Screaming Out Loud Quotes

We've searched our database for all the quotes and captions related to Screaming Out Loud. Here they are! All 100 of them:

Clary screamed out loud as he fell like a stone- And landed lightly on his feet just in front of her. Clary stared with her mouth open as he rose up out of a shallow crouch and grinned at her. "If I made a joke about just dropping in," he said, "would you write me off as a cliché?
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
What I feel for you can’t be conveyed in phrasal combinations; It either screams out loud or stays painfully silent but I promise — it beats words. It beats worlds.
Katherine Mansfield
(If you are reading this story out loud, force a listener to reveal a devastating secret, then open the nearest window to the street and scream it as loudly as you are able.)
Carmen Maria Machado (Her Body and Other Parties)
This is a nonstop flight to New York. Thank you for flying Cuelebre Airlines. "You're not funny!" she screamed out loud. Dragon laughter filled her head.
Thea Harrison (Dragon Bound (Elder Races, #1))
Read this to yourself. Read it silently. Don't move your lips. Don't make a sound. Listen to yourself. Listen without hearing anything. What a wonderfully weird thing, huh? NOW MAKE THIS PART LOUD! SCREAM IT IN YOUR MIND! DROWN EVERYTHING OUT. Now, hear a whisper. A tiny whisper. Now, read this next line in your best crotchety- old man voice: "Hello there, sonny. Does your town have a post office?" Awesome! Who was that? Whose voice was that? It sure wasn't yours! How do you do that? How?! It must've been magic.
Bo Burnham
This book is dedicated to all the girls who like morally grey fictional men, and who screamed out loud the first time they read “who did this to you?” This ones for you.
Jasmine Mas (Blood of Hercules (Villains of Lore, #1))
There was a loud scraping noise as five chairs slid backward. The men rose as a unit. And started coming for her. She looked to the faces of the two she knew, but their grave expressions weren't encouraging. And then the knives came out. With a metallic whoosh, five black daggers were unsheathed. She backed up frantically, hands in front of herself. She slammed into a wall and was about to scream for Wrath when the men dropped down on bended knees in a circle around her. In a single movement, as if they'd been choreographed, they buried the daggers into the floor at her feet and bowed their heads. The great whoomp of sound as steel met wood seemed both a pledge and a battle cry. The handles of the knives vibrated. The rap music continued to pound. They seemed to be waiting for some kind of response from her. "Umm. Thank you," she said. The men's heads lifted. Etched into the harsh planes of their faces was total reverence. Even the scarred one had a respectful expression. And then Wrath came in with a squeeze bottle of Hershey's syrup. "Bacon's on the way." He smiled. "Hey, they like you." "And thank God for that," she murmured, looking down at the daggers.
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
She tore off his grip, and then she was walking out the kitchen door, across the courtyard, through the ward-stones, and along the invisible barrier- until she found a spot just out of sight of the fortress. The world was full of screaming and wailing, so loud she drowned in it. Celaena did not utter a sound as she unleashed her magic on the barrier, a blast that shook the trees and set the earth rumbling. She fed her power into the invisible wall, begging the ancient stones to take it, to use it. The wards, as if sensing her intent, devoured her power whole, absorbing every last ember until it flickered, hungry for more. So she burned and burned and burned.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
What I feel for you can’t be conveyed in phrasal combinations; It either screams out loud or stays painfully silent but I promise — it beats words. It beats worlds. I promise.
Katherine Mansfield
But playing your music as loud as you want and coming home drunk aren't real life. Real life, it turns out, is diapers and lawnmowers, decks that need painting, a wife that needs to be listened to, kids that need to be taught right from wrong, a checkbook, an oil change, a sunset behind a mountain, laughter at a kitchen table, too much wine, a chipped tooth, and a screaming child.
Donald Miller (To Own a Dragon: Reflections On Growing Up Without A Father)
The most important thing we've learned, So far as children are concerned, Is never, NEVER, NEVER let Them near your television set -- Or better still, just don't install The idiotic thing at all. In almost every house we've been, We've watched them gaping at the screen. They loll and slop and lounge about, And stare until their eyes pop out. (Last week in someone's place we saw A dozen eyeballs on the floor.) They sit and stare and stare and sit Until they're hypnotised by it, Until they're absolutely drunk With all that shocking ghastly junk. Oh yes, we know it keeps them still, They don't climb out the window sill, They never fight or kick or punch, They leave you free to cook the lunch And wash the dishes in the sink -- But did you ever stop to think, To wonder just exactly what This does to your beloved tot? IT ROTS THE SENSE IN THE HEAD! IT KILLS IMAGINATION DEAD! IT CLOGS AND CLUTTERS UP THE MIND! IT MAKES A CHILD SO DULL AND BLIND HE CAN NO LONGER UNDERSTAND A FANTASY, A FAIRYLAND! HIS BRAIN BECOMES AS SOFT AS CHEESE! HIS POWERS OF THINKING RUST AND FREEZE! HE CANNOT THINK -- HE ONLY SEES! 'All right!' you'll cry. 'All right!' you'll say, 'But if we take the set away, What shall we do to entertain Our darling children? Please explain!' We'll answer this by asking you, 'What used the darling ones to do? 'How used they keep themselves contented Before this monster was invented?' Have you forgotten? Don't you know? We'll say it very loud and slow: THEY ... USED ... TO ... READ! They'd READ and READ, AND READ and READ, and then proceed To READ some more. Great Scott! Gadzooks! One half their lives was reading books! The nursery shelves held books galore! Books cluttered up the nursery floor! And in the bedroom, by the bed, More books were waiting to be read! Such wondrous, fine, fantastic tales Of dragons, gypsies, queens, and whales And treasure isles, and distant shores Where smugglers rowed with muffled oars, And pirates wearing purple pants, And sailing ships and elephants, And cannibals crouching 'round the pot, Stirring away at something hot. (It smells so good, what can it be? Good gracious, it's Penelope.) The younger ones had Beatrix Potter With Mr. Tod, the dirty rotter, And Squirrel Nutkin, Pigling Bland, And Mrs. Tiggy-Winkle and- Just How The Camel Got His Hump, And How the Monkey Lost His Rump, And Mr. Toad, and bless my soul, There's Mr. Rat and Mr. Mole- Oh, books, what books they used to know, Those children living long ago! So please, oh please, we beg, we pray, Go throw your TV set away, And in its place you can install A lovely bookshelf on the wall. Then fill the shelves with lots of books, Ignoring all the dirty looks, The screams and yells, the bites and kicks, And children hitting you with sticks- Fear not, because we promise you That, in about a week or two Of having nothing else to do, They'll now begin to feel the need Of having something to read. And once they start -- oh boy, oh boy! You watch the slowly growing joy That fills their hearts. They'll grow so keen They'll wonder what they'd ever seen In that ridiculous machine, That nauseating, foul, unclean, Repulsive television screen! And later, each and every kid Will love you more for what you did.
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))
I didn't know how to explain what I meant; sociopathy wasn't just being emotionally deaf, it was being emotionally mute, too. I felt like the characters on our muted TV, waving their hands and screaming and never saying a word out loud.
Dan Wells (I Am Not a Serial Killer (John Cleaver, #1))
From now on when a boy starts telling me about his lost loves I am going to run in the opposite direction screaming loudly... Somehow I bring out such confidences, and I'm pretty sick of hearing about Bobbe or Dorothy or P.K. or Liota. God damn them all.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
Really? Screaming?” He shrugged. “It wasn’t that bad. But there were definitely some freak-outs on both sides. Though, to be honest, the silence was worse.” “Worse than screaming?” I said. “Much,” he said, nodding. “I mean, at least with an argument, you know what’s happening. Or have some idea. Silence is… it could be anything. It’s just –” “So freaking loud,” I finished for him. He pointed at me. “Exactly.
Sarah Dessen (Just Listen)
2 am and I'm still awake writing a song if I get it all down I'll be where it's no longer inside of me threatening the life it belongs to. And I feel like I'm naked in front of the crowd cause these words are my diary screaming out loud and I know you will use them however you want to.
Anna Nalick (Anna Nalick - Wreck of the Day)
Do you ever feel like breaking down? Do you ever feel out of place? Like somehow you just don't belong And no one understands you Do you ever wanna run away? Do you lock yourself in your room? With the radio on turned up so loud That no one hears you screaming No you don't know what it's like When nothing feels all right You don't know what it's like To be like me To be hurt To feel lost To be left out in the dark To be kicked when you're down To feel like you've been pushed around To be on the edge of breaking down And no one's there to save you No you don't know what it's like Welcome to my life
Simple Plan
How is everyone doing tonight!" the singer shrieks into the crowd. Amid the screaming replies, I allow myself to say out loud, "I actually haven't been feeling well lately.
Emily Austin (Everyone in This Room Will Someday Be Dead)
Read this to yourself. Read it silently. Don't move your lips. Don't make a sound. Listen to yourself. Listen without hearing anything. What a wonderfully weird thing, huh? NOW MAKE THIS PART LOUD! SCREAM IT IN YOUR MIND! DROWN EVERYTHING OUT. Now, hear a whisper. A tiny whisper. Now, read this next line in your best crotchety- old man voice: "Hello there, sonny. Does your town have a post office?" Awesome! Who was that? Whose voice was that? It sure wasn't yours! How do you do that? How?! It must've been magic.
Bo Burnham (Egghead; or, You Can't Survive on Ideas Alone)
From the window, I watch the city and the freeway. In the distance, the sky-rises look like mystic spires, unbearably close and far. I want to pick them up and eat them. I want to scream out loud sometimes, but I never do.
Brenna Yovanoff (An Infinite Thread - A Merry Sisters of Fate Anthology (Vol. 1))
I Hear the sledges with the bells - Silver bells! What a world of merriment their melody foretells! How they tinkle, tinkle, tinkle, In the icy air of night! While the stars that oversprinkle All the heavens, seem to twinkle With a crystalline delight; Keeping time, time, time, In a sort of Runic rhyme, To the tintinnabulation that so musically wells From the bells, bells, bells, bells, Bells, bells, bells - From the jingling and the tinkling of the bells. II Hear the mellow wedding bells - Golden bells! What a world of happiness their harmony foretells! Through the balmy air of night How they ring out their delight! - From the molten - golden notes, And all in tune, What a liquid ditty floats To the turtle - dove that listens, while she gloats On the moon! Oh, from out the sounding cells, What a gush of euphony voluminously wells! How it swells! How it dwells On the Future! - how it tells Of the rapture that impels To the swinging and the ringing Of the bells, bells, bells - Of the bells, bells, bells, bells, Bells, bells, bells - To the rhyming and the chiming of the bells! III Hear the loud alarum bells - Brazen bells! What a tale of terror, now, their turbulency tells! In the startled ear of night How they scream out their affright! Too much horrified to speak, They can only shriek, shriek, Out of tune, In a clamorous appealing to the mercy of the fire, In a mad expostulation with the deaf and frantic fire, Leaping higher, higher, higher, With a desperate desire, And a resolute endeavor Now - now to sit, or never, By the side of the pale - faced moon. Oh, the bells, bells, bells! What a tale their terror tells Of Despair! How they clang, and clash and roar! What a horror they outpour On the bosom of the palpitating air! Yet the ear, it fully knows, By the twanging, And the clanging, How the danger ebbs and flows; Yet the ear distinctly tells, In the jangling, And the wrangling, How the danger sinks and swells, By the sinking or the swelling in the anger of the bells - Of the bells - Of the bells, bells, bells, bells, Bells, bells, bells - In the clamor and the clanging of the bells! IV Hear the tolling of the bells - Iron bells! What a world of solemn thought their monody compels! In the silence of the night, How we shiver with affright At the melancholy menace of their tone! For every sound that floats From the rust within their throats Is a groan. And the people - ah, the people - They that dwell up in the steeple, All alone, And who, tolling, tolling, tolling, In that muffled monotone, Feel a glory in so rolling On the human heart a stone - They are neither man nor woman - They are neither brute nor human - They are Ghouls: - And their king it is who tolls: - And he rolls, rolls, rolls, Rolls A paean from the bells! And his merry bosom swells With the paean of the bells! And he dances, and he yells; Keeping time, time, time, In a sort of Runic rhyme, To the paean of the bells: - Of the bells: Keeping time, time, time In a sort of Runic rhyme, To the throbbing of the bells - Of the bells, bells, bells: - To the sobbing of the bells: - Keeping time, time, time, As he knells, knells, knells, In a happy Runic rhyme, To the rolling of the bells - Of the bells, bells, bells - To the tolling of the bells - Of the bells, bells, bells, bells, Bells, bells, bells, - To the moaning and the groaning of the bells.
