“
The baby bat
Screamed out in fright,
'Turn on the dark,
I'm afraid of the light.
”
”
Shel Silverstein
“
God!” I scream.
“No, baby, that’s me
”
”
Jodi Ellen Malpas (This Man (This Man, #1))
“
If you’re scared, tell me. If you need to cry and scream, then do it. And you sure as hell don’t walk away from us because you think it would be better for me. Here’s the reality, Echo: I want to be by your side. If you want to go to the mall stark naked so you can show the world your scars, then let me hold your hand. If you want to see your mom, then tell me that too. I may not always understand, but damn, baby, I’ll try.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
Stood in firelight, sweltering. Bloodstain on chest like map of violent new continent. Felt cleansed. Felt dark planet turn under my feet and knew what cats know that makes them scream like babies in night.
Looked at sky through smoke heavy with human fat and God was not there. The cold, suffocating dark goes on forever and we are alone. Live our lives, lacking anything better to do. Devise reason later. Born from oblivion; bear children, hell-bound as ourselves, go into oblivion. There is nothing else.
Existence is random. Has no pattern save what we imagine after staring at it for too long. No meaning save what we choose to impose. This rudderless world is not shaped by vague metaphysical forces. It is not God who kills the children. Not fate that butchers them or destiny that feeds them to the dogs. It’s us. Only us. Streets stank of fire. The void breathed hard on my heart, turning its illusions to ice, shattering them. Was reborn then, free to scrawl own design on this morally blank world.
Was Rorschach.
Does that answer your Questions, Doctor?
”
”
Alan Moore (Watchmen)
“
I've got you. I swear to God, I've got you," said Noah. "Stay with me, Echo."
I wanted to. I wanted to stay with him, but the shouting and screams and glass breaking in my mind grew louder. "Make it stop."
He tightened his grip on my arms. "Fight, Echo! You've got to fucking fight. Come on, baby. You're safe.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
They want to be tied up, I tie them up. They want to be spanked, I spank them. They want to be called names, I call them names. But try and drink a little of their blood, and they scream like babies. What about my needs?
”
”
Christopher Moore
“
And that phrase - 'sleeping like a baby.' Some blonde said it blithely on the subway the other day. I wanted to lie down next to her and scream for five hours in her ear.
”
”
Jenny Offill (Dept. of Speculation)
“
Nathan had never wanted children of his own. Plenty of reasons. Babies screamed as soon as they were born – wasn’t that warning enough of what was to come? And when they grew into toddlers, and then young kids, they were far worse: tantrums, more screaming, whining. How many business trips, restaurant dinners, theatre visits, you name it, were ruined by one small, precocious loud brat and its doting, utterly useless parents? No discipline any more. Nathan had sure been disciplined.
”
”
Barry Kirwan (When the children come (Children of the Eye, #1))
“
Like when people say they slept like a baby. Do they mean they slept well? Or do they mean they woke up every ten minutes, screaming?
”
”
Lee Child (Killing Floor (Jack Reacher, #1))
“
I’ve fought in three campaigns,” he began. “In seven pitched battles. In countless raids and skirmishes and desperate defences, and bloody actions of every kind. I’ve fought in the driving snow, the blasting wind, the middle of the night. I’ve been fighting all my life, one enemy or another, one friend or another. I’ve known little else. I’ve seen men killed for a word, for a look, for nothing at all. A woman tried to stab me once for killing her husband, and I threw her down a well. And that’s far from the worst of it. Life used to be cheap as dirt to me. Cheaper.
“I’ve fought ten single combats and I won them all, but I fought on the wrong side and for all the wrong reasons. I’ve been ruthless, and brutal, and a coward. I’ve stabbed men in the back, burned them, drowned them, crushed them with rocks, killed them asleep, unarmed, or running away. I’ve run away myself more than once. I’ve pissed myself with fear. I’ve begged for my life. I’ve been wounded, often, and badly, and screamed and cried like a baby whose mother took her tit away. I’ve no doubt the world would be a better place if I’d been killed years ago, but I haven’t been, and I don’t know why.”
He looked down at his hands, pink and clean on the stone. “There are few men with more blood on their hands than me. None, that I know of. The Bloody-Nine they call me, my enemies, and there’s a lot of ’em. Always more enemies, and fewer friends. Blood gets you nothing but more blood. It follows me now, always, like my shadow, and like my shadow I can never be free of it. I should never be free of it. I’ve earned it. I’ve deserved it. I’ve sought it out. Such is my punishment.
”
”
Joe Abercrombie (The Blade Itself (The First Law, #1))
“
I’ll stare the bastard in the face as he screams to God, and I’ll laugh harder when he whimpers like a baby. And when his eyes go dead, the hell I send him to will seem like heaven after what I’ve done to him.
”
”
Frank Miller (Sin City Volume 1: The Hard Goodbye)
“
I remember one time I heard this English professor asking the class what the world's scariest noise is. Is it a man crying out in pain? A woman's scream of terror? A gunshot? A baby crying? And the professor shakes his head and says, 'No, the scariest noise is, you're all alone in your dark house, you know you're all alone, you know that there is no chance anyone else is home or within miles—and then, suddenly, from upstairs, you hear the toilet flush.
”
”
Harlan Coben (Caught)
“
And put me down right this minute or I'll scream bloody murder, then do the job for real!"
"I already hid all the electrical appliances, and I'm not taking a shower without locking you in the closet first.
”
”
Susan Elizabeth Phillips (Nobody's Baby But Mine (Chicago Stars, #3))
“
An embarrassing scream escapes as he changes the angle of his hips and hits a spot that instantly makes my legs violently shake. “Oh my God,” I moan. And this time, I can’t stop my head from dropping back to the mirror behind me and my eyes from rolling backwards. “That's right, baby. I am your fucking God,” he growls before I feel his teeth sink into my neck.
”
”
H.D. Carlton (Haunting Adeline (Cat and Mouse, #1))
“
As he ran next to Noriko, a thought suddenly occurred to him. The screaming, their hasty footsteps, and the officer warning them to stop all receded as his mind was occupied with this thought.
It might have been inappropriate. And besides… he'd ripped it off. Oh, man.
But still he thought this:
Together Noriko we'll live with the sadness. I'll love you with all the madness in my soul. Someday girl I don't know when we're gonna get to that place. Where we really want to go and we'll walk in the sun. But till then tramps like us baby we were born to run.
”
”
Koushun Takami (Battle Royale)
“
Mr. Young hadn't had to quiet a screaming baby for years. H'ed never been much good at it to start with. He'd always respected Sir Winston Churchill, and patting small versions of him on the bottom had always seemed ungracious.
”
”
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
“
I’m an adult,” the boy says. “I got rights.”
“Everybody’s got rights. A man tied to a bed got rights. A man down in a dungeon got rights. A little screaming baby got rights. Yeah, you got rights. What you don’t got is power.
”
”
Justin Torres (We the Animals)
“
There is a child - a baby - who long since kicked off her blankets. Her skin is ashen and her mouth open in a perpetual yet silent scream. She isn't old enough to roll over, to sit up, to climb. So she lies there kicking her fat legs against the footboard of the crib, eternally calling for her mother. For food. For flesh.
”
”
Carrie Ryan (The Forest of Hands and Teeth (The Forest of Hands and Teeth, #1))
“
Everyone is born a freak," notes Hayley. "Every newborn baby, wet and hungry and screaming, is a fresh-hatched freak who wants to have a good time and make the world a better place. . . . Most teenagers wind up in high school. And high school is where the zombification process becomes deadly.
”
”
Laurie Halse Anderson (The Impossible Knife of Memory)
“
AM said it with the sliding cold horror of a razor blade slicing my eyeball. AM
said it with the bubbling thickness of my lungs filling with phlegm, drowning me from within. AM said it with the shriek of babies being ground beneath blue-hot rollers. AM said it with the taste of maggoty pork. AM touched me in every way I had ever been touched, and devised new ways, at his leisure, there inside my mind.
”
”
Harlan Ellison (I Have No Mouth & I Must Scream)
“
You scared the shit out of me last night, so forgive me if I don't want to hear fine as an answer."
I rubbed my eyes, hoping it would keep the burning tears away. The warm water of the shower had finally calmed the tears, but the thought of Noah walking away brought them back.
"What do you want to hear? That I'm exhausted? Terrified? Confused? That all I want to do is rest my head on your chest and sleep for hours, but that's not going to happen because you're leaving me?"
"Yes," he said quickly, then just as quick said, "No. Everything but the last part." He paused. "Echo, how could you think I would leave you? How can you doubt how I feel?"
"Because," I said as I felt the familiar twisting in my stomach.
"You saw me lose it. You saw me almost go insane."
The muscles in his shoulders visibly tensed.
"I watched you battle against the worst memory of your life and I watched you win. Make no mistake, Echo. I battled right beside you. You need to find some trust in me ... in us."
Noah inhaled and slowly let the air out. His stance softened and so did his voice.
"If you're scared, tell me. If you need to cry and scream, then do it. And you sure as hell don't walk away from us because you think it would be better for me. Here's the reality, Echo: I want to be by your side. If you want to go to the mall stark naked so you can show the world your scars, then let me hold your hand. If you want to see your mom, then tell me that, too. I may not always understand, but damn, baby, I'll try.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
I was sleeping like a baby - waking up every three hours screaming and crapping my pants.
”
”
John Swartzwelder (The Time Machine Did It)
“
Wendy taught me to curse, matched my clothing, brushed my hair before school, and let me sleep in bed with her when bad dreams woke me up. She fell in love often, and with great fanfare, throwing herself into each romance with the focus of an Olympic athlete. Now she's a mother and a wife, who tries to get her screaming baby to sleep through the night, tries to stop her boys from learning curse words, and calls romantic love useless. Sometimes it's heartbreaking to see your siblings as the people they've become. Maybe that's why we all stay away from each other as a matter of course.
”
”
Jonathan Tropper (This is Where I Leave You)
“
I want you to know it was no big deal...those movies showing women screaming in labor are plain bullshit....there's nothing to it...you just push and push and finally the baby pops out...to tell you the truth I don't even rember that much about it except there was a very nice guy standing over me and every time a strong contraction started he gave me a whiff of gas...
”
”
Judy Blume (Forever...)
“
His world closes in. The sky is endless no longer but pieced into squares of brick and bright cloths hanging down to dry. Underfoot, no longer stone but rubble, earth, the peelings and rotted scraps of the inedible. He smells the smoke of cooking fires, he hears men arguing and babies screaming like seagulls, he sees young women looking shyly down from high windows, exchanging glances. Now, he is no longer the watcher. Watched. Shouts echo in the dark between twisted walls and back alleys. A twisted smile in a doorway. A stranger’s voice. A stranger’s language.
”
”
Michael Tobert (Karna's Wheel)
“
when you’re sitting on a plane 40, 000 feet up in the air, looking out the window, dreaming of your future and how bright it appears to be, or maybe just watching the drops of rain being pushed into different designs from the force of air at 400 mph, well, life feels good. it feels safe, your seat belt is on and your feet are up. then the oxygen masks fall, the plane jumps, snaps and jolts. people start to scream, babies burst out crying, people start praying all in time to the overhead announcement that we’re gonna crash. right then, as your life flashes before your eyes, you hear yourself say, “god, if you get me outta this one, i’ll stop [insert lie here] forever.” right then the nose of the plane pulls up and the captain says, “wow, that was a close one, folks. we’re ok, we’ll be landing in thirty minutes and we’re all safe and sound, sorry for the scare…” that’s how getting hooked on junk is, and when the kick is over you can’t believe you ever got on that plane in the first place. the question is, will you ever fly again?
”
”
Nikki Sixx (The Heroin Diaries: A Year in the Life of a Shattered Rock Star)
“
If the thing they were fighting for was important enough to die for then it was also important enough for them to be thinking about it in the last minutes of their lives. That stood to reason. Life is awfully important so if you've given it away you'd ought to think with all your mind in the last moments of your life about the thing you traded it for. So did all those kids die thinking of democracy and freedom and liberty and honor and the safety of the home and the stars and stripes forever?
You're goddamn right they didn't.
They died crying in their minds like little babies. They forgot the thing they were fighting for the things they were dying for. They thought about things a man can understand. They died yearning for the face of a friend. They died whimpering for the voice of a mother a father a wife a child They died with their hearts sick for one more look at the place where they were born please god just one more look. They died moaning and sighing for life. They knew what was important They knew that life was everything and they died with screams and sobs. They died with only one thought in their minds and that was I want to live I want to live I want to live.
He ought to know. He was the nearest thing to a dead man on earth.
”
”
Dalton Trumbo (Johnny Got His Gun)
“
His, sis, guess what? You're going to be an aunt! Lucy and I just found out we're having a baby. If it comes out screaming, we're naming it after you.
Much love,
Alex
”
”
Jenny B. Jones (There You'll Find Me)
“
One day I'll give birth to a tiny baby girl
and when she's born she'll scream
and I'll tell her to never stop
I will kiss her before I lay her down at night
and will tell her a story so she knows
how it is and how it must be for her to survive
I'll tell her to set things on fire
and keep them burning
I'll teach her that fire will not consume her
that she must use it
”
”
Nicole Blackman
“
Putting his mouth close to her ear, he said, “I’m going to ride you raw, baby, but you won’t care. It’s going to feel so good, all you’ll be able to think about is getting me back inside you. Keeping me here, packed up tight and deep, screwing into you so hard you go hoarse from your screams . . .
”
”
Rhyannon Byrd (Take Me Under (Dangerous Tides, #1))
“
If you're scared, tell me. If you need to cry and scream, then do it. And you sure as hell don't walk away from us because you think it would be better for me. Here's the reality, Echo: I want to be your side. If you want to go the mall stark naked so you can show the world your scars, then let me hold your hand. If you want to see your mom, then tell me that, too. I may not always understand, but damn, baby, I'll try.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
All these young mothers chauffeuring their volcanic three-year-olds through the grocery store. The child's name always sounds vaguely presidental, and he or she tends to act accordingly. "Mommy hears what you're saying about treats," the woman will say, "But right now she needs you to let go of her hair and put the chocolate-covered Life Savers back where they came from."
"No!" screams McKinley or Madison, Kennedy or Lincoln or beet-faced baby Reagan. Looking on, I always want to intervene. "Listen," I'd like to say, "I'm not a parent myself, but I think the best solution at this point is to slap that child across the face. It won't stop its crying, but at least now it'll be doing it for a good reason.
”
”
David Sedaris (Let's Explore Diabetes with Owls: Essays, Etc.)
“
There are times when the adoption process is exhausting and painful and makes you want to scream. But, I am told, so does childbirth.
”
”
Scott Simon (Baby, We Were Meant for Each Other: In Praise of Adoption)
“
This baby let's me take my low E string from an E Note to a D and back in a flash without having to retune. It can cry like a baby and scream like a devil; it's got angel wings and horns both,and it'll kiss you at the same time it fucks you. Not many dudes can top that,right?
”
”
C.M. Stunich (Real Ugly (Hard Rock Roots, #1))
“
Suddenly I realized, horrified, that Darry was crying. He didn’t make a sound, but tears were running down his cheeks. I hadn’t seen him cry in years, not even when Mom and Dad had been killed. (I remembered the funeral. I had sobbed in spite of myself; Soda had broken down and bawled like a baby; but Darry had only stood there, his fists in his pockets and that look on his face, the same helpless, pleading look that he was wearing now.) In that second what Soda and Dally and Two-Bit had been trying to tell me came through. Darry did care about me, maybe as much as he cared about Soda, and because he cared he was trying too hard to make something of me. When he yelled “Pony, where have you been all this time?” he meant “Pony, you’ve scared me to death. Please be careful, because I couldn’t stand it if anything happened to you.” Darry looked down and turned away silently. Suddenly I broke out of my daze. “Darry!” I screamed, and the next thing I knew I had him around the waist and was squeezing the daylights out of him. “Darry,” I said, “I’m sorry . . .” He was stroking my hair and I could hear the sobs racking him as he fought to keep back the tears. “Oh, Pony, I thought we’d lost you . . . like we did Mom and Dad . . .” That was his silent fear then—of losing another person he loved. I remembered how close he and Dad had been, and I wondered how I could ever have thought him hard and unfeeling. I listened to his heart pounding through his T-shirt and knew everything was going to be okay now. I had taken the long way around, but I was finally home. To stay.
”
”
S.E. Hinton (The Outsiders)
“
I didn’t know this then, but the truth is there’s no such thing as an uncomplicated pregnancy. We all give something up in exchange for our babies. Nearly everyone on this planet was welcomed by the sounds of a woman screaming.
”
”
Danielle Valentine (Delicate Condition)
“
Briseis is kneeling by my body. She has brought water and cloth, and washes the blood and dirt from my skin. Her hands are gentle, as though she washes a baby, not a dead thing. Achilles opens the tent, and their eyes meet over my body.
"Get away from him," he says.
"I am almost finished. He does not deserve to lie in filth."
"I would not have your hands on him."
Her eyes are sharp with tears. "Do you think you are the only one who loved him?"
"Get out. Get out!"
"You care more for him in death than in life." Her voice is bitter with grief. "How could you have let him go? You knew he could not fight!"
Achilles screams, and shatters a serving bowl. "Get out!"
Briseis does not flinch. "Kill me. It will not bring him back. He was worth ten of you. Ten! And you sent him to his death!"
The sound that comes from him is hardly human. "I tried to stop him! I told him not to leave the beach!"
"You are the one who made him go." Briseis steps towards him. "He fought to save you, and your darling reputation. Because he could not bear to see you suffer!"
Achilles buries his face in his hands. But she does not relent. "You have never deserved him. I do not know why he ever loved you. You care only for yourself!"
Achilles' gaze lifts to meet hers. She is afraid, but does not draw back. "I hope that Hector kills you."
The breath rasps in his throat. "Do you think I do not hope the same?" he asks.
”
”
Madeline Miller (The Song of Achilles)
“
My brother threw up his hands. "What does a woman need to do, Harry? Rip her clothes off, throw herself on top of you, and shimmy while screaming, 'Do me, baby!'?" he shook his head. "Sometimes you're a frigging idiot.
”
”
Jim Butcher (Small Favor (The Dresden Files, #10))
“
Courtney didn't like babies at the best of times. As far as she was concerned, anything that existed solely to emit drool, vomit, ghastly odors and loud, annoying screams was more trouble than it was worth.
”
”
Ted Naifeh (Courtney Crumrin and the Night Things (Courtney Crumrin #1))
“
If it takes two people to make a baby, why only one person, the woman, is suffering when the baby is not coming? Is it because she is the one with breast and the stomach for being pregnant? Or because of what? I want to ask, to scream, why are the women in Nigeria seem to be suffering for everything more than men?
”
”
Abi Daré (The Girl with the Louding Voice)
“
They died crying in their minds like little babies. They forgot the thing they were fighting for the thing they were dying for. They thought about things a man can understand. They died yearning for the face of a friend. They died whimpering for the voice of a mother a father a wife a child. They died with their hearts sick for one more look at the place where they were born please god just one more look. They died moaning and sighing for life. They knew what was important. They knew that life was everything and they died with screams and sobs. They died with only one thought in their minds and that was I want to live I want to live I want to live.
”
”
Dalton Trumbo (Johnny Got His Gun)
“
Babies are the worst roommates. They’re unemployed. They don’t pay rent. They keep insane hours. Their hygiene is horrible. If you had a roommate that did any of the things babies do, you’d ask them to move out. “Do you remember what happened last night? Today you’re all smiles, but last night you were hitting the bottle really hard. Then you started screaming, and you threw up on me. Then you passed out and wet yourself. I went into the other room to get you some dry clothes, I came back, and you were all over my wife’s breasts! Right in front of me, her husband! Dude, you gotta move out.
