“
That mother-"
"Hey, watch what you're about to call the guy standing at your door," Nate says.
"That motherly, wonderful, down-the-hall neighbour of mine. What's wrong with saying that?
”
”
Ginger Scott (This is Falling (Falling, #1))
“
The grass is full of ghosts tonight.' 'The whole campus is alive with them.' They paused by Little and watched the moon rise, to make silver of the slate roof of Dodd and blue the rustling trees. 'You know,' whispered Tom, 'what we feel now is the sense of all the gorgeous youth that has rioted through here in two hundred years.' ...
And what we leave here is more than class; it's the whole heritage of youth. We're just one generation-- we're breaking all the links that seemed to bind us her to top-booted and high-stocked generations. We've walked arm and arm with Burr and Light-Horse Harry Lee through half these deep-blue nights.' 'That's what they are,' Tom tangented off, 'deep-blue-- a bit of color would spoil them, make them exotic.' Spries, against a sky that's a promise of dawn, and blue light on the slate roofs-- it hurts... rather--' 'Good-by, Aaron Burr,' Amory called toward deserted Nassau Hall, 'you and I knew strange corners of life.
”
”
F. Scott Fitzgerald (This Side of Paradise)
“
(If you’re not at all interested in performance, shouldn’t you be in the Python room down the hall?)
”
”
Scott Meyers (Effective Modern C++: 42 Specific Ways to Improve Your Use of C++11 and C++14)
“
He lay there shaking in the light of the red lamps, in a silent hall, alone with his triumph, unable to move and bleeding to death.
”
”
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
“
When the Duke [W.J.C. Scott-Bentinck] died, his heirs found all of the aboveground rooms devoid of furnishings except for one chamber in the middle of which sat the Duke's commode. The main hall was mysteriously floor less. Most of the rooms were painted pink. The one upstairs room in which the Duke had resided was packed to the ceiling with hundreds of green boxes, each of which contained a single dark brown wig. This was, in short, a man worth getting to know.
”
”
Bill Bryson (Notes from a Small Island)
“
Three days later, Mrs. Dalloway was in the hall, blocking the classroom door. 'Hi there, Dick. Are you prone to seizures?'
'Uh, no.'
Thirty minutes later I was wishing I'd said 'Uh, yes,' because then she's have had to turn off the strobe light. Then again, it might not have made a difference; the loud electronic music and Mrs. D's yelling probably would have been enough to do me in anyway.
”
”
Mindi Scott (Freefall)
“
The last swimmers have come in from the beach now and are dressing upstairs; the cars from New York are parked five deep in the drive, and already the halls and salons and verandas are gaudy with primary colours, and hair bobbed in strange new ways...
”
”
F. Scott Fitzgerald (The Great Gatsby)
“
I don't know why, but I didn't want her to call me Dick anymore. It was feeling kind of fake. 'Maybe we should use our real names outside of class. Yours is Rosetta, right?'
'Yes. Rosetta Vaughn.'
'All right,' I said. 'Well, mine is - '
'Seth McCoy. I know.' She kind of wrapped her arms around herself like she was getting cold. 'I've known since February fourteenth, actually.'
She's memorized the date she found out my name? What the hell?
She laughed. 'Don't freak out! I only remember because it was Valentine's Day.'
As if that explained it. 'And why do you remember learning my name on Valentine's Day?'
'Kendall Eckman was running after you in the hall screaming, "Seth McCoy, if you don't buy a rose from me, I'll kill you!" She was doing that Valentine's drama club fundraiser. Remember?'
'Actually, yes.'
What I remembered was getting stoned with Isaac before school, and Kendall harshing my mellow the minute we walked in the door.
Rosetta was looking like there was more to this story. 'And after she kept asking, you bought a red one?'
'Right. And I passed it off to -' I'd been about to say 'some chick,' but with how intently she was watching me, I was getting a different idea. '-you, right?'
She extended her arm to pass me an imaginary rose in the same way I must have handed her a real one. Then she imitated the corny voice I must have used. 'Here, beautiful. Have a wonderful Valentine's Day.'
Oh, Christ. The stupid shit I said sometimes.
”
”
Mindi Scott (Freefall)
“
Hard work pays off. Dreams come true. Bad times don't last. Bad Guys do...
”
”
Scott Hall
“
It is hard for me to believe that Miss Groby ever saw any work of literature from far enough away to know what it meant. She was forever climbing up the margins of books and crawling between their lines for the little gold of phrase, making marks with a pencil. As Palamides hunted the Questing Beast, she hunted the Figure of Speech. She hunted it through the clangorous halls of Shakespeare and through the green forests of Scott.
”
”
James Thurber (My World and Welcome to It)
“
He was enough older than Nicole to take pleasure in her youthful vanities and delights, the way she paused fractionally in front of the hall mirror on leaving the restaurant, so that the incorruptible quicksilver could give her back to herself.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
There was music from my neighbor's house through the summer nights. In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars. At high tide in the afternoon I watched his guests diving from the tower of his raft, or taking the sun on the hot sand of his beach while his two motor-boats slit the waters of the Sound, drawing aquaplanes over cataracts of foam. On week-ends his Rolls-Royce became an omnibus, bearing parties to and from the city between nine in the morning and long past midnight, while his station wagon scampered like a brisk yellow bug to meet all trains. And on Mondays eight servants, including an extra gardener, toiled all day with mops and scrubbing-brushes and hammers and garden-shears, repairing the ravages of the night before.
Every Friday five crates of oranges and lemons arrived from a fruiterer in New York--every Monday these same oranges and lemons left his back door in a pyramid of pulpless halves. There was a machine in the kitchen which could extract the juice of two hundred oranges in half an hour if a little button was pressed two hundred times by a butler's thumb.
At least once a fortnight a corps of caterers came down with several hundred feet of canvas and enough colored lights to make a Christmas tree of Gatsby's enormous garden. On buffet tables, garnished with glistening hors-d'oeuvre, spiced baked hams crowded against salads of harlequin designs and pastry pigs and turkeys bewitched to a dark gold. In the main hall a bar with a real brass rail was set up, and stocked with gins and liquors and with cordials so long forgotten that most of his female guests were too young to know one from another.
By seven o'clock the orchestra has arrived, no thin five-piece affair, but a whole pitful of oboes and trombones and saxophones and viols and cornets and piccolos, and low and high drums. The last swimmers have come in from the beach now and are dressing up-stairs; the cars from New York are parked five deep in the drive, and already the halls and salons and verandas are gaudy with primary colors, and hair shorn in strange new ways, and shawls beyond the dreams of Castile. The bar is in full swing, and floating rounds of cocktails permeate the garden outside, until the air is alive with chatter and laughter, and casual innuendo and introductions forgotten on the spot, and enthusiastic meetings between women who never knew each other's names.
