Scenery Short Quotes

We've searched our database for all the quotes and captions related to Scenery Short. Here they are! All 21 of them:

What is there to see if I go outside? Don't tell me. I know. I can see other people. I don't want to see other people. They look awful. The men look like slobs and the women look like men. The men have mush faces framed by long hair and the women have big noses, big jaws, big heads, and stick-like bodies. That depresses me. Its no fun to people-watch anymore because there's so little variety in types. You say it's good to get a change of scenery. What scenery? New buildings? New cars? New freeways? New shopping malls? Go to the woods or a park? I saw a tree once. The new ones look the same, which is fine. I even remember what the old ones look like. My memory isn't that short. But it's not worth going to see a squirrel grab a nut, or fish swimming around in a big tank if I must put up with the ugly contemporary human pollution that accompanies each excursion. The squirrel may enliven me and remind me of better vistas but the price in social interaction isn't worth it. If, on my way to visit the squirrel, I encounter a single person who gains stimulation by seeing me, I feel like I have given more than I've received and I get sore. If every time I go somewhere to see a fish swimming, I become someone else's stimulation, I feel shortchanged. I'll buy my own fish and watch it swim. Then, I can watch the fish, the fish can watch me, we can be friends, and nobody else interferes with the interaction, like trying to hear what the fish and I are talking about. I won't have to get dressed a certain way to visit the fish. I needn't dress the way my pride dictates, because who's going to see me? I needn't wear any pants. The fish doesn't care. He doesn't read the tabloids. But, if I go out to see a fish other than my own, I'm right back where I started: entertaining others, which is more depleting than visiting the new fish is entertaining. Maybe I should go to a coffee house. I find no stimulation in watching ordinary people trying to put the make on other uninteresting people. I can fix my own cup of coffee and not have to look at or talk to other people. No matter where I go, I stimulate others, and have been doing so all my life. It used to be I'd sometimes get stimulated back.
Anton Szandor LaVey
How frail the bloom, how short the stay That terminates us all! Today we flourish green and gay, Like leaves tomorrow fall.
John Clare (Poems Descriptive of Rural Life and Scenery)
He pressed the blade of his sword into the ground. As he pulled his arm over his head for a stretch, a bead of sweat trickled down his neck and over a row of muscles on his stomach. I swallowed hard. The window's edge dug into my skin but I refused to move an inch. The tiny droplet disappeared into the waistband of his shorts. I had seen plenty of guys in gym class with their shirts off, but none of them looked like...that. He was physical perfection - a living work of art. I sat on my knees with my chin relaxed on my crossed arms, unable to look away. "Enjoying the view?" he said, eyes suddenly on me. His chiseled face wore an overly confident grin. Clearly he was used to being admired. My cheeks burned. I stood, pretending to check out the scenery. "Not much to see." He raised an eyebrow, letting me know he knew I was full of crap.
Stacey O'Neale (Storm Born (Mortal Enchantment, #1))
I had this idea about America — that I’d find myself here. That’s why people get in a convertible and hit the road without a map. That’s the promise. That you’ll finally see yourself when you don’t recognize the scenery. Maybe it worked. I fell for the blue sky and sunshine. Then this country dragged me behind it, kicking and bleeding. I failed every test. I fell; I fell short.
Rainbow Rowell (Wayward Son (Simon Snow, #2))
Humboldt's glorious descriptions are & will for ever be unparalleled: but even he with his dark blue skies & the rare union of poetry with science which he so strongly displays when writing on tropical scenery, with all this falls far short of the truth,he averred." The delight one experiences in such times bewilders the mind; if the eye attempts to follow the flight of a gaudy butter-fly, it is arrested by some strange tree or fruit; if watching an insect one forgets it in the stranger flower it is crawling over; if turning to admire the splendor of the scenery, the individual character of the foreground fixes the attention. The mind is a chaos of delight, out of which a world of future & more quiet pleasure will arise. I am at present fit only to read Humboldt; he like another sun illuminates everything I behold.
Charles Darwin
Darwin, landing in Brazil in 1832, had a similar reaction, colored by his reading of his predecessor." Humboldt's glorious descriptions are & will for ever be unparalleled: but even he with his dark blue skies & the rare union of poetry with science which he so strongly displays when writing on tropical scenery, with all this falls far short of the truth,he averred." The delight one experiences in such times bewilders the mind; if the eye attempts to follow the flight of a gaudy butter-fly, it is arrested by some strange tree or fruit; if watching an insect one forgets it in the stranger flower it is crawling over; if turning to admire the splendor of the scenery, the individual character of the foreground fixes the attention. The mind is a chaos of delight, out of which a world of future & more quiet pleasure will arise. I am at present fit only to read Humboldt; he like another sun illuminates everything I behold.
