Scenic Life Quotes

We've searched our database for all the quotes and captions related to Scenic Life. Here they are! All 42 of them:

Sometimes the most scenic roads in life are the detours you didn't mean to take.
Angela N. Blount (Once Upon a Road Trip (Once Upon a Road Trip, #1))
As the saturating colors of sun-life fade from sight, the ominous moon reaches out its long arm and applies the dark dyes of night.
Daniel J. Rice (This Side of a Wilderness)
Odd, how life makes twists and turns. I never would have guessed that I’d end up where I am now, but I wouldn’t trade it for the world. I wouldn’t trade this path I’m on for the whole solar system, for that matter. If I’ve learned anything these last several months, it’s that sometimes the most scenic roads in life are the detours you didn’t mean to take.
Angela N. Blount (Once Upon an Ever After (Once Upon a Road Trip #2))
The end of all things--a book, a life, a summer, a marriage, the last bite of cake, the last of innocence lost, a love affair--is always sad, at least a little bit sad, because it is the end, the end of that.
Binnie Kirshenbaum (The Scenic Route)
Henry told me he is often the life of the party, as if he didn't already know that to be the life of the party is the most sad and pathetic of all things to be.
Binnie Kirshenbaum (The Scenic Route)
The truth is that writing is simply not reliable. You can't count on it to be there just because you've made some space for it. In fact, making space might make it disappear. You tell yourself you can't write in the middle of your daily life, with all its distractions and commitments, and when you finally clear the decks, light off for someplace scenic or at least private, you sit there completely paralyzed. You have devoted yourself to writing, but it has not returned your devotion. If writing were a person, you would be in an abusive relationship. The healthy thing to do would be to get a restraining order and shut it right out of your heart.
Kim Addonizio (Bukowski in a Sundress: Confessions from a Writing Life)
I was extremely curious about the alternatives to the kind of life I had been leading, and my friends and I exchanged rumors and scraps of information we dug from official publications. I was struck less by the West's technological developments and high living standards than by the absence of political witch-hunts, the lack of consuming suspicion, the dignity of the individual, and the incredible amount of liberty. To me, the ultimate proof of freedom in the West was that there seemed to be so many people there attacking the West and praising China. Almost every other day the front page of Reference, the newspaper which carded foreign press items, would feature some eulogy of Mao and the Cultural Revolution. At first I was angered by these, but they soon made me see how tolerant another society could be. I realized that this was the kind of society I wanted to live in: where people were allowed to hold different, even outrageous views. I began to see that it was the very tolerance of oppositions, of protesters, that kept the West progressing. Still, I could not help being irritated by some observations. Once I read an article by a Westerner who came to China to see some old friends, university professors, who told him cheerfully how they had enjoyed being denounced and sent to the back end of beyond, and how much they had relished being reformed. The author concluded that Mao had indeed made the Chinese into 'new people' who would regard what was misery to a Westerner as pleasure. I was aghast. Did he not know that repression was at its worst when there was no complaint? A hundred times more so when the victim actually presented a smiling face? Could he not see to what a pathetic condition these professors had been reduced, and what horror must have been involved to degrade them so? I did not realize that the acting that the Chinese were putting on was something to which Westerners were unaccustomed, and which they could not always decode. I did not appreciate either that information about China was not easily available, or was largely misunderstood, in the West, and that people with no experience of a regime like China's could take its propaganda and rhetoric at face value. As a result, I assumed that these eulogies were dishonest. My friends and I would joke that they had been bought by our government's 'hospitality." When foreigners were allowed into certain restricted places in China following Nixon's visit, wherever they went the authorities immediately cordoned off enclaves even within these enclaves. The best transport facilities, shops, restaurants, guest houses and scenic spots were reserved for them, with signs reading "For Foreign Guests Only." Mao-tai, the most sought-after liquor, was totally unavailable to ordinary Chinese, but freely available to foreigners. The best food was saved for foreigners. The newspapers proudly reported that Henry Kissinger had said his waistline had expanded as a result of the many twelve-course banquets he enjoyed during his visits to China. This was at a time when in Sichuan, "Heaven's Granary," our meat ration was half a pound per month, and the streets of Chengdu were full of homeless peasants who had fled there from famine in the north, and were living as beggars. There was great resentment among the population about how the foreigners were treated like lords. My friends and I began saying among ourselves: "Why do we attack the Kuomintang for allowing signs saying "No Chinese or Dogs" aren't we doing the same? Getting hold of information became an obsession. I benefited enormously from my ability to read English, as although the university library had been looted during the Cultural Revolution, most of the books it had lost had been in Chinese. Its extensive English-language collection had been turned upside down, but was still largely intact.
