Scheme Escape Quotes

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I am Death and no one defeats or escapes Death. (Thanatos) You know, I’ll bet most people shit their pants in terror when you hand them that line. But you know what, Mr. I-want-to-be-scary-and-am-failing-miserably? I’m not a person. I’m a Dark-Hunter and in the grand scheme of things you don’t mean shit to me. Now I can sit here and play with you, but I'd rather just put you out of both our miseries. (Zarek)
Sherrilyn Kenyon (Dance with the Devil (Dark-Hunter, #3))
Mr Earbrass escaped from Messrs Scuffle and Dustcough, who were most anxious to go into all the ramifications of a scheme for having his novels translated into Urdu, and went to call on a distant cousin.
Edward Gorey (The Unstrung Harp)
Ideas come easily to me, enacting them comes harder. I usually let things go. Perhaps it's an escape hatch, my way of allowing myself to double back and ease out the side door on a lot of my schemes. Irresolute about my social life, obsessive in my work.
Kathy Reichs (Déjà Dead (Temperance Brennan, #1))
She cannot escape marriage; it is her sacred Hindu duty, just as giving her away in marriage was her father’s sacred Hindu duty. Like Indian Independence, marriage is her ultimate ‘Tryst with Destiny,’ and it is not in her hand to escape her preordained and compulsory fate. A marriageable daughter is the lowest common denominator in the giant scheme of things.
Chandana Roy (A Good Girl)
Reluctantly, he knew that he despised his fellow residents for the way in which they fit so willingly into their appointed slots in the apartment buildings, for their overdeveloped sense of responsibility and lack of flamboyance. Above all, he looked down on them for their good taste. The building was a monument to good taste, to the well-designed kitchen, to sophisticated utencils and fabrics, to elegant and never ostentatious furnishings. In short, to that whole aesthetic sensibility which these well-educated, professional people had inherited from all the schools of industrial design, all the award-winning schemes of interior decoration institutionalized by the last quarter of the century. Royal detested this orthodoxy of the intelligent. Visiting his neighbors’ apartments, he would find himself physically repelled by the contours of an award-winning coffee pot, but the well-modulated color schemes, by the good taste and intelligence that, Midas-like, had transformed everything in these apartments into an ideal marriage of function and design. In a sense, these people were the vanguard of a well-to-do and well-educated proletariat of the future, boxed up in these expensive apartments with their elegant furniture, and intelligent sensibilities, and no possibility of escape.
J.G. Ballard (High-Rise)
Over the page I went, shifting the bit of coal to a new position; and, as the scheme of the picture disengaged itself from out the medley of colour that met my delighted eyes, first there was a warm sense of familiarity, then a dawning recognition, and then — O then! along with blissful certainty came the imperious need to clasp my stomach with both hands, in order to repress the shout of rapture that struggled to escape — it was my own little city!
Kenneth Grahame (Dream Days)
It's awfully good of some people to have asked me to take the job, but I'd rather read about a grand escape than plan one. Besides, I'm terrible at keeping secrets and I hate to scheme against people. It seems rude. I don't deal with guilt well and I'm worried we might hurt some feelings in the process of defending ourselves. Also, I am juggling a couple of books. Being a full-time conspirator would take away from my reading time.
Joe Hill (The Fireman)
It is typical of government price-fixing schemes that they escape one undesired consequence only by plunging into another and usually worse one.
Henry Hazlitt (Economics in One Lesson: The Shortest and Surest Way to Understand Basic Economics)
From the trunk of their scheme, choices and decisions sprouted like branches and shoots.
Colson Whitehead (The Underground Railroad)
The late 1920s were an age of islands, real and metaphorical. They were an age when Americans by thousands and tens of thousands were scheming to take the next boat for the South Seas or the West Indies, or better still for Paris, from which they could scatter to Majorca, Corsica, Capri or the isles of Greece. Paris itself was a modern city that seemed islanded in the past, and there were island countries, like Mexico, where Americans could feel that they had escaped from everything that oppressed them in a business civilization. Or without leaving home they could build themselves private islands of art or philosophy; or else - and this was a frequent solution - they could create social islands in the shadow of the skyscrapers, groups of close friends among whom they could live as unconstrainedly as in a Polynesian valley, live without moral scruples or modern conveniences, live in the pure moment, live gaily on gin and love and two lamb chops broiled over a coal fire in the grate. That was part of the Greenwich Village idea, and soon it was being copied in Boston, San Francisco, everywhere.
Malcolm Cowley (Exile's Return: A Literary Odyssey of the 1920s)
But the siblings could scarcely remember when they had been able to relax and do the things they liked to do best. It seemed ages since Violet had been able to sit around and think of inventions, instead of frantically building something to get them out of trouble. Klaus could barely remember the last book he had read for his own enjoyment, instead of as research to defeat one of Olaf's schemes. And Sunny had used her teeth many, many times to escape from difficult situations, but it had been quite a while since she had bitten something recreationally.
Lemony Snicket (The Carnivorous Carnival (A Series of Unfortunate Events, #9))
Do not laugh! But once upon a time (my crest has long since fallen) I had a mind to make a body of more or less connected legend, ranging from the large and cosmogonic, to the level of romantic fairy-story – the larger founded on the lesser in contact with the earth, the lesser drawing splendour from the vast backcloths – which I could dedicate simply to: to England; to my country. It should possess the tone and quality that I desired, somewhat cool and clear, be redolent of our ‘air’ (the clime and soil of the North West, meaning Britain and the hither parts of Europe: not Italy or the Aegean, still less the East), and, while possessing (if I could achieve it) the fair elusive beauty that some call Celtic (though it is rarely found in genuine ancient Celtic things), it should be ‘high’, purged of the gross, and fit for the more adult mind of a land long now steeped in poetry. I would draw some of the great tales in fullness, and leave many only placed in the scheme, and sketched. The cycles should be linked to a majestic whole, and yet leave scope for other minds and hands, wielding paint and music and drama. Absurd. Of course, such an overweening purpose did not develop all at once. The mere stories were the thing. They arose in my mind as ‘given’ things, and as they came, separately, so too the links grew. An absorbing, though continually interrupted labour (especially since, even apart from the necessities of life, the mind would wing to the other pole and spend itself on the linguistics): yet always I had the sense of recording what was already ‘there’, somewhere: not of ‘inventing’. Of course, I made up and even wrote lots of other things (especially for my children). Some escaped from the grasp of this branching acquisitive theme, being ultimately and radically unrelated: Leaf by Niggle and Farmer Giles, for instance, the only two that have been printed. The Hobbit, which has much more essential life in it, was quite independently conceived: I did not know as I began it that it belonged. But it proved to be the discovery of the completion of the whole, its mode of descent to earth, and merging into ‘history’. As the high Legends of the beginning are supposed to look at things through Elvish minds, so the middle tale of the Hobbit takes a virtually human point of view – and the last tale blends them.