”
”
Jim Gaffigan (Dad Is Fat)
“
Sleep when your baby sleeps.” Everyone knows this classic tip, but I say why stop there? Scream when your baby screams. Take Benadryl when your baby takes Benadryl. And walk around pantless when your baby walks around pantless.
”
”
Tina Fey (Bossypants)
“
I want to be above you, beneath you, behind you. I want you weak, drained from coming, hoarse from screaming my name. I’m going to need hours, baby. Fuckin’ days.
”
”
Emma Chase (Getting Schooled (Lakeside #1))
“
When we were babies, we didn’t smile sweetly at our mothers to get them to take care of us. We didn’t pinpoint our discomfort by putting it into words. We simply opened our mouths and screamed. And it didn’t take us long to learn that, the louder we screamed, the quicker they came. The success of this tactic was turned into an “imprint,” a part of our stored memory about how to get the world to respond to our needs: “When you are frustrated, provoke the people around you.
”
”
Harville Hendrix (Getting the Love You Want: A Guide for Couples)
“
I could feel the baby being torn from my insides. It was really painful....Three-quarters of the way through the operation I sat up....In the cylinder I saw the bits and pieces of my little child floating in a pool of blood. I screamed and jumped up off the table....I just couldn't stop throwing up....
”
”
Randy Alcorn (Why Pro-Life?: Caring for the Unborn and Their Mothers (Today's Critical Concerns))
“
Next, the secretary advised me to take a seat while she notified the headmaster of my arrival. During those dreadful moments I did everything I could to remain calm. Nervously, I kept patting my foot to the floor and heard each and every tap. Suddenly, shouts of extreme havoc rung out just like the other times! “Oh God no! Jesus, please help me Lawd! I got you, Sir, I got you,” were screams filling the airwaves. The door opened and a battered female raced rightpast me with her hands covering her face. She kept mumbling phrases that shouldn’t be repeated by innocent lips. I couldn’t believe those disgusting words coming out of her baby-sized mouth.
Then damn, another nightmare was possibly moments away. I needed an out and fast. Fearing for my life, I formulated my plan of action. Right before Principal Shellshock steadies his paddle, I was going to blow out all the gas I reserved in my little butt. I was never a fan of the fart game, but I was scheming like a veteran. That’s all I had, and it was my “A game.” My intentions were to rip a good hard one that opens my belt, ruffles my pants, and sends my new shoes flyingacross the room. Then all options would be left to the principal. He could chance tearing into me and losing a lung or take cover and let me go. Punishing me will become a hazard to his health.
For the moment, I felt really good about that notion. I didn’t have much else to cling to, but I was dangerously packing breakfast from Aunt Kathy. Yes, I was sure my stink bomb defense would win that day. According to past reports, I would be the first and only kid at Mitchell Memorial to get on the scoreboard against the headmaster. Make that, Hal “1” and Principal Shell Shock “0.
”
”
Author Harold Phifer (My Bully, My Aunt, & Her Final Gift)
“
I smashed his hand as hard as I could with the Wiffle bat.
"Ow!" he screamed.
Carson was rubbing his red palm, inspecting it for damage. "That hurt," he shrieked. "You really hurt me."
"Right back at you," I said. "Good-bye Carson."
He frowned, massaging his hand, the big baby. "I just wanted to end this nicely."
"Yeah?" I cocked the bat up to hit him again. "Well, this time you don't get what you want.
”
”
Rachel Vail (You, Maybe: The Profound Asymmetry of Love in High School)
“
The louder the babies screamed, the brighter the lights.
”
”
Jerry Spinelli (Milkweed)
“
Do you remember what we just did? Please tell me you remember what we just did."
She briefly toyed with the idea of lying and saying no, just to see the look on his face, but she'd had enough of having her brain played with – it wouldn't be too sporting to do the same to him. "Yes, I remember, and don't you think for one minute that just because you had me on my back screaming I was 'yours'," she waved four fingers in quotation marks in front of his face, "that it gives you any kind of ownership over me, because it doesn't."
He looked annoyed, then relieved, then he laughed. "Yeah, whatever, baby.
”
”
Dianna Hardy (The Sands Of Time (The Witching Pen series, #2))
“
This is the one thing I hope: that she never stopped. I hope when her body couldn’t run any farther she left it behind like everything else that tried to hold her down, she floored the pedal and she went like wildfire, streamed down night freeways with both hands off the wheel and her head back screaming to the sky like a lynx, white lines and green lights whipping away into the dark, her tires inches off the ground and freedom crashing up her spine. I hope every second she could have had came flooding through that cottage like speed wind: ribbons and sea spray, a wedding ring and Chad’s mother crying, sun-wrinkles and gallops through wild red brush, a baby’s first tooth and its shoulder blades like tiny wings in Amsterdam Toronto Dubai; hawthorn flowers spinning through summer air, Daniel’s hair turning gray under high ceilings and candle flames and the sweet cadences of Abby’s singing. Time works so hard for us, Daniel told me once. I hope those last few minutes worked like hell for her. I hope in that half hour she lived all her million lives.
”
”
Tana French (The Likeness)
“
Toddlers were running the place like some miniature version of Lord of the Flies, complete with weapons made from blocks and tinker toys. One of them came at me, charging my knees and the pink pod that held my precious baby. I screamed and made a run for the front door, flip-flops sticking to squelchy dried puddles of juice. I let out a relieved sigh when we were outside breathing fresh air. The near-deafening roar of the highway was a lark song compared to the screeching we’d just escaped.
”
”
Piper Vaughn (One Small Thing (One Thing, #1))
“
She brought her elbow
backward and connected with Rand’s ribs. He swore and released her.
She whirled on him. “That’s for being so arrogant!”
Rand advanced on her, and the grin on his face wasn’t at all reassuring. She took one step
back, then turned to sprint into the bathroom, when a pair of hands caught her and slung her over
a hard muscled shoulder.
“Put me down right now!” She screamed as she pummeled his back. “You are the most
annoying, selfish, barbaric, horny man I know, Rand Miller!”
He set her back on her feet inside the bathroom, then cupped her chin in his palm. “You
are the most gorgeous, intelligent, feisty woman I know, Lucy Flemming.”
Lucy narrowed her eyes. What was he up to now? “Flattery won’t help you out of this
one.”
“It’s not flattery. It’s the truth,” he murmured as he leaned close to her ear. “And, baby?”
“Yes?” she answered, her voice nearly inaudible as his nearness began to override her
anger.
“I’d better be the only horny man you know.
”
”
Anne Rainey (Reckless Exposure (Three Kinds of Wicked, #3))
“
Rush please," I begged, fighting the urge to grab his hand and force him to bring me relief from the throbbing underneath his touch "I need..." I didn't know what I needed. I just needed.
Rush lifted his head and ran his nose up my neck then pressed a kiss to my chin.
"I know what you need. I'm just not sure I can handle watching you get it. You've got me all kinds of worked up, girl. I'm trying hard to be a good boy. I can't lose control in the back of damn car."
I shook my head. He couldn't stop. I didn't want him to be good. I wanted him inside me. Now. "Please, don't be good. Please," I begged. Rush let out a rugged breath "Shit, baby. Stop it. I'm going to explode. I'll give you your release but when I finally bury myself inside you for the first time you won't be sprawled in the back of my car. You'll be in my bed."
His hand moved before I could respond and my eyes rolled back in my head. "That's it. Come for me, sweet Blaire. Come on my hand and let me feel it. I want to watch you." His words sent me spiralling over the edge of the cliff I'd been trying so hard to reach.
"Ruuuuuush!" I heard the loud cry that came from me as i went falling into complete bliss. I knew I was crying for him, screaming out his name and maybe even clawing at him but I could no longer control myself. The ecstasy was too much.
”
”
Abbi Glines (Fallen Too Far (Rosemary Beach, #1; Too Far, #1))
“
I clicked the gate shut and slipped down the alley. Through one fence after another, I caught glimpses of people in their dining rooms and living rooms, eating and watching TV dramas. Food smells drifted into the alley through kitchen windows and exhaust fans. One teenaged boy was practicing a fast passage on his electric guitar, with the volume turned down. In a second floor window, a tiny girl was studying at her desk, an earnest expression on her face. A married couple in a heated argument sent their voices out to the alley. A baby was screaming. A telephone rang. Reality spilled out into the alley like water from an overfilled bowl - as sound, as smell, as image, as plea, as response.
”
”
Haruki Murakami (The Wind-Up Bird Chronicle)
“
So this is what you two do when you’re up here,” Dean drawls. “All that deep, intensive tutoring.” He air-quotes the last word, chuckling in delight.
“Actually, Garrett’s just helping me brush up on my make-out skills,” I tell Dean in the most casual voice I can muster.
Dean snickers. “’That so?”
“Okay…” Dean’s eyes gleam. “Then I’m calling your bluff, baby doll. Show me your moves.”
I blink in surprise. “What?”
“If a doctor told you you’ve got ten days to live, you’d go for a second opinion, wouldn’t you? Well, if you’re worried about being a crappy kisser, you can’t just take G’s word for it. You need a second opinion.” His brows lift in challenge. “Let me see what you’ve got.”
“Stop being a jackass,” Garrett mutters.
“No, he has a point,” I answer awkwardly, and my brain screams, What?
He has a point? Apparently Garrett’s body-melting kisses have turned me into a crazy person.
”
”
Elle Kennedy (The Deal (Off-Campus, #1))
“
Then Tylar, I suggest we stop fucking,” he replied, a look of sincere concern on his handsome face. “I’d hate for our child to hear some of the things that Mommy screams when Daddy hits her special spot.
”
”
Andrea Smith (Maybe Baby (Baby Lite, #1))
“
While we searched for you, the Bullets screamed your nickname over and over. It was the first time someone called you something that completely illustrated what it felt like to look at you. You’re Sunshine, Baby. You’re light. Warmth. Pure life illuminating those lucky enough to know you.
”
”
Coralee June (Sunshine and Bullets (The Bullets, #1))
“
Laila remembered how Mammy had dropped to the ground, how she’d screamed, torn at her hair. But Laila couldn’t even manage that. She could hardly move. She could hardly move a muscle.
She sat on the chair instead, hands limp in her lap, eyes staring at nothing, and let her mind fly on. She let it fly on until it found the place, the good and safe place, where the barley fields were green, where the water ran clear and the cottonwood seeds danced by the thousands in the air; where Babi was reading a book beneath an acacia and Tariq was napping with his hands laced across his chest, and where she could dip her feet in the stream and dream good dreams beneath the watchful gaze of gods of ancient, sun-bleached rock.
”
”
Khaled Hosseini (A Thousand Splendid Suns)
“
Come out, come out, little Harry!" she called in her mock-baby voice, which echoed off the polished wooden floors. "What did you come after me for, then? I thought you were here to avenge my dear cousin!"
"I am!" shouted Harry, and a score of ghostly Harrys seemed to chorus I am! I am! I am! all around the room.
"Aaaaaah... did you love him, little baby Potter?"
Hatred rose in Harry such as he had never known before. He flung himself out from behind the fountain and bellowed "Crucio!"
Bellatrix screamed. The spell had knocked her off her feet, but she did not writhe and shriek with the pain as Neville had -- she was already on her feet again, breathless, no longer laughing. Harry dodged behind the garden fountain again -- her counterspell hit the head of the handsome wizard, which was blown off and landed twenty feet away, gouging long scratches into the wooden floor.
"Never used an Unforgivable Curse before, have you, boy?" she yelled. She had abandoned her baby voice now. "You need to mean them, Potter! You need to really want to cause pain -- to enjoy it -- righteous anger won't hurt me for long -- I'll show you how it is done, shall I? I'll give you a lesson--!
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
Imagine the state of one's mind if they were to recall its details. All those months cocooned and then the onslaught of this ugly world. Lights and noise and strangeness. It's no wonder we scream with terror at our birth.
”
”
Melina Marchetta (Quintana of Charyn (Lumatere Chronicles, #3))
“
I was minutes away from stripping naked and screaming, "Oh yeah, baby, finger my name tag!
”
”
Tabatha Vargo (On the Plus Side (Chubby Girl Chronicles, #1))
“
tantrum. I don’t want to have a baby but sometimes I want to be a baby because it’s socially acceptable for them to cry and scream in public.
”
”
Jen Kirkman (I Can Barely Take Care of Myself: Tales From a Happy Life Without Kids)
“
Everybody's got rights. A man tied to a bed got rights. A man down in a dungeon got rights. A little screaming baby got rights. Yeah, you got rights. What you don't got is power.
”
”
Justin Torres (We the Animals)
“
Hey, nit squat! These are written by norms to scare norms. And do you know what the monsters and demons and rancid spirits are? Us, that’s what. You and me. We are the things that come to the norms in nightmares. The thing that lurks in the bell tower and bites out the throats of the choirboys—that’s you, Oly. And the thing in the closet that makes the babies scream in the dark before it sucks their last breath—that’s me. And the rustling in the brush and the strange piping cries that chill the spine on a deserted road at twilight—that’s the twins singing practice scales while they look for berries.
Don't shake your head at me! These books teach me a lot. They don't scare me because they're about me. Turn the page.
”
”
Katherine Dunn (Geek Love)
“
Have you ever put finger, algea-filled lake-water, or shampoo in there? Yeah, that gets your eyes screaming in pain pretty quick, doesn't it? Unless you're using baby No More Tears shampoo, of course, in which case feel free to lather your eyeballs right on up, no worries.
”
”
Neil Pasricha (The Book of Awesome)
“
You risked your life for me." He took my shoulders into his hands. "When are you going to learn, Dutch: No one matters but you and the baby. You keep risking your life--" He threw one hand out to indicate our surroundings. "--on things that are not the least bit important." He stepped even closer. "On people who committed suicide and crazy chicks in cemeteries and--" He stopped and dropped a heated gaze on me. His voice cracked when he said in a hushed tone, "I can't lose you."
"And I can lose you?" I asked, almost screaming at him.
He lowered his head and pinched the bridge of his nose with his thumb and index finger. Then he admitted what was probably his greatest fear. "I don't know how to win. I don't have the faintest idea of how to kill the Twelve. And when I saw your name on that wall." His breath hitched in his chest. Then he focused his coffee-colored gaze on me. "If you die," he said with a savage vehemence in his voice, "I will go straight to hell and kill every demon there. Or I'll perish in the attempt.
”
”
Darynda Jones (Seventh Grave and No Body (Charley Davidson, #7))
“
Hank, I can't stand it!"
"You can't stand what, baby?" "The situation."
"What situation, babe?"
"Me working and you laying around. All the neighbors think I am supporting you."
"Hell, I worked and you laid around."
"That's different. You're a man, I'm a woman."
"Oh, I didn't know that. I thought you bitches were always screaming for equal rights?
”
”
Charles Bukowski (Post Office)
“
You were screaming. I wanted you to stop, I wanted … I wanted you. I wanted you like a caveman wants a wildfire … or the sun. I thought you were going to take me, somehow. Purge me. Use me as an instrument. But you didn’t say anything … I was babbling, Show me. Come on. I’m ready. You kept screaming and screaming … like a baby in pain. So I tried to hurt you—I did hurt you. I reached out for you, and it hurt you … but I wasn’t strong enough. The caveman. The wildfire. The Neolithic priest staggering in front of the falling star.
”
”
Tamsyn Muir (Nona the Ninth (The Locked Tomb, #3))
“
A friend of mine’s just had a baby,” Niki said. “She’s really pleased. I can’t think why. Horrible screaming thing she’s produced.
”
”
Kazuo Ishiguro (A Pale View of Hills)
“
He turned my face toward his. “I want you to look at me when I tell you this. Look me right in the eyes, baby, and hear what I’m saying… I would rather walk through hell with you every day than spend one day in heaven without you. I love you, Lily. If you need to yell and scream then yell and scream. And when you’re done I’ll hold you in my arms and make sure you never forget that you are the reason I was put on this earth. It was an ugly twisted road, but this – you and me – we were always meant to find each other. And I was always meant to love you.
”
”
Pamela Sparkman (Stolen Breaths (Stolen Breaths #1))
“
And, baby, I can’t put my hands on you…” he pressed his hips to her lower back, the hard ridge of his erection branding her, “…and not strip us both to our skin and fuck you until you’re screaming in pleasure.” His warm mouth brushed her neck. “No fear, just pleasure,”
Excerpt From: Lyon, Jennifer. “The Proposition.” iBooks.
This material may be protected by copyright.
”
”
Jennifer Lyon (The Proposition (The Plus One Chronicles, #1))
“
I am very thankful that man took one look at me showing with a baby coming along, with my hair falling down, and the broom lying at a mound of broken glass, and supper boiling over on the stove, April wearing a dirty pinafore screaming for me to hold her, and just then the baby in my arms spit up all over me, and he said, You know . . .I'd be kindly obliged if you'd let me have supper some other time.
”
”
Nancy E. Turner
“
Always so fucking wet for me,” he groans, then inserts his finger deep inside of me, “I hope you’re ready, baby, because tonight, Grace, I am going to kiss, taste and fuck every inch of your sweet body. I’m going to bring you so much fucking pleasure your voice will go hoarse from screaming with it.” Oh god! I already feel like screamin’.
”
”
K.C. Lynn (Sweet Temptation (Men of Honor, #2))
“
Black women are always the loudest when they have babies. Screaming to Jesus, usually. White women are much quieter, right up until the baby starts to crown. Then you can't tell a white woman from a black woman. Asian women make no sound at all. Quiet as church mice. We have to keep an extra-careful eye on them, because if we don't keep checking their hootchies they'll give birth without even letting us know.
”
”
Jenny Lawson (Let's Pretend This Never Happened: A Mostly True Memoir)
“
Julian made a noise. It was a noise Emma couldn't have described, not as human a sound as a how or a scream. It sounded like it was ripped out of the inside of him, like something brutal was tearing through his chest. He dropped the longsword Livvy had risked so much to bring him, fell to his knees and crawled to her, pulling her into his lap.
'Livvy, Livvy, my Livvy' he whispered, cradling her, feverishly stroking her blood-wet hair away from her face. There was so much blood. He was covered in it in seconds; it had soaked through Livvy's clothes, even her shoes were drenched in it. 'Livia' His hands shook; he fumbled out his stele and put it on her arm.
Emma felt as if someone had punched her in the stomach. There were wounds that were beyond and iratze's power. Healing runes only vanished from skin when an occupational poison was involved--or when the person was already dead.
'Livia,' Julian's voice rose, cracking and tumbling over itself like a wave breaking too far out to sea. 'Livvy, my baby, please, sweet- heart, open your eyes it's Jules, I'm here for you, I'm always here for you, please,please--'
Blackness exploded behind Emma's eyes. The pain in her arm was gone; she felt nothing but rage. Rage that bleached everything else out of the world except the sight of Annabel cringing against the lectern, staring at Julian cradling his sister's dead body. At what she'd done.
