Scrap Business Quotes

We've searched our database for all the quotes and captions related to Scrap Business. Here they are! All 52 of them:

When there is a lot of power concentrated in one place, there are plenty of scraps to fight over. If the Court isn’t busy drinking poison, then it’s drinking bile.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
But her attention was on the prince across from her, who seemed utterly ignored by his father and his own court, shoved down near the end with her and Aedion. He ate so beautifully, she thought, watching him cut into his roast chicken. Not a drop moved out of place, not a scrap fell on the table. She had decent manners, while Aedion was hopeless, his plate littered with bones and crumbs scattered everywhere, even some on her own dress. She’d kicked him for it, but his attention was too focused on the royals down the table. So both she and the Crown Prince were to be ignored, then. She looked at the boy again, who was around her age, she supposed. His skin was from the winter, his blue-black hair neatly trimmed; his sapphire eyes lifted from his plate to meet hers. “You eat like a fine lady,” she told him. His lips thinned and color stained his ivory cheeks. Across from her, Quinn, her uncle’s Captain of the Guard, choked on his water. The prince glanced at his father—still busy with her uncle—before replying. Not for approval, but in fear. “I eat like a prince,” Dorian said quietly. “You do not need to cut your bread with a fork and knife,” she said. A faint pounding started in her head, followed by a flickering warmth, but she ignored it. The hall was hot, as they’d shut all the windows for some reason. “Here in the North,” she went on as the prince’s knife and fork remained where they were on his dinner roll, “you need not be so formal. We don’t put on airs.” Hen, one of Quinn’s men, coughed pointedly from a few seats down. She could almost hear him saying, Says the little lady with her hair pressed into careful curls and wearing her new dress that she threatened to skin us over if we got dirty. She gave Hen an equally pointed look, then returned her attention to the foreign prince. He’d already looked down at his food again, as if he expected to be neglected for the rest of the night. And he looked lonely enough that she said, “If you like, you could be my friend.” Not one of the men around them said anything, or coughed. Dorian lifted his chin. “I have a friend. He is to be Lord of Anielle someday, and the fiercest warrior in the land.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
He wondered about the people in houses like those. They would be, for example, small clerks, shop-assistants, commercial travellers, insurance touts, tram conductors. Did they know that they were only puppets dancing when money pulled the strings? You bet they didn’t. And if they did, what would they care? They were too busy being born, being married, begetting, working, dying. It mightn’t be a bad thing, if you could manage it, to feel yourself one of them, one of the ruck of men. Our civilization is founded on greed and fear, but in the lives of common men the greed and fear are mysteriously transmuted into something nobler. The lower-middle-class people in there, behind their lace curtains, with their children and their scraps of furniture and their aspidistras — they lived by the money-code, sure enough, and yet they contrived to keep their decency. The money-code as they interpreted it was not merely cynical and hoggish. They had their standards, their inviolable points of honour. They ‘kept themselves respectable’— kept the aspidistra flying. Besides, they were alive. They were bound up in the bundle of life. They begot children, which is what the saints and the soul-savers never by any chance do. The aspidistra is the tree of life, he thought suddenly.
George Orwell (Keep the Aspidistra Flying)
A shoemaker, in making a pair of shoes, cannot spoil a scrap of leather without having to bear the loss; but in our business we may spoil a man without its costing us a farthing. The blunders are never put down to us, and it is always the fault of the fellow who dies. The best of this profession is, that there is the greatest honesty and discretion among the dead; for you never find them complain of the physician who has killed them.
Molière (Le Médecin Malgré Lui)
In his combination of earnestness, social conscience, and willingness to scrap, he was a perfect hero for 1943, as America went about the rumbling, laborious business of backing itself into a horrible war.
Michael Chabon (The Amazing Adventures of Kavalier & Clay)
As for my damned literature, God knows what a business it is, grinding along without a scrap of inspiration or a note of style. But it has to be ground, and the mill grinds exceeding slowly though not particularly small. ...The treadmill turns; and, with a kind of desperate cheerfulness, I mount the idle stair.
Robert Louis Stevenson (The Letters of Robert Louis Stevenson)
Plato, or Why For unclear reasons under unknown circumstances Ideal Being ceased to be satisfied. It could have gone on forever, hewn from darkness, forged from light, in its sleepy gardens above the world. Why on earth did it start seeking thrills in the bad company of matter? What use could it have for imitators, inept, ill-starred, lacking all prospects for eternity? Wisdom limping with a thorn stuck in its heel? Harmony derailed by roiling waters? Beauty holding unappealing entrails and Good — why the shadow when it didn’t have one before? There must have been some reason, however slight, but even the Naked Truth, busy ransacking the earth’s wardrobe, won’t betray it. Not to mention, Plato, those appalling poets, litter scattered by the breeze from under statues, scraps from that great Silence up on high.
Wisława Szymborska (Monologue of a Dog: New Poems)
The books were in no particular order, and Lundy found the process of sorting them remarkably soothing, involving, as it did, a strange sort of scavenger hunt through the entire shack. Books had been used to prop up tables and level out shelves; they were piled on surfaces where books had no business being and tucked under the edge of the thin mattress of the Archivist's bed. In the case of books that had become load-bearing, Lundy used her school ruler to carefully note their heights and went searching for rocks or pieces of scrap wood that would do the job as well, if not better. In the case of books left too near to water or exposed to the air, she rolled her eyes and whisked them away to literary safety.
Seanan McGuire (In an Absent Dream (Wayward Children, #4))
In fact, if I were a betting man, I’d wager that only 10 percent of the English instruction list will answer your call for nominations. Why? First, because more than a third of our faculty now consists of temporary (adjunct) instructors who creep into the building under cover of darkness to teach their graveyard shifts of freshman comp; they are not eligible to vote or to serve. Second, because the remaining two-thirds of the faculty, bearing the scars of disenfranchisement and long-term abuse, are busy tending to personal grudges like scraps of carrion on which they gnaw in the gloom of their offices.
Julie Schumacher (Dear Committee Members)
I faced people from all walks of business who fully disregarded design (though they were completely influenced by it). I also met fine artists who drowned in their own work and the dense creative universe in their minds. Then I met designers. And instantly fell in love. Let me tell you why. Designers are familiar with critiques. They not only tolerate them but actively look out for them. They honestly believe in iterations and learn to edit down their work. They embrace simplicity and create beauty based on requirements other than their own. Design education teaches you to run away from assumptions and to have the stomach to scrap your work often. I’m bringing this up because it’s time to bridge the gap between design and business.
Laura Busche (Lean Branding)
declared you could see buds unsheath themselves. Also you could make the acquaintance of strange busy insect things running about on various unknown but evidently serious errands, sometimes carrying tiny scraps of straw or feather or food or climbing blades of grass as if they were trees from whose tops one could look out to explore the country.
Frances Hodgson Burnett (The Secret Garden)
All the expressions that are possible crossed its face, as if its thoughts were wise and limitless one moment, daft and animal the next. And Liga too was pulled towards awe, that this little girl-thing gave off such an air of being entitled, and then towards pity at its abjectness and its frailty and-how soft it was, the surface of it, and so warm! She could not believe the tiny makings of its mouth, or its perfected eyelashes, its ears like uncrumpling buds, all down and tenderness. She was full of the joy of her father being gone-that she could sit like this all night if she wanted, not bothered or harangued, without a remark from any other person, and watch this creature busy with its morsel of life, its scrap of sleep, its breaths light as moth-wings lifting its narrow red chest.