J.R.R. Tolkien (The Letters of J.R.R. Tolkien)
I was adrift on the high seas, but my course was becoming clear. It lay between the scylla of my peers and the swirling, sucking charybdis of my family. Veering toward scylla seemed much the safer route, and after navigating the passage, I soon washed up, a bit stunned, on a new shore. Like Odysseus on the island of the cyclops, I found myself facing a "being of colossal strength and ferocity, to whom the law of man and god meant nothing." In true heroic fashion, I moved toward the thing I feared. Yet while Odysseus schemed desperately to escape Polyphemus's cave, I found that I was quite content to stay here forever.
Alison Bechdel (Fun Home: A Family Tragicomic)
Dr. Chanter, in his brilliant History of Human Thought in the Twentieth Century, has made the suggestion that only a very small proportion of people are capable of acquiring new ideas of political or social behaviour after they are twenty-five years old. On the other hand, few people become directive in these matters until they are between forty and fifty. Then they prevail for twenty years or more. The conduct of public affairs therefore is necessarily twenty years or more behind the living thought of the times. This is what Dr. Chanter calls the "delayed realisation of ideas". In the less hurried past this had not been of any great importance, but in the violent crises of the Revolutionary Period it became a primary fact. It is evident now that whatever the emergency, however obvious the new problem before our species in the nineteen-twenties, it was necessary for the whole generation that had learned nothing and could learn nothing from the Great War and its sequelae, to die out before any rational handling of world affairs could even begin. The cream of the youth of the war years had been killed; a stratum of men already middle-aged remained in control, whose ideas had already set before the Great War. It was, says Chanter, an inescapable phase. The world of the Frightened Thirties and the Brigand Forties was under the dominion of a generation of unteachable, obstinately obstructive men, blinded men, miseducating, misleading the baffled younger people for completely superseded ends. If they could have had their way, they would have blinded the whole world for ever. But the blinding was inadequate, and by the Fifties all this generation and its teachings and traditions were passing away, like a smoke-screen blown aside. Before a few years had passed it was already incredible that in the twenties and thirties of the twentieth century the whole political life of the world was still running upon the idea of competitive sovereign empires and states. Men of quite outstanding intelligence were still planning and scheming for the "hegemony" of Britain or France or Germany or Japan; they were still moving their armies and navies and air forces and making their combinations and alliances upon the dissolving chess-board of terrestrial reality. Nothing happened as they had planned it; nothing worked out as they desired; but still with a stupefying inertia they persisted. They launched armies, they starved and massacred populations. They were like a veterinary surgeon who suddenly finds he is operating upon a human being, and with a sort of blind helplessness cuts and slashes more and more desperately, according to the best equestrian rules. The history of European diplomacy between 1914 and 1944 seems now so consistent a record of incredible insincerity that it stuns the modern mind. At the time it seemed rational behaviour. It did not seem insincere. The biographical material of the period -- and these governing-class people kept themselves in countenance very largely by writing and reading each other's biographies -- the collected letters, the collected speeches, the sapient observations of the leading figures make tedious reading, but they enable the intelligent student to realise the persistence of small-society values in that swiftly expanding scene. Those values had to die out. There was no other way of escaping from them, and so, slowly and horribly, that phase of the moribund sovereign states concluded.
H.G. Wells (The Holy Terror)
It matters to me little whether they're on the Mongolian steppe, the deserts of West Africa, the Australian Outback, the marshlands of Southeast Asia... I can't escape the feeling of nausea... And this is just the tip of the iceberg - the ongoing spectacle of humans blissfully ignorant, boisterous, over-confident, scheming, and talking big about their dominion overthe world - a suffocating, self-absorbed, vacuous place called the wrold-for-us - to say nothing of how human culture has legitimized the most horrific actions against itself, a sickening and banal drama of the exchange of bodies, the breeding of spe ies, the struggle for power, prosperity and prestige. It just keeps going on and on, no matter how many films or TV shows imagine -like a myth - the disappearance of the human.
Eugene Thacker (Infinite Resignation)
I would like to believe and give in to my naiveté, I would like to embrace the fact that I am back in the place where the long fingers of civilization cannot reach me and rip my heart out. At this moment, I would like to embrace myself. I would like to be unconcerned with the rest of the world and take pleasure in knowing that I have found my home. All of my life, all of my adult life, which began with the first notion of understanding, I have been searching for this sensation. You, cruel world, have tried to bring me down, tried to crush me with your code of conduct, your ethics, and your preconceived limits on liberty. You have raped me and robbed me of happiness; you have stolen my dreams and my dignity, leaving me to rot with the rest of you. Today, I know I have escaped your poisoned web; I know your rules do not apply to me, for after all you have done to crush me, I am still standing proudly above the set of your sick play. I am in love—a feeling you no longer thought I was capable of. I am in love—living, breathing, dreaming again—triumphant over your sick schemes.
Henry Martin (Eluding Reality (Mad Days of Me #3))
I was already an atheist, and by my senior year I had became obsessed with the question “What is the meaning of life?” I wrote my personal statement for college admissions on the meaninglessness of life. I spent the winter of my senior year in a kind of philosophical depression—not a clinical depression, just a pervasive sense that everything was pointless. In the grand scheme of things, I thought, it really didn’t matter whether I got into college, or whether the Earth was destroyed by an asteroid or by nuclear war. My despair was particularly strange because, for the first time since the age of four, my life was perfect. I had a wonderful girlfriend, great friends, and loving parents. I was captain of the track team, and, perhaps most important for a seventeen-year-old boy, I got to drive around in my father’s 1966 Thunderbird convertible. Yet I kept wondering why any of it mattered. Like the author of Ecclesiastes, I thought that “all is vanity and a chasing after wind” (ECCLESIASTES 1:14) . I finally escaped when, after a week of thinking about suicide (in the abstract, not as a plan), I turned the problem inside out. There is no God and no externally given meaning to life, I thought, so from one perspective it really wouldn’t matter if I killed myself tomorrow. Very well, then everything beyond tomorrow is a gift with no strings and no expectations. There is no test to hand in at the end of life, so there is no way to fail. If this really is all there is, why not embrace it, rather than throw it away? I don’t know whether this realization lifted my mood or whether an improving mood helped me to reframe the problem with hope; but my existential depression lifted and I enjoyed the last months of high school.
