Scratch Where It Itches Quotes

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I have a simple philosophy: Fill what's empty. Empty what's full. Scratch where it itches.
Alice Roosevelt Longworth
Fill what is empty, empty what is full, and scratch where it itches.
Tallulah Bankhead
I have a simple philosophy: Fill what's empty. Empty what's full. Scratch where it itches." by Alice Roosevelt Longworth
Claudy Conn (Spellbound (Legend, #1))
If you are with the quality, or at a funeral, or trying to go to sleep when you ain't sleepy - if you are anywheres where it won't do for you to scratch, why you will itch all over in upwards of a thousand places.
Mark Twain (The Adventures of Huckleberry Finn)
Philosophy hasn't made any progress? - If somebody scratches the spot where he has an itch, do we have to see some progress? Isn't genuine scratching otherwise, or genuine itching itching? And can't this reaction to an irritation continue in the same way for a long time before a cure for the itching is discovered?
Ludwig Wittgenstein (Culture and Value)
Fill what’s empty, empty what’s full, and scratch where it itches, your Grace. That’s my motto.
Melissa McPhail (Cephrael's Hand (A Pattern of Shadow & Light, #1))
Why, you may ask, take on this unpleasant, frightening subject? Why stare into the sun? Why not follow the advice of the venerable dean of American psychiatry, Adolph Meyer, who, a century ago, cautioned psychiatrists, 'Don't scratch where it doesn't itch'? Why grapple with the most terrible, the darkest and most unchangeable aspect of life? ... Death, however, DOES itch. It itches all the time; it is always with us, scratching at some inner door, whirring softly, barely audibly, just under the membrane of consciousness.
Irvin D. Yalom (Staring at the Sun: Overcoming the Terror of Death)
Sometimes she thought Alec was right—you believed in things because you needed to; what you believed in had no value of its own, no function. What did he say: “A dog scratches where it itches. Different dogs itch in different places.
John le Carré (The Spy Who Came in from the Cold)
But Wine doesn’t make anything go away! When you bury a big memory it’s always still there, like an itch right down inside your bones where you can’t scratch it, or somebody walking a step behind you that you can’t look at. And . . . and if we didn’t remember things we wish we hadn’t done, wouldn’t we just run off and do them again?
Frances Hardinge (A Face Like Glass)
It was still there, a low-grade fever in the blood, an itch somewhere down beneath the skin, where you couldn’t scratch it.
Lawrence Block (A Walk Among the Tombstones (Matthew Scudder #10))
Margaret looked up at him from where she sat by the window. "Oh, Brother Gregory, what's wrong with your hand" "I'm just scratching it; it itches." "Really, is it red?" "No, it's just a bite. You gave me a flea." "I don't have fleas, Brother Gregory," insisted Margaret. "Everyone has fleas, Margaret. It's part of God's plan." "I don't. I wash them off." "Margaret, you haven't any sense at all. They just hop back. You can't wash enough to keep them off." "I do." "Aren't you afraid your skin will come off? It could, you know. That's much worse than fleas." Brother Gregory spoke with an air of absolute certainty. "Everyone tells me that. It hasn't come off yet." "Margaret, you're too hardheaded for your own good. Now take for your next sentence, 'Fleas do not wash off.'" "Is this right?" She held up the tablet, and Brother Gregory shook his head in mock indignation. "I despair of you, Margaret. Flea is not spelled with one e--it's spelled with two.
Judith Merkle Riley (A Vision of Light (Margaret of Ashbury, #1))
America, is there lipstick on my teeth?" Zoe asked. I turned to my left and found her smiling maniacally, exposing all her pearly whites. "No, you're good," I answered, seeing out of the corner of my eye that Marlee was nodding in confirmation. "Thanks. How is he so calm?" Zoe asked, pointing over at Maxon, who was talking to a member of the crew. She then bent down and put her head between her legs and started doing controlled breathing. Marlee and I looked at each other, eyes wide with amusement, and tried not to laugh. It was hard if we looked at Zoe, so we surveyed the room and chatted about what others were wearing. There were several girls in seductive reds and lively greens, but no one else in blue. Olivia had gone so far as to wear orange. I'd admit that I didn't know that much about fashion, but Marlee and I both agreed that someone should have intervened on her behalf. The color made her skin look kind of green. Two minutes before the cameras turned on, we realized it wasn't the dress making her look green. Olivia vomited into the closest trash can very loudly and collapsed on the floor. Silvia swooped in, and a fuss was made to wipe the sweat off her and get her into a seat. She was placed in the back row with a small receptacle at her feet, just in case. Bariel was in the seat in front of her. I couldn't hear what she muttered to the poor girl from where I was, but it looked like Bariel was prepared to injure Olivia should she have another episode near her. I guessed that Maxon had seen or heard some of the commotion, and I looked over to see if he was having any sort of reaction to it all. But he wasn't looking toward the disturbance; he was looking at me. Quickly-so quickly it would look like nothing but scratching an itch to anyone else-Maxon reached up and tugged on his ear. I repeated the action back, and we both turned away. I was excited to know that tonight, after dinner, Maxon would be stopping by my room.
