Scotland Highlands Quotes

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To see the years touch ye gives me joy", he whispered, "for it means that ye live.
Diana Gabaldon
I thought the force of my wanting must wake ye, surely. And then ye did come. . ." He stopped, looking at me with eyes gone soft and dark. "Christ, Claire, ye were so beautiful, there on the stair, wi' your hair down and the shadow of your body with the light behind ye…." He shook his head slowly. "I did think I should die, if I didna have ye," he said softly. "Just then.
Diana Gabaldon
America Is A Gun England is a cup of tea. France, a wheel of ripened brie. Greece, a short, squat olive tree. America is a gun. Brazil is football on the sand. Argentina, Maradona's hand. Germany, an oompah band. America is a gun. Holland is a wooden shoe. Hungary, a goulash stew. Australia, a kangaroo. America is a gun. Japan is a thermal spring. Scotland is a highland fling. Oh, better to be anything than America as a gun.
Brian Bilston
My heart's in the Highlands, my heart is not here; My heart's in the Highlands a-chasing the deer; A-chasing the wild-deer, and following the roe, My heart's in the Highlands wherever I go.
Robert Burns
In prehistoric times, early man was bowled over by natural events: rain, thunder, lightning, the violent shaking and moving of the ground, mountains spewing deathly hot lava, the glow of the moon, the burning heat of the sun, the twinkling of the stars. Our human brain searched for an answer, and the conclusion was that it all must be caused by something greater than ourselves - this, of course, sprouted the earliest seeds of religion. This theory is certainly reflected in faery lore. In the beautiful sloping hills of Connemara in Ireland, for example, faeries were believed to have been just as beautiful, peaceful, and pleasant as the world around them. But in the Scottish Highlands, with their dark, brooding mountains and eerie highland lakes, villagers warned of deadly water-kelpies and spirit characters that packed a bit more punch.
Signe Pike (Faery Tale: One Woman's Search for Enchantment in a Modern World)
There's no place on earth with more of the old superstitions and magic mixed into its daily life than the Scottish Highlands.
Diana Gabaldon (Outlander (Outlander, #1))
Adieu, my ladies. If you ever venture to Scotland…leave the husbands at home. (Braden)
Kinley MacGregor (Claiming the Highlander (Brotherhood of the Sword, #2; MacAllister, #1))
It was written in those stars that we meet.” His voice gathered a tender fervency that unstitched something from inside Mena’s soul. “We are bound in some inescapable way, thee and me. I’ve known it since I first laid eyes on ye in that dress.
Kerrigan Byrne (The Highlander (Victorian Rebels, #3))
That’s why I live inside books. At least there I can choose where I want to be—from the highlands of Scotland to a king’s bed in a faraway land—and even if it’s pretend, sometimes that’s a lot better than reality.
Aurora Rose Reynolds (Assumption (Underground Kings, #1))
Autumn in the Highlands would be brief—a glorious riot of color blazing red across the moors and gleaming every shade of gold in the forests of sheltered glens. Those achingly beautiful images would be painted again and again across the hills and in the shivering waters of the mountain tarns until the harsh winds of winter sent the last quaking leaf to its death on the frozen ground.
Elizabeth Stuart (Heartstorm)
I talk to you as I talk to my own soul," he said, turning me to face him. He reached up and cupped my cheek, fingers light on my temple. "And Sassenach," he whispered, "Your face is my heart
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
He pressed his lips to Akira’s ear. “Hold on, lass, for hell has just made chase.
Amy Jarecki (The Highland Duke (Lords of the Highlands #1))
Wee Archie was wielding a shepherd's crook that, as Tommy remarked later, no shepherd would be found dead with, and he was wearing a kilt that no Highlander would dream of being found alive in.
Josephine Tey (The Singing Sands (Inspector Alan Grant, #6))
Legend claimed Berserkers could move with such speed that they seemed invisible to the human eye until the moment they attacked. They possessed unnatural senses: the olfactory acuity of a wolf, the auditory sensitivity of a bat, the strength of twenty men, the penetrating eyesight of an eagle. The Berserkers had once been the most fearless and feared warriors ever to walk Scotland nearly seven hundred years ago. They had been Odin's elite Viking army. Legend claimed they could assume the shape of a wolf or a bear as easily as the shape of a man. And they were marked by a common feature-unholy blue eyes that glowed like banked coals.
Karen Marie Moning (To Tame a Highland Warrior (Highlander, #2))
Her breath caught when his erection shot to rigid. "Merciful Father, Ye're like a stallion with a mare in heat.
Amy Jarecki (Beauty and the Barbarian (Highland Force, #3))
Are ye always standing like a stallion?" His low chuckle brought another wave of gooseflesh across her skin. "Only when Ye're near.
Amy Jarecki (Beauty and the Barbarian (Highland Force, #3))
I don't think I believe in villains. Heroes either. Just people. People with agendas and the things they're willing to do to get what they want.
Kerrigan Byrne (The Scot Beds His Wife (Victorian Rebels, #5))
Annabel better not have headed back to England. He’d wring her bloody neck if she had. She was his. And why the hell would she go there anyway? Surely life with him was better than life with those two coldhearted English— “Nay.
Lynsay Sands (An English Bride In Scotland (Highland Brides, #1))
And now she was just Gabby, currently staying in a dreamy, magnificent castle in Scotland with a Fae prince who did all kinds of non-nasty, non-inhuman things like tearing up lists of names, and returning tadpoles to lakes, and saving people's lives. Not to mention kissing with all the otherwordly splendor of a horny angel.