The lights grow brighter as the earth lurches away from the sun, and now the orchestra is playing yellow cocktail music, and the opera of voices pitches a key higher. Laughter is easier minute by minute, spilled with prodigality, tipped out at a cheerful word. The groups change more swiftly, swell with new arrivals, dissolve and form in the same breath; already there are wanderers, confident girls who weave here and there among the stouter and more stable, become for a sharp, joyous moment the centre of a group, and then, excited with triumph, glide on through the sea-change of faces and voices and color under the constantly changing light.
Suddenly one of the gypsies, in trembling opal, seizes a cocktail out of the air, dumps it down for courage and, moving her hands like Frisco, dances out alone on the canvas platform. A momentary hush; the orchestra leader varies his rhythm obligingly for her, and there is a burst of chatter as the erroneous news goes around that she is Gilda Gray's understudy from the FOLLIES. The party has begun.
”
”
F. Scott Fitzgerald (The Great Gatsby)
“
The despot is not a man. It is the Plan. The correct, realistic, exact plan, the one that will provide your solution once the problem has been posited clearly, in its entirety, in its indispensable harmony. This plan has been drawn up well away from the frenzy in the mayor’s office or the town hall, from the cries of the electorate or the laments of society’s victims. It has been drawn up by serene and lucid minds. It has taken account of nothing but human truths. It has ignored all current regulations, all existing usages, and channels. It has not considered whether or not it could be carried out with the constitution now in force. It is a biological creation destined for human beings and capable of realization by modern techniques.
”
”
James C. Scott (Seeing Like a State: How Certain Schemes to Improve the Human Condition Have Failed)
“
In the beer-halls and shop-windows were bright posters presenting the Swiss defending their frontiers in 1914
”
”
F. Scott Fitzgerald (Tender is the Night)
“
He lit Daisy's cigarette from a trembling match, and sat down with her on a couch far across the room, where there was no light save what the gleaming floor bounced in from the hall.
”
”
F. Scott Fitzgerald (The Great Gatsby)
“
The mansion stood proudly at the end of the new driveway, on the other side of the iron gates that the woman had come to know so well. A house once much loved, it had been abandoned and cursed, as a corpse buried in unholy ground.
”
”
Helena B. Scott (Loftus: The Hall of Dreams)
“
I had just time to give a glance at these matters, when about twelve blue-coated servants burst into the hall with much tumult and talk, each rather employed in directing his comrades than in discharging his own duty. Some brought blocks and billets to the fire, which roared, blazed, and ascended, half in smoke, half in flame, up a huge tunnel, with an opening wide enough to accommodate a stone seat within its ample vault, and which was fronted, by way of chimney-piece, with a huge piece of heavy architecture, where the monsters of heraldry, embodied by the art of some Northumbrian chisel, grinned and ramped in red free-stone, now japanned by the smoke of centuries. Others of these old-fashioned serving-men bore huge smoking dishes, loaded with substantial fare; others brought in cups, flagons, bottles, yea barrels of liquor. All tramped, kicked, plunged, shouldered, and jostled, doing as little service with as much tumult as could well be imagined
”
”
Walter Scott (Rob Roy)
“
This same library is my den — the only corner of the Hall-house where I am safe from my … cousins. They never venture there, I suppose for fear the folios should fall down and crack their skulls; for they will never affect their heads in any other way...
— Miss Diana Vernon
”
”
Walter Scott (Rob Roy, Volume 01)
“
But time, rather impatiently, waits for no one. As I waited for her to return, the seasons had faded in and out in a cycle of rebirth. Flowers and grass now shyly decorated the forsaken grounds and earthen graves, much like in cemeteries; as a reminder, lest we forget, of life or some form of existence after death.
”
”
Helena B. Scott (Loftus: The Hall of Dreams)
“
He was enough older than Nicole to take pleasure in her youthful vanities and delights, the way she paused fractionally in front of the hall mirror on leaving the restaurant, so that the incorruptible quicksilver could give her back to herself. He delighted in her stretching out her hands to new octaves now that she found herself beautiful and rich. He tried honestly to divorce her from any obsession that he had stitched her together - glad to see her build up happiness and confidence apart from him; the difficulty was that, eventually, Nicole brought everything to his feet, gifts of sacrificial ambrosia, of worshipping myrtle.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
You can have the room just off this one. I can lend you everything you need." Collins's eyes implored her like a dog's; Captain Wolf's arm had settled familiarly around Rachael's waist; they were waiting. But the lure of promiscuity, colorful, various, labyrinthine, and ever a little odorous and stale, had no call or promise for Gloria. Had she so desired she would have remained, without hesitation, without regret; as it was she could face coolly the six hostile and offended eyes that followed her out into the hall with forced politeness and hollow words. "He wasn't even sport, enough to try to take me home," she thought in the taxi, and then with a quick surge of resentment: "How utterly common!" GALLANTRY
”
”
F. Scott Fitzgerald (The Beautiful and Damned)
“
I watched the woman in her mortal sleep, my nightmares now becoming hers. And as I watched, from my distant prison of stone, in the midnight silence, I heard the undying screams. I would continue to hear them every night; a reminder that pain
does indeed continue eternally. Contrary to what we had hoped, death did not bring a sweet release from life’s torture, but an endless torment.
”
”
Helena B. Scott (Loftus: The Hall of Dreams)
“
They were flying back from a big show in London, the whole roster on the plane. The story goes that much alcohol was consumed and things quickly got uncomfortable: Hennig and Scott Hall went wild with some shaving cream; Dustin Rhodes awkwardly serenaded his ex-wife, Terri; the legendary wrestler turned booker Michael “P.S.” Hayes got punched out by JBL and later, after he had fallen asleep, had his ponytail chopped off by Sean Waltman; Ric Flair paraded in front of a flight attendant in nothing but his sequined ring robe; and, to top it all off, Hennig challenged collegiate wrestling star (and WWE golden boy) Brock Lesnar to a Greco-Roman wrestling match that ended when Lesnar tackled Hennig into the exit door, and they were pulled apart just before they jeopardized the flight.
”
”
David Shoemaker (The Squared Circle: Life, Death, and Professional Wrestling)
“
I’m not interested in teaching books by women... Usually at the beginning of the semester a hand shoots up and someone asks why there aren’t any women writers in the course. I say I don’t love women writers enough to teach them, if you want women writers go down the hall. What I teach is guys. Serious heterosexual guys. F. Scott Fitzgerald, Chekhov, Tolstoy. Real guy-guys. Henry Miller. Philip Roth.
”
”
David Gilmour
“
Loftus Hall was yet again empty and abandoned as many years before. But echoes of sadness, hopes, and memories lingered in the deafening silence. The woman closed her eyes and silently prayed for those who remained within its walls. She felt deeply for them; their unfinished stories and words
unsaid. Unable to say goodbye and now in the realm of the dead, she could feel their heartbeats as strongly as her own.
”
”
Helena B. Scott (Loftus: The Hall of Dreams)
“
-De acuerdo, pero ¿usaría usted la misma argumentación si se tratara de una chica?
-Por supuesto que no.
