travis’s quiet response reached her ears. “Not by a long shot.

Even when you're keeping score, golf is all about focusing on the shot at hand, the total score being a sum of those shots. On magic mushrooms, each shot was an act of self-expression - a karate kick, a pirouette, a paintbrush stroke. The course was an aren, a stage, and a canvas. That's the way it felt playing in the backcountry, too. Going beyond the simple visual appreciation of a landscape and interacting with it beyond the reach of the physical body. Launching shots across canyons and rivers and down mountainsides and beaches. The motion of the body determining the motion of the ball - its flight an extension of the body like a spider riding the wind on a silken thread or a perfectly cast fly arcing down onto the surface of the water. This is the part of the game that is hard for nongolfers to see. You have to play to feel it. It isn't visible through the TV screen or from outside the picket fences and privet hedges. The forest gets lost in tress of tartan and argyle, visors and V-necks. Golf seems to be one thing but is very much another, and backcountry golf and mushroom night golf are as true to the nature of the game as any stuffy country club championship or Saturday Nassau or fourball.

Security had changed at the hotel as well, with armed SWAT teams deployed in the stairwells. Our family and closest friends were already in the suite, everyone smiling, kids racing around the room, and yet the atmosphere was still strangely muted, as if the reality of what was about to happen hadn’t yet settled in their minds. My mother-in-law, in particular, made no pretense of being relaxed; through the din, I noticed her sitting on the couch, her eyes fixed on the television, her expression one of disbelief. I tried to imagine what she must be thinking, having grown up just a few miles away during a time when there were still many Chicago neighborhoods that Blacks could not even safely enter; a time when office work was out of reach for most Blacks, and her father, unable to get a union card from white-controlled trade unions, had been forced to make do as an itinerant tradesman; a time when the thought of a Black U.S. president would have seemed as far-fetched as a pig taking flight. I took a seat next to her on the couch. “You okay?” I asked. Marian shrugged and kept staring at the television. She said, “This is kind of too much.” “I know.” I took her hand and squeezed it, the two of us sitting in companionable silence for a few minutes. Then suddenly a shot of my face flashed up on the TV screen and ABC News announced that I would be the forty-fourth president of the United States.

Emotions get our attention As the television advertisement opens, we see two men talking in a car. They are having a mildly heated discussion about one of them overusing the word “like” in conversation. As the argument continues, we notice out the passenger window another car barreling toward the men. It smashes into them. There are screams, sounds of shattering glass, quick-cut shots showing the men bouncing in the car, twisted metal. The final shot shows the men standing, in disbelief, outside their wrecked Volkswagen Passat. In a twist on a well-known expletive, these words flash on the screen: “Safe Happens.” The spot ends with a picture of another Passat, this one intact and complete with its five-star side-crash safety rating. It is a memorable, even disturbing, 30-second spot. That’s because it’s charged with emotion. Emotionally charged events are better remembered—for longer, and with more accuracy—than neutral events. While this idea may seem intuitively obvious, it’s frustrating to demonstrate scientifically because the research community is still debating exactly what an emotion is. What we can say for sure is that when your brain detects an emotionally charged event, your amygdala (a part of your brain that helps create and maintain emotions) releases the chemical dopamine into your system. Dopamine greatly aids memory and information processing. You can think of it like a Post-it note that reads “Remember this!” Getting one’s brain to put a chemical Post-it note on a given piece of information means that information is going to be more robustly processed. It is what every teacher, parent, and ad executive wants.

The Memory Business Steven Sasson is a tall man with a lantern jaw. In 1973, he was a freshly minted graduate of the Rensselaer Polytechnic Institute. His degree in electrical engineering led to a job with Kodak’s Apparatus Division research lab, where, a few months into his employment, Sasson’s supervisor, Gareth Lloyd, approached him with a “small” request. Fairchild Semiconductor had just invented the first “charge-coupled device” (or CCD)—an easy way to move an electronic charge around a transistor—and Kodak needed to know if these devices could be used for imaging.4 Could they ever. By 1975, working with a small team of talented technicians, Sasson used CCDs to create the world’s first digital still camera and digital recording device. Looking, as Fast Company once explained, “like a ’70s Polaroid crossed with a Speak-and-Spell,”5 the camera was the size of a toaster, weighed in at 8.5 pounds, had a resolution of 0.01 megapixel, and took up to thirty black-and-white digital images—a number chosen because it fell between twenty-four and thirty-six and was thus in alignment with the exposures available in Kodak’s roll film. It also stored shots on the only permanent storage device available back then—a cassette tape. Still, it was an astounding achievement and an incredible learning experience. Portrait of Steven Sasson with first digital camera, 2009 Source: Harvey Wang, From Darkroom to Daylight “When you demonstrate such a system,” Sasson later said, “that is, taking pictures without film and showing them on an electronic screen without printing them on paper, inside a company like Kodak in 1976, you have to get ready for a lot of questions. I thought people would ask me questions about the technology: How’d you do this? How’d you make that work? I didn’t get any of that. They asked me when it was going to be ready for prime time? When is it going to be realistic to use this? Why would anybody want to look at their pictures on an electronic screen?”6 In 1996, twenty years after this meeting took place, Kodak had 140,000 employees and a $28 billion market cap. They were effectively a category monopoly. In the United States, they controlled 90 percent of the film market and 85 percent of the camera market.7 But they had forgotten their business model. Kodak had started out in the chemistry and paper goods business, for sure, but they came to dominance by being in the convenience business. Even that doesn’t go far enough. There is still the question of what exactly Kodak was making more convenient. Was it just photography? Not even close. Photography was simply the medium of expression—but what was being expressed? The “Kodak Moment,” of course—our desire to document our lives, to capture the fleeting, to record the ephemeral. Kodak was in the business of recording memories. And what made recording memories more convenient than a digital camera? But that wasn’t how the Kodak Corporation of the late twentieth century saw it. They thought that the digital camera would undercut their chemical business and photographic paper business, essentially forcing the company into competing against itself. So they buried the technology. Nor did the executives understand how a low-resolution 0.01 megapixel image camera could hop on an exponential growth curve and eventually provide high-resolution images. So they ignored it. Instead of using their weighty position to corner the market, they were instead cornered by the market.

So you hook up with strangers?" Liam asked in a hushed whisper as the cashier rang up their order. "Were you with someone last night?" "Yes. His name is Max." She pulled out her phone. "I have a selfie of us together." She held it up for the cashier to see, keeping the screen away from Liam's line of vision. "Oh, he's gorgeous," the cashier said. "He's got the nicest eyes." "Let me see." Liam felt his protective instincts rise. "Who is he? Max who?" "He doesn't have a last name." "Jesus Christ, Daisy," he spluttered. "Does Sanjay know you do this? What about your dad?" "They know all about Max," Daisy said. "In fact, my dad took a picture of us cuddled together in bed the night before he left on his trip, and the cutest one of Max on my pillow. I bought some pajamas but he refused to wear them. He likes to sleep au naturel." Bile rose in Liam's throat. "And your dad took... pictures?" "Photography is his new hobby. He took some great shots when I was giving Max a bath..." "Stop." Liam held up a hand. "Just... I can't. I don't know what's happened to you, but it ends now. We're engaged and that means no more random hookups, no pornographic pictures, and no flashing pictures of strangers in the nude." "Amina doesn't mind. She's my second cousin." Daisy introduced them before turning her phone around. "And this is Max." Liam was a heartbeat away from shutting his eyes when his brain registered the picture of a fluffy white dog on a pink duvet. His tension left him in a rush. "Max is a dog." "He's a Westie. Layla got him for me as an emotional support dog at a bad time in my life." Liam bit back the urge to ask Daisy about a time so bad she'd needed extra love. It was her business, and he could only hope she would tell him when she was ready so he could offer his support. "That wasn't funny." "Amina and I were amused." "I heard you were engaged." Amina's gaze flicked to Liam and she blushed. "He's almost as cute as Max.