Jung Chang (Wild Swans: Three Daughters of China)
Life should be savored and enjoyed, not rushed through from one minute to the next like you’re in some sort of race to the finish line. Trust me, when you get to be my age you’re gonna wish you’d taken the scenic route.
Kathi Daley (The Christmas Letter (Tess and Tilly #1))
geography of life. Home is not just shelter, nor is it simply the scenic backdrop to our lives. Places shape people. Home comes from the Sanskrit word aham, meaning self. Where we are determines who we are. It’s why we take pride in our hometowns and root for the home team.
Will Harlan (Untamed: The Wildest Woman in America and the Fight for Cumberland Island)
Semille wept not because she did something stupid; she wept because she *didn't* do something stupid. Sometimes, to do something stupid--to disobey your parents, to rush into battle, to speak out of turn, to ruin your life--is a far better thing to do than to do nothing at all.
Binnie Kirshenbaum (The Scenic Route)
But figure his thought, when Death is now clutching at his own heart-strings, unlooked for, inexorable! Yes, poor Louis, Death has found thee. No palace walls or life-guards, gorgeous tapestries or gilt buckram of stiffest ceremonial could keep him out; but he is here, here at thy very life-breath, and will extinguish it. Thou, whose whole existence hitherto was a chimera and scenic show, at length becomest a reality: sumptuous Versailles bursts asunder, like a dream, into void Immensity; Time is done, and all the scaffolding of Time falls wrecked with hideous clangour round thy soul: the pale Kingdoms yawn open; there must thou enter, naked, all unking'd, and await what is appointed thee! Unhappy man, there as thou turnest, in dull agony, on thy bed of weariness, what a thought is thine! Purgatory and Hell-fire, now all-too possible, in the prospect; in the retrospect,--alas, what thing didst thou do that were not better undone; what mortal didst thou generously help; what sorrow hadst thou mercy on? Do the 'five hundred thousand' ghosts, who sank shamefully on so many battle-fields from Rossbach to Quebec, that thy Harlot might take revenge for an epigram,--crowd round thee in this hour? Thy foul Harem; the curses of mothers, the tears and infamy of daughters? Miserable man! thou 'hast done evil as thou couldst:' thy whole existence seems one hideous abortion and mistake of Nature; the use and meaning of thee not yet known. Wert thou a fabulous Griffin, devouring the works of men; daily dragging virgins to thy cave;--clad also in scales that no spear would pierce: no spear but Death's? A Griffin not fabulous but real! Frightful, O Louis, seem these moments for thee.--We will pry no further into the horrors of a sinner's death-bed.
Thomas Carlyle (The French Revolution: A History)
And with that, we resume our trek. It takes an annoyingly long time to get to the palace. I mean, the walk is scenic and all, the forest lush with life, the ground sprinkled with glittering pools and rippling creeks, and blah, blah, blah—lots of pretty shit. But it’s still a stupidly long walk, and now that Des and I have five billion guards hemming us in, our conversation is next to non-existent. To be fair, I have been entertained. Des has spent most of the last hour plaiting one guard’s hair into at least fifty braids (he hasn’t yet noticed) and moving branches into another guard’s way. “Mother fucking trees,” the fairy mutters under his breath. “I swear they’re moving in my way.” “Lay off the spirits, Sythus,” another says.