Edgar Allan Poe
I had to ask the burning question as we walked to the door. "How's it feel to throw a man off a building twenty stories up?" "Good. Kind of liberating actually. Educational too. I never knew a man could scream so loud. Or so long.
KevaD (Out of the Closet (The Closet, #1))
It feels weird, being out in the real world again. Around people just living their lives like normal. Their presence is oppressive. The very fact that the world is going on as usual, like nothing ever happened, makes me want to scream. I know it's irrational to expect everything to grind to a halt because of June, but still. A wave of anxiety builds in my chest, my head pounding so loud it drowns out the noise of people talking and tapping away on their laptops.
Hannah Harrington (Saving June)
You know what punk is? a bunch of no-talent guys who really, really want to be in a band. Nobody reads music, nobody plays the mandolin, and you're too dumb to write songs about mythology or Middle-earth. So what's your style? Three chords, cranked out fast and loud and distorted because your instruments are crap and you can't play them worth a damn. And you scream your lungs out to cover up the fact that you can't sing. It should suck, but here's the thing - it doesn't. Rock and roll can be so full of itself, but not this. It's simple and angry and raw.
Gordon Korman (Born to Rock)
I looked up at Lee when we stopped in front of Hector and informed him helpfully, “You might want to take your arm away. Blanca tells me Hector doesn’t like men touching me.” “Blanca told you that?” Lee asked, his smile (and arm) still firmly in place. “Yes. She’s known Hector, like, his whole life so I think she’s in the position to know.” Lee nodded, his smile somehow bigger like he was trying not to laugh then his eyes moved to Hector and he said, “I tried to stop it.” Hector looked at Lee then looked at me then he muttered, “Oh fuck.” “It was Ally’s idea,” Lee told Hector. “What was Ally’s idea?” Hector asked Lee. “It was not Ally’s idea!” I cried. “It wasn’t!” super-power-eared Ally yelled from the open back window of Lee’s Explorer. “It was Sadie’s idea. I just was offering moral support.” “Shut up, Ally!” Indy shouted out the open passenger side window. “I will not shut up! I’m not taking the fall for this one!” Ally shouted back. I turned to the car, dislodging Lee’s arm and lifted both my hands and pressed down. “No one’s going to take a fall. Everyone calm down. It’s all okay. It’s rock ‘n’ roll!” I screamed. “Righteous!” Ally screamed back. “Rock on, sister!” Indy screamed too. “It’s rock ‘n’ roll?” Lee asked, sounding as amused as he looked. “You all wanna quit screamin’ at three o’clock in the mornin’ in my fuckin’ neighborhood?” Hector suggested. Mm, well maybe we were being an eensy bit loud. “Time for beddie by,” I announced (sounding like Ralphie), got up on tiptoe, kissed Lee’s cheek (like Ralphie and Buddy would do to me), turned and gave Indy and Ally a double devil’s horns (like Ava taught me) and shouted, “Rock on!” They shouted back in unison, “Rock on!” “Christ,” Hector muttered.
Kristen Ashley (Rock Chick Regret (Rock Chick, #7))
Rush please," I begged, fighting the urge to grab his hand and force him to bring me relief from the throbbing underneath his touch "I need..." I didn't know what I needed. I just needed. Rush lifted his head and ran his nose up my neck then pressed a kiss to my chin. "I know what you need. I'm just not sure I can handle watching you get it. You've got me all kinds of worked up, girl. I'm trying hard to be a good boy. I can't lose control in the back of damn car." I shook my head. He couldn't stop. I didn't want him to be good. I wanted him inside me. Now. "Please, don't be good. Please," I begged. Rush let out a rugged breath "Shit, baby. Stop it. I'm going to explode. I'll give you your release but when I finally bury myself inside you for the first time you won't be sprawled in the back of my car. You'll be in my bed." His hand moved before I could respond and my eyes rolled back in my head. "That's it. Come for me, sweet Blaire. Come on my hand and let me feel it. I want to watch you." His words sent me spiralling over the edge of the cliff I'd been trying so hard to reach. "Ruuuuuush!" I heard the loud cry that came from me as i went falling into complete bliss. I knew I was crying for him, screaming out his name and maybe even clawing at him but I could no longer control myself. The ecstasy was too much.
Abbi Glines (Fallen Too Far (Rosemary Beach, #1; Too Far, #1))
In this land I have made myself sick with silence In this land I have wandered, lost In this land I hunkered down to see What will become of me. In this land I held myself tight So as not to scream. -But I did scream, so loud That this land howled back at me As hideously As it builds its houses. In this land I have been sown Only my head sticks Defiant, out of the earth But one day it too will be mown Making me, finally Of this land. -Charlie's poem
Anna Funder (Stasiland: Stories from Behind the Berlin Wall)
You will keep other people out of it!” she screamed, so loudly that the birds stopped chattering. She thrashed against him, gripping his wrists. “No one else!” “Tell me why, Aelin.” That gods-damned name . . . She dug her nails into his wrists. “Because I am sick of it!” She was gulping down air, each breath shuddering as the horrific realization she'd been holding at bay since Nehemia's death came loose. “I told her I would not help, so she orchestrated her own death. Because she thought . . .” She laughed—a horrible, wild sound. “She thought that her death would spur me into action. She thought I could somehow do more than her—that she was worth more dead. And she lied—about everything. She lied to me because I was a coward, and I hate her for it. I hate her for leaving me. Rowan still pinned her, his warm blood dripping onto her face. She had said it. Said the words she'd been choking on for weeks and weeks. The rage seeped from her like a wave pulling away from shore, and she let go of his wrists.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
If you want to live life loud, throw your hands up! If you want to scream and shout let me hear you, taking all the fakers out if your with me, everybody work it just keep living!
Hawk Nelson
I don't know to this day if I screamed out loud, but deep down in my soul, in the place inside of me that was bursting to be a mother, that pined for it, that lived and breathed for the day that I could give birth to my own child, my own flesh and blood, that part of me screamed, "Noooo!" It was quite possible that, somewhere deep down, I never stopped screaming it
R.K. Lilley (Rock Bottom (Tristan & Danika, #2))
Bea felt a pang in her gut: Yes, she wanted to scream, I want this more than you could possibly imagine. But the idea of saying that out loud [...] felt terrifying. Like giving voice to this secret piece of herself would allow everyone in the world to tell her just how foolish she was for wanting something so laughably out of reach.
Kate Stayman-London (One to Watch)
giving an explanation of why I cut was tough. I didn't even really understand why I did it. I took a deep breath. "Well...when I cut the skin, and feel the pain...and see the blood-it's like I'm letting out this loud scream.
J.A. Templeton
The King and Queen did the best they could. They hired the most superior tutors and governesses to teach Cimorene all the things a princess ought to know— dancing, embroidery, drawing, and etiquette. There was a great deal of etiquette, from the proper way to curtsy before a visiting prince to how loudly it was permissible to scream when being carried off by a giant. (...) Cimorene found it all very dull, but she pressed her lips together and learned it anyway. When she couldn’t stand it any longer, she would go down to the castle armory and bully the armsmaster into giving her a fencing lesson. As she got older, she found her regular lessons more and more boring. Consequently, the fencing lessons became more and more frequent. When she was twelve, her father found out. “Fencing is not proper behavior for a princess,” he told her in the gentle-but-firm tone recommended by the court philosopher. Cimorene tilted her head to one side. “Why not?” “It’s ... well, it’s simply not done.” Cimorene considered. “Aren’t I a princess?” “Yes, of course you are, my dear,” said her father with relief. He had been bracing himself for a storm of tears, which was the way his other daughters reacted to reprimands. “Well, I fence,” Cimorene said with the air of one delivering an unshakable argument. “So it is too done by a princess.
Patricia C. Wrede (Dealing with Dragons (Enchanted Forest Chronicles, #1))
Why?” he screamed, letting the noise bellow out loud and ferocious. “Why can I not have some measure of peace?” he questioned.
Charlotte Featherstone (Sinful (Addicted, #2))
The sun has come. The mist has gone. We see in the distance... our long way home. I was always yours to have. You were always mine. We have loved each other in and out of time. When the first stone looked up at the blazing sun and the first tree struggled up from the forest floor I had always loved you more. You freed your braids... gave your hair to the breeze. It hummed like a hive of honey bees. I reached in the mass for the sweet honey comb there.... Mmmm...God how I love your hair. You saw me bludgeoned by circumstance. Lost, injured, hurt by chance. I screamed to the heavens....loudly screamed.... Trying to change our nightmares into dreams... The sun has come. The mist has gone. We see in the distance our long way home. I was always yours to have. You were always mine. We have loved each other in and out in and out in and out of time.
Maya Angelou
It’s April 2006. It’s a Saturday. I’m walking through a market in Seoul, Korea, having a very public screaming match with a young Chinese-Korean woman whom I have recently promoted to Asia-Pacific Regional Manager. Despite the promotion, she is not happy. I think she wants my job. Right now, I’d happily give it to her if it would shut her up and calm me down. If I’d wanted a screaming match, I could have stayed at home; no, correct that, I’ve never had a domestic dispute as loud and unpleasant as this is turning out to be.
Oliver Dowson (There's No Business Like International Business: Business Travel – But Not As You Know It)
There's a funny fool. I have a riddle for you, Shagwell. Why do you care if she screams? Oh, wait, I know." He shouted "SAPPHIRES," as loudly as he could. Cursing, Rorge kicked at his stump again. Jaime howled. I never knew there was such agony in the world, was the last thing he remembered thinking. It was hard to say how long he was gone, but when the pain spit him out, Urswyck was there, and Vargo Hoat himself. "Thee'th not to be touched," the goat screamed, spraying spittle all over Zollo. "Thee hath to be a maid, you foolth! Thee'th worth a bag of thapphireth!" And from then on, every night Hoat put guards on them, to protect them from his own. Two nights passed in silence before the wench finally found the courage to whisper, "Jaime? Why did you shout out?" "Why did I shout out 'sapphires,' you mean? Use your wits, wench. Would this lot have cared if I shouted 'rape'?" "You did not need to shout at all." "You're hard enough to look at with a nose. Besides, I wanted to make the goat say, 'thapphireth.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
Cry Out in Your Weakness A dragon was pulling a bear into its terrible mouth. A courageous man went and rescued the bear. There are such helpers in the world, who rush to save anyone who cries out. Like Mercy itself, they run toward the screaming. And they can’t be bought off. If you were to ask one of those, “Why did you come so quickly?” He or she would say, “Because I heard your helplessness.” Where lowland is, that’s where water goes. All medicine wants is pain to cure. And don’t just ask for one mercy. Let them flood in. Let the sky open under your feet. Take the cotton out of your ears, the cotton of consolations, so you can hear the sphere-music. . . . Give your weakness to One Who Helps. Crying out loud and weeping are great resources. A nursing mother, all she does is wait to hear her child. Just a little beginning-whimper, and she’s there. God created the child, that is, your wanting, so that it might cry out, so that milk might come. Cry out! Don’t be stolid and silent with your pain. Lament! And let the milk of Loving flow into you. The hard rain and wind are ways the cloud has to take care of us. Be patient. Respond to every call that excites your spirit. Ignore those that make you fearful and sad, that degrade you back toward disease and death.
Jalal ad-Din Muhammad ar-Rumi (The Essential Rumi)
And so we weep for the fallen. We weep for those yet to fall, and in war the screams are loud and harsh and in peace the wail is so drawn-out we tell ourselves we hear nothing.