Jonathan Haidt (The Happiness Hypothesis: Finding Modern Truth in Ancient Wisdom)
Almost every natural man that hears of hell, flatters himself that he shall escape it; he depends upon himself for his own security; he flatters himself in what he has done, in what he is now doing, or what he intends to do. Every one lays out matters in his own mind how he shall avoid damnation, and flatters himself that he contrives well for himself, and that his schemes will not fail. They hear indeed that there are but few saved, and that the greater part of men that have died heretofore are gone to hell; but each one imagines that he lays out matters better for his own escape than others have done. He does not intend to come to that place of torment; he says within himself, that he intends to take effectual care, and to order matters so for himself as not to fail.
Jonathan Edwards (Sinners in the Hands of an Angry God by Jonathan Edwards)
The defector is a typical—likely an impressionist—beguiled by a fantasy of freedom and escape. It is a state of mind I can grasp only theoretically. There is nothing original about human behavior. Any idea I have is likely occurring to scores of others in my demographic categories. We live in similar ways, think similar thoughts. What the eluders want to restore, I suspect, is the uniqueness they felt before counting like ours revealed that they were an awful lot like everyone else. But where the eluders have it wrong is that quantifiability doesn’t make human life any less remarkable, or even (this is counterintuitive, I know) less mysterious—any more than identifying the rhyme scheme in a poem devalues the poem itself. The opposite! Mysteries that are destroyed by measurement were never truly mysterious; only our ignorance made them seem so.
Jennifer Egan (The Candy House)
The blood cyst works kind of like a whip, doesn’t it?” I asked. “For the sheep to manipulate the host.” “Exactly. Once that forms, there’s no escaping the sheep.” “So what on earth was the Boss after, doing what he was doing?” “He went mad. He probably couldn’t take the heat of that blast furnace. The sheep used him to build up a supreme power base. That’s why the sheep entered him. He was, in a word, disposable. The man was zero as a thinker, after all.” “So when the Boss died, you were earmarked to take over that power base.” “I’m afraid so.” “And what lay ahead after that?” “A realm of total conceptual anarchy. A scheme in which all opposites would be resolved into unity. With me and the sheep at the center.” “So why did you reject it?” Time trailed off into death. And over this dead time, a silent snow was falling. “I guess I felt attached to my
Haruki Murakami (A Wild Sheep Chase (The Rat Series, #3))
The Eternal Return has certainly not been thought by philosophers or by those who are concerned about Nietzsche in the contemporary history of ideas, and this because the Eternal Return can not be thought of. It is a revelation that presents next to the Silvaplana rock, or on the threshold of the Gateway of the Moment, where the Two Ways meet. You will have to travel step by step along the path of Western yoga that Nietzsche rediscovered and practiced, putting his feet in the tracks that he left in the paths of the high peaks, relive their great pains and divine glories, reaching to reach similar tonalities of the soul, to be possessed by Dionysus and his ancient drunkenness, Luciferian, that makes dance in the solitude of forests and lost from a solar age, laughing and crying at the same time. And this is not achieved by the philosophers of the intellect or the beings 'of the flock'. For to achieve this, the Circle will have to be traversed for several eternities, again at the Gateway of the Moment, already predestined at noon. In addition, the doctrine of the Eternal Return is selective. As the initiatory practice Tantric Panshatattva is not for the paśu [animal], but only for some heroes or viryas, thus the Noon is reached by the 'Lords of the Earth' and by the poets of the Will to Power, predestined in a mysterious way to perform the Superman, that individualistic and aristocratic mutation. The 'herd', the vulgar, has nothing to do with all this, including here the scientists, technologists and most philosophers, politicians and government of the Kaliyuga. Nietzsche's description of the Eternal Return is found in some aphorisms that precede 'The Gay Science', Joyful Science, using Nietzsche the Provencal term, Occitan, from 'Gay'. Joyful Science will be that of the one who has accepted the Eternal Return of all things and has transmuted the values. The one of Superman. There is also a description in the schemes of 'The Will to Power'. In they all take hold, with genius that transcends their time, of the scientific knowledge and the mechanics of the time, which does not lose validity to the doctrine, let us say better to the revealed Idea, to the Revelation that, of somehow, it was also in the Pythagoreans, in their Aryan-Hyperborean form, differentiating itself from other elaborations made in the millennia of the East. Also would have been veiled in the Persian reformer Zarathustra. We are going to reproduce what Nietzsche has written about the Eternal Return. In the schemes of 'The Will to Power', he says: 'Everything returns and returns eternally; We can not escape this.
Miguel Serrano
You will leave as soon as our meeting concludes. Right under his nose. And when you return, you will praise him.” Gauri balked. “Praise him? He did nothing!” “You would do well to learn how to play the games of court,” I said. “Sometimes an illusion is just as good as the actual thing. The difference lies in the telling. Make this one concession. Find out what happens next. If you bring back these soldiers and word gets out that it was your idea and your escape, he may punish them on your behalf.” Gauri considered me. “What are you?” “A maybe-false queen!” butted in Kamala. It must have come out as another deranged horse whinny because Gauri nearly jumped. “I told you,” I said, not meeting her gaze. “I’m a person who lived here once upon a time.” “You know far too much about the political schemes of Bharata.” “My father was a diplomat.” “No, he wasn’t! No, he wasn’t!” sang Kamala. “Lies are fun. Lies are nice. They taste like rice soaked in milk and sliced and diced with cardamom and--” “Is your horse ill?” asked Gauri. “No, not at all,” I said and smacked Kamala on her flank. “She’s eager.” “For blood,” said Kamala.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
Psalm 56a For the director of music. To the tune of “A Dove on Distant Oaks.” Of David. A miktam.b When the Philistines had seized him in Gath. 1Be merciful to me, my God, for my enemies are in hot pursuit; all day long they press their attack. 2My adversaries pursue me all day long; in their pride many are attacking me. 3When I am afraid, I put my trust in you. 4In God, whose word I praise— in God I trust and am not afraid. What can mere mortals do to me? 5All day long they twist my words; all their schemes are for my ruin. 6They conspire, they lurk, they watch my steps, hoping to take my life. 7Because of their wickedness do notc let them escape; in your anger, God, bring the nations down. 8Record my misery; list my tears on your scrolld— are they not in your record? 9Then my enemies will turn back when I call for help. By this I will know that God is for me. 10In God, whose word I praise, in the LORD, whose word I praise— 11in God I trust and am not afraid. What can man do to me? 12I am under vows to you, my God; I will present my thank offerings to you. 13For you have delivered me from death and my feet from stumbling, that I may walk before God in the light of life.
