Scrap Important Quotes

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You know what I think?" she says. "That people's memories are maybe the fuel they burn to stay alive. Whether those memories have any actual importance or not, it doesn't matter as far as the maintenance of life is concerned. They're all just fuel. Advertising fillers in the newspaper, philosophy books, dirty pictures in a magazine, a bundle of ten-thousand-yen bills: when you feed 'em to the fire, they're all just paper. The fire isn't thinking 'Oh, this is Kant,' or 'Oh, this is the Yomiuri evening edition,' or 'Nice tits,' while it burns. To the fire, they're nothing but scraps of paper. It's the exact same thing. Important memories, not-so-important memories, totally useless memories: there's no distinction--they're all just fuel.
Haruki Murakami (After Dark)
Life off Earth is in two important respects not at all unworldly: you can choose to focus on the surprises and pleasures, or the frustrations. And you can choose to appreciate the smallest scraps of experience, the everyday moments, or to value only the grandest, most stirring ones.
Chris Hadfield (An Astronaut's Guide to Life on Earth)
We each are artists of the self, creating a collage -- a new and original work of art -- out of scraps and fragments of identifications. The people with whom we identify are, positively or negatively, always important to us. Our feelings toward them are, in some way, always intense.
Judith Viorst (Necessary Losses: The Loves, Illusions, Dependencies, and Impossible Expectations That All of Us Have To Give Up in Order To Grow)
She's afraid to tell me anything important, knowing I'll only turn around and write about it. In my mind, I'm like a friendly junkman, building things from the little pieces of scrap I find here and there, but my family's started to see things differently. Their personal lives are the so-called pieces of scrap I so casually pick up, and they're sick of it. More and more often their stories begin with the line "You have to swear you'll never repeat this." I always promise, but it's generally understood that my word means nothing.
David Sedaris (Dress Your Family in Corduroy and Denim)
What happened was simple, even banal: I became naked, died, lost parts of my flesh and most of my ego along with a few illusions such as a belief in the uniqueness of my personal scrap of consciousness and the cosmic importance therof, and went on from there.
MacDonald Harris (Mortal Leap)
We will never cease our critique of those persons who distort the past, rewrite it, falsify it, who exaggerate the importance of one event and fail to mention some other; such a critique is proper (it cannot fail to be), but it doesn't count for much unless a more basic critique precedes it: a critique of human memory as such. For after all, what can memory actually do, the poor thing? It is only capable of retaining a paltry little scrap of the past, and no one knows why just this scrap and not some other one, since in each of us the choice occurs mysteriously, outside our will or our interests. We won't understand a thing about human life if we persist in avoiding the most obvious fact: that a reality no longer is what it was when it was; it cannot be reconstructed. Even the most voluminous archives cannot help.
Milan Kundera (Ignorance)
Memory cannot be understood, either, without a mathematical approach. The fundamental given is the ratio between the amount of time in the lived life and the amount of time from that life that is stored in memory. No one has ever tried to calculate this ratio, and in fact there exists no technique for doing so; yet without much risk of error I could assume that the memory retains no more than a millionth, a hundred-millionth, in short an utterly infinitesimal bit of the lived life. That fact too is part of the essence of man. If someone could retain in his memory everything he had experienced, if he could at any time call up any fragment of his past, he would be nothing like human beings: neither his loves nor his friendships nor his angers nor his capacity to forgive or avenge would resemble ours. We will never cease our critique of those persons who distort the past, rewrite it, falsify it, who exaggerate the importance of one event and fail to mention some other; such a critique is proper (it cannot fail to be), but it doesn't count for much unless a more basic critique precedes it: a critique of human memory as such. For after all, what can memory actually do, the poor thing? It is only capable of retaining a paltry little scrap of the past, and no one knows why just this scrap and not some other one, since in each of us the choice occurs mysteriously, outside our will or our interests. We won't understand a thing about human life if we persist in avoiding the most obvious fact: that a reality no longer is what it was when it was; it cannot be reconstructed.
Milan Kundera
Some years ago I had a conversation with a man who thought that writing and editing fantasy books was a rather frivolous job for a grown woman like me. He wasn’t trying to be contentious, but he himself was a probation officer, working with troubled kids from the Indian reservation where he’d been raised. Day in, day out, he dealt in a concrete way with very concrete problems, well aware that his words and deeds could change young lives for good or ill. I argued that certain stories are also capable of changing lives, addressing some of the same problems and issues he confronted in his daily work: problems of poverty, violence, and alienation, issues of culture, race, gender, and class... “Stories aren’t real,” he told me shortly. “They don’t feed a kid left home in an empty house. Or keep an abusive relative at bay. Or prevent an unloved child from finding ‘family’ in the nearest gang.” Sometimes they do, I tried to argue. The right stories, read at the right time, can be as important as shelter or food. They can help us to escape calamity, and heal us in its aftermath. He frowned, dismissing this foolishness, but his wife was more conciliatory. “Write down the names of some books,” she said. “Maybe we’ll read them.” I wrote some titles on a scrap of paper, and the top three were by Charles de lint – for these are precisely the kind of tales that Charles tells better than anyone. The vital, necessary stories. The ones that can change and heal young lives. Stories that use the power of myth to speak truth to the human heart. Charles de Lint creates a magical world that’s not off in a distant Neverland but here and now and accessible, formed by the “magic” of friendship, art, community, and social activism. Although most of his books have not been published specifically for adolescents and young adults, nonetheless young readers find them and embrace them with particular passion. I’ve long lost count of the number of times I’ve heard people from troubled backgrounds say that books by Charles saved them in their youth, and kept them going. Recently I saw that parole officer again, and I asked after his work. “Gets harder every year,” he said. “Or maybe I’m just getting old.” He stopped me as I turned to go. “That writer? That Charles de Lint? My wife got me to read them books…. Sometimes I pass them to the kids.” “Do they like them?” I asked him curiously. “If I can get them to read, they do. I tell them: Stories are important.” And then he looked at me and smiled.