-No, claro que no. Usted querría que la criasen con ternura y delicadeza, como a una planta de invernadero, que la enseñaran a aferrarse a los demás para que la dirigiesen y apoyasen y que la protegieran lo máximo posible de que llegase a conocer lo que es el mal. Pero, ‹seria tan amable de explicarme por qué establece esa distinción?
”
”
Anne Brontë (The tenant of Wildfell Hall / by Anne Brontë ; [edited by Temple Scott]. Volume v.1 1905 [Leather Bound])
“
In drum spre varf, Viesturs a trecut pe langa cadravele inghetate ale lui Fischer si Hall.
-Jean (sotia lui Fischer) si Jan(sotia lui Hall) m-au rugat sa le aduc obiecte personale, poveste rusinat Viesturs. Stiam ca Scott isi poarta verigheta atarnata la gat si voiam sa i-o duc lui Jeannie, dar n-am putut sa sap pe langa corpul lui neinsufletit. Pur si simplu nu am fost in stare.
In loc sa ia suvenire, la coborare Viesturs s-a asezat langa Fischer si a stat cateva minute singur cu el. "Hei, Scott, ce faci?" l-a intrebat Ed cu tristete pe prietenul lui. "Ce s-a intamplat?
”
”
Jon Krakauer (Into Thin Air: A Personal Account of the Mt. Everest Disaster)
“
How different it could all have been … Taylor Swift was never meant to be a singer-songwriter; she was supposed to become a stockbroker. Her parents even chose her Christian name with a business path in mind. Her mother, Andrea, selected a gender-neutral name for her baby girl so that when she grew up and applied for jobs in the male-dominated finance industry no one would know if she were male or female. It was a plan that came from a loving place, but it was not one that would ever be realised. Instead, millions and millions of fans across the world would know exactly which gender Andrea’s firstborn was, without ever meeting her. In Taylor’s track ‘The Best Day’, which touchingly evokes a childhood full of wonder, she sings of her ‘excellent’ father whose ‘strength is making me stronger’. That excellent father is Scott Kingsley Swift, who studied business at the University of Delaware. He lived in the Brown residence hall. There, he made lots of friends, one of whom, Michael DiMuzio, would later cross paths with Taylor professionally. Scott graduated with a first-class degree and set about building his career in similarly impressive style. Perhaps a knack for business is in the blood: his father and grandfather also worked in finance. Scott set up his own investment-banking firm called the Swift
”
”
Chas Newkey-Burden (Taylor Swift: The Whole Story)
“
XII.—LOCHINVAR. Oh! young Lochinvar is come out of the west, Through all the wide Border his steed was the best; And save his good broadsword, he weapons had none, He rode all unarmed, and he rode all alone; So faithful in love, and so dauntless in war, There never was knight like the young Lochinvar. He stayed not for brake, and he stopped not for stone; He swam the Esk river, where ford there was none; But ere he alighted at Netherby gate, The bride had consented, the gallant came late; For a laggard in love, and a dastard in war, Was to wed the fair Ellen of brave Lochinvar. So boldly he entered the Netherby Hall, Among bride's-men, and kinsmen, and brothers, and all; Then spoke the bride's father, his hand on his sword - For the poor craven bridegroom said never a word - "Oh! come ye in peace here, or come ye in war, Or to dance at our bridal, young Lord Lochinvar?" "I long wooed your daughter, my suit you denied; Love swells like the Solway, but ebbs like its tide; And now am I come, with this lost love of mine, To lead but one measure, drink one cup of wine. There are maidens in Scotland more lovely by far, That would gladly be bride to the young Lochinvar." The bride kissed the goblet: the knight took it up, He quaffed off the wine, and he threw down the cup. She looked down to blush, and she looked up to sigh, With a smile on her lips and a tear in her eye. He took her soft hand, ere her mother could bar - "Now tread we a measure!" said young Lochinvar. So stately his form, and so lovely her face, That never a hall such a galliard did grace; While her mother did fret, and her father did fume, And the bridegroom stood dangling his bonnet and plume: And the bride's-maidens whispered, "'Twere better by far To have matched our fair cousin with young Lochinvar." One touch to her hand, and one word in her ear, When they reached the hall-door, and the charger stood near; So light to the croup the fair lady he swung, So light to the saddle before her he sprung. "She is won! we are gone, over bank, bush, and scaur; They'll have fleet steeds that follow," quoth young Lochinvar. There was mounting 'mong Graemes of the Netherby clan; Forsters, Fenwicks, and Musgraves, they rode and they ran: There was racing and chasing on Cannobie Lee, But the lost bride of Netherby ne'er did they see. So daring in love, and so dauntless in war, Have ye e'er heard of gallant like young Lochinvar?
”
”
Walter Scott (Marmion)
“
Martha Gellhorn joined Hemingway in Madrid one month later. After six weeks in Spain, Ernest left, picked up the manuscript of his novel in Paris, and went to Bimini to revise it. There he was reunited with his children and Pauline. A few weeks later he came to New York again to deliver a speech before the Second American Writers’ Congress at Carnegie Hall. Martha sat by his side during the speeches that preceded his. Her influence perhaps explained a new political tone that his speech displayed. “Really good writers are always rewarded under almost any existing system of government that they can tolerate,” he said before the writers’ congress. “There is only one form of government that cannot produce good writers, and that system is fascism. For fascism is a lie told by bullies. A writer who will not lie cannot live and work under fascism.” While
”
”
A. Scott Berg (Max Perkins: Editor of Genius)
“
But high and perilous enterprise is not Waverley's forte. He would never have been his celebrated ancestor Sir Nigel, but only Sir Nigel's eulogist and poet. I will tell you where he will be at home, my dear, and in his place, - in the quiet circle of domestic happiness, lettered indolence, and elegant enjoyments, of Waverley-Honour. And he will refit the old library in the most exquisite Gothic taste, and garnish its shelves with the rarest and most valuable volumes; and he will draw plans and landscapes, and write verses, and rear temples, and dig grottoes; - and he will stand in a clear summer night in the colonnade before the hall, and gaze on the deer as they stray in the moonlight, or lie shadowed by the boughs of the huge old fantastic oaks; - and he will repeat verses to his beautiful wife, who will hang upon his arm; - and he will be a happy man.
”
”
Walter Scott (Waverley)
“
Shortly before our CFO’s pep talk, another high-level executive at the bank stopped me in the hall to give me what he considered some critical advice. “A lot of smart kids like you come through the bank, and they use it for a stepping stone,” he said. “They stay for a year or two and then they leave. I think that’s a huge mistake. Look at me: I’ve been here forever and I’m happier than anyone I know. This place rewards loyalty, and I’m good at my job because I’ve got my finger right on the pulse of the company. I know everything that’s going on.” A week later, I saw two workmen hauling boxes out of his office. He was a victim of the bank’s first-ever round of layoffs. I’m not trying to put this man down for his faith in the bank or make light of his unemployment. I want to use his story to make another point about failure in business. That chat reinforced something else I was beginning to learn: people in management positions, even very senior management positions, are often completely wrong about the fortunes of their own companies. More important, in making these misjudgments, they almost always err on the side of excessive optimism. They think their businesses are in much better shape than they actually are. Jerry’s rig utilization chart at Global Marine and our own CFO’s boasts about Joe DiMaggio only underscored this lesson for me at the time. And, three decades and over 1,400 meetings with other executives later, I can say this tendency is as pronounced as ever.