”
”
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
“
Thoughts of you runnin’ through my head
Heart’s pumpin’ full speed ahead
Body’s screaming to get you in bed
Need you, want you, baby gotta be mine
Come to me girl, I’m done wastin’ time
You ask me to wait, don’t know if I can
Too scared to lose, I’m only a man
But I can’t let you go, can’t shut the
door
Heart’s telling me you’re worth waiting for
The feel of your lips, hot breath on my skin
Touching you, touching me, I’d relish the sin
Let’s find a way for us both to win
Need you, want you, baby gotta be mine
Come to me girl, I’m done wastin’ time
You ask me to wait, don’t know if I can
Too scared to lose, I’m only a man
But I can’t let you go, can’t shut the door
Heart’s telling me you’re worth waiting for
Forever I’ll wait, it’s drivin’ me mad
Driven by memories I’ve not yet had
Hangin’ on a promise of you and me
Hope springs eternal for things that
could be
You ask me to wait, don’t know if I can
Too scared to lose, I’m only a man
But I can’t let you go, can’t shut the
door
Heart’s telling me you’re worth waiting
for
You ask me to wait, don’t know if I can
Too scared to lose, I’m only a man
Bring on the torture, forever and more
’Cause girl it’s true, you’re worth
waiting for
”
”
Kelly Oram (A Is for Abstinence (V Is for Virgin, #2))
“
That there is in this world neither brains, nor goodness, nor good sense, but only brute force. Bloodshed. Starvation. Death. That there was not the slightest hope not even a glimmer of hope, of justice being done. It would never happen. No one would ever do it. The world was just one big Babi Yar. And there two great forces had come up against each other and were striking against each other like hammer and anvil, and the wretched people were in between, with no way out; each individual wanted only to live and not be maltreated, to have something to eat, and yet they howled and screamed and in their fear they were grabbing at each other’s throats, while I, little blob of watery jelly, was sitting in the midst of this dark world. Why? What for? Who had done it all? There was nothing, after all, to hope for! Winter. Night.
”
”
Anatoly Kuznetsov (Babi Yar: A Document in the Form of a Novel)
“
Why are you here?” she asked weakly. “You know why.” “No, I don’t,” she replied. “I think you do,” he murmured. “I don’t.” “Melissa, we’re not going to pretend it didn’t happen.” Crow nuzzled her neck. “What didn’t happen?” Melissa moaned. “Need a reminder?” he whispered into her ear. Melissa’s knees buckled as her mind waged war with her senses. Every nerve ending in her body craved his touch, while her instincts screamed at her to run for her life. And there she stood wedged between the wall and Crow—between logic and lust. Caught in a spider’s web of need and confusion and heat. “I think we better stop,” she breathed out. “Baby, I’m not stopping. But I promise to go real slow.
”
”
Paula Marinaro (Taming Crow (Hells Saints Motorcycle Club, #3))
“
I wanted to tell you: the world is full of stories. I wanted to tell you: Baby, I've seen such incredible things in this life. You weren't a baby yet. You were a possibility. But I wanted to tell you that every person you'd ever meet would hold an infinite world inside. It was one of the only promises I could make to you in good conscience.
”
”
Leslie Jamison (Make It Scream, Make It Burn)
“
He turned her ninety degrees. "To get back to the ranger station and your car, you want to go southwest," he said.
Right. She knew that, and she stalked off in the correct direction.
"Watch out for bears," Matt called after her.
"Yeah, okay," she muttered, "and I'll also keep an eye out for the Tooth Fairy."
"Three o'clock."
Amy craned her neck and froze. Oh sweet baby Jesus, there really was a bear at three o'clock. Enjoying the last of the sun, he was big, brown and shaggy, and big. He lay flat on his back, his huge paws in the air as he stretched, confident that he sat at the top of the food chain. "Holy shit," she whispered, every Discovery Channel bear mauling she'd ever seen flashing in her mind. She backed up a step, and then another, until she bumped into a brick wall and nearly screamed.
"Just a brown bear," said the brick wall that was Matt.
”
”
Jill Shalvis (At Last (Lucky Harbor, #5))
“
People think blood red, but blood don't got no colour. Not when blood wash the floor she lying on as she scream for that son of a bitch to come, the lone baby of 1785. Not when the baby wash in crimson and squealing like it just depart heaven to come to hell, another place of red. Not when the midwife know that the mother shed too much blood, and she who don't reach fourteen birthday yet speak curse 'pon the chile and the papa, and then she drop down dead like old horse. Not when blood spurt from the skin, on spring from the axe, the cat-o'-nine, the whip, the cane and the blackjack and every day in slave life is a day that colour red. It soon come to pass when red no different from white or blue or black or nothing. Two black legs spread wide and mother mouth screaming. A black baby wiggling in blood on the floor with skin darker than midnight but the greenest eyes anybody ever done seen. I goin' call her Lilith. You can call her what they call her.
”
”
Marlon James (The Book of Night Women)
“
I'm here for the rollercoaster, baby, for the lights and the colors and the screams.
”
”
Cassondra Windwalker (Idle Hands)
“
Where are you baby girl?
I scream and her head splits open, peeling away like a costume to reviel Wayne.
Staring.
Always staring.
”
”
Megan Lally (That's Not My Name: A Pulse-Pounding YA Thriller of Secrets, Lies, and Betrayal)
“
Gwen, baby, I need you to be quiet. You can scream for me later. But right now, I need you to shut your mouth and take this cock like the good girl I know you can be.
”
”
Elsie Silver (Wild Card)
“
AM said it with the shriek of babies being ground beneath blue–hot rollers.
”
”
Harlan Ellison (I Have No Mouth and I Must Scream)
“
I admit I am an unnatural thing for not loving my child. But I hardly know my child. How can anyone love a thing that reveals nothing of itself. . . except for its unending screams?
”
”
Celine Loup (The Man Who Came Down the Attic Stairs)
“
Even though everything in the past twenty-four hours had been leading to this, even though it was a fear Isabel had harboured from the day she had first laid eyes on Lucy as a baby, still, the moment ripped through her.
'Please!’ she pleaded through tears.
‘Have some pity!’
Her voice reverberated around the bare walls.
‘Don’t take my baby away!’
As the girl was wrenched from her screaming, Isabel fainted onto the stone floor with a resounding crack.
”
”
M.L. Stedman
“
It is instead the middle, the liberal, well-meaning, easily upset middle, that desperately needs the protection this kind of language provides. Because it is the middle of the empire that must look upon this and say: Yes, this is tragic, but necessary, because the alternative is barbarism. The alternative to the countless killed and maimed and orphaned and left without home without school without hospital and the screaming from under the rubble and the corpses disposed of by vultures and dogs and the days-old babies left to scream and starve, is barbarism.
”
”
Omar El Akkad (One Day, Everyone Will Have Always Been Against This)
“
I almost rolled my eyes. “What do you want, Lucifer? To insult me again?”
“Oh, worse, baby,” he whispered, his face close enough that his breath tickled my ear. “I’m going to make you scream.
”
”
Marie Annilla (Sinful Games (The Sinful, #2))
“
The whole "lets find Bigfoot" thing seems a little ill-planned to me, personally. Granted, my perspective is different than that of non-wizards, but marching out into the woods looking for a very large and very powerful creature by blasting out what you're pretty sure are territorial challenges to fight (or else mating calls) seems... somewhat unwise.
I mean, if there's no Bigfoot, no problem. But what if you're standing there, screaming "Bring it on!" and find a Bigfoot?
Worse yet, what if he finds you?
Even worse, what if you were screaming "Do me, baby!" and he finds you then?
Is it me? Am I carzy? Or does the whole thing just seem like a recipe for trouble?
”
”
Jim Butcher (Working for Bigfoot (The Dresden Files, #2.5, 7.3, 11.2))
“
The day Stamp Paid saw the two backs through the window and then hurried down the steps, he believed the undecipherable language clamoring around the house was the mumbling of the black and angry dead. Very few had died in bed, like Baby Suggs, and none that he knew of, including Baby, had lived a livable life. Even the educated colored: the long-school people, the doctors, the teachers, the paper-writers and businessmen had a hard row to hoe. In addition to having to use their heads to get ahead, they had the weight of the whole race sitting there. You needed two heads for that. Whitepeople believed that whatever the manners, under every dark skin was a jungle. Swift unnavigable waters, swinging screaming baboons, sleeping snakes, red gums ready for their sweet white blood.
”
”
Toni Morrison (Beloved (Beloved Trilogy, #1))
“
Then he dreamed that he was in the open door of a plane several thousand feet above the earth and he had to jump holding a baby in his arms. It was his baby. He jumped, pulled the rip cord on the parachute, and it didn’t open. The emergency release didn’t work. He was falling fast. The wind tore at him fiercely. He was gripping the baby as tightly as he could but the wind pried under his arms, strained at his muscles, and suddenly the baby was loose, falling beside him, just out of reach. He flailed and groped in the air, trying to reach it. The baby was falling just a little bit faster than he was. It was below him, falling away from him as he fell after it. The earth screamed up at him. He knew that the baby was going to hit first and he would see it, would know it for a whole fraction of a second before he was smashed into a pulp himself. The terrible millisecond of that grief burst in him and he woke shrieking. He couldn’t get the dream out of his head. He prayed that he would have the dream again but that this time he would fall faster and be allowed to die first.
”
”
Katherine Dunn (Geek Love)
“
Sex is the strongest force in the universe. Forget about the Grand Unifying Theory, Stephen Hawking, I’ll tell you what it is: women. Aren’t women the strongest sex? What force is more magnetic than that? It’s not just pussy. We’re attracted to women for their energy. We’re attracted to their fluidness, their ability to nurture a baby without even knowing how, to be able to put up with screaming and crying and colic and shitty diapers where men would go, “I’m fucking outta here! I’m gonna go kill me a saber-toothed woolly mammoth an’bring it on home to eat tonight. Wa-haaaaaa!” We don’t have tits; we couldn’t nourish a gnat.
”
”
Steven Tyler (Does the Noise in My Head Bother You?)
“
The coin turns; where it falls, nobody knows.
The coin turns, empires rise and empires fall, men live and men die, babies scream and dead men sigh; the world changes but people are always and are never the same.
”
”
Claire North (The Master (The Gameshouse, #3))
“
With the minivan in the air, rolling counterclockwise, the engine racing, Laurie screaming -- a fraction of a second, that's all -- Jacob would have thought of me -- who had held him, my own baby, looked down into his eyes -- and he would have understood I loved him, no matter what, to the very end -- as he saw the concrete wall flying forward to meet him.
”
”
William Landay (Defending Jacob)
“
A writer's greatest pain is reading his own words that once meant everything but as time slid, became a hollow shell of what they used to be. It is like watching your babies blooming and then withering to death in your lifetime. You still love them but the pain outweighs that love until both fade slowly into forgotten memories. You move on but every once in a while something evokes your words, your babies, unburies them from a supposedly forgotten past. And everytime, your insides scream from agony, begging your heart to let go. "I can't", the heart whispers but "I'll share the pain", he adds.
”
”
Ahmed Ghrib
“
If everyone was really having sex, they why was it paradoxically a hush-hush-whisper thing and a scream-it-online-and -in-the-cafeteria thing? If everyone was really having sex, why weren't more girls sporting baby bumps? I know the statistics.
”
”
Laurie Halse Anderson (The Impossible Knife of Memory)
“
I gradually shrank in size until I was a teenager, then a child, and then, at last, a baby, crawling, until inevitably I was sucked naked and screaming through that portal every man's mother possesses, into a black hole where all light vanished. As that last glimmer faded, it occurred to me that the light at the end of the tunnel seen by people who have died and come back to life was not Heaven. Wasn't it much more plausible that what they saw was not what lay ahead of them but what lay behind? This was the universal memory of the first tunnel we all pass through, the light at its end penetrating our fetal darkness...
”
”
Viet Thanh Nguyen (The Sympathizer (The Sympathizer, #1))
“
For dinner Jade microwaves some Stars-n-Flags. They're addictive. They put sugar in the sauce and sugar in the meat nuggets. I think also caffeine. Someone told me the brown streaks in the Flags are caffeine. We have like five bowls each.
After dinner the babies get fussy and Min puts a mush of ice cream and Hershey's syrup in their bottles and we watch The Worst That Could Happen, a half hour computer simulation of tragedies that have never actually occurred but theoretically could. A kid gets hit by a train and flies into a zoo, where he's eaten by wolves. A man cuts his hand off chopping wood and while he's wandering around screaming for help is picked up by a tornado and dropped on a preschool during recess and lands on a pregnant teacher.
”
”
George Saunders (Pastoralia)
“
THE TWINS WERE eighteen months old now, walking (and standing and staring and screaming and sitting) just like other children more or less their age, and Andy found herself increasingly preoccupied with those baby scrapbooks her brother’s wife had sent when they were born. Andy had gotten Janny’s to the six-month mark—the last photo was of her sitting up in the baby bath with her fingers in her mouth. Richie’s and Michael’s—not even birth pictures. Birth pictures of the twins existed, but they reminded Andy more of mug shots than of baby photos, naked in incubators, little skinny limbs and odd heads, no hair except where it shouldn’t be, on arms and back, like monkeys. She had stuffed the scrapbooks onto the upper shelf in the closet in Richie and Michael’s room, and every time she slid open that door, she would see their spines, white, pink, and blue, the silliest objects in her very modern house, ready to get thrown out.
”
”
Jane Smiley (Early Warning)
“
While she strode rapidly through the ward to the door at the other end, she was able to see that every bed or cot held an infant or a small child in whom the human template had been wrenched out of pattern, sometimes horribly, sometimes slightly. A baby like a comma, great lolling head on a stalk of a body... then something like a stick insect, enormous bulging eyes among stiff fragilities that were limbs... a small girl all blurred, her flesh guttering and melting - a doll with chalky swollen limbs, its eyes wide and blank, like blue ponds, and its mouth open, showing a swollen little tongue. A lanky boy was skewed, one half of his body sliding from the other. A child seemed at first glance normal, but then Harriet saw there was no back to its head; it was all face, which seemed to scream at her.
”
”
Doris Lessing (The Fifth Child (Vintage International))
“
Women don't always want the right things in a man. And men don't have even an idea of what they want," she said. "Why, one minute their bodies tell them they want a wild woman that makes their blood rush. The next minute their good sense reminds them that they need a hard worker who is sturdy enough to help plow the field and birth the babies. They want a woman who'll mind their word and not be giving no jawing. But they also want a gal they can complain to when they are scared and unsure and who's smart enough to talk clear about the things goin' on."
"So the wife has to be all those things?"
"No, the wife is none of them," the old woman answered. "The wife is a wife and no further definition is necessary." Granny leaned forward in her chair to look more closely at Meggie. "Roe Farley married you and you were his wife. Nothing further even need to be said."
Her face flushing with embarrassment, she glanced away. "But he doesn't... he didn't love me."
"And did you think he would?"
Momentarily Meggie was taken aback. "Well, yes."
"Lord Almighty, child," Granny said. "Love ain't something that heaven hands out like good teeth or keen eyesight. Love is something two people make together."
Shaking her head, the old woman leaned back in her chair once more and tapped on her pipe. "Love, oh, my, it starts out simple and scary with all that heavy breathing and in the bed sharing," she said. "You a-trembling when he runs his hands acrost your skin, him screaming out your name when he gets in the short rows. That's the easy part, Meggie. Every day thereafter it gets harder. The more you know him, the more he knows you, the longer you are a part of each other, the stronger the love is and the tougher it is to have it.
”
”
Pamela Morsi (Marrying Stone (Tales from Marrying Stone, #1))
“
were running down his cheeks. I hadn’t seen him cry in years, not even when Mom and Dad had been killed. (I remembered the funeral. I had sobbed in spite of myself; Soda had broken down and bawled like a baby; but Darry had only stood there, his fists in his pockets and that look on his face, the same helpless, pleading look that he was wearing now.) In that second what Soda and Dally and Two-Bit had been trying to tell me came through. Darry did care about me, maybe as much as he cared about Soda, and because he cared he was trying too hard to make something of me. When he yelled “Pony, where have you been all this time?” he meant “Pony, you’ve scared me to death. Please be careful, because I couldn’t stand it if anything happened to you.” Darry looked down and turned away silently. Suddenly I broke out of my daze. “Darry!” I screamed, and the next thing I knew I had him around the waist and was squeezing the daylights out of him. “Darry,” I said, “I’m sorry . . .” He was stroking my hair and I could hear the sobs racking him as he fought to keep back the tears. “Oh, Pony, I thought we’d lost you . . . like we did Mom and Dad . . .” That was his silent fear then—of losing another person he loved. I remembered how close he and Dad had been, and I wondered how I could ever have thought him hard and unfeeling. I listened to his heart pounding through his T-shirt and knew everything was going to be okay now. I had taken the long way around, but I was finally home. To stay. Chapter 7
”
”
S.E. Hinton (The Outsiders)
“
To survive this place, you had to want to die. That was the way of the world as remade by toubab, and Samuel's list of grievances was long: They pushed people into the mud and then called them filthy. They forbade people from accessing any knowledge of the world and then called them simple. They worked people until their empty hands were twisted, bleeding, and could do no more, then called them lazy. They forced people to eat innards from troughs and then called them uncivilized. They kidnapped babies and shattered families and then called them incapable of love. They raped and lynched and cut up people into parts, and then called the pieces savage. They stepped on people's throats with all their might and asked why the people couldn't breathe. And then, when people made an attempt to break the foot, or cut it off one, they screamed "CHAOS!" and claimed that mass murder was the only way to restore order.
”
”
Robert Jones Jr. (The Prophets)
“
Ava,’ he says quietly, but I’ve no doubt the whole room can hear him. The silence is screaming. ‘My beautiful girl.’ He smiles mildly. ‘All mine.’ Leaning up, he kisses me sweetly. ‘I don’t need to stand up and declare to everyone here how much I love you. I’m not interested in satisfying anyone of that. Except you.’
A lump is forming in my throat, and he’s only just started.
He sighs. ‘You’ve taken me completely, baby. You’ve swallowed me up and drowned me in your beauty and spirit. You know I can’t function without you. You’ve made my life as beautiful as you are. You’ve made me want to live a worthy existence—a life with you. All I need is you—to look at you; to listen to you; to feel you.’ He drops my hands and smoothes his palms over my thighs. ‘To love you.
”
”
Jodi Ellen Malpas
“
Most other countries didn’t have doodley-squat. Many of them weren’t even inhabitable anymore. They had too many people and not enough space. They had sold everything that was any good, and there wasn’t anything to eat anymore, and still the people went on fucking all the time. Fucking was how babies were made. • • • A lot of the people on the wrecked planet were Communists. They had a theory that what was left of the planet should be shared more or less equally among all the people, who hadn’t asked to come to a wrecked planet in the first place. Meanwhile, more babies were arriving all the time—kicking and screaming, yelling for milk. In some places people would actually try to eat mud or such on gravel while babies were being born just a few feet away. And so on.
”
”
Kurt Vonnegut Jr. (Breakfast of Champions)
“
Have you ever heard a newborn cry as it awakes from a nightmare?” the Long Walker asked. Petty was too stunned by its question to reply. “A newborn, only a few days old,” it went on. “They have nightmares, but not as you would understand. Their minds are unformed, as was your own at that age. A newborn baby can still see the world behind the world, you see? The world where my daddy lives, and me and a few others like us. They can still see us. That’s why they scream as they do.
”
”
Nick Cutter (Little Heaven)
“
One thing he would tell me, though, he said, had to do with babies. Not that he was any kind of expert, but for a brief while, long ago, he had cared for his son, and that experience more than any other had taught him the importance of following your instincts. Tuning in to the situation with all your five senses, and your body, not your brain. A baby cries in the night, and you go to pick him up. Maybe he’s screaming so hard his face is the color of a radish, or he’s gasping for breath, he’s got himself so worked up. What are you going to do, take a book off the shelf, and read what some expert has to say?
You lay your hand against his skin and just rub his back. Blow into his ear. Press that baby up against your own skin and walk outside with him, where the night air will surround him, and moonlight fall on his face. Whistle, maybe. Dance. Hum. Pray.