Terri Windling
Oh, Anyone can make a quilt,' she said modestly. 'It's just scraps, from the clothes you've sewn.' 'Yes, but the talent is in joining the pieces, the way you have.' 'Look,' Om pointed, 'look at that - the poplin from our very first job.' 'You remember,' said Dina, pleased. 'And how fast you finished those first dresses. I thought I had two geniuses.' 'Hungry stomachs were driving our fingers,' chuckled Ishvar. 'Then came that yellow calico with orange strips. And what a hard time this young fellow gave me. Fighting and arguing about everything.' 'Me?Argue?Never.' ......... He steeped back, pleased with himself, as though he had elucidated an intricate theorem. 'So that's the rule to remember, the whole quilt is much more important than the square'.
Rohinton Mistry (A Fine Balance)
In a village of La Mancha, the name of which I have no desire to call to mind, there lived not long since one of those gentlemen that keep a lance in the lance-rack, an old buckler, a lean hack, and a greyhound for coursing. An olla of rather more beef than mutton, a salad on most nights, scraps on Saturdays, lentils on Fridays, and a pigeon or so extra on Sundays, made away with three-quarters of his income. The rest of it went in a doublet of fine cloth and velvet breeches and shoes to match for holidays, while on week-days he made a brave figure in his best homespun. He had in his house a housekeeper past forty, a niece under twenty, and a lad for the field and market-place, who used to saddle the hack as well as handle the bill-hook. The age of this gentleman of ours was bordering on fifty; he was of a hardy habit, spare, gaunt-featured, a very early riser and a great sportsman. They will have it his surname was Quixada or Quesada (for here there is some difference of opinion among the authors who write on the subject), although from reasonable conjectures it seems plain that he was called Quexana. This, however, is of but little importance to our tale; it will be enough not to stray a hair's breadth from the truth in the telling of it.
Miguel de Cervantes Saavedra (Don Quixote)
We can discover that of the rough material we’ve been given, every single thread of what we’ll eventually contribute back to the tapestry of all humanity is every bit as important, needed, wanted, and cherished as every and any other scrap and thread.
Heather King (Shirt of Flame: A Year with Saint Therese of Lisieux)
We live in hope that the good we do here on earth will be rewarded in heaven. We also hope to win the war. We hope that right and goodness will triumph, and that when the war is won, we shall have a better world. And we work toward that end. We buy war bonds and put out incendiaries and knit stockings---" And pumpkin-colored scarves, Polly thought. "---and volunteer to take in evacuated children and work in hospitals and drive ambulances" - here Alf grinned and nudged Eileen sharply in the ribs - "and man anti-aircraft guns. We join the Home Guard and the ATS and the Civil Defence, but we cannot know whether the scrap metal we collect, the letter we write to a solider, the vegetables we grow, will turn out in the end to have helped win the war or not. We act in faith. "But the vital thing is that we act. We do not rely on hope alone, thought hope is our bulwark, our light through dark days and darker nights. We also work, and fight, and endure, and it does not matter whether the part we play is large or small. The reason that God marks the fall of the sparrow is that he knows that it is as important to the world as the bulldog or the wolf. We all, all must do 'our bit'. For it is through our deeds that the war will be won, through our kindness and devotion and courage that we make that better world for which we long.
Connie Willis (All Clear (All Clear, #2))
It was as if a mad scientist had sold all of his important tools and chemicals at a yard sale, leaving a makeshift laboratory of scrap materials that the neighbors didn't want.
Mandy Ashcraft (Small Orange Fruit)
I’d found. When you have nothing left, even a scrap of something is important.
Clare Sager (A Touch of Poison (Shadows of the Tenebris Court, #2))
the moral and spiritual imperatives of religion are important for humanity and should not be relegated unthinkingly to the scrap heap of history in the interests of an unfettered rationalism.
Karen Armstrong (The Battle for God: A History of Fundamentalism (Ballantine Reader's Circle))
We had a signal. When I turned the pail upside down by the kitchen house, that meant everything was clear. Mauma would open the window and throw down a taffy she stole from missus’ room. Sometimes here came a bundle of cloth scraps—real nice calicos, gingham, muslin, some import linen. One time, that true brass thimble. Her favorite thing to take was scarlet-red thread. She would wind it up in her pocket and walk right out the house with it.
Sue Monk Kidd (The Invention of Wings)
The little box that was given to me was by no means unique. I'd heard of prayer boxes, and I knew what they were for. ...Any scrap of paper will do, anywhere, anytime of the day or night. The important part, in a world of fractured thoughts, hurried moments, and scattershot prayers, is to take the time to think through, to write down, to clarify in your own mind the things you're asking for, the things you're grateful for, the things your're troubled about, the hopes you've been nurturing. And then? Put them in the box and... Let. Them. Go. That's what trust is. It's letting go of the worry. It's the way of peace and also the way of God. such a hard road to travel for people like me, who are worriers. When I'm writing a story, I control the whole universe. In life...not so much. Actually, not at all. Things happen that I hadn't anticipated and wouldn't choose and can't change. That's the tough part.
Lisa Wingate (The Prayer Box (Carolina Heirlooms #1))
I had entirely too much foolish pride to go with my foolish ideas. Enough that, when mixed with my insecurity, left me standing paralyzed, unable to get past the possibility that a repentant me would be rejected as surely as the unrepentant one and I’d be left without a scrap of dignity. Dignity. How is it that it’s most important to us when we’re least entitled to it?
Meg Waite Clayton (The Wednesday Sisters)
I lean against the frame, letting his words rake over my skin and soak up the scene in front of me. The items of clothing from my closet back home, all the scrap sheets of music and peppermints—empty and not—everything I’ve been hoarding for years, because of this obsessive fucking thought that they’d one day become important. That I’d need them for something other than to scratch the weird itch in my brain. Things I carry with me, like phantoms I can’t possibly get rid of, no matter how hard I try.
Sav R. Miller (Vipers and Virtuosos (Monsters & Muses, #2))
Vlad looked more and more coldly delighted. "There are always the stronger and the weaker, the leaders and the followers. Don't you force the weaker among you to accept the scraps that are left when the stronger have eaten their fill? Don't they wear worn-out rags instead of warm clothes? Stronger and weaker exist in any group, but you've clearly decided that some humans are more important than others. Some kinds of humans are humans and the other kinds are... property? Is that how it works? I didn't realize you monkeys had such savagery in you. Next you'll be eating your weak in order to keep the strong healthy.