Steven Erikson (The Bonehunters (Malazan Book of the Fallen, #6))
9 likes Like Facebook_icon “Read this to yourself. Read it silently. Don't move your lips. Don't make a sound. Listen to yourself. Listen without hearing anything. What a wonderfully weird thing, huh? NOW MAKE THIS PART LOUD! SCREAM IT IN YOUR MIND! DROWN EVERYTHING OUT. Now, hear a whisper. A tiny whisper. Now, read this next line in your best crotchety- old man voice: "Hello there, sonny. Does your town have a post office?" Awesome! Who was that? Whose voice was that? It sure wasn't yours! How do you do that? How?! It must've been magic.
Bo Burnham (Egghead; or, You Can't Survive on Ideas Alone)
Those that are worthy of your attention do not scream out loud and proclaim to the world how amazing they are. They draw you in gently with a knowing, evident in every step they take. They bow in humility as others see their own greatness in their eyes.
Lenita Vangellis
Even before i had children, I knew that being a parent was going to be challenging as well as rewarding. But I didn't really know. I didn't know how exhausted it was possible to become, or how clueless it was possible to feel, or how, each time I reached the end of my rope, I would somehow have to find more rope. I didn't understand that sometimes when your kids scream so loudly that the neighbors are ready to call the Department of Child Services, it's because you've served the wrong shape of pasta for dinner. I didn't realize that those deep-breathing exercises mothers are taught in natural-childbirth class dont really start to pay off until long after the child is out. I couldn't have predicted how relieved I'd be to learn that other peoples children struggle with the same issues, and act in some of the same ways, mine do. (Even more liberating is the recognition that other parents, too, have dark moments when they catch themselves not liking their own child, or wondering whether it's all worth it, or entertaining various other unspeakable thoughts). The bottom line is that raising kids is not for whimps.
Alfie Kohn (Unconditional Parenting: Moving from Rewards and Punishments to Love and Reason)
The feedback from the speakers changes and begins blasting death metal music so loudly into the sky that I swear the bridge suspensions are vibrating. The twins were in charge of the music selection. I catch sight of them on the side of the bridge, each with an arm raised, holding up their forefingers and pinkies in a devil sign, head-banging to the beat. They’re mouthing the words to the garbled voice screaming over the intense electric guitar and drums blasting out of the speakers. They might look pretty badass if it weren’t for their hobo clown outfits. It’s the loudest party the Bay Area has ever heard.
Susan Ee (End of Days (Penryn & the End of Days, #3))
You’re so calm,” I said out loud. “It’s like you don’t need it.” Need me, I didn’t say. But I could tell by the way his delinquent smile softened that he knew what I meant. Noah moved forward, toward me, next to me then, the slender muscles in his arms flexing with the movement. “I’m not sure you can appreciate how much I want to lay you out before me and make you scream my name.
Michelle Hodkin (The Evolution of Mara Dyer (Mara Dyer, #2))
Jack with the hair hanging, Jack demanding money, Jack of the big gut, Jack of the loud, loud voice, Jack of the trade, Jack who prances before the ladies, Jack who thinks he´s a genius, Jack who pukes, Jack who bad mouths the lucky, Jack getting older and older, Jack still demanding money, Jack sliding down the beanstalk, Jack who talks about it but doesn't do it, Jack who gets away with murder, Jack who jacks, Jack who talks of the old days, Jack who talks and talks, Jack with the hand out, Jack who terrorizes the weak, Jack the embittered, Jack of the coffee shops, Jack screaming for recognition, Jack who never has a job, Jack who totally overrates his potential, Jack who keeps screaming about his unrecognized talent, Jack who blames everybody else.
Charles Bukowski
So, is this par for the course right now?’ I ask, when I’ve found my breath again. ‘The complaining?’ Rose asks, and blows out her cheeks. ‘Honestly, it’s relentless. Last weekend, he screamed for half the morning because there was a bump in his socks. Yesterday, he had an hour-long tantrum because the sausage kept falling out of his sandwich.’ ‘It can’t always be like this.’ ‘You’d think so, wouldn’t you? Truly, I can understand those mothers who get arrested for throwing their kids against a wall.’ I give her a look. ‘I’m not saying I’d do it, but I can understand the impulse. You just want to stop all the noise.’ ‘I wouldn’t share that thought with anyone else if I were you.’ Rose laughs. ‘I know, I’m sorry. I’m just thinking out loud.
Andy Marr (A Matter of Life and Death)
You are in difficulty,” she observed. “He will not come,” Kraznys said. “There is a reason. A dragon is no slave.” And Dany swept the lash down as hard as she could across the slaver’s face. Kraznys screamed and staggered back, the blood running red down his cheeks into his perfumed beard. The harpy’s fingers had torn his features half to pieces with one slash, but she did not pause to contemplate the ruin. “Drogon,” she sang out loudly, sweetly, all her fear forgotten. “Dracarys.” The black dragon spread his wings and roared.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
People. And the brutal things we do to one another. The fence shakes against my cheek and I turn, careful to keep my gaze lifted. I don't have it in me to look at her again. Bishop is grasping the chain-link with both hands, knuckles white, his eyes closed. His whole body is wound tight as a spring, like if I reached for him he would simply break apart at the joints, splinter into a hundred pi8eces. I don't try to touch him. He lets out a yell and then another and another, loud and wild and out of control. He shakes the fence hard with both hands. His anger and frustration are more potent somehow because they are unexpected. When his scream fades into silence, he rests his forehead against the metal. "Sometimes," he says, voice raw, "I hate this place." He twists his neck and looks at me, hands still hooked in the fence above his head. "I know," I say, barely a whisper. "Me, too.
Amy Engel (The Book of Ivy (The Book of Ivy, #1))
And when a joke is powerful enough, you don't laugh, you scream. Yes, when the mask slips you scream out loud for all the terror in the world, and I screamed then.
Matt Haig (Echo Boy)
On Rachel's show for November 7, 2012: We're not going to have a supreme court that will overturn Roe versus Wade. There will be no more Antonio Scalias and Samuel Aleatos added to this court. We're not going to repeal health reform. Nobody is going to kill medicare and make old people in this generation or any other generation fight it out on the open market to try to get health insurance. We are not going to do that. We are not going to give a 20% tax cut to millionaires and billionaires and expect programs like food stamps and kid's insurance to cover the cost of that tax cut. We'll not make you clear it with your boss if you want to get birth control under the insurance plan that you're on. We are not going to redefine rape. We are not going to amend the United States constitution to stop gay people from getting married. We are not going to double Guantanamo. We are not eliminating the Department of Energy or the Department of Education or Housing at the federal level. We are not going to spend $2 trillion on the military that the military does not want. We are not scaling back on student loans because the country's new plan is that you should borrow money from your parents. We are not vetoing the Dream Act. We are not self-deporting. We are not letting Detroit go bankrupt. We are not starting a trade war with China on Inauguration Day in January. We are not going to have, as a president, a man who once led a mob of friends to run down a scared, gay kid, to hold him down and forcibly cut his hair off with a pair of scissors while that kid cried and screamed for help and there was no apology, not ever. We are not going to have a Secretary of State John Bolton. We are not bringing Dick Cheney back. We are not going to have a foreign policy shop stocked with architects of the Iraq War. We are not going to do it. We had the chance to do that if we wanted to do that, as a country. and we said no, last night, loudly.
Rachel Maddow
That's why I do the birthday cake thing a little differently with my kids. At candle time, I scream, "Make a wish! Say it out loud! Yell it at the top of your lungs!" And then we all cheer for each other's biggest dreams and do what we can to make sure they come true for one another.
Kristina Kuzmic (Hold On, But Don't Hold Still)
Well. Well? What are you going to do? What are you going to say? What are you going to say when you’re drowning in your own dung and they keep booting you back into it, when all the screams in hell wouldn’t be as loud as you want to scream, when you’re at the bottom of the pit and the whole world’s at the top, when it has but one face, a face without eyes or ears, and yet it watches and listens…. What are you going to do and say? Why, pardner, that’s simple. It’s easy as nailing your balls to a stump and falling off backwards. Snow again, pardner, and drift me hard, because that’s an easy one. You’re gonna say, they can’t keep a good man down. You’re gonna say, a winner never quits and a quitter never wins. You’re gonna smile, boy, you’re gonna show ’em the ol’ fightin’ smile. And then you’re gonna get out there an’ hit ’em hard and fast and low, an’—an’ Fight!
Jim Thompson (The Killer Inside Me)
mad maddie: I GOT ACCEPTED TO SANTA CRUZ!!!! SnowAngel: omg!!! zoegirl: maddie!!!! yay!!!!! mad maddie: i know! it's incredible! SnowAngel: *squeals and hugs sweet maddie* SnowAngel: tell us every single detail!!! mad maddie: well, i got home from school and saw this big thick envelope on the kitchen counter, with "Santa Cruz Admissions Office" as the return address. i got really fidgety and just started screaming, right there in the house. no one was there but me, so i could be as loud as i wanted. zoegirl: omg!!! mad maddie: i took a deep breath and tried to calm down, but my hands were shaking. i opened the envelope and pulled out a folder that said, "Welcome to Santa Cruz!" inside was a letter that said, "Dear Madigan. You're in!" mad maddie: isn't that cool? i LOVE that, that instead of being all prissy and formal, they're like, "you're in! yahootie!" SnowAngel: oh maddie, i am sooooo happy for u! mad maddie: i ran out to my car all jumping and hopping around and drove to ian's, cuz i knew neither of u would be home yet. i showed him my letter and he hugged me really hard and lifted me into the air. it was AWESOME. zoegirl: i'm so proud of u, maddie! SnowAngel: me 2!
Lauren Myracle (l8r, g8r (Internet Girls, #3))
I went back in and grabbed my running clothes, then changed in the bathroom. I opened the door to the bathroom, stopping when I saw Kaidan's toiletry bag on the sink. I was overcome with curiosity about his cologne or aftershave, because I'd never smelled it on anyone else before. Feeling sneaky, I prodded one finger into the bag and peeked. No cologne bottle. Only a razor, shaving cream, toothbrush, toothpaste, and deodorant. I picked up the deodorant, pulled off the lid, and smelled it. Nope, that wasn't it. The sound of Kaidan's deep chuckle close to the doorway made me scream and drop the deodorant into the sink with a clatter. I smacked one hand to my chest and grabbed the edge of the sink with the other. He laughed out loud now. “Okay, that must have looked really bad.” I spoke to his reflection in the mirror, then fumbled to pick up the deodorant. I put the lid on and dropped it in his bag. “But I was just trying to figure out what cologne you wear.” My face was on fire as Kaidan stepped into the small bathroom and leaned against the counter, crossing his arms over his chest. I stepped away. He seemed entertained by my predicament. “I haven't been wearing any cologne.” “Oh.” I cleared my throat. “Well, I didn't see any, so I thought it might be your deodorant, but that's not it either. Maybe it's your laundry detergent or something. Let's just forget about it.” “What is it you smell, exactly?” His voice took on a husky quality, and it felt like he was taking up a lot of room. I couldn't bring myself to look at him. Something strange was going on here. I stepped back, hitting the tub with my heel as I tried to put the scent into words. “I don't know. It's like citrus and the forest or something...leaves and tree sap. I can't explain it.” His eyes bored into mine while he wore that trademark sexy smirk, arms still crossed. “Citrus?” he asked. “Like lemons?” “Oranges mostly. And a little lime, too.” He nodded and flicked his head to the side to get hair out of his eyes. Then his smile disappeared and his badge throbbed. “What you smell are my pheromones, Anna.” A small, nervous laugh burst from my throat. “Oh, okay, then. Well...” I eyed the small space that was available to pass through the door. I made an awkward move toward it, but he shifted his body and I stepped back again. “People can't usually smell pheromones,” he told me. “You must be using your extra senses without realizing it. I've heard of Neph losing control of their senses with certain emotions. Fear, surprise...lust.” I rubbed my hands up and down my upper arms, wanting nothing more than to veer this conversation out of the danger zone. “Yeah, I do have a hard time reining in the scent sometimes,” I babbled. “It even gets away from me while I sleep now and then. I wake up thinking Patti's making cinnamon rolls and it ends up being from someone else's apartment. Then I'm just stuck with cereal. Anyway...” “Would you like to know your own scent?” he asked me. My heart swelled up big in my chest and squeezed small again. This whole scent thing was way too sensual to be discussed in this small space. Any second now my traitorous body would be emitting some of those pheromones and there'd be red in my aura. “Uh, not really,” I said, keeping my eyes averted. “I think I should probably go.” He made no attempt to move out of the doorway. “You smell like pears with freesia undertones.” “Wow, okay.” I cleared my throat, still refusing eye contact. I had to get out of there. “I think I'll just...” I pointed to the door and began to shuffle past him, doing my best not to brush up against him. He finally took a step back and put his hands up by his sides to show that he wouldn't touch me. I broke out of the confined bathroom and took a deep breath.