Kiera Cass (The Selection (The Selection, #1))
Let them, let them scratch where it itches, it's a real human itch to gossip, to go over someone's bones until they're picked clean. They can't live without it. And you just keep quiet, do your work, and don't taunt them--they'll stop sooner. And then it'll be someone else's turn, and you'll be with the others again. Is this the first time? The very thing they blame you for, they'll praise you for later. People…
Valentin Rasputin (Live and Remember)
The parlor was where you were tongue-tied, the parlor was where you itched and couldn’t scratch, the parlor was dictatorial commands, boring conversation, relatives pinching cheeks, aches, sneezes that couldn’t be sneezed, coughs that couldn’t be coughed, and above all, yawns that must not be yawned.
Stephen King (The Stand)
He listened some more; then he come tiptoeing down and stood right between us; we could a touched him, nearly. Well, likely it was minutes and minutes that there warn't a sound, and we all there so close together. There was a place on my ankle that got to itching, but I dasn't scratch it; and then my ear begun to itch; and next my back, right between my shoulders. Seemed like I'd die if I couldn't scratch. Well, I've noticed that thing plenty times since. If you are with the quality, or at a funeral, or trying to go to sleep when you ain't sleepy—if you are anywheres where it won't do for you to scratch, why you will itch all over in upwards of a thousand places. Pretty soon Jim says:
Mark Twain (The Adventures of Huckleberry Finn)
He surveyed what remained of his crew. Rotty still hovered by the wreckage of the longboat. Jesper sat with elbows on knees, head in hands, Wylan beside him wearing the face of a near-stranger; Matthias stood gazing across the water in the direction of Hellgate like a stone sentinel. If Kaz was their leader, then Inej had been their lodestone, pulling them together when they seemed most likely to drift apart. Nina had disguised Kaz’s crow-and-cup tattoo before they’d entered the Ice Court, but he hadn’t let her near the R on his bicep. Now he touched his gloved fingers to where the sleeve of his coat covered that mark. Without meaning to, he’d let Kaz Rietveld return. He didn’t know if it had begun with Inej’s injury or that hideous ride in the prison wagon, but somehow he’d let it happen and it had cost him dearly. That didn’t mean he was going to let himself be bested by some thieving merch. Kaz looked south toward Ketterdam’s harbors. The beginnings of an idea scratched at the back of his skull, an itch, the barest inkling. It wasn’t a plan, but it might be the start of one. He could see the shape it would take—impossible, absurd, and requiring a serious chunk of cash. “Scheming face,” murmured Jesper. “Definitely,” agreed Wylan. Matthias folded his arms. “Digging in your bag of tricks, demjin?” Kaz flexed his fingers in his gloves. How did you survive the Barrel? When they took everything from you, you found a way to make something from nothing. “I’m going to invent a new trick,” Kaz said. “One Van Eck will never forget.” He turned to the others. If he could have gone after Inej alone, he would have, but not even he could pull that off. “I’ll need the right crew.” Wylan got to his feet. “For the Wraith.” Jesper followed, still not meeting Kaz’s eyes. “For Inej,” he said quietly. Matthias gave a single sharp nod. Inej had wanted Kaz to become someone else, a better person, a gentler thief. But that boy had no place here. That boy ended up starving in an alley. He ended up dead. That boy couldn’t get her back. I’m going to get my money, Kaz vowed. And I’m going to get my girl. Inej could never be his, not really, but he would find a way to give her the freedom he’d promised her so long ago. Dirtyhands had come to see the rough work done.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
She rose to her feet, lining her body up with his and closing the gap between them. "What if I need help in a different way?" "Darlin', I'm a full-service kind of helper." His hand dropped to her left hips, sending a jolt of awareness straight to her clit. "You tell me what ache is building and I'll relieve it." His other hand fell to her right hip and he pulled her close. "Tell me where it itches and I'll scratch it." His cock, hard and thick, pressed against her, letting lose a wave of desire that threatened to overwhelm her. "Show me where it hurts and I'll kiss it better." "You make a lot of promises," she managed to get out... "And I'll deliver on every single one." He dipped his head lower, letting his lips brush across hers. "You can count on it.