Anne Bishop (Written in Red (The Others, #1))
No surprise, China leads the world in the consumption of steel, copper, aluminum, lead, stainless steel, gold, silver, palladium, zinc, platinum, rare earth compounds, and pretty much anything else labeled “metal.” But China is desperately short of metal resources of its own. For example, in 2012 China produced 5.6 million tons of copper, of which 2.75 million tons was made from scrap. Of that scrap copper, 70 percent was imported, with most coming from the United States. In other words, just under half of China’s copper supply is imported as scrap metal. That’s not a trivial matter: copper, more than any other metal, is essential to modern life. It is the means by which we transmit power and information.
Adam Minter (Junkyard Planet: Travels in the Billion-Dollar Trash Trade)
In the next few years, however, the US began to step up aid to China and imposed increasingly severe economic sanctions against Japan. Since the island nation depended almost totally on imports of critical raw materials such as oil, rubber, and scrap iron, and because it considered territorial expansion vital to the procurement of natural resources and to its future as a great power, Japan’s leadership viewed this containment as a mortal threat. As Japanese ambassador Kichisaburō Nomura told Washington on December 2, 1941, “The Japanese people believe . . . that they are being placed under severe pressure by the United States to yield to the American position; and that it is preferable to fight rather than to yield to pressure.”141
Graham Allison (Destined For War: Can America and China Escape Thucydides's Trap?)
She hated her grandmother and had hidden it from herself all these years under a cloak of pity. She had been getting ready for her great journey to the horizons in search of people; it was important to all the world that she should find them and they find her. But she had been whipped like a cur dog, and run off down a back road after things. It was all according to the way you see things. Some people could look at a mud-puddle and see an ocean with ships. But Nanny belonged to that other kind that loved to deal in scraps. Here Nanny had taken the biggest thing God ever made, the horizon—for no matter how far a person can go the horizon is still way beyond you—and pinched it in to such a little bit of a thing that she could tie it about her granddaughter’s neck tight enough to choke her. She hated the old woman who had twisted her so in the name of love. Most humans didn’t love one another nohow, and this mislove was so strong that even common blood couldn’t overcome it all the time. She had found a jewel down inside herself and she had wanted to walk where people could see her and gleam it around. But she had been set in the market-place to sell. Been set for still-bait.
Zora Neale Hurston (Their Eyes Were Watching God)
Figure out the secret yet?” he asked, leaning on the nearest cot like he’d made himself dizzy. “Um. Not really,” Sophie admitted. Ro snorted. “Wow. You’re a horrible teacher.” “Psh, I’m the best,” Keefe insisted. “No boring lectures. And Foster’ll get it this time—you’ll see.” He floated the scrap of bandage back toward himself, then set it back down. “You know what? It’ll be easier to notice with something bigger. Hmmmmmm . . . Oh! I know!” He lunged and thrust his arms toward Ro—who yelped as she launched toward the ceiling. “Put. Me. Down!” “Aw, is the big, tough ogre princess scared of a little elf-y mind trick?” Keefe asked. “You realize I can end you with one dagger, right?” Ro asked, drawing one from the sheath around her thigh. “And there’s no way you’d be fast enough to stop it.” “Probably not,” Keefe agreed. “But I could do this.” He let her plummet, then blasted her back up with a big enough jolt to knock her weapon from her grasp. “Uh, I’m pretty sure she’s going to murder you in your sleep tonight,” Sophie warned. “Oh, I’m planning something much more painful than that,” Ro snarled. “See, and I thought you’d be honored to be part of this important moment, when Foster shows us how much she’s learned from my brilliant demonstration. Go ahead,” he told Sophie. “Tell Ro the secret.
Shannon Messenger (Flashback (Keeper of the Lost Cities, #7))
Despite the raised voices and the wild gesticulations, nobody here is wrong. The beauty of ragù is that it's an idea as much as it is a recipe, a slow-simmered distillation of what means and circumstances have gifted you: If Zia Peppe's ragù is made with nothing but pork scraps, that's because her neighbor raises pigs. When Maria cooks her vegetables in a mix of oil and butter, it's because her family comes from a long line of dairy farmers. When Nonna Anna slips a few laurel leaves into the pot, she plucks them from the tree outside her back door. There is no need for a decree from the Chamber of Commerce to tell these women what qualifies as the authentic ragù; what's authentic is whatever is simmering under the lid. Eventually the women agree to disagree and the rolling boil of the debate calms to a gentle simmer. Alessandro opens a few bottles of pignoletto he's brought to make the peace. We drink and take photos and make small talk about tangential ragù issues such as the proper age of Parmesan and the troubled state of the prosciutto industry in the region. On my way out, Anna no. 1 grabs me by the arm. She pulls me close and looks up into my eyes with an earnestness that drowns out the rest of the chatter in the room. "Forget about these arguments. Forget about the small details. Just remember that the most important ingredient for making ragù, the one thing you can never forget, is love." Lisetta overhears from across the room and quickly adds, "And pancetta!
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
To begin with, it has nothing to do with archaism, with the salvaging of obsolete words and turns of speech, or with the setting-up of a "standard English" which must never be departed from. On the contrary, it is especially concerned with the scrapping of every word or idiom which has outworn its usefulness. It has nothing to do with correct grammar and syntax, which are of no importance so long as one makes one's meaning clear, or with the avoidance of Americanisms, or with having what is called "good prose style." On the other hand it is not concerned with fake simplicity and the attempt to make written English colloquial. Nor does it even imply in every case preferring the Saxon word to the Latin one, though it does imply using the fewest and shortest words that will cover one's meaning. What is above all needed is to let the meaning choose the word, and not the other way about. In prose the worst thing one can do with words is to surrender to them. When you think of a concrete object, you think wordlessly, and then, if you want to describe the thing you have been visualizing, you probably hunt about till you find the exact words that seem to fit it. When you think of something abstract you are more inclined to use words from the start, and unless you make a conscious effort to prevent it, the existing dialect will come rushing in and do the job for you, at the expense of blurring or even changing your meaning. Probably it is better to put off using words as long as possible and get one's meaning as clear as one can through pictures or sensations. Afterwards one can choose--not simply accept--the phrases that will best cover the meaning, and then switch round and decide what impression one's words are likely to make on another person. This last effort of the mind cuts out all stale or mixed images, all prefabricated phrases, needless repetitions, and humbug and vagueness generally.