Karen Marie Moning (The Immortal Highlander (Highlander, #6))
Note savages, eh? They live in mountain caves and dress like wild men. They walk about in woolen petticoats, which they are not in the least modest about casting aside when they need their sword arms free. Dash me, can you even begin to imagine the sight of a horde of naked, hairy-legged creatures charging at you across a battlefield like bloody fiends out of hell—screaming and flailing those great bloody swords and axes of theirs like scythes? Not savages?
Marsha Canham (The Pride of Lions (Highlands, #1))
All the London ton acknowledged Scotland as a barbaric place. The packs there cared very little for the social niceties of daytime folk. Highland werewolves had a reputation for doing atrocious and highly unwarranted things, like wearing smoking jackets to the dinner table. Lyall shivered at the delicious horror of the very idea.
Gail Carriger (Soulless (Parasol Protectorate, #1))
It feels like Scotland." "Have you ever been?" "Mmmm. Twice. Have you?" "No." "You should. It's your roots. You'll be surprised how much they tug at you when you breathe the air in the Highlands or look out at a lowland loch.
Nora Roberts (Robert & Cybil (The MacGregors #7 & #9))
The rough pad of his thumb dragged across the split on her lip as light as a whisper. She felt his caress in her bones. And elsewhere.
Kerrigan Byrne (The Highlander (Victorian Rebels, #3))
Still pleasant as a cornered hedgehog, and as well mannered as a badger, I see.
Kerrigan Byrne (The Scot Beds His Wife (Victorian Rebels, #5))
Straightening, he then stared down at her for a moment, his tight-lipped expression easing and twitching with amusement when she began to snore lightly. She was just so damned cute. Shaking
Lynsay Sands (An English Bride In Scotland (Highland Brides, #1))
In sleep, Ross’s face was unguarded, his expression soft. It made him appear much younger. He also snored loud enough to wake the dead. It made her think it would be a good thing did she fall asleep first every night for the rest of their marriage. Annabel
Lynsay Sands (An English Bride In Scotland (Highland Brides, #1))
At Bealltainn, or May Day, every effort was made to scare away the fairies, who were particularly dreaded at this season. In the West Highlands charms were used to avert their influence. In the Isle of Man the gorse was set alight to keep them at a distance. In some parts of Ireland the house was sprinkled with holy water to ward off fairy influence. These are only a mere handful out of the large number of references available, but they seem to me to reveal an effort to avoid the attentions of discredited deities on occasions of festival once sacred to them. The gods duly return at the appointed season, but instead of being received with adoration, they are rebuffed by the descendants of their former worshippers, who have embraced a faith which regards them as demons. In like manner the fairies in Ireland were chased away from the midsummer bonfires by casting fire at them. At the first approach of summer, the fairy folk of Scotland were wont to hold a "Rade," or ceremonial ride on horseback, when they were liable to tread down the growing grain.
Lewis Spence (British Fairy Origins)
His eyes touched every part of her. Even parts that may never have been touched before. They flashed with lightning, singing along her nerves with electric currents of heat. A sultry, answering thunder whipped through her, calling forth a storm so unexpected, she almost felt betrayed by her own body.
Kerrigan Byrne (The Highlander (Victorian Rebels, #3))
Takes a special kind to go another kind to stay here ........ Nowhere do such patriots so embrace the leaving of the place
Kate Tough (26 Treasures)
You need to wear less clothing, lass.
Terry Spear (Forbidden Love)
Were ye sent by the fairy folk? Do no' lie to me.
Amy Jarecki (Beauty and the Barbarian (Highland Force, #3))
I do no' think ye should lick me leg.
Amy Jarecki (Beauty and the Barbarian (Highland Force, #3))
The only thing that can hurt me now is the thought of never knowing this feeling again. To never be able to touch you this way again...
Shelly Thacker (His Stolen Bride (Stolen Brides, #1))
If he were to wait for her to ask for his protection, he would be waiting until the whole of Scotland sank into the seas.
Cathy MacRae (Highland Escape (Hardy Heroines #1))
You must stay with me forever. That was your promise. That I could love you forever.
Elisa Braden (The Taming of a Highlander (Midnight in Scotland, #2))
Samantha imagined that in another life, she and Alison could have, indeed, been friends. Had she not been about to rob the train.
Kerrigan Byrne (The Scot Beds His Wife (Victorian Rebels, #5))
Alison’s gaze gentled. “Tell me, Samantha, have you ever been to Scotland?
Kerrigan Byrne (The Scot Beds His Wife (Victorian Rebels, #5))
Tis best to weight the enemy more mighty than he seems.” Or she, as was this particular case.
Kerrigan Byrne (The Scot Beds His Wife (Victorian Rebels, #5))
There was something more than a little satisfying about ripping the heart out of someone the moment before they expected to do the same to you.
Kerrigan Byrne (The Scot Beds His Wife (Victorian Rebels, #5))
Ye might no know this about me…” “But I prefer my women… a wee bit dirty. I’ve imagined more than once what yer foul mouth could do to me.
Kerrigan Byrne (The Scot Beds His Wife (Victorian Rebels, #5))
Ye’re wet,” he groaned. “I’m underwater.” “I ken that, bonny. But this dampness has nothing to do with that.
Kerrigan Byrne (The Scot Beds His Wife (Victorian Rebels, #5))
Tonight, Dunadhar Castle is ours.
Jacqueline E. Smith (Trashy Romance Novel)
And while she didn’t yet know how she fit into the world, she did know Duncan was a vital part.
Angela Quarles (Must Love More Kilts (Must Love, #4))
You should see Nina’s clan tartan," she said, pouring herself more tea. "It’s white with orange, green, and royal blue. Horrendous." "We took to calling any obnoxious pattern Clan MacGarish," I said. "Or MacHideous," added Laurence. "MacUgly," I continued. "MacClash," he countered.