Charles Darwin
It is not that modern people are less intelligent than their grandparents: only that, being busier, they are less careful. They must learn to take short cuts, skimming through the columns of a newspaper, flicking over the pages of a book or magazine, deciding at each new paragraph or page whether to read it either attentively or cursorily, or whether to let it go unread. There is a running commentary in the mind. For example, in reading a Life of Napoleon: ‘page 9 … yes, he is still talking about Napoleon’s childhood and the romantic scenery of Corsica … something about James Boswell and Corsican independence … tradition of banditry … now back to the family origins again … wait a minute … no … his mother … more about her … yes … French Revolution … page 24, more about the French Revolution … still more … page 31, not interested … ah … Chapter 2, now he’s at the military school … I can begin here … but oughtn’t to waste time over this early part … in the artillery, was he? … but when do we get to the Italian campaign?’ And even when the reader does get to the Italian compaign and settles down comfortably to the story, he seldom reads a sentence through, word by word. Usually, he takes it in either with a single comprehensive glance as he would a stream or a field of cows that he was passing in the train, or with a series of glances, four or five words to a glance. And unless he has some special reason for studying the narrative closely, or is in an unusually industrious mood, he will not trouble about any tactical and geographical niceties of the campaign that are not presented with lively emphasis and perfect clarity. And, more serious still from the author’s point of view, he will not stop when the eye is checked by some obscurity or fancifulness of language, but will leave the point unresolved and pass on. If there are many such obstructions he will skim over them until his eye alights on a clear passage again.
Robert Graves (The Reader Over Your Shoulder: A Handbook for Writers of English Prose)
As for the square at Meknes, where I used to go everyday, it's even simpler: I do not see it at all anymore. All that remains is the vague feeling that it was charming, and these five words are indivisibly bound together: a charming square at Meknes. Unboubtedly, if I close my eyes or stare vaguely at the ceiling I can re-create the scene: a tree in the distance, a short dingy figure run towards me. But I am inventing all this to make out a case. That Moroccan was big and weather-beaten, besides, I only saw him after he had touched me. So I *still* know he was big and weather-beaten: certain details, somewhat curtailed, live in my memory. But I don't *see* anything any more: I can search the past in vain, I can only find these scraps of images and I am not sure what they represent, whether they are memories or just fiction. There are many cases where even these scraps have disapeared: nothing is left but words: I could still tell stories, tell them too well [...] but these are only the skeletons. There's the story of a person who does this, does that, but it isn't I, I have nothing in common with him. He travels through countries I know no more about than if I had never been there. Sometimes, in my story, it happens that I pronounce these fine names you read in atlases, Aranjuez or Canterbury. New images are born in me, images such as people create from books who have never travelled. My words are dreams, that is all. For a hundred dead stories there still remain one or two living ones. I evoke these with caution, occasionally, not too often, for fear of wearing them out, I fish one out, again I see the scenery, the characters, the attitudes. I stop suddenly: there is a flaw, I have seen a word pierce through the web of sensations. I suppose that this word will soon take the place of several images I love. I must stop quickly and think of something else; I don't want to tire my memories. In vain; the next time I evoke them a good part will be congealed.