We said that if you don't quench those flames at once, they will spread all over the world; you thought we were maniacs. At present we have the mania of trying to tell you about the killing, by hot steam, mass-electrocution and live burial of the total Jewish population of Europe. So far three million have died. It is the greatest mass-killing in recorded history; and it goes on daily, hourly, as regularly as the ticking of your watch. I have photographs before me on the desk while I am writing this, and that accounts for my emotion and bitterness. People died to smuggle them out of Poland; they thought it was worth while. The facts have been published in pamphlets, White Books, newspapers, magazines and what not. But the other day I met one of the best-known American journalists over here. He told me that in the course of some recent public opinion survey nine out of ten average American citizens, when asked whether they believed that the Nazis commit atrocities, answered that it was all propaganda lies, and that they didn't believe a word of it. As to this country, I have been lecturing now for three years to the troops and their attitude is the same. They don't believe in concentration camps, they don't believe in the starved children of Greece, in the shot hostages of France, in the mass-graves of Poland; they have never heard of Lidice, Treblinka or Belzec; you can convince them for an hour, then they shake themselves, their mental self-defence begins to work and in a week the shrug of incredulity has returned like a reflex temporarily weakened by a shock. Clearly all this is becoming a mania with me and my like. Clearly we must suffer from some morbid obsession, whereas the others are healthy and normal. But the characteristic symptom of maniacs is that they lose contact with reality and live in a phantasy world. So, perhaps, it is the other way round: perhaps it is we, the screamers, who react in a sound and healthy way to the reality which surrounds us, whereas you are the neurotics who totter about in a screened phantasy world because you lack the faculty to face the facts. Were it not so, this war would have been avoided, and those murdered within sight of your day-dreaming eyes would still be alive.

REPROGRAMMING MY BIOCHEMISTRY A common attitude is that taking substances other than food, such as supplements and medications, should be a last resort, something one takes only to address overt problems. Terry and I believe strongly that this is a bad strategy, particularly as one approaches middle age and beyond. Our philosophy is to embrace the unique opportunity we have at this time and place to expand our longevity and human potential. In keeping with this health philosophy, I am very active in reprogramming my biochemistry. Overall, I am quite satisfied with the dozens of blood levels I routinely test. My biochemical profile has steadily improved during the years that I have done this. For boosting antioxidant levels and for general health, I take a comprehensive vitamin-and-mineral combination, alpha lipoic acid, coenzyme Q10, grapeseed extract, resveratrol, bilberry extract, lycopene, silymarin (milk thistle), conjugated linoleic acid, lecithin, evening primrose oil (omega-6 essential fatty acids), n-acetyl-cysteine, ginger, garlic, l-carnitine, pyridoxal-5-phosphate, and echinacea. I also take Chinese herbs prescribed by Dr. Glenn Rothfeld. For reducing insulin resistance and overcoming my type 2 diabetes, I take chromium, metformin (a powerful anti-aging medication that decreases insulin resistance and which we recommend everyone over 50 consider taking), and gymnema sylvestra. To improve LDL and HDL cholesterol levels, I take policosanol, gugulipid, plant sterols, niacin, oat bran, grapefruit powder, psyllium, lecithin, and Lipitor. To improve blood vessel health, I take arginine, trimethylglycine, and choline. To decrease blood viscosity, I take a daily baby aspirin and lumbrokinase, a natural anti-fibrinolytic agent. Although my CRP (the screening test for inflammation in the body) is very low, I reduce inflammation by taking EPA/DHA (omega-3 essential fatty acids) and curcumin. I have dramatically reduced my homocysteine level by taking folic acid, B6, and trimethylglycine (TMG), and intrinsic factor to improve methylation. I have a B12 shot once a week and take a daily B12 sublingual. Several of my intravenous therapies improve my body’s detoxification: weekly EDTA (for chelating heavy metals, a major source of aging) and monthly DMPS (to chelate mercury). I also take n-acetyl-l-carnitine orally. I take weekly intravenous vitamins and alpha lipoic acid to boost antioxidants. I do a weekly glutathione IV to boost liver health. Perhaps the most important intravenous therapy I do is a weekly phosphatidylcholine (PtC) IV, which rejuvenates all of the body’s tissues by restoring youthful cell membranes. I also take PtC orally each day, and I supplement my hormone levels with DHEA and testosterone. I take I-3-C (indole-3-carbinol), chrysin, nettle, ginger, and herbs to reduce conversion of testosterone into estrogen. I take a saw palmetto complex for prostate health. For stress management, I take l-theonine (the calming substance in green tea), beta sitosterol, phosphatidylserine, and green tea supplements, in addition to drinking 8 to 10 cups of green tea itself. At bedtime, to aid with sleep, I take GABA (a gentle, calming neuro-transmitter) and sublingual melatonin. For brain health, I take acetyl-l-carnitine, vinpocetine, phosphatidylserine, ginkgo biloba, glycerylphosphorylcholine, nextrutine, and quercetin. For eye health, I take lutein and bilberry extract. For skin health, I use an antioxidant skin cream on my face, neck, and hands each day. For digestive health, I take betaine HCL, pepsin, gentian root, peppermint, acidophilus bifodobacter, fructooligosaccharides, fish proteins, l-glutamine, and n-acetyl-d-glucosamine. To inhibit the creation of advanced glycosylated end products (AGEs), a key aging process, I take n-acetyl-carnitine, carnosine, alpha lipoic acid, and quercetin. MAINTAINING A POSITIVE “HEALTH SLOPE” Most important,

Deprive a cat of sleep and it would die in two weeks. Deprive a human and he would become psychotic. His work was killing people. How was he supposed to frighten these guys? Run up behind them in a halloween mask and shout boo? He never saw the point of views -- what did it matter if it was an ocean or a brick wall you were looking at? People travelled hundreds, sometimes thousands of miles to commit suicide someplace with a beautiful view. Did a view matter when oblivion beckoned? They could put him in a garbage bin after he was gone, for all he cared. That's all the human race was anyway. Garbage with attitude. A cutting word is worse than a bowstring. A cut may heal but a cut of the tongue does not. The Sakawa students were all from poor, underprivileged backgrounds. Sakawa was a mix of religious juju and modern internet technology. They were taught, in structured classes, the art of online fraud as well as arcane African rituals -- which included animal sacrifice -- to have a voodoo effect on their victims, ensuring the success of each fraud. of which there was a wide variety. The British Empire spend five hundred years plundering the world. The word is 'thanks'. 'That's what it is, Roy! He won't come out, he has locked the doors! What if he self-harms, Roy! I mean -- what if he kills himself?' 'I will have to take him off my Christmas list.' "Any chance you can recover any of it?' 'You sitting near a window, Gerry?' 'Near a window? Sure, right by a window?' 'Can you see the sky?' 'Uh-huh. Got a clear view.' 'See any pigs flying past?' To dream of death is good for those in fear, for the death have no more fears. '...Cleo took me to the opera once. I spent the whole time praying for a fat lady to come on stage and start singing. Or a heart attack --whichever come sooner.' '..there is something strongly powerful -- almost magnetic -- about internet romances. A connection that is far stronger than a traditional meeting of two people. Maybe because on the internet you can lie all the time, each person gives the other their good side. It's intoxicating. That's one of the things which makes it so dangerous -- and such easy pickings for fraudsters.' He was more than a little pleased that he was about to ruin his boss's morning -- and, with a bit of luck, his entire day. ..a guy who had been born angry and had just got even angrier with each passing year. '...Then at some point in the future, I'll probably die in an overcrowded hospital corridor with some bloody hung-over medical student jumping up and down on my chest because they couldn't find a defibrillator. 'Give me your hand, bro,' the shorter one said. 'That one, the right one, yeah.' On the screen the MasterChef contestant said, 'Now with a sharp knife...' Jules de Copland drove away from Gatwick Airport in.a new car, a small Kia, hired under a different name and card, from a different rental firm, Avis. 'I was talking about her attitude. But I'll tell you this, Roy. The day I can't say a woman -- or a man -- is plug ugly, that's the day I want to be taken out and shot.' It seems to me the world is in a strange place where everyone chooses to be offended all the time. 'But not too much in the way of brains,' GlennBranson chipped in. 'Would have needed the old Specialist Search Unite to find any trace of them.' 'Ever heard of knocking on a door?' 'Dunno that film -- was it on Netflix?' 'One word, four letters. Begins with an S for Sierra, ends with a T for Tango. Or if you'd like the longest version, we've been one word, six letters, begins with F for Foxtrot, ends with D for Delta.' No Cop liked entering a prison. In general there was a deep cultural dislike of all police officers by the inmates. And every officer entering.a prison, for whatever purposes, was always aware that if a riot kicked off while they were there, they could be both an instant hostage and a prime target for violence.

