Screaming Eagle Quotes

We've searched our database for all the quotes and captions related to Screaming Eagle. Here they are! All 44 of them:

According to the conventions of the genre, Augustus Waters kept his sense of humor till the end, did not for a moment waiver in his courage, and his spirit soared like an indomitable eagle until the world itself could not contain his joyous soul. But this is the truth, a pitiful boy who desperately wanted not to be pitiful, screaming and crying, poisoned by an infected G-tube that kept him alive, but not alive enough. I wiped his chin and grabbed his face in my hands and knelt down close to him so that I could see his eyes, which still lived. 'I'm sorry. I wish it was like that movie, with the Persians and the Spartans.' 'Me too,' he said. 'But it isn't,' I said. 'I know,' he said. 'There are no bad guys.' 'Yeah.' 'Even cancer isn't a bad guy really: Cancer just wants to be alive.
John Green (The Fault in Our Stars)
Hey,” he said. “Some days you pick up eagles like they’re chickens, and some days you run screaming away from innocent bats. I like you both ways, angel. All ways.
Mariana Zapata (All Rhodes Lead Here)
An oak tree and a rosebush grew, Young and green together, Talking the talk of growing things- Wind and water and weather. And while the rosebush sweetly bloomed The oak tree grew so high That now it spoke of newer things- Eagles, mountain peaks and sky. "I guess you think you're pretty great," The rose was heard to cry, Screaming as loud as it possibly could To the treetop in the sky. "And now you have no time for flower talk, Now that you've grown so tall." "It's not so much that I've grown," said the tree, "It's just that you've stayed so small.
Shel Silverstein
It's a curious thing with George. With his glasses off, his eyes looked small and weak - blinky and a bit baffled, like an unintelligent sheep that's taken a wrong turn. But when he put them on again, they went all sharp and steely, more like the eyes of an eagle that eats dumb sheep for breakfast.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
Look at us. We build giant highways and murderously fast cars for killing each other and committing suicide. Instead of bomb shelters we construct gigantic frail glass buildings all over Manhattan at Ground Zero, a thousand feet high, open to the sky, life a woman undressing before an intruder and provoking him to rape her. We ring Russia's borders with missile-launching pads, and then scream that she's threatening us. In all history there's never been a more lurid mass example of the sadist-masochist expression of the thanatos instinct than the present conduct of the United States. The Nazis by comparison were Eagle Scouts.
Herman Wouk (Don't Stop the Carnival)
Where dark woods hide secrets and mountains are fierce and bold. Deep waters hold reflections of times lost long ago. I will heed every story, take hold of my own dream. Be as strong as the sea is stormy, be as proud as an eagle's scream.
Julie Fowlis
Dante…” I swallowed back the fear in my throat. “What’s going on?” “War,” he whispered. “America’s at war!” I screamed. “Oh my gosh, do we even have a bomb shelter?” I started running around in circles, I needed to grab a book or something, or my notes. Crap! I needed my letters! “Val!” Dante yelled. “I
Rachel Van Dyken (Empire (Eagle Elite, #8))
SILENT, SHE WAITS FOR the sky to fall, standing upon an island of volcanic rock amidst a black sea. The long moonless night yawns before her. The only sounds, a flapping banner of war held in her lover’s hand and the warm waves that kiss her steel boots. Her heart is heavy. Her spirit wild. Peerless knights tower behind her. Salt spray beads on their family crests—emerald centaurs, screaming eagles, gold sphinxes, and the crowned skull of her father’s grim house. Her Golden eyes look to the heavens. Waiting. The water heaves in. Out. The heartbeat of her silence.
Pierce Brown (Iron Gold (Red Rising Saga, #4))
They were all day among the dunes and in the evening coming down from the last low sandhills to the plain below among catclaw and crucifixion thorn they were a parched and haggard lot man and beast. Harpie eagles flew up screaming from a dead mule and wheeled off westward into the sun as they led the horses out onto the plain.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
On the roof, on the duvet under the steam vent, with the planets overhead, he let her scream all she wished. She screamed into the night. To the stars. At one point, with his lying atop her, he said, “Look over my left shoulder. Venus is visible tonight.” Then he pulled the covers away from her, wrestling her for the duvet, as he called, “Here she is, all you Venusians”—he lifted out his arm, using it to span the celestial horizon-—“and the rest of you planets out there: the most beautiful woman on Earth, spread-eagled for your pleasure!” He laughed. “At my disposal, mm-m-m!” He bent down, nibbling, kissing her neck with his teeth, his lips, his mouth.
