Scotty T Quotes

I pointed in the general vicinity of my left ovary, "This is Beam Me Up." Then to my right. "And this is Scotty." Garret chuckled and buried his face in his hands. He asked.

Time’s a goon, right? You gonna let that goon push you around?” Scotty shook his head. “The goon won.

Maybe Scotty the Potty turned into Scotty the Hottie. Have you thought about that?

Any sign of them yet? he asked. Will looked at him. 'Yes', he said. 'A party of fifty Scotti came though just twenty minutes ago'. Really? Horace looked startled. He wasn't fully awake yet. Will rolled his eyes to heaven. 'Oh, my word, yes', he said. 'They were riding on oxen and playing bagpipes and drums. Of course not,' he went on. 'If they had come past, I would have woken you-if only to stop your snoring'. I don't snore', Horace said, with dignity. Will raised his eyebrows. 'Is that so?' he said. 'Then in that case, you'd better chase out that colony of walruses who are in the tent with you...of course you snore.

Music still makes me think of Scotty, but thinking of Scotty no longer makes me sad. Now that I’ve forgiven myself, the reminders of him only make me smile.

How many losses can one person take before they just throw in the fucking towel, Scotty? Because it sure is starting to feel like I’m all out of wins, here.

I never even got to look into the eyes of the human Scotty and I made.

Now that Scotty has entered the realm of myth, everyone wants to own him. And maybe they should. Doesn't a myth belong to everyone?

I think I got off on the wrong planet. Beam me up Scotty, there’s no rational life here.

Sometimes I wonder what Scotty would think if he could see us. It makes me hope that an afterlife doesn’t exist, because if it does, Scotty is probably the only sad person in heaven.

They smile that smile, they bat those eyes. They steal with hello, they kill you with goodbye. They're the perfect drug. As you're walking away, you hear that sweet voice, 'Stay.

Sometimes a player's greatest challenge is coming to grips with his role on the team.

I’m going to be so good to your girls, Scotty. I promise.

We walk until there aren't more houses, all the way to the part of the beach where the current makes the waves come in then rush back out so that the two waves clash, water casting up like a geyser. We watch that for a while and then Scottie says, "I wish Mom was here." I'm thinking the exact same thought. That's how you know you love someone, I guess, when you can't experience anything without wishing the other person were there to see it, too. Every day I kept track of anecdotes, occurrences, and gossip, bullet-pointing the news in my head and even rehearsing my stories before telling them to Joanie in bed at night.

And Alex understood that Scotty Hausmann did not exist. He was a word casing in human form: a shell whose essence has vanished.

You introduced me to Danger and Will Robinson, but you neglected to acquaint me with the other two.” “Fine,But you can’t make fun of their names. They’re very sensitive.” “I would never.” I pointed in the general vicinity of my left ovary, “This is Beam Me Up.” Then to my right. “And this is Scotty.

It blew me away that almost two hundred years after Shatner first famously didn’t actually say, “Beam me up, Scotty,” people still knew Star Trek. Now that’s a franchise.

BILLY: Did you ever watch Star Trek? MACHIAVELLI: Do I look like I watch Star Trek? BILLY: It's hard to tell who's a Trekkie. MACHIAVELLI: Billy, I ran one of the most sophisticated secret service organizations in the world. I did not have time for Star Trek. (pause) I was more of a Star Wars fan. Why do you ask? BILLY: Well, when Captain Kirk and Mr. Spock beamed down to a planet, usually with Dr. McCoy and sometimes with Scotty from engineering... MACHIAVELLI: Wait a minute--what's Mr. Spock again? BILLY: A Vulcan. MACHIAVELLI: His rank. BILLY: The first officer. MACHIAVELLI: So the captain, the first officer, the ship's doctor, and sometimes the engineer all beam down to a planet. Together. The entire complement of the senior officers? BILLY: (nods) MACHIAVELLI: And who has command of the ship? BILLY: (shrug) I don't know. Junior officers, I guess. MACHIAVELLI: If they worked for me I'd have them court-martialed. That sounds like a gross dereliction of duty. BILLY: I know. I always thought it was a little odd myself.

Buckley followed the three of them into the kitchen and asked, as he had at least once a day, “Where’s Susie?” They were silent. Samuel looked at Lindsey. “Buckley,” my father called from the adjoining room, “come play Monopoly with me.” My brother had never been invited to play Monopoly. Everyone said he was too young, but this was the magic of Christmas. He rushed into the family room, and my father picked him up and sat him on his lap. “See this shoe?” my father said. Buckley nodded his head. “I want you to listen to everything I say about it, okay?” “Susie?” my brother asked, somehow connecting the two. “Yes, I’m going to tell you where Susie is.” I began to cry up in heaven. What else was there for me to do? “This shoe was the piece Susie played Monopoly with,” he said. “I play with the car or sometimes the wheelbarrow. Lindsey plays with the iron, and when you mother plays, she likes the cannon.” “Is that a dog?” “Yes, that’s a Scottie.” “Mine!” “Okay,” my father said. He was patient. He had found a way to explain it. He held his son in his lap, and as he spoke, he felt Buckley’s small body on his knee-the very human, very warm, very alive weight of it. It comforted him. “The Scottie will be your piece from now on. Which piece is Susie’s again?” “The shoe?” Buckley asked. “Right, and I’m the car, your sister’s the iron, and your mother is the cannon.” My brother concentrated very hard. “Now let’s put all the pieces on the board, okay? You go ahead and do it for me.” Buckley grabbed a fist of pieces and then another, until all the pieces lay between the Chance and Community Chest cards. “Let’s say the other pieces are our friends?” “Like Nate?” “Right, we’ll make your friend Nate the hat. And the board is the world. Now if I were to tell you that when I rolled the dice, one of the pieces would be taken away, what would that mean?” “They can’t play anymore?” “Right.” “Why?” Buckley asked. He looked up at my father; my father flinched. “Why?” my brother asked again. My father did not want to say “because life is unfair” or “because that’s how it is”. He wanted something neat, something that could explain death to a four-year-old He placed his hand on the small of Buckley’s back. “Susie is dead,” he said now, unable to make it fit in the rules of any game. “Do you know what that means?” Buckley reached over with his hand and covered the shoe. He looked up to see if his answer was right. My father nodded. "You won’t see Susie anymore, honey. None of us will.” My father cried. Buckley looked up into the eyes of our father and did not really understand. Buckley kept the shoe on his dresser, until one day it wasn't there anymore and no amount of looking for it could turn up.

We are keeping a mother from her child. That’s not okay. Scotty would be so mad at us.