Wendy Higgins (Sweet Evil (Sweet, #1))
I paid the taxi driver, got out with my suitcase, surveyed my surroundings, and just as I was turning to ask the driver something or get back into the taxi and return forthwith to Chillán and then to Santiago, it sped off without warning, as if the somewhat ominous solitude of the place had unleashed atavistic fears in the driver's mind. For a moment I too was afraid. I must have been a sorry sight standing there helplessly with my suitcase from the seminary, holding a copy of Farewell's Anthology in one hand. Some birds flew out from behind a clump of trees. They seemed to be screaming the name of that forsaken village, Querquén, but they also seemed to be enquiring who: quién, quién, quién. I said a hasty prayer and headed for a wooden bench, there to recover a composure more in keeping with what I was, or what at the time I considered myself to be. Our Lady, do not abandon your servant, I murmured, while the black birds, about twenty-five centimetres in length, cried quién, quién, quién. Our Lady of Lourdes, do not abandon your poor priest, I murmured, while other birds, about ten centimetres long, brown in colour, or brownish, rather, with white breasts, called out, but not as loudly, quién, quién, quién, Our Lady of Suffering, Our Lady of Insight, Our Lady of Poetry, do not leave your devoted subject at the mercy of the elements, I murmured, while several tiny birds, magenta, black, fuchsia, yellow and blue in colour, wailed quién, quién, quién, at which point a cold wind sprang up suddenly, chilling me to the bone.
Roberto Bolaño (By Night in Chile)
John!?” I ask in shock. This woman recognizes me? It can’t be! “How do you know my name?” I wonder out loud. Suddenly she looks nervous. “Well … you don’t recognize me?” I stare at her quizzically and she smiles sweetly and then says the one word that explains it all. “Eggs!” she cries in the most identifiable voice in the world. “EDITH!?” I scream so loud, she jumps. “Yes, honey, it’s me…,” she shyly admits. “You’re alive!?
John Waters (Carsick: John Waters Hitchhikes Across America)
A scream so loud it shattered and splintered into a dreadful chorus that rattled and shook my brain and bones and cells and soul. I grabbed the telegram from Mama’s hand, threw it on the fire, ran out of the room into the hallway, and then outside into the square, and I continued running, zigzagging down streets, through mews, and on and on, as though I could escape from that moment; escape my brother’s death and run back through time.
Judith Kinghorn (The Last Summer)
Call me crazy, but I kind of like actually -- you know -- being attracted to the girl I'm making scream my name out loud." "Do you, Reeve? Do you make them scream your name out loud?" Reeve raised an eyebrow playfully. "Every. Single. Time.
Lauren Blakely (Pretending He's Mine (Caught Up in Love, #2))
Take a trip in my mind see all that I've seen, and you'd be called a beast, not a human being... Fuck it, cause there's not much I can do, there's no way out, my screams have no voice no matter how loud I shout... I could be called a low life, but life ain't as low as me. I'm in juvenile hall headed for the penitentiary. George Trevino, sixteen, "Who Am I?
Edward Humes (No Matter How Loud I Shout: A Year in the Life of Juvenile Court)
Yes, Gus, because a Ford Taurus screams class,” Casey said, sounding amused. “It does,” Gus insisted. “Did you know there are message boards on the Internet devoted to Ford Tauruses? I should know. I’m on one of them now. I have conversations with other Ford Taurus enthusiasts.” Which, in hindsight, was something he wished he’d never admitted out loud. Casey grinned. “Oh really. What’s your username on this message board?” Gus narrowed his eyes. “Something perfectly normal and not weird at all.” “Cool, man. What is it?” “TauruSaurus Rex,” Gus said. “And I really wish I’d thought of a different name now.” “Dude,” Casey said in awe. “How the hell do you come up with these things?
T.J. Klune (How to Be a Normal Person (How to Be, #1))
Tell me you don't feel it then, the fluttering in your chest; the hair on the nape of your neck rising as your nerve endings stir, your fingers tingling with the need to reach out and caress something." His eyes raked down her form. "Tell me your body doesn't ache at the mere thought of me between your thighs, on top of you, inside of you, giving you what my brother never could - real feeling, the kind of feeling that makes you scream so loud your throat feels like it's bleeding. Agonizing pleasure, the kind that torments your every thought, driving you to the brink of insanity only to pull you right back from the edge, over and over and over again. Unbearable pleasure, the kind that makes you beg for it to stop, but the moment it's over, you feel like nothing but an empty, useless shell - a shell that needs more.
J.M. Darhower (Extinguish (Extinguish, #1))
She cries quietly, her shoulders heaving up and down, not the kind of loud sobbing that the women Chika knows do, the kind that screams Hold me and comfort me because I cannot deal with this alone. The woman's crying is private, as though she is carrying out a necessary ritual that involves no one else.
Chimamanda Ngozi Adichie (The Thing Around Your Neck)
Before school, there had to be vaccination. That was the law. How it was dreaded! When the health authorities tried to explain to the poor and illiterate that vaccination was a giving of the harmless form of smallpox to work up immunity against the deadly form, the parents didn’t believe it. All they got out of the explanation was that germs would be put into a healthy child’s body. Some foreign-born parents refused to permit their children to be vaccinated. They were not allowed to enter school. Then the law got after them for keeping the children out of school. A free country? they asked. You should live so long. What’s free about it, they reasoned, when the law forces you to educate your children and then endangers their lives to get them into school? Weeping mothers brought bawling children to the health center for inoculation. They carried on as though bringing their innocents to the slaughter. The children screamed hysterically at the first sight of the needle and their mothers, waiting in the anteroom, threw their shawls over their heads and keened loudly as if wailing for the dead. Francie
Betty Smith (A Tree Grows in Brooklyn)
We hunt loads of wild turkeys in the spring,” Henry says sagely. “The trick is to get into the mind of the turkey.” “How the hell do I do that?” “So,” Henry instructs. “Do as I say. You have to get quite close to the turkey, like, physically.” Carefully, still cradling the phone close, Alex leans toward the wire bars. “Okay.” “Make eye contact with the turkey. Do you have it?” Alex follows Henry’s instructions in his ear, planting his feet and bending his knees so he’s at Cornbread’s eye level, a chill running down his spine when his own eyes lock on the beady, black little murder eyes. “Yeah.” “Right, now hold it,” Henry says. “Connect with the turkey, earn the turkey’s trust … befriend the turkey…” “Okay…” “Buy a summer home in Majorca with the turkey…” “Oh, I fucking hate you!” Alex shouts as Henry laughs at his own idiotic prank, and his indignant flailing startles a loud gobble out of Cornbread, which in turn startles a very unmanly scream out of Alex.
Casey McQuiston (Red, White & Royal Blue)
Professor McGonagall says that I'm the most Ravenclaw person she's ever seen or heard tell of in legend, so much so that Rowena herself would tell me to get out more, whatever that means, and that I'll undoubtedly end up in Ravenclaw House if the hat isn't screaming too loudly for the rest of us to make out any words, end quote.
Eliezer Yudkowsky (Harry Potter and the Methods of Rationality)
Satisfaction raced through his veins, even as his body screamed for its own pleasure. He loved that he could do this to her, make her scream and moan and cry out with desire. She was so strong, always so cool and composed, and yet right now she was simply and purely his, a slave to her own needs, captive to his expert touch. He kissed, he licked, he nibbled, he tugged. He tortured her until he thought she might explode. Her breath was loud and gasping, and her moans had grown more and more incoherent. And
Julia Quinn (When He Was Wicked (Bridgertons, #6))
I wake with tears in my eyes. I wake to Jeanine’s scream of frustration. “What is it?” She grabs Peter’s gun out of his hand and stalks across the room, pressing the barrel to my forehead. My body stiffens, goes cold. She won’t shoot me. I am a problem she can’t solve. She won’t shoot me. “What is it that clues you in? Tell me. Tell me or I will kill you.” I slowly push myself up from the chair, coming to my feet, pushing my skin harder into the cold barrel. “You think I’m going to tell you?” I say. “You think I believe that you would kill me without figuring out the answer to this question?” “You stupid girl,” she says. “You think this is about you, and your abnormal brain? This is not about you. It is not about me. It is about keeping this city safe from the people who intend to plunge it into hell!” I summon the last of my strength and launch myself at her, clawing at whatever skin my fingernails find, digging in as hard as I can. She screams at the top of her lungs, a sound that turns my blood into fire. I punch her hard in the face. A pair of arms wrap around me, pulling me off her, and a fist meets my side. I groan, and lunge toward her, held at bay by Peter. “Pain can’t make me tell you. Truth serum can’t make me tell you. Simulations can’t make me tell you. I’m immune to all three.” Her nose is bleeding, and I see lines of fingernail scrapes in her cheeks, on the side of her throat, turning red with blossoming blood. She glares at me, pinching her nose closed, her hair disheveled, her free hand trembling. “You have failed. You can’t control me!” I scream, so loud it hurts my throat. I stop struggling and sag against Peter’s chest. “You will never be able to control me.” I laugh, mirthless, a mad laugh. I savor the scowl on her face, the hate in her eyes. She was like a machine; she was cold and emotionless, bound by logic alone. And I broke her. I broke her.
Veronica Roth
Am I better off living through death, Or dying an invisible ghost? Am I better off speaking in silence, Or screaming so loud no one will hear? I fake a smile, But it's killed by you, I fake a soul, But that dies, too. So I fake my life, What else can I do? Take me in, spit me out, And I scream and scream and shout, But you can't hear my pain, My blood's nothing but a worthless stain. I fake a smile, But it's killed by you. I fake a soul, But that dies, too. So I fake my life, What else can I do? And if one day I wake up gone, Maybe people will see through, But until then the lies will rule. And sometimes I think I'm better off dead, But then I realize I already am.