Judith Ivory (Untie My Heart)
She wanted to slash his eyes and ask him, to scream eagle’s fury and run the sun back
Jess E. Owen (By the Silver Wind (The Summer King Chronicles, #4))
That was one of the things about the end of the war: Absolutely anybody who wanted a weapon could have one. They were lying all around. Billy had a saber, too. It was a Luftwaffe ceremonial saber. Its hilt was stamped with a screaming eagle. The eagle was carrying a swastika and looking down. Billy found it stuck into a telephone pole. He had pulled it out of the pole as the wagon went by.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
PIPER TUMBLED THROUGH THE SKY. Far below she saw city lights glimmering in the early dawn, and several hundred yards away the body of the bronze dragon spinning out of control, its wings limp, fire flickering in its mouth like a badly wired lightbulb. A body shot past her – Leo, screaming and frantically grabbing at the clouds. ‘Not coooooool!’ She tried to call to him, but he was already too far below. Somewhere above her, Jason yelled, ‘Piper, level out! Extend your arms and legs!’ It was hard to control her fear, but she did what he said and regained some balance. She fell spread-eagle like a skydiver, the wind underneath her like a solid block of ice. Then Jason was there, wrapping his arms around her waist. Thank god, Piper thought. But part of her also thought: Great. Second time this week he’s hugged me, and both times it’s because I’m plummeting to my death. ‘We have to get Leo!’ she shouted. Their fall slowed as Jason controlled the winds, but they still lurched up and down like the winds didn’t want to cooperate. ‘Gonna get rough,’ Jason warned. ‘Hold on!’ Piper locked her arms around him, and Jason shot towards the ground. Piper
Rick Riordan (The Lost Hero (The Heroes of Olympus #1))
There is no love without loss. I hear the drums that vibrate to the heartbeat of the earth. They set me dancing. I see the clouds that wreathe the summits. They set me dreaming. I know the wonder of waves that shake the headlands. They awaken my soul. I hear the screams of eagles on the wind. And I ponder, what are these things to me who loves and does not reckon loss? Do I not keep the earth?
N. Scott Momaday (Earth Keeper: Reflections on the American Land)
As they were urgent to cross a bird sign had appeared to them, an eagle, flying high and holding to the left of the people and carrying in its talons a gigantic snake, blood-colored, alive still and breathing, it had not forgotten its warcraft yet, for writhing back it struck the eagle that held it 205  by chest and neck, so that the eagle let it drop groundward in pain of the bite, and dashed it down in the midst of the battle and itself, screaming high, winged away down the wind’s blast. And the Trojans shivered with fear as they looked on the lithe snake lying in their midst, a portent of Zeus of the aegis.
Homer (The Iliad of Homer)
They'll be coming for you, Mr. Jones. They'll be coming any moment now. I hate to say this, but I must. It is my duty to warn you what will happen to you, an enemy spy. You'll be tortured, Mr. Jones—not simply everyday tortures like pulling out your teeth and toe-nails, but unspeakable tortures I can't mention with Miss Ellison here—and then you'll finish in the gas chambers. If you're still alive.' Mary clutched his arm. 'Would they—would they really do that?' 'Good God, no!' Smith stared at her in genuine surprise. 'What on earth would they want to do that for?' He raised his voice again: 'You'll die in a screaming agony, Mr. Jones, an agony beyond your wildest nightmares. And you'll take a long time dying. Hours. Maybe days. And screaming. Screaming all the time.' 'What in God's name am I to do?' The desperate voice from above was no longer quavering, it vibrated like a broken bed-spring. 'What can I do?' 'You can slide down that rope,' Smith said brutally. 'Fifteen feet. Fifteen little feet, Mr. Jones. My God, you could do that in a pole vault.' 'I can't.' The voice was a wail. 'I simply can't.' 'Yes, you can,' Smith urged. 'Grab the rope now, close your eyes, out over the sill and down. Keep your eyes closed. We can catch you.' 'I can't! I can't!' 'Oh God!' Smith said despairingly. 'Oh, my God! It's too late now.' 'It's too—what in heaven's name do you mean?' 'The lights are going on along the passage, Smith said, his voice low and tense. 'And that window. And the next. They're coming for you, Mr. Jones, they're coming now. Oh God, when they strip you off and strap you down on the torture table—' Two seconds later Carnaby-Jones was over the sill and sliding down the nylon rope. His eyes were screwed tightly shut. Mary said, admiringly: You really are the most fearful liar ever.' 'Schaffer keeps telling me the same thing,' Smith admitted. 'You can't all be wrong.