I canna’ change the laws of physics, Captain! –SCOTTY, CHIEF ENGINEER IN STAR TREK

When they placed out newborn son on my chest, I looked down at him through teary eyes, and i said, "Hi, Scotty." Love, Kenna

I’ve been where you are, Scottie. That kind of crazy, flesh-eating pain that consumes every part of you. I understand wanting to get back at them. Wanting their attention, even if it’s in a negative way. But the shitty thing is, that never helps you feel better. It just lands you in a worse situation, like towing the car of a perfectly nice girl who had nothing to do with the pain you’re in.

You'll have nothing left of her, but you'll have yourself, Scottie

Very funny, Scotty. Now beam me up my clothes.

But, isn’t it like Star Trek? You know, stand in the circles and ‘Beam me up, Scotty’?

...Blakewood had a collection of miniature furniture with Scotty dogs painted on it, arranged on a semicircular shelf int he corner. Yeah. He was queer.

Now there are permanent gray smudges in Scotty's vision. He says he likes them--actually, what he says is: "I consider them a visual enhancement." We think they remind him of his mom.

His parents were tiny people and knew how to dance. Scotty danced, too, with a variety of women, I’m sure, though I never acknowledged this to myself until years later. He knew charm.

Dylan's friend Linus Millberg appears out of the crowd with a cup of beer and shouts, 'Dorothy is John Lennon, the Scarecrow is Paul McCartney, the Tin Woodman is George Harrison, the Lion's Ringo.' 'Star Trek,' commands Dylan over the lousy twangy country CB's is playing between sets. 'Easy,' Linus shouts back. "Kirk's John, Spock's Paul, Bones is George, Scotty is Ringo. Or Chekov, after the first season. Doesn't matter, it's like a Scotty-Chekov-combination Ringo. Spare parts are always surplus Georges or Ringos.' 'But isn't Spock-lacks-a-heart and McCoy-lacks-a-brain like Woodman and Scarecrow? So Dorothy's Kirk?' 'You don't get it. That's just a superficial coincidence. The Beatle thing is an archetype, it's like the basic human formation. Everything naturally forms into a Beatles, people can't help it.' 'Say the types again.' 'Responsible-parent genius-parent genius-child clown-child.' 'Okay, do Star Wars.' 'Luke Paul, Han Solo John, Chewbacca George, the robots Ringo.' 'Tonight Show.' 'Uh, Johnny Carson Paul, the guest John, Ed McMahon Ringo, whatisname George.' 'Doc Severinson.' 'Yeah, right. See, everything revolves around John, even Paul. That's why John's the guest.' 'And Severinson's quiet but talented, like a Wookie.' 'You begin to understand.

What do you mean Taurus? he frowns. I'm not a Taurus. You were born on the cusp, I remind him. Jason merely shrugs. Shows what you know, Scotty, I was born in Ohio. I can take him anywhere but out.

Scotties are smelly, even the best of them. You will recall how my Aunt Agatha’s McIntosh niffed to heaven while enjoying my hospitality. I frequently mentioned it to you.’ ‘Yes, sir.’ ‘And this one is even riper. He should obviously have been bedded out in the stables.

All you do is eat. You eat, then you start thinking about the next thing you're going to eat." "Eating is the only thing that breaks the monotony," Scotty said. Seth's eyebrows shot up. "This isn't monotony. This is the fucking dream." "It will be," Scotty said. "When I have some yogurt.

Yes. You'd ask why I like gardening so much, and I'd tell you that I was spending time with myself because I loved myself." "That always stuck with me. And when Buck came around, you still gardened just as much." "It lit her up from the inside out," Dad says. He smiles at Mom in the way he always does: like she makes the sun come out. "That's what love is, Scottie. It's letting someone be themselves.

Max sent Scottie some literary advice, the same dictum he gave every college student who called on him. He stressed the importance of a liberal arts education but urged her to avoid all courses in writing. "Everyone has to find her own way of writing," he wrote Scottie, "and the source of finding it is largely out of literature.

Do you guys have sunscreen?” I ask. “No,” Scottie says. “Do we have water?” “Did you bring any?” Alex asks. “No,” I say. Alex pops her head up. “Did you bring snacks for us?” “We can walk to town.” How do mothers manage to bring everything a child could need?

Impatience makes fools of clever men...

Dear Scotty, She looks like both of us, but she laughs like you. She’s perfect in every way. I’m so sorry you never got to meet her. Love, Kenna

When they placed our newborn son on my chest, I looked down at him through teary eyes, and I said, “Hi, Scotty.

Unfortunately for you, Scotty,' I said, removing his hand, 'they don't serve a drink called the Idiotfucker.

I wish I was in print. It will be odd a year or so from now when Scottie assures her friends I was an author and finds that no book is procurable.

From Playbook Sometimes a player's greatest challenge is coming to grips with his role on the team.-Scottie Pippen, six-time NBA champion with the Chicago Bulls.

... Scotty was sad, so I baked him cookies and we smoked a joint and then I gave him head. Best girlfriend ever.

Dear Scotty,

Scottie and I walk down the hall. Her T-shirt says MRS. CLOONEY,

YES! a ten! ...eight...nine...ten!" "Landing you in the Enchanted Forest, which is MY domain. 600 gold, please." "My Scottie dog will not pay your tyrannical toll!" "Nimona... " "He rallied the oppressed woodland creatures and organized a revolt!" "It just so happens I am a just ruler and am greatly admired by all my subjects." "Squirrels scale the walls of the castle and bears batter down the gates! Bloody chaos ensues! The Enchanted Forest is ours!" "I'm taking the 600 gold anyway." "HIGHWAY ROBBERY! " "Plus another 600 for damages.

help us to live with more confidence that Jesus is the Good Shepherd, not a consulting partner; a very present Lord, not an absentee landlord; the reigning King, not an impotent bystander.

A little old lady came walking by with two Scottie dogs in little tartan coats. She sat down on the bench by Odette and silently took her hand. Nothing was said between them, but they held hands until Odette ran out of tears. The lady gave her a clean handkerchief, and Odette mumbled something thankful.

ToScottie March 11, 1939 p. 387- 388 And please do not leave good books half- finished, you spoil them for yourself...Don't be so lavish as to ruin masterpieces for yourself. There are not enough of them!

Stop that!” Ghost Hemingway ordered. “It’s like teaching goddamned cats to walk on their back legs.” He sighed. “Standing eggs on end in a dining car.” He signed again. “Talking to Scotty Fitzgerald sober.

The Highland men and women certainly dress differently than we do, even when we're out in the country. Why do you think the Scotti9sh men wear those ridiculous skirts, George?" Enough was enough. Fagan approached the table and gave her a roguish grin. "'Tisnae a skirt, lass. If I wore something under it, then it would be called a skirt.