Avery Flynn (Bang (B-Squad, #2))
Many a morning I found myself waking up in America and being surprised to find myself in a bed. I had been having nightmares all night long, and I didn’t know where I was. It would take me awhile to adjust, because I couldn’t believe I was in a bed. What was I doing in a bed? After the war I never slept more than three or four hours a night. In those days you didn’t talk about stuff like that. There was no such thing as war syndrome, but you knew something was different. You tried not to remember anything from over there, but things came back to you. You had done every damn thing overseas, from killing in cold blood to destroying property to stealing whatever you wanted and to drinking as much wine and having as many women as you wanted. You lived every minute of every day in danger of your own life and limb. You couldn’t take chances. Many times you had a split second to decide to be judge, jury, and executioner. You had just two rules you had to obey. You had to be back in your outfit when you went back on the line. You had to obey a direct order in combat. Break one of those rules and you could be executed yourself, right on the spot even. Otherwise, you flaunted authority. You lost the moral skill you had built up in civilian life, and you replaced it with your own rules. You developed a hard covering, like being encased in lead. You were scared more than you’d ever been in your life. You did certain things, maybe against your will sometimes, but you did them, and if you stayed over there long enough you didn’t even think about them anymore. You did them like you might scratch your head if it itched. You
Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
Ven' is the Nain word for 'and.' It was my first word, and so was added to my name at the age of three, when I first spoke it. That is the Nain tradition; each child's first word becomes an official part of his or her name. As a result, three of my brothers are Petar Da-da Polypheme, Osgod No! Polypheme, and Linus Poo-poo Polypheme. Personally, I think the Nain should rethink this tradition. As for my name, I think perhaps there should be a question mark after it - 'and?' - as if life is always posing the question of what I am to do next. I was born with more than my share of curiosity, and it gets me into a frightful amount of trouble. I want to know what comes next from the time I wake up in the morning, wondering what the day will hold, till the moment I fall asleep, imagining where my dreams will take me at night. It's like an itch; my skin or scalp hums with excitement whenever my curiosity starts to take over. And? And? And? Scratching it does nothing to help; the itch doesn't go away, and I just look like I have dandruff or fleas.
Elizabeth Haydon (The Floating Island (The Lost Journals of Ven Polypheme, #1))
He was forever wallowing in the mire, dirtying his nose, scrabbling his face, treading down the backs of his shoes, gaping at flies and chasing the butterflies (over whom his father held sway); he would pee in his shoes, shit over his shirt-tails, [wipe his nose on his sleeves,] dribble snot into his soup and go galumphing about. [He would drink out of his slippers, regularly scratch his belly on wicker-work baskets, cut his teeth on his clogs, get his broth all over his hands, drag his cup through his hair, hide under a wet sack, drink with his mouth full, eat girdle-cake but not bread, bite for a laugh and laugh while he bit, spew in his bowl, let off fat farts, piddle against the sun, leap into the river to avoid the rain, strike while the iron was cold, dream day-dreams, act the goody-goody, skin the renard, clack his teeth like a monkey saying its prayers, get back to his muttons, turn the sows into the meadow, beat the dog to teach the lion, put the cart before the horse, scratch himself where he ne’er did itch, worm secrets out from under your nose, let things slip, gobble the best bits first, shoe grasshoppers, tickle himself to make himself laugh, be a glutton in the kitchen, offer sheaves of straw to the gods, sing Magnificat at Mattins and think it right, eat cabbage and squitter puree, recognize flies in milk, pluck legs off flies, scrape paper clean but scruff up parchment, take to this heels, swig straight from the leathern bottle, reckon up his bill without Mine Host, beat about the bush but snare no birds, believe clouds to be saucepans and pigs’ bladders lanterns, get two grists from the same sack, act the goat to get fed some mash, mistake his fist for a mallet, catch cranes at the first go, link by link his armour make, always look a gift horse in the mouth, tell cock-and-bull stories, store a ripe apple between two green ones, shovel the spoil back into the ditch, save the moon from baying wolves, hope to pick up larks if the heavens fell in, make virtue out of necessity, cut his sops according to his loaf, make no difference twixt shaven and shorn, and skin the renard every day.]