Sometimes a cool breeze might be just what the doctor ordered. Sometimes a warm hand on the belly. Sometimes doing absolutely nothing is the best. You have to pay attention. Slow things way down. Tune out the rest of the world that really doesn’t matter. Feel what the moment calls for.
”
”
Joyce Maynard (Labor Day)
“
Spittle flew from Jango’s lips as he shouted at the man in a woman’s voice that sounded like it was made of cyanide and sugar that had been laced with the patter of blood dripping on an abattoir floor, “This is the truth about The Killer, ain’t it baby? You’re just a big ol’ bag of screams under all that big, bad muscle, ain’t you?
”
”
Cedric Nye (Jango's Anthem)
“
When a child disappears, the space she’d occupied is immediately filled with dozens of people. And these people—relatives, friends, police officers, reporters from both TV and print—create a lot of energy and noise, a sense of communal intensity, of fierce and shared dedication to a task.
“But amid all that noise, nothing is louder than the silence of the missing child. It’s a silence that’s two and a half to three feet tall, and you feel it at your hip and hear it rising up from the floorboards, shouting to you from corners and crevices and the emotionless face of a doll left on the floor by the bed.
“It’s a silence that’s different from the one left at funerals and wakes. The silence of the dead carries with it a sense of finality; it’s a silence you know you must get used to. But the silence of a missing child is not something you want to get used to; you refuse to accept it, and so it screams at you.
“The silence of the dead says, Goodbye.
“The silence of the missing says, Find me.
”
”
Dennis Lehane (Gone, Baby, Gone (Kenzie & Gennaro, #4))
“
Ah, baby. Our bed won't be properly christened until you scream my name in it at least three times.” He leaned down and captured her mouth, his tongue sweeping inside.
She broke away. “Three times? Not sure you have that in you, vampire.”
He laughed, the sound freer than it had sounded since they'd mated. “That sounds like a challenge.
”
”
Rebecca Zanetti (Shadowed (Dark Protectors, #6))
“
The dagger pin is all I have left. It is comfort and pain, both, because it reminds me of all I’ve had, held, and had taken from me.
It is my pen, too. With it, I write my story, again and again, in the walls. So I don’t forget. So it becomes real.
I think of: Conrad’s hands, Rachel’s dark hair, Lena’s rosebud mouth, how when she was an infant, I used to sneak into her bedroom and hold her while she slept. Rachel never let me—from birth, she screamed, kicked, would have woken the household and the street.
But Lena lay still and warm in my arms, submerged in some secret dreamland.
And she was my secret: those nighttime hours, that twin heartbeat space, the darkness, the joy.
”
”
Lauren Oliver (Annabel (Delirium, #0.5))
“
Tom began screaming, and I wondered if the baby's soft brain was, in this moment, changing shape in response to the violent stimuli. I tried to intellectualize the noise to protect the baby's psyche. I whispered: Isn't that interesting to hear a man scream? Doesn't that challenge our stereotypes of what men can do? And then I tried, Shhhhhhhhh.
”
”
Miranda July (No One Belongs Here More Than You)
“
I felt like we were a machine, working in unison with one another. This was perfect. With my eyes closed, there was no time, no space, no house, no kitchen, just us. We weren’t two people any more, we were an us. A we. We became one. His tongue sliding up and down, and pressing against my clit.
Each time his tongue touched my clit, my hips were raised as high as I could raise them. When he released my clit from between his tongue and his lip, I lowered my hips. This system of movements worked perfectly. It was the same every time.
With my eyes closed, I tried to focus on the movements. I don’t know how much time passed, but I heard my breathing change. I felt as if I was turning hot.
I opened my eyes and looked at Erik. His eyes were open, and he was looking at my face. His mouth encompassed my entire mound. I opened my mouth. He raised his mouth off of me for a split second.
“Do it, Kelli. Do it. Cum in my mouth. Do it. And when you do, scream. Scream, Kelli. Cum in my mouth and scream. Do you hear me?”
In a short, shallow breath, I responded, “Yes.
”
”
Scott Hildreth (Baby Girl (Erik Ead Trilogy, #1))
“
At the time, when decisions had to be made, she had truly wanted to stay home- she was, in a word, exchausted- though she had never wanted such a thing before. And, honestly, what a privilege. What a treat. She understood that she was just a privileged, overeducated lady in the middle of America living the dream of holding her baby twenty-four hours a day. According to basically everyone’s standards, she had nothing to complain about, ever, after that point and possibly even leading up to it. In fact, wasn’t it a bit, you know, hoity-toity, a but oblivious middle-class white lady of her, even to think about complaining? If she read the articles, examined the data, contemplated her lot in life, her place in society, her historical role in the oppression of everyone other than white men, she really had not even a sparse spot of yard on which to stand and emit one single strangled scream.
”
”
Rachel Yoder (Nightbitch)
“
We’re not stopping until I make you scream my name louder than you did at the game. Ready to lose your voice, baby?
”
”
Veronica Eden (Iced Out (Heston U Hotshots #1))
“
That’s when I’m pulled by my waist. Startled, I scream, then look to discover Asher is standing behind me, holding me against him. “Not happening, baby,” he whispers in my ear.
”
”
Aurora Rose Reynolds (Until November (Until, #1))
“
I'm telling you forever, love, and I mean it. Tonight, tomorrow, and in fifty years when I have to scream it through your hearing aides, holding hands in our wheelchairs. Forever.
”
”
Nicole Snow (Baby Fever Bride (Baby Fever Love, #1))
“
But I have reasons to feel forever grateful to my fake teenage girlfriends, for they taught me about junk food, and they taught me how to be feminine. Smuggled in their blossoming Love's Baby Soft-scented bosoms, I learned how to approximate female—how to talk, how to walk, how to dance, how to flip your hair. How to part your lips as for a kiss but not for a bite of food. How to end your sentences in a question. How to twitch your hips as you left a room. Why to laugh when you feel like screaming. Over trays of Bonnie Bell Lipsmackers and mountains of cooling fries, I learned that being female is as prefab, thoughtless, soulless and abjectly capitalist as a Big Mac. It's not important that it's real. It's only important that it's tasty.
”
”
Chelsea G. Summers (A Certain Hunger)
“
PREPARE FOR LANDING” PREPARE FOR LANDING, TRACK 1 The seat belt sign is illuminated The flight attendants beyond frustrated The passengers are drunk and frayed A baby’s screaming in seat 16A Another flight from here to where? Crammed in a sardine can with not enough air We’re on the map, I know that much But the directions I really need are in your touch Prepare for landing, says the captain As the plane arcs down to the looming horizon Ushering us onto some foreign soil I touch the ground, and see your smile Up and down, and down and up Cokespritebeerpretzelspeanuts As we careen through empty sky It feels like nothing but you and I Prepare for landing, says the captain Out the window, the sun is setting Hand in mine, you give a squeeze You’re all the home I’ll ever need
”
”
Gayle Forman (Where She Went (If I Stay, #2))
“
Who exactly are we?' I asked.
The American Dreamers. There aren't too many of us left.'
I don't know if I qualify.'
You an American? Or want to be an American?'
I am an American.'
You said you were having a dream.'
It's true, I did.'
Was it the one where you're inside the girl and you are pumping her and pumping her and you are so happy but then it turns out it's not a girl, it's really one of those super poisonous box jellyfish, and it stings you and you are screaming and screaming and the sky rains the diarrhea of babies?'
The...no, I don't think so.'
I get that sometimes. Anyway, see you around.
”
”
Sam Lipsyte (The Ask)
“
Not the scream of a startled little girl, mind you, but a manly scream: the scream of a fellow who has caught his enormous dong in a revolving door while charging in to save a baby that was on fire or something.
”
”
Christopher Moore (Noir)
“
Now, I am the younger brother of an older brother who often measured the worth of a guy by his ability to not scream under pressure, and insisted, in fact, that if any screamlike sounds ever reached Ma and/or Pa, this younger brother, me, would receive a pasting such as I had never known, including severe and painful Indian burns to the bone — a threat my older brother, Judges, may he rest in peace, backed up with great enthusiasm through most of my boyhood.
So, first I closed the back door, made sure it was solidly latched, then I glanced through the doorway into the front of the bar, which was still dark, and only then did I scream. Not the scream of a startled little girl, mind you, but a manly scream: the scream of a fellow who has caught his enormous dong in a revolving door while charging in to save a baby that was on fire or something.
”
”
Christopher Moore (Noir)
“
But for tonight, I intend to have loud, passionate sex with Debbie’s son and scream the sodding roof down if I have to, and I don’t care who hears. If I can’t give him a baby, I’ll at least give him the time of his life.
”
”
John Marrs (Keep It in the Family)
“
The novel is ultimately about a frustrated, stunted identity: its main character—or uncentered polyphonous narrator—is an imbunche, a thwarted, mutilated man enclosed within various prisons both chosen and imposed, and he struggles to be seen and to communicate in a world that shifts from realistic to monstrous to sordid. He ultimately becomes the old crones’ swaddled baby, reduced to a toy, to memory and myth, to a grunt and a scream. Donoso,
”
”
José Donoso (The Obscene Bird of Night)
“
The Loneliness of the Military Historian
Confess: it's my profession
that alarms you.
This is why few people ask me to dinner,
though Lord knows I don't go out of my way to be scary.
I wear dresses of sensible cut
and unalarming shades of beige,
I smell of lavender and go to the hairdresser's:
no prophetess mane of mine,
complete with snakes, will frighten the youngsters.
If I roll my eyes and mutter,
if I clutch at my heart and scream in horror
like a third-rate actress chewing up a mad scene,
I do it in private and nobody sees
but the bathroom mirror.
In general I might agree with you:
women should not contemplate war,
should not weigh tactics impartially,
or evade the word enemy,
or view both sides and denounce nothing.
Women should march for peace,
or hand out white feathers to arouse bravery,
spit themselves on bayonets
to protect their babies,
whose skulls will be split anyway,
or,having been raped repeatedly,
hang themselves with their own hair.
There are the functions that inspire general comfort.
That, and the knitting of socks for the troops
and a sort of moral cheerleading.
Also: mourning the dead.
Sons,lovers and so forth.
All the killed children.
Instead of this, I tell
what I hope will pass as truth.
A blunt thing, not lovely.
The truth is seldom welcome,
especially at dinner,
though I am good at what I do.
My trade is courage and atrocities.
I look at them and do not condemn.
I write things down the way they happened,
as near as can be remembered.
I don't ask why, because it is mostly the same.
Wars happen because the ones who start them
think they can win.
In my dreams there is glamour.
The Vikings leave their fields
each year for a few months of killing and plunder,
much as the boys go hunting.
In real life they were farmers.
The come back loaded with splendour.
The Arabs ride against Crusaders
with scimitars that could sever
silk in the air.
A swift cut to the horse's neck
and a hunk of armour crashes down
like a tower. Fire against metal.
A poet might say: romance against banality.
When awake, I know better.
Despite the propaganda, there are no monsters,
or none that could be finally buried.
Finish one off, and circumstances
and the radio create another.
Believe me: whole armies have prayed fervently
to God all night and meant it,
and been slaughtered anyway.
Brutality wins frequently,
and large outcomes have turned on the invention
of a mechanical device, viz. radar.
True, valour sometimes counts for something,
as at Thermopylae. Sometimes being right -
though ultimate virtue, by agreed tradition,
is decided by the winner.
Sometimes men throw themselves on grenades
and burst like paper bags of guts
to save their comrades.
I can admire that.
But rats and cholera have won many wars.
Those, and potatoes,
or the absence of them.
It's no use pinning all those medals
across the chests of the dead.
Impressive, but I know too much.
Grand exploits merely depress me.
In the interests of research
I have walked on many battlefields
that once were liquid with pulped
men's bodies and spangled with exploded
shells and splayed bone.
All of them have been green again
by the time I got there.
Each has inspired a few good quotes in its day.
Sad marble angels brood like hens
over the grassy nests where nothing hatches.
(The angels could just as well be described as vulgar
or pitiless, depending on camera angle.)
The word glory figures a lot on gateways.
Of course I pick a flower or two
from each, and press it in the hotel Bible
for a souvenir.
I'm just as human as you.
But it's no use asking me for a final statement.
As I say, I deal in tactics.
Also statistics:
for every year of peace there have been four hundred
years of war.
”
”
Margaret Atwood (Morning in the Burned House: Poems)
“
This place was confusing and noisy. People were yelling.
There were screams.
Confusion.
Desperation.
Barking.
Orders.
Crying, crying, crying. The crying of children for parents. The crying of parents for their babies. The crying of people confused and bewildered. The crying of people who saw with certainty that their nightmares had come true. All together the cries resounded with the ultimate and most unimaginable pain of human loss, emotional grief and suffering.
”
”
Eva Mozes Kor (Surviving the Angel of Death: The True Story of a Mengele Twin in Auschwitz)
“
Breaking free from my restraints, I stand up, grab her hips and flip her around before slamming her back up against the wall. "What were you saying, baby?" I growl into her ear. I grip both of her ass cheeks and lift her as she wraps her legs around my waist, squeezing. "I'm not sure you can handle what I have to offer." I grip her face in my hand before leaning in and biting her bottom lip, roughly tugging. "You're finally about to get what you've wanted. I just hope you don't have shit to do for the next few days because this might get a little rough. Last time to make your escape, because once I start there's no stopping until you're screaming my name loud; so loud it fucking hurts my ears.""
-Slade
”
”
Victoria Ashley (Slade (Walk of Shame, #1))
“
Primatologists have seen this many times in the field: Say a male is fighting with another male. The females largely ignore the conflict, so long as it doesn’t bother them or their children. But then one of the combatants goes off and picks up a baby, who blithely clings to his chest hair or his back. Then he goes over to the male he was having the fight with. If the baby likes the male it’s clinging to, the kid will scream at his opponent if he acts aggressively. So the other male either backs off or is mobbed by friends of the mother, spurred on by the baby’s cries. It’s so effective, in fact, that some males simply carry a baby around as a kind of adorable bodyguard, preventing fights before they start.
”
”
Cat Bohannon (Eve: How the Female Body Drove 200 Million Years of Human Evolution)
“
...On their first day in the new house, Addams had gotten up in the dark. From the surrounding swamp came bloodcurdling screams - the sound of possums mating, Tee later speculated, though it was perhaps a fisher, the dark-colored marten who stalked the wetlands, rooting rabbits from their nests. Addams returned to bed. "Someone is murdering babies in the swamp," he said. "Oh darling," came the sleepy reply from the pillows, "I forgot to tell you about the neighbors."
"All my life I wanted to live in one of those Addams Family houses, but I've never achieved that," Addams had recently told a reporter. "I do my best to add little touches," he said. ...Still, he conceded, "it's hard to convert a ranch-type house into a Victorian monster."
”
”
Linda H. Davis (Chas Addams: A Cartoonist's Life)
“
A chill penetrating wail of outrage screamed up from the depts of the Abyss. So loud and horrifying was it that all the citizens of Palanthas woke shruddering from even the deepest sleep and lay in their beds, paralyzed by fear, waiting for the end of the world. The guards on the the city walls could move neither hand nor foot. Shutting their eyes, they cowered in shadows, awaiting death. Babies wimpered in fear, dogs cringed and slunk beneath beds, cat's eyes gleamed.
The shriek sounded again, and a pale hand reached out from the Tower gates. A ghastly face, twisted in fury, floated in the dank air.
Raistlin did not move.
The hand drew near, the face promised him tortures of the Abyss, where he would be dragged for his great folly in daring the curse of the Tower. The skeletal hand touched Raistlin's heart. Then, trembling, it halted.
'Know this,' said Raistlin calmly, looking up at the Tower, pitching his voice so that it could be heard by those within. 'I am the master of the past and the present! My coming was foretold. For me, the gates will open.'
The skeletal hand shrank back and, with a slow sweeping motion of invitation, parted the darkness. The gates swung open upon silent hinges.
Raistlin passed through them without a glance at the hand or the pale visage that was lowered in reverence. As he entered, all the black and shapeless, dark and shadowy things dwelling within the Tower bowed in homage.
Then Raistlin stopped and looked around him.
'I am home,' he said.
”
”
Margaret Weis (Dragons of Spring Dawning (Dragonlance: Chronicles, #3))
“
After dinner the babies get fussy and Min puts a mush of ice cream and Hershey's syrup in their bottles and we watch The Worst That Could Happen, a half-hour of computer simulations of tragedies that have never actually occurred but theoretically could. A kid gets hit by a train and flies into a zoo, where he's eaten by wolves. A man cuts his hand off chopping wood and while wandering around screaming for help is picked up by a tornado and dropped on a preschool during recess and lands on a pregnant teacher. ("Sea Oak")
”
”
George Saunders (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)
“
Now put your hands on the countertop, and bend over. I’m going to shove you so full of cock you won’t even remember how to spell your name for a week,” he said in his deep voice.
“Oh my. Ok,” I said as I did what he asked. As I grabbed the edges of the countertop, I felt his foot kicking the insides of my shoes, spreading my legs farther apart.
“You long legged, sexy little bitch. I have to get your pussy down here where I can get to it,” he said, as he slapped the right side of my butt, hard. The slap startled me, and the sting felt like fire.
As soon as he stopped kicking my shoes and spreading my legs apart, I felt the head of his cock slide past my lips. His hands grabbed my waist, and he slid all the way inside of me. As soon as I felt his balls against my clit, I began to contract and felt as if I was going to cum. His cock slid out, and then back in again. He found a rhythm and began to fuck me slowly, his hips slapping lightly against my butt as he slid all the way into my wet pussy. As his hips slapped my ass, I could feel his balls against my clit. I couldn’t take it anymore. If he kept up this pace, I would explode.
“Fuck me Erik, fuck me. Fuck me harder. Fuck me,” I said loudly.
“Fuck me, Erik. Oh God. Fuck me.”
“Fuck me.”
“Harder.” I begged.
“Who owns you, baby girl? Who fucking owns you?” he almost screamed.
“Oh God, you do. You own me. You.”
“Don’t forget it, do you hear me?” he said in a loud, stern tone.
“Yes, I am yours. You own me,” I responded...I loved this.
In and out he forced himself, each time it felt as I was being stretched open for the first time. Not a tremendous pain, but each stroke felt like it was the first, the entry stroke. It was a new feeling to me, and it was more than I could take. I was going to explode.
“Please…Faster. Fuck me. Give me that cock. Give me that big fat….Oh my God. Give it to me.
”
”
Scott Hildreth (Baby Girl (Erik Ead Trilogy, #1))
“
The baby has become sentient. When we walk, she screams across the street at other babies, baby expletives, we think. Something along the lines of God-damn it other baby, don't try to out-cute me. To make matters worse, she is very cute, so we have a hard time correcting her.
”
”
Weike Wang (Chemistry)
“
He wanted an omega, a real one, a slick-assed, whining, begging, writhing omega beneath him, crying real tears for his come, pleading for his babies, begging to belong to him, and be owned by him, and to come all over his dick, screaming, riding, convulsing in helpless— “Jason!
”
”
Leta Blake (Slow Heat (Heat of Love, #1))
“
It was an earthquake, tearing at the sons of America, trying to swallow them up. Beautiful, beautiful, beautiful sons, that women had reared, had kissed and screamed at, and that fathers had stared intently in their cots, to see themselves in the wondrous mirrors of their babies.
”
”
Sebastian Barry
“
I have a past. You jealous?”
“Nah. But I might have to do some sucking myself, make sure you appreciate me.”