He stressed the importance of a liberal arts education but urged her to avoid all courses in writing. “Everyone has to find her own way of writing,” he wrote Scottie, “and the source of finding it is largely out of literature.” Scottie

The gospel isn't merely the absence of all condemnation; it's also the fullness of God's delight lavished on us in Christ.

He knew exactly how to make himself the center of attention, and he liked being there. He would have been magnetic at ten paces – right up close he was positively mesmeric

and like every guitar duo in metal, they were a little bit in love and a little bit in hate all at the same time. For Kris, Scottie was the brother she'd always wanted and the marriage she'd never had, and she suspected that if she ever did get married it would ba a shallow thing compared to what she'd shared for eleven years on the road with Scottie Rocket.

Say goodbye to your mom.” Scottie pauses, then keeps going. “Scottie.” “Bye!” she yells. I grab her arm. I could yell at her for wanting to leave, but I don’t. She pulls her arm out of my grasp. I look up to see if anyone is watching us, because I don’t think you’re supposed to aggressively hold children these days. Gone are the days of spanking, threats, and sugar. Now there are therapy, antidepressants, and Splenda.

When we called time-out with twenty-five seconds to go,” he re-called, “we went into the huddle and Phil said, ‘Michael, I want you to take the last shot,’ and Michael said, ‘You know, Phil, I don’t feel comfortable in these situations. So maybe we ought to go in another direction.’ Then Scottie said, ‘You know, Phil, Michael said in his commercial that he’s been asked to do this twenty-six times and he’s failed. So why don’t we go to Steve.

Joan and the Judge had gone to a Sunday brunch with friends. They would be home shortly, in good spirits probably, unless of course they saw their boy frozen to the mailbox. So Claire and Maggie had no choice. They each grabbed a shoulder and hooked under an elbow and yanked suddenly without warning. Scotty brought his hands quickly to his mouth. All three stood quietly staring at the miniature pink circle of flesh still stuck on the mailbox. "It looks like a little pizza," said Maggie without thinking.

All of us--bright atheists and committed religionists--need to wake now and hear the earth call . . . . We need to give and receive as love shows us how, join with each pilgrim who quests for the true, give heed to the voices of the suffering, awaken our consciences with justice as our guide, and work toward a planet transformed by our care.

Peacemakers who sow in peace raise a harvest of righteousness. (James 3:18 NIV)

Better is open rebuke than hidden love. Faithful are the wounds of a friend; profuse are the kisses of an enemy. (Prov. 27:5–6)

Naturally I can't trust a word that Scotty says. Not after he cheated on both me and his SATs.

I want to fight for you because I know that’s what Scotty would want me to do.

We walk up the sandy slope toward the dining terrace. I see Troy sitting at a table with some people I know. I look at Scottie to see if she sees him, and she is giving him the middle finger. The dining terrace gasps, but I realize it’s because of the sunset and the green flash. We missed it. The flash flashed. The sun is gone, and the sky is pink. I reach to grab the offending hand, but instead, I correct her gesture. “Here, Scottie. Don’t let that finger stand by itself like that. Bring up the other fingers just a little bit. There you go. That’s the cool way to do it.” Troy stares at us and smiles a bit. He’s completely confused. “All right, that’s enough.” I suddenly feel sorry for Troy. He must feel awful.

It was majestic and beautiful, as if the forest had sent a herald to greet us. “An Irish elk,” Keelan whispered. More like the stag-moose, Cervalces scotti, which was native to North America according to Conlan’s book, but I didn’t want to ruin Keelan’s moment. “Damn, that’s a lot of meat,” Jynx breathed behind us. And the bouda had done it for me. Keelan glared at her. “Shut it.

Billy's native arrogance might well have been a gift of miffed genes, then come to splendid definition through the tests to which a street like Broadway puts a young man on the make: tests designed to refine a breed, enforce a code, exclude all simps and gumps, and deliver into the city's life a man worthy of functioning in this age of nocturnal supremacy. Men like Billy Phelan, forged in the brass of Broadway, send, in the time of their splendor, telegraphic statements of mission: I, you bums, am a winner. And that message, however devoid of Christ-like other-cheekery, dooms the faint-hearted Scottys of the night, who must sludge along, never knowing how it feels to spill over with the small change of sassiness, how it feels to leave the spillover on the floor, more where that came from, pal. Leave it for the sweeper.

To daughter Scotty Oct. 20, 1936 p. 313 Don't be a bit discouraged about your story not being tops. At the same time, I am not going to encourage you about it, because, after all, if you want to get into the big time, you have to have your own fences to jump and learn from experience. Nobody ever became a writer just by wanting to be one. If you have anything to say, anything you feel nobody has ever said before, you have got to feel it so desperately that you will find some way to say it that nobody has ever found before, so that the thing you have to say and the way of saying it blend as one matter - as indissolubly as if they were conceived together. Let me preach again for a moment: I mean that what you have felt and thought will by itself invent a new style, so that when people talk about style they are always a little astonished at the newness of it, because they think that it is only style that they are talking about, when what they are talking about is the attempt to express a new idea with such force that it will have the originality of the thought. It is an awfully lonesome business, and as you know, I never wanted you to go into it, but if you are going into it at all I want you to go into it knowing the sort of things that took me years to learn.

When the golem has accomplished its mission—typically the martial defense of the Jewish people (as was the case with the Golem of Prague, widely considered the Michael Jordan of golems), but sometimes manual labor (the task appointed to the Golem of Chelm, usually regarded as the Scottie Pippen of golems)—the aleph is erased from his forehead, changing the word truth to the word death and causing the golem to return to a state of vacant immobility, like a toddler in front of a television screen.

Father, I cannot add one minute to my life through worry. In fact, I can take a lot away from my life through trying to carry burdens you alone can carry. Turn my “What ifs?” into “Now thats”—now that Jesus has risen from the dead, everything has changed.

Interestingly enough, the most-asked question in the whole Bible—from Genesis to Revelation—is “How long, O Lord, how long?” And the most repeated command from God is “Do not fear” or “Do not be afraid.” The people of God consistently cry out for relief, and the God of love bids us trust him.

Our favorite film is Vertigo. Amy Eleni and I must watch it seventeen or eighteen times a year, and with each viewing our raptness grows looser and looser; we don't need the visuals anymore--one or the other of us can go into the kitchen halfway through and call out the dialogue while making up two cups of Horlicks. From the minute you see empty, beautiful, blond Madeleine Elster, you know she is doomed because she exists in a way that Scottie, the male lead, just doesn't. You know that Madeleine is in big trouble, because she's a vast wound in a landscape where wounds aren't allowed to stay open--people have to shut up and heal up. She's in trouble because the film works to a plan that makes trauma speak itself out, speak itself to excess until it dies; this film at the peak of its slyness, when people sweat and lick their lips excessively and pound their chests and grab their hair and twist their heads from side to side, performing this unspeakable torment.

