Screen Porch Quotes

Summer was on the way; Jem and I awaited it with impatience. Summer was our best season: it was sleeping on the back screened porch in cots, or trying to sleep in the tree house; summer was everything good to eat; it was a thousand colors in a parched landscape; but most of all, summer was Dill.

Summer was our best season: it was sleeping on the back screened porch in cots, or trying to sleep in the treehouse; summer was everything good to eat; it was a thousand colors in a parched landscape; but most of all, summer was Dill.

Does this public display of affection with my daughter on my front porch mean I'm stuck with you now?" he asks, opening the screen door for Harper. I'm not sure if I should laugh, so I hold back. "I'm afraid so.

The brief walk--from the screened-in porch outside to the Hearse--was one of those moments he knew he'd remember and look back on, one of those moments that he'd try to capture in the stories he told. Nothing was happening, really, but the moment was thick with mattering.

An incomplete list: No more diving into pools of chlorinated water lit green from below. No more ball games played out under floodlights. No more porch lights with moths fluttering on summer nights. No more trains running under the surface of cities on the dazzling power of the electric third rail. No more cities. No more films, except rarely, except with a generator drowning out half the dialogue, and only then for the first little while until the fuel for the generators ran out, because automobile gas goes stale after two or three years. Aviation gas lasts longer, but it was difficult to come by. No more screens shining in the half-light as people raise their phones above the crowd to take pictures of concert states. No more concert stages lit by candy-colored halogens, no more electronica, punk, electric guitars. No more pharmaceuticals. No more certainty of surviving a scratch on one's hand, a cut on a finger while chopping vegetables for dinner, a dog bite. No more flight. No more towns glimpsed from the sky through airplane windows, points of glimmering light; no more looking down from thirty thousand feet and imagining the lives lit up by those lights at that moment. No more airplanes, no more requests to put your tray table in its upright and locked position – but no, this wasn't true, there were still airplanes here and there. They stood dormant on runways and in hangars. They collected snow on their wings. In the cold months, they were ideal for food storage. In summer the ones near orchards were filled with trays of fruit that dehydrated in the heat. Teenagers snuck into them to have sex. Rust blossomed and streaked. No more countries, all borders unmanned. No more fire departments, no more police. No more road maintenance or garbage pickup. No more spacecraft rising up from Cape Canaveral, from the Baikonur Cosmodrome, from Vandenburg, Plesetsk, Tanegashima, burning paths through the atmosphere into space. No more Internet. No more social media, no more scrolling through litanies of dreams and nervous hopes and photographs of lunches, cries for help and expressions of contentment and relationship-status updates with heart icons whole or broken, plans to meet up later, pleas, complaints, desires, pictures of babies dressed as bears or peppers for Halloween. No more reading and commenting on the lives of others, and in so doing, feeling slightly less alone in the room. No more avatars.

After a moment I pushed my chair back and went over to the french windows. I opened the screens and stepped out on to the porch. The night was all around, soft and quiet. The white moonlight was cold and clear, like the justice we dream of but don't find.

Museums are the anthropological screened porches of suburbia. You can be near something great, but not actually personally experience it.

My mom absolutely LOVED all things English, so it’s not too surprising that she loved English tea parties. When she and I traveled—which was frequently—we often found ourselves in locations (Vancouver, Ottawa, London, Bath, Cardiff, to name a few) where we could take advantage of that lovely English custom of “taking tea.” So, for a special surprise party, I invited a dozen of Mom’s Gainesville friends to “take tea” with us. Even though it was December, it was warm enough to use the screen porch and the deck. That’s the “Florida advantage!

From this point forth, find me nowhere, Socially unseen, Just on the back porch, without a care And without a screen

Screen porch in a tree.

Franny looked at them up on the porch, everyone softened by the veil of the screen, by the light that was slanting in behind them, by the bank of yellow lilies that separated them from her. It was not unlike seeing tigers at the zoo.

Adam ” Lori called loudly enough for me to hear her but not so loud that her voice would carry up to my mom in the marina office- or to her dad who might be listening from their screened porch facing the water. “I came over to get some tips from the boys about teaching Tammy and Rachel to board. Of course I did not come over here to see you. How could you think such a thing That would be disobedient.” I held up the wax. “For my own disobedience I have to buff the boat. Then I’m going for a jog.” She tilted her head. Probably her eyes widened but I couldn’t see them behind her sunglasses. I hated not being able to see her eyes. She asked “In this heat?” I didn’t mind jogging in the heat. The heat was a big friendly animal that liked to wrestle and only occasionally sat on me until I lost my breath. Anyway she was missing the point. I repeated carefully ”I am GOING for a JOG.” “I HEARD you the FIRST time ” she said. “It’s late afternoon in the middle of June. It’s ninety-five degrees out here.” “He means he’s GOING for a JOG” Rachel and Tammy said at the same time. “He’s GOING for a JOG.” Lori still didn’t get it. Normally her blondeness was one of the things I loved about her. At the moment not so much. Exasperated Cameron told her “Adam wants you to go for a jog too.” She said “Oh ” “If you two airheads have to hook up secretly for very long ” Sean said “you’re not going to make it.

Vivian Bloodmark, a philosophical friend of mine, in later years, used to say that while the scientist sees everything that happens in one point in space, the poet sees everything that happens in one point in time. Lost in thought, he taps his knee with his wandlike pencil, and at the same instant a car (New York license plate) passes along the road, a child bangs the screen door of a neighbouring porch, an old man yawns in a misty Turkestan orchard, a granule of cinder-grey sand is rolled by the wind on Venus, a Docteur Jacques Hirsch in Grenoble puts on his reading glasses, and trillions of other such trifles occur - all forming an instantaneous and transparent organism of events, of which the poet (sitting in a lawn chair in Ithaca, N.Y.) is the nucleus.

Poetry is like an unexpected noise in the night: the creak of a door, a footstep on the porch, the soft scuffle of a moth against the screen, which rouses every sense to an instant alert. So comes poetry to the drowsy mind, which startles a moment, wonders, and returns to sleep.

She finally unlatched the screen door and stepped barefoot onto the porch. Early eased toward her. He smelled like sandalwood and sweat, and as he neared, she thought, for one breathless second, that he might kiss her. But he didn’t. He lifted his fig to her lips. She bit where his mouth had been.

Growing up Southern is a privilege, really. It's more than where you were born, it's an idea and state of mind that seems imparted at birth. It's more than loving fried chicken, football, beer, and country music. It's being hospitable and devoted to screen porches, magnolias, red velvet cake, coca cola, and each other. We don't become southern--we're born that way.