Jean-Paul Sartre (Nausea)
Had she witnessed his swim? He didn’t see how she could have missed it if she’d indeed been lunching by the water. The more intriguing question was, had she liked what she’d seen? Ever the scientist, Darius couldn’t let the hypothesis go unchallenged. Ignoring his boots where they lay in the grass at the edge of the landing, he strode barefoot toward his quarry. “So I’m to understand that you lunch by the pond every day, Miss Greyson?” he asked as he stalked her through the shin-high grass. Her chin wobbled just a bit, and she took a nearly imperceptible step back. He’d probably not have noticed it if he hadn’t been observing her so closely. But what kind of scientist would he be if he didn’t attend to the tiniest of details? “Every day,” she confirmed, her voice impressively free of tremors. The lady knew how to put up a strong front. “After working indoors for several hours, it’s nice to have the benefits of fresh air and a change of scenery. The pond offers both.” He halted his advance about a foot away from her. “I imagine the scenery changed a little more than you were expecting today.” His lighthearted tone surprised him nearly as much as it did her. Her brow puckered as if he were an equation she couldn’t quite decipher. Well, that was only fair, since he didn’t have a clue about what he was trying to do, either. Surely not flirt with the woman. He didn’t have time for such vain endeavors. He needed to extricate himself from this situation. At once. Not knowing what else to do, Darius sketched a short bow and begged her pardon as if he were a gentleman in his mother’s drawing room instead of a soggy scientist dripping all over the vegetation. “I apologize for intruding on your solitude, Miss Greyson, and I hope I have not offended you with my . . . ah . . .” He glanced helplessly down at his wet clothing. “Dampness?” The amusement in his secretary’s voice brought his head up. “My father used to be a seaman, Mr. Thornton, and I grew up swimming in the Gulf. You aren’t the first man I’ve seen take a swim.” Though the way her gaze dipped again to his chest and the slow swallowing motion of her throat that followed seemed to indicate that she hadn’t been as unmoved by the sight as she would have him believe. That thought pleased him far more than it should have. “Be that as it may, I’ll take special care not to avail myself of the pond during the midday hours in the future.” He expected her to murmur some polite form of thanks for his consideration, but she didn’t. No, she stared at him instead. Long enough that he had to fight the urge to squirm under her perusal. “You know, Mr. Thornton,” she said with a cock of her head that gave him the distinct impression she was testing her own hypothesis. “I believe your . . . dampness has restored your ability to converse with genteel manners.” Her lips curved in a saucy grin that had his pulse leaping in response. “Perhaps you should swim more often.
Karen Witemeyer (Full Steam Ahead)
My darling son: depression at your age is more common than you might think. I remember it very strongly in Minneapolis, Minnesota, when I was about twenty-six and felt like killing myself. I think the winter, the cold, the lack of sunshine, for us tropical creatures, is a trigger. And to tell you the truth, the idea that you might soon unpack your bags here, having chucked in all your European plans, makes your mother and me as happy as could be. You have more than earned the equivalent of any university 'degree' and you have used your time so well to educate yourself culturally and personally that if university bores you, it is only natural. Whatever you do from here on in, whether you write or don't write, whether you get a degree or not, whether you work for your mother, or at El Mundo, or at La Ines, or teaching at a high school, or giving lectures like Estanislao Zuleta, or as a psychoanalyst to your parents, sisters and relatives, or simply being Hector Abad Faciolince, will be fine. What matters is that you don't stop being what you have been up till now, a person, who simply by virtue of being the way you are, not for what you write or don't write, or for being brilliant or prominent, but just for being the way you are, has earned the affection, the respect, the acceptance, the trust, the love, of the vast majority of those who know you. So we want to keep seeing you in this way, not as a future great author, or journalist or communicator or professor or poet, but as the son, brother, relative, friend, humanist, who understands others and does not aspire to be understood. It does not matter what people think of you, and gaudy decoration doesn't matter, for those of us who know you are. For goodness' sake, dear Quinquin, how can you think 'we support you (...) because 'that boy could go far'? You have already gone very far, further than all our dreams, better than everything we imagined for any of our children. You should know very well that your mother's and my ambitions are not for glory, or for money, or even for happiness, that word that sounds so pretty but is attained so infrequently and for such short intervals (and maybe for that very reason is so valued), for all our children, but that they might at least achieve well-being, that more solid, more durable, more possible, more attainable word. We have often talked of the anguish of Carlos Castro Saavedra, Manuel Meija Vallejo, Rodrigo Arenas Betancourt, and so many quasi-geniuses we know. Or Sabato or Rulfo, or even Garcia Marquez. That does not matter. Remember Goethe: 'All theory (I would add, and all art), dear friend, is grey, but only the golden tree of life springs ever green.' What we want for you is to 'live'. And living means many better things than being famous, gaining qualifications or winning prizes. I think I too had boundless political ambitions when I was young and that's why I wasn't happy. I think I too had boundless political ambitions when I was young and that's why I wasn't happy. Only now, when all that has passed, have I felt really happy. And part of that happiness is Cecilia, you, and all my children and grandchildren. Only the memory of Marta Cecilia tarnishes it. I believe things are that simple, after having gone round and round in circles, complicating them so much. We should do away with this love for things as ethereal as fame, glory, success... Well, my Quinquin, now you know what I think of you and your future. There's no need for you to worry. You are doing just fine and you'll do better, and when you get to my age or your grandfather's age and you can enjoy the scenery around La Ines that I intend to leave to all of you, with the sunshine, heat and lush greenery, and you'll see I was right. Don't stay there longer than you feel you can. If you want to come back I'll welcome you with open arms. And if you regret it and want to go back again, we can buy you another return flight. A kiss from your father.