Mrs. Canning: Jess, language! Jamie honey, when are you bringing your boyfriend home for Sunday dinner? And are those Doritos in the background? Is there Whole Foods in Canada? I’m going to look on their website and send you the address. Mrs. Canning: And thank you for telling me about the angel. I knew it was you, though, sweetie. You’ve never been good at deception. Scotty: Jamie, Dad can’t remember his Facebook password. But he says to tell you he loves you no matter what and blah blah blah. That’s when I snort, and Jamie looks up. “They’re pretty ridiculous, right?” “I think they’re…” I have to swallow hard, because I’m so happy for him. “I think they’re great.

The law of the Lord is perfect, reviving the soul;

Jesus is the promise keeper, not us. He’s the one who has promised to make all things new, including me.

We need to get home and put some ointments and ice on the stings. Vinegar will make it worse, so if you thought Giraffe Boy could pee on you, you’re shit out of luck.” She agrees as if prepared for this—the punishment, the medication, the swelling, the pain that hurts her now and the pain that will hurt her later. She seems okay with my disapproval. She’s gotten her story, after all, and she’s beginning to see how much easier physical pain is to tolerate than emotional pain. I’m unhappy that she’s learning this at such a young age. “The hospital will have ointments and ice,” she says.

There’s something different about her. I realize it’s her breasts—they’re huge. I see that she’s stuffed her bikini top with wet balls of sand. “What is that?” I say. “Scottie. Your suit.” She shields her eyes with her hand and looks down at her chest. “Beach boobs,” she says. “Take that out of there,” I say. “Alex. Why’d you let her do that?” Alex is on her stomach, with the straps of her top untied. She lifts her head toward Scottie. “I didn’t know. Take them out, stupid.” Sid lifts his head. “Honestly,” he says, “big boobs look kind of fatty.” “As Bebe says, boobs suck,” Alex says, “and Sid’s full of shit. He loves big boobs.” “Who’s Bebe?” Scottie lets the sand fall out of her top. “Character from South Park,” Sid says. “And I love small boobs, too, Alex. I’m an equal-opportunity employer.

I hope she can’t tell that I’m appraising her and that I’m completely worried by what I see. She’s excitable and strange. She’s ten. What do people do during the day when they’re ten? She runs her fingers along the window and mumbles, “This could give me bird flu,” and then she forms a circle around her mouth with her hand and makes trumpet noises. She’s nuts. Who knows what’s going on in that head of hers, and speaking of her head, she most definitely could use a haircut or a brushing. There are small tumbleweeds of hair resting on the top of her head. Where does she get haircuts? I wonder. Has she ever had one before? She scratches her scalp, then looks at her nails. She wears a shirt that says I’M NOT THAT KIND OF GIRL. BUT I CAN BE! I’m grateful that she isn’t too pretty, but I realize this could change.

Jesus, allow me to grieve the sinfulness of sin—the sinfulness of my sins. Now that I’m no longer guilty or condemned, let me fearlessly see my sins, ruthlessly hate my sins, and relentlessly repent of my sins.

I see Dr. Johnston at the end of the hall, walking toward us. He stops talking to the other doctors and gestures for me to wait. He holds up his hand: Stop. His face is eager yet unsmiling. I look in the other direction then back at him. His steps quicken, and I squint, for some reason pretending I don’t recognize him. And I think: What if I’m wrong? What if Joanie doesn’t make it out of this? “Scottie,” I say. “This way.” I walk in the other direction, away from Dr. Johnston, and she turns and follows me. “Walk quickly,” I tell her. “Why?” “It’s a game. Let’s race. Walk fast. Run.”She takes off, her backpack jiggling on her back, and I follow her, walking quickly then breaking into a slow jog, and because Dr. Johnston is my friend’s dad and was a friend of my father’s, I feel like I’m fourteen again, running from the patriarchs.

Here’s a typical list: Song of Solomon (for Michael Jordan), Things Fall Apart (Bill Cartwright), Zen and the Art of Motorcycle Maintenance (John Paxson), The Ways of White Folks (Scottie Pippen), Joshua: A Parable for Today (Horace Grant), Zen Mind, Beginner’s Mind (B.J. Armstrong), Way of the Peaceful Warrior (Craig Hodges), On the Road (Will Perdue), and Beavis & Butt-Head: This Book Sucks (Stacey King). Some players read every

Hey,” he says. I feel foolish for being out of breath and standing over him. The moonlight cuts a line down my chest. “Hey,” I say. “Checking on me?” “I couldn’t sleep. Scottie. She’s in the bathroom.” I stop talking. “Yeah?” he says and sits up. “She’s playacting.” I don’t know how to say it. I don’t need to say it. “She’s kissing the mirror.” “Oh,” he says. “I used to do some messed-up things as a kid. Still do.” I feel wide awake, which always makes me angry in the middle of the night. I’m useless without sleep. I can’t get myself to go back to my own room. I sit on the end of the bed by his feet. “I’m worried about my daughters,” I say. “I’m worried there’s something wrong with them.” Sid rubs his eyes. “Forget it,” I say. “Sorry for waking you up.” “It’s going to get worse,” he says. “After your wife dies.” He holds the blanket up to his chin.

In the living room, the consensus among the guests was that Scotty’s looks favored his father, but the Judge was quick to disagree: ‘He doesn’t look a thing like me. He looks like an hors d'oeuvre.’ Hearing this, Joan thought the following, and pledged it to herself, as both prayer and promise: You will be loved, Scotty Ocean. And while the guests laughed at the Judge’s remark, Joan leaned over and softly whispered to her newborn son, 'You will be loved.

Reina sounds awesome,” Sid says. “I’m digging her more and more.” “Were you there?” I ask. “Have you seen one of these movies?” “No,” Scottie says. “Scottie,” Alex says, kicking Sid in the ribs. “Reina is a fuckedup ho bag, and you need to stay away from her. I’ve already told you that. Do you want to end up like me?” “Yes,” Scottie says. “I mean the earlier me, when I was yelling at Mom.” “No,” Scottie says. “Well, Reina is going to be a crackhead, and she’s going to get used. She’s a twat. Say it.” “Twat,” Scottie says. She gets up and runs across the room, saying, “Twat twat twat twat twat.” “Holy shit,” Sid says. “This is some messed-up parenting. Isn’t it?” Alex shrugs. “Maybe. I guess we’ll see.” “I don’t get it,” I say. “I don’t know what to do. These things she does, they keep happening.” “It will go away,” Alex says. “Will it? I mean, look at how you kids talk. In front of me, especially. It’s like you don’t respect authority.” The kids stare at the television. I tell them to get out. I’m going to bed.