And What Good Will Your Vanity Be When The Rapture Comes” says the man with a cart of empty bottles at the corner of church and lincoln while I stare into my phone and I say I know oh I know while trying to find the specific filter that will make the sun’s near-flawless descent look the way I might describe it in a poem and the man says the moment is already right in front of you and I say I know but everyone I love is not here and I mean here like on this street corner with me while I turn the sky a darker shade of red on my phone and I mean here like everyone I love who I can still touch and not pass my fingers through like the wind in a dream but I look up at the man and he is a kaleidoscope of shadows I mean his shadows have shadows and they are small and trailing behind him and I know then that everyone he loves is also not here and the man doesn’t ask but I still say hey man I’ve got nothing I’ve got nothing even though I have plenty to go home to and the sun is still hot even in its endless flirt with submission and the man’s palm has a small river inside I mean he has taken my hand now and here we are tethered and unmoving and the man says what color are you making the sky and I say what I might say in a poem I say all surrender ends in blood and he says what color are you making the sky and I say something bright enough to make people wish they were here and he squints towards the dancing shrapnel of dying light along a rooftop and he says I love things only as they are and I’m sure I did once too but I can’t prove it to anyone these days and he says the end isn’t always about what dies and I know I know or I knew once and now I write about beautiful things like I will never touch a beautiful thing again and the man looks me in the eyes and he points to the blue-orange vault over heaven’s gates and he says the face of everyone you miss is up there and I know I know I can’t see them but I know and he turns my face to the horizon and he says we don’t have much time left and I get that he means the time before the sun is finally through with its daily work or I think I get that but I still can’t stop trembling and I close my eyes and I am sobbing on the corner of church and lincoln and when I open my eyes the sun is plucking everyone who has chosen to love me from the clouds and carrying them into the light-drunk horizon and I am seeing this and I know I am seeing this the girl who kissed me as a boy in the dairy aisle of meijer while our parents shopped and the older boy on the basketball team who taught me how to make a good fist and swing it into the jaw of a bully and the friends who crawled to my porch in the summer of any year I have been alive they were all there I saw their faces and it was like I was given the eyes of a newborn again and once you know what it is to be lonely it is hard to unsee that which serves as a reminder that you were not always empty and I am gasping into the now-dark air and I pull my shirt up to wipe whatever tears are left and I see the man walking in the other direction and I chase him down and tap his arm and I say did you see it did you see it like I did and he turns and leans into the glow of a streetlamp and he is anchored by a single shadow now and he sneers and he says have we met and he scoffs and pushes his cart off into the night and I can hear the glass rattling even as I watch him become small and vanish and I look down at my phone and the sky on the screen is still blood red.

I walked through the house to the back porch and found the screen door covered top to bottom, side to side, with cats meowing for food. . . . They were so thick on the door I could barely see the light between them.

I lay on my mattress on the screen porch and waited for him to leave, watching the blue of the evening turn velvet, indigo lingering like an unspoken hope, while my mother and the blond man murmured on the other side of the screens. Incense perfumed the air, a special kind she bought in Little Tokyo, without any sweetness, expensive.

Summer was our best season: it was sleeping on the back screened porch in in cots, or trying to sleep in the tree-house; summer was everything good to eat; it was a thousand colours in a parched landscape ; but most of all, summer was Dill.

That evening, after the fishing boy led her home through the marsh, Kya sat cross-legged on her porch bed. Mist from the downpour eased through the patched-up screen, touching her face. She thought about the boy. Kind yet strong, like Jodie.

Kya was the youngest of five, the others much older, though later she couldn’t recall their ages. They lived with Ma and Pa, squeezed together like penned rabbits, in the rough-cut shack, its screened porch staring big-eyed from under the oaks.

Their conversation ceased abruptly with the entry of an oddly-shaped man whose body resembled a certain vegetable. He was a thickset fellow with calloused and jaundiced skin and a patch of brown hair, a frizzy upheaval. We will call him Bell Pepper. Bell Pepper sidled up beside The Drippy Man and looked at the grilled cheese in his hand. The Drippy Man, a bit uncomfortable at the heaviness of the gaze, politely apologized and asked Bell Pepper if he would like one. “Why is one of your legs fatter than the other?” asked Bell Pepper. The Drippy Man realized Bell Pepper was not looking at his sandwich but towards the inconsistency of his leg sizes. “You always get your kicks pointing out defects?” retorted The Drippy Man. “Just curious. Never seen anything like it before.” “I was raised not to feel shame and hide my legs in baggy pants.” “So you flaunt your deformity by wearing short shorts?” “Like you flaunt your pockmarks by not wearing a mask?” Bell Pepper backed away, kicking wide the screen door, making an exit to a porch over hanging a dune of sand that curved into a jagged upward jab of rock. “He is quite sensitive,” commented The Dry Advisor. “Who is he?” “A fellow who once manipulated the money in your wallet but now curses the fellow who does.

Nelson! Stop that this minute!" She turns rigid in the glider but does not rise to see what is making the boy cry. Eccles, sitting by the screen, can see. The Fosnacht boy stands by the swing, holding two red plastic trucks. Angstrom's son, some inches shorter, is batting with an open hand toward the bigger boy's chest, but does not quite dare to move forward a step and actually strike him...Nelson's face turns up toward the porch and he tries to explain, "Pilly have - Pilly -" But just trying to describe the injustice gives it unbearable force, and as if struck from behind he totters forward and slaps the thief's chest and receives a mild shove that makes him sit on the ground. He rolls on his stomach and spins in the grass, revolved by his own incoherent kicking. Eccles' heart seems to twist with the child's body; he knows so well the propulsive power of a wrong, the way the mind batters against it and each futile blow sucks the air emptier until it seems the whole frame of blood and bone must burst in a universe that can be such a vacuum.

For the burglar, every building is infinite, endlessly weaving back into itself through meshed gears made of fire escapes and secondary stairways, window frames and screened-in porches, pet doors and ventilation shafts, everything interpenetrating, everything mixed together in a fantastic knot. Rooms and halls coil together like dragons inside of dragons or snakes eating their own tails, rooms opening onto every other room in the city. For the burglar, doors are everywhere. Where we see locks and alarms, they see M. C. Escher.

Summer was on the way; Jem and I awaited it with impatience. Summer was our best season: it was sleeping on the back screened porch in cots, or trying to sleep in the treehouse; summer was everything good to eat; it was a thousand colors in a parched landscape; but most of all, summer was Dill.

Nah, I knew it was you. Nate texted and asked if I wanted to let you in.” “Wait, you could have said no?” Brody asks. “Rude.” “Brilliant,” Perry says. “I’d love to be able to screen people before they make it to my porch.” “But then you’d just say no to everyone,” Lennox says. Perry smiles. “Exactly.

From here to happiness is a road, flat, upright, distances in between blotted out by vision, yet realized by intelligence. From here to there is a road leading down blue pajamas to feet, to bed post, to screen door, to gray slatted porch roof, rain-puddled and drenched, to decorative white railing, to a road, to a line of sand, to a gray, rain beaten sea. Not yet to leave, not yet. For this road is a way to savor, a way back to living again as living is full. Not of bridge-playing, not of eating a frappe with two other girls, not even of talking with another. Aloneness and selfness are too important to betray for company.