Margo Lanagan (Tender Morsels)
To the matter at hand: though English has traditionally been a largish department, you will find there are very few viable candidates capable of assuming the mantle of DGS. In fact, if I were a betting man, I’d wager that only 10 percent of the English instruction list will answer your call for nominations. Why? First, because more than a third of our faculty now consists of temporary (adjunct) instructors who creep into the building under cover of darkness to teach their graveyard shifts of freshman comp; they are not eligible to vote or to serve. Second, because the remaining two-thirds of the faculty, bearing the scars of disenfranchisement and long-term abuse, are busy tending to personal grudges like scraps of carrion on which they gnaw in the gloom of their offices. Long story short: your options aren’t pretty.
Julie Schumacher (Dear Committee Members)
Yale was busy wondering if this was the governing factor of his life: the fear of getting his heart broken. Or rather, the need to protect the remaining scraps of his heart, the ones torn smaller by every breakup, every failure, every funeral, every day on earth. Was this, why a shrink would say he was with Charlie, out of all the men in Chicago? Yale might break Charlie's heart - he did it almost every day - but Charlie, for all his possessiveness, would never break Yale's.
Rebecca Makkai (The Great Believers)
Michael Stelzner, founder of Social Media Examiner, says it best:     It’s hard work. I’m not going to lie. Anyone who tells you that it’s really easy to build a content business is not telling you the truth. You have to accept the fact that this is going to be grueling, difficult, time consuming, and laborious work. But if you’re willing to roll up your sleeves and get dirty, and are willing to constantly analyze what you’re doing and scrap what doesn’t work and continue what does work, and keep at it, you can be very, very successful.
Joe Pulizzi (Content Inc.: How Entrepreneurs Use Content to Build Massive Audiences and Create Radically Successful Businesses)
Papaw had kind eyes and a little scratchy stubble on his cheeks that ticked when I gave him a kiss. He also had hair in his ears, and it was my job to help him trim it. He chewed tobacco from a little white bag and always kept a gold spittoon nearby. Papaw loved to sit around in his blue coveralls (the only thing I ever saw him wear) and shoot the bull with the boys. On Mamaw’s deathbed, she made us promise to make sure he always had clean coveralls. I’ll never forget my mamaw’s sewing room, filled with scraps and bolts of cloth, buttons, thread, and trimmings. In that room I felt like a little kid in the most beautiful toy store you could imagine, full of magic and possibilities. Mamaw kept busy making beautiful clothes and quilts, some of which I still have.
Jessica Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)
This estate supports hundreds of people. Without it, many of them won’t survive. Tell me you’d be willing to stand face-to-face with one of the tenants and tell him that he has to move his family to Manchester so they can all work in a filthy factory.” “How can the factory be any worse than living on a muddy scrap of farmland?” “Considering urban diseases, crime, slum alleys, and abject poverty,” Devon said acidly, “I’d say it’s considerably worse. And if my tenants and servants all leave, what of the consequences to the village of Eversby itself? What will become of the merchants and businesses once the estate is gone? I have to make a go of this, West.” His brother stared at him as if he were a stranger. “Your tenants and servants.” Devon scowled. “Yes. Who else’s are they?” West’s lips curled in a derisive sneer. “Tell me this, oh lordly one…what do you expect will happen when you fail?” “I can’t think about failure. If I do, I’ll be doomed from the start.” “You’re already doomed. You’ll preen and posture as lord of the manor while the roof caves in and the tenants starve, and I’m damned if I’ll have any part of your narcissistic folly.” “I wouldn’t ask you to,” Davon retorted, heading for the door. “Since you’re usually as drunk as a boiled owl, you’re of no use to me.” “Who the hell do you think you are?” West called after him. Pausing at the threshold, Devon gave him a cold glance. “I’m the Earl of Trenear,” he said, and left the room.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
Hoover wanted the new investigation to be a showcase for his bureau, which he had continued to restructure. To counter the sordid image created by Burns and the old school of venal detectives, Hoover adopted the approach of Progressive thinkers who advocated for ruthlessly efficient systems of management. These systems were modeled on the theories of Frederick Winslow Taylor, an industrial engineer, who argued that companies should be run “scientifically,” with each worker’s task minutely analyzed and quantified. Applying these methods to government, Progressives sought to end the tradition of crooked party bosses packing government agencies, including law enforcement, with patrons and hacks. Instead, a new class of technocratic civil servants would manage burgeoning bureaucracies, in the manner of Herbert Hoover—“ the Great Engineer”—who had become a hero for administering humanitarian relief efforts so expeditiously during World War I. As the historian Richard Gid Powers has noted, J. Edgar Hoover found in Progressivism an approach that reflected his own obsession with organization and social control. What’s more, here was a way for Hoover, a deskbound functionary, to cast himself as a dashing figure—a crusader for the modern scientific age. The fact that he didn’t fire a gun only burnished his image. Reporters noted that the “days of ‘old sleuth’ are over” and that Hoover had “scrapped the old ‘gum shoe, dark lantern and false moustache’ traditions of the Bureau of Investigation and substituted business methods of procedure.” One article said, “He plays golf. Whoever could picture Old Sleuth doing that?
David Grann (Killers of the Flower Moon: The Osage Murders and the Birth of the FBI)
HER HUSBAND’S ALMOST HOME. He’ll catch her this time. There isn’t a scrap of curtain, not a blade of blind, in number 212—the rust-red townhome that once housed the newlywed Motts, until recently, until they un-wed. I never met either Mott, but occasionally I check in online: his LinkedIn profile, her Facebook page. Their wedding registry lives on at Macy’s. I could still buy them flatware. As I was saying: not even a window dressing. So number 212 gazes blankly across the street, ruddy and raw, and I gaze right back, watching the mistress of the manor lead her contractor into the guest bedroom. What is it about that house? It’s where love goes to die. She’s lovely, a genuine redhead, with grass-green eyes and an archipelago of tiny moles trailing across her back. Much prettier than her husband, a Dr. John Miller, psychotherapist—yes, he offers couples counseling—and one of 436,000 John Millers online. This particular specimen works near Gramercy Park and does not accept insurance. According to the deed of sale, he paid $3.6 million for his house. Business must be good. I know both more and less about the wife. Not much of a homemaker, clearly; the Millers moved in eight weeks ago, yet still those windows are bare, tsk-tsk. She practices yoga three times a week, tripping down the steps with her magic-carpet mat rolled beneath one arm, legs shrink-wrapped in Lululemon. And she must volunteer someplace—she leaves the house a little past eleven on Mondays and Fridays, around the time I get up, and returns between five and five thirty, just as I’m settling in for my nightly film. (This evening’s selection: The Man Who Knew Too Much, for the umpteenth time. I am the woman who viewed too much.) I’ve noticed she likes a drink in the afternoon, as do I. Does she also like a drink in the morning? As do I? But her age is a mystery, although she’s certainly younger than Dr. Miller, and younger than me (nimbler, too); her name I can only guess at. I think of her as Rita, because she looks like Hayworth in Gilda. “I’m not in the least interested”—love that line. I myself am very much interested. Not in her body—the pale ridge of her spine, her shoulder blades like stunted wings, the baby-blue bra clasping her breasts: whenever these loom within my lens, any of them, I look away—but in the life she leads. The lives. Two more than I’ve got.