Alistair MacLean (Where Eagles Dare)
Jamie was right too. Looking at this wanton damage, I could not avoid a mental picture of the process that had caused it. I tried not to imagine the muscular arms raised, spread-eagled and tied, ropes cutting into wrists, the coppery head pressed hard against the post in agony, but the marks brought such images all too readily to mind. Had he screamed when it was done? I pushed the thought hastily away. I had heard the stories that trickled out of postwar Germany, of course, of atrocities much worse than this, but he was right; hearing is not at all the same as seeing. Involuntarily, I reached out, as though I might heal him with a touch and erase the marks with my fingers. He sighed deeply, but didn’t move as I traced the deep scars, one by one, as though to show him the extent of the damage he couldn’t see. I rested my hands at last lightly on his shoulders in silence, groping for words. He placed his own hand over mine, and squeezed lightly in acknowledgment of the things I couldn’t find to say.
Diana Gabaldon (Outlander (Outlander, #1))
I ran again, losing myself amongst my water-wolves. Some of the soldiers were taking to the sky, flapping upward, backtracking. So my wolves grew wings, and talons, and became falcons and hawks and eagles. They slammed into their bodies, their armour, drenching them. The airborne soldiers, realising they hadn't been drowned, halted their flight and laughed- sneering. I lifted a hand skyward, and clenched my fingers into a fist. The water soaking them, their wings, their armour, their faces... It turned to ice. Ice that was so cold it had existed before light, before the sun had warmed the earth. Ice of a land cloaked in winter, ice from the parts of me that felt no mercy, no sympathy for what these creatures had done and were doing to my people. Frozen solid, dozens of the winged soldiers fell to the earth as one. And shattered upon the cobblestones. My wolves raged around me, tearing and drowning and hunting. And those that fled them, those that took to the skies- they froze and shattered; froze and shattered. Until the streets were laden with ice and gore and broken bits of wing and stone. Until the screaming of my people stopped, and the screams of the soldiers became a song in my blood.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Whirling darkness swallowed him, and in the center of it, at the bottom of an impossibly deep hole, at the very heart of the widdershin void, lay a formless horror—ancient and evil and from which emanated a constant, merciless hunger: never sated, all-consuming, with a particular glee for the sufferings of creatures caught between the gnashing of teeth. His mind fled the horror, but it was a deadly riptide, more powerful than the Boar’s Eye between the Southern Isles of Uden and Parlim, and the harder he tried, the slower he moved…. Fear filled him. Icy, coursing fear that froze his veins and chained his limbs and turned his stomach to acid. His heart fluttered, and for a moment seemed to stop, and in the grips of his terror, he cried for help as he had when a child: “Mother!” Then Thorn’s mind touched his own, and the gaping horror receded, and for a time Murtagh felt himself lost in the vast landscape of Thorn’s thoughts. They were flying, higher and higher, until the ground faded from sight, and above and below were the same: a perfect sphere of sky, with nowhere to land and only clouds for cover. A flock of eagles screamed past, talons extended to tear out eyes, and then they were gone, and it was impossible to tell which direction was up and which down. A timeless while passed, and then a thunder of dragons rose about them: dragons of every shape and color, their scales flashing, their wings thudding until
Christopher Paolini (Murtagh)
crowd again cheers wildly. “Sage Arian will now present his Symbol,” she says, and points me towards a control box. I step over and place my hand on it. Out across the bay a massive black eagle soars. It flies over close to the crowd and screeches out, deafeningly loud, then comes in with massive wings flapping towards the stadium. A giant rush of wind blows through. The effects are startling. The eagle lands on the upper deck, and its large, menacing eyes swivel as it peers at the crowd, ready to attack. There are some shrieks and screams from the Cives. Then a small, almost imperceptible buzzing sound is heard. It grows louder, and a few honeybees fly into view and get close to the eagle. The eagle cocks its head and pecks them out of the air, swallowing them down. But then more buzzing comes, and