hundred mile journey. He had little cash left. No ATMs were working and nothing was open anyway. They approached a motel, its sign said ‘Vacancies’. His mood lifted. Hungry and tired, they approached a door which hung askew, hanging on just one hinge. Bill walked into a deserted reception area. A few keys hung on hooks behind the desk. He grabbed a couple and walked through to a small dining area. It too was deserted. A door at the back led through to a kitchen. Its doors were wide open. Not a morsel of food was left. They walked through and out into the courtyard. The keys were surplus to requirements, every door was wide open. Each room had been picked bare. The flat screen TVs that were advertised were nowhere to be seen, likewise the coffee makers and radios. However, the beds were still there. What the thieves could have done with the electrical equipment without power seemed irrelevant. They would sleep in a bed, hungry, but a lot more comfortable than they had been for the previous two nights. Bill settled Mike and Lauren into one room and told them to keep the door closed. He couldn’t buy food but he could damn well hunt for it. He walked out of the motel, across the almost desolate highway and with a vast expanse of open ground before him, settled down and waited for a target. It wasn’t long in coming. A deer came into his sights, over eight hundred yards away, but well within his range. He heard a rustle behind him but remained on target and fired. The deer went down, an instant kill. “That’s damn fine shooting, sir,” said a voice from behind. Bill had heard the two men approach but hadn’t wanted to turn and risk missing the deer. They had been almost silent in their approach, understanding what he was doing. They were hunters themselves. “Thanks,” he said, turning to greet them. “Too much for us though, happy to share.” “No that’s okay, friend, we’re fine,” they said, much to his astonishment. He was actually wondering if they would have let him have any without a fight. “Are you sure? It’s too big for me to carry all this way. I’m afraid I’m just going to cut what I need and leave the rest. By the time I come back, I imagine it’ll be picked clean.” “We were just driving past and saw you line up that shot. That is really impressive shooting.” “You’ve got gas?” asked Bill, surprised. “Friend, we have everything you can imagine, food, gas, what we don’t have much of is folks that shoot as fine as that over that distance.” “Okay,” said Bill suspiciously. “We’re a couple of miles ahead of our main party, how’d you fancy joining us?” “Joining you for what?” “Teaching these Chinese bastards that they fucked with the wrong country!” spat the one that had remained quiet up until then. Bill could see why the other one had done most of the talking. He had also probably done his fair share of teaching the Chinese or at least their president that they had messed with the wrong country. “I’ve got a niece who’d have to come with us, and her boyfriend,” he said. He wouldn’t miss the chance of helping in any way he could, but he wouldn’t leave Lauren to fend for herself. “What age?” “They’re in their twenties.” “Can they shoot?” “Absolutely!” “Welcome to the Patriotic Guard of America, friend, Montana Division,” said the man smiling widely. “Next stop, Washington!” Chapter 77 General Petlin’s desk was littered with updates from across America.

These televised scenes grew dark and violent. Roaring and exploding as private cops and militias fired into crowds of young families; some still tiny and in diapers. “All too often,” came the narrator’s voice again, “Adults try to silence those who have seen what their leaders have been trying to hide. “Children learn very early that it is not socially acceptable to speak the truth. “Just play the game, they are told, just try to get along with how things have to be. “Life is just that way.” On the screen, children, many of them dressed in rags, had gathered in small, desperate knots behind The Walls. Begging for food, or for the simple right to speak, as PolitiChurch bullies fired into their small and loose clusters. Children fell. Bleeding. Moaning, blinded, crippled, or dead. Many of them weeping from the teargas. “Life is just that way,” came the voice again.......... Even there though, not every cop felt quite clear in his conscience. While some took aim even at cameras and film crews threatening to expose their militarized thuggery, others held their fire. Or maybe shot into the sky. The world was breaking apart into factions. No one could just turn his back on something like this. The repercussions from this kind of violence followed troubled souls even into their sleep. They would have to take a stand. Somebody had to do something.' From 'The Soul Hides in Shadows

He convinced John Stainton to agree that there would be no CGI (computer-generated imagery) wildlife in the movie. We didn’t want to pretend to react to an animal in front of a green screen, and then have computer graphic technicians complete the shot later. That was how Hollywood would normally have done it, but that wasn’t an option for Steve. “All the animals have to be real,” he insisted to the executives at MGM. “I’m doing all of my own stunts. Otherwise, I am not interested.” I always believed that Steve would excel at anything he put his mind to, and a movie would be no different. The camera loved him. As talks ground on at MGM, we came up with a title: Crocodile Hunter: Collision Course. But mostly we had phone calls and meetings. The main sticking point was that no insurance company would touch us. No underwriter would write a policy for a project that required Steve to be working with real live crocodiles. As negotiations seemed to be grinding to a halt, we were all feeling frustrated. Steve looked around at John, Judi, and the others. He could see that everybody had gotten a bit stretched on all our various projects. He decided we needed a break. He didn’t lead us into the bush this time. Instead, Steve said a magic word. “Samoa.” “Sea snakes?” I asked. “Surfing,” he said.

When the crowd thins a little, I rotate in a circle, taking a 360-degree panoramic. Darren ducks out of my way, so I make him pose for me to get a shot of him alone with the brick ruins in the background. I preview it on the little screen. His hair is magically controlled today, every curl falling perfectly in place around his head, though his facial hair is the scruffiest I’ve seen yet. His smile is more of a smirk, mischievous. Like he knows I have every intention of making this the background picture on my computer.