”
”
Scott Fearon (Dead Companies Walking: How a Hedge Fund Manager Finds Opportunity in Unexpected Places)
“
He took her near hand in his and raised it to his lips as he had once before. This time, he kissed it lightly, looking at her as he did, his expression unusually solemn. “Aye, sure, we’ll go in,” he said. “Just as soon as you look me in the eyes and tell me you’re doing this willingly and not just because you said you would.”
She looked him right in the eye then and said, “You first.”
Ian laughed as much at the look of determination on Lina’s face as at the challenge she had flung at him.
When she continued to watch him, he sobered. He was still holding her hand, so he gave it a warm squeeze and said, “I’m more willing with every minute that passes, lass. I believe that we will suit each other well.”
“This may be the most reckless thing you have done, sir.”
“It may be, aye. But you are doing it with me, so I’ll wager that you won’t carp and correct me at every turn as some wives try to do.”
“I would not do that in any event,” she said, peering into his face in that way she had that made him feel as if she would see right through him to his core. “I wonder if my opinions matter to you, though. I’m unlikely to change my feelings about many things that you do. Nor will I agree with you in all that you say.”
“Then, likely we’ll fratch from time to time,” he said. “Would it help if I were to promise that I’ll always listen?”
“It might,” she said doubtfully. “It would help more if you did always listen.”
He choked on another bubble of laughter. Forcing himself to speak seriously, he said, “Have you hitherto found me an unwilling listener?”
She shook her head, looking at his chest again. “No, sir, not recently.”
Cupping her chin with his free hand, he tilted it up and kissed her gently on the lips. “Then, we must leave it there, I think. Your father is calling to us.”
Her lips had parted. She stared at him blindly.
“Lina?”
“We must go in, aye,” she said. Whirling, she stepped through the archway, only to stop in her tracks when the hall erupted in applause and cheering.
Rather pleased to know that his kiss had ruffled her more than any teasing had, he followed her.
”
”
Amanda Scott (The Knight's Temptress (Lairds of the Loch, #2))
“
But as she rounded the last turn before the hall landing, she nearly collided with Sir Ian, carrying his mother’s shawl.
“Oh!” Lina exclaimed, coming to an abrupt halt a step above his.
“Rather careless of you to leave this behind,” he said.
He was too close.
“Aye, it was,” she agreed, stepping back up a step to gain more space.
His eyes danced. “Mayhap I should demand a penance before returning it.”
“You dare,” she said, stiffening and wishing he were not so fiendishly beguiling with that boyish gleam of mischief in his eyes. He was definitely not just a mischievous boy anymore, though. And, for a lady to encourage such behavior . . .
He looked up, as if to heaven, and murmured, “Just one wee ki—”
“Shame on you, Sir Ian Colquhoun,” she interjected, thinking she sounded just like her mother. “Galbraith cannot know that you are on this stairway.”
“Once again, you are wrong, lass,” he said, his eyes still alight. “He is still with Lizzie on the dais—giving her a well-deserved scolding, I trust. I saw that you had left the shawl and offered to find a maidservant to return it to you. But this is much better. I do think you should thank me prettily for taking so much trouble.”
“I will thank you. After you have returned it to me.”
Cocking his head, he held the shawl higher, so she’d have to reach for it.
When she did, he moved it back out of her reach.
Lina lowered her outstretched hand to her side and eyed him sternly from her slightly superior height. “I thought you sought my approval.”
He stepped up to the stair below hers, putting the shawl out of reach again. His face was now inches higher than hers and his body again much too close for comfort.
“I’d prefer something else just now,” he said softly, looking into her eyes.
Reaching with his left hand for her right wrist, he held it firmly. Apparently oblivious of her attempt to snatch it free, he pressed the shawl into her hand and let go of her wrist, his gaze never leaving hers.
She waited to see what he would do next.
He smiled then, wryly, as if he dared her to walk away.
His lips were tantalizingly close.
Lina shut her eyes.
“Coward,” Ian murmured, enjoying himself.
Her eyes flew open. Then, to his astonishment, she learned forward, brushed her lips against his right cheek, and whirled, snatching up her skirts in her free hand as first her right foot and then her left blindly sought the next stair upward.
Reaching out, he easily caught her arm. “Not so fast,” he said, turning her back to face him. “You must not kiss and run, lass. That’s against the rules.”
“The lady makes the rules, sir. Let go of me.” She was two steps above his again, looking disdainfully down her nose at him. She did not try to pull away.
She was testing him, he knew. But she was right about who made the rules.
Even so, the urge was strong to seize her and teach her what kissing was all about. However, he also wanted to make her desire that kiss enough to abandon her disapproval. And that was the greater challenge.
Sakes, if he were seeking a wife and had no royal duty commanding him . . .
Shifting his grip to her hand, he drew it to his lips and slowly kissed each knuckle. Then he kissed the silky skin above them, turned her trembling hand palm up long enough to breathe gently into that tender palm . . . and released her.
With a barely discernable gasp, she turned away, her dignity apparently still—or again—intact. He enjoyed watching her move, so he stood where he was to savor the sight. His reward came when she stopped before vanishing around the next curve and looked back. Her lips parted slowly, invitingly, in surprise.
He bowed and had the delight of seeing her whirl again and hurry away.
“I shall win this battle, I think,” he murmured to himself.
”
”
Amanda Scott (The Knight's Temptress (Lairds of the Loch, #2))
“
Not liking to think of him so, and wondering if they had guessed at dinner why he suddenly became irritable when they talked about fame and books lasting, wondering if the children were laughing at that, she twitched the stockings out, and all the fine gravings came drawn with steel instruments about her lips and forehead, and she grew still like a tree which has been tossing and quivering and now, when the breeze falls, settles, leaf by leaf, into quiet.
It didn't matter, any of it, she thought. A great man, a great book, fame—who could tell? She knew nothing about it. But it was his way with him, his truthfulness—for instance at dinner she had been thinking quite instinctively, If only he would speak! She had complete trust in him. And dismissing all this, as one passes in diving now a weed, now a straw, now a bubble, she felt again, sinking deeper, as she had felt in the hall when the others were talking, There is something I want—something I have come to get, and she fell deeper and deeper without knowing quite what it was, with her eyes closed. And she waited a little, knitting, wondering, and slowly rose those words they had said at dinner, "the China rose is all abloom and buzzing with the honey bee," began washing from side to side of her mind rhythmically, and as they washed, words, like little shaded lights, one red, one blue, one yellow, lit up in the dark of her mind, and seemed leaving their perches up there to fly across and across, or to cry out and to be echoed; so she turned and felt on the table beside her for a book.