He set her back and untied Gertie. “That’s no way to make a baby. So first, I’m gonna fuck you screaming right here in this barn. Later, you can suck whatever you want.
”
”
Susan Fanetti (Behold the Stars (Signal Bend, #2))
“
They hate me because I am the worst thing possible. I am the bad mother.
But here's a secret: in America there are no good mothers. They simply don't exist. Always, there are a thousand ways to fail at this singularly important job. There are failures of the body and failures of the heart. The woman who is unable to breastfeed is a failure. The woman who screams for the epidural is a failure. The woman who picks up her child late knows from the teacher's cutting glance that she is a failure. The woman who shares her bed with her baby has failed. The woman who steels herself and puts on noise-canceling earphones to erase the screaming of her child the next room has failed just as spectacularly. They must all hang their heads in guilt and shame because they haven't done it perfectly, and motherhood is, if anything, the assumption of perfection.
”
”
Nayomi Munaweera (What Lies Between Us)
“
Villain Foulon taken, my sister! Old Foulon taken, my mother! Miscreant Foulon taken, my daughter! Then, a score of others ran into the midst of these, beating their breasts, tearing their hair, and screaming, Foulon alive! Foulon who told the starving people they might eat grass! Foulon who told my old father that he might eat grass, when I had no bread to give him! Foulon who told my baby it might suck grass, when these breasts were dry with want! O mother of God, this Foulon! O Heaven our suffering! Hear me, my dead baby and my withered father: I swear on my knees, on these stones, to avenge you on Foulon! Husbands, and brothers, and young men, Give us the blood of Foulon, Give us the head of Foulon, Give us the heart of Foulon, Give us the body and soul of Foulon, Rend Foulon to pieces, and dig him into the ground, that grass may grow from him!
”
”
Charles Dickens (A Tale of Two Cities)
“
I can understand the ignorant masses loving to soak themselves in drink—oh, yes, it's very shocking that they should, of course—very shocking to us who live in cozy homes, with all the graces and pleasures of life around us, that the dwellers in damp cellars and windy attics should creep from their dens of misery into the warmth and glare of the public-house bar, and seek to float for a brief space away from their dull world upon a Lethe stream of gin. But think, before you hold up your hands in horror at their ill-living, what "life" for these wretched creatures really means. Picture the squalid misery of their brutish existence, dragged on from year to year in the narrow, noisome room where, huddled like vermin in sewers, they welter, and sicken, and sleep; where dirt-grimed children scream and fight and sluttish, shrill-voiced women cuff, and curse, and nag; where the street outside teems with roaring filth and the house around is a bedlam of riot and stench. Think what a sapless stick this fair flower of life must be to them, devoid of mind and soul. The horse in his stall scents the sweet hay and munches the ripe corn contentedly. The watch-dog in his kennel blinks at the grateful sun, dreams of a glorious chase over the dewy fields, and wakes with a yelp of gladness to greet a caressing hand. But the clod-like life of these human logs never knows one ray of light. From the hour when they crawl from their comfortless bed to the hour when they lounge back into it again they never live one moment of real life. Recreation, amusement, companionship, they know not the meaning of. Joy, sorrow, laughter, tears, love, friendship, longing, despair, are idle words to them. From the day when their baby eyes first look out upon their sordid world to the day when, with an oath, they close them forever and their bones are shoveled out of sight, they never warm to one touch of human sympathy, never thrill to a single thought, never start to a single hope. In the name of the God of mercy; let them pour the maddening liquor down their throats and feel for one brief moment that they live!
”
”
Jerome K. Jerome (Idle Thoughts of an Idle Fellow)
“
Joe was the only constant thing in my life. And I loved him like a brother. But that phrase has a very precise meaning. A lot of those stock sayings do. Like when people say they slept like a baby. Do they mean they slept well? Or do they mean they woke up every ten minutes, screaming? I loved Joe like a brother, which meant a lot of things in our family. The truth was I never knew for sure if I loved him or not. And he never knew for sure if he loved me or not, either. We were only two years apart, but he was born in the fifties and I was born in the sixties. That seemed to make a lot more than two years’ worth of a difference to us. And like any pair of brothers two years apart, we irritated the hell out of each other. We fought and bickered and sullenly waited to grow up and get out from under. Most of those sixteen years, we didn’t know if we loved each other or hated each other. But we had the thing that army families have. Your family was your unit. The men on the bases were taught total loyalty to their units. It was the most fundamental thing in their lives. The boys copied them. They translated that same intense loyalty onto their families. So time to time you might hate your brother, but you didn’t let anybody mess with him. That was what we had, Joe and I. We had that unconditional loyalty. We stood back to back in every new schoolyard and punched our way out of trouble together. I watched out for him, and he watched out for me, like brothers did. For sixteen years. Not much of a normal childhood, but it was the only childhood I was ever going to get. And Joe was just about the beginning and end of it. And now somebody had killed him. I sat there in the back of the police Chevrolet listening to a tiny voice in my head asking me what the hell I was going to do about that.
”
”
Lee Child (Killing Floor (Jack Reacher, #1))
“
Look, Pa, look!” Laura said. “A wolf!”
Pa did not seem to move quickly, but he did. In an instant he took his gun out of the wagon and was ready to fire at those green eyes. The eyes stopped coming. They were still in the dark, looking at him.
“It can’t be a wolf. Unless it’s a mad wolf,” Pa said. Ma lifted Mary into the wagon. “And it’s not that,” said Pa. “Listen to the horses.” Pet and Patty were still biting off bits of grass.
“A lynx?” said Ma.
“Or a coyote?” Pa picked up a stick of wood; he shouted, and threw it. The green eyes went close to the ground, as if the animal crouched to spring. Pa held the gun ready. The creature did not move.
“Don’t, Charles,” Ma said. But Pa slowly walked toward those eyes. And slowly along the ground the eyes crawled toward him. Laura could see the animal in the edge of the dark. It was a tawny animal and brindled. Then Pa shouted and Laura screamed.
The next thing she knew she was trying to hug a jumping, panting, wriggling Jack, who lapped her face and hands with his warm wet tongue. She couldn’t hold him. He leaped and wriggled from her to Pa to Ma and back to her again.
“Well, I’m beat!” Pa said.
“So am I,” said Ma. “But did you have to wake the baby?
”
”
Laura Ingalls Wilder (Little House on the Prairie (Little House, #3))
“
Look, Pa, look!” Laura said. “A wolf!”
Pa did not seem to move quickly, but he did. In an instant he took his gun out of the wagon and was ready to fire at those green eyes. The eyes stopped coming. They were still in the dark, looking at him.
“It can’t be a wolf. Unless it’s a mad wolf,” Pa said. Ma lifted Mary into the wagon. “And it’s not that,” said Pa. “Listen to the horses.” Pet and Patty were still biting off bits of grass.
“A lynx?” said Ma.
“Or a coyote?” Pa picked up a stick of wood; he shouted, and threw it. The green eyes went close to the ground, as if the animal crouched to spring. Pa held the gun ready. The creature did not move.
“Don’t, Charles,” Ma said. But Pa slowly walked toward those eyes. And slowly along the ground the eyes crawled toward him. Laura could see the animal in the edge of the dark. It was a tawny animal and brindled. Then Pa shouted and Laura screamed.
The next thing she knew she was trying to hug a jumping, panting, wriggling Jack, who lapped her face and hands with his warm wet tongue. She couldn’t hold him. He leaped and wriggled from her to Pa to Ma and back to her again.
“Well, I’m beat!” Pa said.
“So am I,” said Ma. “But did you have to wake the baby?” She rocked Carrie in her arms, hushing her.
Jack was perfectly well. But soon he lay down close to Laura and sighed a long sigh. His eyes were red with tiredness, and all the under part of him was caked with mud. Ma gave him a cornmeal cake and he licked it and wagged politely, but he could not eat. He was too tired.
“No telling how long he kept swimming,” Pa said. “Nor how far he was carried downstream before he landed.” And when at last he reached them, Laura called him a wolf, and Pa threatened to shoot him.
But Jack knew they didn’t mean it. Laura asked him, “You knew we didn’t mean it, didn’t you, Jack?” Jack wagged his stump of a tail; he knew.
”
”
Laura Ingalls Wilder (Little House on the Prairie (Little House, #3))
“
of the problem was that Chaos got a little creation-happy. It thought to its misty, gloomy self: Hey, Earth and Sky. That was fun! I wonder what else I can make. Soon it created all sorts of other problems—and by that I mean gods. Water collected out of the mist of Chaos, pooled in the deepest parts of the earth, and formed the first seas, which naturally developed a consciousness—the god Pontus. Then Chaos really went nuts and thought: I know! How about a dome like the sky, but at the bottom of the earth! That would be awesome! So another dome came into being beneath the earth, but it was dark and murky and generally not very nice, since it was always hidden from the light of the sky. This was Tartarus, the Pit of Evil; and as you can guess from the name, when he developed a godly personality, he didn't win any popularity contests. The problem was, both Pontus and Tartarus liked Gaea, which put some pressure on her relationship with Ouranos. A bunch of other primordial gods popped up, but if I tried to name them all we’d be here for weeks. Chaos and Tartarus had a kid together (don’t ask how; I don’t know) called Nyx, who was the embodiment of night. Then Nyx, somehow all by herself, had a daughter named Hemera, who was Day. Those two never got along because they were as different as…well, you know. According to some stories, Chaos also created Eros, the god of procreation... in other words, mommy gods and daddy gods having lots of little baby gods. Other stories claim Eros was the son of Aphrodite. We’ll get to her later. I don’t know which version is true, but I do know Gaea and Ouranos started having kids—with very mixed results. First, they had a batch of twelve—six girls and six boys called the Titans. These kids looked human, but they were much taller and more powerful. You’d figure twelve kids would be enough for anybody, right? I mean, with a family that big, you’ve basically got your own reality TV show. Plus, once the Titans were born, things started to go sour with Ouranos and Gaea’s marriage. Ouranos spent a lot more time hanging out in the sky. He didn't visit. He didn't help with the kids. Gaea got resentful. The two of them started fighting. As the kids grew older, Ouranos would yell at them and basically act like a horrible dad. A few times, Gaea and Ouranos tried to patch things up. Gaea decided maybe if they had another set of kids, it would bring them closer…. I know, right? Bad idea. She gave birth to triplets. The problem: these new kids defined the word UGLY. They were as big and strong as Titans, except hulking and brutish and in desperate need of a body wax. Worst of all, each kid had a single eye in the middle of his forehead. Talk about a face only a mother could love. Well, Gaea loved these guys. She named them the Elder Cyclopes, and eventually they would spawn a whole race of other, lesser Cyclopes. But that was much later. When Ouranos saw the Cyclops triplets, he freaked. “These cannot be my kids! They don’t even look like me!” “They are your children, you deadbeat!” Gaea screamed back. “Don’t you dare leave me to raise them on my own!
”
”
Rick Riordan (Percy Jackson's Greek Gods)
“
Real labor doesn’t happen like it does in the movies. For one thing, it takes so much longer than you think it will. You don’t rush to the hospital the moment you feel your first contraction, already pushing, screaming for drugs while an angry nurse tells you it’s too late, the baby’s already coming. That’s all fiction.
”
”
Danielle Valentine (Delicate Condition)
“
A pair of young mothers now became the centre of interest. They had risen from their lying-in much sooner than the doctors would otherwise have allowed. (French doctors are always very good about recognizing the importance of social events, and certainly in this case had the patients been forbidden the ball the might easily have fretted themselves to death.) One came as the Duchesse de Berri with l’Enfant du Miracle, and the other as Madame de Montespan and the Duc du Maine. The two husbands, the ghost of the Duc de Berri, a dagger sticking out of his evening dress, and Louis XIV, were rather embarrassed really by the horrible screams of their so very young heirs, and hurried to the bar together. The noise was indeed terrific, and Albertine said crossly that had she been consulted she would, in this case, have permitted and even encouraged the substitution of dolls. The infants were then dumped down to cry themselves to sleep among the coats on her bed, whence they were presently collected by their mothers’ monthly nannies. Nobody thereafter could feel quite sure that the noble families of Bregendir and Belestat were not hopelessly and for ever interchanged. As their initials and coronets were, unfortunately, the same, and their baby linen came from the same shop, it was impossible to identify the children for certain. The mothers were sent for, but the pleasures of society rediscovered having greatly befogged their maternal instincts, they were obliged to admit they had no idea which was which. With a tremendous amount of guilty giggling they spun a coin for the prettier of the two babies and left it at that.
”
”
Nancy Mitford (The Blessing)
“
A pack of coyotes set up a sudden racket near the house, yipping and howling, so close by they sounded like they had us surrounded. When a hunting pack corners a rabbit they go into a blood frenzy, making human-sounding screams. The baby sighed and stirred in his crib. At seven months, he was just the size of a big jackrabbit--the same amount of meat. The back of my scalp and neck prickled. It's an involuntary muscle contraction that causes that, setting the hair follicles on edge; if we had manes they would bristle like a growling dog's. We're animals. We're born like every other mammal and we live our whole lives around disguised animal thoughts.
”
”
Barbara Kingsolver
“
She could not dissociate the rabbit's flesh from the charred bodies in the square. She could not see the hundreds of decapitated heads on poles without seeing the soldier who had walked down the row of kneeling prisoners, methodically bringing his sword down again and again as if reaping corn. She could not pass the babies in their barrel graves without hearing their uncomprehending screams.
The entire time, her own mind scream the unanswerable question: Why?
The cruelty could not register for her. Bloodlust, she understood. Bloodlust, she was guilty of. She had lost herself in battle, too; she had gone further than she should have, she had hurt others when she should have stopped.
But this- viciousness on this scale, wanton slaughter of this magnitude, against innocents who hadn't even lifted a finger in self-defense, this she could not imagine doing.
They surrendered, she wanted to scream at her disappeared enemy. They dropped their weapons. They posed no threat to you. Why did you have to do this?
A rational explanation eluded her.
Because the answer could not be rational. It was not founded in military strategy. It was not because of a shortage of food rations, or because the risk of insurgency or backlash. It was, simply, what happened when one race decided that the other was insignificant.
”
”
R.F. Kuang (The Poppy War (The Poppy War, #1))
“
At Sea Oak there's no sea and no oak, just a hundred subsidized apartments and a rear view of FedEx. Min and Jade are feeding their babies while watching How My Child Died Violently. Min's my sister. Jade's our cousin. How My Child Died Violently is hosted by Matt Merton, a six-foot-five blond who's always giving the parents shoulder rubs and telling them they've been sainted by pain. Today's show features a ten-year-old who killed a five-year-old for refusing to join his gang. The ten-year-old strangled the five-year-old with a jump rope, filled his mouth with baseball cards, then locked himself in the bathroom and wouldn't come out until his parents agreed to take him to FunTimeZone, where he confessed, then dove screaming into a mesh cage full of plastic balls. The audience is shrieking threats at the parents of the killer while the parents of the victim urge restraint and forgiveness to such an extent that finally the audience starts shrieking threats at them too. Then it's a commercial.
”
”
George Saunders (Pastoralia)
“
Then they heard voices. At least three men, laughing and joking outside the car. Underneath her, Daniel tensed, cursing. Story’s movements slowed, but didn’t stop completely. Oblivion within reach, she couldn’t stop now if she wanted to.
He gripped the hair at her nape, forcing her feverish eyes to meet his eyes. “I know you can’t stop, baby. I don’t want you to, either. You feel so goddamn perfect. But you need to be very quiet for me. If you need to scream, bite my shoulder instead. Just don’t make a sound.”
Excerpt From: Bailey, Tessa. “Officer Off Limits.” Entangled Publishing, LLC (Brazen), 2013-05-23T10:00:00+00:00. iBooks.
This material may be protected by copyright.
”
”
Tessa Bailey (Officer Off Limits (Line of Duty, #3))
“
…my baby’s small face is screwed up and it’s her who screams. She opens her little mouth and she lets out this big scream, and it’s like she has claws, and with that scream her claws take hold and she pulls me towards her. And I want her, I’ve never wanted anything more. I want to hold her and press my nose to her and learn every little bit of her.
”
”
Katie Hale (My Name is Monster)
“
Eva and I walked downstairs, and I was definitely not prepared for what I saw. Jason was on top of the kitchen table in nothing but his boxers, swinging his shirt around his head. He was singing something, but I couldn't make out the words. I laughed, my hand shooting to my mouth as I watched Tyler try to coax him down while Eva picked up the clothes that were strewn all over the floor.
"Evaaaa, why don't you come up here and strip with me, just like you did the other night! Come on, baby!" he said, swinging his hips as if he were dancing to music that we could all hear.
Eva slapped her palm to her forehead, and Charlotte laughed hard.
When Jason touched the waistband of his boxers, I closed my eyes as I and everyone around me screamed, “No!
”
”
Alexandria Rhodes (More Than You Know)
“
They pushed people into the mud and then called them filthy. They forbade people from accessing any knowledge of the world and then called them simple. They worked people until their empty hands were twisted, bleeding, and could do no more, then called them lazy. They forced people to eat innards from troughs and then called them uncivilized. They kidnapped babies and shattered families and then called them incapable of love. They raped and lynched and cut up people into parts, and then called the pieces savage. They stepped on people’s throats with all their might and asked why the people couldn’t breathe. And then, when people made an attempt to break the foot, or cut it off one, they screamed “CHAOS!” and claimed that mass murder was the only way to restore order.
”
”
Robert Jones Jr. (The Prophets)
“
Building of Unseen Cats"
When I woke up, it was the middle of the night and
my building was on fire. The hallway was not filled
with smoke, and then quickly it was. I rescued a few
older men from their bathtubs, a few babies from
their cribs. Outside, the air was filled with hair.
Everyone but me was holding a plastic cage with a
cat in it. We weren't supposed to have cats in my
building, but there they all were, an invisible nation
suddenly uncurtained into a blinding and brutal
world. Everyone looked at me with a face that said
let's never speak o f this. Let's not look directly at what
is meant to be loved in secret. Let's, for example,
imagine the sea is always, constantly, and forever
spilling toward us, that our screaming building is
something worth escaping.
”
”
Zachary Schomburg (Fjords Vol.1)
“
I got to wondering why [babies] cry all the time.... Animals might whimper if they are hungry or cold. But they don't start screaming. It's a bad idea. The more noise you make the more likely you are to be eaten. If you've no way to escape you keep silent. If birds couldnt fly they wouldnt sing. When you're defenseless you keep your mouth shut.... There were alway babies at the bus station and they were always crying. And these were not mild complaints. I couldn't understand how the least discomfort could take the form of agony. No other creature was so sensitive. The more I thought about it the clearer it became to me that what I was hearing was rage. And the most extraordinary thing was that no one seemed to find this extraordinary. ... The rage of children seemed inexplicable other than as a breach of some deep and innate covenant having to do with how the world should be and wasnt.
How would a child know how the world should be?
A child would have to be born so.
...
At what age in a child's life does rage become sorrow?... I think I know why. The injustice over which they are so distraught is irremediable. And rage is only for what you believe can be fixed. At some point they get this.