In the deep, wet tangled, wild jungle where even natives won't go is a mystical, dangerous river. The river's got no name because naming it would make it real, and no one wanted to believe that river be real. They say you get there only inside a dream-but don't you think of it at bedtime, now, 'cause not everyone who goes there be able to leave! That jungle canopy, it so leafy true daylight can never break in the riverbank, it be wet muck thick with creatures that eat you alive if you stay still too long. To miss that fate, you gots to go into the black water. But the water be heavy as hot tar; once you in, it bind you and pull you along, bit by bit, 'til you come to the end of the land, and then over the water goes in a dark, slow cascade, the highest falls in the history of the world ever. There be demons in that cascading water, and snakes, and wraiths that whisper in your ears. They love you, they say. You should give yourself to them, stay with them, become one of them, they say. 'Isn't it good here?' they say. 'No pain, no trouble.' But also no light and no love and no joy and no ground. You tumble and tumble as you fall, and you try and choose, but your mind be topsy-turvy and maybe you can't think so well, and maybe you can't choose right, and maybe you never wake up. "It felt like that," I tell Tootsie, "even after you got me out and Scott moved me to Highland. I couldn't choose. I couldn't shut out the wraiths...But you would say, 'Hang on, sweetie,' and Scottie would say, 'I miss you, Mama,' and Scott would hold me, just hold me and say nothing at all." Tootsie snorts. "Scott was useless the whole while." "Scott was in the river, too.

My God,” she says. “I feel like I’ve gone through a car wash.” I laugh, or force myself to, because it’s not something I’d normally laugh at. “What about you?” she says to Scottie. “How did you make out?” “I’m a boy,” Scottie says. “Look at me.” Sand has gotten into the bottom of her suit, creating a huge bulge. She scratches at the bulge. “I’m going to go to work now,” she says. I think she’s impersonating me and that Mrs. Speer is getting an unrealistic, humiliating glimpse. “Scottie,” I say. “Take that out.” “It must be fun to have girls,” Mrs. Speer says. She looks at the ocean, and I see that she’s looking at Alex sunbathing on the floating raft. Sid leans over Alex and puts his mouth to hers. She raises a hand to his head, and for a moment I forget it’s my daughter out there and think of how long it has been since I’ve been kissed or kissed like that. “Or maybe you have your hands full,” Mrs. Speer says. “No, no,” I say. “It’s great,” and it is, I suppose, though I feel like I’ve just acquired them and don’t know yet. “They’ve been together for ages.” I gesture to Alex and Sid. I don’t understand if they’re a couple or if this is how all kids in high school act these days. Mrs. Speer looks at me curiously, as if she’s about to say something, but she doesn’t. “And boys.” I gesture to her little dorks. “They must keep you busy.” “They’re a handful. But they’re at such a fun age. It’s such a joy.” She gazes out at her boys. Her expression does little to convince me that they’re such a joy. I wonder how many times parents have these dull conversations with one another and how much they must hide. They’re so goddamn hyper, I’d do anything to inject them with a horse tranquilizer. They keep insisting that I watch what they can do, but I truly don’t give a fuck. How hard is it to jump off a diving board? My girls are messed up, I want to say. One talks dirty to her own reflection. Did you do that when you were growing up? “Your girls seem great, too,” she says. “How old are they?” “Ten and eighteen. And yours?” “Ten and twelve.” “Oh,” I say. “Great.” “Your younger one sure is funny,” she says. “I mean, not funny. I meant entertaining.” “Oh, yeah. That’s Scottie. She’s a riot.

All right, but you know Star Trek, and ‘Beam me up, Scotty’? How they can teleport people around?” “Yeah. The transporters.” “Do you know how they work?” “Just … special effects. CGI or whatever they used.” “No, I mean within the universe of the show. They work by breaking down your molecules, zapping you over a beam, and putting you back together on the other end.” “Sure.” “That is what scares me. I can’t watch it. I find it too disturbing.” I shrugged. “I don’t get it.” “Well, think about it. Your body is just made of a few different types of atoms. Carbon, hydrogen, oxygen, and so on. So this transporter machine, there is no reason in the world to break down all of those atoms and then send those specific atoms thousands of miles away. One oxygen atom is the same as another, so what it does is send the blueprint for your body across the beam. Then it reassembles you at the destination, out of whatever atoms it has nearby. So if there is carbon and hydrogen at the planet you’re beaming down to, it’ll just put you together out of what it has on hand, because you get the exact same result.” “Sure. “So it’s more like sending a fax than mailing a letter. Only the transporter is a fax machine that shreds the original. Your original body, along with your brain, gets vaporized. Which means what comes out the other end isn’t you. It’s an exact copy that the machine made, of a man who is now dead, his atoms floating freely around the interior of the ship. Only within the universe of the show, nobody knows this. “Meanwhile, you are dead. Dead for eternity. All of your memories and emotions and personality end, right there, on that platform, forever. Your wife and children and friends will never see you again. What they will see is this unnatural photocopy of you that emerged from the other end. And in fact, since transporter technology is used routinely, all of the people you see on that ship are copies of copies of copies of long-dead, vaporized crew members. And no one ever figures it out. They all continue to blithely step into this machine that kills one hundred percent of the people who use it, but nobody realizes it because each time, it spits out a perfect replacement for the victim at the other end.

I thank my God every time I remember you. In all my prayers for all of you, I always pray with joy because of your partnership in the gospel from the first day until now, being confident of this, that he who began a good work in you will carry it on to completion until the day of Christ Jesus. (Phil. 1:3–6 NIV)

I had to ask Scottie what TYVM meant, because now that I’ve narrowed into her activities, I notice she is constantly text-messaging her friends, or at least I hope it’s her friends and not some perv in a bathrobe. “Thank you very much,” Scottie said, and for some reason, the fact that I didn’t get this made me feel completely besieged. It’s crazy how much fathers are supposed to know these days. I come from the school of thought where a dad’s absence is something to be counted on. Now I see all the men with camouflage diaper bags and babies hanging from their chests like little ship figureheads. When I was a young dad, I remember the girls sort of bothered me as babies, the way everyone raced around to accommodate them. The sight of Alex in her stroller would irritate me at times—she’d hang one of her toddler legs over the rim of the safety bar and slouch down in the seat. Joanie would bring her something and she’d shake her head, then Joanie would try again and again until an offering happened to work and Alex would snatch it from her hands. I’d look at Alex, finally complacent with her snack, convinced there was a grown person in there, fooling us all. Scottie would just point to things and grunt or scream. It felt like I was living with royalty. I told Joanie I’d wait until they were older to really get into them, and they grew and grew behind my back.