And all the lives we ever lived
And all the lives to be,
Are full of trees and changing leaves,
she murmured, sticking her needles into the stocking. And she opened the book and began reading here and there at random, and as she did so, she felt that she was climbing backwards, upwards, shoving her way up under petals that curved over her, so that she only knew this is white, or this is red. She did not know at first what the words meant at all.
Steer, hither steer your winged pines, all beaten Mariners
she read and turned the page, swinging herself, zigzagging this way and that, from one line to another as from one branch to another, from one red and white flower to another, until a little sound roused her—her husband slapping his thighs. Their eyes met for a second; but they did not want to speak to each other. They had nothing to say, but something seemed, nevertheless, to go from him to her. It was the life, it was the power of it, it was the tremendous humour, she knew, that made him slap his thighs. Don't interrupt me, he seemed to be saying, don't say anything; just sit there. And he went on reading. His lips twitched. It filled him. It fortified him. He clean forgot all the little rubs and digs of the evening, and how it bored him unutterably to sit still while people ate and drank interminably, and his being so irritable with his wife and so touchy and minding when they passed his books over as if they didn't exist at all. But now, he felt, it didn't matter a damn who reached Z (if thought ran like an alphabet from A to Z). Somebody would reach it—if not he, then another. This man's strength and sanity, his feeling for straight forward simple things, these fishermen, the poor old crazed creature in Mucklebackit's cottage made him feel so vigorous, so relieved of something that he felt roused and triumphant and could not choke back his tears. Raising the book a little to hide his face, he let them fall and shook his head from side to side and forgot himself completely (but not one or two reflections about morality and French novels and English novels and Scott's hands being tied but his view perhaps being as true as the other view), forgot his own bothers and failures completely in poor Steenie's drowning and Mucklebackit's sorrow (that was Scott at his best) and the astonishing delight and feeling of vigour that it gave him.
”
”
Virginia Woolf (To the Lighthouse)
“
True love is finding your soulmate in your best friend” ~ Faye Hall
”
”
Scott Leopold (The Joker (The Origin Book 1))
“
Coleraine was favoured with special visitations of power and blessing. In one of the schools a boy came under conviction so much that the teacher sent him home with an older boy who had been converted only the previous day. On the way home they turned into an empty house to pray together. The troubled boy was soon rejoicing and said, “I must go back and tell the teacher.” With a beaming face he told him, “O sir I am so happy I have the Lord Jesus in my heart.” The whole class was affected as a result and boy after boy rose and silently left the room. When the teacher went to investigate he found them ranged around the playground wall on their knees. Silent prayer soon gave way to loud cries and prayers, which carried to the girls’ school on the first floor. Immediately the girls fell on their knees and wept. The commotion carried into the street; neighbors and passers-by came flocking in. As soon as they crossed the threshold, they all came under the same convicting power. Ministers came to help, men of prayer were summoned, and the day was spent in leading young and old to saving faith in Christ. On June 7th a great open-air meeting was held in Coleraine where converts testified. Such large crowds gathered that they were divided into several groups, each to be addressed by different ministers. God’s presence was an awesome reality. Many came under deep conviction. Many prostrations occurred. It continued throughout the following day and in the evening the market was crowded. The gospel was preached and again many sank down and with bitter cries sought the Lord for mercy. Christian helpers took many of these “stricken ones” as they were now called into the new town hall, then awaiting its official opening. A Bible is still there with this inscription, “It is meant to be a memorial of the first opening of the new town hall when upon the night of June 9th, nearly one hundred persons agonised in mind through conviction of sin, and entirely prostrate in body, were brought into that building to obtain shelter during the night, and to receive consolation from the instructions and prayers of Christian ministers and Christian people.” 5
”
”
Alan Scott (Scattered Servants: Unleashing the Church to Bring Life to the City)
“
the building. The fat man stopped in the doorway and looked up at the big water tower. “Have a nice day, ya’ll,” he said, and laughed. Or made a sound like laughter that had no mirth, no joy at all in it, a sound that was ugly, dark, and vulgar. Scott’s hands shook for half an hour after the two men left. He felt like he’d been in great danger, that he’d barely escaped with his life—though he’d never tell anybody that, because a simple description of what had happened sounded almost innocent. But Scott knew. He propped the door of the store open for the rest of the day to get the stink out of the building. CHAPTER 27 The banner stretched seventy-five feet across the floor of the Fellowship Hall, proclaiming “Dancing with the Stars” in bright red, sparkling letters. Well, they would sparkle as soon as Emily painted them with Elmer’s Glue and poured glitter on them. First she had to get the helium canister to work so she could finish filling the balloons. Every year, the church held a prom for handicapped teenagers. Emily was the chair of the committee that met on Saturdays to decorate. She loved the event,
”
”
Ninie Hammon (The Knowing (The Knowing, #1))
“
True love is finding your soulmate in your best friend”
~ Faye Hall
”
”
Scott Leopold (The Joker (The Origin Book 1))
“
money untouched he inspected the left side. It looked like the nail head rusted just enough for the tin to pop off, but he decided to check behind anyway. He pulled the tin away from the wall and looked into the dimly lit space. To his surprise, something was there. He reached in and pulled out a large cardboard envelope. The envelope was a heavy one used to mail important documents and looked like it had been there for a while. It was addressed to Edward, but there was no return address. The top was open, so Adam reached inside. He pulled out a small stack of papers and pictures. The picture on top was of a group of people standing in front of Town Hall. It must have been the Grand Opening, because they were all dressed in formal clothes and there were decorations hanging in the background. If it was the Grand Opening, the picture was from 1910. He had learned the year it was built while on a class trip a few years before. The date was carved into a brick near the main entrance. Adam looked at the picture a little closer. Each of the people wore the same lapel pin as the one Edward wore in his portrait.
”
”
Scott Gelowitz (Town Secrets (The Book of Adam #1))
“
William and Dolly had still not come to terms with infant baptism. So baby Ann remained unbaptized. It was clear William was leaning toward the beliefs of the Baptists. And why not? Although the Anglican Scott was a major influence, most of William’s spiritual mentors were Baptists, like Skinner and Hall. And as William’s own reputation as a churchman spread, who most enthusiastically welcomed him? Baptists. The congregation of Baptists at Earls Barton, east of Northampton, even persuaded him to preach there every other week. It was a four-hour round trip on foot, so it was no small commitment for such a busy young married man. One day he told Dolly, “A group of Dissenters has asked me to lead their service once a month. And guess where? At Paulerspury!
”
”
Sam Wellman (William Carey)
“
Convenient targets include our “pointy-haired bosses” whom we believe are barely competent enough to tie their own shoes, the “paper-pushing fools” in the department down the hall from us that demand excessive amounts of documentation, and our “stupid users” who often don’t know what they want, and when they do tell us what they want, it never makes sense anyway. Naturally, we never blame ourselves; we’re perfect after all.
”
”
Scott W. Ambler (Agile Modeling: Effective Practices for eXtreme Programming and the Unified Process)
“
hall-room boy in a Ritz stag line.