Chad Rasmussen (The Sage Challenger)
Someone—Tony or Warner Bros.?—had decided that the grueling schedule and the added tension in the band might be alleviated somewhat by the relative comfort of bus touring versus Old Blue. It was a nice idea. It might have even been a gambit to see if the camaraderie of sharing a luxurious living situation might heal the band’s broken bonds. So we loaded all of our gear into the parking lot behind our apartment and waited for our new accommodations to arrive. Everyone, I think even Jay, was excited about the prospect of spending at least some small part of our lives seeing what it was like to tour in style. That was until he laid eyes on the Ghost Rider. What we were picturing was sleek and non-ostentatious like the buses we had seen parked in front of theaters at sold-out shows by the likes of R.E.M. or the Replacements. Instead, what we got was one of Kiss’s old touring coaches—a seventies-era Silver Eagle decked out with an airbrushed mural in a style I can only describe as “black-light poster–esque,” depicting a pirate ship buffeted by a stormy sea with a screaming skeleton standing in the crow’s nest holding a Gibson Les Paul aloft and being struck by lightning. The look on Jay’s face was tragic. I felt bad for him. This was not a serious vehicle. I’m not sure how we talked him into climbing aboard, and once we did, I have no idea how we got him to stay, because the interior was even worse. White leather, mirrored ceilings, and a purple neon sign in the back lounge informing everyone, in cursive, that they were aboard the “Ghost Rider” lest they forget. So we embarked upon Uncle Tupelo’s last tour learning how to sleep while being shot at eighty miles per hour down the highway inside a metal box that looked like the VIP room at a strip club and made us all feel like we were living inside a cocaine straw. Ghost Rider indeed.
Jeff Tweedy (Let's Go (So We Can Get Back): A Memoir of Recording and Discording with Wilco, Etc.)
the blue sky, cawing angrily at Dad for disturbing them. A giant bald eagle, with a wingspan of at least six feet, glided in to take their place. It perched on an uppermost branch of a tree, pointed its yellow beak down at them. “That’s what I expect of you two,” Dad said. Mama exhaled smoke. “We’re going to be here awhile, baby girl.” Dad handed Leni the rifle. “Okay, Red. Let’s see what you’ve got naturally. Look through the scope—don’t get too close—and when you have the target in your sight, squeeze the trigger. Slow and steady. Breathe evenly. Okay, aim. I’ll tell you when to shoot. Watch out for—” She lifted the rifle, aimed, thought, Wow, Matthew, I can’t wait to tell you, and accidently pulled the trigger. The rifle hit her shoulder hard enough to knock her off her feet and the sight slammed into her eye area with a crack that sounded like breaking bone. Leni screamed in pain, dropped the rifle, and collapsed to her knees in the mud, clamping a hand over her throbbing eye. It hurt so badly she felt sick to her stomach, almost puked. She was still screaming and crying when she felt someone drop in place beside her, felt a hand rubbing her back. “Shit, Red,” Dad said. “I didn’t tell you to shoot. You’re okay. Just breathe. It’s a normal rookie mistake. You’ll be fine.” “Is she okay?” Mama screamed. “Is she?” Dad pulled Leni to her feet. “No crying, Leni,
Kristin Hannah (The Great Alone)
There were several methods by which the Indians obtained eagle feathers. Some tribes dug a pit in the ground in the areas known to have eagles. These pits were large enough to conceal a brave. The trap was baited with a live rabbit or pieces of buffalo meat, and the opening was covered with a buffalo hide or brush. A large enough opening was left so that the Indian crouching in the pit could grab the tail feathers of the bird alighting to take the bait. The bird would lose its feathers, but could escape unharmed to grow new tail feathers by its next moulting period. This method was very dangerous. Often bears, attracted by the bait, would discover and kill the Indian. Sometimes eagles were caught and killed for their feathers. There also were tribes who captured young