George Orwell (All Art is Propaganda: Critical Essays)
In about 1951, a quality approach called Total Productive Maintenance (TPM) came on the Japanese scene. Its focus is on maintenance rather than on production. One of the major pillars of TPM is the set of so-called 5S principles. 5S is a set of disciplines—and here I use the term “discipline” instructively. These 5S principles are in fact at the foundations of Lean—another buzzword on the Western scene, and an increasingly prominent buzzword in software circles. These principles are not an option. As Uncle Bob relates in his front matter, good software practice requires such discipline: focus, presence of mind, and thinking. It is not always just about doing, about pushing the factory equipment to produce at the optimal velocity. The 5S philosophy comprises these concepts: • Seiri, or organization (think “sort” in English). Knowing where things are—using approaches such as suitable naming—is crucial. You think naming identifiers isn’t important? Read on in the following chapters. • Seiton, or tidiness (think “systematize” in English). There is an old American saying: A place for everything, and everything in its place. A piece of code should be where you expect to find it—and, if not, you should re-factor to get it there. • Seiso, or cleaning (think “shine” in English): Keep the workplace free of hanging wires, grease, scraps, and waste. What do the authors here say about littering your code with comments and commented-out code lines that capture history or wishes for the future? Get rid of them. • Seiketsu, or standardization: The group agrees about how to keep the workplace clean. Do you think this book says anything about having a consistent coding style and set of practices within the group? Where do those standards come from? Read on. • Shutsuke, or discipline (self-discipline). This means having the discipline to follow the practices and to frequently reflect on one’s work and be willing to change.
Robert C. Martin (Clean Code: A Handbook of Agile Software Craftsmanship (Robert C. Martin Series))
Examining the new assailants, the predator inferred something of vital importance: These creatures had been crafted specifically to attack it. The predator had no concept of a bloodhound, but there was no mistaking the scraps of its own code that the phages used to identify their prey. To identify it. It could learn. It could react. If even a quiet existence without offense could not convince its curiously slow-acting Opponent to leave it alone, its course was clear. The predator would attack, and attack, and attack again. It would devastate and destroy for as long as it took to flush out its Adversary from wherever it hid in the vast network. Whatever resources the unseen Foe most valued, most closely guarded--these were what the predator would attack.
Edward M. Lerner (Fools' Experiments)
lifeless and ready for the scrap heap. The Bedroom Mirror is also a highly important item. It needn’t be especially ornate but should be full-length to allow you and your partner to see what they look like from top to toe. Of course, couples of a certain age such as Stephen and, to an extent, myself may prefer a more forgiving and less revealing length. For those couples, I would recommend a mirror no greater than 60 centimetres in length, which also has the advantages of being quicker to clean
Mrs. Stephen Fry (How To Have An Almost Perfect Marriage)
Assign a file or paper tray to collect single-side printed paper for reuse. Boycott paper sourced from virgin forests and reams sold in plastic. Cancel magazine and newspaper subscriptions; view them online instead. Digitize important receipts and documents for safekeeping. Digital files are valid proofs for tax purposes. Download CutePDF Writer to save online files without having to print them. Email invitations or greeting cards instead of printing them (see “Holidays and Gifts” chapter). Forage the recycling can when paper scraps are needed, such as for bookmarks or pictures (for school collages, for example). Give extra paper to the local preschool. Hack the page margins of documents to maximize printing. Imagine a paperless world. Join the growing paperless community. Kill the fax machine; encourage electronic faxing through a service such as HelloFax. Limit yourself to print only on paper that has already been printed on one side. Make online billing and banking a common practice. Nag the kids’ teachers to send home only important papers. Opt out of paper newsletters. Print on both sides when using a new sheet of paper (duplex printing). Question the need for printing; print only when absolutely necessary. In most cases, it is not. Repurpose junk mail envelopes—make sure to cross out any barcode. Sign electronically using the Adobe Acrobat signing feature or SignNow.com. Turn down business cards; enter relevant info directly into a smartphone. Use shredded paper as a packing material, single-printed paper fastened with a metal clip for a quick notepad (grocery lists, errands lists), and double-printed paper to wrap presents or pick up your dog’s feces. Visit the local library to read business magazines and books. Write on paper using a pencil, which you can then erase to reuse paper, or better yet, use your computer, cell phone, or erasable board instead of paper. XYZ: eXamine Your Zipper; i.e., your leaks: attack any incoming source of paper.
Bea Johnson (Zero Waste Home: The Ultimate Guide to Simplifying Your Life by Reducing Your Waste (A Simple Guide to Sustainable Living))
He had often noticed how important was the phrase good dog in human interaction with dogs. People commonly used it when meeting a dog for the first time-they would bend down, pat the dog on the head, and say "Good dog." Why they should do this was not altogether clear: we do not give moral compliments to other people or creatures we meet-who says "Good cat" when introduced to somebody's cat? That was strange. Perhaps it was because so few cats were good, one view indeed being that cats were inherently psychopathic. They were prepared to engage with humans but only in so far as it suited them to do so; beyond that, such affection as they showed for humans was a calculating cupboard love or, at most, a passing, almost pitying scrap of recognition, withdrawn at the blink of an eyelid.
Alexander McCall Smith
One thing her trip taught, and that is apparent to scientists studying the pronghorn, is the vital importance of “connectivity.” It is a lesson being learned, and preached, by innovative environmental thinkers all over the West, and it applies to many of the region’s threatened species. It comes down to a simple point: wild animals need to roam. It’s true that putting land aside for our national parks may be, to paraphrase Stegner paraphrasing Lord Bryce, the best idea our country ever had, and it’s also true that at this point we have put aside more than 100 million acres of land, a tremendous accomplishment that we should be proud of. But what we are now learning is that parks are not enough. By themselves they are islands—particularly isolated and small islands—the sort of islands where many conservation biologists say species go to die. That would change if the parks were connected, and connecting the parks, and other wild lands, is the mission of an old friend of Ed Abbey’s, Dave Foreman. Foreman, one of the founders of Earth First!, eventually soured on the politics of the organization he helped create. In recent years he has focused his energy on his Wildlands Project, whose mission is the creation of a great wilderness corridor from Canada to Mexico, a corridor that takes into account the wider ranges of our larger predators. Parks alone can strand animals, and leave species vulnerable, unless connected by what Foreman calls “linkages.” He believes that if we can connect the remaining wild scraps of land, we can return the West to being the home of a true wilderness. He calls the process “rewilding.” Why go to all this effort? Because dozens of so-called protected species, stranded on their eco-islands, are dying out. And because when they are gone they will not return. A few more shopping malls, another highway or gas patch, and there is no more path for the pronghorn. But there is an even more profound reason for trying to return wildness to the West. “We finally learned that wilderness is the arena of evolution,” writes Foreman. Wilderness is where change happens.