Iris Whitney, a former showgirl that frequented Malachy’s bar on Third Avenue, became my friend with a story. The same year that I had graduated from High School, she had been frolicking with John Garfield in her two room Gramercy Park apartment. On May 21, 1952 Garfield was found dead of a heart attack, in her bed. When I first met Iris I didn’t know anything about this but even if I had, all I can say is that I enjoyed her company and survived the experience. Of course she denied having been intimate with the actor the night that he died and added that John had not been feeling well. When the police arrived and had to break the door down, her explanation was that she thought that they were newspaper men. Several years later, in Connecticut, I had the occasion to talk about old times and some of these events, to the popular stage and screen actor Byron Barr better known as “Gig Young.” Sitting with my wife Ursula and Young at the open bar alongside the Candlewood Theatre, in New Fairfield during the summer of 1978, everything seemed normal. Coincidentally I also knew his former wife Elizabeth Montgomery who was married to him from 1956 to 1963, since she was my neighbor living on the nearby Cushman road in Patterson New York,. On October 19, 1978, two months after seeing Young, I read that he had shot his wife Kim Schmidt and committed suicide only three weeks after their marriage. Apparently Young had shot his wife and then turned the gun on himself. They were both found dead in their Manhattan apartment but the police never established a motive for the murder-suicide. I knew that he liked to drink and this may have been a part of the problem, but he always seemed congenial and there was no hint that it would ever come to this.

Knowing that R. L.’s death at nineteen is not his end, Mrs. O’Brien and Jack can trust the nuns. Those who live in the way of grace may die young. They may die horribly. But they never come to a bad end because death is not the end. We are quite a ways beyond Heidegger here. Whatever other influence he had on Malick’s vision, Malick doesn’t accept that death is the limit, that time has a final horizon beyond which the rest is silence. Beyond death there is reconciliation, reunion, hope. Beyond death, there are sunflowers. The sunflower is a perfect image for the way of grace. Its name is suggestive of heavenly glory. In color and shape, it is a reflex of the burning suns of what might be an infinite universe. Malick uses Hubble Telescope pictures of deep space, but one doesn’t have to have a telescope to see the glory shine. Suns grow in the backyard, if we our eyes are open windows. Sunflowers follow the sun through the day, the perfect botanical expression of the way of grace that receives the glory. It’s the perfect Heideggerian flower that never forgets Being. But Malick does something stunning with his sunflowers. The first shot of is a close-up of a single flower, as Mrs. O’Brien speaks of the way of grace. We can see others dancing in the wind behind, but we concentrate on this one. At the end of the film, the camera pulls back, a brilliant blue sky fills the top two-thirds of the screen, and we see a breathtaking field of sunflowers. Through the suffering and loss that the movie depicts, the single sunflower of grace blossoms into a field of sunflowers. It’s Job, surrounded by his second family that he can love. It’s Brothers Karamazov. It’s the Agnus Dei and all seeds that go into the earth to die, so they can produce fruit.

Starting in the 1940s, we began coating glass with phosphor and firing electrons at it, creating the hypnotic images of television. Within a few years, sociologists and media theorists were declaring that we had become a “society of the image,” the literate Gutenberg galaxy giving way to the blue glow of the TV screen and the Hollywood glamour shot. Those transformations emerged out of a wide range of innovations and materials, but all of them, in one way or another, depended on the unique ability of glass to transmit and manipulate light.

I have two missed text messages from Ryle and one from my mother. Ryle: Hey. Naked Truth commencing in 3… 2… Ryle: I was worried that being in a relationship would add to my responsibilities. That’s why I’ve avoided them my whole life. I already have enough on my plate, and seeing the stress my parents’ marriage seemed to cause them, and the failed marriages of some of my friends, I wanted no part in something like that. But after tonight, I realized that maybe a lot of people are just doing it wrong. Because what’s happening between us doesn’t feel like a responsibility. It feels like a reward. And I’ll fall asleep wondering what I did to deserve it. I pull my phone to my chest and smile. Then I screenshot the text because I’m keeping it forever. I open up the third text message. Mom: A doctor, Lily? AND your own business? I want to be you when I grow up. I screen-shot that one, too.

We were filming Chamber of Secrets when the Prisoner of Azkaban book came out. True to form I was one of the very last members of the cast to read it, but word reached me that it included a scene in which Hermione gives Draco a well-deserved slap in the face. Cool, this should be fun! I was very into my Jackie Chan films at the time, and was stoked to learn that Emma and I might have to indulge in some on-screen violence when we shot the next film the following year.

She had attached a shot of her television. On the screen was a picture of Aiden and me sitting in the stands just minutes before, his face so close to mine, his arm around my back. It looked . . . well, I didn’t know what exactly it looked like, but Aiden and I were laughing. I could see what it didn’t look like. It didn’t look like this thing between us was fake.

Deprive a cat of sleep and it would die in two weeks. Deprive a human and he would become psychotic. His work was killing people. How was he supposed to frighten these guys? Run up behind them in a halloween mask and shout boo? He never saw the point of views -- what did it matter if it was an ocean or a brick wall you were looking at? People travelled hundreds, sometimes thousands of miles to commit suicide someplace with a beautiful view. Did a view matter when oblivion beckoned? They could put him in a garbage bin after he was gone, for all he cared. That's all the human race was anyway. Garbage with attitude. A cutting word is worse than a bowstring. A cut may heal but a cut of the tongue does not. The Sakawa students were all from poor, underprivileged backgrounds. Sakawa was a mix of religious juju and modern internet technology. They were taught, in structured classes, the art of online fraud as well as arcane African rituals -- which included animal sacrifice -- to have a voodoo effect on their victims, ensuring the success of each fraud. of which there was a wide variety. The British Empire spend five hundred years plundering the world. The word is 'thanks'. 'That's what it is, Roy! He won't come out, he has locked the doors! What if he self-harms, Roy! I mean -- what if he kills himself?' 'I will have to take him off my Christmas list.' "Any chance you can recover any of it?' 'You sitting near a window, Gerry?' 'Near a window? Sure, right by a window?' 'Can you see the sky?' 'Uh-huh. Got a clear view.' 'See any pigs flying past?' To dream of death is good for those in fear, for the death have no more fears. '...Cleo took me to the opera once. I spent the whole time praying for a fat lady to come on stage and start singing. Or a heart attack --whichever come sooner.' '..there is something strongly powerful -- almost magnetic -- about internet romances. A connection that is far stronger than a traditional meeting of two people. Maybe because on the internet you can lie all the time, each person gives the other their good side. It's intoxicating. That's one of the things which makes it so dangerous -- and such easy pickings for fraudsters.' He was more than a little pleased that he was about to ruin his boss's morning -- and, with a bit of luck, his entire day. ..a guy who had been born angry and had just got even angrier with each passing year. '...Then at some point in the future, I'll probably die in an overcrowded hospital corridor with some bloody hung-over medical student jumping up and down on my chest because they couldn't find a defibrillator. 'Give me your hand, bro,' the shorter one said. 'That one, the right one, yeah.' On the screen the MasterChef contestant said, 'Now with a sharp knife...' Jules de Copland drove away from Gatwick Airport in.a new car, a small Kia, hired under a different name and card, from a different rental firm, Avis. 'I was talking about her attitude. But I'll tell you this, Roy. The day I can't say a woman -- or a man -- is plug ugly, that's the day I want to be taken out and shot.' It seems to me the world is in a strange place where everyone chooses to be offended all the time. 'But not too much in the way of brains,' GlennBranson chipped in. 'Would have needed the old Specialist Search Unite to find any trace of them.' 'Ever heard of knocking on a door?' 'Dunno that film -- was it on Netflix?' 'One word, four letters. Begins with an S for Sierra, ends with a T for Tango. Or if you'd like the longest version, we've been one word, six letters, begins with F for Foxtrot, ends with D for Delta.' No Cop liked entering a prison. In general there was a deep cultural dislike of all police officers by the inmates. And every officer entering.a prison, for whatever purposes, was always aware that if a riot kicked off while they were there, they could be both an instant hostage and a prime target for violence.