A.J. Finn (The Woman in the Window)
Though it’s best not to be born a chicken at all, it is especially bad luck to be born a cockerel. From the perspective of the poultry farmer, male chickens are useless. They can’t lay eggs, their meat is stringy, and they’re ornery to the hens that do all the hard work of putting food on our tables. Commercial hatcheries tend to treat male chicks like fabric cutoffs or scrap metal: the wasteful but necessary by-product of an industrial process. The sooner they can be disposed of—often they’re ground into animal feed—the better. But a costly problem has vexed egg farmers for millennia: It’s virtually impossible to tell the difference between male and female chickens until they’re four to six weeks old, when they begin to grow distinctive feathers and secondary sex characteristics like the rooster’s comb. Until then, they’re all just indistinguishable fluff balls that have to be housed and fed—at considerable expense. Somehow it took until the 1920s before anyone figured out a solution to this costly dilemma. The momentous discovery was made by a group of Japanese veterinary scientists, who realized that just inside the chick’s rear end there is a constellation of folds, marks, spots, and bumps that to the untrained eye appear arbitrary, but when properly read, can divulge the sex of a day-old bird. When this discovery was unveiled at the 1927 World Poultry Congress in Ottawa, it revolutionized the global hatchery industry and eventually lowered the price of eggs worldwide. The professional chicken sexer, equipped with a skill that took years to master, became one of the most valuable workers in agriculture. The best of the best were graduates of the two-year Zen-Nippon Chick Sexing School, whose standards were so rigorous that only 5 to 10 percent of students received accreditation. But those who did graduate earned as much as five hundred dollars a day and were shuttled around the world from hatchery to hatchery like top-flight business consultants. A diaspora of Japanese chicken sexers spilled across the globe. Chicken sexing is a delicate art, requiring Zen-like concentration and a brain surgeon’s dexterity. The bird is cradled in the left hand and given a gentle squeeze that causes it to evacuate its intestines (too tight and the intestines will turn inside out, killing the bird and rendering its gender irrelevant). With his thumb and forefinger, the sexer flips the bird over and parts a small flap on its hindquarters to expose the cloaca, a tiny vent where both the genitals and anus are situated, and peers deep inside. To do this properly, his fingernails have to be precisely trimmed. In the simple cases—the ones that the sexer can actually explain—he’s looking for a barely perceptible protuberance called the “bead,” about the size of a pinhead. If the bead is convex, the bird is a boy, and gets thrown to the left; concave or flat and it’s a girl, sent down a chute to the right.
Joshua Foer (Moonwalking with Einstein: The Art and Science of Remembering Everything)
I have an-odd ability-to read very quickly.” “Oh,” Elizabeth replied, “how lucky you are. I never heard of a talent like that.” A lazy glamorous smile swept across his face, and he squeezed her hand. “It’s not nearly as uncommon as your eyes,” he said. Elizabeth thought it must be a great deal more uncommon, but she wasn’t completely certain and she let it pass. The following day, that discovery was completely eclipsed by another one. At Ian’s insistence, she’d spread the books from Havenhurst across his desk in order to go over the quarter’s accounts, and as the morning wore on, the long columns of figures she’d been adding and multiplying began to blur together and transpose themselves in her mind-due in part, she thought with a weary smile, to the fact that her husband had kept her awake half the night making love to her. For the third time, she added the same long columns of expenditures, and for the third time, she came up with a different sum. So frustrated was she that she didn’t realize Ian had come into the room, until he leaned over her from behind and put his hands on the desk on either side of her own. “Problems?” he asked, kissing the top of her head. “Yes,” she said, glancing at the clock and realizing that the business acquaintances he was expecting would be there momentarily. As she explained her problem to him, she started shoving loose papers into the books, hurriedly trying to reassemble everything and clear his desk. “For the last forty-five minutes, I’ve been adding the same four columns, so that I could divide them by eighteen servants, multiply that by forty servants which we now have there, times four quarters. Once I know that, I can forecast the real cost of food and supplies with the increased staff. I’ve gotten three different answers to those miserable columns, and I haven’t even tried the rest of the calculations. Tomorrow I’ll have to start all over again,” she finished irritably, “and it takes forever just to get all this laid out and organized.” She reached out to close the book and shove her calculations into it, but Ian stopped her. “Which columns are they?” he asked calmly, his surprised gaze studying the genuine ire on her face. “Those long ones down the left-hand side. It doesn’t matter, I’ll fight it out tomorrow,” she said. She shoved the chair back, dropped two sheets of paper, and bent over to pick them up. They’d slid beneath the kneehole of the desk, and in growing disgust Elizabeth crawled underneath to get them. Above her, Ian said, “$364.” “Pardon?” she asked when she reemerged, clutching the errant sheets of paper. He was writing it down on a scrap of paper. “$364.” “Do not make light of my wanting to know the figures,” she warned him with an exasperated smile. “Besides,” she continued, leaning up and pressing an apologetic kiss on his cheek, loving the tangy scent of his cologne, “I usually enjoy the bookwork. I’m simply a little short of sleep today, because,” she whispered, “my husband kept me awake half the night.” “Elizabeth,” he began hesitantly, “there’s something I-“ Then he shook his head and changed his mind, and since Shipley was already standing in the doorway to announce the arrival of his business acquaintances, Elizabeth thought no more of it. Until the next morning.
Judith McNaught (Almost Heaven (Sequels, #3))
From a nitty-gritty, practical standpoint, here is the drill that can get you there:   Loose Papers Pull out all miscellaneous scraps of paper, business cards, receipts, and so on that have crept into the crevices of your desk, clothing, and accessories. Put it all into your in-basket for processing.   Process Your Notes Review any journal entries, meeting notes, or miscellaneous notes scribbled on notebook paper. List action items, projects, waiting-fors, calendar events, and someday/ maybes, as appropriate. File any reference notes and materials. Stage your “Read/Review” material. Be ruthless with yourself, processing all notes and thoughts relative to interactions, projects, new initiatives, and input that have come your way since your last download, and purging those not needed.   Previous Calendar Data Review past calendar dates in detail for remaining action items, reference information, and so on, and transfer that data into the active system. Be able to archive your last week’s calendar with nothing left uncaptured.   Upcoming Calendar Look at future calendar events (long- and short-term). Capture actions about arrangements and preparations for any upcoming events.   Empty Your Head Put in writing (in appropriate categories) any new projects, action items, waiting-fors, someday/maybes, and so forth that you haven’t yet captured.   Review “Projects” (and Larger Outcome) Lists Evaluate the status of projects, goals, and outcomes one by one, ensuring that at least one current kick-start action for each is in your system.   Review “Next Actions” Lists Mark off completed actions. Review for reminders of further action steps to capture.   Review “Waiting For” List Record appropriate actions for any needed follow-up. Check off received items.   Review Any Relevant Checklists Is there anything you haven’t done that you need to do?   Review “Someday/Maybe” List Check for any projects that may have become active and transfer them to “Projects.” Delete items no longer of interest.   Review “Pending” and Support Files Browse through all work-in-progress support material to trigger new actions, completions, and waiting-fors.   Be Creative and Courageous Are there any new, wonderful, hare-brained, creative, thought-provoking, risk-taking ideas you can add to your system?
David Allen (Getting Things Done: The Art of Stress-Free Productivity)
Assign a file or paper tray to collect single-side printed paper for reuse. Boycott paper sourced from virgin forests and reams sold in plastic. Cancel magazine and newspaper subscriptions; view them online instead. Digitize important receipts and documents for safekeeping. Digital files are valid proofs for tax purposes. Download CutePDF Writer to save online files without having to print them. Email invitations or greeting cards instead of printing them (see “Holidays and Gifts” chapter). Forage the recycling can when paper scraps are needed, such as for bookmarks or pictures (for school collages, for example). Give extra paper to the local preschool. Hack the page margins of documents to maximize printing. Imagine a paperless world. Join the growing paperless community. Kill the fax machine; encourage electronic faxing through a service such as HelloFax. Limit yourself to print only on paper that has already been printed on one side. Make online billing and banking a common practice. Nag the kids’ teachers to send home only important papers. Opt out of paper newsletters. Print on both sides when using a new sheet of paper (duplex printing). Question the need for printing; print only when absolutely necessary. In most cases, it is not. Repurpose junk mail envelopes—make sure to cross out any barcode. Sign electronically using the Adobe Acrobat signing feature or SignNow.com. Turn down business cards; enter relevant info directly into a smartphone. Use shredded paper as a packing material, single-printed paper fastened with a metal clip for a quick notepad (grocery lists, errands lists), and double-printed paper to wrap presents or pick up your dog’s feces. Visit the local library to read business magazines and books. Write on paper using a pencil, which you can then erase to reuse paper, or better yet, use your computer, cell phone, or erasable board instead of paper. XYZ: eXamine Your Zipper; i.e., your leaks: attack any incoming source of paper.