Edward Lasco was on the screened porch of his rented house in a comfortable but not elegant older section of the town where he'd lived for the past fifteen years when his wife, Elise, who six months before had left him and moved to a nearby city to work in a psychiatric hospital, came around the side of the house and stood beside the screen looking in. She had on a business outfit—natural linen suit, knee-high boots, dark glasses with at least three distinguishable colors tiered top to bottom in the lenses—and she carried a slick briefcase, thin and shiny. Her hair was shorter than he'd seen it, styled in a peculiar way so that it seemed it spots to jerk away from her head, to say, "I'm hair, boy, and you'd better believe it." Edward had come outside with a one-pint carton of skim milk and a ninety-nine-cookie package of Oreos and a just-received issue of InfoWorld, and he was entirely content with the prospect of eating his cookies and drinking his milk and reading his magazine, but when he saw Elise he was filled with a sudden, very unpleasant sense that he didn't want to see her. It'd been a good two and a half months since he'd talked to her, and there she was looking like an earnest TV art director's version of the modern businesswoman; it made him feel that his life was fucked, and this was before she'd said a word.

The internet liquefied physical borders faster than they were already doing on their own. For all that, there are only regional writers. There are no "internet writers," like there used to be "paperback writers." Every tweet comes from somewhere, and that "somewhere" goes into the "somewhere" where you're reading it in. You read Nietzsche in the Ozarks for a while, let's say, then you get up and sweep the leaves from your porch for a longer while. Place wins on time spent every time, unless you're demented enough to put out your eyes on screens longer than you sweep. We are in a state of "transitional regionalism," a place where regions are instantly transmitted to other regions, but they don't universalize them, they only make them more provincial, by framing them with the local.

We went to Old Bull Lee’s house outside town near the river levee. It was on a road that ran across a swampy field. The house was a dilapidated old heap with sagging porches running around and weeping willows in the yard; the grass was a yard high, old fences leaned, old barns collapsed. There was no one in sight. We pulled right into the yard and saw washtubs on the back porch. I got out and went to the screen door.

He took the narrow stairs two at a time all the way to the first floor. He then went out through the kitchen, letting the screen door slam behind him. They could hear his boots clattering on the porch steps. The girls went to the window to watch him stride down Magnolia Street. “Headed for trouble,” April said cheerfully. “How do you know that?” Jet wondered. April grinned. There was definitely a family resemblance. “Because I’m headed for the very same place.

Douglas looked off at the twilight sky. "Frozen statues, every single one of you, the next three minutes!" said John. Douglas felt john walking around him even as he had walked around John a moment ago. He felt John sock him on the arm once, not too hard. "So long," he said. Then there was a rushing sound and he knew without looking that there was nobody behind him now. Far away, a train whistle sounded..... ... And then he felt himself walking across the lawns among all the other statues now, and whether they, too, were coming to life he did not know. They did not seem to be moving at all. For that matter he himself was only moving from the knees down. The rest of him was cold stone, and very heavy. Going up the front porch of his house, he turned suddenly to look at the lawns behind him. The lawns were empty. A series of rifle shots. Screen doors banged one after the other, a sunset volley, along the street.

But then, in a sense, all poetry is positional: to try to express one’s position in regard to the universe embraced by consciousness, is an immemorial urge. The arms of consciousness reach out and grope, and the longer they are the better. Tentacles, not wings, are Apollo’s natural members. Vivian Bloodmark, a philosophical friend of mine, in later years, used to say that while the scientist sees everything that happens in one point of space, the poet feels everything that happens in one point of time. Lost in thought, he taps his knee with his wandlike pencil, and at the same instant a car (New York license plate) passes along the road, a child bangs the screen door of a neighbouring porch, an old man yawns in a misty Turkestan orchard, a granule of cinder-gray sand is rolled by the wind on Venus, a Docteur Jacques Hirsch in Grenoble puts on his reading glasses, and trillions of other such trifles occur – all forming an instantaneous and transparent organism of events, of which the poet (sitting in a lawn chair, at Ithaca, N.Y.) is the nucleus.

Publishing a book, Watching its ways Force me to look At a screen for days "Be still, be still", My heart screams for life But I must check its sales, It's reviews, its likes. Another Instagram poet Who's dying And doesn't know it, Untying an underlying Knot of desire To be liked and admired For people to love what transpires From my mind, but I'm tired Of the social machine Producing my insecurity Hoping someone will follow me And like all my poetry From this point forth, find me nowhere, Socially unseen, Just on the back porch, without a care And without a screen

Last Saturday he set out to fix a screen upstairs. He went to the basement to get some nails. Downstairs he saw that the workbench was a mess, so he started organizing the workbench. Then he needed some pegboard to hang up the tools, so he jumped into the car and went to buy the pegboard. At the lumber yard he saw a sale on spray paint, so he bought a can to paint the porch railing and came home totally unaware that he hadn't gotten the pegboard, that he had never finished sorting out the work bench, and that he had started out to fix the broken screen, which we really needed fixed.

People usually focus on what burglars take, but it’s how they move that’s so consistently interesting. Burglars explore. They might not live in a city full of secret passages and trapdoors—but they make it look as if they do. They have their own tools and floor plans, their own ways to get from A to B. They’ll curl up inside refrigerators, climb through ceilings, use garbage chutes and fall twenty-one floors straight into the emergency room when they could simply have taken the stairs. They’ll slip through porch screens and stow themselves inside clothes dryers till the police come busting in to find them.

An introversion party is three people sprawled on couches and pillows, reading and occasionally talking. Or a couple cuddling by a fire at camp, savoring the music of crackling wood and crickets. Your introversion party might be a solitary walk where thoughts are exposed to air and become clear. You might find your party in meditation, when time expands and everything seems possible. Your party might come with popcorn as you passionately observe the big screen of the theater or with a steaming cup of Ethiopian blend as you watch people from your table at the coffeehouse, or with a cold beer as you watch the world go by from your porch.

Under the stilly boughs and the black gauze of dusk the street was meshed in silence. There was but the hum of motor tires crunching the road, the creak of a rocker on the Howlands' porch, the slap of a hand attacking a mosquito, a heat–weary conversation starting and dying, the precise rhythm of crickets, the thud of moths against the screen—sounds that were a distilled silence. It was a street beyond the end of the world, beyond the boundaries of hope. Though she should sit here forever, no brave procession, no one who was interesting, would be coming by. It was tediousness made tangible, a street builded of lassitude and of futility.

MOTHER NATURE was laying down some Law out there in the bayou night, and as befits the order of things, large feathered creatures dove off high branches, swooped low and stuck talons in smaller furry meals, and bandit-eyed coons came stealthily out of hollow logs and glommed finned, scaly chow from the still, brackish shallows, while all those things that slither waited, coiled, for the passing appearance of any prey absentminded, and where the bayou waters butted against land and a screened porch overlooked the boggy stage for these food-chain theatricals, Emil Jadick sat on the arm of the couch and wrapped up a lecture that had been real Type A in tone and content. He said, “And if either of you fucks up because you ain’t been listenin’ to me, I’ll take you off the calendar myself, understood?