”
”
Cormac McCarthy (Stella Maris (The Passenger, #2))
“
EVERYTHING SMELLED LIKE POISON. Two days after leaving Venice, Hazel still couldn’t get the noxious scent of eau de cow monster out of her nose. The seasickness didn’t help. The Argo II sailed down the Adriatic, a beautiful glittering expanse of blue; but Hazel couldn’t appreciate it, thanks to the constant rolling of the ship. Above deck, she tried to keep her eyes fixed on the horizon—the white cliffs that always seemed just a mile or so to the east. What country was that, Croatia? She wasn’t sure. She just wished she were on solid ground again. The thing that nauseated her most was the weasel. Last night, Hecate’s pet Gale had appeared in her cabin. Hazel woke from a nightmare, thinking, What is that smell? She found a furry rodent propped on her chest, staring at her with its beady black eyes. Nothing like waking up screaming, kicking off your covers, and dancing around your cabin while a weasel scampers between your feet, screeching and farting. Her friends rushed to her room to see if she was okay. The weasel was difficult to explain. Hazel could tell that Leo was trying hard not to make a joke. In the morning, once the excitement died down, Hazel decided to visit Coach Hedge, since he could talk to animals. She’d found his cabin door ajar and heard the coach inside, talking as if he were on the phone with someone—except they had no phones on board. Maybe he was sending a magical Iris-message? Hazel had heard that the Greeks used those a lot. “Sure, hon,” Hedge was saying. “Yeah, I know, baby. No, it’s great news, but—” His voice broke with emotion. Hazel suddenly felt horrible for eavesdropping. She would’ve backed away, but Gale squeaked at her heels. Hazel knocked on the coach’s door. Hedge poked his head out, scowling as usual, but his eyes were red. “What?” he growled. “Um…sorry,” Hazel said. “Are you okay?” The coach snorted and opened his door wide. “Kinda question is that?” There was no one else in the room. “I—” Hazel tried to remember why she was there. “I wondered if you could talk to my weasel.” The coach’s eyes narrowed. He lowered his voice. “Are we speaking in code? Is there an intruder aboard?” “Well, sort of.” Gale peeked out from behind Hazel’s feet and started chattering. The coach looked offended. He chattered back at the weasel. They had what sounded like a very intense argument. “What did she say?” Hazel asked. “A lot of rude things,” grumbled the satyr. “The gist of it: she’s here to see how it goes.” “How what goes?” Coach Hedge stomped his hoof. “How am I supposed to know? She’s a polecat! They never give a straight answer. Now, if you’ll excuse me, I’ve got, uh, stuff…” He closed the door in her face. After breakfast, Hazel stood at the port rail, trying to settle her stomach. Next to her, Gale ran up and down the railing, passing gas; but the strong wind off the Adriatic helped whisk it away. Hazel
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
What is this, behind this veil, is it ugly, is it beautiful?
It is shimmering, has it breasts, has it edges?
I am sure it is unique, I am sure it is what I want.
When I am quiet at my cooking I feel it looking, I feel it thinking
'Is this the one I am too appear for,
Is this the elect one, the one with black eye-pits and a scar?
Measuring the flour, cutting off the surplus,
Adhering to rules, to rules, to rules.
Is this the one for the annunciation?
My god, what a laugh!'
But it shimmers, it does not stop, and I think it wants me.
I would not mind if it were bones, or a pearl button.
I do not want much of a present, anyway, this year.
After all I am alive only by accident.
I would have killed myself gladly that time any possible way.
Now there are these veils, shimmering like curtains,
The diaphanous satins of a January window
White as babies' bedding and glittering with dead breath. O ivory!
It must be a tusk there, a ghost column.
Can you not see I do not mind what it is.
Can you not give it to me?
Do not be ashamed--I do not mind if it is small.
Do not be mean, I am ready for enormity.
Let us sit down to it, one on either side, admiring the gleam,
The glaze, the mirrory variety of it.
Let us eat our last supper at it, like a hospital plate.
I know why you will not give it to me,
You are terrified
The world will go up in a shriek, and your head with it,
Bossed, brazen, an antique shield,
A marvel to your great-grandchildren.
Do not be afraid, it is not so.
I will only take it and go aside quietly.
You will not even hear me opening it, no paper crackle,
No falling ribbons, no scream at the end.
I do not think you credit me with this discretion.
If you only knew how the veils were killing my days.
To you they are only transparencies, clear air.
But my god, the clouds are like cotton.
Armies of them. They are carbon monoxide.
Sweetly, sweetly I breathe in,
Filling my veins with invisibles, with the million
Probable motes that tick the years off my life.
You are silver-suited for the occasion. O adding machine-----
Is it impossible for you to let something go and have it go whole?
Must you stamp each piece purple,
Must you kill what you can?
There is one thing I want today, and only you can give it to me.
It stands at my window, big as the sky.
It breathes from my sheets, the cold dead center
Where split lives congeal and stiffen to history.
Let it not come by the mail, finger by finger.
Let it not come by word of mouth, I should be sixty
By the time the whole of it was delivered, and to numb to use it.
Only let down the veil, the veil, the veil.
If it were death
I would admire the deep gravity of it, its timeless eyes.
I would know you were serious.
There would be a nobility then, there would be a birthday.
And the knife not carve, but enter
Pure and clean as the cry of a baby,
And the universe slide from my side.
”
”
Sylvia Plath
“
It was the oldest trick in the book - a constant state of low-level dread made people easy to control, because it robbed them of the sense that they could control anything themselves. This was not the sort of anxiety that moved people to action and accomplishment. This was the sort of anxiety that exceeded human capacity. ... You can no longer sit still or reason. You regress, and after a while the only thing you can do is scream, like a helpless terrified baby. you need an adult, a figure of authority. Almost anyone willing to take charge will do. And then, if that someone wants to remain in charge, he will have to make sure that you continue to feel helpless.
The whole country felt helpless. You could see it if you turned on the television, which Arutyunyan rarely did. Everyone on television was screaming all the time.
”
”
Masha Gessen (The Future Is History: How Totalitarianism Reclaimed Russia)
“
But I felt it now. Something was wrong, right here, very horribly wrong. I could picture Bob Nash sitting on the edge of Ann’s bed, trying to remember the last thing he said to his daughter. I saw Natalie’s mother, crying into one of her old T-shirts. I saw me, a despairing thirteen-year-old sobbing on the floor of my dead sister’s room, holding a small flowered shoe. Or Amma, thirteen herself, a woman-child with a gorgeous body and a gnawing desire to be the baby girl my mother mourned. My mother weeping over Marian. Biting that baby. Amma, asserting her power over lesser creatures, laughing as she and her friends cut through Natalie’s hair, the curls falling to the tile floor. Natalie, stabbing at the eyes of a little girl. My skin was screaming, my ears banged with my heartbeat. I closed my eyes, wrapped my arms around myself, and wept.
”
”
Gillian Flynn (Sharp Objects)
“
And as I caught Louie with an “oomph” that knocked half the wind out of me, I accepted that I’d go through everything with Christy all over again if I had a homecoming like this from my boy. “I missed you, Buttercup,” Louie practically screamed into my ear as his arms went around my neck and he hugged the little bit of breath I had left right out of me. “I missed you. I missed you. I missed you.” “I missed you too, poo-poo face,” I said kissing his cheeks. “Oh my God, what have you been doing? Are you planning on hibernating for winter? You weigh like ten pounds more than you did before I left.” Just like when he was a baby, Louie reeled back, smacked his hands—which I was 99 percent sure were dirty—on my cheeks, and jiggled them as he leaned close enough to touch the tip of his nose to mine. “Grandma gave me a lot of pizza and chicken nuggets.
”
”
Mariana Zapata (Wait for It)
“
Acid filled Sara’s mouth.
It wasn’t fair.
That’s what Sara wanted to say. To scream at the top of her lungs.
It just wasn’t fair.
Lena wasn’t strong. She would bend, not break. She would recover from this tragedy the same easy way she recovered from every other tragedy before.
Even if she lost Jared, Lena would always know what it felt like to have his child growing inside of her. She could always hold her baby’s hand and think of holding Jared’s. She could see her child laugh and learn and grow and play sports and do school projects and graduate from college and Lena would always, always remember her husband. She would see Jared in her grandchildren and great-grandchildren. On her deathbed, she would find peace in the knowledge that they had made something beautiful together. That even in death, they would both go on living.
“Sara,” Faith said. “What’s happening here?”
Sara wiped her eyes, angry that she was back in the same dark place she’d started at this morning. “Why does everything come so damn easy to her?” She struggled to speak. Her throat clenched around every word that wanted to come out of her mouth. “Everything just opens up, and she always walks through unscathed and—” Sara had to stop for breath. “It’s just so easy for her. She always has it so goddamn easy.
”
”
Karin Slaughter (Unseen (Will Trent, #7))
“
When he got out, I rolled my window down. “You look like you’re going to throw up.”
He grimaced, pressing a hand to his stomach. “I don’t know if it’s from this, or if I actually am sick. I think Avery got sick from the weekend. She was puking this morning when I left.”
“Avery, huh? At your place?”
He rolled his eyes. “Don’t even start.”
“But you see, I have to. I have to start. Avery’s my friend. I’m hanging out with your brother. You and I are classmates. I think we can develop our friendship to the stage where I give you shit. We should even start sitting next to each other in class.”
“Don’t press your luck.”
I kept going, “It’s a natural progression. Don’t fight it, Marcus. It’s like evolution. Don’t fight evolution. You’ll never win. Mother nature is a bitch. She’s always going to win.”
“What the fuck are you talking about?”
“How I get to give you shit. It’s an amazing experience in life, like giving birth. It’s painful for one person, but breathtaking for another. I’m the baby here. I get to feel air for the first time on my skin. Let me breathe, Marcus. Let me put my baby lungs to work and scream.”
“I swear you’re making me even sicker.”
“If you gotta puke, don’t suppress. It’s a natural body process.”
He eyed me a moment. “Did you rhyme that on purpose?”
“Maybe. Or I might be crazy?” I winked. “Or just a classy lady?”
“Stop. I’m really going to puke now.” He groaned, pressing his arm against his forehead. “I was going to tease you back about Caden, but forget it. I don’t think I have the energy to deal with your rhyming.”
“I’ve been told I’m amazing like that.”
“Who told you that?”
“Who hasn’t is the real question.”
“You’re not making sense.”
“I do that too. That’s very true.” I wondered if I should find him a bag, in case he actually was going to upchuck.
”
”
Tijan (Anti-Stepbrother)
“
When this all started, when the US of A got into this war and the Supreme Court decided what the hell, let's send women to, everyone wondered what effect it would have.
Could women fight my girl Rio has a shiny Silver Star, A fistful of Purple Hearts, and a notched M1 that say yes.
Could the men fight alongside women, or would the simple creatures be too distracted by feminine curves? Well, I won't spend a long night in a hole with Luther gear, who has never been a gentleman but he is a good soldier and he never made a pass at me. Possibly he was distracted by the artillery garage coming down on our heads. Possibly was that I hadn't showered in ... God only knows how long you have to ask my fleas. We were not a man and a woman in that hole we were too scared little babies screaming and cursing and so we could be grateful for the warmth of our own piss running down our legs.
It was not a romantic evening.
”
”
Michael Grant (Purple Hearts (Front Lines, #3))
“
When she was younger, Ellie used to believe that her invisibility was a metaphor for something else, assuming it was her awkwardness, her fear of saying or doing the wrong thing. She had thought as she grew older, more confident, wiser, she would outgrow this not being noticed. But lately, Ellie really felt like a ghost. She would be in a place, but not really there. People looked through her, past her. Her invisibility had taken on a life of its own. It wasn't a metaphor anymore, or a defense mechanism or eccentric little tic. She was actually invisible. At least, that was how it felt to her.
Ellie wondered whether her parents were to blame. They were, after all, children of the sixties who had met at a love-in or lie-down or something of that sort, about which Ellie knew little except that a lot of drugs had been involved. Could Ellie's lack of physical presence be a genetic mutation caused by acid or mushrooms? Ellie grew up on their hippie commune among the highest, densest redwoods, where they dug their hands deep into the soil and grew their own food, made their own clothes. So perhaps it is there that the mystery is solved. Ellie indeed was a child of the earth, a baby of beiges and taupes and browns and muted greens. Nature doesn't scream and shout, demanding constant attention, and neither did Ellie. Maybe her invisibility was just her blending right in.
”
”
Amy S. Foster (When Autumn Leaves)
“
You've never gone down the street and had someone cross it just because you're black. You've never had someone look at you with disgust because you're holding a baby and you forgot to put on your wedding ring. You want to do something about it-take action, scream at them, tell them they're idiots-but you can't. Being on the fringe is the most disempowering feeling, Jordan. You get so used to the world being a certain way, there seems to be no escape from it.
”
”
Jodi Picoult (Nineteen Minutes)
“
She has seen neighbouring women do it, has heard their cries rise into screams, smelt the rusty coin scent of new birth. She has seen the pig, the cow, the ewes birth their young; she has been the one called on by her father, by Bartholomew, when lambs were stuck. Her female fingers, slender, tapered, were required to enter that narrow, heated, slick canal, and hook out the soft hoofs, the gluey nose, the plastered-back ears. And she knows, in the way she always does, that she will reach the other side of birth, that she and this baby will live. Nothing, however, could have prepared her for the relentlessness of it. It is like trying to stand in a gale, like trying to swim against the current of a flooded river, like trying to lift a fallen tree. Never has she been more sensible of her weakness, of her inadequacy. She has always felt herself to be a strong person: she can push a cow into milking position, she can douse and stir a load of laundry, she can lift and carry her small siblings, a bale of skins, a bucket of water, an armful of firewood. Her body is one of resilience, of power: she is all muscle beneath smooth skin. But this is something else. Something other. It laughs at her attempts to master it, to subdue it, to rise above it. It will, Agnes fears, overtake her. It will seize her by the scruff of her neck and plunge her down, under the surface of the water.
”
”
Maggie O'Farrell (Hamnet)
“
There was the human body, which was so clearly designed to want babies--and then there was the human mind, which was so confused about the matter. Sometimes the mind didn't want the babies, but sometimes the mind was so perverse that it made other people have babies they knew they didn't want. For whom was this insisting done? Dr. Larch wondered. For whom did some minds insist that babies, even clearly unwanted ones, must be brought, screaming, into the world?
”
”
John Irving (The Cider House Rules)
“
There was a note on the table.”
“Bring it here,” Van Eck barked. The boy strode down the aisle, and Van Eck snatched the note from his hand.
“What does it … what does it say?” asked Bajan. His voice was tremulous. Maybe Inej had been right about Alys and the music teacher.
Van Eck backhanded him. “If I find out you knew anything about this—”
“I didn’t!” Bajan cried. “I knew nothing. I followed your orders to the letter!”
Van Eck crumpled the note in his fist, but not before Inej made out the words in Kaz’s jagged, unmistakable hand: Noon tomorrow. Goedmedbridge. With her knives.
“The note was weighted down with this.” The boy reached into his pocket and drew out a tie pin—a fat ruby surrounded by golden laurel leaves. Kaz had stolen it from Van Eck back when they’d first been hired for the Ice Court job. Inej hadn’t had the chance to fence it before they left Ketterdam. Somehow Kaz must have gotten hold of it again.
“Brekker,” Van Eck snarled, his voice taut with rage.
Inej couldn’t help it. She started to laugh.
Van Eck slapped her hard. He grabbed her tunic and shook her so that her bones rattled. “Brekker thinks we’re still playing a game, does he? She is my wife. She carries my heir.”
Inej laughed even harder, all the horrors of the past week rising from her chest in giddy peals. She wasn’t sure she could have stopped if she wanted to. “And you were foolish enough to tell Kaz all of that on Vellgeluk.”
“Shall I have Franke fetch the mallet and show you just how serious I am?”
“Mister Van Eck,” Bajan pleaded.
But Inej was done being frightened of this man. Before Van Eck could take another breath, she slammed her forehead upward, shattering his nose. He screamed and released her as blood gushed over his fine mercher suit. Instantly, his guards were on her, pulling her back.
“You little wretch,” Van Eck said, holding a monogrammed handkerchief to his face. “You little whore. I’ll take a hammer to both your legs myself—”
“Go on, Van Eck, threaten me. Tell me all the little things I am. You lay a finger on me and Kaz Brekker will cut the baby from your pretty wife’s stomach and hang its body from a balcony at the Exchange.” Ugly words, speech that pricked her conscience, but Van Eck deserved the images she’d planted in his mind. Though she didn’t believe Kaz would do such a thing, she felt grateful for each nasty, vicious thing Dirtyhands had done to earn his reputation—a reputation that would haunt Van Eck every second until his wife was returned.
“Be silent,” he shouted, spittle flying from his mouth.
“You think he won’t?” Inej taunted. She could feel the heat in her cheek from where his hand had struck her, could see the mallet still resting in the guard’s hand. Van Eck had given her fear and she was happy to return it to him. “Vile, ruthless, amoral. Isn’t that why you hired Kaz in the first place? Because he does the things that no one else dares? Go on, Van Eck. Break my legs and see what happens. Dare him.”
Had she really believed a merch could outthink Kaz Brekker? Kaz would get her free and then they’d show this man exactly what whores and canal rats could do.
“Console yourself,” she said as Van Eck clutched the ragged corner of the table for support. “Even better men can be bested.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
Hello, I Love You"
Hello, I love you
Won't you tell me your name?
Hello, I love you
Let me jump in your game
Hello, I love you
Won't you tell me your name?
Hello, I love you
Let me jump in your game
She's walking down the street
Blind to every eye she meets
Do you think you'll be the guy
To make the queen of the angels sigh?
Hello, I love you
Won't you tell me your name?
Hello, I love you
Let me jump in your game
Hello, I love you
Won't you tell me your name?
Hello, I love you
Let me jump in your game
She holds her head so high
Like a statue in the sky
Her arms are wicked, and her legs are long
When she moves my brain screams out this song
Sidewalk crouches at her feet
Like a dog that begs for something sweet
Do you hope to make her see, you fool?
Do you hope to pluck this dusky jewel?
Hello, Hello, Hello, Hello, Hello, Hello, Hello
I want you
Hello
I need my baby
Hello, Hello, Hello, Hello
”
”
The Doors
“
When I’m with you, it feels like I’ve been given a second chance at living. I never thought I’d get that.” He lowered his head for a brief second, his fingers splayed over my back stroking with the slightest touch. “I can breathe easily with you. When we were apart …” His finger slid over my lower lip back and forth. “You ever feel like your body is silently screaming? Like you’re constantly missing something, but you can’t figure out what?” Yeah, all the time, but I’d never admit that to anyone. “For almost three fuckin’ years, I felt like that. I didn’t know at first, but then when I figured out it was you I was missing all the time, Jesus, the screaming, it stopped, Kat. And it became tranquil and beautiful. “You think I brought you here for you? I’m not that nice of a guy, Kat. I brought you here for me. So I could glue you back to me.” He leaned forward and kissed me then whispered against my lips, “It’s permanent glue, baby.” Holy shit. I didn’t know what to say. My heart pounded so fast with my lips parted, my breath was hesitant and uncontrolled.
”
”
Nashoda Rose (Overwhelmed by You (Tear Asunder, #2))
“
I've never seen a Jade in full feral mode before. Candy's nails have curved out into thick claws. Her eyes are red slit pupils in a sea of black ice. Her lips and tongue are as black as her eyes. Her mouth has a slightly different shape. Like she has a few more teeth or the ones she has are wider and sharper than before. A mouthful of pretty white shark's teeth. She's the most beautiful thing I've seen in eleven years. I want to have monster babies with her right here and now. But something explodes, someone screams, and I remember my other friends and the end of the world.
”
”
Richard Kadrey (Sandman Slim (Sandman Slim, #1))
“
After situating herself on a huge flat-sided rock, Baby Suggs bowed her head and prayed silently. The company watched her from the trees. They knew she was ready when she put her stick down. Then she shouted, 'Let the children come!' and they ran from the trees toward her.
'Let your mothers hear you laugh,' she told them, and the woods rang. The adults looked on and could not help smiling.