Héctor Abad Faciolince
Are you asking if it’s my porn?” Lacey propped a hand on one hip and raised her eyebrow. Who were they to judge? The smell of cheap liquor and cheaper perfume billowed around them. And, if the hungry gleam in their eyes was anything to go by, they had enjoyed the fruits of her searches. “Well, uh… Yeah. I guess that’s what I’m asking.” At least Mason had the good grace to clear his throat in chagrin. Screw this. She was done hiding what she wanted most. Like she’d said to Ty before, life was too short to take detours. “Hell yes, it’s mine. Can’t a girl admire the scenery every once in a while?” “Um, Lace, this looks more like a habit.” Laughter danced in Ty’s eyes. “Well, what the hell good is an internet connection without porn?
Jayne Rylon (Night is Darkest (Men in Blue, #1))
Shortly thereafter the Hardy plane touched down at Mazatlan. In the terminal building the group underwent a routine check by customs officials, then Mr. Hardy called for a taxi. “There wasn’t time to make hotel reservations in advance,” he announced. “But we shouldn’t have too much trouble this time of year.” Soon the group was in a cab heading for the city proper. Despite the gray skies, the vivid green of the lush tropical scenery raised their spirits. As they sped along the Avenue del Mar, they could see the choppy waters of the Pacific and the mouth of the Gulf of California. People strolled slowly along the streets, men wearing colorful sarapes and women with rebozos draped over their heads and shoulders.
Franklin W. Dixon (The Mark on the Door (Hardy Boys, #13))
We are so obsessed with the quick clean end, the end that takes no longer than the length of a Hollywood film, that we have invented this word 'closure' for it-hoping that the truth of of this heroic compound will follow shortly after the naming of it. If the word exists, the concept must, mustn't it? But I will tell you differently. All that exists at the end is the sheer animal act of forgetting, and the act of forgiving ourselves for forgetting. It is a physical thing born of years of harrowing repetition and replay: the road so often travelled that the scenery is no longer visible, the paragraph so often read that the sense is no longer apparent. - Sanjay de Silva
Ashok Ferrey (The Unmarriageable Man: A Novel)
The scenery that opened before me was composed of shades of black and white, and of trees woven together in lines along the boundaries between the fields. In places where the grass had not been cut, the snow had failed to blanket the fields in a uniform plane of white. Blades of grass were poking through its cover; from a distance it looked as if a large hand had begun to sketch an abstract pattern, by practicing some short strokes, fine and subtle. I could see the beautiful geometric shapes of fields, strips and rectangles, each with a different texture, each with its own shade, sloping at different angles toward the rapid winter Dusk. And our houses, all seven, were scattered here like a part of nature, as if they had sprung up with the field boundaries, and so had the stream and little bridge across it—it all seemed carefully designed and positioned, perhaps by the very same hand that had been sketching.
Olga Tokarczuk (Drive Your Plow Over the Bones of the Dead)
This was a beautiful spot. The meadow was hugged by towering evergreens, their bows dusted in white from last night’s storm. The snow was fluffy, blanketing the ground and sparkling beneath the sun. But the scenery paled in comparison to the man at my side.
Devney Perry (The Edens - A Legacy Short Story (The Edens, #4.5))
In actual practice this could be illustrated with the example of being in a canoe or kayak with a double-bladed paddle. The canoe is carried forward by the flow of a river at exactly the right speed. On the banks to the left and right there is beautiful natural scenery and above is the wide-open sky. Our only task is to stay in the middle of the river so that the journey can continue on its own. This requires keeping an eye on deviating from the midst of the river. When the canoe moves closer to one of the two banks, gently putting one blade of the paddle into the water for a short moment suffices to return to the centre of the river. In this simile, the canoe represents mindfulness of the body and the river the continuous awareness of impermanence. The beautiful scenery on both sides of the river illustrates the different insights to be gained during satipaṭṭhāna meditation. The wide-open sky represents the open-minded and receptive attitude characteristic of this mode of cultivating mindfulness. The ocean as the final destination of the river corresponds to the realization of Nibbāna. One who cultivates the four satipaṭṭhānas inclines and slopes towards Nibbāna just as the river Ganges inclines and slopes towards the ocean (SN 47.51). It is in particular the cultivation of the seven awakening factors that makes our practice flow towards Nibbāna (SN 46.77; Anālayo 2003: 233).