AN INCOMPLETE LIST: No more diving into pools of chlorinated water lit green from below. No more ball games played out under floodlights. No more porch lights with moths fluttering on summer nights. No more trains running under the surface of cities on the dazzling power of the electric third rail. No more cities. No more films, except rarely, except with a generator drowning out half the dialogue, and only then for the first little while until the fuel for the generators ran out, because automobile gas goes stale after two or three years. Aviation gas lasts longer, but it was difficult to come by. No more screens shining in the half-light as people raise their phones above the crowd to take photographs of concert stages. No more concert stages lit by candy-colored halogens, no more electronica, punk, electric guitars. No more pharmaceuticals. No more certainty of surviving a scratch on one’s hand, a cut on a finger while chopping vegetables for dinner, a dog bite. No more flight. No more towns glimpsed from the sky through airplane windows, points of glimmering light; no more looking down from thirty thousand feet and imagining the lives lit up by those lights at that moment. No more airplanes, no more requests to put your tray table in its upright and locked position—but no, this wasn’t true, there were still airplanes here and there. They stood dormant on runways and in hangars. They collected snow on their wings. In the cold months, they were ideal for food storage. In summer the ones near orchards were filled with trays of fruit that dehydrated in the heat. Teenagers snuck into them to have sex. Rust blossomed and streaked. No more countries, all borders unmanned. No more fire departments, no more police. No more road maintenance or garbage pickup. No more spacecraft rising up from Cape Canaveral, from the Baikonur Cosmodrome, from Vandenburg, Plesetsk, Tanegashima, burning paths through the atmosphere into space. No more Internet. No more social media, no more scrolling through litanies of dreams and nervous hopes and photographs of lunches, cries for help and expressions of contentment and relationship-status updates with heart icons whole or broken, plans to meet up later, pleas, complaints, desires, pictures of babies dressed as bears or peppers for Halloween. No more reading and commenting on the lives of others, and in so doing, feeling slightly less alone in the room. No more avatars.

A morning later, Nancy described her first dream, the first remembered dream of her life. She and Judy Thorne were on a screened porch, catching ladybugs. Judy caught one with one spot on its back and showed it to Nancy. Nancy caught one with two spots and showed it to Judy. Then Judy caught one with three spots and Nancy one with four. Because (the child explained) the dots showed how old the ladybugs were. She told this dream to her mother, who had her repeat it to her father at breakfast. Piet was moved, beholding his daughter launched intoanother dimension of life. Like school. He was touched by her tiny stock of imagery the screened porch (neither they nor the Thornes had one; who?), the ladybugs (with turtles the most toylike of creatures), the mysterious power of numbers, that generates space and time. Piet saw down a long amplifying corridor of her dreams, and wanted to hear her tell them, to grow older with her, to shelter her forever.” John Updike, Couples, 1968.

Xavier looked at Shane's outfit of pants, pistol, and no shirt, and then glanced up at the porch. "You sleep outside?" Shane turned and looked through the screen door. There was no sign of Agnes or the sheets that had been tumbled there. A woman who could wake up fast and then remove evidence slightly. His kind of girl. "Yep. I like fresh air." Xavier nodded, his exasperation evaporating into amusement. "Right. Miss Agnes up yet?" "I wouldn't know." "Right." Xavier gave a lazy grin and walked around Shane. "Quite a woman, that Miss Agnes." "Yep," Shane said, following him up the walk. "Bit sharp-tempered, though." "I'd call her fiery." Xavier turned his head toward Shane and nodded amiably. "Fiery. That's good." They walked up the path, Rhett ambling with them. Xavier trooped up the steps to the porch and spared a glance at the air mattress and Shane's T-shirt, crumpled in a ball. "Restless night, son?" "Slept like a baby." "I bet you did," Xavier said, and went into the kitchen.

My Father Comes Home From Work" My father comes home from work sweating through layers of bleached cotton t-shirts sweating through his wool plaid shirt. He kisses my mother starching our school dresses at the ironing board, swings his metal lunchbox onto the formica kitchen table rattling the remnants of the lunch she packed that morning before daylight: crumbs of baloney sandwiches, empty metal thermos of coffee, cores of hard red apples that fueled his body through the packing and unpacking of sides of beef into the walk-in refrigerators at James Allen and Sons Meat Packers. He is twenty-six. Duty propels him each day through the dark to Butcher Town where steers walk streets from pen to slaughterhouse. He whispers Jesus Christ to no one in particular. We hear him-- me, my sister Linda, my baby brother Willy, and Mercedes la cubana’s daughter who my mother babysits. When he comes home we have to be quiet. He comes into the dark living room. Dick Clark’s American Bandstand lights my father’s face white and unlined like a movie star’s. His black hair is combed into a wavy pompadour. He sinks into the couch, takes off work boots thick damp socks, rises to carry them to the porch. Leaving the room he jerks his chin toward the teen gyrations on the screen, says, I guess it beats carrying a brown bag. He pauses, for a moment to watch.

I run out onto the front porch, trying to slow my racing heart as I peer out into the night. The light gets closer and closer, causing hope to blossom in my chest. “Hey!” a familiar voice calls out, and I nearly weep with relief. He’s back. Thank God. But the relief is immediately replaced with anger. “Where the hell have you been?” I ask, my voice shaking. He clicks off the flashlight and makes his way up the porch steps. “Didn’t you see my note?” “Are you kidding me?” I sputter. “Do you have any idea how many hours you’ve been gone?” “Yeah, sorry about that. The house was fine, but the pool was a mess. A tree fell through the screen, and the roof was ripped off the pool house.” “You’re sorry? That’s all you have to say?” I take two steps toward him, fury thrumming through my veins. “Do you have any idea how worried I was? God, Ryder! I thought you were lying in a ditch somewhere. I thought you were hurt, or…or…” I trail off, shaking my head. “I was about to go looking for you, out in the pitch-dark!” He reaches for my hand, but I slap him away. “Don’t touch me! I swear, I can’t even look at you right now.” I turn and reach for the door. But before I can fling it open, Ryder pulls me toward him, his hands circling my wrists. “Look, I’m sorry, Jemma. It took me forever to get there, what with all the flooding and everything. And then I was trying to clean stuff up and…well, I guess the time just got away from me.” I try to pull away, but he tightens his grip. “I didn’t mean to scare you,” he says. “Well, you did scare me.” I manage to pull one hand loose, and I use it to whack him in the chest. “Idiot!” “I’m fine, okay? I’m here.” “I wish you weren’t!” I yell, fired up now. “I wish you were lying in a ditch somewhere!” I stumble backward, my heel catching on the porch’s floorboards. “You don’t mean that,” Ryder says, sounding hurt. He’s right; I don’t. But I don’t care if I hurt his feelings. I’m too angry to care. Angry and relieved and pissed off and…and, God, I’m so glad he’s okay. I thump his chest one more time in frustration, and then somehow my lips are on his--hungry and demanding and punishing all at once.