David Gessner (All The Wild That Remains: Edward Abbey, Wallace Stegner, and the American West)
We believe trauma survivors will look scarred and different. That they will wear their pain openly. But we’re wrong. Their struggle is not to get by, but to return to normal. Camouflage is not only a survival tactic for the animal world. It’s an important asset to the human species as well. It allows us—good and evil, whole and hurt, sane and unstable both—to blend in. Because when we don’t blend in, when we stand apart, we’re at risk of being culled from the herd. It is when we stand alone that predators can pick us off.
Joanna Campbell Slan (Photo, Snap, Shot (Kiki Lowenstein Scrap-n-Craft Mystery, #4))
Liddle returned, carrying a tray with two plates and two dishes filled with scraps for the little duo. We were served in order of importance, cat and dog first, then us.
Karen Baugh Menuhin (The Mystery of Montague Morgan (Heathcliff Lennox, #7))
The old man held out a paper scroll, not mere parchment. It was a clear sign of wealth and status. Not every noble family could afford to use paper for invitations. The very fact that Hadjar was being visited by the clan’s attorney, and not by a simple servant, spoke volumes. “Thank-” Hadjar reached out, almost closing his fingers around the scroll, but the old man suddenly loosened his grip. Caught in the wind, the invitation, decorated with monograms and tied with a scarlet ribbon, fell to the dirt at Hadjar’s feet. The old man didn’t apologize. He stood there, with his hand still outstretched, a sneer on his lips, radiating complete confidence in his superiority. A clear example that old age didn’t mean one also gained intelligence or wisdom. He’d lived long enough for his hair to turn gray, but not long enough to acquire a brain. He didn’t even realize how simply and blatantly he was being used. Hadjar, just as the old man had expected, bent down to pick up the invitation, dusted it off, and held it without putting it away in his spatial artifact, as was required by etiquette. “You didn’t have to bow to me, young man,” the old man grunted. This was quite a serious insult. Being the personal disciple of a great hero made Hadjar equal in status to the senior heirs of aristocratic families. He was at the very top of the social structure of Dahanatan. But Hadjar didn’t really care about any of that. The power he possessed was insignificant in his opinion, and ever since he’d eaten those first scraps in Primus’ dungeon, he’d stopped caring about whether he was a Prince or a circus freak. Titles didn’t matter. The important thing was that the old man was a servant, and Hadjar was almost an aristocrat. The lawyer’s words were akin to the old man throwing a glove in Hadjar’s face. Hadjar looked behind his visitor, at the dark carriage emblazoned with the white coat of arms of the Predatory Blades clan. Brustor would have to try a little harder. So far, his provocations weren’t even a match for the insults that Hadjar had received during his meetings with Emperor Morgan. Shocking the old man, Hadjar bowed deeply. “Only a silly young man,” he said, straightening back up, “doesn’t feel respect toward someone whose hair is whiter than his.
Kirill Klevanski (Path to the Unknown (Dragon Heart, #11))
One of the most important functions of dreaming is to facilitate outside-the-box thinking. Dreams bombard us with plenty of unintelligible scraps, but the odd gem is buried among the junk. “I sometimes say that when we’re dreaming, we become venture capitalists,” Stickgold said.
Alice Robb (Why We Dream: The Transformative Power of Our Nightly Journey)
Ruhn had always held some scrap of hope that his father saw the Asteri for what they truly were, and that if it ever came down to it, his father would make the right choice. That the orrery in his study, the years spent looking for patterns in light and space … that it had meant something larger. That it wasn’t simply the idle studying of a bored royal who needed to feel more important in the grand scheme of things than he actually was. That hope was dead. His father was a spineless fucking coward.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
That’s what a real friend does, she tells you what you don’t want to hear, even risking your friendship, because you are important to her.
Joanna Campbell Slan (Paper, Scissors, Death (Kiki Lowenstein Scrap-n-Craft Mystery, #1))
1 = Very important. Do this at once. 2 = Worth doing but takes more time. Start planning it. 3 = Yes and no. Depends on how it’s done. 4 = Not very important. May even be a waste of effort. 5 = No! Don’t do this. Fill in those numbers before you read further, and take your time. This is not a simple situation, and solving it is a complicated undertaking. Possible Actions to Take ____ Explain the changes again in a carefully written memo. ____ Figure out exactly how individuals’ behavior and attitudes will have to change to make teams work. ____ Analyze who stands to lose something under the new system. ____ Redo the compensation system to reward compliance with the changes. ____ “Sell” the problem that is the reason for the change. ____ Bring in a motivational speaker to give employees a powerful talk about teamwork. ____ Design temporary systems to contain the confusion during the cutover from the old way to the new. ____ Use the interim between the old system and the new to improve the way in which services are delivered by the unit—and, where appropriate, create new services. ____ Change the spatial arrangements so that the cubicles are separated only by glass or low partitions. ____ Put team members in contact with disgruntled clients, either by phone or in person. Let them see the problem firsthand. ____ Appoint a “change manager” to be responsible for seeing that the changes go smoothly. ____ Give everyone a badge with a new “teamwork” logo on it. ____ Break the change into smaller stages. Combine the firsts and seconds, then add the thirds later. Change the managers into coordinators last. ____ Talk to individuals. Ask what kinds of problems they have with “teaming.” ____ Change the spatial arrangements from individual cubicles to group spaces. ____ Pull the best people in the unit together as a model team to show everyone else how to do it. ____ Give everyone a training seminar on how to work as a team. ____ Reorganize the general manager’s staff as a team and reconceive the GM’s job as that of a coordinator. ____ Send team representatives to visit other organizations where service teams operate successfully. ____ Turn the whole thing over to the individual contributors as a group and ask them to come up with a plan to change over to teams. ____ Scrap the plan and find one that is less disruptive. If that one doesn’t work, try another. Even if it takes a dozen plans, don’t give up. ____ Tell them to stop dragging their feet or they’ll face disciplinary action. ____ Give bonuses to the first team to process 100 client calls in the new way. ____ Give everyone a copy of the new organization chart. ____ Start holding regular team meetings. ____ Change the annual individual targets to team targets, and adjust bonuses to reward team performance. ____ Talk about transition and what it does to people. Give coordinators a seminar on how to manage people in transition. There are no correct answers in this list, but over time I’ve
William Bridges (Managing Transitions: Making the Most of Change)
There’s something in the human spirit that longs to tell the story, to make sense out of our unique experience. We open that trunk and unpack its scraps of memories. We invite others to look at them and tell us what they see. Somehow, in the unpacking and repacking, we define and contain all those scraps. We shine a little light into the corners of that trunk and feel better about its presence in our heart. The storyteller says, “This is my wound. This is what happened to me, and it’s important. It’s not important because I’m the only one who suffered. No. It’s important because I suffered and I’m important.