Laura Thalassa (Dark Harmony (The Bargainer, #3))
The new normal is rarely an easy adjustment and never truly feels, well, normal. Let’s be honest. Plan B is never preferred. Detours and alternate routes are never quite as scenic. The darkness of being gifted a second chance is that it means something went wrong in the first place. And yet, I would rather have a few speed bumps slow me down, causing me to spill coffee on my dress, than ever hand someone else the keys to my life.
Alicia Cook (Stuff I've Been Feeling Lately)
The awfulness of sudden death and the glory of heaven stunned me! The thing that had been mystery at twilight, lay clear, pure, open in the rosy hue of dawn. Out of the gates of the morning poured a light which glorified the palaces and pyramids, purged and purified the afternoon's inscrutable clefts, swept away the shadows of the mesas, and bathed that broad, deep world of mighty mountains, stately spars of rock, sculptured cathedrals and alabaster terraces in an artist's dream of color. A pearl from heaven had burst, flinging its heart of fire into this chasm. A stream of opal flowed out of the sun, to touch each peak, mesa, dome, parapet, temple and tower, cliff and cleft into the new-born life of another day. I sat there for a long time and knew that every second the scene changed, yet I could not tell how. I knew I sat high over a hole of broken, splintered, barren mountains; I knew I could see a hundred miles of the length of it, and eighteen miles of the width of it, and a mile of the depth of it, and the shafts and rays of rose light on a million glancing, many-hued surfaces at once; but that knowledge was no help to me. I repeated a lot of meaningless superlatives to myself, and I found words inadequate and superfluous. The spectacle was too elusive and too great. It was life and death, heaven and hell.
Zane Grey (The Last of the Plainsmen)
the canvases which Mr. St. Jones referred to with a paintbrush that was long and slightly bowed: for the most part interiors, or undergrounds, of pocked and craggy holes, rock vaults with mossy floors and slimy walls, or narrow scenic vistas that skinny silver streams squirmed through like sidewinders flipped on their backs, beneath downward grasping tentacles of roots, stalactites dagger-sharp and dangling by threads of stone, stalagmites teetering, all doused, frozen in molten electric white that suggested what a glimpse of hell might be, too beautiful, some still lifes too, great bulbous beets, hoary legumes, giant scallions, white carrots, tomatoes, berries, squash in huge radiant bowls, and portraits, signed by Ionia, of shadows, from which gleamed eyes and teeth and nails and, here and there, a glowing bubble, or scrotum, caught the eye. Near the door a counter clacked but rather quietly.
Douglas Woolf (Wall to Wall (American Literature))
WHODUNIT BY BRUCE TIERNEY | 838 words A slippery situation in the Gulf Black Horizon (Harper, $25.99, 384 pages, ISBN 9780062109880), the 11th book in James Grippando's popular series featuring Florida attorney Jack Swyteck, opens with the two most important words of the lawyer's life: "I do." (Ha, ha—you thought I was going to say, "Not guilty.") The beach wedding in scenic Key Largo goes wildly awry when an epic storm arises in the Gulf, launching manifold repercussions for Swyteck and his new bride. One of the victims of the storm is a young Cuban oil rig worker whose wife emigrated to the U.S. ahead of him. He had planned to follow, but the deadly combination of high winds and an explosive oil spill have put paid to those plans forever. Now his wife would like Swyteck to file a wrongful death suit against the Chinese/Russian/Venezuelan/Cuban consortium that owns the oil rig. This is no easy feat, since the rig is in Cuban waters, and the only tenuous tie to the U.S. legal system is the wife's residency in Key West. The situation is volatile; the adversaries are lethal; and the backdrop is a toxic oil slick poised to slime the Florida coast. Black Horizon is timely, relentlessly paced and a thrill ride of the first
Anonymous
Had it not been for the mud and rain last October, we should have been in Moscow in no time. We have now learnt that the moment the rain comes, we must stop everything. When the war ends, the German people need not bother its head about what it is going to do during the next fifty years ! We shall become the most self-supporting State, in every respect, including cotton, in the world. The only thing we shall not have will be a coffee plantation—but we'll find a coffeegrowing colony somewhere or other! Timber we shall have in abundance, iron in limitless quantity, the greatest manganeseore mines in the world, oil—we shall swim in it! And to handle it all, the whole strength of the entire German man power! By God ! how right the peasant is to put his trust solely in the earth ! What's the use of talking about scenic beauty, when the earth is oozing with wealth ! In the future, it will be a pleasure to work ! Stalin is half beast, half giant. To the social side of life he is utterly indifferent. The people can rot, for all he cares. If we had given him another ten years, Europe would have been swept away, as it was at the time of the Huns. Without the German Wehrmacht, it would have been all up with Europe even now. The doors of the Continent would have been flung open for him by the idiocy of the masses. The worst of our winters is now behind us. In a hundred years' time there will be millions of German peasants living here.