Molly Ringle (What Scotland Taught Me)
Here I first mounted a little Highland steed; and if there had been many spectators, should have been somewhat ashamed of my figure in the march. The horses of the Islands, as of other barren countries, are very low: they are indeed musculous and strong, beyond what their size gives reason for expecting; but a bulky man upon one of their backs makes a very disproportionate appearance.
Samuel Johnson (A Journey to the Western Islands of Scotland and The Journal of a Tour to the Hebrides)
He took a step back to distance himself from her wicked, mind-consuming scent. In the future if he wanted to bamboozle an opponent in the karate ring, all he had to do was splash on some eau de Christina.
Amy Jarecki (The Time Traveler's Christmas (Guardian of Scotland, #3))
She did not want to have to choose between the legend which had finally made her feel as if her life had meaning and this beautiful, caring man whose soul seemed to echo with the same beats as her own heart.
Angela Quarles (Must Love More Kilts (Must Love, #4))
The Hawk hired fifty harpers and jesters and taught them new songs. Songs about the puny fairy fool who had been chased away from Dalkeith-Upon-the-Sea by the legendary Hawk. And being such a legend in his own time, his tales were ceded great truth and staying power. The players were delighted with the epic grandeur of such a wild tale. When they had rehearsed to perfection the ditties and refrains portraying the defeat of the fool, the Hawk sent them into the counties of Scotland and England. Grimm accompanied the group of players traveling to Edinburgh to help spread the tale himself, while Hawk spent late hours by the candle scribbling, crossing out and perfecting his command for when the fool came. Sometimes, in the wee hours of the morning, he would reach for his set of sharp awls and blades and begin carving toy soldiers and dolls, one by one.
Karen Marie Moning (Beyond the Highland Mist (Highlander, #1))
Nursed in poverty he acquired a hardihood which enabled him to sustain severe privations. As the simplicity of his life gave vigour to his body, so it fortified his mind. Possessing a frame and constitution thus hardened he was taught to consider courage as the most honourable virtue, cowardice the most disgraceful failing.
David Stewart (Sketches of the Character, Institutions and Customs of the Highlanders of Scotland)
He was The Demon Highlander, elder brother to the Blackheart of Ben More. These monikers, they were not granted by the happenstance of birth or marriage, like a Marquess or an Earl, they were earned by means of ruthless violence and bloodshed. It was easy to forget that fact beneath the grand chandelier of this lofty keep. That was, until the fire in the hearth ignited the amber in his eyes, lending him a ferocity that even his expensive attire couldn't tame.
Kerrigan Byrne (The Highlander (Victorian Rebels, #3))
The lass was no damsel. He’d prepared himself for a hard sell, one that might require a few extra knee-weakening smiles, perhaps so much as a seduction, but he’d never in a million years expected the disaster that landed his arms. The disaster named Alison Ross.
Kerrigan Byrne (The Scot Beds His Wife (Victorian Rebels, #5))
Gram walked between the brothers, and slipped an arm through each man's bent elbow. When she glanced over her shoulder at Paisley, her eyes gleamed with pleasure. "These two are mine, sweet pea. The next man in a kilt is yours. In Scotland, it's every woman for herself.
Vonnie Davis (A Highlander's Obsession (Highlander's Beloved, #1))
Some discussion of the nature and temperament of the fairies is necessary in view of its possible bearing on their origin. J. G. Campbell tells us that in the Highlands of Scotland they were regarded as "the counterparts of mankind, but substantial and unreal, outwardly invisible." They differ from mortals in the possession of magical power, but are strangely dependent in many ways on man. They are generally considered by the folk at large as of a nature between spirits and men. "They are," says Wentz, "a distinct race between our own and that of spirits.
Lewis Spence (British Fairy Origins)
Te prometo mi amor y todo lo que poseo. Te prometo el primer bocado de mi carne y el primer sorbo de mi vino. A partir de este día solo tu nombre gritaré en la oscuridad de la noche, y por tus ojos sonreiré cada mañana; Yo seré un escudo para ti como tú eres el mío. No habrá entre nosotros ninguna palabra severa, ni ningún extraño oirá mi queja. Eres sangre de mi sangre y hueso de mi hueso. Te doy mi cuerpo para que podamos ser uno. Te doy mi espíritu para que podamos ser uno. Por encima de todo, te valoraré y te honraré, en esta vida y en la siguiente.
Ross Callum
Amelia envisaged that between York and the royal-infested Scottish Highlands there was a grimy wasteland of derelict cranes and abandoned mills and betrayed, yet still staunch, people. Oh and moorland, of course, vast tracts of brooding landscape under lowering skies, and across this heath strode brooding, lowering men intent on reaching their ancestral houses, where they were going to fling open doors and castigate orphaned yet resolute governesses. Or — preferably — the brooding, lowering men were on horseback, black horses with huge muscled haunches, glistening with sweat —
Kate Atkinson (Case Histories (Jackson Brodie, #1))
Long ago, when faeries and men still wandered the earth as brothers, the MacLeod chief fell in love with a beautiful faery woman. They had no sooner married and borne a child when she was summoned to return to her people. Husband and wife said a tearful goodbye and parted ways at Fairy Bridge, which you can still visit today. Despite the grieving chief, a celebration was held to honor the birth of the newborn boy, the next great chief of the MacLeods. In all the excitement of the celebration, the baby boy was left in his cradle and the blanket slipped off. In the cold Highland night he began to cry. The baby’s cry tore at his mother, even in another dimension, and so she went to him, wrapping him in her shawl. When the nursemaid arrived, she found the young chief in the arms of his mother, and the faery woman gave her a song she insisted must be sung to the little boy each night. The song became known as “The Dunvegan Cradle Song,” and it has been sung to little chieflings ever since. The shawl, too, she left as a gift: if the clan were ever in dire need, all they would have to do was wave the flag she’d wrapped around her son, and the faery people would come to their aid. Use the gift wisely, she instructed. The magic of the flag will work three times and no more. As I stood there in Dunvegan Castle, gazing at the Fairy Flag beneath its layers of protective glass, it was hard to imagine the history behind it. The fabric was dated somewhere between the fourth and seventh centuries. The fibers had been analyzed and were believed to be from Syria or Rhodes. Some thought it was part of the robe of an early Christian saint. Others thought it was a part of the war banner for Harald Hardrada, king of Norway, who gave it to the clan as a gift. But there were still others who believed it had come from the shoulders of a beautiful faery maiden. And that faery blood had flowed through the MacLeod family veins ever since. Those people were the MacLeods themselves.