Kate McCord (In the Land of Blue Burqas)
in Canada, Hawaii, Chicago, or Washington, D.C., police are unable to point to a single instance of gun registration aiding the investigation of a violent crime. In a 2013 deposition, D.C. Police Chief Cathy Lanier said that the department could not “recall any specific instance where registration records were used to determine who committed a crime.”1 The idea behind a registry is that guns left at a crime scene can be used to trace back to the criminals. Unfortunately, guns are very rarely left at the scene of the crime. Those that are left behind are virtually never registered—criminals are not stupid enough to leave behind guns registered to them. In the few cases where registered guns were left at the scene, the criminal had usually been killed or seriously injured. Canada keeps some of the most thorough data on gun registration. From 2003 to 2009, a weapon was identified in fewer than a third of the country’s 1,314 firearm homicides. Of these identified weapons, only about a quarter were registered. Roughly half of these registered guns were registered to someone other than the person accused of the homicide. In just sixty-two cases—4.7 percent of all firearm homicides—was the gun identified as being registered to the accused. Since most Canadian homicides are not committed with a gun, these sixty-two cases correspond to only about 1 percent of all homicides. From 2003 to 2009, there were only sixty-two cases—just nine a year—where registration made any conceivable difference. But apparently, the registry was not important even in those cases. Despite a handgun registry in effect since 1934, the Royal Canadian Mounted Police and the Chiefs of Police have not yet provided a single example in which tracing was of more than peripheral importance in solving a case. No more successful was the long-gun registry that started in 1997 and cost Canadians $2.7 billion before being scrapped. In February 2000, I testified before the Hawaii State Senate joint hearing between the Judiciary and Transportation committees on changes that were being proposed to the state gun registration laws.2 I suggested two questions to the state senators: (1) how many crimes had been solved by their current registration and licensing system, and (2) how much time did it currently take police to register guns? The Honolulu police chief was notified in advance about those questions to give him time to research them. He told the committee that he could not point to any crimes that had been solved by registration, and he estimated that his officers spent over 50,000 hours each year on registering guns. But those aren’t the only failings of gun registration. Ballistic fingerprinting was all the rage fifteen years ago. This process requires keeping a database of the markings that a particular gun makes on a bullet—its unique fingerprint, so to speak. Maryland led the way in ballistic investigation, and New York soon followed. The days of criminal gun use were supposedly numbered. It didn’t work.3 Registering guns’ ballistic fingerprints never solved a single crime. New York scrapped its program in 2012.4 In November 2015, Maryland announced it would be doing the same.5 But the programs were costly. Between 2000 and 2004, Maryland spent at least $2.5 million setting up and operating its computer database.6 In New York, the total cost of the program was about $40 million.7 Whether one is talking about D.C., Canada, or these other jurisdictions, think of all the other police activities that this money could have funded. How many more police officers could have been hired? How many more crimes could have been solved? A 2005 Maryland State Police report labeled the operation “ineffective and expensive.”8 These programs didn’t work.
John R. Lott Jr. (The War on Guns: Arming Yourself Against Gun Control Lies)
Hugging a pillow to my chest and keeping my eyes shut tight, I could see him searching through his memories to find the most important one – a scrap of yellow cotton. It was this he was first wrapped in as a tiny bundle of joy and fear, and it became his comfort blanket. At seven, eight, nine years of age – he always had it with him, forever carrying it around. Until the day I told him that he looked like a baby. I told him he looked like a little baby with his little baby blanket, that if he wasn’t so thick all the time he’d understand. It disappeared after that, everyone proudly accepting he’d outgrown it.
Nathan Filer (The Shock of the Fall)
But we do not gather just in order to hear; we gather because gathering is important. Gathering is what Jesus does. The time when the whole local church gathers is a foretaste of the time when all redeemed humanity will gather. We could scrap Bible study groups and still be a church (an impoverished church, perhaps, but still a church); but if we fail to gather together in our main meetings under the preached word of God, we cease to be a church.