Your phone’s vibrating,” Scottie says. She takes my cell phone out of her pocket, the phone she has stolen from me to text her friend. She doesn’t even care that she has disobeyed. She doesn’t care that she said “finger-fucked” in front of me. It’s as though I’m not a father. I don’t recognize the number, so I don’t answer. I like to let people leave messages, and then I’ll call back after I rehearse what to say. “You never answer your phone,” Scottie says. “What if someone needs help?” “Then they can leave a message and I’ll call right back.” Alex takes the phone out of my hands. “Hello?” she says. “What the—? Do I not exist, girls? Do you realize I’m in charge here?” Scottie whispers, “Who is it?” “Oh, no,” Alex says. “This is the right number. This is his assistant…Sharon.” Scottie opens her mouth, delighted. I’ve always been impressed by Alex’s effortless ability to lie. “That sounds nice,” Alex says, then punches me lightly on the arm. “Where? Great. And for how long? Okay. Well, thanks. Maybe we’ll peek in on Sunday. Thanks so much. Okay.” She closes the phone. “Well?” “That was a Realtor, Dad, from Brian’s office. She says she’d be happy to show you the house you called about. Well done, Dad. Very clever.” “Good one, King,” Sid says. “What about Brian?” I ask. I feel strange talking about this with Joanie in the room. I position myself so that I face away from her.

Scott still stares at Sid, then turns to Alice and hands her the Scotch. “We’re going to go see Joanie today,” he says. Alice grins. “And Chachi?” she asks. Sid bursts out laughing and Scott turns back to him, then places a hand on his shoulder, which makes me fear for his life. “You be quiet, son,” Scott says. “I could kill you with this hand. This hand has been places.” I shake my head and look at both Sid and Alex. Scott lifts his hand off Sid’s shoulder and turns again to his wife. “No, Alice. Our Joanie. Our daughter. We’re going to give her anything she wants.” He glares at me. “Think about what she would want, Alice. We’re going to get it for her and bring it to her. Bring it right to her bed.” “Joanie and Chachi,” Alice chants. “Joanie and Chachi!” “Shut up, Alice!” Scott yells. Alice looks at Scott as though he just said “Cheese.” She clasps her hands together and smiles, staying in the pose for a few seconds. He looks at her face and squints. “Sorry, old gal,” he says. “You go ahead and say whatever you want.” “It was funny,” Sid says. “All I was doing was laughing. She has a good sense of humor. That’s all. Maybe she knows she’s being funny. I think she does.” “I’m going to hit you,” Scott says. His arms hang alongside him, the muscles flexed, veins big like milk-shake straws. I know he’s going to hit Sid because that’s what he does. I’ve seen him hit Barry. I, too, have been hit by Scott after I beat him and his buddies at a game of poker. His hands are in fists, and I can see his knobby old-man knuckles, the many liver spots almost joining to become one big discoloration, like a burn. Then he pops his fist up toward Sid, a movement like a snake rearing its head and lunging forth. I see Sid start to bring his arm up to block his face, but then he brings it down and clutches his thigh. It’s almost as if he decided not to protect himself. The end result is a punch in his right eye, a screaming older daughter, a frightened younger daughter, a father trying to calm many people at once, and a mother-in-law cheering wildly as though we have all done something truly amazing.

My group had a papal audience at four. I couldn’t miss it, not only because no one stands up the pope but also because he and my father had been friends for years. They had met when my father was studying medicine at the University of Rome and Paul VI, then the young Monsignor Giovanni Battista Montini, was chaplain of an anti-Fascist student group. In his pre-pontiff days, he would visit us whenever church business brought him to the States. Somewhere I still have the photograph of his cat, taken on the balcony of his Vatican apartment, that he sent to me when I was nine or ten. He had to give the cat away when he was elected pope, and I had written to say how sad it was that the pope could not keep a pet.

TIA OR TARA has stopped applying makeup to my wife’s face and is looking at Scottie with disapproval. The light is hitting this woman’s face, giving me an opportunity to see that she should perhaps be working on her own makeup. Her coloring is similar to a manila envelope. There are specks of white in her eyebrows, and her concealer is not concealing. I can tell my daughter doesn’t know what to do with this woman’s critical look. “What?” Scottie asks. “I don’t want any makeup.” She looks at me for protection, and it’s heartbreaking. All the women who model with Joanie have this inane urge to make over my daughter with the notion that they’re helping her somehow. She’s not as pretty as her older sister or her mother, and these other models think that slapping on some rouge will somehow make her feel better about her facial fate. They’re like missionaries. Mascara thumpers. “I was just going to say that I think your mother was enjoying the view,” Tia or Tara says. “It’s so pretty outside. You should let the light in.” My daughter looks at the curtain. Her little mouth is open. Her hand reaches for a tumbleweed of hair. “Listen here, T. Her mother was not enjoying the view. Her mother is in a coma. And she’s not supposed to be in bright light.” “My name is not T,” she says. “My name is Allison.” “Okay, then, Ali. Don’t confuse my daughter, please.” “I’m turning into a remarkable young lady,” Scottie says. “Damn straight.” My heart feels like one of Scottie’s clogs clomping down the hall. I don’t know why I became so angry.

You’ve already said that,” Alex says. “Why should I go?” “You’re the only person I have,” I say. “And I want us all to be together. It will be good for us.” “Oh, so now I’m back in the picture again.” “Alex. Something bigger than you is occurring right now. I’m sorry about your unhappy childhood.” She glares at me in that special way of hers and Joanie’s that makes me feel worthless and foul-smelling. “So we’ll tell Scottie we’re going on a vacation while Mom is in the hospital?” “It’s for a day or two,” I say. “Scottie’s been in the hospital every day for almost a month now. She needs a break. It’s not good for her. I’d like you to be in charge of answering any questions she may have. She looks up to you. She’ll hang on whatever you say.” I’m hoping a leadership role, a specific chore, will make Alex act like an adult and treat Scottie well. “Can you do that?” She shrugs. “If you can’t handle things, let me know. I’ll help. I’m here for you.” Alex laughs. I wonder if there are parents who can say things to their kids like “I love you” or “I’m here for you” without being laughed at. I have to admit it’s a bit uncomfortable. Affection, in general, is unpleasant to me. “What if Mom doesn’t make it for two days?” “She will,” I say. “I’ll tell her what we’re doing.” Alex looks uncomfortable with this idea, that what I’ll say will make her mother want to live. “I’m bringing Sid,” she says. “If he doesn’t come, then I’m not going.” I’m about to protest, but I see the look in her eyes and know this is yet another battle that I’m bound to lose. Something about this guy is helping her. And Scottie seems to like him. He can keep her distracted. He can work for me. “Okay,” I say. “Deal.