You aren’t worried about tomorrow, are you?” “What do you think?” He propped himself up on his elbows and studied my face. “You told me last spring it was the easiest thing in the whole wide world. You could hardly wait to jump. Why, even when you got sick you worried you’d die without having a chance to do it.” “I must have been a raving lunatic,” I muttered. Theo scowled, but the sound of a Model T chugging up the driveway stopped him from saying more. Its headlamps lit the trees and washed across the house. “It’s John again,” Theo said. “Papa will start charging him room and board soon.” Hidden in the shadows, we watched John jump out of the car and run up the porch steps. Hannah met him at the door. From inside the house, their laughter floated toward us as silvery as moonlight, cutting into my heart like a knife. “Hannah has a beau.” Theo sounded as if he were trying out a new word, testing it for rightness. He giggled. “Do you think she lets him kiss her?” I spat in the grass, a trick I’d learned from Edward. “Don’t be silly.” “What’s silly about smooching? When I’m old enough, I plan to kiss Marie Jenkins till our lips melt.” Making loud smacking sounds with his mouth, Theo demonstrated. Pushing him away, I wrestled him to the ground and started tickling him. As he pleaded for mercy, we heard the screen door open. Thinking Mama was about to call us inside, we broke apart and lay still. It was Hannah and John. “They’re sitting in the swing,” Theo whispered. “Come on, let’s spy on them. I bet a million zillion dollars they start spooning.” Stuffing his jar of fireflies into his shirt, Theo dropped to his knees and crawled across the lawn toward the house. I followed him, sure he was wrong. Hannah wasn’t old enough for kissing. Or silly enough. We reached the bushes beside the porch without being seen. Crouched in the dirt, we were so close I could have reached up and grabbed Hannah’s ankle. To keep from giggling, Theo pressed his hands over his mouth. Sick with jealousy, I watched John put his arm around Hannah and draw her close. As his lips met hers, I felt Theo jab my side. I teetered and lost my balance. The bushes swayed, the leaves rustled, a twig snapped under my feet. “Be quiet,” Theo hissed in my ear. “Do you want to get us killed?” We backed out of the bushes, hoping to escape, but it was too late. Leaving John in the swing, Hannah strode down the porch steps, grabbed us each by an ear, and shook us like rats. “Can’t a body have a second of privacy?

A LITTLE AFTER FIVE, he went out to the Lexus SUV that he drove outside the Cities, and took off for Wisconsin. He was not in a mood for the scenic tour, so he went straight up I-35 to Highway 8, then east through Chisago City and Lindstrom and past Center City to Taylors Falls, then across the St. Croix into Wisconsin, north on Highway 82, off on River Road and finally, down a dirt lane lined with beech and oak trees to a redwood house perched on a bluff over the river. The front door was propped open with a river rock. The governor was sitting on a four-season porch, already closed in for the winter, that looked over the river valley. When Lucas banged on the screen door, he called, “Straight through to the porch. Get a beer out of the kitchen, or make yourself a drink.

Its front porch had a beautiful view of the water and invisible screening to keep the jellybugs and stinkmoths at bay. I wove mats for the floors and painted sincere, klutzy seascapes for the walls. Piece by piece I assembled chef-quality cooking equipment, learned how to use it, and achieved a state of domestic competence that would have astounded my long-suffering ex-wife, Joanna.

a few times, and then pushed the screen door open. “Let’s go,” Stern said. As they crossed the porch

Walking up to the screened porch, however, I felt as strange and disconnected as I had ever been in my entire life. It was as if I were two people: a man who was a capable detective, a loving husband, and a devoted father who was heading toward a quiet little house in the South, and an unsure and fearful boy of eight trudging toward a home that might be filled with music, love, and joy or, just as easily, screaming, turmoil, and madness.

She'd discreetly asked a few of her customers today and found out, much to her dismay, that everyone was under the impression Jack was back, and not just for a visit. She let her head fall back and sighed heavily. Damn him. Damn him and my sister both. She knew it wasn't fair to be mad at Jack just for coming home, but she couldn't help it. After everything she'd sacrificed to keep Amanda's secret, it was ready to be blown to bits by his arrival. She was going to drive herself crazy if she didn't stop dwelling on it. Cassie picked up her phone and slid her finger across the screen. With a couple taps on the glass, it was ringing. Time to call in the reinforcements. "Hey girl, what's shaking?" came the sound of Lissa's voice. "Hey." She sat there, unsure what to say to her best friend, just knowing she needed her support. "Uh oh. What's going on?" "Jack came in my shop this morning." "I'll be right there." The line went dead. Cassie smiled. Of course she would. She closed her eyes and rested while she waited. She and Melissa Winters had been through everything side by side, so why should this be any different? Lissa was the only person in the world besides Cassie that knew the secret about Sarah. She had helped her adjust to a new baby, teaching her everything she had learned from growing up the oldest sister of five. It was always in times like those that Cassie wished she had her mother around, but Lissa had stepped up. Caroline Powell would have loved helping with Sarah, but as it was, she often didn't even remember who Sarah was when Cassie would take her for visits to the full-time care facility she lived at in The city. Footsteps on the porch stairs shook her out of her reverie, and she opened her eyes to see Lissa walking up, Chinese takeout bags in hand. "General Tso to the rescue," she proclaimed, dropping into the rocker next to Cassie. "And some sweet and sour chicken for Miss Priss, of course." "Of course," Cassie smiled. "You're the best." They sat in silence for a few moments, Cassie turning her glass round and round in her hands until Lissa couldn't take it any longer. "Okay, spill. You can't drop a bomb on me like that and then just sit there in silence," Lissa chided. "I just don't know what to say. I'm terrified, Liss." "Let's think rationally. There is no reason for him to suspect anything." "He seemed really confused about Sarah. Surprised. He kept asking about her.

Miss Gail yanked open the screen door and charged straight into her room, immediately to the left of the front entrance. He jumped to his feet, the cord of the earpiece pulling him up short like a dog on a leash. She slapped the door shut behind her. In the brief seconds he had, he catalogued mussed hair, pale face, red nose, and fresh tears. “Would you like to join my family for supper, Mr. Palmer?” Miss Honnkernamp asked. “Now that we know what your favorite is, I’m sure—” Throwing off the earpiece, he yanked the cable from the jack and rushed to her bedroom door. “Miss Gail? Are you all right? Are you hurt? What’s happened?” No answer. He cocked his ear and held himself still. The sound of suppressed sobs came from the direction of the veranda. Pushing open the screen, he stuck his head out. The crying was louder. He looked toward the swing, then remembered. Her window. It was open. Easing onto the porch, he stood and listened. Whatever happened had been catastrophic. She took deep, broken breaths, followed by a long series of quiet, staccato sobs. He rubbed his mouth. What in tarnation?