Anonymous (Holy Bible (NIV), Red Letter Edition)
Often, when forced from his hammock by exhausting and intolerably vivid dreams of the night, which, resuming his own intense thoughts through the day, carried them on amid a clashing of phrensies, and whirled them round and round in his blazing brain, till the very throbbing of his life-spot became insufferable anguish; and when, as was sometimes the case, these spiritual throes in him heaved his being up from its base, and a chasm seemed opening in him, from which forked flames and lightnings shot up, and accursed fiends beckoned him to leap down among them; when this hell in himself yawned beneath him, a wild cry would be heard through the ship; and with glaring eyes Ahab would burst from his state room, as though escaping from a bed that was on fire. Yet these, perhaps, instead of being the unsuppressable symptoms of some latent weakness, or fright at his own resolve, were but the plainest tokens of its intensity. For, at such times, crazy Ahab, the scheming, unappeasedly steadfast hunter of the White Whale; this Ahab that had gone to his hammock, was not the agent that so causedhim to burst from it in horror again. The latter was the eternal, living principle or soul in him; and in sleep, being for the time dissociated from the characterizing mind, which at other times employed it for its outer vehicle or agent, it spontaneously sought escape from the scorching contiguity of the frantic thing, of which, for the time, it was no longer an integral. But as the mind does not exist unless leagued with the soul, therefore it must have been that, in Ahab's case, yielding up all his thoughts and fancies to his one supreme purpose; that purpose, by its own sheer inveteracy of will, forced itself against gods and devils into a kind of self-assumed, independent being of its own. Nay, could grimly live and burn, while the common vitality to which it was conjoined, fled horror-stricken from the unbidden and unfathered birth. Therefore, the tormented spirit that glared out of bodily eyes, when what seemed Ahab rushed from his room, was for the time but a vacated thing, a formless somnambulistic being, a ray of living light, to be sure, but without an object to color, and therefore a blankness in itself. God help thee, old man, thy thoughts have created a creature in thee; and he whose intense thinking thus makes him a Prometheus; a vulture feeds upon that heart for ever; that vulture the very creature he creates.
Herman Melville (Moby Dick)
Ah, God! what trances of torments does that man endure who is consumed with one unachieved revengeful desire. He sleeps with clenched hands; and wakes with his own bloody nails in his palms. Often, when forced from his hammock by exhausting and intolerably vivid dreams of the night, which, resuming his own intense thoughts through the day, carried them on amid a clashing of phrensies, and whirled them round and round in his blazing brain, till the very throbbing of his life-spot became insufferable anguish; and when, as was sometimes the case, these spiritual throes in him heaved his being up from its base, and a chasm seemed opening in him, from which forked flames and lightnings shot up, and accursed fiends beckoned him to leap down among them; when this hell in himself yawned beneath him, a wild cry would be heard through the ship; and with glaring eyes Ahab would burst from his state room, as though escaping from a bed that was on fire. Yet these, perhaps, instead of being the unsuppressable symptoms of some latent weakness, or fright at his own resolve, were but the plainest tokens of its intensity. For, at such times, crazy Ahab, the scheming, unappeasedly steadfast hunter of the White Whale; this Ahab that had gone to his hammock, was not the agent that so caused him to burst from it in horror again. The latter was the eternal, living principle or soul in him; and in sleep, being for the time dissociated from the characterizing mind, which at other times employed it for its outer vehicle or agent, it spontaneously sought escape from the scorching contiguity of the frantic thing, of which, for the time, it was no longer an integral. But as the mind does not exist unless leagued with the soul, therefore it must have been that, in Ahab's case, yielding up all his thoughts and fancies to his one supreme purpose; that purpose, by its own sheer inveteracy of will, forced itself against gods and devils into a kind of self-assumed, independent being of its own. Nay, could grimly live and burn, while the common vitality to which it was conjoined, fled horror-stricken from the unbidden and unfathered birth. Therefore, the tormented spirit that glared out of bodily eyes, when what seemed Ahab rushed from his room, was for the time but a vacated thing, a formless somnambulistic being, a ray of living light, to be sure, but without an object to color, and therefore a blankness in itself. God help thee, old man, thy thoughts have created a creature in thee; and he whose intense thinking thus makes him a Prometheus; a vulture feeds upon that heart for ever; that vulture the very creature he creates.
Herman Melville (Moby-Dick or, The Whale)
The Eternal Return has certainly not been thought by philosophers or by those who are concerned about Nietzsche in the contemporary history of ideas, and this because the Eternal Return can not be thought of. It is a revelation that presents itself next to the Silvaplana rock, or on the threshold of the Gateway of the Moment, where the Two Ways meet. You will have to travel step by step along the path of Western yoga that Nietzsche rediscovered and practiced, putting his feet in the tracks that he left in the paths of the high peaks, relive their great pains and divine glories, reaching to reach similar tonalities of the soul, to be possessed by Dionysus and his ancient drunkenness, Luciferian, that makes dance in the solitude of forests and lost from a solar age, laughing and crying at the same time. And this is not achieved by the philosophers of the intellect or the beings 'of the flock'. For to achieve this, the Circle will have to be traversed for several eternities, again at the Gateway of the Moment, already predestined at noon. In addition, the doctrine of the Eternal Return is selective. As the initiatory practice Tantric Panshatattva is not for the paśu [animal], but only for some heroes or viryas, thus the Noon is reached by the 'Lords of the Earth' and by the poets of the Will to Power, predestined in a mysterious way to perform the Superman, that individualistic and aristocratic mutation. The 'herd', the vulgar, has nothing to do with all this, including here the scientists, technologists and most philosophers, politicians and government of the Kaliyuga. Nietzsche's description of the Eternal Return is found in some aphorisms that precede 'The Gay Science', Joyful Science, using Nietzsche the Provencal term, Occitan, from 'Gay'. Joyful Science will be that of the one who has accepted the Eternal Return of all things and has transmuted the values. The one of Superman. There is also a description in the schemes of 'The Will to Power'. In they all take hold, with genius that transcends their time, of the scientific knowledge and the mechanics of the time, which does not lose validity to the doctrine, let us say better to the revealed Idea, to the Revelation that, of somehow, it was also in the Pythagoreans, in their Aryan-Hyperborean form, differentiating itself from other elaborations made in the millennia of the East. Also would have been veiled in the Persian reformer Zarathustra. We are going to reproduce what Nietzsche has written about the Eternal Return. In the schemes of 'The Will to Power', he says: 'Everything returns and returns eternally; We can not escape this.