I read a heap of books to prepare to write my own. Valuable works about art crime include The Rescue Artist by Edward Dolnick, Master Thieves by Stephen Kurkjian, The Gardner Heist by Ulrich Boser, Possession by Erin Thompson, Crimes of the Art World by Thomas D. Bazley, Stealing Rembrandts by Anthony M. Amore and Tom Mashberg, Crime and the Art Market by Riah Pryor, The Art Stealers by Milton Esterow, Rogues in the Gallery by Hugh McLeave, Art Crime by John E. Conklin, The Art Crisis by Bonnie Burnham, Museum of the Missing by Simon Houpt, The History of Loot and Stolen Art from Antiquity Until the Present Day by Ivan Lindsay, Vanished Smile by R. A. Scotti, Priceless by Robert K. Wittman with John Shiffman, and Hot Art by Joshua Knelman. Books on aesthetic theory that were most helpful to me include The Power of Images by David Freedberg, Art as Experience by John Dewey, The Aesthetic Brain by Anjan Chatterjee, Pictures & Tears by James Elkins, Experiencing Art by Arthur P. Shimamura, How Art Works by Ellen Winner, The Art Instinct by Denis Dutton, and Collecting: An Unruly Passion by Werner Muensterberger. Other fascinating art-related reads include So Much Longing in So Little Space by Karl Ove Knausgaard, What Is Art? by Leo Tolstoy, History of Beauty edited by Umberto Eco, On Ugliness also edited by Umberto Eco, A Month in Siena by Hisham Matar, Art as Therapy by Alain de Botton and John Armstrong, Art by Clive Bell, A Philosophical Enquiry into the Sublime and Beautiful by Edmund Burke, Seven Days in the Art World by Sarah Thornton, The Painted Word by Tom Wolfe, and Intentions by Oscar Wilde—which includes the essay “The Critic as Artist,” written in 1891, from which this book’s epigraph was lifted.

We get in and I start the car. “Are you going to be good to Lani?” I ask. I think of Tommy Cook, a pale boy with psoriasis; we used to tie him to a chair with bungee cords and put him in the middle of the road, then hide. Few cars would actually come down Rainbow Drive, but when they did, it always surprised me that the drivers would slow their vehicles and swerve around the chair. None of them ever got out of their cars to help Tommy; it was as though they were in on the prank. I don’t know how Tommy managed to let us catch him more than once. Maybe he liked the attention. “I’ll try,” Scottie says. “But it’s hard. She has this face that you just want to hit.” “I know what you mean,” I say, thinking of Tommy, but realize I’m not supposed to empathize. “What does that mean?” I ask. “The kind of face that you want to hit. Where did you get that?” Sometimes I wonder if Scottie knows what she’s saying or if it’s something she recites, like those kids who memorize the Declaration of Independence. “It’s something Mom said about Danielle.” “I see.” Joanie has carried her juvenile meanness into her adult life. She sends unflattering pictures of her ex-friends to the Advertiser to put in their society pages. She always has some sort of drama in her life, some friend I’m not supposed to speak to or invite to our barbecues, and then I hear her on the phone gossiping about the latest scandal in an outraged and thrilled voice. “You are going to die,” I’ll hear her say. “Oh my God, you will just die.” Is this where Scottie gets it? By watching her mother use cruelty as a source of entertainment? I feel almost proud that I have made these deductions without the blogs and without Esther, and I’m eager to tell Joanie about all of this, to prove that I was capable without her.

I’d like you to come to Kauai with me,” I say. “And Scottie. I think it would be good to get her away from the hospital for a day. We can leave in the morning, find him, and be home tomorrow night. If it takes us a day longer, that’s fine, but we won’t stay more than two nights. That’s our deadline. If we don’t find him, then at least we know we tried.” “And this will make you feel better somehow?” “It’s for her,” I say. “Not for him or me.” “What if he’s a wreck? What if he loses his shit?” “Then I’ll take care of him.” I imagine Brian Speer wailing on my shoulder. I imagine him and my daughters by Joanie’s bed, her lover and his loud sobs shaming us. “Just so you know, I am angry. I’m not this pure and noble guy. I want to do this for her, but I also want to see who he is. I want to ask him a few things.” “Just call him. Tell his office it’s an emergency. They’ll have him call you.” “I want to tell him in person. I haven’t told anyone over the phone, and I don’t want to start now.” “You told Troy.” “Troy doesn’t count. I just need to do this. On the phone he can escape. If I see him in person, he’ll have nowhere to go.” We both look away when our eyes meet. She hasn’t crossed the border into my room. She never does during her nighttime doorway chats. “Were you guys having trouble?” Alex asks. “Is that why she cheated?” “I didn’t think we were having trouble,” I say. “I mean, it was the same as always.” This was the problem, that our marriage was the same as always. Joanie needed bumps. She needed rough terrain. It’s funny that I can get lost in thoughts about her, but when she was right in front of me, I didn’t think much about her at all. “I wasn’t the best husband,” I say. Alex looks out the window to avoid my confession. “If we go on this trip, what will we tell Scottie?” “She’ll think we’re going on a trip of some sort. I want to get her away from here.

All right, but you know Star Trek, and ‘Beam me up, Scotty’? How they can teleport people around?” “Yeah. The transporters.” “Do you know how they work?” “Just … special effects. CGI or whatever they used.” “No, I mean within the universe of the show. They work by breaking down your molecules, zapping you over a beam, and putting you back together on the other end.” “Sure.” “That is what scares me. I can’t watch it. I find it too disturbing.” I shrugged. “I don’t get it.” “Well, think about it. Your body is just made of a few different types of atoms. Carbon, hydrogen, oxygen, and so on. So this transporter machine, there is no reason in the world to break down all of those atoms and then send those specific atoms thousands of miles away. One oxygen atom is the same as another, so what it does is send the blueprint for your body across the beam. Then it reassembles you at the destination, out of whatever atoms it has nearby. So if there is carbon and hydrogen at the planet you’re beaming down to, it’ll just put you together out of what it has on hand, because you get the exact same result.” “Sure. “So it’s more like sending a fax than mailing a letter. Only the transporter is a fax machine that shreds the original. Your original body, along with your brain, gets vaporized. Which means what comes out the other end isn’t you. It’s an exact copy that the machine made, of a man who is now dead, his atoms floating freely around the interior of the ship. Only within the universe of the show, nobody knows this. “Meanwhile, you are dead. Dead for eternity. All of your memories and emotions and personality end, right there, on that platform, forever. Your wife and children and friends will never see you again. What they will see is this unnatural photocopy of you that emerged from the other end. And in fact, since transporter technology is used routinely, all of the people you see on that ship are copies of copies of copies of long-dead, vaporized crew members. And no one ever figures it out. They all continue to blithely step into this machine that kills one hundred percent of the people who use it, but nobody realizes it because each time, it spits out a perfect replacement for the victim at the other end.” I