Adolf Hitler (Hitler's Table Talk, 1941-1944)
Grieve not for lost love, whether it is through death or the fickle fluctuations of human nature. Love itself is never lost, but just plays hide-and-seek with you in many hearts; that in pursuing it you might find its ever greater manifestations. It will keep hiding from you, and disappointing you, until you have quested long enough to find its abode in the One who resides in the deepest recesses of your own soul, and in the heart of everything. Then you will say: “O Lord, when I resided in the house of mortal consciousness, I thought I loved my parents and my friends; I fancied I loved birds, beasts, possessions. But now that I have moved into the mansion of Omnipresence, I know it is Thee alone I love, manifested as parents, friends, all creatures and all things. By loving Thee alone, my heart expanded to love the many. By being loyal in my love to Thee, I am loyal to all I love. And I love all beings forever.” I see life on earth as only a scenic backdrop behind which my loved ones hide at death. As I love them when they are before my eyes, so does my love follow them with my ever-watching mental gaze when they move elsewhere, behind death’s screen. Those whom I have loved I could never hate, even though they grow uninteresting through ugly behavior. In my museum of recollections, I can still behold those traits that caused me to love them. Beneath the temporary mental masks of those whose behavior I dislike, I see the perfect love of my great Beloved, even as I see it in those worthy souls that I love. To stop loving is to stem the purifying flow of love. I shall loyally love every being, every thing, until I find all races, all creatures, all animate and inanimate objects embraced by my love. I will love until every soul, every star, every forsaken creature, every atom, is lodged in my heart; for in the infinite love of God, my breast of eternity is large enough to hold everything in me. O Love, I see Thy glowing face in the gems. I behold Thy shy blush in the blossoms. I am enraptured, hearing Thee warble in the birds. And I dream in ecstasy when my heart embraces Thee in all hearts. O Love, I met Thee in all things—only a little and for a while—but in Omnipresence I clasp Thee entirely and forever, and I rejoice in Thy joy evermore.
