Scrapbooking Short Quotes

YOU YOU YOU your eyes, thick as a high school scrapbook crackling and yellow, curling at the edges a book of myths in which i do not appear.

She’d wanted to completely shave her head: I don’t want long hair, I don’t want short hair, I don’t want hair at all, and I don’t want to be a girl or a boy, I want to be a yellow and orange leaf some little kid picks up and pastes in his scrapbook.

We need different eyes, a different mind. One that lifts us above the seen and our short time here, above the fears that invade our lives, above the snapshots in our scrapbooks.

All of us at times have mistaken people who say they have our backs for people who really have our backs. Words and actions are two very different things. The people who are there for the good times are great, but the people who are there for the bad times are better. It is vital to realize the difference between friends and onlookers in your life. Onlookers will rush to join you in the limo; real friends will rush to your aid when the limo breaks down. Onlookers will see a brief snapshot of your life and think they know the “real” you; real friends will keep a scrapbook of both your bad and good moments and will love you through both. Onlookers will line up to benefit from your favor and influence; real friends know what it took to get you there. In short, let the onlookers do what they’re there to do: look. Then celebrate the people in your life who are there because they love you for no other reason than because you are you.

My dad takes most of the pictures in our family, and he makes scrapbooks. This means he gets to figure out what's important for us to remember... I guess my mom could make a scrapbook, but she doesn't. And I could do it and so could my brothers, but then we would need extra pictures. Plus we're just kids and we don't have time for that. I know the scrapbooks we'd make would be different from Dad's. But the person who does the work gets to write the history.

Thus, in short, in sum, in all, it was but a babystep for Chomsky, graced with this understanding of the ineffable richness of our bio-abilities, to become the universalist that he be, to extend his understanding to the political realm ...and to leap, by bio-necessity, into his political work-

...and as he swigged another dose, it just kind of came clear to me that the guy was nothing but sadness, really nothing but that, the weakest link in the Great Chain of Being, and that if when raging he was pathetic then in triumph he was tragic; and it also seemed as if, at some level, the guy knew this, that he also was aware that the whole package he had put together for himself had been misconceived, and that any effort to refashion it would just reconfirm its faultiness; and that the zone he inhabited was one that he himself had built, but as a barrier, of course to prevent the world from getting too close but also to forestall any seepage of self, whose effects on other folks he could too easily foresee; and that the poor loonster had become addicted to the language of communication because he knew that each word showed just how hopeless he was-and that people would sense this, and so would stay even further away ...; the guy, in short, had built himself a quicksand situation, a real no­winner, and I just figured OK: give him what he wants and keep the fuck away; don't only ignore him, but force yourself to forget; acknowledge his desire and leave him to his internal exile...

Nudity and explicit sex are far more easily available now than are clear images of death. The quasi-violence of movies and television dwells on the lively acts of killing – flying kicks, roaring weapons, crashing cars, flaming explosions. These are the moral equivalents of old-time cinematic sex. The fictional spurting of gun muzzles after flirtation and seduction but stop a titillating instant short of actual copulation. The results of such aggressive vivacity remain a mystery. The corpse itself, riddled and gaping, swelling or dismembered, the action of heat and bacteria, of mummification or decay are the most illicit pornography. The images we seldom see are the aftermath of violent deaths. Your family newspaper will not print photos of the puddled suicide who jumped from the fourteenth floor. No car wrecks with the body parts unevenly distributed, no murder victim sprawled in his own juices. Despite the endless preaching against violent crime, despite the enormous and avid audience for mayhem, these images are taboo.

It would be one hell of an addition to someone's scrapbook. (Dark City Lights)

Growing up is not easy for anyone but for anyone to deliberately block the path of the child from their family, it is nothing short of a sin.” Lowering her voice a little she quietly said, “I believe she has done us all an injustice.” The smile that she gave Melanie lit up her entire face as she patted the scrapbook. “Please look over the book and call me anytime. I don't sleep much and I will be here for you.

It’d be easier to pack a suitcase, go on a short-term adventure, and return home a week or two later to wash the dirt out of my clothes, put the suitcase in the closet, and log my memories in a scrapbook. A worthy act of service? Yes, of course. But neatly packaged and not too interrupting. A mission trip would allow me to keep my grandiose promises to manageable portions, something that didn’t stretch and sting to the point of sacrifice.

There were occasional dances at the main prison compound with live bands as well as holiday dinners, activities that Blanche greatly enjoyed. In her scrapbooks, she placed an autographed promotional photograph of one visiting band, The Rural Ramblers. ... Blanche loved to dance and by all accounts she was very good at it. She applied to a correspondence course in dancing that came complete with diagrams of select dance steps to place on the floor and practice. She also cut similar dance instructions and diagrams from newspapers and magazines and put them in her scrapbooks. By 1937, she had mastered popular dances like jitterbug, rumba, samba, and tango. The men’s prison, or “the big prison” as the women called it, hosted movies on Friday nights. Features like Roll Along Cowboy ... were standard, usually accompanied by some short musical feature such as Who’s Who and a newsreel. The admission was five cents. Blanche attended many of these movies. She loved movies all of her life. Blanche Barrow’s periodic visits to the main prison allowed her to fraternize with males. She apparently had a brief encounter with “the boy in the warden’s office” in the fall of 1934. There are few details, but their relationship was evidently ended abruptly by prison officials in December. There were other suitors, some from Blanche Barrow’s past, and some late arrivals...