Bhikkhu Anālayo (Satipatthana Meditation: A Practice Guide)
In his paper, Dr Davis referred to the infamous 1980 Cash-Landrum UFO case, covered earlier in this book, where the Landrum family reported a massive diamond-shaped UFO hovering over their car in the road near Dayton, Texas. As well as the trio reporting terrible burns from what experts declared was ionising radiation, one of the weirdest claims in the Cash-Landrum sighting was that they said they saw 23 helicopters, including massive CH-47 Chinooks, closely following the object. The US military denied any of its choppers were in the air nearby that night, and 23 of them in one place does sound implausible. Dr Davis’s paper gave an explanation – that the helicopters were ‘mimicry techniques employed for the manipulation of human consciousness to induce the various manifestations of “absurd” interactions or scenery associated with the UFO encounter. This in combination with the mimicry of man-made aircrafts’ (helicopters) aggregate features were prominent in the Cash-Landrum UFO case’. There is no explanation for how Dr Davis reached this conclusion. No known science describes the capacity to manipulate human consciousness to induce hallucinations as described. Modern science would say it was science fiction. However, an answer may lie in extraordinary PowerPoint slides we know now were prepared for a briefing of senior officials at the US Department of Defence, detailed online by The Mind Sublime. The individual behind that site told me he found the intriguing PowerPoint slides in early August 2018 while he was trawling through former US Deputy Assistant Secretary of Defence Christopher Mellon’s personal website.4 (This was shortly after The New York Times had revealed the existence of the previously secret Pentagon UAP investigation program.) The Mind Sublime researcher screenshotted his discovery to prove the slides came from Mellon’s website, and, importantly, because the document was stated to be a PowerPoint for a briefing of the Deputy Secretary of the Department of Defence. Perhaps it was these slides that prompted Senator Harry Reid to ask the Department of Defence for Special Access Program protection for the investigation – because what the slides said was momentous. If the unredacted slides accurately reflect the Defence Department’s knowledge of the UAP phenomenon, they are explosive. They reveal how the Pentagon’s UAP investigation unit advised the Defence Department not only that the mysterious craft were a ‘game changer’ but that the US military was powerless against them.5 One of the slides, headed ‘AATIP Preliminary Assessments’, shows that Elizondo’s Advanced Aerospace Threat Identification Program privately advised the Defence Department that ‘Preliminary evidence indicates that the United States is incapable of defending itself towards some of those technologies . . . The nature of these technologies and the fact that the United States has no countermeasures is considered Highly Sensitive’.6 The document, prepared for the Deputy Secretary of the Department of Defence, pushed for further investigation ‘in order to determine the full scope of the threat and their capabilities to be either exploited or defeated’.
Ross Coulthart (In Plain Sight: A fascinating investigation into UFOs and alien encounters from an award-winning journalist, fully updated and revised new edition for 2023)
It’s a bomb’s nature to change the landscape a bit. It makes green things brown, tall things short and living things dead. But, more than rearranging the scenery, it changes people.
Benjamin Wallace (Post-Apocalyptic Nomadic Warriors)
The scenery is the only good thing I can say about the bus ride,” Ally answers. “I can’t wait until we get to the inn.” Running her fingers through her short, unruly red hair, she stretches dramatically before flattening the wrinkles in her shirt. The spunky pre-teen stands a couple inches shorter than Sam. The freckles that run across the bridge of her nose, combined with her blue eyes, give away her Irish heritage.
Tara Ellis (The Mystery of Hollow Inn (Samantha Wolf Mystery #1))
The next aircraft to appear were a pair of Mirages which attacked the anchorage at 9.45 am. Thereafter raids seemed continuous, except for a short break for lunch. The helicopter pilots, landing-craft and Mexeflote crews bravely continued with the offload. It was uncanny to see a Sea King helicopter, with a gun or pallet of ammunition slung underneath, purposefully flying to its appointed landing site, while a pair of jets flashed by pursued by missiles and streams of tracer. The scenery and the bright sunshine, like a glorious day in the Western Islands of Scotland, added to the air of unreality.
Julian Thomson (No Picnic)
We could hear the howling of the screaming voices behind the walls, and she kept her eyes close, as I led her to the beautiful scenery at the top of the hilly estate. I stumbled back, frightened when I saw a hand clutch through the wall... it's bones poking out of the skin and the skin itself grayish and mutated. Dead...
A.A. Wray (20 More Dark, Scary, and Sad Short Stories)