When I turned twenty-one, having hardly started working as an actor, I was asked to do a reading with Elia Kazan, practically the biggest director in the world in both stage and screen, for a new movie he was casting. It was called America, America, and it was going to tell the story of a young Greek man’s journey to the States. They were trying to find a young actor, relatively unknown, probably ethnic looking, to play the lead role. I thought I had a shot at it. I don’t know if I would have excelled at it, but I felt I had a real chance because I fit the description. But I was late and I missed the audition. I went there and they were gone and it was over. They got somebody else.

Catherine lived in a two-story Craftsman. It wasn’t much from the outside. No landscaping, a crumbling porch, paint chipping off the rails and trim. The windows couldn’t have done much to regulate the temperature. They had to be at least thirty years old, and only half had screens. This surprised me. Catherine was fastidious in all ways, but her house was a bit of a wreck. The neighborhood was all right. At least she wasn’t in imminent danger of being shot or mugged when she stepped outside. There were no cars in her driveway, so I wasn’t certain she was home. I reached for the doorbell but hesitated. Probably better to knock, just in case Josephine was sleeping. As I’d been told more than once, babies did a lot of that. It took a while. So long, I was about to give up when the door finally swung open. “Elliot?” Catherine stood in the open doorway, waiting for me to say something. The problem was, I’d been rendered speechless. The Catherine I knew was buttoned up to her neck, hair tied back, conservative, and almost modest in her style. The woman in front of me was barely dressed. Her shorts stopped at the top of thick, creamy, tattooed thighs. Her tank top didn’t cover any more of her. Her breasts nearly spilled out of the low neckline, belly button peeking out from the gap above her shorts. Her bare arms were covered in colorful tattoos from wrist to shoulder. Her hair, which was always tamed into submission, spilled around her shoulders and neck in a violent riot. It wasn’t curls like I’d always suspected, but wild, licking, wavy flames that shot out in all directions. I met her eyes, which were wide with alarm, and finally found my voice. “This isn’t what you look like.

We shot The Local Stigmatic for a few weeks in Atlanta, with David Wheeler as our director, and a principal cast of myself, Paul Guilfoyle, Joe Maher, and Michael Higgins. When it was finished, we showed the film around to people we admired. We had a great dinner gathering of artists and literati in London. People like Tom Stoppard and David Hare, who all sat at a long table. Harold Pinter had seen the film twice at this point; he sat at the head of the table, and when he wanted to speak to everyone, he rang a little bell and the group fell silent. “Every once in a while,” he said, “we see something different. We come into contact with art in film.” I just sat there stunned. Heathcote was in the room, fiddling with a coin and not looking up at anyone, playing the role of the shy genius. He’d been described as a protégé of Pinter’s, but to actually be in the same room as his literary idol, I guess it all was just too much for him. I ran the film once for Elaine May, the great actress and filmmaker, who told me, “I liked it very much. But don’t you ever show this to the public. You don’t know your fame. You don’t understand it, and you don’t understand how it registers. You must recognize it.” And she was right. You’re too well-known for this sort of thing. You have to be careful, because you’re going to startle people. Don’t put this in a theater. I showed it to Jonas Mekas, the independent-film impresario of downtown Manhattan, who ran The Local Stigmatic at his Anthology Film Archives and told me, somewhat optimistically, that I was going to win an Oscar for it. I kept calling Andrew Sarris, the film critic for The Village Voice, to come and see it. And he said, “Stop bothering me, Al. I’ve seen it three times already. I’ve told you what I think. Just show the thing already.” I was trying to get the confidence to screen it for wider audiences. I never did. I’ve come to realize that when I do my own things, nobody goes. Those avant-garde influences that I was brought up with never left my brain. When I’m left on my own, that’s just what seems to come out. It’s a drawback. People come in with expectations, and they leave angry. The Local Stigmatic is such a specific distillation of me and my take on this subject. It’s 150 proof, which can be a little strong for some people.

It seems fitting, however, that the single Western film which most unambiguously endorses the agrarian ideal, The Covered Wagon, should contain one of the cinema screen's most graphic attacks on Industrialism. The film's intertitles inform viewers that one of the most formidable hazards facing the character of Wingate (Charles Stanton Ogle), the leader of the wagon train, is greed arising from the California gold strike of 1849. Several pioneers opt to dig gold in California rather than plow land in Oregon. In a visual composition symbollically resonant with the importance and irrevocability of that choice, the wagon train divides, one part going north and the other south, while visible in the foreground lie the discarded plows of those who have foresaken the agrarian ideal. These shots from a silent Western summarise a major split in the American psyche.

In watching any of the hoverboard sequences, especially the extended ones like the chase in the Hill Valley square and the tunnel where Biff is trying to reclaim the sports almanac, one can see that a mixture of techniques were used. In some cases, the effects that appear amazing on-screen were really quite low-tech. Thin metal wire legs were placed right in the middle of the underside of some Styrofoam props, so that when Michael J. Fox threw them down, they would wobble as if levitating. In shots where one end of the board was out of frame, the other side was sometimes held by a crew member until Fox grabbed it and tucked it under his arm. When the actors’ feet were obscured, they were often shot from the waist up and put on actual skateboards. Sometimes they were pulled on a large dolly. Large sheets of plywood would be added to the ground in order to create additional height in comparison with the rest of what was in the frame.

He groaned. She groaned. They both groaned as he played with the nipple. There were no words exchanged between them, nothing but soft pants and moans of pleasure. And the splash as something hit the water. Then another something. The faint echo of a gunshot froze him. Shit. Someone was fucking shooting at them. “Take a deep breath,” was the only warning he gave before yanking Arabella underwater where they’d prove a more difficult target. Wide eyes met his under the surface. Kind of hard to explain. Only his great-uncle Clive had ever inherited the famous Johnson gills. Hayder got great hair. Since he couldn’t explain why it appeared he wanted to drown her, he kicked off. With her in tow, he scissor-kicked to the deep end of the pool by the waterfall. Having explored this place many a time when working off some energy, he knew the perfect spot to shelter while he figured out where the shooter was. And then we’ll catch ’em and eat ’em. It seemed Hayder wasn’t the only one peeved at the interruption. But still… We don’t eat people. Such a disappointed kitty. But catch the hunter and we’ll order the biggest rare steak they have in stock. With the red sauce stuff? A double order of the red wine reduction, he promised. Lungs burning, Hayder dragged them to the surface, behind the filtering screen of water cascading from above. The little hidden grotto made a great hiding spot. The shooter would have a hard time targeting them, and the water would also slow the bullet and throw off its aim. He knew they were more or less safe for the moment, but she didn’t. Soaked and scentless didn’t mean Hayder couldn’t sense the fear coming off Arabella. She remained tucked close to him, for once not sneezing. Small blessing because one of her ginoromous achoos might have caused quite the amplified echo. “Was someone shooting at us?” she whispered in his ear. Kind of funny since nothing could be heard above the falling splash of water “Yes. Someone was trying to get us.” Which meant heads would roll with whoever was on duty for security today. Exactly how had someone made it on to pride land with a loaded weapon? What kind of cowards hunted shifters with bullets? The kind who thought it was okay to beat a woman. Grrrr. Man, not lion, made the sound. It was also the man who made sure to tuck Arabella as deep as he could into the pocket, using himself as a body shield just in case the gunman got a lucky shot. The crashing of water, not to mention the echoes created by the recess, made it impossible to gauge what happened outside their watery grotto. Did the shooter approach? Did he know where they’d gone? Would he stick around long enough for Hayder to hunt him down and slap him silly? Only one way to find out.