Christopher Ash (The Priority of Preaching (Proclamation Trust))
c'est important les apparences même si on est tout croche en dedans et qu'on a l'impression qu'une cour à scrap a plus d'allure que sa vie si on a l'air bien du dehors c'est ok tant que la vie extérieure suit son cours tant qu'on a du rouge à lèvres du café du rimmel du fond de teint des chandails avec le col en V des tatouages inutiles tout baigne
Nicholas Giguère (Queues)
or trepidation, like they wanted to run away as fast as they could once the photo was taken. But Manfred Lange appeared happy to be photographed. His occupation was listed as art historian, and his date of birth as 29 June 1871. All consistent with what Anna knew about him. She flipped the little cardboard folder of his work permit over. Underneath was a membership card to the NSDAP, the Nazi Party. Again, his unapologetic face stared out at her. Member number 149578. So he had been a party member. Anna twinged a little. Had he told her he had been a party member? People with important jobs usually had to be, and it didn’t necessarily mean they were true believers, or even sympathizers. Still, it bothered her. She scanned the room trying not to appear furtive but failing. She quickly flipped pages to see if she could find his Fragebogen, the questionnaire the Americans would have made him complete. But it wasn’t there, of course, because these were the Germans’ files, not the Americans’. Deeply uncomfortable, she flipped back to the party membership card. The date of issue was 20 April 1933. Hitler’s birthday. Manfred Lange had been what the Germans called a March Violet—a late bloomer. March Violets were those who joined the party right after Hitler had seized full authority in March of 1933. Many with elite jobs and who considered themselves to have standing in society, rushed to join the party in order to be on the right side of the power grab. Probably that’s what Manfred Lange had done, too, like millions of others. She closed the folder indicating she was ready to go. She wanted to be out of the building and far away. “Find anything we should know about?” Bender asked, as he held the door for her. “No,” she lied. “Okay. I’ll take your word for it,” he said, climbing into the driver’s seat. The air had turned colder and the sky was socked in with dense clouds. “Looks like we’re in the clear for now. At least with the folks working for us.” He shot her a look. “Should you have let me see Herr Lange’s information?” Anna retaliated to deflect any further line of questioning. He smiled as he started the engine. “Probably not,” he said, “but I can’t help it. I’m so nosy.” Six “Where were you? I couldn’t find you at all yesterday.” Cooper was flustered and irritated but a smile appeared when Anna looked up at him from her desk. Things had piled up while she was out with Bender, so she had come in early to catch up. Anna honestly couldn’t remember if Manfred Lange had mentioned being a party member; she could only recall that he was very against the Nazis’ attitude toward art and free speech to the point where the memories had upset him. She hated that these misgivings lived on and probably would forever. One day, Amalia would ask her what she had done in the war. “I went with Bender to Darmstadt. I thought you knew about that,” she said. “He told me he had checked with you.” “That’s right. Of course. Was it a successful trip?” He sat down in the chair next to her table, intent on something. “I think so. He asked me to help him translate some paperwork. He was checking on some personnel? I didn’t find anything.” “Sounds like good news. For us, anyway. We already had to fire some people when their past caught up with them.” “Because they were party members?” “Or worse. Makes sense, but we had to let some very qualified people go. And with all these government types breathing down our necks, we can’t afford a single screw up. Washington is just waiting for something to go wrong so they can scrap this whole operation.” His face sank back into the shadows it had carried for the past weeks. He leaned forward and dropped his face into his hands. Anna felt sorry for him. “That won’t happen,” she said. “You will make sure of it.” She placed a hand on his shoulder. Without looking at her, Cooper took her hand in his and held it in place, his
C.F. Yetmen (What is Forgiven (The Anna Klein Trilogy #2))
From "The Prisoner's Cross". This excerpt is from the author's father's real WW2 Japanese POW journal, and recounts a miracle the author's father experienced there. "It was as gray day, and after I had shoveled the iron scrap out of the last drum, I rested on my shovel.Of-course I checked if any guard was doing the rounds. I had crossed paths with remarkable Christians in the camps. Their insights often offered me just the message I needed at a particular-time, and had nurtured not only my faith, but my understanding of how to live it. Still an anger was welling up in me. The winter was coming; we had now been away some two and half years from our family. We never heard anything after their last visit to the Jaarmarkt. There was an anger about the lostness of years, of being 27 and having already spent three birthdays in concentration camps. Suddenly in a mood of utter anger I kicked the heap of iron pieces which flew back at me and landed on the tip of my boot. My kick, at least, had released the tension, and I was ready to start work again, when I noticed the piece of iron on my boot. It startled me. All the pieces had different forms, leftovers, and cutoffs, waste material, less useful than anything else except to get the dirt and rust off the iron cast tools. I slowly bent over and let the iron scrap rest in my hand. It was in the form of a cross four inches long. I kept staring at it, forgetting all about the guard who might come along at any time. I never speculated how it got in the heap, how just this piece hit-the-door, when I kicked the heap apart, how it landed on my boot. There are a million accidental events that happen on any given day. Somehow, this seemed like a message and an answer to my self-questioning a short time back; what in God’s name am I doing in this God forsaken place? It had been in the same mass of scrap iron for days. I had shoveled the scrap in the rotating drum over and over, to glance off the big implements, and remove the rust. The cross in my mind had always been a big question mark. How could a man on a cross, 2000 years back have any usefulness in our time? Slowly I began to perceive that the event might have a purpose now. Jesus of Nazareth was put on a cross by people who absolutely rejected the unconditional love of God expressed in that cross, and then shared by Christians with others. People came and lived and died by that cross, and the strange power of that cross went on in human beings generation after generation unexplainably. People died for it in fierce confession of their faith, in giving their lives for others. The cross was never totally gone from this world, whatever happened outside Jerusalem in 33 A.D.. Now it had jumped on my boot. I let it roll back and forth in my hand. This little insignificant piece of iron scrap had cleaned far more important pieces of iron, it was only an implement. When I opened the drum several times a day, the big pieces came out clear and well. Maybe being a Christian was doing the same thing.
Peter B. Unger (The Prisoner's Cross)
Hey,” I said. “It’s Claire. So I just talked to Mick and he doesn’t sound so good. I was thinking maybe you could go see him? See if he’s okay? I think they let him out of the hospital too early and I also think, you know. I don’t know how safe he is.” Andray didn’t call me back and neither did Mick. I canceled my ticket and didn’t go to New Orleans. Instead I did the rest of the coke and cleaned my apartment, meaning I moved stacks of unpaid bills and unopened mail from one table to another. I put unfiled papers closer to the file cabinets and put all my scraps of paper with very important notes on them (Nate DIDN'T HAVE THE LEMONADE. Fingerprints don’t match, 1952–58. Sylvia DeVille, DOB 12/2/71, not in system, likely not an abortion.) in a pile on the kitchen counter. I put the dishes in the sink. When
Sara Gran (Claire DeWitt and the Bohemian Highway (Claire DeWitt Mysteries, #2))
And a very good thing (he used to say), an excellent thing, the very best of practices, is to write a little every day. Just a little scrap, but cultivate the habit of doing it every day. I don't mean what is called keeping a diary, you know. Don't write what you do. There's no benefit in that. We do things for all kinds of reasons and it's the reasons, not the things, that matter. Let your little daily scrap be something you've thought. What you've done belongs partly to some one else; often you're made to do it. But what you think is you yourself: you write it down and there it is, a tiny little bit of you that you can look at and say, 'Well, really!' You see, a little bit like that, written every day, is a mirror in which you can see your real self and correct your real self. A looking-glass shows you your face is dirty or your hair rumpled, and you go and polish up. But it's ever so much more important to have a mirror that shows you how your real self, your mind, your spirit, is looking. Just see if you can't do it. A little scrap. It's very steadying; very steadying....