Olivia Rivers (Tone Deaf)
Barrett said that when we’re dehydrated, we don’t necessarily feel thirsty—we feel exhausted. When we have something odd happening in our stomach, our body doesn’t quite know if we have a menstrual cramp or a stomachache or if we need to poop. We might not even be aware for a long period of time that our stomach hurts. And this isn’t unique to people with PTSD. It’s normal, everyday bodily dissociation that we all suffer from. If we find ourselves in a shitty mood, we might not necessarily be mad about a certain trigger. We could just be running at a metabolic deficit. Our body might be screaming “I NEED FUNYUNS” while we project our hangriness onto, say, this poor sweaty schmuck who’s breathing too loud in the elevator. But Barrett said that PTSD does make these inclinations worse. It affects a variety of systems in the body, throwing them all out of whack. Our hearts might beat faster. Our lungs might pump harder. Our body budget can get tipped off-balance more easily. And when it does, our reactions to these deficits can feel outsized. “Make sure that you get enough sleep, make sure you exercise, make sure that you eat in a healthful way,” she told me when I asked her what I could do to be a better person. When I countered that that didn’t seem like enough, she kindly offered, “You know, all you can do is take as much responsibility as you can. And sometimes it’s the attempt that matters, you know, more than the success.” Then she chuckled at herself. “That’s a very Jewish mother response!” So, first step of hacking my brain: sustaining it with enough oxygen and nutrients
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)
There is no shame in what you are feeling, Harry,' said Dumbledore's voice. 'On the contrary ... the fact that you can feel pain like this is your greatest strength.' Harry felt the white-hot anger lick his insides, blazing in the terrible emptiness, filling him with the desire to hurt Dumbledore for his calmness and his empty words. 'My greatest strength, is it?' said Harry, his voice shaking as he stared out at the Quidditch stadium, no longer seeing it. 'You haven't got a clue ... you don't know ...' 'What don't I know?' asked Dumbledore calmly. It was too much. Harry turned around, shaking with rage. 'I don't want to talk about how I feel, all right?' 'Harry, suffering like this proves you are still a man! This pain is part of being human--' 'THEN--I--DON'T --WANT--TO--BE--HUMAN!' Harry roared, and he seized the delicate silver instrument from the spindle-legged table beside him and flung it across the room; it shattered into a hundred tiny pieces against the wall. Several of the pictures let out yells of anger and fright, and the portrait of Armando Dippet said, 'Really!' 'I DON'T CARE!' Harry yelled at them, snatching up a lunascope and throwing it into the fireplace. 'I'VE HAD ENOUGH, I'VE SEEN ENOUGH, I WANT OUT, I WANT IT TO END, I DON'T CARE ANY MORE--' He seized the table on which the silver instrument had stood and threw that, too. It broke apart on the floor and the legs rolled in different directions. 'You do care,' said Dumbledore. He had not flinched or made a single move to stop Harry demolishing his office. His expression was calm, almost detached. 'You care so much you feel as though you will bleed to death with the pain of it.' 'I--DON'T!' Harry screamed, so loudly that he felt his throat might tear, and for a second he wanted to rush at Dumbledore and break him, too; shatter that calm old face, shake him, hurt him, make him feel some tiny part of the horror inside himself. 'Oh, yes, you do,' said Dumbledore, still more calmly. 'You have now lost your mother, your father, and the closest thing to a parent you have ever known. Of course you care.' 'YOU DON'T KNOW HOW I FEEL!' Harry roared. 'YOU--STANDING THERE--YOU--' But words were no longer enough, smashing things was no more help; he wanted to run, he wanted to keep running and never look back, he wanted to be somewhere he could not see the clear blue eyes staring at him, that hatefully calm old face.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
spinning too long in a circle. It’s not exactly happiness, but I’ll take it. “Priceless! Legendary!” Courtney’s thumping the back of my seat, and Bethany’s just shaking her head and reaching forward to touch me, eyes wide, amazed, like I’m a saint and she’s trying to cure herself of a disease. Tara’s screaming with laughter. She can barely watch the road, her eyes are tearing up so badly. She chokes out, “Did you see their faces? Did you see?” and I realize I didn’t see. I couldn’t see anything, couldn’t feel anything but the roaring around me, heavy and loud, and it occurs to me that I’m not sure whether this is what it’s like to be really, truly alive or this is what it’s like to be dead, and it strikes me as hilarious. Courtney thumps me one more time, and I see her face rising behind me in the rearview mirror, red as a sun, and I start laughing too, and the four of us laugh all the way back to Ridgeview—over eighteen miles—while the world streaks past us in a smear of blacks and grays, like a bad painting of itself.
Lauren Oliver (Before I Fall)
Fear tugs at me and I'm falling. I grab at the mattress, dig in with my fingers, flop onto my stomach, hold tight. Press my face into the pillow so hard it hurts. The quilt twists like it wants to smother me. I can't scream out loud, but there has to be some release. I kick my feet against the mattress in a muffled frenzy, legs flying fast and hard enough to carry me miles away. And when it's done, nothing's changed. I'm still stuck right here.
Rachel M. Wilson
See!” Dad yelled. “Boys don’t stay with whores, Bianca. They leave them. And I’m not going to let you turn into a whore. Not my daughter. This is for your own good.” I looked up as he reached a hand down to grab my arm. I squeezed my eyes shut, waiting to feel his fingers clamp around my forearm. But they never did. I heard a loud thud, and Dad grunted in pain. My eyes flew open. Wesley moved away from Dad, who was massaging his jaw with a shocked look on his face. “Why you little shithead!” “Are you all right?” Wesley asked, kneeling in front of me. “Did you just punch my dad?” I couldn’t help but wonder if I was delirious. Had all of this really just happened? Totally bizarre. “Yes,” Wesley admitted. “How dare you touch me!” Dad screamed, but he was having trouble balancing enough to approach us again. “How dare you fuck my daughter, then hit me, you son of a bitch!” I’d never heard my father swear like that before. “Come on,” Wesley said, helping me to my feet. “Let’s get out of here. You’re coming with me.” He wrapped an arm around me, pulling me close against his warm body, and ushered me out the open door.
Kody Keplinger (The DUFF: Designated Ugly Fat Friend (Hamilton High, #1))
It's her! Selene! Your Majesty!" Cinder took a step back and felt her serenity slough away, leaving behind the same tension she'd lived with for two long years. That feeling of being in the spotlight, of having responsibilities, of needing to meet expectations... "Why did you abdicate the throne?" someone yelled. And another: "How does it feel to be back on Earth?" And "Will you attend the Commonwealth ball again this year?" And "Is the upcoming Lunar-Earthen wedding a political statement? Do you want to say anything about the union? A loud gunshot blared across the gravel driveway. The journalists screamed and dispersed, some cowering behind the Rampion's landing gear, others rushing back to the safety of their own hovers. "I'll give you a statement," said Scarlet, reloading the shotgun in her arms as she marched toward them. She sent a piercing glare at the journalists who dared to peek out at her. "And the statement is, Leave my guests alone, you pitiful, news-starved vultures." With a frustrated huff, she looked up at Cinder, who had been joined by the others at the top of the ramp. Scarlet looked much the same as Cinder remembered her, only more frenzied. Her eyes had an annoyed, bewildered look to them as she gestured haplessly at the farmland behind her. "Welcome to France. Let's get you inside before they send out the android journalists -they're not as easy to scare off.
Marissa Meyer (Stars Above (The Lunar Chronicles, #4.5))
Mo Ran’s throat felt tight, and a sob escaped as he collapsed to the floor, kneeling before that soul that couldn’t see him. The soul-calling lantern sat on the ground by his feet as he let out a broken wail, screaming himself hoarse as if he might cry blood. Finally, unable to contain it any longer, he bawled, loud and miserable. He knelt before Chu Wanning. It wasn’t like that at all… He groveled in the dust, clutching at the hems of Chu Wanning’s bloodstained robes.
Rou Bao Bu Chi Rou (The Husky and His White Cat Shizun: Erha He Ta De Bai Mao Shizun (Novel) Vol. 3)
A chill penetrating wail of outrage screamed up from the depts of the Abyss. So loud and horrifying was it that all the citizens of Palanthas woke shruddering from even the deepest sleep and lay in their beds, paralyzed by fear, waiting for the end of the world. The guards on the the city walls could move neither hand nor foot. Shutting their eyes, they cowered in shadows, awaiting death. Babies wimpered in fear, dogs cringed and slunk beneath beds, cat's eyes gleamed. The shriek sounded again, and a pale hand reached out from the Tower gates. A ghastly face, twisted in fury, floated in the dank air. Raistlin did not move. The hand drew near, the face promised him tortures of the Abyss, where he would be dragged for his great folly in daring the curse of the Tower. The skeletal hand touched Raistlin's heart. Then, trembling, it halted. 'Know this,' said Raistlin calmly, looking up at the Tower, pitching his voice so that it could be heard by those within. 'I am the master of the past and the present! My coming was foretold. For me, the gates will open.' The skeletal hand shrank back and, with a slow sweeping motion of invitation, parted the darkness. The gates swung open upon silent hinges. Raistlin passed through them without a glance at the hand or the pale visage that was lowered in reverence. As he entered, all the black and shapeless, dark and shadowy things dwelling within the Tower bowed in homage. Then Raistlin stopped and looked around him. 'I am home,' he said.
Margaret Weis (Dragons of Spring Dawning (Dragonlance: Chronicles, #3))
Nash yanked the phone out of my hand. “You want to know where she is, rich boy? She’s at my bar. Spread out naked on my desk. I stripped every piece of clothing from her body, and then I worshipped every inch of her. I erased every trace of you with my tongue. I went down on her, licking her sweet, wet, juicy pussy until she screamed my name loud enough for the entire bar to hear. My name, fuck boy. Not yours. Has she ever even uttered a sound when you fucked her with your tiny dick? You could never even get her wet, could you? And yet you call her frigid because you don’t know how to please her. You’re an embarrassment, Caleb. You’re a little boy, with a small dick, trying to play with the men. She doesn’t need you. She doesn’t fucking need anyone.
Elle Thorpe (Start a War (Saint View Psychos, #1))
And so we weep for the fallen. We weep for those yet to fall, and in war the screams are loud and harsh and in peace the wail is so drawn-out we tell ourselves we hear nothing. And so this music is a lament, and I am doomed to hear its bittersweet notes for a lifetime. Show me a god that does not demand mortal suffering. Show me a god that celebrates diversity, a celebration that embraces even non-believers and is not threatened by them. Show me a god who understands the meaning of peace. In life, not in death. Show— 'Stop,' Gesler said in a grating voice. Blinking, Fiddler lowered the instrument. 'What?' 'You cannot end with such anger, Fid. Please.' Anger? I am sorry. He would have spoken that aloud, but suddenly he could not. His gaze lowered, and he found himself studying the littered floor at his feet. Someone, in passing – perhaps Fiddler himself – had inadvertently stepped on a cockroach. Half-crushed, smeared into the warped wood, its legs kicked feebly. He stared at it in fascination. Dear creature, do you now curse an indifferent god? 'You're right,' he said. 'I can't end it there.' He raised the fiddle again. 'Here's a different song for you, one of the few I've actually learned. From Kartool. It's called "The Paralt's Dance".' He rested the bow on the strings, then began. Wild, frantic, amusing. Its final notes recounted the triumphant female eating her lover. And even without words, the details of that closing flourish could not be mistaken. The four men laughed. Then fell silent once more.
Steven Erikson (The Bonehunters (Malazan Book of the Fallen, #6))
He sighs and wiggles around in his chair to get comfortable-it's going to be a long night. Watching humans play pretend for two hours doesn't exactly flip his fin. But he can tell Emma's getting restless. And so is he. Just as he nods off, a loud noise pops from the screen. Emma latches onto his arm as if he's dangling her over a cliff. She presses her face into his biceps and moans. "Is it over yet?" she whispers. "The movie?" "No. The thing that jumped out at her. Is it gone?" Galen chuckles and pries his arm from her grasp, then wraps it around her. "No. You should definitely stay there until I tell you it's clear." She whips her head up, but there's an almost-smile in her eyes. "I might take you up on that, pretend date or no. I hate scary movies." "Why didn't you tell me that? Everyone at school was practically salivating over this movie." The lady next to her leans over. "Shhh!" she whisper-yells. Emma nestles into the crook of his arm and buries her face in his chest, where she returns frequently as the movie goes on. Galen admits to himself that humans can make everything look pretty real. Still, he can't understand how Emma can be afraid when she knows they're only actors on the screen getting paid to scream like boiling lobsters. But who is he to complain? Their convincing performance keeps Emma in his arms for almost two solid hours. When the movie is over, he pulls the car to the curb and opens the door for her just as Rachel instructed. Emma accepts his hand as he helps her in. "What should we call our new little game?" he says on the way home. "Game?" "You know, 'Have some Lemonheads, sweet lips!'" "Oh, right." She laughs. "How about...Upchuck?" "Sounds appropriate. You realize it's your turn, right? I was thinking of making you eat a live crab." She leans over him. He almost swerves off the road when her lips brush his ear. "Where will you get a live crab? All I have to do is poke my head in the water and tell them to scatter." He grins. She's been getting more comfortable with her Gift. Yesterday, she sent some dolphins chasing after him.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Now put your hands on the countertop, and bend over. I’m going to shove you so full of cock you won’t even remember how to spell your name for a week,” he said in his deep voice. “Oh my. Ok,” I said as I did what he asked. As I grabbed the edges of the countertop, I felt his foot kicking the insides of my shoes, spreading my legs farther apart. “You long legged, sexy little bitch. I have to get your pussy down here where I can get to it,” he said, as he slapped the right side of my butt, hard. The slap startled me, and the sting felt like fire. As soon as he stopped kicking my shoes and spreading my legs apart, I felt the head of his cock slide past my lips. His hands grabbed my waist, and he slid all the way inside of me. As soon as I felt his balls against my clit, I began to contract and felt as if I was going to cum. His cock slid out, and then back in again. He found a rhythm and began to fuck me slowly, his hips slapping lightly against my butt as he slid all the way into my wet pussy. As his hips slapped my ass, I could feel his balls against my clit. I couldn’t take it anymore. If he kept up this pace, I would explode. “Fuck me Erik, fuck me. Fuck me harder. Fuck me,” I said loudly. “Fuck me, Erik. Oh God. Fuck me.” “Fuck me.” “Harder.” I begged. “Who owns you, baby girl? Who fucking owns you?” he almost screamed. “Oh God, you do. You own me. You.” “Don’t forget it, do you hear me?” he said in a loud, stern tone. “Yes, I am yours. You own me,” I responded...I loved this. In and out he forced himself, each time it felt as I was being stretched open for the first time. Not a tremendous pain, but each stroke felt like it was the first, the entry stroke. It was a new feeling to me, and it was more than I could take. I was going to explode. “Please…Faster. Fuck me. Give me that cock. Give me that big fat….Oh my God. Give it to me.