François Rabelais (Gargantua and Pantagruel)
Being is that which disturbs our insistence on remaining in the life-numbing realm of our secret desperation. It is the itch that cannot be scratched, the whisper that will not be denied. To be, to truly be, is not a given. Most of us live in a state where our being has long ago been exiled to the shadow realm of our silent anguish. At times being will break through the fabric of our unconsciousness to remind us that we are not living the life we could be living, the life that truly matters. At other times being will recede into the background silently waiting for our devoted attention. But make no mistake: being—your being—is the central issue of life. To remain unconscious of being is to be trapped within an ego-driven wasteland of conflict, strife, and fear that only seems customary because we have been brainwashed into a state of suspended disbelief where a shocking amount of hate, dishonesty, ignorance, and greed are viewed as normal and sane. But they are not sane, not even close to being sane. In fact, nothing could be less sane and unreal than what we human beings call reality.
Adyashanti (The Way of Liberation: A Practical Guide to Spiritual Enlightenment)
She and her brother got their usual table, right in front of the grimy, bulletproof window covered with steel bars. Nothing but the best seat in the house when visiting Kyle Rhodes. He laid into her the moment he sat down. “Who’s Tall, Dark, and Smoldering?” Jordan’s mouth dropped open. “Shut up. You’ve been reading Scene and Heard?” Kyle gestured to the bars. “What else am I supposed to do in this place?” “Repent. Reflect on your wrongdoings. Rehabilitate your criminal mind.” “You’re avoiding the question.” Yes, she was. Because her brother was number two on the list of people she really, really didn’t want to lie to, right after her father. “It’s no big deal. He’s just a guy I brought to Xander’s party.” Who, yes, happened to be tall, dark, and smoldering. Allegedly. And who occasionally made her smile, when he wasn’t busy getting under her skin. Like an itch she couldn’t scratch. Or a tick. “For five thousand dollars a head, I doubt he’s ‘just a guy,’ ” Kyle said. Suddenly, their friend Puchalski, the inmate with the black snake tattoo, was at their table. “So who’s this tall, dark, and smoldering jerk?” he asked Jordan, seemingly affronted. Jordan held out her hands. “Seriously, does everyone read Scene and Heard in this place?” Puchalski gestured to Kyle. “I snagged it from Sawyer here while he was reading the financial section. I’ve got to keep up with current events.” He winked. “I won’t be in this place forever, you know.” “You will be if you don’t shut your yap and start following the rules, Puchalski,” a guard warned as he passed by. The inmate scuttled off. Kyle picked up where they’d left off. “So now the big secret’s out.” Jordan glared at her brother, who apparently had decided to be more annoying than usual on this particular subject. “Yes, it’s true—I had a date. Ooh, shocking.
Julie James (A Lot like Love (FBI/US Attorney, #2))
Far, far better to die. One by one the rest of the Zavaedis came to cast their stones for either exoneration, exile, or death. Some spoke to the assembly of their reasons why, others simply placed the stone according to their choice. Unfortunately, his mother’s plea moved many people to pity him. When all the rocks had piled up, the orange mat held the most stones. Exile. Kavio swallowed hard to conceal his reaction. You have murdered me all the same. Father pounded the rain stick. “Kavio, you have been found guilty of the most heinous of crimes—hexcraft. Though you remain a member of the secret societies that initiated you and are therefore spared death, nonetheless you are forbidden to enter the Labyrinth, to take with you anything from the Labyrinth, or to study with any dancing society of the Labyrinth. Do you understand and acknowledge your punishment?” “I understand it all too well,” Kavio said through gritted teeth. “But I will never acknowledge it as just.” “So be it,” Father said tonelessly. “Bring the pot of ashes.” Two warriors hefted a ceramic pot from where it had rested in the shadow of the tall platform. They forced Kavio to lean back while still on his knees. They smeared him with a paste and rubbed in the gray-black powder. His bare chest and clean shaven face disappeared under a scum of grey crud. Humiliation itched, but like poison ivy, he knew it would be worse if he scratched it. He forced himself still as stone while the warriors slapped on more mud. “You must wear mud and ash for the rest of your days,” the Maze Zavaedi concluded. His voice broke. “I am ashamed to call you my son.” Kavio struggled to his feet. The warriors escorting him surrounded him with a hedge of spears. Did they fear him, even now? “You never could just trust me, could you, Father?” Kavio asked. Father’s jaw jutted forward. A muscle moved in his neck. Otherwise, he might have been rock. “Escort my son out of the Labyrinth.