Bea Johnson (Zero Waste Home: The Ultimate Guide to Simplifying Your Life by Reducing Your Waste (A Simple Guide to Sustainable Living))
There’s a note in there,” Paolo said, gesturing at the bundle. “I’m sure he’d rather you hear from him, not me.” He bowed slightly, his inky black hair falling forward to obscure part of his face. “Buona notte, Signorina Cassandra.” With that, he turned away, disappearing into the darkness in just a few long strides. Cass re-bolted the door. Her heart was still beating hard. She looked down at the wrapped square. It was about two feet by two feet and as thick as her wrist. Lighting a candle, she laid the bundle on the long wobbly table where the servants prepared food for the villa and took their own meals. She held her breath as she tugged at the coarse twine wrapped around the package. The muslin unfolded in layers, revealing a canvas beneath. A folded scrap of parchment fluttered to the kitchen floor. Cass barely noticed it. She was too busy staring at the painting. There she was on the divan in Tommaso’s studio. Just a couple of weeks had elapsed between now and then, but already it felt like years, like the dream of a different lifetime. Falco had captured her tiniest quirks on the canvas: the smattering of freckles across her cheeks, the unruly piece of hair behind her left ear that worked its way out of any arrangement. And her smile--Cass almost couldn’t believe it was real. She looked radiant, like she was experiencing true happiness for the first time. She remembered Falco’s soft touches as he posed her, how delirious she’d been each time his fingers grazed her skin. She remembered how excited she was at being alone with him, the endless possibilities, the countless dangers. Cass wished she could dive into the painting and go back to that night where she had felt love for the first time.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
Leave me alone,” Win cried. “Go dust something!” “Win, if you don’t—” Amelia’s attention was diverted as she saw her sister’s gaze fly to the kitchen threshold. Merripen stood there, his broad shoulders filling the doorway. Although it was early morning, he was already dusty and perspiring, his shirt clinging to the powerful contours of his chest and waist. He wore an expression they knew well—the implacable one that meant you could move a mountain with a teaspoon sooner than change his mind about something. Approaching Win, he extended a broad hand in a wordless demand. They were both motionless. But even in their stubborn opposition, Amelia saw a singular connection, as if they were locked in an eternal stalemate from which neither wanted to break free. Win gave in with a helpless scowl. “I have nothing to do.” It was rare for her to sound so peevish. “I’m sick of sitting and reading and staring out the window. I want to be useful. I want…” Her voice trailed away as she saw Merripen’s stern face. “Fine, then. Take it!” She tossed the broom at him, and he caught it reflexively. “I’ll just find a corner somewhere and quietly go mad. I’ll—” “Come with me,” Merripen interrupted calmly. Setting the broom aside, he left the room. Win exchanged a perplexed glance with Amelia, her vehemence fading. “What is he doing?” “I have no idea.” The sisters followed him down a hallway to the dining room, which was spattered with rectangles of light from the tall multipaned windows that lined one wall. A scarred table ran down the center of the room, every available inch covered with dusty piles of china … towers of cups and saucers, plates of assorted sizes sandwiched together, bowls wrapped in tattered scraps of gray linen. There were at least three different patterns all jumbled together. “It needs to be sorted,” Merripen said, gently nudging Win toward the table. “Many pieces are chipped. They must be separated from the rest.” It was the perfect task for Win, enough to keep her busy but not so strenuous that it would exhaust her. Filled with gratitude, Amelia watched as her sister picked up a teacup and held it upside down. The husk of a tiny dead spider dropped to the floor. “What a mess,” Win said, beaming. “I’ll have to wash it, too, I suppose.” “If you’d like Poppy to help—” Amelia began. “Don’t you dare send for Poppy,” Win said. “This is my project, and I won’t share it.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
A small brownish-gray terrier had been sitting on the brick, but he hopped to his feet as soon as he saw Bridget and gave one sharp emphatic bark. "Now hush," she said to him- not that he seemed to care. She set the tin plate down and uncovered it, revealing the scraps that Mrs. Bram had saved for her. The terrier immediately began gobbling the food as if he was starving which, sadly, he might be. "You'll choke," Bridget said sternly. The terrier didn't listen. He never did, no matter how businesslike she made her voice. Grown men- footmen- might jump to obey her, but this scrawny waif defied her. Bridget bit her lip. If she was forced to leave Hermes House, who would feed the terrier? Mrs. Bram might- if she remembered to do so- but the cook was a busy woman with other matters on her mind. The dog finished his meal and licked the plate so enthusiastically that he overturned it with a clatter. Bridget tutted and bent to pick it up. The dog thrust his short snout under her hand as she did so and she found herself stroking his head. His fur was wiry rather than silky, almost greasy, but the dog had liquid brown eyes and seemed to smile as his mouth hung open, tongue lolling out. He was very, very sweet. She'd never been allowed a pet dog as a child. Her foster father was a shepherd and had considered dogs farm animals. A pet dog wasn't even to be thought of, especially for her, the cuckoo. Housekeepers, and indeed servants of any kind, weren't allowed pets. Sometimes a cat might be kept to catch mice in the kitchens, but it was a working animal. Dogs were dirty things and required food and space that, technically, she didn't own. Bridget stood and frowned down at the dog. "Shoo now." The dog sat and slowly wagged his tail, sweeping the bricks. One of his triangular ears stood up while the other lay down.
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
State wants the alleged techniques, presumably.” “I’ve been wondering about that,” Norman said. “I wonder if we do want them.” “How do you mean?” “It’s a bit difficult to explain … Look, have you been following television at all since you came home?” “Occasionally, but since the Yatakang news broke I’ve been much too busy to catch more than an occasional news bulletin.” “So have I, but—well, I guess I’m more familiar with the way trends get started here nowadays, so I can extrapolate from the couple or three programmes I have had time for.” Norman’s gaze moved over Elihu’s head to the far corner of the room. “Engrelay Satelserv blankets most of Africa, doesn’t it?” “The whole continent, I’d say. There are English-speaking people in every country on Earth nowadays, except possibly for China.” “So you’re acquainted with Mr. and Mrs. Everywhere?” “Yes, of course—these two who always appear in station identification slots, doing exotic and romantic things.” “Did you have a personalised set at any time, with your own identity matted into the Everywhere image?” “Lord, no! It costs—what? About five thousand bucks, isn’t it?” “About that. I haven’t got one either; the basic fee is for couple service, and being a bachelor I’ve never bothered. I just have the standard brownnose identity on my set.” He hesitated. “And—to be absolutely frank—a Scandahoovian one for the shiggy half of the pair. But I’ve watched friends’ sets plenty of times where they had the full service, and I tell you it’s eerie. There’s something absolutely unique and indescribable about seeing your own face and hearing your own voice, matted into the basic signal. There you are wearing clothes you’ve never owned, doing things you’ve never done in places you’ve never been, and it has the immediacy of real life because nowadays television is the real world. You catch? We’re aware of the scale of the planet, so we don’t accept that our own circumscribed horizons constitute reality. Much more real is what’s relayed to us by the TV.” “I can well understand that,” Elihu nodded. “And of course I’ve seen this on other people’s sets too. Also I agree entirely about what we regard as real. But I thought we were talking about the Yatakangi claim?” “I still am,” Norman said. “Do you have a homimage attachment on your set? No, obviously not. I do. This does the same thing except with your environment; when they—let’s see … Ah yes! When they put up something like the splitscreen cuts they use to introduce SCANALYZER, one of the cuts is always what they call the ‘digging’ cut, and shows Mr. and Mrs. Everywhere sitting in your home wearing your faces watching the same programme you’re about to watch. You know this one?” “I don’t think they have this service in Africa yet,” Elihu said. “I know the bit you mean, but it always shows a sort of idealised dream-home full of luxy gadgetry.” “That used to be what they did here,” Norman said. “Only nowadays practically every American home is full of luxy gadgetry. You know Chad’s definition of the New Poor? People who are too far behind with time-payments on next year’s model to make the down-payment on the one for the year after?” Elihu chuckled, then grew grave. “That’s too nearly literal to be funny,” he said. “Prophet’s beard, it certainly is! I found time to look over some of Chad’s books after Guinevere’s party, and … Well, having met him I was inclined to think he was a conceited blowhard, but now I think he’s entitled to every scrap of vanity he likes to put on.