”
”
F. Scott Fitzgerald (The Jazz Age: Essays (New Directions Bibelot))
“
I believe that many of the most tragic episodes of state development in the late nineteenth and twentieth centuries originate in a particularly pernicious combination of three elements. The first is the aspiration to the administrative ordering of nature and society, an aspiration that we have already seen at work in scientific forestry, but one raised to a far more comprehensive and ambitious level. “High modernism” seems an appropriate term for this aspiration.3 As a faith, it was shared by many across a wide spectrum of political ideologies. Its main carriers and exponents were the avant-garde among engineers, planners, technocrats, high-level administrators, architects, scientists, and visionaries. If one were to imagine a pantheon or Hall of Fame of high-modernist figures, it would almost certainly include such names as Henri Comte de Saint-Simon, Le Corbusier, Walther Rathenau, Robert McNamara, Robert Moses, Jean Monnet, the Shah of Iran, David Lilienthal, Vladimir I. Lenin, Leon Trotsky, and Julius Nyerere.4 They envisioned a sweeping, rational engineering of all aspects of social life in order to improve the human condition. As a conviction, high modernism was not the exclusive property of any political tendency; it had both right- and left-wing variants, as we shall see. The second element is the unrestrained use of the power of the modern state as an instrument for achieving these designs. The third element is a weakened or prostrate civil society that lacks the capacity to resist these plans. The ideology of high modernism provides, as it were, the desire; the modern state provides the means of acting on that desire; and the incapacitated civil society provides the leveled terrain on which to build (dis)utopias.
”
”
James C. Scott (Seeing Like a State: How Certain Schemes to Improve the Human Condition Have Failed (Veritas Paperbacks))
“
Anne’s home then was already centuries old and though beautiful as it was, I cannot say I had ever felt at ease in the great Hall. Shadows, creaks, and groans as well as whispers and growls have forever lived within its walls. Evil was part of its foundations and even then, the rambling mansion harboured many souls and secrets. This is something inevitable in a place as old as Loftus Hall.
”
”
Helena B. Scott (Loftus: The Hall of Dreams)
“
Having lost the will to live, we somehow survived
from one encounter to the next. Absences in between were filled with sighs that became a melancholy melody. And when we did meet, we fed voraciously as revenants on the only thing that sustained our existence: our love for each other. Love is
madness, if it is at all lived as it should it be. It is the fever of an incurable disease. Addictive and lethal, love…love is the most potent poison known to man. And the more we loved, the more alive we felt. But love’s bitter-sweet aftertaste was an illusion. Each moment shared only brought us closer to our end as we fell from grace.
”
”
Helena B. Scott (Loftus: The Hall of Dreams)
“
He thumbed through the hardcover book. “This is one of the excellent Prentice-Hall volumes, Self-Hypnotism, by Leslie M. LeCron. See the bottom of page eighty-two. This other one is The Intimate Casebook of a Hypnotist by Arthur Ellen with Dean Jennings, a Signet Mystic Book published by the New American Library. I direct your attention, Sheldon, to … wait’ll I find it … pages fifty-four and fifty-five.
”
”
Richard S. Prather (Shell Scott PI Mystery Series, Volume Six)
“
Emory Scott hated me, but she hated nearly everyone. So, she was making me work for it. So
what? I’d be disappointed if she didn’t. She didn’t respect Michael, Kai, or Damon, either. It
shouldn’t hurt.
But it did.
I always liked her. I always looked for her.
And over the years, passing her in the halls and feeling her in the classroom next to me, she got
hot as fuck in ways no one else seemed to notice but me.
God, she had a mouth on her. I loved her attitude and her anger, because I was always too warm
and I needed the ice.
It made me smile.
”
”
Penelope Doulgas
“
Our cool factor went off the charts with Stu roaming the halls and performing “Rapper’s Delight” on karaoke nights. He brought a spirit and a style that had never been seen, never been felt before, at ESPN.
”
”
Stuart Scott (Every Day I Fight)
“
I had nothing to do in the hall, so I went into the room.
”
”
F. Scott Fitzgerald (The Professor's House / The Great Gatsby)
“
Women and men in scrubs swept into the room and checked the monitors and the bags. They strode out, nodded at the quartet slumped in chairs against the wall, and scuffed down the hall. Nurses changed shifts, moved the life of the place along while patients and visitors waited frozen, locked into little boxes of concern and fear.
The strange hours of the pre-dawn arrived, when the hospital hushed even as the business of sickness and death ground on.
”
”
Scott Archer Jones
“
Sir Trevor Fitzwilliam, baronet, of Blackcliff Hall," he said, "at your service. And you would be?"
"Unconvinced," Gwen said.
”
”
Regina Scott (An Honorable Gentleman (Love Inspired Historical))
“
During his two-year term, Hunt introduced the inspections of tenement houses, appointed school nurses, provided food inspection and dental services for school children, closed illegal gambling halls, introduced a plan to improve city sewers, introduced the regulation of loan sharks who preyed on the poor, and settled several strikes.
”
”
R. Scott Williams (An Odd Book: How the First Modern Pop Culture Reporter Conquered New York)
“
Just remember, I love you, and it isn’t true.” He released his mother and walked toward the hall that led to his old bedroom.
“It’s not true that you love us?” His mother said, in a quiet, confused voice.
“What? No! I love you. Something else isn’t true.
”
”
Scott Meyer
“
She was sleeping on the floor. The hard, dusty, cold floor. Though it was nearly summer, nights in Helston Hall were damp and draughty. They had been even before it had fallen into such an appalling state of disrepair. On a growl, he threw back the bedclothes and rose. He stalked around the bed and found her on the floor, curled in a ball rather reminiscent of a cat. Sin scooped her into his arms with ease. “What are you doing?” her voice was sleepy, and it lacked the vehemence of her previous protestations. Had she fallen asleep after all? She was warm and soft in his arms. All woman. Damn, but the lack of her feminine trappings meant his arms were filled with lush, sweet-scented curves. He fought back a swift rush of desire. “I am seeing you settled for the night,” he snapped, irritated with himself for the hoarseness in his voice. “You are too stubborn for your own good.” “Mmm.” With a throaty sigh, she nuzzled his throat. Bloody hell, the woman was definitely half-asleep. And he was half-erect. He swallowed and lowered her to the bed, settling the bedclothes over her. Cursing himself, he skirted the bed once more. She made a sleepy sound that should not have made his cock twitch. You hate her, he reminded himself. She is a deceitful witch.