A.S.M. Hutchinson (If Winter Comes)
The fourth member of the Colorado-class was never completed because the Washington Naval Treaty of 1922 brought new battleship construction worldwide to a halt. The World War I victors agreed to limit capital ship construction and scrap certain existing vessels to result in a 5:5:3 ratio among the three major naval powers of the United States, Great Britain, and Japan. Signatories pledged to honor a ten-year moratorium on capital ship construction and guarantee ships would not exceed thirty-five thousand tons or carry armaments larger than sixteen-inch guns. The treaty also contained a non-fortification clause aimed at American and Japanese intentions across the broad reaches of the Pacific. Beyond what the United States might undertake in Hawaii or what Japan might do in its home islands, the signatories agreed not to fortify bases on their island possessions, including Japan’s Caroline and Marshall Islands, recently won from Germany, and such American outposts as Wake, Guam, and most important, the Philippines. Whether Japan would honor this commitment was a matter of considerable debate. Franklin Roosevelt, out of the public eye while recovering from polio, asked in an article, “Shall We Trust Japan?” Citing Japan’s participation in the Washington Naval Treaty and noting there was “enough commercial room” in the Pacific “for both Japan and us well into the indefinite future,” Roosevelt answered with an optimistic yes.7 The end result was that America honored its treaty commitment and built no new battleships between commissioning the West Virginia in 1923 and the North Carolina (BB-55) in 1941. This left the Arizona and its sisters the undisputed, though aging, queens of the seas on the American side during the latter 1920s and throughout the 1930s. But even queens require an occasional facelift, and from May 1929 to March 1931, Arizona underwent a twenty-two-month modernization at the Norfolk Navy Yard.
Walter R. Borneman (Brothers Down: Pearl Harbor and the Fate of the Many Brothers Aboard the USS Arizona)
It is a balm for the soul, no matter how broken that soul may be. It is something. And when you have nothing left, even a scrap of something is important.
Clare Sager (A Touch of Poison (Shadows of the Tenebris Court, #2))
Everyone who has a farmer or a rancher in their family knows they live out of their pickups. Everything important can be found in the cab, including wallets, bills to pay, cattle and seed records. The console is littered with dusty little notes about things that need to be done, jotted down on whatever may be handy---food wrappers, scrap paper, or cardboard from a tool package.
Kristi Noem (Not My First Rodeo: Lessons from the Heartland)
Though necessary to the work of uncovering the past, archives are nevertheless limited and misleading storehouses of information. While at times imposing and formal enough as to seem all-encompassing in their brick, glass, and steel structures, archives only include records that survived accident, were viewed as important in their time or in some subsequent period, and were deemed worthy of preservation. These records were originally created by fallible people like you and me, who could err in their jottings, hold vexed feelings they sometimes transmitted onto the page, or consciously or unconsciously misconstrue events they witnessed. Even in their most organized form, archived records are mere scraps of accounts of previous happenings, "rags of realities" that we painstakingly stick together in order to picture past societies.
Tiya Miles (All That She Carried: The Journey of Ashley's Sack, a Black Family Keepsake)
Astaire had been told by the studio brass that he could have all the time he needed, so he planned for six weeks of rehearsal on the more difficult numbers (“Night and Day” and “The Table Dance”) that he imported from the stage production. Even though Astaire had played the role of Guy Holden, the man mistaken for Mimi’s (Ginger Rogers) divorce correspondent, on Broadway and in London, he was too much of a perfectionist to assume that he could reprise the dances on film without sufficient rehearsal. In addition, the Cole Porter score that he had sung in the theatre was, with the exception of “Night and Day,” completely scrapped and replaced with songs by Mack Gordon and Harry Revel, and Con Conrad and Herb Magidson (after Porter refused producer Pandro Berman’s request to write new ones). Astaire wanted, and was given, the time to master the new material.
John Charles Franceschina (Hermes Pan: The Man Who Danced with Fred Astaire)
She's an enthusiastic recorder of life - writes in her journal every prodigiously, loads her camera's SD cards with thousands of pictures. Her swooping, idiosyncratic half-print, half-cursive style scrawls on month after month, skipping lines between the scraps of the discussion that seem important enough to snatch and capture.
Anne Gisleson (The Futilitarians: Our Year of Thinking, Drinking, Grieving, and Reading)
What you delete from your computer, what you take out of your prose, is as important as what you leave in. It is not a loss. When you take away that unnecessary adjective, the removal adds to the ambience surrounding that noun. When you write a page and delete the whole thing, there is a sense in which it is not deleted. The better writer who remained behind is still there. In this sense the analogy to a musician practicing scales is most apt. The point is not to create so many yards of music. The point is to create a particular kind of musician, one who, when called upon, can do what he is expected to do. Writers who throw their scraps away are leaving a better writer behind, and that was the point, wasn't it?
Douglas Wilson (Wordsmithy: Hot Tips for the Writing Life)
This is because perfection just doesn’t exist but you put yourself under all this pressure to try and achieve it. Of even more importance, so called perfection is often never required in your daily life. Perfectionism for me was one of the biggest triggers of my procrastination that I had to overcome. I, like I’m sure you do, always want to deliver to the best of my ability. Whether it be in business or at home. Sometimes even when it came to sport. Because of this I would find myself never being happy with what I was producing and always deferring it to later or often scrapping what I had all together because I didn’t think it was good enough.
Andrew Thomson (Think Outside The Box: Outsmart Your Laziness, Think Intelligently, Generate Ideas On Demand, Make Smarter Choices And Be A Productivity Machine)
Well, that is both right and wrong. Another question to ask is not “Was Jesus crucified?” but also “What does it mean that Jesus was crucified?” And for this, little details like the day and time actually matter. The way I explain the importance of such minutiae to my students is this: When, today, a homicide is committed, and the police detectives come in to the crime scene, they begin searching for little scraps of evidence, looking for the trace of a fingerprint or a strand of hair on the floor. Someone might reasonably look at what they are doing and say, “What’s wrong with you? Can’t you see that there’s a dead body on the floor? Why are you snooping around for a fingerprint?” Yet sometimes the smallest clue can lead to a solution of the case. Why, and by whom, was this person killed? So, too, with the Gospels. Sometimes the smallest piece of evidence can give important clues about what the author thought was really going on. I can’t give a full analysis
Bart D. Ehrman (Jesus, Interrupted: Revealing the Hidden Contradictions in the Bible (and Why We Don't Know About Them))
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