John Brunner (Stand on Zanzibar)
Cleaning data in the analytics value chain violates the third of quality guru W. Edwards Deming’s 14 principles19 of business transformation: Cease dependence on inspection to achieve quality. Eliminate the need for massive inspection by building quality into the product in the first place. Rather than inspecting cars at the end of an assembly line and scrapping the ones that fail, it makes much better sense to design quality into the process and build high-quality cars. Similarly, it is much smarter to build data quality directly into the source systems that generate data than it is to trap and correct errors farther down the chain.
Thomas W. Dinsmore (Disruptive Analytics: Charting Your Strategy for Next-Generation Business Analytics)
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Cash For Cars Removal - How Can It Save You Money?
Even that beloved British institution, the chippie, is preferable to the clown's fare; at least you are encouraging individual, local business, an entrepreneur who can react to neighborhood needs and wants, rather than a dictatorial system in which some focus group in an industrial park in Iowa decides for you what you will or should want.
Anthony Bourdain (The Nasty Bits: Collected Varietal Cuts, Usable Trim, Scraps, and Bones)
the  very  least,  speak with  God  in  the  morning,  before  you speak with the world: and speak with God at night, after you have done with the world. But settle it in your minds, that prayer is one of the great things of every day. Do not drive it into a corner. Do not give it the scraps and parings of your duty. Whatever else you make a business of, make a business of prayer.
J.C. Ryle (J. C. Ryle: A Call to Prayer (Original Edition)(Illustrated) (Classic Prayer Books Book 1))
shoulder. “If your young man is innocent he’ll be all right. British justice is deservedly respected all the world over.” “But the p’lice, they’re something chronic; they’ll worm anything out of you,” blubbered Nellie. “Don’t get any wrong ideas about our excellent police force into your head,” Mr. Slocomb admonished her. “They are the friends of the innocent. Of course this is very unfortunate for your young man, but surely——” “There ’e is, my poor Bob, in a nasty cell! Oh, sir, d’you think they’ll let me see ’im?” “Well, really——” began Mr. Slocomb; but the conversation was interrupted by a strident call. “Nellie! Nellie! What are you about? Pull yourself together, girl! We have to dine even if...” Mrs. Bliss, the proprietress of the Frampton, flowingly clothed in black satin, paused in the doorway. “Dear me, Mr. Slocomb; you must be wondering what’s come to me, shouting all over the house like this! But really, my poor nerves are so jangled I hardly know where I am! To think of dear Miss Pongleton, always so particular, poor soul, lying there on the stairs—dear, dear, dear!” Nellie had slipped past Mrs. Bliss and scuttled back to the kitchen. Mr. Slocomb noticed that Mrs. Bliss’s black satin was unrelieved by the usual loops of gold chain and pearls, and concluded that this restraint was in token of respect to the deceased. “Yes, indeed, Mrs. Bliss, you must be distraught. Indeed a terrible affair! And this poor girl is in great distress about young Bob Thurlow, but I would advise you to keep her mind on her work, Mrs. Bliss; work is a wonderful balm for harassed nerves. A dreadful business! I only know, of course, the sparse details which I have just read in the evening Press.” “You’ve heard nothing more, Mr. Slocomb? Nellie’s Bob is a good-for-nothing, we all know”—Mrs. Bliss’s tone held sinister meaning—“but I’m sure none of us thought him capable of this!” “We must not think him so now, Mrs. Bliss, until—and unless—we are reluctantly compelled to do so,” Mr. Slocomb told her in his most pompous manner. “And Bob was always so good to poor Miss Pongleton’s Tuppy. The little creature is very restless; mark my words, he’s beginning to pine! Now I wonder, Mr. Slocomb, what I ought to do with him? What would you advise? Perhaps poor Miss Pongleton’s nephew, young Mr. Basil, would take him—though in lodgings, of course, I hardly know. There’s many a landlady would think a dog nothing but a nuisance, and little return for it, but of course what I have done for the poor dear lady I did gladly——” “Indeed, Mrs. Bliss, we have always counted you as one of Tuppy’s best friends. And as you say, Bob Thurlow was good to him, too; he took him for walks, I believe?” “He always seemed so fond of the poor little fellow; who could believe ... Well! well! And they say dogs know! What was that saying Mr. Blend was so fond of at one time—before your day, I daresay it would be: True humanity shows itself first in kindness to dumb animals. Out of one of his scrap-books. Well, the truest sayings sometimes go astray! But I must see after that girl; and cook’s not much better, she’s so flustered she’s making Nellie ten times worse. She can’t keep her tongue still a moment!” Mrs. Bliss bustled away, and Mr. Slocomb, apparently rather exasperated by her chatter, made his escape as soon as she had removed herself from the doorway. As Mrs. Bliss returned to the kitchen she thought: “Well, I’m glad he’s here; that’s some comfort; always so helpful—but goodness knows what the dinner will be like!” CHAPTER TWO THE FRUMPS DINNER at the Frampton that evening was eaten to the accompaniment of livelier conversation than usual, and now and again from one of the little tables an excited voice would rise to a pitch that dominated the surrounding talk until the owner of the voice, realizing her unseemly assertiveness on this solemn evening, would fall into lowered tones or awkward silence. The boarders discussed the murder callously. One’s
Mavis Doriel Hay (Murder Underground)
One day in 1885, the twenty-three-year old Henry Ford got his first look at the gas-powered engine, and it was instant love. Ford had apprenticed as a machinist and had worked on every conceivable device, but nothing could compare to his fascination with this new type of engine, one that created its own power. He envisioned a whole new kind of horseless carriage that would revolutionize transportation. He made it his Life’s Task to be the pioneer in developing such an automobile. Working the night shift at the Edison Illuminating Company as an engineer, during the day he would tinker with the new internal-combustion engine he was developing. He built a workshop in a shed behind his home and started constructing the engine from pieces of scrap metal he salvaged from anywhere he could find them. By 1896, working with friends who helped him build a carriage, he completed his first prototype, which he called the Quadricycle, and debuted it on the streets of Detroit. At the time there were many others working on automobiles with gas-powered engines. It was a ruthlessly competitive environment in which new companies died by the day. Ford’s Quadricycle looked nice and ran well, but it was too small and incomplete for large-scale production. And so he began work on a second automobile, thinking ahead to the production end of the process. A year later he completed it, and it was a marvel of design. Everything was geared toward simplicity and compactness. It was easy to drive and maintain. All that he needed was financial backing and sufficient capital to mass-produce it. To manufacture automobiles in the late 1890s was a daunting venture. It required a tremendous amount of capital and a complex business structure, considering all of the parts that went into production. Ford quickly found the perfect backer: William H. Murphy, one of the most prominent businessmen in Detroit. The new company was dubbed the Detroit Automobile Company, and all who were involved had high hopes. But problems soon arose. The car Ford had designed as a prototype needed to be reworked—the parts came from different places; some of them were deficient and far too heavy for his liking. He kept trying to refine the design to come closer to his ideal. But it was taking far too long, and Murphy and the stockholders were getting restless. In 1901, a year and a half after it had started operation, the board of directors dissolved the company. They had lost faith in Henry Ford.