eagles while they were still in the nest. These birds were tethered by a leather thong around their leg and were kept solely for their feathers; they were plucked regularly. These birds seldom became tame and never lost their desire for freedom. They continually would fly into the air as far as the leather thong would allow, screaming their defiance at their captor. Regardless of where or how an Indian brave accumulated feathers, he was not allowed, according to tribal law, to wear them until he won them by a brave deed. He had to appear before the council and tell or re-enact his exploit. Witnesses were examined and if in the eyes of the council the deed was thought to be worthy, the brave was authorized to wear the feather or feathers in his hair or war bonnet. These honors were called “counting coup” (pronounced “coo”). Deeds of exceptional valor (such as to touch the enemy without killing him and escape) were called “grand coup” and were rated more than one feather. Sometimes a tuft of horsehair or down was added to the tip of a feather to designate additional honor. Some tribes designated special deeds by special marking on “coup” feathers, such as cutting notches or adding paint spots. The coup feathers of the American Indian can be compared to the campaign ribbons and medals awarded to our modern soldier. An Indian would rather part with his horse, his tepee, or even his wife, than to lose his eagle feathers. To do so would be to be dishonored in the eyes of the tribe. Many old Indian chiefs, such as Many Coup of the Crow tribe, had won enough honors to wear a double-tailed bonnet that dragged on the ground and to carry a feathered lance to display the additional feathers.
W. Ben Hunt (Indian Crafts & Lore)
The optimum image is the teak cockpit loaded soft with brown dazed girls while the eagle-eyed skipper on his fly bridge chugs Baby Dear under a lift bridge to keep a hundred cars stalled waiting in the sun, their drivers staring malignantly at the slow passage of the lazy-day sex float and the jaunty brown muscles of the man at the helm. But the more frequent reality is a bust gasket, Baby Dear drifting in a horrid chop, girls sun-poisoned and whoopsing, hero skipper clenching the wrong size wrench in barked hands and raising a greasy scream to the salty demons who are flattening his purse and canceling his marine insurance.
John D. MacDonald (The Deep Blue Good-By (Travis McGee #1))
The warning is in the story she’s telling here,” Bryce said. A field of corpses had been carved into the wall, a battlefield stretching ahead. Crucifixes loomed over the battlefield, bodies hanging from them. Great, dark beasts of scales and talons—the ones from the pit beneath her cell, she realized with a shudder—feasted on screaming victims. Blood eagles were splayed out on stone altars. “Mother above,” Nesta murmured. “Those holes along the corpses there—the ones that look like wounds … I’d bet anything there are mechanisms in them to send weapons at passersby,” Bryce said. “As some fucked-up ‘artistic’ way of making the viewer experience the pain and terror of these Fae victims.” Bryce could have sworn something like surprise and embarrassment—that perhaps the warrior herself hadn’t spotted the threat—crossed Nesta’s face.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
drops
Mark Bando (101st Airborne: The Screaming Eagles in World War II)
experiments
Mark Bando (101st Airborne: The Screaming Eagles in World War II)
Carolina,
Mark Bando (101st Airborne: The Screaming Eagles in World War II)
Kill ’em all ’cept six. Save them for pallbearers.
William W. Johnstone (Scream of Eagles)
No one knew much about the Twenty-Eighth Infantry. It was not a glamour outfit. They knew about the Big Red One and the Screaming Eagles, about the Eighty-Second Airborne and Hell On Wheels, but not about Twenty-Eighth Infantry. The name was met with a certain silence, as if he was in a room full of Harvard graduates and told them his degree was by correspondence.
Miles Watson (A Story Never Told)
No one knew much about the Twenty-Eighth Infantry. It was not a glamour outfit. They knew about the Big Red One and the Screaming Eagles, about the Eighty-Second Airborne and Hell On Wheels, but not about Twenty-Eighth Infantry. The name was met with a certain silence, as if he was in a room full of Harvard graduates and told them his degree was by correspondence.