Then 'Let the grown men come,' she shouted. They stepped out one by one from among the ringing trees. 'Let your wives and your children see you dance,' she told them, and groundlife shuddered under their feet.
Finally she called the women to her. 'Cry,' she told them. 'For the living and the dead. Just cry.' And without covering their eyes the women let loose.
It started that way: laughing children, dancing men, crying women and then it got mixed up. Women stopped crying and danced; men sat down and cried; children danced, women laughed, children cried until, exhausted and riven, all and each lay about the Clearing damp and gasping for breath. In the silence that followed, Baby Suggs, holy, offered up to them her great big heart.
She did not tell them to clean up their lives or to go and sin no more. She did not tell them they were the blessed of the earth, its inheriting meek or its glorybound pure. She told them that the only grace they could have was the grace they could imagine. That if they could not see it, they would not have it.
'Here,' she said, 'in this here place, we flesh; flesh that weeps, laughs; flesh that dances on bare feet in grass. Love it. Love it hard. Yonder they do not love your flesh. They despise it. They don't love your eyes; they'd just as soon pick em out. No more do they love the skin on your back. Yonder they flay it. And O my people they do not love your hands. These they only use, tie, bind, chop off and leave empty. Love your hands! Love them. Raise them up and kiss them. Touch others with them, pat them together, stroke them on your face 'cause they don't love that either. You got to love it, you! And nom they ain't in love with your mouth. Yonder, out there, they will see it broken and break it again. What you say out of it they will not heed. What you scream from it they do not hear. Flesh that needs to be loved. Feet that need to rest and to dance; backs that need support; shoulders that need arms, strong arms I'm telling you. And O my people, out yonder, hear me, they do not love your neck unnoosed and straight. So love your neck; put a hand on it, grace it, stroke it and hold it up. And all your inside parts that they'd just as soon slop for hogs, you got to love them. The dark, dark liver-love it, love it, and the beat and beating heart, love that too. More than eyes or feet. More than lungs that have yet to draw free air. More than your life-holding womb and your life-giving private parts, hear me now, love your heart. For this is the prize.
”
”
Toni Morrison (Beloved)
“
Who here today is the parent of an unsaved child, a rebellious child who has left the colony or who has claimed not to be a believer? Several hands were raised. The substitute bishop then directed his next question to these individuals who had raised their hands. If you love your children and you believe they are literally going to burn in the flames of hell for all eternity when they die, how can you sit here in this room calmly? How can you go to your home and enjoy a nice lunch of vreninkje and platz prepared by your wife and then settle into your warm bed with your feather comforter for a relaxing maddachschlop—afternoon nap—knowing that your child will soon be burning forever, screaming in agony, eternal pain? If you truly believed this, wouldn’t you be doing everything in your power to get them to repent, to accept Jesus Christ into their hearts, to be forgiven? Wouldn’t you be scouring the earth trying to find these wayward children, the ones who have left the colony, or who have been forced to leave the colony, the ones roaming the proverbial desert, the ones you deem to be sinners, but are still your children, your flesh and blood, your precious babies?
”
”
Miriam Toews (Women Talking)
“
We have been waiting for an hour when we see a squad of German soldiers line up on the roadbed alongside the train. Next comes a column of people in civilian clothes. Surely they are Jews. All of them are rather well dressed, with suitcases in their hands as if departing peacefully on vacation. They climb aboard the train while a sergeant major keeps them moving along, “Schnell, schnell.” There are men and women of all ages, even children. Among them I see one of my former students, Jeanine Crémieux. She got married in 1941 and had a baby last spring. She is holding the infant in her left arm and a suitcase in her right hand. The first step is very high above the rocky roadbed. She puts the suitcase on the step and holds on with one hand to the doorjamb, but she can’t quite hoist herself up. The sergeant major comes running, hollers, and kicks her in the rear. Losing her balance, she screams as her baby falls to the ground, a pathetic little white wailing heap. I will never know if it was hurt, because my friends pulled me back and grabbed my hand just as I was about to shoot.
Today I know what hate is, real hate, and I swear to myself that these acts will be paid for.
”
”
Lucie Aubrac (Outwitting the Gestapo)
“
Cutting redefines the body's boundaries, differentiating self from others. Blood flowing from the wound proves there is life inside the body instead of nothingness. On a subconscious level, according to psychoanalytic theory, stimulation of the skin through self-mutilation helps reintegrate the splintered sense of self by reactivating the body ego—perhaps by re-creating a tactile experience that, at least to cutters, is pleasurable and soothing. This fracturing of the sense of self is not the result of minor or accidental insults. "At some point every baby is going to roll off of the changing table, and it's met with great alarm and she gets scooped up and taken care of," says Scott Lines. "What we're talking about with cutters are impingements that happen so frequently that they become not only expected but the child believes that they are brought on by herself." Children in this situation begin to blame themselves for being abused or mistreated. Lines thinks it is no accident that the skin is the cutter's site of attack. He also wonders if it is no coincidence that the arms are the most common target, perhaps a symbolic attack on the mother's arms that did not adequately hold the child and keep her safe.
”
”
Marilee Strong (A Bright Red Scream: Self-Mutilation and the Language of Pain)
“
It was a dream about children crying. When I woke up they were still crying. It just got farther away. I dont think that it had stopped. I just couldnt hear it anymore. I hadnt been around babies much. But I got to wondering why they cried all the time. I think they cry for different reasons. Dont they? They’re wet, or they’re hungry. I thought there had to be more to it. Animals might whimper if they’re hungry or cold. But they dont start screaming. It’s a bad idea. The more noise you make the more likely you are to be eaten. If you’ve no way to escape you keep silent. If birds couldnt fly they wouldnt sing. When you’re defenseless you keep your opinions to yourself.
”
”
Cormac McCarthy (Stella Maris (The Passenger #2))
“
When Dwayne Hoover and Kilgore Trout met each other, their country was by far the richest and most powerful country on the planet. It had most of the food and minerals and machinery, and it disciplined other countries by threatening to shoot big rockets at them or to drop things on them from airplanes. Most other countries didn’t have doodley-squat. Many of them weren’t even inhabitable anymore. They had too many people and not enough space. They had sold everything that was any good, and there wasn’t anything to eat anymore, and still the people went on fucking all the time. Fucking was how babies were made. *** A lot of the people on the wrecked planet were Communists. They had a theory that what was left of the planet should be shared more or less equally among all the people, who hadn’t asked to come to a wrecked planet in the first place. Meanwhile, more babies were arriving all the time—kicking and screaming, yelling for milk. In some places people would actually try to eat mud or such on gravel while babies were being born just a few feet away. And so on. *** Dwayne Hoover’s and Kilgore Trout’s country, where there was still plenty of everything, was opposed to Communism. It didn’t think that Earthlings who had a lot should share it with others unless they really wanted to, and most of them didn’t want to. So they didn’t have to. ***
”
”
Kurt Vonnegut Jr. (Breakfast of Champions)
“
I had to ask Scottie what TYVM meant, because now that I’ve narrowed into her activities, I notice she is constantly text-messaging her friends, or at least I hope it’s her friends and not some perv in a bathrobe.
“Thank you very much,” Scottie said, and for some reason, the fact that I didn’t get this made me feel completely besieged. It’s crazy how much fathers are supposed to know these days. I come from the school of thought where a dad’s absence is something to be counted on. Now I see all the men with camouflage diaper bags and babies hanging from their chests like little ship figureheads. When I was a young dad, I remember the girls sort of bothered me as babies, the way everyone raced around to accommodate them. The sight of Alex in her stroller would irritate me at times—she’d hang one of her toddler legs over the rim of the safety bar and slouch down in the seat. Joanie would bring her something and she’d shake her head, then Joanie would try again and again until an offering happened to work and Alex would snatch it from her hands. I’d look at Alex, finally complacent with her snack, convinced there was a grown person in there, fooling us all. Scottie would just point to things and grunt or scream. It felt like I was living with royalty. I told Joanie I’d wait until they were older to really get into them, and they grew and grew behind my back.
”
”
Kaui Hart Hemmings (The Descendants)
“
Oh God, no. Piper.” He ducked his head to make eye contact, his dark brows pulled together. “First of all, you don’t have to be tough. Not all the time. I don’t know who decided my perfect, kind, sweet, incredible girlfriend needed to fit some goddamn mold, but you don’t. You just be Piper, okay? She’s who I’m in love with. She’s the only woman who was made for me. Cry if you want to cry. Dance if you want to dance. Hell, scream at me, if you need to. No one gets to tell you how to act or feel when I leave. No one. And, baby …” He puffed a laugh. “When I got to the bar, it was packed. Everyone loves it. People just move at a different pace in Westport. They’re not all on a strict schedule like me.
”
”
Tessa Bailey (It Happened One Summer (Bellinger Sisters, #1))
“
Within minutes, melancholy engulfed him, as was usually the case in bookstores. Books everywhere, screaming for attention from the large presentation tables, shamelessly exposing their purple or iridescent green covers, piled up on the floor and patiently waiting to be put on the shelf, pouring out of the tables, sprinkled on the floor. Near the back wall of the store, huge piles of missed books were waiting with a sullen air to return to their forger. Next to them stood cardboard boxes still unopened, filled with young and brilliant volumes that burned with impatience to live their moment of glory. Ernest's heart trembled the moment he thought about his new baby. What chance did a frail soul have, in this sea of books, to swim and hold on to the surface?
”
”
Irvin D. Yalom (Lying on the Couch)
“
On a Sunday this January, probably of whatever year it is when you read this (at least as long as I’m living), I will probably be preaching somewhere in a church on “Sanctity of Human Life Sunday.” Here’s a confession: I hate it. Don’t get me wrong. I love to preach the Bible. And I love to talk about the image of God and the protection of all human life. I hate this Sunday not because of what we have to say, but that we have to say it at all. The idea of aborting an unborn child or abusing a born child or starving an elderly person or torturing an enemy combatant or screaming at an immigrant family, these ought all to be so self-evidently wrong that a “Sanctity of Human Life Sunday” ought to be as unnecessary as a “Reality of Gravity Sunday.” We shouldn’t have to say that parents shouldn’t abort their children, or their fathers shouldn’t abandon the mothers of their babies, or that no human life is worthless regardless of age, skin color, disability, or economic status. Part of my thinking here is, I hope, a sign of God’s grace, a groaning by the Spirit at this world of abortion clinics and torture chambers (Rom. 8:22–23). But part of it is my own inability to see the spiritual combat zone that the world is, and has been from Eden onward. This dark present reality didn’t begin with the antebellum South or with the modern warfare state, and it certainly didn’t begin with the Roe v. Wade Supreme Court decision. Human dignity is about the kingdom of God, and that means that in every place and every culture human dignity is contested.
”
”
Russell D. Moore (Onward: Engaging the Culture without Losing the Gospel)
“
Sarah wondered what they—the ‘they’ who had taken her child; the ‘they’ or the ‘him’ or the ‘her’—were feeding him.Sometimes a fear dug at her until she acknowledged it: maybe they weren’t feeding him at all.Who would do that? Who would willingly starve a child? Who would hurt her baby? Who would take her baby? Who was this person and why were they allowed to exist?And what would I do to that person if I got the chance?There were days when she lay on the bed and concocted scenarios in her head. She would see herself finding Lockie. She was never really sure of the place. It would be a dark room in a dark house but the location wasn’t important. She would see herself rescuing her child, folding him in her arms and saying his name. Then she would see the person who had taken him.There was never a face, just a body with a blank head, but Sarah would see herself grow until she towered over the person and then she would hit and hit and hit until there was nothing left and all the time she would be screaming, ‘How dare you take my child? How dare you take him?’She had to find him. The desperate need to find him swirled around her body with everything she did. It ate into her soul and sometimes she had to hold on to the kitchen counter to stop herself running out into the road and screaming his name. She wanted to be looking for him all the time. She wanted to leave Sammy and Doug and just keep going until she got to the city and then she wanted to knock on every door across the whole of Sydney until she found her son. But maybe he wasn’t even in Sydney anymore. Maybe he wasn’t even in Australia. Where are you, Lockie? Where are you, where are you, where are you?
”
”
Nicole Trope (The Boy Under the Table)
“
No biting, babe,” he cautioned, his cock jerking hard in his fist at the thought. Her gaze jumped back to his cock. A slow smile curved her mouth and lit the green of her eyes. “A little fear can add to the excitement of what we’re doing here.” She quoted him nearly word for word—threw his words back in his face and left him wondering if she intended to bite him. “You bite me and there’s going to be all sorts of trouble. I love your ass. I really do. That sweet curve would look good with my handprints on it, all warmed up and nerve endings screaming for more. You’d be so wet for me, baby. Let me up. Let me make you feel good.” “If that’s supposed to be a deterrent, or a punishment, I have to tell you, Trap, it doesn’t sound like one.” She said it with a small smile on her face, once again leaving him wondering if she intended to bite him. Yeah. Okay. That made him hotter
”
”
Christine Feehan (Spider Game (GhostWalkers #12))
“
Suenos. Dulces Suenos.
He must be painting upstairs.
I can feel it.
I remember when his father was just a baby and I called her Mama for the first time and she became Mama for all of us; Mama de la casa and his father would wake up in the middle of the night and scream in his crib and nothing would make him stop, nada, and Mama would get so exhausted she would turn her back to me and cry in her pillow.
I would smooth her hair-it was black, Basilio, as black as an olive-and I would turn on the radio (electricity, Basilio, in the middle of the night), to maybe calm the baby and listen to something besides the screaming.
Mama liked the radio, Basilio, and we listened while your father cried-cantante negra, cantante de almas azules-and it made us feel a little better, helped us make it through.
I had to get up early to catch the streetcar to the shipyard, but when the crying finally stopped sometimes the sun would be ready to pop and Mama's breathing would slow down and her shoulders would move like gentle waves, sleeping but still listening, like I can hear her now on this good bed, and Basilio-Mira, hombre, I will not tell you this again-if I moved very close and kissed her shoulders, she would turn to face me and we would have to be quiet Basilio, under the music, very, very quiet....
So this I want to know, Basilio.
This, if you want to live on Macon Street for another minute.
Can you paint an apple baked soft in the oven, an apple filled with cinnamon and raisins?
Can you paint such a woman?
Are you good enough yet with those brushes so that she will step out of your pictures to turn on the radio in the middle of the night?
Will she visit an old man on his death bed?
If you cannot do that, Basilio, there is no need for you to live here anymore.
”
”
Rafael Alvarez
“
Your daughter needs you to be a rational damn human being,” replied Sloane. “Pull your head out of your ass and stop making empty threats. So she’s pregnant. So what? Sick people have babies all the damn time. Steel Magnolias stopped being relevant years ago. You sit down and you talk to her about what she wants to do, and then you talk to the boyfriend, and you find a way to get all three of you through this.” “I—what?” Holly’s mother stared at Sloane. I did much the same. I couldn’t even find the words to ask her what she was trying to pull. Sloane continued to glare. “If you don’t make this right, then you’re going to lose her forever. Do you get that, or do I need to draw a diagram to hammer it through your thick-ass skull? You’ll become the wicked witch in her private fairy tale, and even if she lives, she’ll never love you again. You’re so close right now. You’re so close that I can smell it. Is that what you want?” Holly’s mother was silent. Sloane took a step forward, eyes blazing. “Is it?” she screamed.
”
”
Seanan McGuire (Indexing (Indexing, #1))
“
Several days later I decided to go on a good long jog, trusting that Chip would not leave Drake again. As I was on my way back I saw Chip coming down the road in his truck with the trailer on it. He rolled up to me with his window down and said, “Baby, you’re doing so good. I’m heading to work now. I’ve got to go.”
I looked in the back, thinking, Of course, he’s got Drake. But I didn’t see a car seat.
“Chip, where’s Drake?” she said, and I was like, “Oh, shoot!” She took off without a word and ran like lightning all the way back to the house as I turned the truck around. She got there faster on foot than I did in my truck.
I sure hope no one from Child Protective Services reads this book. They can’t come after me retroactively, can they?
Chip promised it would never happen again. So the third time I attempted to take a run, I went running down Third Street and made it all the way home. I walked in, and Chip and Drake were gone. I thought, Oh, good. Finally he remembered to take the baby. But then I noticed his car was still parked out front. I looked around and couldn’t find them anywhere.
Moments later, Chip pulled up on his four-wheeler--with Drake bungee-strapped to the handlebars in his car seat. “Chip!” I screamed, “What in the heck are you doing?”
“Oh, he was crying, and I’d always heard my mom say she would drive me around the neighborhood when I was a baby, and it made me feel better,” Chip said. “He loved it. He fell right to sleep.”
“He didn’t love it, Chip. He probably fell asleep because the wind in his face made it impossible to breathe.”
I didn’t go for another run for the whole first year of Drake’s life, and I took him to the shop with me every single day. Some people might see that as a burden, but I have to admit I loved it. Having him in that BabyBjörn was the best feeling in the world.
Drake was a shop baby. He would come home every night smelling like candles.
We had friends who owned a barbecue joint, and their baby always came home smelling like a rack of ribs. I liked Drake’s smell a whole lot better.
”
”
Joanna Gaines (The Magnolia Story)
“
Well,” Kristy went on, “the pediatrician says Emily isn’t making as much progress as she’d expected. Plus, Emily has some emotional problems. She’s started having these nightmares — at least, we think she’s having nightmares — and she wakes up screaming. ‘Me! Me!’” (Kristy pronounced the word as if she were saying “met,” but leaving the “t” off the end.)
“‘Me,’” she informed us, “is what Vietnamese children say for ‘Mama’ or ‘Mommy.’ Plus, she seems scared of everything: the dark, loud noises, trying new things, and being separated from any of us, especially Mom and Watson. Doctor Dellenkamp isn’t too worried about the fears, even though Mom and Watson are. The doctor says the fears are a delayed reaction to all the upheaval in Emily’s life. You know, losing her mother, going to the orphanage, getting adopted, moving to a new country. The doctor says Emily will outgrow the fears and nightmares. She’s more worried about Emily’s speech, and even how she plays. She says she doesn’t play like a two-year-old yet. She still thinks Emily will catch up, though.
”
”
Ann M. Martin (Claudia and the Great Search (The Baby-Sitters Club, #33))
“
Outside," Regulus replies. "They're making mud-pies, so prepare for the mess."
"Mm, nothing we can't handle," James assures him. "We've certainly had worse."
"Yes, that's true, but if either of those brats track mud into the kitchen, I'm shipping them off to Sirius and Remus without looking back," Regulus warns, eyes narrowing playfully.
James snorts. "You'd miss them and go get them back after three hours, don't even try it."
"At least four," Regulus counters, sliding his arms around James' shoulders, eyes sparkling with amusement. "I can entertain myself for four hours, surely."
"Oh?" James raises his eyebrows. "Don't you mean I could entertain you for four hours?"
Regulus' lips twitch. "No, because I'm shipping you off with them. I've earned the break. I'm done with you Potters."
"You're a Potter," James reminds him, amused.
"Baby, I'll always be a Black," Regulus tells him, reaching up to card his fingers through James' hair. He leans in and starts mouthing along James' jaw, which James is very pleased about, actually. "No matter my name, that doesn't change."
"Dad! Dad, look, we found a frog!" comes the abrupt shriek from outside, along with more delighted screams.
"Oh, for fuck's sake," Regulus groans, letting his head thunk down on James' shoulder. "Really, can't we just send them back from whence they came?"
"And where is that?"
"Hell."