Tara Maya (Initiate (The Unfinished Song, #1))
physical sharing and exchange of computer tapes and disks on which the code was recorded. In current Internet days, rapid technological advances in computer hardware and software and networking technologies have made it much easier to create and sustain a communal development style on ever-larger scales. Also, implementing new projects is becoming progressively easier as effective project design becomes better understood, and as prepackaged infrastructural support for such projects becomes available on the Web. Today, an open source software development project is typically initiated by an individual or a small group seeking a solution to an individual's or a firm's need. Raymond (1999, p. 32) suggests that "every good work of software starts by scratching a developer's personal itch" and that "too often software developers spend their days grinding away for pay at programs they neither need nor love. But not in the (open source) world...." A project's initiators also generally become the project's "owners" or "maintainers" who take on responsibility for project management." Early on, this individual or group generally develops a first, rough version of the code that outlines the functionality envisioned. The source code for this initial version is then made freely available to all via downloading from an Internet website established by the project. The project founders also set up infrastructure for the project that those interested in using or further developing the code can use to seek help, provide information or provide new open source code for others to discuss and test. In the case of projects that are successful in attracting interest, others do download and use and "play with" the code-and some of these do go on to create new and modified code. Most then post what they have done on the project website for use and critique by any who are interested. New and modified code that is deemed to be of sufficient quality and of general interest by the project maintainers is then added to the authorized version of the code. In many projects the privilege of adding to the authorized code is restricted to only a few trusted developers. These few then serve as gatekeepers for code written by contributors who do not have such access (von Krogh and Spaeth 2002). Critical tools and infrastructure available to open source software project participants includes email lists for specialized purposes that are open to all. Thus, there is a list where code users can report software failures ("bugs") that they encounter during field use of the software. There is also a list where those developing the code can share ideas about what would be good next steps for the project, good features to add, etc. All of these lists are open to all and are also publicly archived,
Eric von Hippel (Democratizing Innovation)
Dream On" As your bony fingers close around me Long and spindly Death becomes me Heaven can you see what I see Hey you pale and sickly child You're death and living reconciled Been walking home a crooked mile Paying debt to karma You party for a living What you take won't kill you But careful what you're giving There's no time for hesitating Pain is ready, pain is waiting Primed to do it's educating Unwanted, uninvited kin It creeps beneath your crawling skin It lives without it lives within you Feel the fever coming You're shaking and twitching You can scratch all over But that won't stop you itching Can you feel a little love Can you feel a little love Dream on dream on Blame it on your karmic curse Oh shame upon the universe It knows its lines It's well rehearsed It sucked you in, it dragged you down To where there is no hallowed ground Where holiness is never found Paying debt to karma You party for a living What you take won't kill you But careful what you're giving Can you feel a little love Can you feel a little love Dream on dream on
Depeche Mode
Gossip is so dangerous, because it makes you feel like you told the truth. And you did. Just not to the person involved. It scratches that itch, that impulse to tell the truth, but it has no power to transform, and it destroys trust. When
Shauna Niequist (Savor: Living Abundantly Where You Are, As You Are (A 365-Day Devotional))
you believed in things because you needed to; what you believed in had no value of its own, no function. What did he say: “A dog scratches where it itches. Different dogs itch in different places.
John le Carré (The Spy Who Came in from the Cold)
Real quick, African Booty Scratcher is probably the most specific and regional insult ever. As if Europeans, Americans, and Asians don’t scratch their booties. Booties itch no matter where you come from! Logistically, that insult just doesn’t work.