The screen door banged open, and Tessa traipsed out the door. With a flourish, she turned a wicker porch chair to face the swing and plopped down in it. “Tessa Gregory, what are you doing out here?” Charlotte snapped. Propping her hand beneath her chin, she stared at George. “Chaperoning.” Charlotte jumped to her feet, rattling the chains of the swing. She grabbed her sister’s hand and yanked her out of the chair. “You get back inside this instant. We want some privacy.” “So you can . . .” Tessa puckered her lips and gave an exaggerated smack in George’s direction. With a firm grasp around Tessa’s arm, Charlotte opened the screen door, shoved her sister inside, and slammed the door shut. Instead of disappearing, Tessa stood at the screen, adding a few more loud smacking noises.

Nevertheless, to commit burglary you must cross some imaginary border, or invisible plane, and enter another clearly defined architectural space—a volume of air, an enclosure—with the intention of committing a crime there. Without walls and thresholds—without doorways, floors, and window frames, or even roofs, awnings, and screened-in porches—burglary would not be legally possible. It is a spatial crime, one whose parameters are baked into the very elements of the built environment.

THE TRUTH In summer there was something in the selfhood of the wasps that wanted to get inside the screened-in porch. It sent them buzzing against the wire mesh, probing under the eaves, crawling into the cracks between the boards. Each day we’d find new bodies on the sill: little failures, like struck matches: shrunken in death, the yellow color of cider or old varnish. The blue self of the sky looked down on the self of the wooden house where the wasps were perishing. The wind swept them to the ground. The wasps seemed to be extensions of one big thing making the same effort again and again. I can remember that feeling of being driven by some longing I could not understand to look for the passage through, —trying again and again to get inside. I must have left a lot of dead former selves scattered around behind me while I kept pushing my blunt head at a space that prevented my entering —and by that preventing delivered me to where I live now, still outside; still flying around in the land of the unfinished.

Good afternoon, boys!” called an old man seated in a rocking chair on the front porch. “Hot weather.” “Sure is,” Frank agreed. “Are you Mr. Nichols?” “Yes sirree.” The old man was very thin and weak looking, but his light-blue eyes were lively. “I’ve been Henry Nichols seventy-nine years, now; eighty next April. Never minded it either, ‘cept when I was young. Then I used to wish I was somebody famous—” “Henry!” called a voice just inside the screen door. “That’s enough!” A small, white-haired woman stood there. “What is it you boys want?

In its first Spanish influenza pamphlet, issued in September, the USPHS recommended that those nursing flu patients wear gauze masks.37 Soon laymen decided that what was a sensible caution in the sickroom would be just as sensible in every situation. Gauze masks became a common sight in the streets and department stores of communities in the eastern United States. People could and did honestly believe that a few layers of gauze would keep out flu bugs, just as screens kept the flies off the front porch. The influenza virus itself is, of course, so infinitely tiny that it can pass through any cloth, no matter how tightly woven, but a mask can catch some of the motes of dust and droplettes of water on which the virus may be riding. However, to be even slightly effective during a flu epidemic masks must be worn at all times when people are together, at home and at work and in between, must be of a proper and probably uncomfortable thickness, must be tied firmly, and must be washed and dried at least once daily. Enforcement of such conditions is impossible and so the communities where masking was compulsory during the Spanish influenza pandemic almost always had health records the same as those of adjacent communities without masking.

Raised on screened porches and greenhouse humidity, I know how to suck the coolness out of concrete cracks.

My sister seems to look past me at the house, at the peeling blue walls, and the second-floor windows. But I know it’s just her eyes straying, not focused on anything in particular. A crease forms between her eyebrows. “Not without medicine or a doctor.” She moves past me, up the porch steps, and into the house. Not wanting to discuss it further. But I leave the garden and follow her. “There must be something you can do?” I ask, closing the screen door softly behind me. Giving birth within the community is a tenuous act—a thin thread separates life from death, survival from a slow, often painful letting go. Death is not dignified out here, it’s often bloody and full of long, wretched moans, pleading for relief we have no way to give.

No, it was much worse than that. One evening Skye walked into their portion of the screened porch and caught Jane dancing with the Popsicle stick, dancing and humming, and even murmuring to it. Skye heard only one word, which was, naturally, “Dominic.” “What are you doing?” she barked, horrified that a Penderwick would sink so low. Jane dropped the stick and casually covered it with her foot. “Nothing,” she said. “Just dancing.” “Dancing with—” Skye couldn’t bring herself to say it out loud.

My grandparents got creative to make space for three kids in their two-bedroom home. They took one of the bedrooms, my mom and aunt shared the other, and my uncle Bobby slept on the screened-in porch. Every single one of your neighbors would call Child Protective Services if you put a child on the porch these days, but this was the seventies, which was basically a lawless decade where children were concerned. Lawn Darts -- a game where one child would stand in a Hula-Hoop placed on the ground and another child would aim for the hoop by launching oversize, spiky metal darts at them -- hit its peak in this year for a reason: if your child was fed and moderately clothed, people turned a blind eye to your second-degree murder-adjacent shenanigans.

Owen raised his beer bottle, clinking it against Mason’s for an impromptu toast. They both sipped, long and deep, eyes shadowy and moist in the flickering candle flames. Outside the screen door beside them, nature sounds trilled in the air: rustling leaves, wobbly rockers creaking on the front porch, crickets chirping. It was all music to Mason’s ears, much the same way Owen’s dimples were a feast for his adoring eyeballs.

We stared at each other, with that inner hostility that had been there from the first. After a moment I pushed my chair back and went over to the french windows. I opened the screen and stepped out on to the porch. The night was all around, soft and quiet. The white moonlight was cold and clear, like the justice we dream of but don’t find.

There was a day I awoke,” Irish says after a while, “to the rain ending abruptly. I remember the water pearling up in heavy beads along the eave of the upper story. It dripped drop by drop down from the peeling paint to banana leaves in this nook between the chimney and screened back porch below. I delighted in that sound, the drumming of the rain drops on the banana leaves. And I remember suddenly the drum-thud over the leaves overcome by the click-itty-clack of the first streetcar out on the avenue that morning. It’s funny how such an instant lodges and lingers in the mind. But I remember that instant more vividly than I do my first day at school.