Scott Hildreth (Baby Girl (Erik Ead Trilogy, #1))
When Peter comes to pick me up, I run outside and open the passenger-side door and scream when I see him. His hair is blond! “Oh my God!” I shriek, touching his hair. “Did you bleach it?” He grins a self-satisfied kind of grin. “It’s spray. My mom found it for me. I can use it again when we do Romeo and Juliet for Halloween.” He’s eyeing me in my getup. “I like those shoes. You look sexy.” I can feel my cheeks warm up. “Be quiet.” As he backs out of my driveway, he glances at me again and says, “It’s the truth, though.” I give him a shove. “All I’m saying is, people better know who I am.” “I’ve got you covered,” he assures me. And he does. When we walk down the senior hallway, Peter cues up the Pixies’ “Where Is My Mind?” on his phone, loud, and people actually clap for us. Not one person asks if I’m a manga character.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Everyone always talks about the magic of books being able to take you to other places, to let you see exotic worlds, to make you experience new and interesting things. Well, do you think words alone can do this? Of course not! If you’ve ever thought that books are boring, it’s because you don’t know how to read them correctly. From now on, when you read a book, I want you to scream the words of the novel out loud while reading them, then do exactly what the characters are doing in the story. Trust me, it will make books way more exciting. Even dictionaries. Particularly dictionaries.
Brandon Sanderson (The Shattered Lens (Alcatraz, #4))
Her daddy had brought her a package of Twinkies, and she was so proud that as soon as she got on the bus she forgot everything she knew and yelled to another first grader, “Guess what I got in my lunch today, Billy Jean?” “What?” “Twinkies!” she shouted so loud you could have heard her in the back seat even if you were deaf in both ears. Out of the corner of his eye, Jess thought he saw Janice Avery perk up. When they sat down, May Belle was still screeching about her dadgum Twinkies over the roar of the motor. “My daddy brung ’um to me from Washington!” Jess threw another look at the back seat. “You better shut up about those dang Twinkies,” he said in her ear. “You just jealous ’cause Daddy didn’t bring you none.” “OK.” He shrugged across her head at Leslie to say I warned her, didn’t I? and Leslie nodded back. Neither of them was too surprised to see May Belle come screaming toward them at recess time. “She stole my Twinkies!” Jess sighed. “May Belle, didn’t I tell you?” “You gotta kill Janice Avery. Kill her! Kill her! Kill her!” “Shhh,” Leslie said, stroking May Belle’s head, but May Belle didn’t want comfort, she wanted revenge. “You gotta beat her up into a million pieces!
Katherine Paterson (Bridge to Terabithia)
SELF-HELP FOR FELLOW REFUGEES If your name suggests a country where bells might have been used for entertainment, or to announce the entrances and exits of the seasons and the birthdays of gods and demons, it's probably best to dress in plain clothes when you arrive in the United States. And try not to talk too loud. If you happen to have watched armed men beat and drag your father out the front door of your house and into the back of an idling truck, before your mother jerked you from the threshold and buried your face in her skirt folds, try not to judge your mother too harshly. Don't ask her what she thought she was doing, turning a child's eyes away from history and toward that place all human aching starts. And if you meet someone in your adopted country and think you see in the other's face an open sky, some promise of a new beginning, it probably means you're standing too far. Or if you think you read in the other, as in a book whose first and last pages are missing, the story of your own birthplace, a country twice erased, once by fire, once by forgetfulness, it probably means you're standing too close. In any case, try not to let another carry the burden of your own nostalgia or hope. And if you're one of those whose left side of the face doesn't match the right, it might be a clue looking the other way was a habit your predecessors found useful for survival. Don't lament not being beautiful. Get used to seeing while not seeing. Get busy remembering while forgetting. Dying to live while not wanting to go on. Very likely, your ancestors decorated their bells of every shape and size with elaborate calendars and diagrams of distant star systems, but with no maps for scattered descendants. And I bet you can't say what language your father spoke when he shouted to your mother from the back of the truck, "Let the boy see!" Maybe it wasn't the language you used at home. Maybe it was a forbidden language. Or maybe there was too much screaming and weeping and the noise of guns in the streets. It doesn't matter. What matters is this: The kingdom of heaven is good. But heaven on earth is better. Thinking is good. But living is better. Alone in your favorite chair with a book you enjoy is fine. But spooning is even better.
Li-Young Lee (Behind My Eyes: Poems)
Mary!” Mrs. Cattermole looked over her shoulder. The real Reg Cattermole, no longer vomiting but pale and wan, had just come running out of a lift. “R-Reg?” She looked from her husband to Ron, who swore loudly. The balding wizard gaped, his head turning ludicrously from one Reg Cattermole to the other. “Hey--what’s going on? What is this?” “Seal the exit! SEAL IT!” Yaxley had burst out of another lift and was running toward the group beside the fireplaces, into which all of the Muggle-borns but Mrs. Cattermole had now vanished. As the balding wizard lifted his wand, Harry raised an enormous fist and punched him, sending him flying through the air. “He’s been helping Muggle-borns escape, Yaxley!” Harry shouted. The balding wizard’s colleagues set up an uproar, under cover of which Ron grabbed Mrs. Cattermole, pulled her into the still-open fireplace, and disappeared. Confused, Yaxley looked from Harry to the punched wizard, while the real Reg Cattermole screamed. “My wife! Who was that with my wife? What’s going on?” Harry saw Yaxley’s head turn, saw an inkling of the truth dawn in that brutish face. “Come on!” Harry shouted at Hermione; he seized her hand and they jumped into the fireplace together as Yaxley’s curse sailed over Harry’s head. They spun for a few seconds before shooting up out of a toilet into a cubicle. Harry flung open the door; Ron was standing there beside the sinks, still wrestling with Mrs. Cattermole. “Reg, I don’t understand--” “Let go, I’m not your husband, you’ve got to go home!
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Dudley and I were in the alleyway between Magnolia Crescent and Wisteria Walk,” said Harry, speaking fast, fighting to control his temper. “Dudley thought he’d be smart with me, I pulled out my wand but didn’t use it. Then two dementors turned up —” “But what ARE dementoids?” asked Uncle Vernon furiously. “What do they DO?” “I told you — they suck all the happiness out of you,” said Harry, “and if they get the chance, they kiss you —” “Kiss you?” said Uncle Vernon, his eyes popping slightly. “Kiss you?” “It’s what they call it when they suck the soul out of your mouth.” Aunt Petunia uttered a soft scream. “His soul? They didn’t take — he’s still got his —” She seized Dudley by the shoulders and shook him, as though testing to see whether she could hear his soul rattling around inside him. “Of course they didn’t get his soul, you’d know if they had,” said Harry, exasperated. “Fought ’em off, did you, son?” said Uncle Vernon loudly, with the appearance of a man struggling to bring the conversation back onto a plane he understood. “Gave ’em the old one-two, did you?” “You can’t give a dementor the old one-two,” said Harry through clenched teeth.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
You stole my voice How could I let you? Silencing my own thoughts and dreams Because they were so loud they drowned you out You stole my time How could I give it so easily? Hours were toiled over what you were doing whether or not you really loved me Minutes were spent in your presence while it was only for seconds that I was actually happy You stole my pride I became a fool, your own personal jester For I would rather see you smile than taste the bitterness of my tears when I was without you You stole my love Why me? Why you? Why now? I didn’t know I was giving it Until it was already gone Even when my mind was screaming “You know better” I may have suffered but in the end have won For you had to take all these things And now are left with nothing While I have learned my lesson
Samantha King (Born to Love, Cursed to Feel)
Dear John Ambrose McClaren, I know the exact day it all started. Fall, eighth grade. We got caught in the rain when we had to put all the softball bats away after gym. We started to run back to the building, and I couldn’t run as fast as you, so you stopped and grabbed my bag too. It was even better than if you’d grabbed my hand. I still remember the way you looked--your T-shirt was stuck to your back, your hair wet like you just came out of the shower. When it started to pour, you whooped and hollered like a little kid. There was this moment--you looked back at me, and your grin was as wide as your face. You said, “Come on, LJ!” It was right then. That’s when I knew, all the way down to my soaking-wet Keds. I love you, John Ambrose McClaren. I really love you. I might have loved you for all of high school. I think you might have loved me back. If only you weren’t moving away, John! It’s so unfair when people move away. It’s like their parents just decide something and no one else gets a say in it. Not that I even deserve a say--I’m not your girlfriend or anything. But you at least deserve a say. I was really hoping that one day I would get to call you Johnny. Your mom came to get you after school once, and a bunch of us were hanging out on the front steps. And you didn’t see her car, so she honked and called out, “Johnny!” I loved the sound of that. Johnny. One day, I bet your girlfriend will call you Johnny. She’s really lucky. Maybe you already have a girlfriend right now. If you do, know this--once upon a time in Virginia, a girl loved you. I’m going to say it just this once, since you’ll never hear it anyway. Good-bye, Johnny. Love, Lara Jean I let out a scream, so loud and so piercing that Jamie barks in alarm. “Sorry,” I whisper, falling back against my pillows. I cannot believe that John Ambrose McClaren read that letter. I didn’t remember it to be so…naked. With so much…yearning. God, why do I have to be a person who yearns so much? How horrible. How perfectly horrible. I’ve never been naked in front of a boy before, but now I feel like I have.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Style” comes on and we all go crazy, screaming in each other’s faces and jumping up and down. Peter goes craziest of all. He keeps asking me if I’m having fun. He only asks out loud once, but with his eyes he asks me again and again. They are bright and hopeful, alight with expectation. With my eyes I tell him, Yes yes yes I am having fun. We’re starting to get the hang of slow dancing, too. Maybe we should take a ballroom-dancing class when I get to UVA so we can actually get good at it. I tell him this, and fondly he says, “You always want to take things to the next level. Next-level chocolate chip cookies.” “I gave up on those.” “Next-level Halloween costumes.” “I like for things to feel special.” At this, Peter smiles down at me and I say, “It’s just too bad we’ll never dance cheek to cheek.” “Maybe we could order you some dancing stilts.” “Oh, you mean high heels?” He snickers. “I don’t think there’s such a thing as ten-inch heels.” I ignore him. “And it’s too bad your noodle arms aren’t strong enough to pick me up.” Peter lets out a roar like an injured lion and swoops me up and swings me around, just like I knew he would. It’s a rare thing, to know someone so well, whether they’ll pivot left or right. Outside of my family, I think he might be the person I know best of all.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
It is very likely an anxiety dream, brought on by your move out of your childhood home and the comfort of the reach of your family’s love and protection.” Gideon reached to stroke her hair soothingly. “I am only surprised it has not happened sooner.” “Are you sure?” Her nervousness was clear, but she was truly relaxing already. “Yes. And so are you. You know everything there is to know about psychology, you tell me what you think.” “But you thought it was this . . . new level of ability.” “And for the first time in a millennium my diagnosis is wrong. I do despise it when such bothersome things occur. Now I shall have to start the ‘No Mistakes’ clock all over again.” Legna giggled at him, which was of course his intention. She swung her arms around his neck, hugging him warmly. “You smell so good,” he murmured against her ear a long minute later. “I smell like sex,” she argued. He nodded, making a loud noise of appreciation as he sniffed and nibbled her neck. “You smell like very good sex,” he amended with a voracious growl and an eager mouth moving over her bare skin with bold appetite. “Gideon!” She squealed as he went straight for her waist, knowing she was ticklish there. The playful flicker of his tongue and the scrape of his teeth drove her mad, and she twisted as she screamed for him to stop. When he tickled her she absolutely could not use her classic escape method. She could barely catch her breath, never mind her concentration.