He groaned. She groaned. They both groaned as he played with the nipple. There were no words exchanged between them, nothing but soft pants and moans of pleasure. And the splash as something hit the water. Then another something. The faint echo of a gunshot froze him. Shit. Someone was fucking shooting at them. “Take a deep breath,” was the only warning he gave before yanking Arabella underwater where they’d prove a more difficult target. Wide eyes met his under the surface. Kind of hard to explain. Only his great-uncle Clive had ever inherited the famous Johnson gills. Hayder got great hair. Since he couldn’t explain why it appeared he wanted to drown her, he kicked off. With her in tow, he scissor-kicked to the deep end of the pool by the waterfall. Having explored this place many a time when working off some energy, he knew the perfect spot to shelter while he figured out where the shooter was. And then we’ll catch ’em and eat ’em. It seemed Hayder wasn’t the only one peeved at the interruption. But still… We don’t eat people. Such a disappointed kitty. But catch the hunter and we’ll order the biggest rare steak they have in stock. With the red sauce stuff? A double order of the red wine reduction, he promised. Lungs burning, Hayder dragged them to the surface, behind the filtering screen of water cascading from above. The little hidden grotto made a great hiding spot. The shooter would have a hard time targeting them, and the water would also slow the bullet and throw off its aim. He knew they were more or less safe for the moment, but she didn’t. Soaked and scentless didn’t mean Hayder couldn’t sense the fear coming off Arabella. She remained tucked close to him, for once not sneezing. Small blessing because one of her ginoromous achoos might have caused quite the amplified echo. “Was someone shooting at us?” she whispered in his ear. Kind of funny since nothing could be heard above the falling splash of water “Yes. Someone was trying to get us.” Which meant heads would roll with whoever was on duty for security today. Exactly how had someone made it on to pride land with a loaded weapon? What kind of cowards hunted shifters with bullets? The kind who thought it was okay to beat a woman. Grrrr>/I>. Man, not lion, made the sound. It was also the man who made sure to tuck Arabella as deep as he could into the pocket, using himself as a body shield just in case the gunman got a lucky shot. The crashing of water, not to mention the echoes created by the recess, made it impossible to gauge what happened outside their watery grotto. Did the shooter approach? Did he know where they’d gone? Would he stick around long enough for Hayder to hunt him down and slap him silly? Only one way to find out.

My grin tipped up on one side. “I’m sorry. Who asked about the television screens in my truck?” Her lush lips thinned. “And how long did it take you to pick out the watermelon? Thirty minutes?” “Twenty-nine,” I shot back. “And it’s the best fucking watermelon I’ve ever had. Worth every minute.” A single brow quirked. “You want a medal?” I leaned over the counter and she met my stare. I wasn’t sure what was happening, but it seemed like the air cracked with electricity, heating my skin, quickening my pulse. This couldn’t be normal. Maybe I was getting sick. I’d overheated in all of the seventy-eight degrees outside. Yeah, that had to be it. “I’d love one.” It was so fast, I almost missed it. Her gaze dipped to my mouth before dropping to the island again. “There isn’t any more room on your shelf for one more medal.” “I’ll just put up another shelf.” “I’m sure you would.

Mimi took off at a dead run across the yard.  She took the stairs in a running leap, and shot through her dog door. From inside, I heard a scream.  Panicked shouting.  Through the screen, and my multiple broken windows, I heard clattering.  Glass breaking.  There was heavy thumping as if someone were running up my stairs.  Another shriek.  The plastic taped over my windows billowed.

Her moan of despair came through the phone all too clearly. “Oh…Christ. Whatever. Kill yourself, fine.” She hung up on him. “Fuck.” He rubbed his face. “Fuck!” Rehv sat up and fired the cell phone at the bedroom door. And just as it ricocheted off the panels and went flying, he realized he’d busted the only thing he had with her number in it. With a roar and a messy scramble, he launched his body off the bed, quilts landing everywhere. Not a great move on his part. As his numb feet hit the throw rug, he went Frisbee, finding air briefly before landing on his face. On impact, a sound like a bomb had gone off rumbled through the floorboards, and he crawled for the phone, tracking the light that still glowed from its screen. Please, oh, fucking please, if there is a God… He was almost in range when the door swung open, narrowly missing his head and clipping the phone—which shot like a hockey puck in the opposite direction. As Rehv wheeled around and lunged for thing, he shouted at Trez. “Don’t shoot me!” Trez was in full fighting stance, gun up and pointed at the window, then the closet, then the bed. “What the fuck was that.” Rehv sprawled out flat to reach the phone, which was spinning under the bed. When he caught it, he closed his eyes and brought it close to his face. “Rehv?” “Please…” “What? Please…what?” He opened his eyes. The screen was flickering, and he pressed the buttons fast. Calls received…calls received…calls r— “Rehv, what the hell is going on?” There it was. The number. He stared at the seven digits after the area code as if they were the combination to his own safe, trying to get them all. The screen went dark and he let his head fall down on his arm. Trez crouched beside him. “You okay?” Rehv pushed himself out from under the bed and sat up, the room spinning like a merry-go-round. “Oh…fuck me.” Trez holstered his gun. “What happened?” “I dropped my phone.” -Ehlena, Rehv, & Trez

After seeing him take more than 100 selfies in just a few days, I realised Turnbull’s selfie technique was slick. There was a routine developing. He cradled the phone in his right hand. Held it out at full arm’s length. Made sure everyone was in the shot, then slightly tilted his arm so the camera was above eye level. It was optimum selfie technique, taking advantage of the high angle which slimmed the faces of those involved. He’d take 2–4 very distinct shots, so people could choose from a menu of options which one would be uploaded to Facebook as a new profile picture. Often he’d spin around before even opening the camera, aware of where the light was and how it would impact on the selfie. He was more comfortable with iPhones over Androids, sometimes stumbling over finding the camera on the phone’s screen. It might seem facile (and it was) but the selfie was often the only genuine interaction the Prime Minister had with voters.

Bianca swallowed past the biter chunks of broken heart clogging her throat. “I’m not going to kill him.” From her listening post, Vivi shot her a wicked grin. “Would have been my first plan of action.” “Whacking someone is always your first idea,” Lexie said, her laptop screen giving her green highlights an otherworldly glow. “True.” Vivi shrugged her deceptively small shoulders, a snarky grin curling her blood-red lips. “That’s what makes me so damn charming.

Pavel Menansi is dead,” Myron said. “Someone murdered him last night.” “The guy who molested Valerie Simpson?” “Yep.” “Gee, I’m so brokenhearted. I hope I don’t lose too much sleep.” Esperanza finally flicked a glance away from the screen. “Did you know he was on that party list you gave me?” “Yeah. You find any other interesting names?” She almost smiled. “One.” “Who?” “Think puppy dog,” Esperanza said. Myron shook his head. “Think Nike,” she continued. “Think Duane’s contact with Nike.” Myron froze. “Ned Tunwell?” “Correct answer.” Everyone in Myron’s life was a game show host. “Listed as E. Tunwell on the list. His real name is Edward. So I did a little digging. Guess who first signed Valerie Simpson to a Nike deal.” “Ned Tunwell.