Paramahansa Yogananda (The Divine Romance: Collected Talks and Essays on Realizing God in Daily Life – Volume 2)
I would rather face the devil himself than that man,” Elizabeth said with a repressed shudder. “I daresay,” Lucinda agreed, clutching her umbrella with one hand and the side of the cart with her other. The nearer the time came, the more angry and confused Elizabeth became about this meeting. For the first four days of their journey, her tension had been greatly allayed by the scenic grandeur of Scotland with its rolling hills and deep valleys carpeted in bluebells and hawthorne. Now, however, as the hour of confronting him drew near, not even the sight of the mountains decked out in spring flowers or the bright blue lakes below could calm her mounting tension. “Furthermore, I cannot believe he has the slightest desire to see me.” “We shall soon find out.” In the hills above the high, winding track that passed for a road, a shepherd paused to gape at an old wooden wagon making its laborious way along the road below. “Lookee there, Will,” he told his brother. “Do you see what I see?” The brother looked down and gaped, his lips parting in a toothless grin of glee at the comical sight of two ladies-bonnets, gloves, and all-who were perched primly and precariously on the back of Sean MacLaesh’s haywagon, their backs ramrod-stiff, their feet sticking straight out beyond the wagon. “Don’t that beat all,” Will laughed, and high above the haywagon he swept off his cap in a mocking salute to the ladies. “I heered in the village Ian Thornton was acomin’ home. I’ll wager ‘e’s arrived, and them two are his fancy pieces, come to warm ‘is bed an’ see to ‘is needs.” Blessedly unaware of the conjecture taking place between the two spectators up in the hills, Miss Throckmorton-Jones brushed angrily and ineffectually at the coating of dust clinging to her black skirts. “I have never in all my life been subjected to such treatment!” she hissed furiously as the wagon they were riding in gave another violet, creaking lurch and her shoulder banged into Elizabeth’s. “You may depend on this-I shall give Mr. Ian Thornton a piece of my mind for inviting two gentlewomen to this godforsaken wilderness, and never even mentioning that a traveling baroche is too wide for the roads!” Elizabeth opened her mouth to say something soothing, but just then the wagon gave another teeth-jarring lurch, and she clutched at the wooden side. “From what little I know of him, Lucy,” she managed finally when the wagon righted, “he wouldn’t care in the least what we’ve been through. He’s rude and inconsiderate-and those are his good points-“ “Whoa there, whoa,” the farmer called out, sawing back on the swayback nags reins and bringing the wagon to a groaning stop. “That’s the Thornton place up there atop yon hill,” the farmer said, pointing.
Judith McNaught (Almost Heaven (Sequels, #3))
Scenic Route Someone was always leaving and never coming back. The wooden houses wait like old wives along this road; they are everywhere, abandoned, leaning, turning gray. Someone always traded the lonely beauty of hemlock and stony lakeshore for survival, packed up his life and drove off to the city. In the yards the apple trees keep hanging on, but the fruit grows smaller year by year...
Lisel Mueller
The fact is that all roads lead to Rome. Eventually, regardless of what you choose to do, you will end up having the experiences you came here for. You may have spiritual amnesia and find yourself getting lost again and again, but your soul is always right there next to you, waiting for you to wake up and pay attention to what it has to tell you. It will make sure you have the experiences it wants you to have, even when you’re taking every back road and “wrong” turn. Trust it! When you add your light to the sum of Light and co-create wholeheartedly, mindfully, and respectfully in community with others, you are doing what you came here to do. You will be on the right road even if it seems you are taking the long way and wasting time. If you think about it, why wouldn’t you take the scenic route rather than the highway? Are you in a rush to get somewhere? What’s the destination? Get rid of the mentality that you are going “to” some specific place on the map—trying to create some specific situation that will allow you to be happy ever after. Life will always change, and you will always be in motion. So the scenic route is a back road—not the most direct, fastest way to what you think you want to experience. Guess what? You can experience joy, abundance—whatever you seek—wherever you are. And your soul may want something more: the experience of opening your heart and your eyes in compassion. You may have to take a back road to have that experience because you probably don’t have “develop deeper understanding of people who frustrate me” and “experience the bittersweetness of life” on your small self’s list of goals to accomplish. Remember, your soul takes winding paths to get the experiences it wants to have. It is working with Spirit to co-create a reality your small self might not be conscious of—although
Colette Baron-Reid (Uncharted: The Journey through Uncertainty to Infinite Possibility)
There are circumstances which can only be created and remedied in a crucible of fury, fire, and destruction like the serotinous cones of the Jack Pine and Lodgepole Pine trees. Only after exposed to extreme heat and enormous pressures will the cone open to begin anew and flourish amongst the cleansed but desolate landscape. Also, like the unpredictable restrained power of a dormant volcano storing it's potential energy over long periods of time gives way to this planets most enchanting display of scenic beauty to stark nightmarish backdrops. Egos are like wildfires to me because they start small but uncontrolled they will get out-of-hand and devour without prejudice. However, egotistical people are part of life and the best defense is a good offense with fire breaks dug in advance anticipation and left in place for when the right conditions present themselves where you must decide to fight that fire or be consumed by it.