Miguel Serrano
The Eternal Return has certainly not been thought by philosophers or by those who are concerned about Nietzsche in the contemporary history of ideas, and this because the Eternal Return can not be thought of. It is a revelation that presents itself next to the Silvaplana rock, or on the threshold of the Gateway of the Moment, where the Two Ways meet. You will have to travel step by step along the path of Western yoga that Nietzsche rediscovered and practiced, putting his feet in the tracks that he left in the paths of the high peaks, relive their great pains and divine glories, reaching to reach similar tonalities of the soul, to be possessed by Dionysus and his ancient drunkenness, Luciferian, that makes dance in the solitude of forests and lost from a solar age, laughing and crying at the same time. And this is not achieved by the philosophers of the intellect or the beings 'of the flock'. For to achieve this, the Circle will have to be traversed for several eternities, again at the Gateway of the Moment, already predestined at noon. In addition, the doctrine of the Eternal Return is selective. As the initiatory practice Tantric Panshatattva is not for the paśu [animal], but only for some heroes or viryas, thus the Noon is reached by the 'Lords of the Earth' and by the poets of the Will to Power, predestined in a mysterious way to perform the Superman, that individualistic and aristocratic mutation. The 'herd', the vulgar, has nothing to do with all this, including here the scientists, technologists and most philosophers, politicians and government of the Kaliyuga. Nietzsche's description of the Eternal Return is found in some aphorisms that precede 'The Gay Science', Joyful Science, using Nietzsche the Provencal term, Occitan, from 'Gay'. Joyful Science will be that of the one who has accepted the Eternal Return of all things and has transmuted the values. The one of Superman. There is also a description in the schemes of 'The Will to Power'. In they all take hold, with genius that transcends their time, of the scientific knowledge and the mechanics of the time, which does not lose validity to the doctrine, let us say better to the revealed Idea, to the Revelation that, of somehow, it was also in the Pythagoreans, in their Aryan-Hyperborean form, differentiating itself from other elaborations made in the millennia of the East. Also would have been veiled in the Persian reformer Zarathustra. We are going to reproduce what Nietzsche has written about the Eternal Return. In the schemes of 'The Will to Power', he says: 'Everything returns and returns eternally; We can not escape this.
Miguel Serrano
One: A Book Is A Universe and the Universe is a Book. Inside a book, any Physiks or Magical Laws or Manners or Histories may hold sway. A book is its own universe and while in it, you must play by their rules. More or less. Some of the more modern novels are lenient on this point and have very few policemen to spare. This is why sometimes, when you finish a book, you feel strange and woozy, as though you have just woken up. Your body is getting used to the rules and your own universe again. And your own universe is just the biggest and longest and most complicated book ever written—except for all the other ones. This is also why books along the walls make a place feel different—all those universes, crammed into one spot! Things are bound to shift and warp and hatch schemes! Two: Books Are People. Some are easy to get along with and some are shy, some are full of things to say and some are quiet, some are fanciful and some are plainspoken, some you will feel as though you've known forever the moment you open the cover, and some will take years to grow into. Just like people, you must be introduced properly and sit down together with a cup of something so that you can sniff at each other like tomcats but lately acquainted. Listen to their troubles and share their joys. They will have their tempers and you will have yours, and sometimes you will not understand a book, nor will it understand you—you can't love all books any more than you can love every stranger you meet. But you can love a lot of them. And the love of a book is a precious, subtle, strange thing, well worth earning, And just like people, you are never really done with a book—some part of it will stay with you, gently changing the way you see and speak and know. Three: People Are Books. This has two meanings. The first is: Every person is a story. They have a beginning and a middle and an end (though some may have sequels and series).They have motifs and narrative tricks and plot twists and daring escapes and love lost and love won. The rules of books are the rules of life because a book must be written by a person alive, and an alive person will usually try to tell the truth about the world, even if they dress it up in spangles and feathers. The other meaning is: When you read a book, it is not only a story. It is never only a story. Exciting plots may occur, characters suffer and triumph, yes, It is a story. But it is also a person speaking to you, directly to you. A person far away, perhaps in time, perhaps in space, perhaps both. A person who wanted to say something so loud that everyone could hear it. A book is a time-travelling teleportation machine. And there's millions and millions of them! When you read a book, you have a conversation with the person who wrote it. And that conversation is never quite the same twice. Every single reader has a different chat, because they are different people with different histories and ideas in their heads. Why, you cannot even have the same conversation with the same book twice! If you read a book as a child, and again as a Grown-Up, it will be something altogether other. New things will have happened to you, new folk will have come into your life and taught you wild and wonderful notions you never thought of before. You will not be the same person—and neither will the book. When you read, know that someone somewhere wrote those very words just for you, in hopes that you would find something there to take with you in your own travels through time and space.
Catherynne M. Valente (The Girl Who Fell Beneath Fairyland and Led the Revels There (Fairyland, #2))
If the family incentive scheme runs long enough, inequality may be increased even more if the children save part of their allowances. Even if all children save the same share of their allowances, one is regularly adding more to her wealth than the others, and she will get steadily richer than her siblings. Saving will ramp up the inequality in the allowances, and inequality in wealth will soon dwarf the inequality in allowances, just as, in the actual economy, inequality in wealth dwarfs inequality in earnings. This ramping up of inequality will be even faster if the children who are naturally inclined to be tidy are also those who are naturally inclined to save for the future. In the society at large, the same forces are at work if those who are more oriented to the future and have more self-control are the same people who are more able to benefit from education and more likely to accumulate wealth from their education-enhanced earnings. There is a deep conflict between incentives and inequality, in families and in countries.