Signe Pike (Faery Tale: One Woman's Search for Enchantment in a Modern World)
Make no mistake; I know all I need to know about you, Lord Thorne.” “Do ye?” he challenged. “Sure do. You’re a famously unscrupulous man. A notorious womanizer. A rake who thinks nothing of seducing other men’s wives.” “Well, someone has to, do they not? I doona know many men who seduce their own wives.
Kerrigan Byrne (The Scot Beds His Wife (Victorian Rebels, #5))
It didn't take long for her to help him remove his armor. She gestured to the pallet. "Lie down." "Not yet." He pulled her into his arms and held her against his chest. This is what he was fighting for. Not just for himself, but for all men to hold their women in their arms - and to raise families free from tyranny.
Amy Jarecki (Rise of a Legend (Guardian of Scotland #1))
Doona fash, Sam.” Calybrid, spying her scowl, hurried to balm the wound. “Ye’re plenty fair.” “Aye,” Locryn agreed. “With eyes the color of the Alt Dubh Gorm.” “Sure, that too.” “Just… no one will write odes to yer breasts is all.” “On account of ye not having any,” Locryn supplied, rather unnecessarily, in Samantha’s opinion.
Kerrigan Byrne (The Scot Beds His Wife (Victorian Rebels, #5))
The Cairngorm water is all clear. Flowing from granite, with no peat to darken it, it has never the golden amber, the ‘horse-back brown’ so often praised in Highland burns. When it has any colour at all, it is green, as in the Quoich near its linn. It is a green like the green of winter skies, but lucent, clear like aquamarines, without the vivid brilliance of glacier water. Sometimes the Quoich waterfalls have violet playing through the green, and the pouring water spouts and bubbles in a violet froth.
Nan Shepherd (The Living Mountain: A Celebration of the Cairngorm Mountains of Scotland (The Grampian Quartet Book 4))
He would stay with his brothers out of loyalty, fight alongside his clansmen out of pride, but if he died, it would be for Scotland, for his love of the barren, windswept moors and jagged corries he had been unable to call home for so many years and wanted so desperately to call home again. His passion was his strength, but it was also his greatest weakness.
Marsha Canham (The Blood of Roses (Highlands, #2))
His tongue tapped his top lip as he cupped her breast in his hand. "Tis boidhche --beautiful.
Amy Jarecki (The Highland Henchman (Highland Force, #2))
How could their love for each other be so wrong?
Terry Spear (Forbidden Love)
Holy fairy feathers, why does he have to be so handsome? Why couldn't a haggard old man have washed ashore?
Amy Jarecki (Beauty and the Barbarian (Highland Force, #3))
Why would anyone want to travel to Scotland? That wild country had nothing to offer but a bunch of unkempt men in kilts waving broadswords and screaming battle cries.
Victoria Roberts (My Highland Spy (Highland Spies, #1))
Bite me, love.
Terry Spear (Forbidden Love)
Learning to pipe isn't easy. At first it always sounds worse than a chicken yard full of squawking adolescent roosters.
Amy Jarecki (Beauty and the Barbarian (Highland Force, #3))
Lilith opened the shutters and allowed herself to bathe in the bright moonlight, as it shone across the Highland Glen.
Alan Kinross (Longinus The Vampire: Redemption)
Dear Mother Mary! His plaid sat low and hugged his hips, fitting him like a second skin.
Victoria Zak (Highland Fate (Guardians of Scotland, #3))
Regretfully, he remained an alluring mystery, with fascinating lines and details she could not help but seek to examine further and memorize.
Lily Blackwood (The Beast of Clan Kincaid (Highland Warrior, #1))
Isn't one man's truth another man's lie?
Amy Jarecki (Rise of a Legend (Guardian of Scotland #1))
You are charismatic. Men are drawn to you. I am drawn to you. And by your size, let alone your skill with weapons, they will be in awe of you.
Amy Jarecki (Rise of a Legend (Guardian of Scotland #1))
Annabel stopped rubbing the center of her lower back and ducked her head to hide the blush his words had brought on. It made Ross want to kiss her. Reminded
Lynsay Sands (An English Bride In Scotland (Highland Brides, #1))
Her fingers clutched him now, and her body writhed with a frustration he knew all too well. He wanted her. Now. Here.
Madeline Martin (Highland Spy (The Mercenary Maidens, #1))
Watching her was like being caught up in the radiance of a star, and in the light, he was revealed.
Paula Quinn (The Scot's Bride (The MacGregors: Highland Heirs #6))
She remembered Fiona saying something once, there was nothing more attractive than a competent man. At the time she'd been a young girl, without true understanding, but now she agreed.