Donavan Nelson Butler
In that moment I was aware of life pulsing all around me, indifferent to me. I was just a tiny part of a vast living, breathing ecosystem. I wasn’t at the center of anything
Christina Baker Kline (The Scenic Route)
Love will never demand authority from Swop if its inner-reverence is matched by approximation spirituality, not engrossed in material carnality. Love is the origin of adoration and veneration, where a carol of deference and admiration is entirely feasible with a predominantly homage of obeisance. When a person is filled and plugged with love's glaringness, then there is no pore over nearness him; he honors the canticle of his juxtaposition mind. Life being copulation in love itself does not give enforceable hint to it; it is cogitable. Man can enter into presumptive doableness in it anytime, and it is forever practicable in all zodiacs without being skeptical. Mutually, this stares doubleness of empathetic perseverance. This energy is the most gifting primium and scenic feeling that's anthem associated with this world.
Viraaj Sisodiya
TAKE THE SCENIC ROUTE... Embrace lifes DETOURS... for herein you'll DISCOVER a world of POSSIBILITIES beyond imagination. Cultivate curiosity and see your life in FAITH unfold in the most UNEXPECTED ways.
AshRawArt
The metaphysical poetry of our innovative life springs from the aesthetic, scenic, and systematic processes of inventiveness, the creative impulse of an active mind generating aesthetical intuition.
Kilroy J. Oldster (Dead Toad Scrolls)
The new normal is rarely an easy adjustment and never truely feels, well, normal. Let's be honest. Plan B is never preferred. Detours and alternate routes Are never quite as scenic The darkness of being gifted a second chance Is that it means something went Wrong in the first place. And yet, I would rather have a few speed bumps slow me down, causing me to spill coffee on my dress, than ever hand someone the keys to my life.
Alicia Cook (Stuff I've Been Feeling Lately)
Maintaining an even-minded approach is like having your own emotional GPS. When life throws twists and turns your way, you stay on the scenic route. It's all about balance, rocking that equanimity like a pro, and surfing life's waves without wiping out. So, here's to your even-minded odyssey, where neither thunderstorms nor rainbows can disrupt your tranquility. In a world of melodrama, your zen-like vibe is the secret sauce.
Life is Positive
Take the scenic route through life.
Rox M. Ven
Step out of the picture frames, into the sunlit pastors of life. How long will you worship the painting, isn't it time to take the scenic hike!
Abhijit Naskar (The Centurion Sermon: Mental Por El Mundo)
Maybe, I thought, life can really be this simple. Maybe I can just . . . exist.
Christina Baker Kline (The Scenic Route)
Carolina Flores took a sip of her sandía agua fresca on her porch and looked out across the scenic landscape of her lush farm, mesmerized by the clear blue sky overhead, the rows of colorful Swiss chard lined up like little soldiers, and the fields of red onions, ripe for picking. It wasn't strawberry season yet, her favorite, but she loved the calm of the winter months. A cool coastal breeze wafted the fragrant scent of garlic through the air, and Carolina marveled at the contrast between the snowcapped Santa Ynez Mountains in the distance and the food growing on the land. Mi tierra.
Alana Albertson (Kiss Me, Mi Amor (Love & Tacos))
Consider a person who is asked to review a novel authored by some other person. The reviewer knows that he himself has not authored the novel. He reads most of the pages of the novel meticulously. He goes through the dialogues of characters carefully. Now, the reviewer can summarize most scenes of the plot in a generic way. In the story line, the author does not come explicitly as a character. In describing different scenes, the reviewer refers to characters in the novel. Each character gives way to the next character through a physical process that is explained in the novel. What if the reviewer describes characters and the scenic details, but eventually ignores the author and claims the piece of writing as author-less because the author is not an explicit character in the novel and each character emanates from another character through a physical process described in the novel. What if he says that the novel has characters and their emotions, physical attributes and personality can be understood from the words in the novel and hence there is no need of attributing the novel to an author? What if this claim is made after finding few more intermediate pages of the novel and some more characters? If we would be puzzled to see this conclusion about a novel, imagine if this conclusion of ‘no author’ is reached about real characters in real existing life which runs into billions of species in a gigantic scenic environment which has immaculate details and complexity. One can describe how the author brought it about without reference to author, but it cannot negate the existence of the author altogether.