Angus Deaton (The Great Escape: Health, Wealth, and the Origins of Inequality)
The most I could do was to mull over several different hypotheses. Think them through, turn them over and over and try to calculate which one was the most likely. What I eventually settled on was something like this: my ever-scheming, ever-dissatisfied, megalomaniacal brother had finally discovered a way out of his middle-class purgatory. After his company, Gifford Industries, had secretly acquired Paladin Worldwide, he’d combed through Paladin’s financial records, come across evidence of some mammoth kickback scheme, and made the brazen error of trying to extort millions of dollars from Carl Koblenz, Paladin’s president. But instead of simply buying Roger’s silence, Paladin had come right back at him. Threatened him. Targeted him. Then, one night in Georgetown, grabbed him. After that, well, my hypothesis got even shakier. Had he managed to escape his abductors? That seemed awfully unlikely. Roger was no super-hero. Was he being held prisoner at the Paladin training facility in Georgia in such a lax, loose way that he was actually able to use a cell phone? That was only marginally more likely.
Joseph Finder (Vanished (Nick Heller, #1))
CHORUS: Many are the wonders, the terrors,*28 and none is more wonderful, more terrible than man. He makes his way, this prodigy, over the dim gray sea, riding the blast of the south wind, the swells of the deep cleaving before him; he wears away the Earth, mightiest of gods, imperishable, unwearied— his plows turn her over and over, year 340 after year his mules plod on and on. antistrophe 1 And he has cast his nets about the race of lighthearted birds and the tribes of wild beasts and the swarms bred in the depths of the sea— gathers them all in his woven coils, over-clever man! And his inventions master the beast of field 350 and crag—the shaggy-maned horse and weariless mountain bull bow beneath his yoke. strophe 2 And now he’s taught himself language and thought swift as the wind, and how to live in cities, shunning exposure on the open hills, the rain spearing down from heaven; he’s ready 360 for anything—nothing finds him unready. Death alone he will not escape. And yet he has contrived ways to defeat intractable disease. antistrophe 2 With his ingenious art, clever beyond hope, he presses on now to evil, now to good. Allowing the laws of the land and the sworn justice of the gods their place in the scheme 370 of things, he is high in his city. But he whose daring moves him to evil has no city at all. May he never share my hearth, never share my thoughts, a man who acts this way!
Mary R. Lefkowitz (The Greek Plays: Sixteen Plays by Aeschylus, Sophocles, and Euripides (Modern Library Classics))
It was exhausting, for no matter what the scheme I conceived, there was one constant flaw—myself. There was no getting around it. I could no more escape than I could think of my identity. Perhaps, I thought, the two things are involved with each other. When I discover who I am, I’ll be free.
Ralph Ellison (Invisible Man)
Unlike my grandfather, Donald has always struggled for legitimacy—as an adequate replacement for Freddy, as a Manhattan real estate developer or casino tycoon, and now as the occupant of the Oval Office who can never escape the taint of being utterly without qualification or the sense that his “win” was illegitimate. Over Donald’s lifetime, as his failures mounted despite my grandfather’s repeated—and extravagant—interventions, his struggle for legitimacy, which could never be won, turned into a scheme to make sure nobody found out that he’s never been legitimate at all. This has never been more true than it is now, and it is exactly the conundrum our country finds itself in: the government as it is currently constituted, including the executive branch, half of Congress, and the majority of the Supreme Court, is entirely in the service of protecting Donald’s ego; that has become almost its entire purpose.
Mary L. Trump (Too Much and Never Enough: How My Family Created the World's Most Dangerous Man)
no longer scheming a wild escape into the dark but desperately hoping that a darkness would not come in.
Michelle Zauner (Crying in H Mart)
By bringing Nikkie to power, Yeroen had carved out an influential role for himself. With Luit’s death, however, his leverage evaporated. All of a sudden, Nikkie didn’t need the old male anymore. Finally he could be boss on his own, or so he must have thought. Soon after I had left for America, however, Yeroen began to cultivate a tie with Dandy, a younger male. This took several years, but eventually led to Dandy challenging Nikkie as leader. The ensuing tensions drove Nikkie to a desperate escape attempt. He actually drowned trying to make it across the moat around the island. The local newspaper dubbed it a suicide, but to me it seemed more likely a panic attack with a fatal outcome. Since this was the second death on Yeroen’s hands, I must admit that I’ve always had trouble looking at this scheming male without seeing a murderer. A year after this tragic incident, my successor decided to show the chimps a movie. The Family of Chimps was a documentary filmed at the zoo when Nikkie was still alive. With the apes ensconced in their winter hall, the movie was projected onto a white wall. Would they recognize their deceased leader? As soon as a life-sized Nikkie appeared on the wall, Dandy ran screaming to Yeroen, literally jumping into the old male’s lap! Yeroen had a nervous grin on his face. Nikkie’s miraculous “resurrection” had temporarily restored their old pact.
Frans de Waal (Our Inner Ape: A Leading Primatologist Explains Why We Are Who We Are)
It was not lost on me how different the circumstances were now. Here I was again, this time returned of my own free will, no longer scheming a wild escape into the dark but desperately hoping that a darkness would not come in.
Michelle Zauner (Crying in H Mart)
As an old Washington Post editor named Robert Estabrook once said, “He who has learned to disagree without being disagreeable has discovered the most valuable secret of negotiation.” This same technique for suspending unbelief that you use with kidnappers and escaping patients works for anything, even negotiating prices. When you go into a store, instead of telling the salesclerk what you “need,” you can describe what you’re looking for and ask for suggestions. Then, once you’ve picked out what you want, instead of hitting them with a hard offer, you can just say the price is a bit more than you budgeted and ask for help with one of the greatest-of-all-time calibrated questions: “How am I supposed to do that?” The critical part of this approach is that you really are asking for help and your delivery must convey that. With this negotiating scheme, instead of bullying the clerk, you’re asking for their advice and giving them the illusion of control. Asking for help
Chris Voss (Never Split the Difference: Negotiating As If Your Life Depended On It)
Hours of insanity and escape . . . in which I write inadequate verse, read, rage . . . record anecdotes which fade into the page like stains . . . beat time with my pencil’s business end . . . nip at the loose skin on the side of my hand with my teeth . . . cast schemes and tropes like horoscopes . . . practice catachresis as though it were croquet . . . grrrowl . . . kick wastebaskets into corners . . . realize that when I picture my methods of construction all the images are architectural, but when I dream of the ultimate fiction—that animal entity, the made-up syllabic self—I am trying to energize old, used-up, stolen organs like Dr. Frankenstein . . . grrrind . . . throw wet wads of Kleenex from a spring or winter cold into the corner where they mainly miss the basket . . . O . . . Ohio: I hear howling from both Os . . . play ring agroan the rosie . . . pace . . . put an angry erection back in my pants . . . rhyme . . . Then occasionally perceive beneath me on the page a few lines which . . . while I was elsewhere must have . . . yes, a few lines which have . . . which have the sound . . . the true whistle of the spirit. Wait’ll they read that, I say, perhaps even aloud, over the water running in the kitchen sink, over the noise of my writing lamp, coffee growing cold in the cup, the grrowl of my belly. Yet when I raise my right palm from the paper where, in oath, I’ve put it, the whistle in those words is gone, and only the lamp sings. Till I pull its chain like a john.