Gabourey Sidibe (This Is Just My Face: Try Not to Stare)
If I could tell her the truth, I would say I’m looking for flaws. Because that’s what you do when you’re in love with someone you don’t want to be in love with. You look for imperfections in their skin, oddities in their features. You picture how they will age, where time will tarnish them. You try to catch them at harsh angles, discern some measure of awkwardness where their limbs connect to their trunks. You search for these deficiencies with an air of desperation, ready to lay claim to whatever you find, to inflate it grotesquely in your mind, and in doing so set yourself free. I would say that I’m paralyzed, that I see things I can’t reach for, have itches I can’t scratch. And then there are the parts of me that I can’t feel anymore at all. That my days are filled with a quiet dread that has as much to do with her, or at least the potential of her,
Jonathan Tropper (Everything Changes)
Where to touch? The worst of the waxy spikes were stuck from waist to groin. She swiped at his hip, managed to knock off a few. She made a wider sweep on his outer thigh, and cleared a few more. Her hand over his zipper. Shook. Cade was still picking needles off his abdomen. He widened his stance. "Don't be shy." There was challenge in his tone. He was getting even with her. She'd forced him to replace the bulbs. His request for her to remove the prickles seemed a fair exchange. Her heart gave an unfamiliar flutter. Her stomach knotted. They presently stood between the tall box of headstones and a privacy hedge. They weren't visible from the road. She decided to pick off the needles individually instead of making a palm-wide sweep. There'd be less touching. In her hurry, her knuckles bumped his sex. He sucked air. Enlarged. The tab on the zipper slid down an inch. He made the adjustment. "Good enough." He pushed her hand away. She sighed her relief. He twisted, struggled with the prickles on his back, stretching to brush those between his shoulder blades. Frustrated by those he couldn't reach, he snagged the hem on his T-shirt and tugged it over his head. Shook it out. Grace's eyes rounded and her mouth went dry. Her had a magnificent chest. Broad and bare, his chest tempted her. Her fingers itched to touch him. Even for a second. This was so unlike her. The need to satisfy her curiosity outweighed the consequences. She went with the urge. She traced his flat stomach and six-pack abs. His jeans hung low. Sharp hip bones, man dents, and sexy lick lines. The man was sculpted. Cade clutched his shirt to his thigh. Stood still. She felt his gaze on her, but couldn't meet his eyes. Not after she flattened her hand over his abdomen, and his heat suffused her palm. His stomach contracted. Her fingers flexed. She scratched him. He groaned.
Kate Angell (The Cottage on Pumpkin and Vine)
Idolatry is the folly of asking a gift to be a giver .... The problem is that unlike the gospel, idols nurture an insatiable itch. The more we scratch, the more the itch spreads. Pursuing the idol causes the idol to keep moving just further out of reach. In that rare instance where we do in fact attain the idol we've longed for, we will be astonished at how empty and hollow it is.
Dane Ortlund
Imagine trying to hold the tail of a comet as it blazes across the heavens. It’s burning your hands, eating you up, but there’s no malice in it; a comet can’t possibly know or care about you. You will sacrifice all you are or ever will be for that comet because it suffuses every inch of your skin with a sweet itch you cannot scratch, and through its grace you discover velocities you never dreamed possible. You will love that comet, but part of that love—a percentage impossible to calibrate—is tied to your inability to understand it. How can that comet burn as it does, pursue the trajectory it does? It confuses you, because the comet disguises itself as a human girl. But make no mistake, the girl contains fire to evaporate oceans, light to blind minor gods. If I could freeze her in the heartbeat where she skipped across the footbridge, carve her out of time and fix her in the firmament . . . in the deepest chambers of my heart, I know that nobody, not another soul on earth, will ever be as purely astonishing as Dove Yellowbird was in that moment.
Craig Davidson (The Saturday Night Ghost Club)
They decide that scratching your head is the best path to an itch-free future. Dopamine cells give the signal to do it, but that’s where dopamine—and conscious involvement—come to an end. Dopamine is the conductor, not the orchestra. In some ways the dopaminergic command, do it, is the easiest part. What comes next is so
Daniel Z. Lieberman (The Molecule of More: How a Single Chemical in Your Brain Drives Love, Sex, and Creativity―and Will Determine the Fate of the Human Race)
I know Scarletta is getting a itch way down deep and low where a coloured boy cannot afford to reach to scratch.
Kaye Gibbons
Who are you? Who are the players, the management team? What’s your expertise and track record? Have any of you succeeded in doing this before? Who are your advisors and what are their credentials? #2. What is it? What is your product or service? Even if it’s complex, this explanation must be easily understandable. Do you have any intellectual property rights, such as patents, that will provide some measure of exclusivity? #3. Where are you? What’s the status of your venture? Do you have a working prototype or has anyone tested your product or idea? What benchmarks have you already hit? #4. Where are you going? What’s your goal? What milestones will you attain along the way to achieving that goal? #5. Who wants it? Who’s your target market? What’s the problem being solved? Where’s the PAIN? What itch are you scratching? #6. How many people will want it? What’s your potential market size?
Keith J. Cunningham (Keys to the Vault: Lessons From the Pros on Raising Money and Igniting Your Business)
The name suggested that where there were pork scratchings there were pork itchings, and mental images of pigs with terrible skin diseases filled his mind. Had he just been chewing on hog scabs?
Jonathan L. Howard (Johannes Cabal the Detective (Johannes Cabal, #2))