Lily Blackwood (The Beast of Clan Kincaid (Highland Warrior, #1))
No, he didn’t view the scar as shameful, though he did in its getting. For he’d not received it in battle. He’d received it the last time he’d ever acted foolishly over a woman. Oddly poetic that the very woman who brought out that foolish side again was turned off by the scar. As if the scar and tattoo were a shield. A shield protecting him forevermore from heartache.
Angela Quarles (Must Love More Kilts (Must Love, #4))
Are ye hungry?" she asked, her voice soothing. His stomach growled. "I could cut the heart out of a stag and eat it raw." She chuckled. "Fortunately, we do no' have to go to such extremes.
Amy Jarecki (Beauty and the Barbarian (Highland Force, #3))
Alone. It was such an insignificant word. Or it had been for centuries. He'd sought out the solitude, had slept away centuries in his cave without hesitation. And now? Now he hated the quiet. He detested being alone.
Donna Grant (Smoldering Hunger (Dark Kings, #8))
The drinking dens are spilling out There's staggering in the square There's lads and lasses falling about And a crackling in the air Down around the dungeon doors The shelters and the queues Everybody's looking for Somebody's arms to fall into And it's what it is It's what it is now There's frost on the graves and the monuments But the taverns are warm in town People curse the government And shovel hot food down The lights are out in the city hall The castle and the keep The moon shines down upon it all The legless and asleep And it's cold on the tollgate With the wagons creeping through Cold on the tollgate God knows what I could do with you And it's what it is It's what it is now The garrison sleeps in the citadel With the ghosts and the ancient stones High up on the parapet A Scottish piper stands alone And high on the wind The highland drums begin to roll And something from the past just comes And stares into my soul And it's cold on the tollgate With the Caledonian Blues Cold on the tollgate God knows what I could do with you And it's what it is It's what it is now What it is It's what it is now There's a chink of light, there's a burning wick There's a lantern in the tower Wee Willie Winkie with a candlestick Still writing songs in the wee wee hours On Charlotte Street I take A walking stick from my hotel The ghost of Dirty Dick Is still in search of Little Nell And it's what it is It's what it is now Oh what it is What it is now
Mark Knopfler (Sailing to Philadelphia)
There was no portion of land in the world with so contradictory a nature as the Highlands. Now it was a land of sunlit moors stained red with heather, knowing only the peace of the quiet sky and the heart-shaking beauty of the blue hills; now it was a harsh and awesome place where silent mists obscured the peaks and a bitter relentless rain came down from bitter skies, where an angry sea washed against the shore, and sullen clouds reflected in sullen gray lochs. Scotland in the sun and Scotland in the rain...
Jan Cox Speas (My Lord Monleigh)
There were twenty-three females on the Keltar estate--not counting Gwen, Chloe, herself, or the cat--Gabby knew, because shortly after Adam had become visible last night, she'd met each and every one, from tiniest tot to tottering ancient. It had begun with a plump, thirtyish maid popping in to pull the drapes for the evening and inquire if the MacKeltars "were wishing aught else?" The moment her bespectacled gaze had fallen on Adam, she'd begun stammering and tripping over her own feet. It had taken her a few moments to regain a semblance of coordination, but she'd managed to stumble from the library, nearly upsetting a lamp and a small end table in her haste. Apparently it had been haste to alert the forces, for a veritable parade had ensued: a blushing curvaceous maid had come offering a warm-up of tear (they'd not been having any), followed by a giggling maid seeking a forgotten dust cloth (which--was anyone surprised?--was nowhere to be found), then a third one looking for a waylaid broom (yeah, right--they swept castles at midnight in Scotland--who believed that?), then a fourth, fifth, and sixth inquiring if the Crystal Chamber would do for Mr. Black (no one seemed to care what chamber might do for her; she half-expected to end up in an outbuilding somewhere). A seventh, eighth, and ninth had come to announce that his chamber was ready would he like an escort? A bath drawn? Help undressing? (Well, okay, maybe they hadn't actually asked the last, but their eyes certainly had.) Then a half-dozen more had popped in at varying intervals to say the same things over again, and to stress that they were there to provide "aught, aught at all Mr. Black might desire." The sixteenth had come to extract two tiny girls from Adam's lap over their wailing protests (and had stayed out of his lap herself only because Adam had hastily stood), the twenty-third and final one had been old enough to be someone's great-great-grandmother, and even she'd flirted shamelessly with the "braw Mr. Black," batting nonexistent lashes above nests of wrinkles, smoothing thin white hair with a blue-veined, age-spotted hand. And if that hadn't been enough, the castle cat, obviously female and obviously in heat, had sashayed in, tail straight up and perkily curved at the tip, and would her furry little self sinuously around Adam's ankles, purring herself into a state of drooling, slanty-eyed bliss. Mr. Black, my ass, she'd wanted to snap (and she liked cats, really she did; she'd certainly never wanted to kick one before, but please--even cats?), he's a fairy and I found him, so that him my fairy. Back off.
Karen Marie Moning (The Immortal Highlander (Highlander, #6))
We had chosen the Highlands as a place to holiday before Frank took up his appointment as a history professor at Oxford, on the grounds that Scotland had been somewhat less touched by the physical horrors of war than the rest of Britain, and was less susceptible to the frenetic postwar gaiety that infected more popular vacation spots.