William H. Gass (In the Heart of the Heart of the Country: And Other Stories (NYRB Classics))
He'd told Alejandra this many times, but his comments had been so small in the grand scheme of things. She now knew that the largest parts of people escaped in tiny ways, tiny words, and tiny looks. One was not permitted to let themselves go and because they gripped so tightly trying to keep together the puppet they presented, parts of identity snuck their way out of holes, and released, transforming into something like a harmless quip their lover would forget. But their lover would remember it. Afterward. The schedule of human understanding was almost always set: afterward.
Kristian Ventura (A Happy Ghost)
Ideas come easily to me, enacting them comes harder. I usually let things go. Perhaps it’s an escape hatch, my way of allowing myself to double back and ease out the side door on a lot of my schemes. Irresolute about my social life, obsessive in my work.
Kathy Reichs (Déjà Dead (Temperance Brennan, #1))
Their greatest folly is that they don't understand you or your kinfolk. They cannot imagine that you would refuse being their vassal on the throne. They have no inkling that there are races of man that value sovereignty above the air they breathe. Like a puppet they expect you to approve and sign whatever policy put before you, bulking as they presume and barbarian would confronted with the daily administrative minutiae of rulership- along with the flowery jargon they'll use to disguise their schemes. And soon, drowning in woman and wine, your senses dulled from that stuporous escape- they'll have you unwittingly dismantle the Varangian guard before burying a dagger in your back" - Almuric Agricola Excerpt from Varangian: Book One of the Byzantum Saga
Wolraad J. Kirsten (Varangian: Book One of the Byzantum Saga)
Unsurprisingly, a retired dentist who starts a restaurant for the sex, or to be told he's marvelous, is totally unprepared for the realities of the business. He's completely blindsided when the place doesn't start making money immediately. Under-capitalized, uneducated about the arcane requirements of new grease traps, frequent refrigeration repairs, unforeseen equipment replacement, when business drops, or fails to improve, he panics, starts looking for the quick fix. He thrashes around in an escalating state of agitation, tinkering with concept, menu, various marketing schemes. As the end draws near, these ideas are replaced by more immediately practical ones: closed on Sundays. . . cut back staff . . . shut down lunch. Naturally, as the operation becomes more schizophrenic — one week French, one week Italian — as the poor schmuck tries one thing after another like a rat trying to escape a burning building, the already elusive dining public begins to detect the unmistakable odor of uncertainty, fear and approaching death. And once that distinctive reek begins to waft into the dining room, he may as well lay out petri-dishes of anthrax spores as bar snacks, because there is no way the joint is gonna bounce back. It's remarkable how long some of these neophytes hang on after the clouds of doom gather around the place, paying for deliveries COD as if magic will happen — one good weekend, a good review, something will somehow save them. Like some unseen incubus, this evil cloud of failure can hang over a restaurant long after the operation has gone under, killing any who follow. The cumulative vibe of a history of failed restaurants can infect an address year after year, even in an otherwise bustling neighborhood. You can see it when passersby peer into the front window of the next operator; there's a scowl, a look of suspicion, as if they are afraid of contamination.
Anthony Bourdain (Kitchen Confidential: Adventures in the Culinary Underbelly)
Visiting his neighbours’ apartments, he would find himself physically repelled by the contours of an award-winning coffee-pot, by the well-modulated colour schemes, by the good taste and intelligence that, Midas-like, had transformed everything in these apartments into an ideal marriage of function and design. In a sense, these people were the vanguard of a well-to-do and well-educated proletariat of the future, boxed up in these expensive apartments with their elegant furniture and intelligent sensibilities, and no possibility of escape.
J.G. Ballard (High-Rise)
In order to remain whole as persons, we must appreciate the wholeness of knowledge. Our nature craves after unity. The travail of thought, which is going on to-day and has gone on as long as we have any record of men’s thoughts, has been with a view to establishing some principle for the unification of life. Here we have the scheme of a magnificent unity. We are apt to think that piety is one thing, that our intellectual and artistic yearnings are quite another matter, and that our moral virtues are pretty much matters of inheritance and environment, and have not much to do with our conscious religion. Hence, there come discords into our lives, discords especially trying to young and ardent souls who want to be good and religious, but who cannot escape from the overpowering drawings of art and intellect and mere physical enjoyment; they have been taught to consider that these things are, for the most part, alien to the religious life, and that they must choose one or the other; they do choose, and the choice does not always fall upon those things which, in our unscriptural and unphilosophical narrowness, we call the things of God. (School Education, pp. 154–55)
Karen Glass (In Vital Harmony: Charlotte Mason and the Natural Laws of Education)
None of this has anything to do with me. I just want to move on and try to cobble a life together... I didn't escape the Troika only to get involved in some scheme that would put me back into their crosshairs.
Jaye Wells (Meridian Six (Meridian Six, #1))
Chief of these agents was Rash Behari Basu, a terrorist who had been concerned in the attempt to assassinate the Viceroy, Lord Hardinge, in 1912 and in other outrages. The major rebellion he now plotted in the Punjab was forestalled by the police, but Basu escaped to Shanghai where he helped the Germans in two other schemes for Indian revolution in 1915. In 1916 he fled to Japan and came under the protection of Toyama, head of the Black Dragon Society, a political bandit of immense power who defied Japanese government attempts to arrest the fugitive for extradition to India. In the course of time Basu married Toyama’s daughter, became a Japanese citizen and founded a Japanese branch of the Congress ‘Indian Independence League’, which was still alive in 1941.