Robert Greene (Mastery (The Modern Machiavellian Robert Greene Book 1))
So I lean over carefully, and there, piled a foot high against the sides of the metal bin, are beat-up U.S. quarters, dimes, nickels, and pennies. Next to the filling bin is another bin, a full bin of coins that fell from the pockets of Americans who had more pressing matters than loose change. According to Jack, an average junked U.S. automobile contains $1.65 in loose change when it’s shredded. If that’s right—and from what I see, I believe that it must be—then the 14 million cars scrapped in good years (good for automobile recyclers, at least) in the United States contain within them more than $20 million in cash just waiting to be recovered. Understandably, Huron Valley isn’t interested in revealing just how much money they recover from U.S. automobiles (they have a deal whereby they return the currency to the U.S. Treasury for a percentage of the original value), but David is willing to note that the coin recovery system has “paid for itself.” It occurs to me that Huron Valley has happened upon the most brilliant of businesses: one whose product is money itself! That is, rather than make something that needs to be marketed for money, Huron Valley just makes money.
Adam Minter (Junkyard Planet: Travels in the Billion-Dollar Trash Trade)
I’m tired of sitting. I’m tired of watching everyone else work. I can set my own limits, Amelia. Let me do as I wish.” “No.” Incredulously Amelia watched as Win picked up a broom from the corner. “Win, put that down and stop being silly!” Annoyance whipped through her. “You’re not going to help anyone by expending all your reserves on menial tasks.” “I can do it.” Win gripped the broom handle with both hands as if she sensed Amelia was on the verge of wrenching it away from her. “I won’t overtax myself.” “Put down the broom.” “Leave me alone,” Win cried. “Go dust something!” “Win, if you don’t—” Amelia’s attention was diverted as she saw her sister’s gaze fly to the kitchen threshold. Merripen stood there, his broad shoulders filling the doorway. Although it was early morning, he was already dusty and perspiring, his shirt clinging to the powerful contours of his chest and waist. He wore an expression they knew well—the implacable one that meant you could move a mountain with a teaspoon sooner than change his mind about something. Approaching Win, he extended a broad hand in a wordless demand. They were both motionless. But even in their stubborn opposition, Amelia saw a singular connection, as if they were locked in an eternal stalemate from which neither wanted to break free. Win gave in with a helpless scowl. “I have nothing to do.” It was rare for her to sound so peevish. “I’m sick of sitting and reading and staring out the window. I want to be useful. I want…” Her voice trailed away as she saw Merripen’s stern face. “Fine, then. Take it!” She tossed the broom at him, and he caught it reflexively. “I’ll just find a corner somewhere and quietly go mad. I’ll—” “Come with me,” Merripen interrupted calmly. Setting the broom aside, he left the room. Win exchanged a perplexed glance with Amelia, her vehemence fading. “What is he doing?” “I have no idea.” The sisters followed him down a hallway to the dining room, which was spattered with rectangles of light from the tall multipaned windows that lined one wall. A scarred table ran down the center of the room, every available inch covered with dusty piles of china … towers of cups and saucers, plates of assorted sizes sandwiched together, bowls wrapped in tattered scraps of gray linen. There were at least three different patterns all jumbled together. “It needs to be sorted,” Merripen said, gently nudging Win toward the table. “Many pieces are chipped. They must be separated from the rest.” It was the perfect task for Win, enough to keep her busy but not so strenuous that it would exhaust her. Filled with gratitude, Amelia watched as her sister picked up a teacup and held it upside down. The husk of a tiny dead spider dropped to the floor. “What a mess,” Win said, beaming. “I’ll have to wash it, too, I suppose.” “If you’d like Poppy to help—” Amelia began. “Don’t you dare send for Poppy,” Win said. “This is my project, and I won’t share it.” Sitting at a chair that had been placed beside the table, she began to unwrap pieces of china.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
When the price of oil on the world market began to fall, the American business community and the public lost interest in the great energy crusade. Carter’s successor, Ronald Reagan, removed the solar panels from the White House roof and scrapped the wood-burning stove in the living quarters. America went back to business as usual, buying even larger gasguzzling vehicles, and using ever greater volumes of energy to support a wasteful, consumer-driven lifestyle.
Jeremy Rifkin (The The Third Industrial Revolution: How Lateral Power Is Transforming Energy, the Economy, and the World)
Day had fucked up big time. This was all his fault, all because he couldn’t keep his nosy ass out of other peoples private business. Day rushed to God’s side. “I’ll help you ba—” Day didn’t know how, but God had found enough strength after that beating to push him so hard that he flew into the dresser, knocking it and all of the items that were on top of it to the floor, including the television. Day rolled a few feet, the dresser just missing falling on top of him. “Cash, what the fuck!” Day cursed. He rolled to his side and winced at the sharp pain in his ribs from coming into contact with the dresser. “I was trying to help you get into bed.” “Get the fuck out, Leo.” God’s face was an unyielding mask. For the first time in four long years, Day couldn’t read what the hell was going through God’s mind. Day stood slowly. “God, I only called him because I needed to go—” “It doesn’t matter why you did it! You had no right! You have no clue what you just did!” God yelled. “Now get out!” “Cashel, please. Just hear me out,” Day pleaded. His eyes begged for God to see the sincerity in them. He really didn’t mean for any of this to happen. “Baby, I swear. I didn’t know any of this was happening between you and your family. You should’ve told me. Why was he calling you a murderer?” No matter what, Day couldn’t turn off his detective side. Day watched God squeeze his eyes shut. He went down on one knee and clutched his chest when the hard coughing started again. God’s eyes were full of water and pain. Day timidly eased over to God’s side but God cut his eyes at him, daring him to come any closer. Day had to fight the moisture in his own eyes. “I just want to help you into bed.” “Day, if you don’t get the fuck out of my house, I’m going to show you why he called me a murderer,” God said through clenched teeth. Day couldn’t stop the gasp that escaped his lips, or the pain that radiated through his chest, as if his rib cage had been torn open and his heart ripped out and thrown underneath the bed. Day kept his eyes on God as he knelt to pick up the dresser, then the television. God watched him as well. Day didn’t say anything as the rogue tear fell down his face without his permission. Day went around to the opposite side of the bed and pulled a pen and piece of scrap paper from the drawer, still watching God carefully. He really didn’t like the look on his best friend’s face. He’d seen the look before, but he’d never had it leveled on him. Day scribbled a couple of phone numbers on the paper.