Diana Gabaldon (Outlander (Outlander, #1))
I did not mean to be so long away from you. I had clan business to take care of, which took longer than I anticipated.” She nodded. “I understand.” He blew out a breath. “I’m not sure you do. I was eager to get through that business precisely because I wanted it out of the way so that I could return to your side.” Now it was her turn to feel her body flush with heat. “Oh yeah?” “Aye.” He looked down at his hands and then slowly reached and clasped her hand resting against her thigh. The rough feel of his calloused hands on her skin, and the tentative vulnerability in the movement, about made her slide forward off the bench and melt in a puddle on the stone floor. He really was just a big—quiet—teddy bear.
Angela Quarles (Must Love More Kilts (Must Love, #4))
Husband,” she protested. “I can ride. I am not hurt.” “Yer gown is torn and bloodied and ye’ve added yet another bruise to yer pretty face. Do no’ tell me yer no’ hurt,” he said grimly, shifting her about before him until she was pressed snugly up against his groin. Satisfied with her position, he then gestured for the others to follow, and turned his horse toward the castle.
Lynsay Sands (An English Bride In Scotland (Highland Brides, #1))
At one point the worst thing to happen was the odd stabbing or slashing, the violence that we live with nowadays used to only be seen in Hollywood gangster movies such as Gangs of New York, Menace to Society and Boys and the Hood. Even when we were reading about the crack hitting London, no one in Scotland would have thought in their wildest dreams that it would have taken off in our cities, towns and now even highland villages.
Stephen Richards (Scottish Hard Bastards)
The Hotel dining-room, like most of the others I was to find in the Highlands, had its walls covered with pictures of all sorts of wild game, living or in the various postures of death that are produced by sport. Between these pictures the walls were alert with the stuffed heads of deer, furnished with antlers of every degree of magnificence. A friend of mine has a theory that these pictures of dying birds and wounded beasts are intended to whet the diner's appetite, and perhaps they did in the more lusty age of Victoria; but I found they had the opposite effect on me, and had to keep my eyes from straying too often to them. In one particular hotel this idea was carried out with such thoroughness that the walls of its dining room looked like a shambles, they presented such an overwhelming array of bleeding birds, beasts and fishes. To find these abominations on the walls of Highland hotels, among a people of such delicacy in other things, is peculiarly revolting, and rubs in with superfluous force that this is a land whose main contemporary industry is the shooting down of wild creatures; not production of any kind but wholesale destruction. This state of things is not the fault of the Highlanders, but of the people who have bought their country and come to it chiefly to kill various forms of life.
Edwin Muir (Scottish Journey)
In the distant past the British Isles were ruled by tribes of giants. In the north, in the highlands of Scotland, in what is now Ross-shire, lived such a tribe of giant beings. This primeval tribe was renowned for their strength, and was famous for its incredible kinsfolk, such as Gog-Magog and the Cailleach-Mhore (Great Cailleach). This Cailleach was famed for her strength, even amongst this mightily-hewed tribe. One day, Cailleach Mhore was walking over the hills with a pannier of earth and rocks on her back. Pausing for breath, she stopped and stood on the site of Ben-Vaichard. As she stood gazing around her, the pannier gave way and all its contents came pouring out. Amidst the noise and chaos the Cailleach-Mhore cursed as her load was scattered. When the dust had cleared her gaze passed over a completely new landscape, with new hills formed by the earth and rocks she had been carrying.
Sorita d'Este (Visions of the Cailleach: Exploring the Myths, Folklore and Legends of the pre-eminent Celtic Hag Goddess)
Colin moved between her legs and kneeled. His eyes flashed with his rapturous grin. "I want to take you to a place you've never been." He dipped his chin, staring at her womanhood, his face only inches from her sex. Was he going to kiss her there? She tried to close her legs, but met with hard shoulders. "Colin. You mustn't." She could scarcely utter the words, her body so inexplicably aroused. "Close your eyes and give into the most erotic kiss of all.
Amy Jarecki (Knight in Highland Armor (Highland Dynasty #1))
And without discussing it, I think we both felt that it was a symbolic place to reestablish our marriage; we had been married and spent a two-day honeymoon in the Highlands, shortly before the outbreak of war seven years before. A peaceful refuge in which to rediscover each other, we thought, not realizing that, while golf and fishing are Scotland’s most popular outdoor sports, gossip is the most popular indoor sport. And when it rains as much as it does in Scotland, people spend a lot of time indoors.
Diana Gabaldon (Outlander (Outlander, #1))
Lowlanders who left Scotland for Ireland between 1610 and 1690 were biologically compounded of many ancestral strains. While the Gaelic Highlanders of that time were (as they are probably still) overwhelmingly Celtic in ancestry, this was not true of the Lowlanders. Even if the theory of 'racial' inheritance of character were sound, the Lowlander had long since become a biological mixture, in which at least nine strains had met and mingled in different proportions. Three of the nine had been present in the Scotland of dim antiquity, before the Roman conquest: the aborigines of the Stone Ages, whoever they may have been; the Gaels, a Celtic people who overran the whole island of Britain from the continent around 500 B.C.; and the Britons, another Celtic folk of the same period, whose arrival pushed the Gaels northward into Scotland and westward into Wales. During the thousand years following the Roman occupation, four more elements were added to the Scottish mixture: the Roman itself—for, although Romans did not colonize the island, their soldiers can hardly have been celibate; the Teutonic Angles and Saxons, especially the former, who dominated the eastern Lowlands of Scotland for centuries; the Scots, a Celtic tribe which, by one of the ironies of history, invaded from Ireland the country that was eventually to bear their name (so that the Scotch-Irish were, in effect, returning to the home of some of their ancestors); and Norse adventurers and pirates, who raided and harassed the countryside and sometimes remained to settle. The two final and much smaller components of the mixture were Normans, who pushed north after they had dealt with England (many of them were actually invited by King David of Scotland to settle in his country), and Flemish traders, a small contingent who mostly remained in the towns of the eastern Lowlands. In addition to these, a tenth element, Englishmen—themselves quite as diverse in ancestry as the Scots, though with more of the Teutonic than the Celtic strains—constantly came across the Border to add to the mixture.