”
”
Scarlett Scott (Lady Ruthless (Notorious Ladies of London, #1))
“
She must not allow herself to forget the manner in which their marriage had begun. He had abducted her from London, bound her wrists, and even gagged her. And then, he had blackmailed her. “Callie?” Isabella’s worried voice cut through her madly spinning thoughts. “Are you well? You look dreadfully pale all of a sudden.” No, she was not well. She felt…dizzy. Sick. Overheated. Her skin was hot. The room seemed to spin. Her eyes could not find a safe place to fall. It was as if she stood still whilst everything and everyone else was whirling around. The edges of her vision went dark. Benny and Isabella seemed suddenly too far away. Their voices were hushed and strange. And then Callie was falling, falling, falling. Backward, into the abyss. Darkness claimed her. Sin paced the hall outside his wife’s apartments, trying to tamp down his rage and his worry. Callie had swooned. His strong, fierce, fiery wife had bloody well fainted. It still seemed impossible to believe. He had abducted her, bound her, dragged her through the countryside, done his best to frighten her, and she had remained stalwart.
”
”
Scarlett Scott (Lady Ruthless (Notorious Ladies of London, #1))
“
But high and perilous strife is not Waverley's forte. He would never have been his celebrated ancestor Sir Nigel, but only Sir Nigel's eulogist and poet. I will tell you where he will be at home, my dear, and in his place, - in the quiet circle of domestic happiness, lettered indolence, and elegant enjoyments, of Waverley Honour. And he will refit the old library in the most exquisite Gothic taste, and garnish its shelves with the rarest and most valuable volumes; and he will draw plans and landscapes, and write verses, and rear temples, and dig grottoes; - and he will stand in a clear summer night in the colonnade before the hall, and gaze on the deer as they stray in the moonlight, or lie shadowed by the boughs of the huge old fantastic oaks; - and he will repeat verses to his beautiful wife, who will hang on his arm; - and he will be a happy man.
”
”
Walter Scott (Waverley)
“
Tourists enter Tehran from the south on a carriageway built by order of the Shah. On the city’s outskirts they pass through the green belt he envisioned would protect Tehran from the twin scourges of desert wind and dust. In the central city visitors pass by the government ministries, hospitals, universities, schools, concert halls, monuments, bridges, sports complexes, hotels, museums, galleries, and gleaming underground metro that were among his many pet projects. … He championed the social welfare state that today provides Iranians with access to state-run health care and education. He raised the scholarship money that allowed hundreds of thousands of Iranian university students, including many luminaries of the Islamic Republic, to study abroad at leading American and European universities. The Shah ordered the fighter jets that made Iran’s air force the most powerful in southwestern Asia. He established the first national parks and state forests and ordered strict water, animal, and conservation measures. Perhaps it is no surprise that Iran today has the look and feel of a haunted house. The man who built modern Iran is nowhere to be seen but his presence is felt everywhere. The revolutionaries who replaced the Shah may not like to hear it, but Iran today is as much his country as it is theirs.
”
”
Andrew Scott Cooper (The Fall of Heaven: The Pahlavis and the Final Days of Imperial Iran)
“
We were alone and yet, I had the undeniable feeling we were being watched. But for all I looked, there was not another soul in sight. With the exception of course, of the stone eagles perched on the roof, which as daylight faded, looked more like gargoyles. Monsters in stone much like those of any nightmare,
the finials had guarded the Hall and its secrets for centuries. Their features had been delicately carved and in the mist, resembled grotesque winged demons.
”
”
Helena B. Scott (Loftus: The Hall of Dreams)
“
The lights then came on and we all heard the radio. It was time to go home. But the woman didn’t want to leave and the house wanted her to stay. As she got up from the floor, she looked at the walls and knew it would not be the last time. No, she would return. “Soon, very soon” she whispered, and a new promise was made within these walls. Without a sound,
she wished Anne and the others a good night, thanking them as her soul…wept. She then stood next to the wooden staircase she loved so much. Gently, she pressed her hand on the wood while touching the banister; looking up, her eyes reassuring told us that she would be back.
”
”
Helena B. Scott (Loftus: The Hall of Dreams)
“
Old homes are enigmatical. It is a given that
historic properties always come with countless invisible guests and much that remains hidden. They become alive through the people that reside in them. They breathe, love, and dream much the same way mortals do. Awakening, with every heartbeat
and regretting every tear as they scream in silence. And if we listen carefully, we may be able to understand the meaning of such unexplainable noises. In time, walls deteriorate and their splendour fades. All that remains then is their skeletal structure and soul; the eternal memories of all those who lived and died within. And that is, in essence, what ghosts truly are. Shadows of what we once were, yet somehow refusing or unable to cease in existence. But some things are just not meant to last forever; it
is unnatural.
”
”
Helena B. Scott (Loftus: The Hall of Dreams)
“
The Antebellum South was filled with romantic legends in which handsome young men left baronial halls and came to the New World to establish spacious manor houses of their own and to preserve the chivalry and gallantry of Sir Walter Scott’s fantastic novels. Coats of arms were duly supplied to bolster these outlandish claims, and they hang today on thousands of walls, attesting to the hereditary splendor of imaginary ancestors. But, alas, in contrast the Southern mountaineer is by his very name fenced off from such pretensions, for his cognomen has come down with him from his first outcast ancestors on these shores and marks him indelibly as the son of a penniless laborer whose forebears, in turn, had been, more often than not, simply serfs.
”
”
Harry M. Claudill (Night Comes To The Cumberlands: A Biography Of A Depressed Area)
“
In the next two days, as cases grew (reaching one hundred civilian cases and another nine hundred at a local barracks), Starkloff asked the city’s mayor and other leaders for legal authority to issue public health edicts. His request was granted. Starkloff’s actions were swift and forceful. Starting on October 8, theaters, pool halls, and other public amusement venues were ordered shut. All public gatherings were banned. Churches were also shut. Schools were ordered closed the next day.25 The difference in the response times between Philadelphia and St. Louis amounted to fourteen days when measured from the first reported cases—but those two weeks represented about three to five doubling times for a flu epidemic.
”
”
Scott Gottlieb (Uncontrolled Spread: Why COVID-19 Crushed Us and How We Can Defeat the Next Pandemic)
“
Hollywood, a few blocks south of the Palladium, and nearly as big as that super-sized dance hall. It was a low, white building, modern, with the front
”
”
Richard S. Prather (Shell Scott PI Mystery Series, Volume Three)
“
My name is Carter Hall and I am a detective of history. But you are a detective, too. For to be human, at its core, is to question and quest. To seek answers about who we are. Even when--or especially when--those answers are beyond our grasp.
”
”
Scott Snyder (Dark Nights: Metal)
“
the phone rang once. It was a gal with a thready voice asking that I please hurry to her address because tiny saucer-shaped men were on her roof, screeching down the chimney at her. I told her to call 2680 at City Hall: the police psycho detail; they got calls like that every day.
”
”
Richard S. Prather (Shell Scott PI Mystery Series, Volume Three)
“
Two side steps took me to the hall table with a huge arrangement of flowers, and a second later, I had Steele's backup gun in my hand and pointed at Scott's head. "How about now, Scott? Does this work for you?" My voice was cold and calm. I barely even recognized it as mine, but my hand remained steady too.