I made myself listen to the music I loved as I worked. I would not be a coward anymore. If I acted like a lunatic, so be it! In my mind I raged and I vowed that Samuel’s leaving would not make me resort to musical holocaust. I was done with that nonsense! I played Grieg until my fingers were stiff, and I worked with the frenzy of Balakirev’s ‘Islamey’ pounding out of the loud speakers. My dad came inside during that one and turned around and walked right back out again. On day 15, I made a chocolate cake worthy of the record books. It was disgustingly rich and fattening, teetering several stories high, weighing more than I did, laden with thick cream cheese frosting, and sprinkled liberally with chocolate shavings. I sat down to eat it with a big fork and no bib. I dug in with a gusto seen only at those highly competitive hotdog eating contests where the tiny Asian girl kicks all the fat boys’ butts. “JOSIE JO JENSEN!” Louise and Tara stood at the kitchen door, shock and revulsion, and maybe just a little envy in their faces. Brahms ‘Rhapsodie No. 2 in G Minor’ was making my little kitchen shake. Eating cake to Brahms was a new experience for me. I liked it. I dug back in, ignoring them. “Well Mom,” I heard Tara say, “what should we do?!” My Aunt Louise was a very practical woman. “If you can’t beat ’em, join ’em!” She quoted cheerfully. Before I knew it, Tara and Louise both had forks, too. They didn’t seem to need bibs either. We ate, increasing our tempo as the music intensified. “ENOUGH!” My dad stood in the doorway. He was good and mad, too. His sun-browned face was as ruddy as my favorite high heels. “I sent you two in for an intervention! What is this?! Eater’s Anonymous Gone Wild?” “Aww, Daddy. Get a fork,” I replied, barely breaking rhythm. My dad strode over, took the fork from my hand and threw it, tines first, right into the wall. It stuck there, embedded and twanging like a sword at a medieval tournament. He pulled out my chair and grabbed me under the arms, pushing me out of the kitchen. I tried to take one last swipe at my cake, but he let out this inhuman roar, and I abandoned all hope of making myself well and truly sick. “Tara! Aunt Louise!” I shouted frantically. “I want you gone!!! That’s my cake! You can’t have any more without me!” My dad pushed me through the front door and out onto the porch, the screen banging behind him. I sunk to the porch swing, sullenly wiping chocolate crumbs from my mouth. My dad stomped back inside the house and suddenly the music pouring from every nook and cranny stopped abruptly. I heard him tell Louise he’d call her later, and then the kitchen door banged, indicating my aunt’s and Tara’s departure. Good. They would have eaten that whole cake. I saw the way they were shoveling it in.

Gabby, look,” Rachel squealed as I pushed open the screen door.  “A dog!” On the deck, Rachel reclined on her side, stretched out on a beach towel.  Between her towel and the one she’d set out for me, lay a monster of a dog, relaxing in the sun. I stopped and stared.  What was that thing?  Although the size of a mastiff, it looked nothing like one.  At least seven feet from nose to tail, the dog’s shaggy brown coat gave it a wild look.  Rachel didn’t seem to mind, though.  She continued to pet its head affectionately. It turned its head, which moved it out of Rachel’s reach.  Its soft brown eyes met mine. Rachel shifted to a sitting position to reach its head again. “It just walked up the porch steps and lay right down.  I nearly peed myself.  Have you ever seen a dog this big before?  What kind do you think it is?”  She continued to pet it lovingly. I remained glued in place, my stomach sinking.  Any lingering homesickness died as my suspicion grew.  What are the odds that an extremely large, random dog just appeared at my door scant hours after Sam dropped me off?  Improbable odds.  When I’d said I would get a dog, I’d meant it as a joke.  I couldn’t afford a dog. “And you’re not going to believe what its tag says,” Rachel said, not seeming to care that I hadn’t answered her questions.  “‘If found, please provide a good home.’  Isn’t that funny?”  She ruffled his neck fur, which made his hidden tags jingle.  The dog continued to watch me and ignore Rachel’s ministrations. “Yeah.  Funny,” I mumbled.  The size of the dog would ensure men didn’t bother me.  But a dog half its size would do the same.  Why get one so big?  Its size compared to Sam in his fur.  Did Sam think some of his kind might bother me?  If so, I didn’t see how a plain old dog would help.  My eyes widened as my own idiocy dawned on me. Not a plain dog. I needed to call Sam, find out what he’d been thinking, and then give him an earful for sending someone to the house to keep an eye on me.  I was about to turn and go back into the house when Rachel said something that made my stomach drop to my toes. “His tag also says his name is Clay.  What do you think?  Should we keep him?

mat. A case of false teeth hung on the mustard-colored wall like a fuse box in a screen porch.

Marcus pulled in to Jules’ drive way. His car looked like one you might see an older man driving. Beige, long, some sort of Buick. He didn’t see her waiting on the rocking chair of her screened-in porch. The motion light had no reason to be on since she had been sitting out there for some time, enjoying the crisp evening air. Shaw appeared to be fidgety and nervous. He ran his hands through his tousled hair, trying to comb it through. He checked his nose for random objects and then he grabbed a water bottle and gulped down the entire thing in a matter of seconds. When he finally exited the squeaky car, he brushed down his shirt and jeans to freshen them. It was quite amusing to watch this man. The more nervous he seemed, the more confident she became. Yup, she was going to fuck him. Hard. She was going to fuck him as if her life depended on it, and in some ways it did. Without getting back in touch with this power she had found, she was a meek little girl just following people around. She did it with her parents and then she did it with her ex-husband. Maybe the way she had come to her current power wasn’t the most conventional, but Jules was never meant to be a conventional girl. She tried to fit into the conventional role with Joey for 13 years and was never this happy or strong. 

Early that afternoon they came to a small town called Bradbury, which under its Nicosia-class tent looked like something out of Illinois: treelined blacktop streets, screened-in porches fronting two-story brick houses with shingle roofs, a main street with shops and parking meters, a central park with a white gazebo under giant maples.…

I made my way up our concrete front porch steps and opened the screen door. I unlocked the numerous deadbolts we had in record time. Getting in the house, I turned off the alarm and made sure the door was locked after JB came in. After my habit of looking through the blinds I finally put the food down

Place Message Here" I knew that somewhere Jesus wept. --Larry Brown, Dirty Work That was when our love began for me, though late, the way a flock of darkness settles over your shoulders. I remember the muted reflections that smudged the water prowling among the lingering rocks, a snail crawling out of its shell, the drizzle of light, the blackened windows. It was when that the sun peeled away the dark from the air, the surface of the water, then the soul. It was only then that I could read the shadows that followed our words. It seemed that the whole planet was taking aim at our future. I thought, then, that I could see your own soul in the constant waves tearing unconcerned at the impenetrable dunes. I wanted, then, to believe the moon is a flower, fragrant, its stem tossed across the water. It was then that I entered some other world, the way your life wakes suddenly in the middle of the night to find your own worn-out dreams lying in sheets around you, an empty bottle on the table, and yet some voice stumbling down the hallway of the wind trying the locked doors of the heart, calling out your name. It was then on that shore after I heard the news of my friend's heart tearing open like a wet paper bag. I was standing where Marconi sent his messages which seemed to fill the air, still, like swallows. There is always another life in the corner of our eyes, one that begins because our poor words have never said what we meant at the time. Today, here, ladybugs fill my porch screen trying to reach the early sun that radiates through the fine mesh. They halt there like messages never received, empty husks of some abandoned future we can never know. Why is it we love so fully what has washed up on the beaches of our hearts, those lost messages, lost friends, the daylight stars we never get to see? Bad luck never takes a vacation, my friend once wrote. It lies there among the broken shells and stones we collect, a story he would say begins with you, with me, a story that is forever lost among the backwaters of our lives, our endless fear of ourselves, and our endless need for hope, a story, perhaps an answer, a word suddenly on wing, the simple sound of a torn heart, or the unmistakable scent of the morning's fading moon. Richard Jackson, The Cortland Review. Spring 2005.