James G. Leyburn (Scotch-Irish: A Social History)
What is it about The Highlands of Scotland? I wondered. The place is desolate, the weather awful, and yet as I looked out of that car window, I could think of no other place on earth where I would rather be. There is something about The Highlands that pulls me in. It’s hard to put my finger on it. I think it is one of those rare places on earth that takes me back. It’s primitive. Raw. Uncluttered. Time moves slower. Survival becomes more important than the next cell phone call or where the next dollar will come from.
Matthew Taylor (Goat Lips: Tales of a Lapsed Englishman)
Glen Shiel, Socttish Highlands, 1296 Strife abounds. King Edward of England has invaded the southern strongholds of Scotland and is pressuring King John of Scotland to abdicate. Several Scottish nobles, called Claimants, vie for his throne. The Cause divides the country, as each clan must choose and support a Claimant. Many contenders seek fortune and power, but a few seek Scotland’s independence. Only by a great force can this be achieved. However, the road to independence is fraught with those that wish to see the Cause crushed, at any cost.
Jean M. Grant (A Hundred Kisses (The Hundred Trilogy, #2))
It is often said that what most immediately sets English apart from other languages is the richness of its vocabulary. Webster’s Third New International Dictionary lists 450,000 words, and the revised Oxford English Dictionary has 615,000, but that is only part of the total. Technical and scientific terms would add millions more. Altogether, about 200,000 English words are in common use, more than in German (184,000) and far more than in French (a mere 100,000). The richness of the English vocabulary, and the wealth of available synonyms, means that English speakers can often draw shades of distinction unavailable to non-English speakers. The French, for instance, cannot distinguish between house and home, between mind and brain, between man and gentleman, between “I wrote” and “I have written.” The Spanish cannot differentiate a chairman from a president, and the Italians have no equivalent of wishful thinking. In Russia there are no native words for efficiency, challenge, engagement ring, have fun, or take care [all cited in The New York Times, June 18, 1989]. English, as Charlton Laird has noted, is the only language that has, or needs, books of synonyms like Roget’s Thesaurus. “Most speakers of other languages are not aware that such books exist” [The Miracle of Language, page 54]. On the other hand, other languages have facilities we lack. Both French and German can distinguish between knowledge that results from recognition (respectively connaître and kennen) and knowledge that results from understanding (savoir and wissen). Portuguese has words that differentiate between an interior angle and an exterior one. All the Romance languages can distinguish between something that leaks into and something that leaks out of. The Italians even have a word for the mark left on a table by a moist glass (culacino) while the Gaelic speakers of Scotland, not to be outdone, have a word for the itchiness that overcomes the upper lip just before taking a sip of whiskey. (Wouldn’t they just?) It’s sgriob. And we have nothing in English to match the Danish hygge (meaning “instantly satisfying and cozy”), the French sang-froid, the Russian glasnost, or the Spanish macho, so we must borrow the term from them or do without the sentiment. At the same time, some languages have words that we may be pleased to do without. The existence in German of a word like schadenfreude (taking delight in the misfortune of others) perhaps tells us as much about Teutonic sensitivity as it does about their neologistic versatility. Much the same could be said about the curious and monumentally unpronounceable Highland Scottish word sgiomlaireachd, which means “the habit of dropping in at mealtimes.” That surely conveys a world of information about the hazards of Highland life—not to mention the hazards of Highland orthography. Of
Bill Bryson (The Mother Tongue: English and How it Got that Way)
Sophia had been hard pressed not to laugh when MacLean had tripped over one of the floorboards she and Angus had pried loose. Better yet, MacLean had ripped his lace-edged sleeve on a broken nail in the doorframe of his bedchamber. She knew because she'd heard his loud curse from the hallway. Sophia had expected him to roar at the servants and demand things be repaired, but all he did was ask Angus for a hammer to protect himself from the loose boards and stray nails that seemed to plague MacFarlane House. To Sophia's delight, Angus had gloomily replied that there weren't enough hammers in the whole of Scotland to do that. Since Angus had left MacLean in his bedchamber, they hadn't heard a word from him. Perhaps the man was sleeping, although how could anyone sleep in such a damp room and with such a lumpy mattress and smoky chimney? More likely, he was awake and seething at being forced to endure such horrid conditions. She wished she had been there to witness his reaction to the threadbare furniture with broken springs and flat cushions, the inadequate bed coverings for the chilly chamber (it faced north, where the wind was fiercest), a window that was nailed slightly open, and more.
Karen Hawkins (To Catch a Highlander (MacLean Curse, #3))
Nevertheless, the idea that Europeans have simply stopped having enough children and must as a result ensure that the next generation is comprised of immigrants is a disastrous fallacy for several reasons. The first is because of the mistaken assumption that a country’s population should always remain the same or indeed continue rising. The nation states of Europe include some of the most densely populated countries on the planet. It is not at all obvious that the quality of life in these countries will improve if the population continues growing. What is more, when migrants arrive in these countries they move to the big cities, not to the remaining sparsely populated areas. So although among European states Britain, along with Belgium and the Netherlands, is one of the most densely populated countries, England taken on its own would be the second most densely populated country in Europe. Migrants tend not to head to the Highlands of Scotland or the wilds of Dartmoor. And so a constantly increasing population causes population problems in areas that are already suffering housing supply problems and where infrastructure like public transport struggles to keep up with swiftly expanding populations.