Elvis starts to sing “Viva Las Vegas” as Sam and I walk side by side down the aisle. I cover my mouth and laugh. “I want you to repeat after me, Sam,” Elvis says. He lifts one corner of his lip in that classic snarl. “I, Sam, promise you, Peck, never to step on your blue suede shoes. I promise never to leave you at Heartbreak Hotel. I promise to be your hunka-hunka burning love, forever and ever, amen.” “Wait,” Sam says. “That’s Randy Travis. Not Elvis.” “Close enough,” Elvis says. Sam rolls his hips like Elvis did when he repeats the words. I can’t stop laughing. I laugh so hard that I have to wipe tears from my eyes. But I don’t feel bad, because Emily is doing the same thing. And the rest of the brothers and their wives are laughing it up too. “Now you, Peck,” Elvis says. He swivels his hips and someone does a rim shot on a set of drums. “I, Peck, solemnly swear to love you tender for the rest of my life, and never leave you with a suspicious mind.” I repeat the words. I barely stutter, and it warms my heart when I realize that. Suddenly, Elvis gets serious. “Dearly beloved, we are gathered here today…” Sam’s eyes meet mine, and he takes my hands. I pass my flowers to one of my sisters and look up at him. We recite the official vows, and I have to blink hard to get through them, particularly when I look at the TV screen and see Marta crying into her handkerchief. “Who gives this woman to be married?” Elvis asks. Emilio’s voice rings out. “Her mother and I.” This time, a hot tear tracks down my cheek and Sam very gently wipes it away. “You okay?” he whispers. “I now pronounce you husband and wife,” Elvis declares. “Now let’s have a little less conversation and a really big kiss.” He swivels his hips again and I laugh through my tears. Sam

Blake didn’t say a word to me as I slid into the passenger seat of his car, and he continued to stay silent as we drove to one of the Starbucks near campus. The only acknowledgment he made of my presence was to put his hand high up on my thigh again and hold tight. Too tight. And not much changed once we were finally in the shop. Conversation didn’t happen, his hand was back on my thigh, and we had four different stare-downs. I only won one of those. At least he let me order my own coffee. That was honestly the only good part of this morning. I was barely able to hold in my sigh of relief when my phone chimed. “Who is that?” Blake’s eyebrows were pulled down, and he seemed more than a little annoyed. Only checking the text preview on the lock screen, I shrugged. “Oh, it’s just a friend, he wants to get a study group together tonight.” I started to put my phone back in my purse when his hand shot out and grabbed on to my arm, effectively keeping it suspended above my purse. “Well, it’s rude to keep him waiting. Aren’t you going to answer him?” He looked like he was struggling to keep himself in check. I tried to pull my arm back and he finally released it. Sheesh, what was his problem? It was just a text. “Sure, I guess.” “Just let him know you can’t go.” “Excuse me?” He leaned forward and his eyes narrowed. “I’d prefer that you study with Candice.” Now I was getting mad. He didn’t own me, he definitely wasn’t my boyfriend, and this was Aaron. The same gay guy that Blake didn’t like “looking at me.” “And since when do you get to decide who I hang out with? Look, maybe I’ve been giving you the wrong impression over the last few days, but we aren’t together. You have no say in what I do.” Like a switch had been flipped, his face went back to its usual smooth, sexy expression. “You’re right. Actually I think it’s a good idea for you to study with some other people besides Candice; I’m sure you wouldn’t get anywhere with her.” Wait. What? The sudden change in his mood made me almost feel dizzy. It was like I had my own personal Dr. Jekyll and Mr. Hyde sitting next to me. When I could finally get my mouth to stop opening and shutting like a fish, I shook my head and exhaled roughly. “Speaking of, I really need to get back to campus.” I stood to leave without giving him the chance to say no. Without another word, Blake followed me out to the car. We didn’t say anything on the drive back but he put his hand on my thigh again. Was I imagining how tight he was holding it? When we arrived at the dorm, he parked in one of the spaces rather than letting me out in front. I grabbed the handle to open the door and he pushed down on my thigh, gripping it tighter. I turned to look at him and was surprised to see he still looked light and easygoing. “I’ll get the door for you. Wait here for just a second.” Crap, I hope he isn’t going to walk me to my room. I bet Candice still has Eric in there with the door locked. As soon as he released me, my thigh throbbed from the relief of the pressure he’d put on it and I almost wished I was wearing shorts so I could look at the damage I was making myself believe he’d done. The passenger door opened and I stepped out without looking up at him. We walked without saying anything and I made sure to put some distance between us. I was relieved when he began to slow down as we reached the main entrance of the dorm. “Well, thanks for the coff—” He caught me around the waist, pushed me up against the wall, and kissed me roughly, interrupting my good-bye. Before I had time to realize what was happening and push him away, his body left mine and he started backing up toward his car. “I’ll see you later.” He winked, then turned away from me. I have no idea what my face looked like; I couldn’t even pin down an emotion. I was disgusted, annoyed, confused, and pissed.

Please,” I finally managed to say, “please call them off. Don’t do this. They’re your family, Blake! I’ll do anything, I swear.” Turning in his arms to face him, I pleaded with my eyes. “I’ve already proved that!” Gripping my chin roughly in his fingers, he leaned over until his face was directly in front of mine. “You’re right. You will do anything. But you’ve already ruined a lot, Rachel. We need to rectify that . . . first.” “First? I don’t—what?” “Yes, first. Before we move on to the next . . . step.” His blue eyes took on some weird form of heat that I couldn’t name. “Well, didn’t I do that by telling Logan I’d lied about you? By having him watch us leave together and telling Candice I was spending the weekend with you?” “You’re oddly eager to get to that next step, sweetheart.” He smiled, and the arm around my waist tightened. “If it’ll get you to leave all of them alone, then I’ll do whatever it takes to get to that step!” “I’m counting on that,” he whispered, and crushed his lips to mine, pushing his tongue into my mouth and growling when he didn’t get the reaction he was looking for. “We’ll work on that. Until you’re convincing enough to fool me, this”—he pointed at the various screens—“is how it’ll be.” Blake started to unwrap his arms, so I grabbed the back of his neck and brought our mouths back together. I tried to picture Kash as our lips moved against each other and I sucked on his bottom lip. But this wasn’t Kash. Even if there had been a lip ring, or if Blake had been chewing the cinnamon gum that Kash always did, I wouldn’t have been able to make myself believe this was the man I was in love with. A sob ripped from me and my arms fell limply to my sides. Blake moved his lips to my neck and made a trail to my ear. “While I appreciated that, like I said, we’ll work on it. Now, go get ready for bed, I’ll be back in a minute.” My body went rigid and he laughed soft and low. “I won’t touch you tonight. Now that I have you where I want you, I need you to realize you’re in love with me. Scaring you wouldn’t help with that right now.” “You are scaring me!” My hand shot out toward the screens. “This—this is terrifying! Everyone I care about is in danger. You blew up George’s car, for shit’s sake! Does it not bother you at all that you’re related to them?” “For the last damn time, sweetheart,” he sneered, “nothing will happen to them if you do what I say. And the faster you realize you’re mine and you acknowledge and embrace your true feelings for me, the faster my men leave them alone.” “You can’t just force someone to fall in love with you, Blake.” He huffed. “I’m not. You are in love with me. You’re just being difficult. Get ready for bed.