James laughs, turning his head to smack a kiss to Regulus' cheek, then down the side of his face, then the scar on the side of his neck. "It's a bit pointless to do that. You'd go through hell just to get them back, and you know it."
"Dad, it peed on me!"
"Shit, shit, shit," Regulus chants, jolting away from James to rush towards the door. "Put it down, you little demons! Step away from the frog right now!" He's still grumbling as he slips out the door. "Just like your father. Literal spawns of Satan himself. What did I say about staying out of tr…"
James sighs softly and leans back against the bar, grabbing his cane again, eyes drifting shut as he listens to the sounds of his family, lips curled up. Then, from his pocket, there's a sudden cry that makes his eyes snap open.
Ah, yes, the joys of parenthood. Frogs and squalling infants.
James wouldn't change a damn thing.
”
”
Zeppazariel (Crimson Rivers)
“
What are we talking about?” Alex says. “This is fucking nonsense.”
The couple ahead of us turns slightly.
“What are you looking at?” Alex says to them.
I don’t bother to reprimand her, because really, what are they looking at? I slow my pace and Alex punches Scottie in the arm.
“Ow!” Scottie screams.
“Alex! Why are we still on this pattern?”
“Hit her back, Dad,” Scottie yells.
Alex grabs Scottie’s neck.
“You’re hurting me,” Scottie says.
“That’s kind of the point,” Alex says.
I grab both children by the arm and pull them down to the sand. Sid covers his mouth with his hand and bends over, laughing silently.
“‘What do you love about Mom?’” Alex says, mimicking her sister. “Shut up, already. And stop babying her.”
I sit down between them and don’t say a word. Sid sits next to Alex. “Easy, tiger,” he says. I look at the waves crashing down on the sand. A few women walk by and give me this knowing look, as though a father with his kids is such a precious sight. It takes so little to be revered as a father. I can tell the girls are waiting for me to say something, but what can I say that hasn’t been said? I’ve shouted, I’ve reasoned, I’ve even spanked. Nothing works.
“What do you love about Mom, Scottie?” I ask, glaring at Alex.
She takes a moment to think. “Lots of stuff. She’s not old and ugly, like most moms.”
“What about you, Alex?”
“Why are we doing this?” she asks. “How did we get here in the first place?”
“Swimming with the sharks,” I say. “Scottie wanted to swim with sharks.”
“You can do that,” Sid says. “I read about it in the hotel.”
“She’s not afraid of anything,” Alex says.
She’s wrong, and besides, I think this is a statement and not something that Alex truly loves.
“Let’s get back,” I say.
I stand up and wipe the sand off of me. I look at our hotel on the cliff, pink from the sunset. The girls’ expressions when I told them about their mom made me feel so alone. They won’t ever understand me the way Joanie does. They won’t know her the way I do. I miss her despite the fact that she envisioned the rest of her life without me. I look at my daughters, utter mysteries, and for a brief moment I have a sick feeling that I don’t want to be alone in the world with these two girls. I’m relieved they haven’t asked me what it is I love about them.
”
”
Kaui Hart Hemmings (The Descendants)
“
She cupped my face. “Wilbur, you are so sexy when you’re not pretending to be an eighties butt-rocker.”
“You know what’s not sexy?”
“What?” she said on a breath between laying kisses on my cheek.
“June pooping on the floor.”
Mia jumped off my lap and darted over to the kitchen, screeching in her highest voice. “No, no, no, Juney.” She caught our little puppy mid-poop and picked her up, held her arms out and screamed, “What do I do?”
There was no way Mia would be able to get June outside without leaving a trail of poop in her wake. “Put her over the toilet!”
I followed her as she ran down the hallway and into our tiny bathroom at the end. She held the squirming puppy over the toilet until the doggie business was complete.
Setting June on the ground, she glanced up at me, frowned, and then mumbled, “I’m gonna be a terrible mother.”
I helped her up and then stood behind her at the sink as she washed her hands. “No, you’re going to be perfect.” I smirked when she looked at me in the mirror. “You did exactly the right thing. First you screamed and charged at her with your arms flailing around, and then you basically held her by the neck while you ran around in a circle yelling. That is exactly what you will probably do if the same situation happens to play out with one of our babies.”
“Thanks a lot.
”
”
Renee Carlino (Sweet Little Thing (Sweet Thing, #1.5))
“
If you hurt her, you will not leave here alive,” I growled at him. “I will kill you with my bare fucking hands, Bayle.”
Bayle started to laugh. “Oh, you really think so?”
Something flashed in Tilda’s eyes, and her body tensed up. Her expression hardened, and there was a resolve in her that I knew all too well from training with her. Tilda was a master of restraint, but she could destroy someone if she wanted to.
“Wait,” Tilda said in a stilted voice. “This is Bayle Lundeen? Bayle, who conspired with Kennet? Bayle, who’s one of the reasons my husband is dead?”
I nodded once. “Yeah. That’s him.”
For the first time, Bayle seemed to realize he might have bitten off more than he could chew, and he looked down at Tilda with new appreciation. Tilda may be pregnant, but she was still tall and strong, with muscular arms and powerful legs.
I was sure that when Bayle had first captured her, she’d been more docile so as not to risk him hurting the baby. But now she was pissed.
With one sudden jerk, she flung her head backward, smashing into Bayle’s face. From where I stood several feet away from her, I heard the sound of his nose crunching. Before he could tilt the knife toward her, she grabbed his wrist, bent it backward, and, using her other arm as leverage, she broke his arm with a loud snap.
It all happened within a few seconds, and Bayle screamed in pain and stumbled back. His arm hung at a weird angle, and blood streamed down his face. But Tilda wasn't done yet.
With a swipe of her leg, she kicked his legs out from under him. He fell back into the mud, and Tilda kicked him hard in the groin, causing Konstantin to wince behind me. Then she jumped on top of him, punching him repeatedly in the face with both fists.
His body had gone limp but I wasn't sure if that was because he was unconscious or dead. Either way, Tilda apparently decided that she wanted to be certain. She grabbed the knife that he’d dropped on the ground beside them, and she stabbed him straight through the heart.
And then she just sat there, kneeling on his dead body and breathing hard. None of us said anything or moved. It felt like she needed the moment to herself.
When she finally stood up, she shook her arms out, probably both because her fists hurt from hitting Bayle so hard and also to get rid of some of the blood.
“Do you feel better?” I asked her.
She nodded, still catching her breath as she walked over to me. “Yeah. We have to do something about these bodies, though. The humans will get suspicious.”
“That girl is a fucking beast,” Konstantin whispered as she walked by, and he looked at her with newfound admiration.
“You should see her when she’s not pregnant,” I said.
”
”
Amanda Hocking (Crystal Kingdom (Kanin Chronicles, #3))
“
Ava,’ he says quietly, but I’ve no doubt the whole room can hear him. The silence is screaming. ‘My
beautiful girl.’ He smiles mildly. ‘All mine.’ Leaning up, he kisses me sweetly. ‘I don’t need to stand
up and declare to everyone here how much I love you. I’m not interested in satisfying anyone of that.
Except you.’
A lump is forming in my throat, and he’s only just started.
He sighs. ‘You’ve taken me completely, baby. You’ve swallowed me up and drowned me in your
beauty and spirit. You know I can’t function without you. You’ve made my life as beautiful as you
are. You’ve made me want to live a worthy existence—a life with you. All I need is you—to look at
you; to listen to you; to feel you.’ He drops my hands and smoothes his palms over my thighs. ‘To
love you.’
I’m ruined. My mum’s ruined. Everyone in the room is ruined. My teeth are clamped on my bottom lip
to prevent a sob escaping, I’m choking on the lump in my throat and my eyes are welling with tears as
I look down at Jesse’s handsome face.
‘I need you to let me do all of those things, Ava. I need you to let me look after you forever.’
I hear my mum’s quiet sob, and I can’t help mine. Not now. He used to cripple me with just his touch.
Now he cripples me with his touch and his words. I’m destined for a life of devastating pleasure,
melting tenderness, and heart stopping emotion. He’s going to incapacitate me at every turn.
‘I know.’ I whisper.
”
”
Jodi Ellen Malpas (This Man Confessed (This Man, #3))
“
To survive in this place, you had to want to die. That was the way of the world as remade by toubab, and Samuel‘s list of grievances was long: they pushed people into the mud and then called them filthy. They forbade people from accessing any knowledge of the world and then called them simple. They worked people until their empty hands were twisted, bleeding, and could do no more, then called them lazy. They forced people to eat innards from troughs and then called them uncivilized. They kidnapped babies and shattered families and then called them incapable of love. They raped and lynched and cut up people into parts, and then called the pieces savage. They stepped on people’s throats with all their might and asked why the people couldn’t breathe. And then, when people made an attempt to break the foot, or cut it off one, they screamed “CHAOS!” and claimed that mass murder was the only way to restore order.
They praised every daisy and then called every blackberry stain. They bled the color from God’s face, gave it a dangle between its legs, and called it holy. Then, when they were done breaking things, they pointed at the sky and called the color of the universe itself a sin. And the whole world believed them, even some of Samuel’ s people. Especially some of Samuel’s people. This was untoward and made it hard to open your heart, to feel a sense of loyalty that wasn’t a strategy. It was easier to just seal yourself up and rock yourself to sleep.
”
”
Robert Jones Jr.
“
His gaze was drawn to the tender flesh between her neck and shoulder, just under the line of her shining pearls. “Holly . . . can’t stop myself.” “Don’t stop!” “Mine.” He sank his fangs in her. Her arms fell limp over her head, her body quiescent as he rutted over her. She screamed with pleasure as she helplessly came. Her sex clenched around his cock, milking it for the seed he could finally give her. Mindlessly snarling against her flesh, he plunged into her again and again. The ache, the pressure, the throbbing inside . . . He was crazed with the need to ejaculate, thrusting, grunting, driving. He released her neck, throwing back his head to roar as his come began to shoot from him. His back bowed from the force of it, jetting out in wave after wave. He’d claimed her. Holly’s mine . . . at last. He collapsed over her, heaving his breaths against her marked neck. Once he’d begun to gather his wits, he leaned up to see how badly he’d hurt her, an apology on his lips. “Holly, I . . .” He trailed off at her expression. She looked even hungrier for him. “Is that all you’ve got?” she said, her voice a purr. His eyes went wide, then narrowed. “Oh, I’ve got more, baby.” He clutched the back of her neck. “A lot more.” “Then let’s see it.” Her claws sank deeper into his ass. He hissed in a breath, and his cock pulsed inside her. “Later, I’m gonna do you nice and slow, but right now I just need to bend you over things and see what this sexy little body of yours can do . . . .” “Try to keep up, demon.
”
”
Kresley Cole (Dark Desires After Dusk (Immortals After Dark, #6))
“
You can’t do that again, Josie. I don’t want you to take care of me. I know you did it because you do care….but don’t take my pride from me.”
“Is pride more important than friendship?” I said sadly.
“Yes!” Samuel’s voice was harsh and emphatic.
“That is so ridiculous!” I threw my arms wide in frustration.
“Josie! You are just a little girl! You don’t know how helpless and weak and stupid it made me feel to stand there while you arranged my life like I was some kind of charity case!” Samuel fisted his hands in his hair and growling, turned towards the door.
“I am not a little girl! I haven’t been a little girl for years…forever! I don’t think like a little girl, I don’t act like a little girl. I don’t LOOK like a little girl, do I? Don’t you dare say I am a little girl!” I pounded down on the piano keys - playing a violent riff, reminiscent of Wagner himself. Now I knew what Sonja meant by letting out the beast! I wanted to throw something, or smash something, and scream at Samuel. He was so impossible! Such a stubborn, mule-headed jerk! I played hard for several minutes, and Samuel stood at the door, dumbfounded.
Suddenly Samuel sat down beside me on the piano bench and put his hands over the top of mine, bringing the din to a halt.
“I’m sorry, Josie,” Samuel said softly. I was crying, tears dripping down onto the keys, making them slippery. I was a terrible beast, not fierce at all - just a blubbering baby beast. Samuel seemed at a loss. He sat very still, his hands covering mine. Slowly, his hands rose to my face and gently wiped the tears from my cheeks.
“Will you play something else?” He requested softly, his voice remorseful. “Will you play something for me....please?
”
”
Amy Harmon (Running Barefoot)
“
Are we dead now?" Will said to the boatman.
"Makes no difference," he said. "There's some that came here never believing they were dead. They insisted all the way that they were alive, it was a mistake, someone would have to pay; made no difference. There's others who longed to be dead when they were alive, poor souls; lives full of pain and misery; killed themselves for a chance of a blessed rest, and found that nothing had changed except for the worse, and this time there was no escape; you can't make yourself alive again. And there's been others so frail and sickly, little infants, sometimes, that were scarcely born in to the living before they come down to the dead. I've rowed this boat with a little crying baby on my lap many, many times, that never knew the difference between up there and down here. And old folk, too, the rich ones are the worst, snarling and savage and cursing me, railing and screaming: what did I think I was? Hadn't they gathered and saved all the gold they could garner? Wouldn't I take some now, to put them back ashore? They'd have the law on me, they had powerful friends, they knew the Pope and the king of this and the duke of that, they were in a position to see I was punished and chastised...But they knew what the truth was in the end: the only position they were in was in my boat going to the land of the dead, and as for those kings and Pope,s they'd be in here, too, in their turn, sooner than they wanted. I let 'em cry and rave; they can't hurt me; the fall silent in the end.
So if you don't know whether you're dead or not, and the little girls swears blind she'll come out again to the living, I say nothing to contradict you. What you are, you'll know soon enough.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
Bob came back just in time to see us getting ready to leave. “O-oh, h-hey, I’m back from the restroom. D-did you find a volunteer already? Oh, okay, darn, I-I’m too late...Good luck out there…” said Bob nervously. “Oh, Bob…” I replied. Cindy and I exited the mayor’s house and headed towards the nearby trench. From there we dug tunnels towards the giant cube. “Hey, Cindy!” I yelled through the dirt wall tunnel. “Yeah?” she answered. “If you need anything just yell, ‘kay? I’m only a few feet away.” She laughed. “Oh, you’re worried about me, Steve?” “Of course! I care about you.” “Y-you do…?” I blushed. “A-ahem…I meant I care about your well-being.” “A-ah…right,” she said shyly. We proceeded to dig and placed the items until nearly sunrise with no incident. Then suddenly I heard a sharp scream coming through the dirt. AHHHHH!!!! I smashed through the dirt wall to find Cindy cornered by a brain-hungry zombie. “No worries, Cindy! I got you.” I pulled out my stone sword and drove it into the zombie. Raggggghhhhhh! I whacked it a few more times until it dropped some rotten flesh. “Whew! Thanks for saving me, Steve. I’ve never seen a zombie so up close before. They are actually quite stinky.” I laughed. “No problem. I’m here for you, Cindy.” She smiled. “The sun will be up soon, we should probably head back,” I said. She nodded. I stayed in her tunnel and led the way back. On the way back, we encountered a baby zombie. That thing was lightning quick. The tunnel was narrow, so I couldn’t really maneuver anywhere. No circle strafing technique for me. Suddenly, I heard Cindy scream from behind me. I turned around to see another zombie behind her. It must have fallen through the holes we made topside. Oh, no! We’re trapped with nowhere to go! This isn’t good, I thought to myself.
”
”
Steve the Noob (Diary of Steve the Noob 4 (An Unofficial Minecraft Book))
“
Nope- it was not! Ava and her girls that day went, and they cut a class at some point in the day and broke into my baby. Then Ava- ‘Rubbed one out!’ that means that she masturbated, and squirted her lady- juices all over the inside of my car. Yes- and I mean it went all over. It was on my seat on the dash, on the floor, and Ava smeared what creaminess that was on her two fingers on the windows, and driver’s side vent. As her clan, sisters pissed all over the carpet on the floor, and took their dumps on the seat, and left their thongs behind. Alison, she wrote a note on her undies saying- ‘Now you have some pairs to wear!’
It was so nasty! Plus- the outside was covered and wrapped with toilet paper as well as littered with Ava and her sisters used feminine products. What is wrong with these girls? What did I do to deserve this one? Likewise, the other kids thought it was the most humorous thing, which they ever witnessed at the end of the school day. When I discovered it- You know, I was utterly sick to my stomach. I think I screamed so loudly it echoed throughout the land, and started to cry and ran while being pushed around bouncing around off their bodies, I cannot remember- I was so upset, and then the kids were all around me kicking, and pushing me from one place to another.
I was just like a hacky sack for them, until I passed out, and dropped to the hard ground. That gave them time for them to spit on me, and dump things like glue in my hair or whatever that shit was. Then what gets me is that she signed her name- Ava on the dashboard with a black permanent sharpie marker, and It reads, ‘Suck on this- Nevaeh- lick, what I gave you all up!’ and she drew a heart, with a line through it also. She wanted me to know because there was not a thing I could do about it. Depressed- to say that her juicy sprays were more yellowish, and a thick sticky white, then clear on my blue and white cloth seats. Yet, Hope had the car towed and cleaned for me inside and out, she could not believe what kids do these days.
Therefore, that was the first time that I drove my car to school and the last. That whole thing cost me a lot. I guess it is back to the bus. That is what everyone wants is it not. This completely sucked; I have a car that I cannot drive anywhere other than at home or have locked up in the barn- with the other rust bucket car.
”
”
Marcel Ray Duriez (Nevaeh The Lusting Sapphire Blue Eyes)
“
IN HIS 2005 COLLECTION of essays Going Sane, Adam Phillips makes a keen observation. “Babies may be sweet, babies may be beautiful, babies may be adored,” he writes, “but they have all the characteristics that are identified as mad when they are found too brazenly in adults.” He lists those characteristics: Babies are incontinent. They don’t speak our language. They require constant monitoring to prevent self-harm. “They seem to live the excessively wishful lives,” he notes, “of those who assume that they are the only person in the world.” The same is true, Phillips goes on to argue, of young children, who want so much and possess so little self-control. “The modern child,” he observes. “Too much desire; too little organization.” Children are pashas of excess. If you’ve spent most of your adult life in the company of other adults—especially in the workplace, where social niceties are observed and rational discourse is generally the coin of the realm—it requires some adjusting to spend so much time in the company of people who feel more than think. (When I first read Phillips’s observations about the parallels between children and madmen, it so happened that my son, three at the time, was screaming from his room, “I. Don’t. Want. To. Wear. PANTS.”) Yet children do not see themselves as excessive. “Children would be very surprised,” Phillips writes, “to discover just how mad we think they are.” The real danger, in his view, is that children can drive their parents crazy. The extravagance of children’s wishes, behaviors, and energies all become a threat to their parents’ well-ordered lives. “All the modern prescriptive childrearing literature,” he concludes, “is about how not to drive someone (the child) mad and how not to be driven mad (by the child).” This insight helps clarify why parents so often feel powerless around their young children, even though they’re putatively in charge. To a preschooler, all rumpus room calisthenics—whether it’s bouncing from couch cushion to couch cushion, banging on tables, or heaving bowls of spaghetti onto the floor—feel normal. But to adults, the child looks as though he or she has suddenly slipped into one of Maurice Sendak’s wolf suits. The grown-up response is to put a stop to the child’s mischief, because that’s the adult’s job, and that’s what civilized living is all about. Yet parents intuit, on some level, that children are meant to make messes, to be noisy, to test boundaries. “All parents at some time feel overwhelmed by their children; feel that their children ask more of them than they can provide,” writes Phillips in another essay. “One of the most difficult things about being a parent is that you have to bear the fact that you have to frustrate your child.
”
”
Jennifer Senior (All Joy and No Fun: The Paradox of Modern Parenthood)