The screen door opened, slapped loudly shut. An enormous woman had come onto the porch, a woman with a fierce turtle like face and wild frizzy carrot colored hair. She was wearing a bright yellow tent size dress with dark half moons of sweat fanning out from the armpits.

The thing about seasons is that when you’re in one, you can’t believe the others will ever come back. It feels to me like summer has its feet planted far apart and its hands on its hips: I am here. Gardens are full of primary colors, grass sprouts from cracks in the sidewalk, bees fly heavy and low, like you could just reach down and grab one. You can smell the heat trapped in the concrete, that ironed pillowcase smell. Windows are open, and people seem open too—there is no hunching over from the cold, keeping your eyes on the sidewalk, concentrating on getting to where you’re going so you can be warm and not freeze to death. When you pass by someone, you take the time to nod a greeting or even stand and have a little conversation, the sun making a disc of warmth on the top of your head. Curtains move in S-shaped dances from the breeze, or puff out dramatically, then fall straight and still, like they’re denying they did anything. Kids with Kool-Aid mustaches run in and out of the house, banging the screen door and yelling to their mothers, and you can hear the faint voice of their mothers yelling back not to bang the door, how many times does she have to tell them to not bang the door. There is a different weight to the air. People sit on their porches after dinner, reading the paper or sitting idle, their hands behind their heads and their ankles crossed, waiting to see who passes by. There is a low happiness in them that they can’t explain.

My teeth clatter in my mouth as everything ripples and shudders in the storm of shells, whining, whizzing. The kid on the bicycle rolls out of sight. Untouched. A miracle. A dream. The shells abruptly cease and there is only the settling creak of the car seat, a scatter of twittering birds in the shrubs and trees. I could use some gum. Where do you buy gum so early besides the service station? It seems wrong to go there since we don't need any gasoline. We don't drive enough. A tank of gas lasts us forever. I get behind the wheel and in the mirror I can see my eyelids fluttering. I sit squeezing the steering wheel until I realize I haven't started the engine. The garage conceals me. I don't want to go out into the open. A horse whinnys – are they bringing up the artillery? It's the farm field where old Wallam tills a little garden, his yard is the biggest and runs alongside the back of ours to the farm where his family has their orchards. What's wrong with me? Sounds of explosions, bullets, voices of men. Volleys. I smell smoke. Burning things, festering ruptured corpses with maggots pulsing under horrible skin and the shells, the horse, it's hit, it shrieks, explodes apart – can we pull the gun by hand? The crew is dead too, bullets are making their bodies jump even after they have broken apart like smashed holiday nuts. I want to scream. Maybe I am? I begin breathing rapidly. I don't know how long I am there but I hear the screen door open and I key the ignition. “Car troubles?” Mr. Kincaid calls out to me from the front porch. “No troubles,” I say setting my arm out the window and holding the mirror to keep my hand steady. “Lovely day.” The sun was really rising, taking the temperature up with it, hot shards of searing light coming over the treetops to stab at everything that couldn't find the shade. I couldn't find the shade.

Growing up Southern is a privilege, really. It's more than where you were born, it's an idea and state of mind that seems imparted at birth. It's more than loving fired chicken, football, beer, and country music. It's being hospitable and devoted to screen porches, magnolias, red velvet cake, coca cola, and each other. We don't become southern--we're born that way.

Every little difference I made seemed a significant change in the world. I would finish a piece of work and then I would stand and look and admire the way it fitted in with everything else. Just sweeping the porch seemed to make the tree limbs spread and hover more gracefully above it. Where a falling limb had poked a hole through a screen, I took a fine wire and stitched on a patch, and then sat a while and looked out the window, feeling that my work had improved the view. Everywhere I looked, the prospect was new and interesting. Nowhere I had lived before had been so intimate with the world. A pair of phoebes were nesting under the eaves above the porch. Owls called at night, sometimes right over the roof. I would hear a fish jump and look up to see the circles widening on the water. Sometimes, just sitting and looking, I would see the fish when it jumped. Birds were nesting and singing all around-all kinds of birds, and I began to learn their names. Every tree seemed to be offering itself to the use of the birds. And there was the river itself, flowing or still, muddy or clear, quiet or windblown, steaming on the colder mornings of winter ot frozen over, always changing its mood, never exactly feeling the same way twice.

Bud!” He looked up, irritated. She got up and walked out into the hall, giving him a significant look as she passed his chair. He came out a minute later. “This had better be good, kid. They’re talking about cobras.” “Someone’s out on the porch. I heard him.” “What was he doing?” “How do I know? I heard the floorboards creaking.” “Oh, Maggie, come on. How do you know it was even a him—a person?” “What else would make those boards creak? A cricket jumping up and down on them?” Bud rubbed his chin. “Could have been a cricket. Or a bat. They squeak. Kind of. It’s like radar.” “Will you listen to me?” Margaret hissed. “It was not a cricket or a bat. Are you afraid to go out and see who’s there?” “No, I’m not afraid.” “Well, let’s go then.” “Well, all right.” Bud grabbed the front screen-door handle and said, loudly, “We’ll just go out there now and see.” Margaret said, “Why not hire a brass band, while we’re at it?” “You want to go first?” Bud demanded. “Be my guest.” Margaret said, “Oh, for Heaven’s sake—no one’s going to be out there now, anyway. Not unless they’re dying, or something.” Bud threw the screen door open and marched out. Margaret was one step behind him.

Catherine lived in a two-story Craftsman. It wasn’t much from the outside. No landscaping, a crumbling porch, paint chipping off the rails and trim. The windows couldn’t have done much to regulate the temperature. They had to be at least thirty years old, and only half had screens. This surprised me. Catherine was fastidious in all ways, but her house was a bit of a wreck. The neighborhood was all right. At least she wasn’t in imminent danger of being shot or mugged when she stepped outside. There were no cars in her driveway, so I wasn’t certain she was home. I reached for the doorbell but hesitated. Probably better to knock, just in case Josephine was sleeping. As I’d been told more than once, babies did a lot of that. It took a while. So long, I was about to give up when the door finally swung open. “Elliot?” Catherine stood in the open doorway, waiting for me to say something. The problem was, I’d been rendered speechless. The Catherine I knew was buttoned up to her neck, hair tied back, conservative, and almost modest in her style. The woman in front of me was barely dressed. Her shorts stopped at the top of thick, creamy, tattooed thighs. Her tank top didn’t cover any more of her. Her breasts nearly spilled out of the low neckline, belly button peeking out from the gap above her shorts. Her bare arms were covered in colorful tattoos from wrist to shoulder. Her hair, which was always tamed into submission, spilled around her shoulders and neck in a violent riot. It wasn’t curls like I’d always suspected, but wild, licking, wavy flames that shot out in all directions. I met her eyes, which were wide with alarm, and finally found my voice. “This isn’t what you look like.