Miles Watson (A Story Never Told)
Frank John Hughes, who played Will Bill Guarnere, had a special duty that required his wearing his uniform/costume off the set. Looking exactly like an American paratrooper of 1944, complete with his set of jump wings, his pant legs bloused into his Corcoran boots, and a Screaming Eagle patch on his shoulder, Hughes reported to Heathrow Airport. * *In uniform, Hughes attracted many looks of admiration, especially from women.
Tom Hanks (Brothers In Battle, Best of Friends)
[ELLA] Oh! You know what Wes? [WESLEY] What? [ELLA] That story your father used to tell about that eagle. You remember the whole thing? [WESLEY] Yeah. [ELLA] I remember he keeps coming back and swooping down on the shed roof and then flying off again. What else? [WESLEY] I don't know. [ELLA] You remember. What happens next? [WESLEY] A cat comes. [ELLA] That's right. A big tomcat comes. He jumps up on top of that roof to sniff around in all the entails or whatever it was. [WESLEY] And that eagle comes down and picks up that cat in his talons and carries him screaming off into the sky. [ELLA] And they fight. They fight like crazy in the middle of the sky. The cat's tearing his chest out, and the eagle's trying to drop him, but the cat won't let go because he knows if he falls he'll die. [WESLEY] And the eagle's being torn apart in midair. The eagle's trying to free himself from the cat, and the cat won't let go. [ELLA] And they come crashing down to earth. Both of them come crashing down. Like one whole thing.
Sam Shepard (Curse of the Starving Class)
I force myself inside, and ignore the
Stephanie Brother (One Night With the Bikers (Screaming Eagles MC #9))
The beat of things, their steady direction, had dissolved into nothing–this room wasn't happening then, it isn't happening now; maybe it's a dream of what's going to happen or what will happen never. The sound of her own voice injures her like a shock of electricity through her ears, but screaming herself to hoarse exhaustion is the only reprieve from breathing. She looked up out of her voice and saw the angel. He will have ears like a cartoon of organic growth. He is yellow with light but covered with mobile shadows, animated tattoos. His face kept changing. His voice will come from far off, like a train's. His body is steady and beautiful and hairless, the wings white, incinerating, and pure, but the head changes rapidly–the head of an eagle, a goat, an insect, a mouse, a sheep with spiraling horns that turn and lengthen almost imperceptibly–and the entire message had no words. The entire message will be only the beat and direction of time. Yes is Now. The angel who says "It's time." "Is it time?" she asked. "Does it hurt?" He will have the most beautiful face she has ever seen. "Oh babe." The angel starts to cry. "You can't imagine," he said.
Denis Johnson (Angels)
My jaw tight and my resolve hard, I pulled my gun and fired a single shot. The bullet hit square between Skate's eyebrows, blowing out the back of his head in a splatter of blood and gore. His lifeless body toppled onto the floor as his chair tipped backward. My Desert Eagle packed a hell of a punch, especially in such close confines. Immediately, Joseph made a break for it—predictable as shit. Zed was quicker, though, firing a shot through the back of the fake Wraith's knee. Joseph fell to the ground, screaming in pain, and the sound echoed through the crypt in the most fitting way.
Tate James (7th Circle (Hades, #1))
Who shares your blood doesn’t mean shit, Harper. That’s not what makes family. It’s who sticks around, day after day, at your best and worst. It’s who we choose. Remember that.
Stephanie Brother (Bride for the Bikers (Screaming Eagles MC #7))
These days, when the eagle want ssomething for lunch, he usually screams 'Communists!' or 'Cuba!' or 'National security!' In the old days, however, he used to solemnly say 'gold' or 'slaves' or 'Civilization,' and then these words would produce a great bustling of imperial energies, as newly marked areas of the map became targets for conquest and imperial exploitation.