”
”
Tate James (Fake (Madison Kate, #3))
“
Rayne observed, his gaze scouring hers. “I cannot believe the duel and this foolhardy race are the extent of his indiscretions.” She thought about it. There was the time he had brought an actress to live at Hamilton House until Mama had nearly boxed his ears and chased Mrs. Wilton from the duchess’s apartments. There had also been the evening he had gotten so inebriated, he had been attempting to hold a conversation with a potted palm at Lord and Lady Oxley’s ball. Later, he claimed he had mistaken the palm for a spinster. He had fallen down the staircase once and tripped into the statuary in the entry hall, shattering a marble bust of the first Duke of Montrose. She still recalled Monty kicking the poor duke’s nose across the polished floor and declaring the bust had been his least favorite anyhow. Catriona frowned. And then, there had been the time he had fallen into the lap of one of Mama’s friends at a dinner party. The time he had engaged in a heated shouting match with their father’s portrait. He had also once decided, in the midst of the night, to paint the second-floor hall. The time she had found him lying prone on the Aubusson in the library in a drying puddle of his own vomit…
“Your face is expressive, my lady,” Rayne said grimly. “You need not speak a word, for I already have my answer.
”
”
Scarlett Scott (Earl of Every Sin (Sins and Scoundrels, #4))
“
This is what it feels like, I thought at him.
Only, I didn’t feel any better after thinking it. I felt sad and low and dissatisfied. I wasn’t the kind of person who played games or relied on dirty tricks to console myself or boost my self-esteem. But there was still a certain raw pain burning inside me, and because of it, I let Scott guide me down the hall.
”
”
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
“
I want to take a second here to talk about my decision to go to school for music, since I get asked for advice on this pretty often. If you’re a young musician (or dancer, or musical theatre actor, or any type of creative performer for that matter) and you’ve progressed in your abilities to the point that a career in the arts seems like a viable path forward, it’s only logical that you’ll find yourself considering a formal continuation of your music studies post–high school. Whether you go the route of the conservatory or enroll in a music program within a more traditional college, you’ll receive training from professional musicians, perform in ensembles alongside other talented students, and have access to state-of-the-art facilities and concert halls. The icing on the cake? You’ll get to sleep in late on weekdays, take classes that appeal to you, and surround yourself with artsy, inspiring kids who share your interests and passions. If all that sounds like a dream, it’s because, in many ways, it is. But any dream has its potential downsides, and I think that it’s important that you’re aware of them, too.
”
”
Scott Bradlee (Outside the Jukebox: How I Turned My Vintage Music Obsession into My Dream Gig)
“
If one were to imagine a pantheon or Hall of Fame of highmodernist figures, it would almost certainly include such names as
Henri Comte de Saint-Simon, Le Corbusier, Walther Rathenau, Robert
McNamara, Robert Moses, Jean Monnet, the Shah of Iran, David Lilienthal, Vladimir I. Lenin, Leon Trotsky, and Julius N~erer
”
”
James C. Scott (Seeing Like a State: A Conversation with James C. Scott)
“
Here’s the way study hall snippets work. Have everybody take five to seven minutes to write down the three to five things that they or their team did that week that others need to know about, and five to seven minutes to read everybody else’s updates. Don’t allow side conversations—require that follow-up questions be handled after the meeting. This simple rule will save enormous amounts of wasted time in your staff meeting. If you don’t do this, most of the meeting will consist of two or three people talking while the rest watch on, uninterested.
”
”
Kim Malone Scott (Radical Candor: Be a Kick-Ass Boss Without Losing Your Humanity)
“
Listen: put updates in a shared document during a “study hall” (15 minutes). One of the most challenging aspects of managing a team is how to keep everyone abreast of what everyone else is doing so that they can flag areas of concern or overlap without wasting a great deal of time. Updates are different from key metrics. Updates include things that would never make it into the dashboard, like, “We need to change our goals for this project,” “I am thinking of doing a re-org,
”
”
Kim Malone Scott (Radical Candor: Be a Kick-Ass Boss Without Losing Your Humanity)
“
Neal, Mike and Klev somehow did find High Camp that night, but were on their hands and knees by the time they did. None of them had anything left. They weren’t going to return for us; they couldn’t. The Sherpas in camp wouldn’t. There was no one else to try, except for the Russian, Anatoli Boukreev. That day, Anatoli had forsaken his duty as a guide. While everyone was struggling up and down the ridge to the summit, or stacked up like cordwood at the Hillary Step, Anatoli climbed for himself, by himself, without oxygen. He just went straight up, tagged the summit, and came straight back down. Because he lacked oxygen, he couldn’t persist in the cold, and was forced to retreat to the shelter of his tent. So Boukreev had been in his tent recovering for hours, and if that was where his story had ended that night, the climbing community would have stripped the flesh right off his bones. They are not a forgiving bunch. But Anatoli did what no one else could, or would do. He went out into that storm three times, searching both for Scott Fischer, who froze to death on the mountain, about twelve hundred feet above the South Col, and for us. Boukreev twice was driven back to camp by the wind and cold. The third time he located our little huddle by the face and brought in each of the three Fischer climbers—Tim, Charlotte and Sandy. He left behind Yasuko and me, the Hall climbers.
”
”
Beck Weathers (Left for Dead: My Journey Home from Everest)
“
She drove downtown and turned left off Fifth Street into East Fremont Street. Up ahead was what most people think of when Las Vegas is mentioned. It was a blaze of lights and color and neon: gambling halls jammed up against each other on both sides of Fremont from Second on up to Main, for two solid blocks. Overshadowing all the rest was the big sign above the Golden Nugget on the left and, beyond that, the huge mechanical cowboy pointed the way to the Pioneer Club with his animated hand and thumb. And the Las Vegas Club, the Monte Carlo, the Frontier Club, and all the rest. Colleen drove through slowly because the place was full of men and women and cowboys. A guy blew a bugle at us as we crossed First Street and we had to wait a few seconds for a man on a horse to get out of our way at Main where Colleen turned right and then swung back to head out of town. Then she drove like the wind all the way to Hoover Dam.
”
”
Richard S. Prather (Shell Scott PI Mystery Series, Volume One)
“
The gallery context of Scotch Myths puts the objects on display in an interrogatory framework in a way that their presence in souvenir shops does not. Similarly, the exhibition catalogue explicitly poses the correct questions and reinserts the objects into a history spanning the mid-eighteenth century to the present day: James Macpherson (1736-96), Ossianism; European Romanticism; Walter Scott (1771-1832), the appropriation of Scott and Scotland by Europe and America; the internal reappropriation by Scotland itself of earlier external appropriations, via the emergence of Kailyard; Scottish militarism in the context of nineteenth-century colonial wars, both World Wars and beyond; the dissemination of the ensemble of images and categories of thought within successive practices and technologies - literature, lithography, photography, the postcard, the music hall, films, television. It is one thing to see the imagery of Tartanry/Kailyard in its so-called natural habitats of the souvenir shop or the wall of a Scottish home; it is quite another thing to see it reproduced on orange crates from California.
”
”
Colin McArthur (Cencrastus No. 7: Winter 1981-82)