Douglas Murray (The Strange Death of Europe: Immigration, Identity, Islam)
From the woods that surrounded the burgh came a mass of men. Some rode, others ran. All carried weapons, mainly axes or spears. A few wore mail shirts and cloaks, but most just leather aketons. Among them were a handful of men clad in the short tunics favoured by Highlanders. These men were bare from thigh to foot, an alarming sight to Ormesby, who had only heard rumour of these wild men of the north. As they came, they roared a multitude of battle cries. Ormesby caught one name in the din, issuing from a group of mailed riders who followed a burly man on a finely caparisoned horse. ‘For Douglas!’ they howled. ‘For Douglas!’ Below, the townsfolk were scattering. The English soldiers had formed a tight knot outside the hall, blades drawn, but even as Ormesby watched, the forlorn group of beggars he had seen threw off their ragged skins and furs, revealing thickly muscled warriors. They fell upon the soldiers with savage cries, daggers thrusting. Footsteps sounded on the hall stairs. The door burst open and two soldiers appeared. ‘We must go, sir!’ The clerks and officials were already hastening across the chamber. Donald was running with them. Ormesby remained rooted. ‘Who are they?’ he demanded, his voice high as he turned back to the window, seeing the horde rushing into the town. His eyes fixed on a giant of a man running, almost loping in the front lines. Taller than all those around him, agile in the stride, he wore a simple dark blue tunic and wide-brimmed kettle hat. The other men seemed to be running in unruly formation around him. But it was the blade in the man’s hands that Ormesby’s eyes were drawn to. He had never seen such a sword, so broad and long the giant had to grasp it in both hands as he came. Another name now became audible in the roar of the mob. ‘Wallace! Wallace!
Robyn Young (Insurrection (The Insurrection Trilogy, #1))
I brought the best of the gowns I found yesterday, but they all need work. I never got to repairing them yesterday what with running between ye and the merchant,” she added apologetically. “No, of course you did not,” Annabel said with understanding as she pushed the door closed. “ ’Tis all right. Surely we can get one ready by noon?” “Aye,” Seonag agreed, sounding relieved that she wasn’t angry. A sigh from the bed made them both glance that way as Ross tossed the furs and linens aside to get up. “I suppose there is no reason fer me to stay abed then,” he said dryly, bending to pick up his shirt. He tugged it on and then walked to Annabel and gave her a slow, hungry kiss that had her releasing his plaid to reach for him. The moment she did, he broke the kiss and stepped back taking the plaid with him. “I’ll need this. Besides, I like ye better that way,” he said with a grin as Annabel gasped in surprise at being left naked.
Lynsay Sands (An English Bride In Scotland (Highland Brides, #1))
His gaze was locked on the young woman approaching beside Lady Withram. Short, no more than five feet, with a pretty face, shiny, long, wavy midnight hair and more curves than his shield. He noted all that in an instant, his eyes traveling with appreciation over each asset before settling on her eyes. They were a color he’d never seen before in eyes, a combination of pale blue and green, almost teal with a darker rim circling the unusual irises. They were absolutely beautiful . . . and presently brimming with anxiety and fear. Before he’d even realized he was going to do it, Ross found himself moving around the table to approach the girl. Taking her hand in his, he placed it on his arm and peered solemnly down into her unusual eyes before announcing, “Well worth the wait.” He was pleased to see some of her fear dissipate. Just a little, but it was something. She blushed too, ducking her head as if unused to and embarrassed by such a compliment . . . and her fingers were trembling where they rested on his arm. She did not strike him as a light-skirt, nor was she sour faced or ugly, but she had the finest eyes he’d ever seen, and he wanted to see more of them, so Ross turned and escorted her to the table. He didn’t miss the audible sighs of relief from her parents at their backs. Nor did he miss Gilly’s muttered, “Bloody hell. He’s done fer now.” Judging
Lynsay Sands (An English Bride In Scotland (Highland Brides, #1))
Ye told me ye had no’ seen the man in the clearing yesterday.” “I did not,” Annabel assured him, swiveling to look at him with a bit of excitement as she was recalled to the day’s events. “But I saw his plaid and the man today was wearing the same color plaid. He was big too. And, he was the same man as the one who startled me in England on our journey here, so I am beginning to think it was the same man all three times.” “Ye’re sure it was the same man as in England?” he asked, not happy at the thought. “Aye. I only caught a glimpse that first time, but he is hard to mistake,” she assured him. “He is very large and has a pretty face.” That brought a scowl to Ross’s lips. He didn’t at all like her finding someone else attractive, which was silly, he supposed. It wasn’t like she was going to run off with her attacker. According to Giorsal, she’d stabbed him. Besides, he himself wouldn’t have been flattered to be called pretty. “Ye mean handsome, do ye no’?” he suggested. “Nay. You are handsome, husband. He is pretty,” she said in a tone of voice that suggested that should clear the matter up. It didn’t. “Is there a difference?” Ross asked cautiously. “Aye,” Annabel said as if that should be obvious. “Handsome is rugged and manly and . . . well . . . handsome,” she finished helplessly, and then added, “Pretty is big eyes, sculpted jaw and hair that flops across the eyes.” She paused briefly before continuing with some consideration, “He would make a lovely girl were he not so muscular across the shoulders and chest.” “Ah,” Ross said, unable to repress a grin. Whether she realized it or not, his wife was saying she thought he was a sexy beast, while the pretty boy was . . . pretty, but not in a way she found especially attractive. He liked that. His
Lynsay Sands (An English Bride In Scotland (Highland Brides, #1))