June Jordan (On Call: Political Essays)
I’m fine!” Percy yelled as he ran by, followed by a giant screaming bloody murder. He jumped over a burning scorpion and ducked as Hannibal threw a Cyclops across his path. Out of the corner of his eye, he saw Tyson pounding the Earthborn into the ground like a game of whack-a-mole. Ella was fluttering above him, dodging missiles and calling out advice: “The groin. The Earthborn’s groin is sensitive.” SMASH! “Good. Yes. Tyson found its groin.” “Percy needs help?” Tyson called. “I’m good!” “Die!” Polybotes yelled, closing fast. Percy kept running. In the distance, he saw Hazel and Arion galloping across the battlefield, cutting down centaurs and karpoi. One grain spirit yelled, “Wheat! I’ll give you wheat!” but Arion stomped him into a pile of breakfast cereal. Queen Hylla and Reyna joined forces, forklift and pegasus riding together, scattering the dark shades of fallen warriors. Frank turned himself into an elephant and stomped through some Cyclopes, and Dakota held the golden eagle high, blasting lightning
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
K. was not afraid of the landlady’s threats, and he was tired of the hopes in which she was trying to entangle him. Klamm was far away; the landlady had once compared Klamm to an eagle, which had struck K. as ridiculous at the time, but not any more; he thought of Klamm’s remote distance, his impregnable residence, his silence, perhaps interrupted only by such screams as K. had never heard. He thought of Klamm’s piercing glance from on high that would brook no contradiction and couldn’t be tested either, of the immutable circles in which he soared, free from any interference by the likes of K. down below, moving by inscrutable laws and visible only for brief moments—Klamm and the eagle had all this in common.
Franz Kafka (The Castle (Penguin Modern Classics))
Unfortunately for Jemma, all of this prevented me from doing what she probably wanted most: simply closing the bathroom door. It now swung all the way open, so that Jemma was still fully visible on the toilet when three more Secret Service agents came charging up the stairs. All of them had their weapons drawn, ready for action. Jemma screamed again, then kicked the bathroom door shut in their faces. The agents now shifted their attention to me, yanking me off the floor and shoving me up against the wall. Several pairs of hands roughly frisked me at once. I tried to explain what had happened, but the first Secret Service agent had knocked the wind out of me when she’d tackled me. All that came out was a wheeze of air. “Miss Stern?” the biggest of the agents called through the bathroom door. “Miss, is everything all right in there?” “No, everything isn’t all right!” Jemma yelled back. “That little pervert walked in on me!” “It was an accident,” I gasped. “She hadn’t locked the door.” “I shouldn’t have to lock the door in my own house!” Jemma cried. “This is the most secure building in the country! I wasn’t expecting a pervert to be on the loose here!” The Secret Service agents all looked at me accusingly. “I’m not a pervert,” I said quickly. “I’m a friend of Jason’s, here to hang out.” This didn’t seem to convince the agents of anything. “I wasn’t informed of any playdate today,” the big agent said. “It’s not a playdate,” I said quickly. “And it was kind of last-minute. Maybe they forgot to tell you.” “Or maybe you’re a pervert who snuck in here to see Jemma Stern on the toilet,” the agent replied suspiciously. The agent who’d tackled me was massaging her back where she’d been gouged by the stuffed eagle. She pounded on Jason’s door and said, “Jason, could you please come out here?” “I’m busy!” Jason shouted back. I figured he had certainly heard all the commotion in the hall but was willfully ignoring it. “It’s a matter of national security,” the wounded agent said. Jason groaned, and then the sound of his video game paused. His footsteps slowly thumped across the floor. “Could you all possibly handle this somewhere else?” Jemma asked through the bathroom door. “I could really use some privacy.” “We’re taking care of this as quickly as we can, miss,” the female agent informed her. “Feel free to go on with your business.” “You have got to be kidding me,” Jemma groaned.
Stuart Gibbs (Spy School Secret Service)
In her eye I see that the eagle must even know my name and, by the gaping of her beak, will shortly scream my name, and this terrifies me. For shall my name be screamed in judgment or in blessing? And what shall be my name when it resounds to the four corners of the earth?
Walter Wangerin Jr. (Jesus)
Army’s most famous division, the 101st Airborne Screaming Eagles.
David Baldacci (The Forgotten (John Puller, #2))
instead of him, with his big beak of a nose and narrow, slitted eyes. His mother had told him that he had the face of an angry eagle so often that he got for his first tattoo an águila across his back, screaming in silent rage. She had died of heart disease during his second stay at The Hill: Elmira Correctional Facility. He hadn’t bothered trying to get out of
David Dubrow (The Blessed Man and the Witch (Armageddon, #1))