What are we talking about?” Alex says. “This is fucking nonsense.” The couple ahead of us turns slightly. “What are you looking at?” Alex says to them. I don’t bother to reprimand her, because really, what are they looking at? I slow my pace and Alex punches Scottie in the arm. “Ow!” Scottie screams. “Alex! Why are we still on this pattern?” “Hit her back, Dad,” Scottie yells. Alex grabs Scottie’s neck. “You’re hurting me,” Scottie says. “That’s kind of the point,” Alex says. I grab both children by the arm and pull them down to the sand. Sid covers his mouth with his hand and bends over, laughing silently. “‘What do you love about Mom?’” Alex says, mimicking her sister. “Shut up, already. And stop babying her.” I sit down between them and don’t say a word. Sid sits next to Alex. “Easy, tiger,” he says. I look at the waves crashing down on the sand. A few women walk by and give me this knowing look, as though a father with his kids is such a precious sight. It takes so little to be revered as a father. I can tell the girls are waiting for me to say something, but what can I say that hasn’t been said? I’ve shouted, I’ve reasoned, I’ve even spanked. Nothing works. “What do you love about Mom, Scottie?” I ask, glaring at Alex. She takes a moment to think. “Lots of stuff. She’s not old and ugly, like most moms.” “What about you, Alex?” “Why are we doing this?” she asks. “How did we get here in the first place?” “Swimming with the sharks,” I say. “Scottie wanted to swim with sharks.” “You can do that,” Sid says. “I read about it in the hotel.” “She’s not afraid of anything,” Alex says. She’s wrong, and besides, I think this is a statement and not something that Alex truly loves. “Let’s get back,” I say. I stand up and wipe the sand off of me. I look at our hotel on the cliff, pink from the sunset. The girls’ expressions when I told them about their mom made me feel so alone. They won’t ever understand me the way Joanie does. They won’t know her the way I do. I miss her despite the fact that she envisioned the rest of her life without me. I look at my daughters, utter mysteries, and for a brief moment I have a sick feeling that I don’t want to be alone in the world with these two girls. I’m relieved they haven’t asked me what it is I love about them.

Why in the world a book on Christ for Unitarian Universalists (UUs)? Less than 20 percent of us identify as Christians.1 But more than 70 percent of Americans identify as Christian, and we UUs are only 0.3 percent of America at best.2 So, primarily, this is a book to help us talk intelligently about Christ with our Christian friends. We Unitarian Universalists actually have had a lot to say about Christ over the years as well (that is, centuries, and perhaps even millennia), and we have generally done that in dialogue with mainstream Christians. But not much anymore. This book is meant to encourage us to do so again, not just by referencing our history, but also by speaking freshly as Unitarian Universalists in the twenty-first century. Why in the world a book on Christ for Unitarian Universalists, when we virtually never use that title for the historical figure of Jesus of Nazareth? Again, primarily because that’s how the rest of the world speaks. They refer to themselves and others who stand in the tradition of Jesus as Christ-ians, not Jesus-ians. Why? Because they tend to be less interested in the Jesus of history than in the Christ of their present faith. Jesus lives with them in their daily lives now as the Christ. Christ is an honorific title that technically means “the anointed one” of God. For most Christians, Jesus is the post-Easter Christ, the resurrected Christ, who is actually with them now in real time—who companions them and comforts them and challenges them in their daily lives—not just a prophet and teacher of first-century Israel.

ever. Amen. Thank God for self-help books. No wonder the business is booming. It reminds me of junior high school, where everybody was afraid of the really cool kids because they knew the latest, most potent putdowns, and were not afraid to use them. Dah! But there must be another reason that one of the best-selling books in the history of the world is Men Are From Mars, Women Are From Venus by John Gray. Could it be that our culture is oh so eager for a quick fix? What a relief it must be for some people to think “Oh, that’s why we fight like cats and dogs, it is because he’s from Mars and I am from Venus. I thought it was just because we’re messed up in the head.” Can you imagine Calvin Consumer’s excitement and relief to get the video on “The Secret to her Sexual Satisfaction” with Dr. GraySpot, a picture chart, a big pointer, and an X marking the spot. Could that “G” be for “giggle” rather than Dr. “Graffenberg?” Perhaps we are always looking for the secret, the gold mine, the G-spot because we are afraid of the real G-word: Growth—and the energy it requires of us. I am worried that just becoming more educated or well-read is chopping at the leaves of ignorance but is not cutting at the roots. Take my own example: I used to be a lowly busboy at 12 East Restaurant in Florida. One Christmas Eve the manager fired me for eating on the job. As I slunk away I muttered under my breath, “Scrooge!” Years later, after obtaining a Masters Degree in Psychology and getting a California license to practice psychotherapy, I was fired by the clinical director of a psychiatric institute for being unorthodox. This time I knew just what to say. This time I was much more assertive and articulate. As I left I told the director “You obviously have a narcissistic pseudo-neurotic paranoia of anything that does not fit your myopic Procrustean paradigm.” Thank God for higher education. No wonder colleges are packed. What if there was a language designed not to put down or control each other, but nurture and release each other to grow? What if you could develop a consciousness of expressing your feelings and needs fully and completely without having any intention of blaming, attacking, intimidating, begging, punishing, coercing or disrespecting the other person? What if there was a language that kept us focused in the present, and prevented us from speaking like moralistic mini-gods? There is: The name of one such language is Nonviolent Communication. Marshall Rosenberg’s Nonviolent Communication provides a wealth of simple principles and effective techniques to maintain a laser focus on the human heart and innocent child within the other person, even when they have lost contact with that part of themselves. You know how it is when you are hurt or scared: suddenly you become cold and critical, or aloof and analytical. Would it not be wonderful if someone could see through the mask, and warmly meet your need for understanding or reassurance? What I am presenting are some tools for staying locked onto the other person’s humanness, even when they have become an alien monster. Remember that episode of Star Trek where Captain Kirk was turned into a Klingon, and Bones was freaking out? (I felt sorry for Bones because I’ve had friends turn into Cling-ons too.) But then Spock, in his cool, Vulcan way, performed a mind meld to determine that James T. Kirk was trapped inside the alien form. And finally Scotty was able to put some dilithium crystals into his phaser and destroy the alien cloaking device, freeing the captain from his Klingon form. Oh, how I wish that, in my youth or childhood,