A.E. Via
Leaving the Connecticut River March 8, 1704 Temperature 40 degrees By the time Mercy had sorted this out, her three brothers were gone. She panicked. “Sam!” she screamed. “John! Benny!” She ran from group to group, darting behind sledges, racing among the dogs, circling the fires. “Sam! John!” What was the matter with her? How could she have stayed separate from them? Why had she not kicked Tannhahorens in the shins, as Ruth would have, and marched with her brothers no matter what he said? Ruth was right, he was nothing but an Indian! O Father! she thought. O Mother! I let you down again. I didn’t protect Tommy. I didn’t save Marah or Stepmama or the baby. And now the boys are gone. On her second screaming circle of the camp, Tannhahorens caught her. “Boys go,” he said. “But are they all right? I didn’t say good-bye! You never let me talk to them at all! I don’t even know their masters’ names!” A new and even more horrifying thought struck Mercy. It tore the wind from her lungs and her voice broke. “Will my brothers and I go to the same place? Will I see them again?” Poor Father, come home to find his entire family ripped away in a night. Father would comfort himself that Mercy was taking care of the boys--and he would be wrong. Tannhahorens had fewer English words than Mercy had Mohawk. He could not understand this outpouring. He steered her back to his possessions. “Raquette,” he said. Mercy jumped in front of him, blocking his path. He was hung with weapons in preparation for departure: knives, tomahawk, hatchet, gun, two bows, quiver of arrows. But something new hanging from Tannhahorens’ chest gave her pause. A Catholic cross. Although in her whole life, Mercy had seen only one spoon and a belt buckle made of silver, she knew this cross to be silver. She wrenched her eyes from its beauty. It would be a sin to find a cross beautiful. Religion must be heart and soul, not scraps of metal. Tannhahorens pushed her along in front of him. “Raquette,” he said irritably. “Raquette?” she begged. “Is that your town? Is that Sam’s master’s name? Are the boys together? Is Same going to be able to watch out for John and Benny?” This time, ragged trousers and a torn stained coat blocked Tannhahorens’s way The Indian looked harshly at the Englishman in front of him, and Mercy wished she had learned words like please. But Tannhahorens walked on and left them together. “Oh, Uncle Nathaniel!” she said, and they wrapped their arms around each other. He held her tightly. He had to clear his throat several times to find his voice. “Your brothers are not together,” he said, “but they seemed all right. They were not afraid. Benny’s Indian has a sled and he will ride as he did yesterday. John’s with five other English, all adults. They will watch for him. And Sam is with the Kellogg girls. He’ll be busy taking care of Joanna and Rebecca.” Her three brothers, going in three directions in the hands of strangers. “They took my Will and my Mary in the last band,” said her uncle. “I have some hope. The Indians treat my children tenderly. When nobody else had a morsel to eat, their masters fed them.” Sam. John. Benny. Will. Little Mary. Gone.
Caroline B. Cooney (The Ransom of Mercy Carter)
No!” She yanked it away, curling protectively around it. He felt like she had slapped him. “What do you think I am going to do, snatch it and throw it in the lake?” he demanded in an angry voice. She took a step back, and he followed. “Do you?” “Shhhh!” she said in a fierce whisper. “People are still sleeping!” He stepped closer, his face inches from hers. “And I am dying here because a woman I have hankered after for years just kicked me in the teeth. Again.” Mollie blanched. “Why do you keep talking like that? We barely know each other!” He was mad enough to spit fire. “I couldn’t court a woman who did business with Hartman’s,” he ground out. “That was the quickest route for me to get canned, but after the fire, I don’t care anymore about rules. You are a woman I want in my life, but my hand to God, if you keep accusing me of trying to swindle you, I am liable to combust.” Her eyes narrowed in distrust, and he was smart enough to know that blasted scrap of paper was going to be a wedge between them forever unless he could figure a way to dispose of it. He settled his hands on her shoulders. “Mollie, you have a piece of paper. In the coming years, the court system in this city is going to be swamped with a legal quagmire the likes of which this country has never seen before. With the archives of the courthouse in ashes, there is no way to prove the legitimacy of that deed.” “No way to disprove it either.” “Exactly.” He turned her around and cupped the side of her face. He tried using a gentle pressure to nudge her face up to look at him, but she resisted. “Mollie, I have cared about you for years. I have made a great study of Mollie Knox and the way she runs her business, but you know nothing about me. I suppose it is not fair for me to expect you to trust me when I’ve never been more than the man signing off on your quarterly revenue statements. Come live at my house. Bring Frank. Heaven help me, you can even bring Sophie, but come. I can’t stand the thought of you shivering in that church. No matter what it takes, I intend to earn your trust, and after that, you’d better put an armed guard around your heart, because I plan on winning you and folding you into my life. Fair warning, woman.” Mollie squinted at something over his shoulder, and Zack realized she had not been paying attention to a single word he’d said.
Elizabeth Camden (Into the Whirlwind)
I’m not sure why I thought it would be a good idea to bring Kanish to Mel Odious Sound yesterday. Bringing a Billionheir to a large recording complex full of Producers is like opening a bag of chips at a seagull convention. It wouldn’t be long before every Producer within earshot swooped in to aggressively pitch his latest and greatest pet project, most of which would likely prove unprofitable. Rev is obviously going to pitch a project, and it very well may be something amazing. But as I’ve pointed out, in order for Kanish to make a profit, he would have to pick up half the Publishing—a non-starter for the Rev. He’s not a Songwriting Producer, so he likely doesn’t have a sufficient portion of the Publishing to share. And even if he did, no seasoned Producer is going to give half of their equity in a song in order to basically secure a small loan from an outside investor. There’s no upside. For starters, Kanish has no channels of Distribution beyond Streaming, which is already available to anyone and everyone who wants it, and which is currently only profitable for the Major Labels and the stockholders of the Streaming services themselves. Everyone else is getting screwed. And please don’t quote me the Douchebag Big Tech Billionaires running big Streaming Corporations. They are literally lining their pockets with the would-be earnings of Artists and Songwriters alike. What they claim as fair is anything but. Frankly, I don’t think we should be comfortable with Spotify taking a 30 percent margin off the top, and then disbursing the Tiger’s Share of the remaining 70 percent to the Major Labels who have already negotiated top dollar for access to their catalog. This has resulted in nothing but some remaining scraps trickling down to the tens of thousands of Independent Artists out there who just want to make a living. You can’t make a living off scraps, or even a trickle, for that matter. Mark my words, we are currently witnessing the greatest heist in the annals of the Music Business, and that’s saying something given its history. Can you say Napster? Stunningly, the only place that Songwriters can make sufficient Performance Royalties is radio—a medium that is coming up on its hundred-year anniversary. To make matters worse, the Major Distributors still have radio all locked up, and without airplay, there’s no hit. So even now, more than twenty years into the Internet revolution, the odds of breaking through the artistic cacophony without Major-Label Distribution are impossibly low. So much for the Internet leveling the playing field. At this point, only Congress can solve the problem. And despite the fact that Streaming has been around since the mid-aughts, Congress has done nothing to deal with the issue. Why? Because it’s far cheaper for Big Tech to line the pockets of lobbyists and fund the campaigns of politicians who gladly ignore the issue than it is to pay Artists and Songwriters a fair rate for their work, my friends. Same is it ever was. Just so I’m clear, there is a debate to be had as to how much Songwriters and Artists should be paid for Streaming. A radio Spin can reach millions. A Stream rarely reaches more than a few listeners. Clearly, a new method of calculation is required. But that doesn’t mean that we should just sit by as the Big Tech Douchebags rob an entire generation of royalties all so they can sell their Streaming Corporation for billions down the line. I mean, that is the end game, after all. At which point, profit for the new majority stockholder will be all but impossible. How will anyone get paid then?
Mixerman (#Mixerman and the Billionheir Apparent)
Thus I have tried, at tedious length, I fear, to answer some of the questions which I began by asking. I have given an account of some of the difficulties which in my view beset the Georgian writer in all his forms. I have sought to excuse him. May I end by venturing to remind you of the duties and responsibilities that are yours as partners in this business of writing books, as companions in the railway carriage, as fellow travellers with Mrs. Brown? For she is just as visible to you who remain silent as to us who tell stories about her. In the course of your daily life this past week you have had far stranger and more interesting experiences than the one I have tried to describe. You have overheard scraps of talk that filled you with amazement. You have gone to bed at night bewildered by the complexity of your feelings. In one day thousands of ideas have coursed through your brains; thousands of emotions have met, collided, and disappeared in astonishing disorder. Nevertheless, you allow the writers to palm off upon you a version of all this, an image of Mrs. Brown, which has no likeness to that surprising apparition whatsoever. In your modesty you seem to consider that writers are of different blood and bone from yourselves; that they know more of Mrs. Brown than you do. Never was there a more fatal mistake. It is this division between reader and writer, this humility on your part, these professional airs and graces on ours, that corrupt and emasculate the books which should be the healthy offspring of a close and equal alliance between us. Hence spring those sleek, smooth novels, those portentous and ridiculous biographies, that milk and watery criticism, those poems melodiously celebrating the innocence of roses and sheep which pass so plausibly for literature at the present time.