Hugh Toye (Subhash Chandra Bose)
Dev was his name, and he was secretary to the prince Siddhartha, the man who would become Buddha. He had watched with envy as the young prince lived the life of luxury in his fine palace. He had watched with scorn as the royal one then gave it all up to live like a hermit in the forest. Then, as the Buddha gained his enlightenment under the Bo tree and began preaching the Way for all people to escape suffering, Dev grew respectful of him and stopped watching.  He joined the assembly of the World Honoured One, and sought out his special favour. And when this was not granted, when he was told that all men were equal and no one should hold court over another, his arrogance had bested him and he left the company of monks forever. To find his own truth, he said, but the only truth he found was in the arms of a woman – a beautiful but scheming witch named Rashila.
Frank Kusy (Ginger the Buddha Cat (Ginger #2))
There had to be some meaning to it. Judgment, punishment, test, trial, strengthening—something that made sense out of it. Some scheme into which what was happening could all be fit—Rita, Urs, Tadeusz, Stefan, Erich, Freddy . . . A story from which she might at least learn something about herself and her life. At the end of it, when the war was over, if she survived, there would be a plot with a natural beginning, a long, painful, tension-filled middle, villains and heroes, and a satisfying end, or at least one that brought the story to a close—her survival. When it was all over, the story would stitch together everything that had happened—her perpetual discomfort and danger—even if it didn’t make sense of the horrors visited on the millions somehow suffering through the demented melodrama that would end with her survival. Yes, there would be a story at the end, if she did survive—a plot with dangers and escapes, in which her actions and everyone else’s would make sense. But
Alex Rosenberg (The Girl from Krakow)
Ego autem sum quasi vas inane,’ he began awkwardly, stuttering along the lines of meaningless prose like a small child. ‘Ego donavit corpus meum ad dominum meum in exercitu magno Cardinalis Balthazar De La Senza,’ he continued, quickly becoming surprisingly fluent despite his vaguely cockney tone. ‘Tempore domini Inquisitoris magni voluntatis esse, aequo animo et scissa animam meam a fundamentis et suspensi in abyssum quasi stercora, nihil prorsus in aeternum damnatus egisse,’ he went on, oblivious to something stirring in the small box behind him. Wisps of purple drifted from it like steam from a cooling kettle. ‘Ego Christophorus Baxtere accipe usitata res est, uti et magnis La Senza caput meum corium et nervorum et magnifici primum genus dentium,’ Baxter continued, strangely enjoying himself. Far away in another place, the bound and trapped Cardinal La Senza had begun to whisper the words in unison beneath the folds of his hooded cloak. Oblivious, Baxter was flying now, quite unaware of the sinister coaching he was receiving. ‘O magnum La Senza, cum venerit, et ad hoc bonum esse propter tempus, quia ego miser!’ Baxter read on. A coiling snake-like tendril of purple had fingered its way through the lock of the cabinet and was creeping menacingly towards its target. It advanced up Baxter’s legs, body and neck until finally, it crept imperceptibly into his ears. ‘Ego Christophorus Baxtere immolare volens alumnam cerebrum meum et animam, ut vos mos postulo ut enable uariat possessione tua ...’ Pleased beyond measure by what he had fondled and explored, La Senza went still. Content for now, he drew back his sensing vines and they fell away from Baxter, unnoticed. His jailors had seen nothing. La Senza now had the chance he’d been craving for centuries, so many lifetimes of plotting and scheming. He knew nothing of the young man he had inspected so intimately – frankly, he didn’t care. It was the body, oh his body, so young and fit; teeth clean like white mice, no trace of Popery, no hint of Lutheran, Baptist, Jew, Muslim or Buddhist within his empty soul, nothing to restrain or inhibit the Inquisitor’s foul purposes. La Senza knew that his escape was mere days away. Immobile, he marshalled dark reserves for the events to come. ‘Nunc me vacua est anima mea praeparata et redditur supersunt, La Senza venit, et possident me! Sincere vestrum, Christopher Baxter,’ finished Chris, with a flourish. ‘Bravo Mr Baxter,’ said Ascot McCauley, standing as he clapped enthusiastically. ‘Bravo!
T.J. Brown (The Unhappy Medium (The Unhappy Medium, #1))
All wicked men’s pains and contrivance they use to escape hell, while they continue to reject Christ, and so remain wicked men, don’t secure ’em from hell one moment. Almost every natural man that hears of hell flatters himself that he shall escape it; he depends upon himself for his own security, he flatters himself in what he has done, in what he is now doing, or what he intends to do; every one lays out matters in his own mind how he shall avoid damnation, and flatters himself that he contrives well for himself, and that his schemes won’t fail.
Jonathan Edwards (Selected Sermons of Jonathan Edwards)
Legal obfuscation and amnesty schemes The UPA government is trying to use every trick of the trade to provide escape routes for black money looters. Take, for example, the complex strategy being adopted to change the colour of money from black to white, with a unique ‘Fair and Lovely’ amnesty recipe. The press reported in 2011 that the Central Board of Direct Taxes (CBDT) was “seriously considering” recommending to the government a scheme on the lines of the Voluntary Disclosure of Income Scheme (VDIS) announced in 1996 to bring back black money stashed in tax havens abroad for productive use in India. It is reported that the source of the money will not have to be disclosed, but criminal action will be taken if the money (or the assets) pertain to proceeds of crime. How the two halves of the sentence can be harmonised defies logic. In a democracy, every citizen is entitled to know the character and integrity of every other citizen, lest one day a crook manipulates a constituency of voters and colleagues in his party and occupies the office of prime minister. Concealing vast amounts of money and depriving a poverty-stricken nation of the revenue it badly needs is a criminal offence by itself. How would we find out whether or not one such criminal is already in office, instead of being in Tihar Jail?
Ram Jethmalani (RAM JETHMALANI MAVERICK UNCHANGED, UNREPENTANT)
The thing about death is that it comes. Even the cleanest of deaths can leave remorse. The duality of it is dealing and understanding when it is a loved one, we have to derive a meaning from it at least personally. We define ourselves with the way we let go of our loved ones. The duality of it is that this ultimate loved one for you can die and the fact that it did not mean anything more in the grand scheme of things than how it effects you those around you. Some egoists have this belief that one death is more tragic than another, this is most easily represented when a celebrity dies and the news on everyones personal flat-screen holographic television displays it throughout the day. The importance of life is erased in death. It is the polar opposite, it is the abyss of nothings what some hipsters call the void, there is nothing more tragic than it ceased to exist in any circumstance we as the atomic beings decide to view it as. Maybe there is no way of knowing what is more tragic, watching life escape a person you loved or not being able to say goodbye.
Apollo Figueiredo (A Laugh in the Spoke)