Too far is when you’re shot in the back of the head somewhere Upstate and the National Guard burns your body to a crisp and flushes the ashes down a cold winter’s port-a-potty at some Secure Screening Facility in Troy. Lenny

If you want the reader to feel intimately related to your subject, try a close-up shot. Describe the character, object or scene as if it were positioned directly in front of your eyes, close enough to touch. Let the reader see the hand-etched signature on the bottom of the wooden bowl or the white strip on the divorcée’s finger where a wedding ring once lay. Let him smell the heaviness of the milking barn after a night of rain, hear the squeak of the farmer’s rubber boots. If you want to get even closer, take the reader inside a character’s body and let him experience her world—the reeling nausea of Lydia’s first morning sickness, the tenderness of her breasts, the metallic taste in her mouth—from the inside out. Then, when you need to establish distance, to remove the reader from the scene as Shirley Jackson did in “The Lottery,” pull back. Describe your object from a great distance. The wooden bowl is no longer a hand-crafted, hand-signed original, or if it is, you can’t tell from where you’re standing. The pregnant woman is no longer Lydia-of-the-tender-breasts; she’s one of dozens of other faceless women seated in the waiting room of the county clinic. As you vary the physical distance between your describer and the subjects being described, you may find that your personal connection with your subjects is altered. Physical closeness often presages emotional closeness. Consider how it is possible that kind and loving men (like my father, who served in three wars) are capable of dropping bombs on “enemy” villages. One factor is their physical distance from their targets. The scene changes dramatically when they face a villager eye to eye; no longer is the enemy a tiny dot darting beneath the shadow of their planes, or a blip on the radar screen. No, this “enemy” has black hair flecked with auburn and a scar over her left eyebrow; she’s younger than the wives they left behind. If

As he spoke, Mudd clicked through a deck of slides—114 in all—that were projected on a large screen behind him. This would be straight-up, in-your-face talk, no sugar-coating on his part. The headlines and phrases and figures were nothing short of staggering. More than half of American adults were now considered overweight, with nearly one-quarter of the population—40 million adults—carrying so many extra pounds that they were clinically defined as obese. Among children, the rates had more than doubled since 1980, the year when the fat line on the charts began angling up, and the number of kids considered obese had shot past 12 million. (It was still only 1999; the nation’s obesity rates would climb much higher.) “Massive social costs estimated as high as $40–$100 billion a year,” announced one of Mudd’s slides in bright, bold lettering.

The children next produced and distributed four 60-second public service announcements (PSAs) on the effects of pollution on the environment and on health. In producing the PSAs, students learned how to use specialized applications for professional audiovisual scripts and shot their PSAs against a blue screen, using a computer as a teleprompter.

Seriously. There were three of them, all roughly in their thirties, and they spent their time traveling the world, putting together documentaries about the earth’s wonders. The on-screen talent, I learned, did indeed write his own scripts, and came off as the Boss Man for the trio. He was the one with all the responsibilities—deciding on shots, dealing with the Home Office, periodically having to shave, etc. The camera guy did all the heavy lifting and was always one hernia or one dropped camera away from ruin. And the sound guy? He just stands there holding a lightweight microphone and a headset. Then ka-ching, paycheck, and he trots off to the Andes. It sounded ideal to me, a lazy traveler’s ideal profession. No thinking. No lifting of heavy objects. Just keep the mike out of the camera’s view and know what a woofer is. Easy-peasy. Then they asked me what I did.

Sorry,” she said after a few minutes. Her voice was still a bit raspy, and she cleared her throat. “I couldn’t sleep last night,” she said, and she sounded nearly human again. “So I had a few shots of dark rum.” She shrugged. “Okay, more than a few. Anyway, it didn’t work. So I took a couple of sleeping pills.” Jackie closed her eyes and shook her head slowly. “Boy, oh, boy, did that work,” she said. “I think I almost pulled a Marilyn.” “A what?” I said. “Monroe,” she said with a very small smile. “You know, screen goddess takes fatal overdose. Oh, my head.

Dogs also have a higher flicker-fusion rate than humans do: seventy or even eighty cycles per second. This provides an indication why dogs have not taken up a particular foible of persons: our constant gawking at the television screen. Like film, the image on your (non-digital) TV is really a sequence of still shots sent quickly enough to fool our eyes into seeing a continuous stream. But it’s not fast enough for dog vision. They see the individual frames and the dark space between them too, as though stroboscopically.

feels like a reward. And I’ll fall asleep wondering what I did to deserve it. I pull my phone to my chest and smile. Then I screenshot the text because I’m keeping it forever. I open up the third text message. Mom: A doctor, Lily? AND your own business? I want to be you when I grow up. I screen-shot that one, too.

Chloe talked Clare through the information she needed to hack into the system and guided her screen by screen. Her fingers flew over the keyboard and her laptop screen lit up with lines of white code. "I'm in," Chloe said after five stressful minutes. "It wasn't that secure at all." "I'm looking at the screen, but I don't see anything," Clare said over the video chat. "Where are the files?" "I didn't give you access. I gave me access." Chloe shot me a sly grin. "You and Vito can meet us here and Simi can share what we find." Clare's lips pressed into a thin line. "I didn't think subterfuge was your style." "You never made an effort to get to know me," Chloe said. "Never trust a hacker." "My mom is the bomb." Olivia pumped her fist. "I'm going to be a hacker just like her." "You can be a white-hat hacker and help people," Chloe replied. "If I ever catch you doing black-hat hacking like this, I'll take your phone away forever.

Wait a sec. I gotta get one, too. You got one more smile in you? Or whatever you’re feeling.” Um, turned on. That’s what I’m feeling. No need to share that info, though, so I twitch my lips up in a smile, and he snaps a shot. “Is that protocol?” I ask. “Nope, just wanted a shot for my lock screen,” he replies. “You can’t put that on your lock screen.” I push the words out through clenched teeth. “It’s not like we’re dating or something.” “What? I like looking at your face.

Then suddenly a shot of my face flashed up on the TV screen and ABC News announced that I would be the forty-fourth president of the United States.

Thus the “brainy” economy designed to produce this happiness is a fantastic vicious circle which must either manufacture more and more pleasures or collapse—providing a constant titillation of the ears, eyes, and nerve ends with incessant streams of almost inescapable noise and visual distractions. The perfect “subject” for the aims of this economy is the person who continuously itches his ears with the radio, preferably using the portable kind which can go with him at all hours and in all places. His eyes flit without rest from television screen, to newspaper, to magazine, keeping him in a sort of orgasm-with-out-release through a series of teasing glimpses of shiny automobiles, shiny female bodies, and other sensuous surfaces, interspersed with such restorers of sensitivity—shock treatments—as “human interest” shots of criminals, mangled bodies, wrecked airplanes, prize fights, and burning buildings. The literature or discourse that goes along with this is similarly manufactured to tease without satisfaction, to replace every partial gratification with a new desire. For this stream of stimulants is designed to produce cravings for more and more of the same, though louder and faster, and these cravings drive us to do work which is of no interest save for the money it pays—to buy more lavish radios, sleeker automobiles, glossier magazines, and better television sets, all of which will somehow conspire to persuade us that happiness lies just around the corner if we will buy one more. Despite the immense hubbub and nervous strain, we are convinced that sleep is a waste of valuable time and continue to chase these fantasies far into the night. Animals spend much of their time dozing and idling pleasantly, but, because life is short, human beings must cram into the years the highest possible amount of consciousness, alertness, and chronic insomnia so as to be sure not to miss the last fragment of startling pleasure. It isn’t that the people who submit to this kind of thing are immoral. It isn’t that the people who provide it are wicked exploiters; most of them are of the same mind as the exploited, if only on a more expensive horse in this sorry-go-round. The real trouble is that they are all totally frustrated, for trying to please the brain is like trying to drink through your ears. Thus they are increasingly incapable of real pleasure, insensitive to the most acute and subtle joys of life which are in fact extremely common and simple.

The unity of the visible form of an object and of its imagist generalization, achieved by means of the composition of the shot, is to us the most important feature of a truly realistic treatment of the shot. We consider that this ensures the emotional impression which the sight of the purely plastic images on the screen can excite. This imagist treatment of representations is the most important task the cameraman has; in fulfilling it, he permeates all the minutest details of the plastic solution of the film with the theme and his attitude to the theme.