Virginia Woolf (Mr. Bennett and Mrs. Brown)
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Of Jacob’s arrival, on a February night in 1760, in Częstochowa They get on the Warsaw highway. The wheels of the carriage clatter over the slick cobblestones. The horses of the six armed men must pull forward and keep to the narrow road so as not to fall into the mud. Dusk approaches, and the last scraps of color fade into darkness, white murks into gray, gray becomes black, and black vanishes into the abyss that opens up before human eyes. It is everywhere, under every thing in the world. The little town of Częstochowa is situated on the left side of the Warta River, facing the monastery on the hill. It is made up of some dozen little homes, low, unsightly, damp, set up around a rectangular marketplace and along several little streets. The market is almost empty, its uneven, undulating cobblestones thinly iced over so that they seem to be covered in a shiny glaze. Yesterday’s trade fair has left horse droppings, trampled hay, and litter not yet swept up. Most of the little houses have double doors protected by an iron bar, which means that business is conducted inside them, although it would be difficult to guess what sort.
Olga Tokarczuk (The Books of Jacob)
I have got some business out at the edge of town Candy weighing both of my pockets down Till I can hardly stay afloat, from the weight of them (and knowing how the commonfolk condemn What it is I do, to you, to keep you warm: Being a woman. Being a woman.) But always up the mountainside you’re clambering Groping blindly, hungry for anything; Picking through your pocket linings — Well, what is this? Scrap of sassafras, eh Sisyphus? I see the blossoms broke and wet after the rain Little sister, he will be back again I have washed a thousand spiders down the drain Spiders’ ghosts hang, soaked and dangling Silently from all the blooming cherry trees In tiny nooses, safe from everyone — Nothing but a nuisance; gone now, dead and done — Be a woman. Be a woman.
Joanna Newsom
It’s a lucrative business. Eastman is a compact, middle-aged guy with a weather-beaten face adorned with a scrap of white beard and mustache. He tops it all off with a cowboy-hat-shaped hard hat. Eastman’s father was in the construction business, and Eastman and his three brothers grew up greasing the trucks. By his own account, Eastman barely graduated from high school. But he took a bunch of night courses to learn things like project estimating, and started his own contracting business in 1994. His company did all kinds of contracting work, including a little beach renourishment, until the real estate market crash in 2006. Eastman realized that he would do better to rely on the steady forces of erosion and the government funding earmarked to fight it than to tie his fortunes to the vicissitudes of the real estate market. “When the market dried up, we reinvented ourselves,” he says. Today Eastman Aggregate Enterprises does nothing but beach nourishment, all over Florida and in neighboring states. Eastman has five of his own trucks and forty-plus people working for him. His company hauls in about $15 million per year.
Vince Beiser (The World in a Grain: The Story of Sand and How It Transformed Civilization)
at a pinch even the best of men when in love scrap as a matter of course that code of honour which they observe in business office or at the card table and to each other, and about which they are so entertainingly strong and silent, but that where women are concerned they are capable of conduct, cowardices and dishonesties that would get them kicked out of any decent club or service.
Rachel Ferguson (A Harp in Lowndes Square)
page 14-15: A powerful case can now be made that, far from enriching most U.S. citizens and citizens of other countries, the combination of technological advance and current globalization policies is now exerting downward pressure on living standards. More specifically, governments and workers all over the world have been forced into a competition for productive investment that is most often won by scrapping or forswearing most of the laws and regulations that complicate business operations and lower short-term profits, but that also ensure that living wages are paid, that workplaces are safe, and that pollution is controlled. In other words, current globalization policies have plunged the great majority of U.S. workers into a great worldwide race to the bottom, into a no-win scramble for work and livelihoods with hundreds of millions of their already impoverished counterparts across the globe. In addition, by sapping the earnings power of U.S. consumers, who are almost single-handedly propping up the world economy despite their sagging earnings, continuing this race could all too easily bring the global financial house of cards tumbling down.
Alan Tonelson (The Race To The Bottom: Why A Worldwide Worker Surplus And Uncontrolled Free Trade Are Sinking American Living Standards)
This is because perfection just doesn’t exist but you put yourself under all this pressure to try and achieve it. Of even more importance, so called perfection is often never required in your daily life. Perfectionism for me was one of the biggest triggers of my procrastination that I had to overcome. I, like I’m sure you do, always want to deliver to the best of my ability. Whether it be in business or at home. Sometimes even when it came to sport. Because of this I would find myself never being happy with what I was producing and always deferring it to later or often scrapping what I had all together because I didn’t think it was good enough.
Andrew Thomson (Think Outside The Box: Outsmart Your Laziness, Think Intelligently, Generate Ideas On Demand, Make Smarter Choices And Be A Productivity Machine)
Your international financier... has no political convictions. For him there is no other nexus between man and man than naked self-interest. He believes in the survival of the fittest and the gospel of tooth and claw because he makes money by seeing that the weak die before they can become strong and that the law of the jungle remains the governing force in the affairs of the world. And he is all about us. Every city in the world knows him. He exists because big business, his master, needs him. International big business may conduct its operations with scraps of paper, but the ink it uses is human blood!
Eric Ambler (The Mask of Dimitrios (Charles Latimer, #1))
The prerequisites of the German economic miracle were not only the enormous sums invested in the country under the Marshall Plan, the outbreak of the Cold War, and the scrapping of outdated industrial complexes-an operation performed with brutal efficiency by the bomber squadrons-but also something less often acknowledged: the unquestioning work ethic learned in a totalitarian society, the logistical capacity for improvisation shown by an economy under constant threat, experience in the use of "foreign labor forces," and the lifting of the heavy burden of history that went up in flames between 1942 and 1945 along with the centuries-old buildings accommodating homes and businesses in Nuremberg and Cologne, in Frankfurt, Aachen, Brunswick, and Wurzberg, a historical burden ultimately regretted by only a few.
W.G. Sebald (On the Natural History of Destruction)
Before Trump, Republican leaders largely supported business interests that wanted to cut the size of the federal government so it would lower taxes and reduce regulation, but they generally supported the rule of law. They knew that it protected their investments and the international systems that facilitated world trade, including the freedom of the seas on which trade depends. In contrast, MAGA Republicans wanted no part of a small federal government whose role was to protect the rule of law. Instead, they sought to jettison that foundational legal framework in favor of a strong government that would impose Christian nationalism, a system that would establish an old-fashioned racial and gender hierarchy. They wanted to scrap the international order that stabilized global affairs and instead align with dictators they believed shared their religious vision.
Heather Cox Richardson (Democracy Awakening: Notes on the State of America)
Build a publishing house of your own, so that your books can live and be purchased by your readers directly. 100% profit is better than any split offered to you. A book publishing deal is exactly like a record deal. As soon as you sign and receive an advance you, you’re in debt. They promote and profit off your book thus they earn the Lion share and give the writer scraps. It is the publishers children who benefit from your intellectual property, not yours. I know best selling authors who can not afford to purchase a house. Learn the business everyone who’s been through first grade can write. If you want to make money learn and own the business.
Tim Storrs