Jacquelyn Frank (Gideon (Nightwalkers, #2))
There were groans---his---and moans---hers---and cool hands under his shirt, nails scraping against his skin, zings of electricity along his nerves, clothes tearing... "Not here." Her words. Because if he had his way, she'd already be naked and the limo driver would have been handsomely paid to take a coffee break somewhere far away. He had a vision of himself pushing her onto the seat, flipping up that pretty skirt, and hammering into her until they both shattered in ecstasy and she screamed his name. Had he spoken those words out loud? "Law...Indecent exposure..." Words he didn't understand except they meant more waiting when he ached to his hands on her, strip her naked, and make all his fantasies come true. Insatiable, he tore open her top and flicked the catch on her bra, freeing her breasts from their restraint. Beautiful. Round and firm. Nipples hardened to deliciously dark peaks. He drew one into his mouth, licked and sucked until she cried out. Her hand tightened in his hair until pain merged with pleasure, and he couldn't think beyond doing it again.
Sara Desai (The Singles Table (Marriage Game, #3))
I turn on my heel, which is no easy feat in a gravel parking lot. Not losing eye contact with Galen, I stare him down until I get to the door he's opened for me. He seems unconcerned. In fact, he seems downright emotionless. "This better be good," I tell him as I plop down. "You should have returned my calls. Or my texts," he says, his voice tight. As he backs out of the parking space, I yank my cell out of my purse, perusing the texts. "Well, doesn't look like anyone died, so why the hell did you ruin my date?" It's the first time I've ever cursed at royalty and it's liberating. "Or is this a kidnapping? Is Grom in the trunk? Are you taking us on our honeymoon?" You're supposed to be hurting him, not yourself, moron. My lip trembles like the traitor it is. Even though I'm looking away, I can tell Galen's impassive expression has softened because of the way he says, "Emma." "Leave me alone, Galen." He pulls my chin to face him. I knock his hand away. "You can't go forty miles an hour on the interstate, Galen. You need to speed up.” He sighs and presses the gas. By the time we reach a less-embarrassing speed, I’ve abandoned my hurt for rage-o-plenty, struck by the realization that I’ve turned into “that girl.” Not the one who exchanges her doctorate for some kids and a three-bedroom two-bath, but the other kind. That girl who exchanges her dignity and chances for happiness for some possessive loser who beats her when she makes eye contact with some random guy working the hot dog stand. Not that Galen beats me, but after his little show, what will people think? He acted like a lunatic tonight, stalking me to Atlantic City, blowing up my phone, and threatening my date with physical violence. He made serial-killer eyes, for crying out loud. That might be acceptable in the watery grave, but by dry-land standards, it’s the ingredients for a restraining order. And why are we getting off the interstate? “Where are you taking me? I told you I want to go home.” “We need to talk,” he says quietly, taking a dark road just off the exit. “I’ll take you home after I feel you understand.” “I don’t want to talk. You might have realized that when I didn’t answer your calls.” He pulls over on the shoulder of Where-Freaking-Are-We Street. Shutting off the engine, he turns to me, putting his arm around the back of my seat. “I don’t want to break up.” One Mississippi…two Mississippi…”You followed me like a crazy person to tell me that? You ruined my date for that? Mark is a nice guy. I deserve a nice guy, don’t I, Galen?” “Absolutely. But I happen to be a nice guy, too.” Three Mississippi…four Mississippi…”Don’t you mean Grom? And you’re not a nice guy. You threatened Mark with physical pain.” “You threw Rayna through a window. Call it even?” “When are you going to get over that? Besides, she provoked me!” “Mark provoked me, too. He put his hand on your leg. We won’t even talk about the kiss on your cheek. Don’t think I didn’t hear you give him permission either.” “Oh, now that’s rich,” I snort, getting out of the car. Slamming the door, I scream at him. “Now you’re acting jealous on behalf of your brother,” I say, spinning in place. “Can Grom do anything without the almighty Galen helping him?
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Jacob, is something wrong? Is Isabella okay?” “Probably. She is not well today. It could be a normal thing for a human female, but since she is usually as resistant to common ailments now as we are, she is nervous. I figured Gideon could ease her mind.” Noah missed the wince that crossed his friend’s face that would have given away the indignant argument flying through the Enforcer’s thoughts. Jacob’s female counterpart huffily took umbrage to his claims of exactly who it was that was nervous and who had insisted on seeking Gideon, because it certainly had not been her. “Tell her I hope she feels better,” Noah said, his fondness for Bella quite clear in his tone. “Bear with her, old friend. She’s breaking new ground. It can be pretty frightening to play Eve for an entire race.” “Do not worry. When it comes to my Bella, I would do anything to see to her happiness. That includes making others do anything to see to her happiness,” Jacob said. He meant the words, of course, but he was hoping they’d help sooth someone’s bristling pride. “I’m sure Gideon is going to love that,” Noah laughed. Jacob grinned, altering gravity so that he began to float up from the floor. “If you see Gideon before I do, will you tell him to come to Bella?” “Of course. Tell her I said to start behaving like a real Druid or I—” Noah was cut off by a sharp hand motion and a warning expression from the Enforcer. It came a little too late, however, if Jacob’s pained expression was anything to judge by. “There goes your invitation for our wedding,” Jacob muttered. “And I think I am close behind you.” “I would believe that if I were not the one who is supposed to perform it and if you were not the father of her otherwise illegitimate child,” Noah countered loudly, clearly talking to the person beyond his immediate perception. “Ow! Damn it, Noah!” Jacob grumbled, rubbing his temples as Bella’s scream of frustration echoed through him. “Do you remember I am the one who has to go home to her, would you?” “Sorry, my friend,” Noah chuckled, not looking at all repentant. “Now get out of here, Enforcer. Find Gideon and tend to your beautiful and charming mate. Be sure to mention to her that I said she looks ravishing and that her pregnancy has made her shine like a precious jewel.” “Noah, if you were not my King, I would kill you for this.” “Yes, well, as your King I would have you arrested for treason just for saying that. Luckily for you, Jacob, you are the man who would arrest you, and the woman who also has the power to do so is sure to punish you far better than I can when you get home.” “You are all heart, my liege,” Jacob said wryly. “Thank you. Now leave, before I begin to expound on the disrespect that this mouthy little female of yours seems to have engendered my formerly loyal subjects.
Jacquelyn Frank (Gideon (Nightwalkers, #2))
...Here, let me see. Stop rubbing it so I can -" He wicks his hand away from his eye just as I lean, and his elbow collides with the side of my face, hard enough that I'm knocked sideways. I try to grab the bedpost, but my hands are so slippery that Islide right off, and crash to the floor, my head connecting painfully with the corner of the drawer I left open. The bottle of oil falls off the edge and shatters into a soupy, amber pool. "What happened! Are you alright?" Percy's got one eye open but blinking frantically, hand extended blindly to me. "I'm fine!" I touch the back of my head, and it comes back damp and red. "No, wait, I'm bleeding." "You're bleeding!?" He yelps. "It's fine! " "It's clearly not if you're bleeding." I can feel a trickle down the back of my neck, and I clap a hand against it, like I can force the blood to stay inside me if I just press tightly enough. "It's fine!" My wrist is wet, and I look just as a drizzle of blood courses down my arm into the crook of my elbow. "God, this is really bleeding!" My vision swims, and when I reach to steady myself I put my hand straight into the oily puddle of lineament, and I crash backward onto the floor. Percy tries to come to my aid, but with one eye closed, he misjudges were he places his foot and steps on me. I screech and he slips and he slips, one leg tangled up in the sheets, and then suddenly the bedroom door bangs opens and there's Scipio. I scream and Percy screams and Scipio lets loud a horrified gurgle, and then Felicity appears behind him in the doorway, claps her hands over her eyes, tries to run with her hands still covered, and slips in one of the dripping puddles we left on the stairs. Her feet go out from under her, and she lands flat on her back at the top of the stairs, hands still valiantly clapped over her eyes, which rather ruins it all.
Mackenzi Lee (The Gentleman’s Guide to Getting Lucky (Montague Siblings, #1.5))
I think I have done you a disservice,” my father finally said, looking me in the eye. “I told you from such a young age that you could be the very best. But I never explained to you that it’s about aiming for excellence, not about stats.” “What?” “I am just saying that when you were a child, I spoke in…grandiosities. But, Carrie, there is no actual unequivocal greatest in the world. Tennis doesn’t work like that. The world doesn’t work like that.” “I’m not going to sit here and be insulted.” “How am I insulting you? I am telling you there is no one way to define the greatest of all time. You’re focusing right now on rankings. But what about the person who gets the most titles over the span of their career? Are they the greatest? How about the person with the fastest recorded serve? Or the highest paid? I’m asking you to take a minute and recalibrate your expectations.” “Excuse me?” I said, standing up. “Recalibrate my expectations?” “Carrie,” my father said. “Please listen to me.” “No,” I said, putting my hands up. “Don’t use your calm voice and act like you’re being nice. Because you’re not. Having someone on this planet who is as good as me—or better—means I have not achieved my goal. If you would like to coach someone who is fine being second, go coach someone else.” I threw my napkin down and walked out of the restaurant. I made my way through the lobby to the parking lot. I was still furious by the time my father caught up to me by my car. “Carolina, stop, you’re making a scene,” he said. “Do you have any idea how hard it is?” I shouted. It felt shocking to me, to hear my own voice that loud. “To give everything you have to something and still not be able to grasp it! To fail to reach the top day after day and be expected to do it with a smile on your face? Maybe I’m not allowed to make a scene on the court, but I will make a scene here, Dad. It is the very least you can give me. Just for once in my life, let me scream about something!” There were people gathering in the parking lot, and each one of them, I could tell, knew my name. Knew my father’s name. Knew exactly what they were witnessing. “WHAT ARE YOU ALL LOOKING AT? GO ON ABOUT YOUR SAD LITTLE DAYS!” I got in my convertible and drove away. —
Taylor Jenkins Reid (Carrie Soto Is Back)
Poet's Note: Kindly do not use my poem without giving me due credit. Do not use bits and pieces to suit your agenda of Kashmir whatever it may be. I, Srividya Srinivasan as the creator of this poem own the right to what I have chosen to feel about the issue and have represented all sides to a complex problem that involves people. I do not believe in war or violence of any kind and this is my compassionate side speaking from all angles to human beings thinking they own only their side to the story. THIS POEM IS THE ORIGINAL WORK OF SRIVIDYA SRINIVASAN and any misuse by you shall be considered as a violation of my copyrights and legally actionable. This poem is dedicated to all those who have suffered in Kashmir and through Kashmir and to not be sliced and interpreted to each one's convenience. ---------------------------- Weep softly O mother, the walls have ears you know... The streets are awash o mother! I cannot go searching for him anymore. The streets are awash o mother with blood and tears, pellets and screams. that silently remain locked in the air, while they seal our soulless dreams. The guns are out, O mother, while our boys go armed with stones, I cannot go looking for him O mother, I have no courage to face what I will find. For, I need to tend to this little one beside, with bound eyes that see no more. ----- Weep for the home we lost O mother, Weep for the valley we left behind, the hills that once bore our names, where shoulder to shoulder, we walked the vales, proud of our heritage. Hunted out of our very homes, flying like thieves in the night, abandoning it all, fearful for the lives of our men, fearful of our being raped, our children killed, Kafirs they called us O mother, they marked our homes to kill. We now haunt the streets of other cities, refugees in a country we call our own, belonging nowhere, feeling homeless without the land we once called home. ------------- Weep loudly O mother, for the nation hears our pain. As the fresh flag moulds his cold body, I know his sacrifice was not in vain. We need to put our chins up, O mother and face this moment with pride. For blood is blood, and pain is pain, and death is final, The false story we must tell ourselves is that we are always the right side, and forget the pain we inflict on the other side. Until it all stops, it must go on, the dry tears on either side, Every war and battle is within and without, and must claim its wounds and leave its scars, And, if we need to go on O mother, it matters we feel we are on the right side. We need to tell ourselves we are always the right sight... We need to repeat it a million times, We are always the right side... For god forbid, what if we were not? --- Request you to read the full poem on my website.