Salman Ahmed Shaikh (Reflections on the Origins in the Post COVID-19 World)
It was a delicate silver frame, small enough to fit within her hand, containing a photograph of a woman. She was young, with long hair, light but not blond, half of which was wound into a loose knot on the top of her head; her gaze was direct, her chin slightly lifted, her cheekbones high. Her lips were set in an attitude of intelligent engagement, perhaps even defiance. Elodie felt a familiar stirring of anticipation as she took in the sepia tones, the promise of a life awaiting rediscovery. The woman's dress was looser than might be expected for the period. White fabric draped over her shoulders, and the neckline fell in a V. The sleeves were sheer and billowed, and had been pushed to the elbow on one arm. Her wrist was slender, the hand on her hip accentuating the indentation of her waist. The treatment was as unusual as the subject, for the woman wasn't posed inside on a settee or against a scenic curtain, as one might expect in a Victorian portrait. She was outside, surrounded by dense greenery, a setting that spoke of movement and life. The light was diffuse, the effect intoxicating.
Kate Morton (The Clockmaker's Daughter)
Each time you feel a negative thought come your way, imagine yourself behind the wheel in your car and take a U-turn towards a positive thought instead. You get to choose the direction you take when responding to life. The scenic route of your mind can be very relaxing and enjoyable. Your chosen response is empowering.
Jaclyn Johnston
Fashion is an emotional theater through which we carry ourselves in a scenic stage where we get to be a representative of the world. Nothing beats the feeling of conveying a message through one’s imagination, design, and motivating others to live a meaningful life. To me, that is sexy.
Luis Enrique Cavazos
Let me take care of you. Been waiting my whole life to take care of a woman who deserves it. You deserve that, Sunshine. You deserve a man who would never lay a hand on you in anger. Never fucking ever. I am that man. Do not be afraid to trust me. I fucking promise, I'll break my back making sure you never regret it if you take a chance on me, on us. Let me be the man whose job it is to protect you, Pippa. Honest to God, no man ever wanted anybody more than I want you.
D.D. Prince (Scenic Route (Beautiful Biker, #3))
Progress is the path to your goal. Sometimes that path is like a highway that you travel at top speed. Other times, it’s more like a scenic byway. Go where it leads you. Rest when you need to.
Donna Smallin (Clear the Clutter, Find Happiness: One-Minute Tips for Decluttering and Refreshing Your Home and Your Life)
It was during this period, when Nietzsche found himself surrounded by some of Europe’s most scenic trails, that “he became the peerless walker of legend.” As Gros recounts, during his first summer on the Upper Engadine, Nietzsche began to walk up to eight hours a day. During these walks he would think, eventually filling six small notebooks with the prose that became The Wanderer and His Shadow, the first of many influential books he wrote during a decade powered by ambulation.
Cal Newport (Digital Minimalism: Choosing a Focused Life in a Noisy World)
God creates each of our days with opportunities to be glad-hearted, life-giving, glory bearers. Only Christ is strong enough to accomplish this work in and through us. Missional motherhood isn’t an exercise in muscling up strength to do stuff for God. Missional motherhood is a walk of faith where the weak (that’s all of us) must keep before them the scenic view of the cross.
Gloria Furman (Missional Motherhood: The Everyday Ministry of Motherhood in the Grand Plan of God (The Gospel Coalition))
The scenic route was a paved graveyard of dreams, but Fillion hoped his would rise from the ashes, marking the moment when he would finally own his life.
Jesikah Sundin (Legacy (The Biodome Chronicles, #1))
Take a trip to a local park; map a bike ride through a scenic trail; plan a trip to a local beach and stroll the shore at sunrise.
Jay D'Cee