Srividya Srinivasan
swirl together and our breathing clashes, my hips are busy rubbing against his. My legs spread just about as wide as I can get, forcing my pussy to open like a flower and hug his dick tight. Pushing off his chest, I lift up, grab his dick, and slam myself home. I almost can’t hear the harsh bite of his breath over my scream. I feel the rings hitting a spot deep within me that will have me begging in no time. The one pressed tight against my clit has my vision going hazy. “Have . . . to . . . move,” he warns, and once again, I find myself rolled onto my back. He doesn’t even pause when he flips and pounds into me. His hips slap against mine, his balls make a loud, wet sound as they hit my skin, and his eyes flash something I wish to God I understood. “H-h-harder!” He slams deep and leans up on his knees causing his dick to slip out almost completely. His large hands grab my hips and bring my body half off the bed. With my head still on the bed, the rest of my body hovers under his control as he pulls back and gives me my wish. My legs are dead weight, my hands clench tightly in the sheets, and my eyes hold his. The look in his eyes combined with the hard hitting of his piercings, and the awe-inspiring thrusts is enough to have me screaming. Screaming, begging, and pleading. I have lost control of my body. It is locked tight and shattering into pieces. His hips pick up speed but then slightly slow down towards the end of my release. He brings my body back down to the mattress and rocks his hips, causing a few more aftershocks to roll through my body. “Do you like my cock? Do you like having me so deep in your body you won’t be able to walk tomorrow? The way your pussy is gripping my dick and your wetness is coating my balls, I would say you fucking love it.” I whimper and he smiles. This isn’t the attractive smile he gives the public, no . . . this smile is pure fucking sexy evil. “Going to fuck you raw.” He warns before making true to his words. When he finally grabs my hips and locks our pelvises together, I have come twice and lost track of reality.
Harper Sloan (Corps Security: The Series (Corp Security, #1-5))
I’ll wait for you at the cottage until noon tomorrow.” “I won’t be there.” “I’ll wait until noon,” he insisted. “You will be wasting your time. Let go of me, please. This has all been a mistake!” “Then we may as well make two of them,” he said harshly, and his arm abruptly tightened, bringing her closer to his body. “Look at me, Elizabeth,” he whispered, and his warm breath stirred the hair at her temple. Warning bells screamed through her, belated but loud. If she lifted her head, he was going to kiss her. “I do not want you to kiss me,” she warned him, but it wasn’t completely true. “Then say good-bye to me now.” Elizabeth lifted her head, dragging her eyes past his finely sculpted mouth to meet his gaze. “Good-bye,” she told him, amazed that her voice didn’t shake. His eyes moved down her face as if he were memorizing it, then they fixed on her lips. His hands slid down her arms and abruptly released her as he stepped back. “Good-bye, Elizabeth.” Elizabeth turned and took a step, but the regret in his deep voice made her turn back…or perhaps it had been her own heart that had twisted as if she was leaving something behind-something she’d regret. Separated by less than two feet physically and a chasm socially, they looked at each other in silence. “They’ve probably noticed our absence,” she said lamely, and she wasn’t certain whether she was making excuses for leaving him there or hoping he’d convince her to remain. “Possibly.” His expression was impassive, his voice coolly polite, as if he was already beyond her reach again. “I really must go back.” “Of course.” “You do understand, don’t you…” Elizabeth voice trailed off as she looked at the tall, handsome man whom society deemed unsuitable merely because he wasn’t a blue blood, and suddenly she hated all the restrictions of the stupid social system that was trying to enslave her. Swallowing, she tried again, wishing that he’d either tell her to go or open his arms to her as he had when he’d asked her to dance. “You do understand that I can’t possibly be with you tomorrow…” “Elizabeth,” he interrupted in a husky whisper, and suddenly his eyes were smoldering as he held out his hand, sensing victory before Elizabeth ever realized she was defeated. “Come here.
Judith McNaught (Almost Heaven (Sequels, #3))
If you hurt her, you will not leave here alive,” I growled at him. “I will kill you with my bare fucking hands, Bayle.” Bayle started to laugh. “Oh, you really think so?” Something flashed in Tilda’s eyes, and her body tensed up. Her expression hardened, and there was a resolve in her that I knew all too well from training with her. Tilda was a master of restraint, but she could destroy someone if she wanted to. “Wait,” Tilda said in a stilted voice. “This is Bayle Lundeen? Bayle, who conspired with Kennet? Bayle, who’s one of the reasons my husband is dead?” I nodded once. “Yeah. That’s him.” For the first time, Bayle seemed to realize he might have bitten off more than he could chew, and he looked down at Tilda with new appreciation. Tilda may be pregnant, but she was still tall and strong, with muscular arms and powerful legs. I was sure that when Bayle had first captured her, she’d been more docile so as not to risk him hurting the baby. But now she was pissed. With one sudden jerk, she flung her head backward, smashing into Bayle’s face. From where I stood several feet away from her, I heard the sound of his nose crunching. Before he could tilt the knife toward her, she grabbed his wrist, bent it backward, and, using her other arm as leverage, she broke his arm with a loud snap. It all happened within a few seconds, and Bayle screamed in pain and stumbled back. His arm hung at a weird angle, and blood streamed down his face. But Tilda wasn't done yet. With a swipe of her leg, she kicked his legs out from under him. He fell back into the mud, and Tilda kicked him hard in the groin, causing Konstantin to wince behind me. Then she jumped on top of him, punching him repeatedly in the face with both fists. His body had gone limp but I wasn't sure if that was because he was unconscious or dead. Either way, Tilda apparently decided that she wanted to be certain. She grabbed the knife that he’d dropped on the ground beside them, and she stabbed him straight through the heart. And then she just sat there, kneeling on his dead body and breathing hard. None of us said anything or moved. It felt like she needed the moment to herself. When she finally stood up, she shook her arms out, probably both because her fists hurt from hitting Bayle so hard and also to get rid of some of the blood. “Do you feel better?” I asked her. She nodded, still catching her breath as she walked over to me. “Yeah. We have to do something about these bodies, though. The humans will get suspicious.” “That girl is a fucking beast,” Konstantin whispered as she walked by, and he looked at her with newfound admiration. “You should see her when she’s not pregnant,” I said.
Amanda Hocking (Crystal Kingdom (Kanin Chronicles, #3))
When it begins it is like a light in a tunnel, a rush of steel and steam across a torn up life. It is a low rumble, an earthquake in the back of the mind. My spine is a track with cold black steel racing on it, a trail of steam and dust following behind, ghost like. It feels like my whole life is holding its breath. By the time she leaves the room I am surprised that she can’t see the train. It has jumped the track of my spine and landed in my mothers’ living room. A cold dark thing, black steel and redwood paneling. It is the old type, from the western movies I loved as a kid. He throws open the doors to the outside world, to the dark ocean. I feel a breeze tugging at me, a slender finger of wind that catches at my shirt. Pulling. Grabbing. I can feel the panic build in me, the need to scream or cry rising in my throat. And then I am out the door, running, tumbling down the steps falling out into the darkened world, falling out into the lifeless ocean. Out into the blackness. Out among the stars and shadows. And underneath my skin, in the back of my head and down the back of my spine I can feel the desperation and I can feel the noise. I can feel the deep and ancient ache of loudness that litters across my bones. It’s like an old lover, comfortable and well known, but unwelcome and inappropriate with her stories of our frolicking. And then she’s gone and the Conductor is closing the door. The darkness swells around us, enveloping us in a cocoon, pressing flat against the train like a storm. I wonder, what is this place? Those had been heady days, full and intense. It’s funny. I remember the problems, the confusions and the fears of life we all dealt with. But, that all seems to fade. It all seems to be replaced by images of the days when it was all just okay. We all had plans back then, patterns in which we expected the world to fit, how it was to be deciphered. Eventually you just can’t carry yourself any longer, can’t keep your eyelids open, and can’t focus on anything but the flickering light of the stars. Hours pass, at first slowly like a river and then all in a rush, a climax and I am home in the dorm, waking up to the ringing of the telephone. When she is gone the apartment is silent, empty, almost like a person sleeping, waiting to wake up. When she is gone, and I am alone, I curl up on the bed, wait for the house to eject me from its dying corpse. Crazy thoughts cross through my head, like slants of light in an attic. The Boston 395 rocks a bit, a creaking noise spilling in from the undercarriage. I have decided that whatever this place is, all these noises, sensations - all the train-ness of this place - is a fabrication. It lulls you into a sense of security, allows you to feel as if it’s a familiar place. But whatever it is, it’s not a train, or at least not just a train. The air, heightened, tense against the glass. I can hear the squeak of shoes on linoleum, I can hear the soft rattle of a dying man’s breathing. Men in white uniforms, sharp pressed lines, run past, rolling gurneys down florescent hallways.
Jason Derr (The Boston 395)
I always had trouble with the feet of Jón the First, or Pre-Jón, as I called him later. He would frequently put them in front of me in the evening and tell me to take off his socks and rub his toes, soles, heels and calves. It was quite impossible for me to love these Icelandic men's feet that were shaped like birch stumps, hard and chunky, and screaming white as the wood when the bark is stripped from it. Yes, and as cold and damp, too. The toes had horny nails that resembled dead buds in a frosty spring. Nor can I forget the smell, for malodorous feet were very common in the post-war years when men wore nylon socks and practically slept in their shoes. How was it possible to love these Icelandic men? Who belched at the meal table and farted constantly. After four Icelandic husbands and a whole load of casual lovers I had become a vrai connaisseur of flatulence, could describe its species and varieties in the way that a wine-taster knows his wines. The howling backfire, the load, the gas bomb and the Luftwaffe were names I used most. The coffee belch and the silencer were also well-known quantities, but the worst were the date farts, a speciality of Bæring of Westfjord. Icelandic men don’t know how to behave: they never have and never will, but they are generally good fun. At least, Icelandic women think so. They seem to come with this inner emergency box, filled with humour and irony, which they always carry around with them and can open for useful items if things get too rough, and it must be a hereditary gift of the generations. Anyone who loses their way in the mountains and gets snowed in or spends the whole weekend stuck in a lift can always open this special Icelandic emergency box and get out of the situation with a good story. After wandering the world and living on the Continent I had long tired of well-behaved, fart-free gentlemen who opened the door and paid the bills but never had a story to tell and were either completely asexual or demanded skin-burning action until the morning light. Swiss watch salesmen who only knew of “sechs” as their wake-up hour, or hairy French apes who always required their twelve rounds of screwing after the six-course meal. I suppose I liked German men the best. They were a suitable mixture of belching northerner and cultivated southerner, of orderly westerner and crazy easterner, but in the post-war years they were of course broken men. There was little you could do with them except try to put them right first. And who had the time for that? Londoners are positive and jolly, but their famous irony struck me as mechanical and wearisome in the long run. As if that irony machine had eaten away their real essence. The French machine, on the other hand, is fuelled by seriousness alone, and the Frogs can drive you beyond the limit when they get going with their philosophical noun-dropping. The Italian worships every woman like a queen until he gets her home, when she suddenly turns into a slut. The Yank is one hell of a guy who thinks big: he always wants to take you the moon. At the same time, however, he is as smug and petty as the meanest seamstress, and has a fit if someone eats his peanut butter sandwich aboard the space shuttle. I found Russians interesting. In fact they were the most Icelandic of all: drank every glass to the bottom and threw themselves into any jollity, knew countless stories and never talked seriously unless at the bottom of the bottle, when they began to wail for their mother who lived a thousand miles away but came on foot to bring them their clean laundry once a month. They were completely crazy and were better athletes in bed than my dear countrymen, but in the end I had enough of all their pommel-horse routines. Nordic men are all as tactless as Icelanders. They get drunk over dinner, laugh loudly and fart, eventually start “singing” even in public restaurants where people have paid to escape the tumult of
Hallgrímur Helgason