Scenery Love Quotes

This is what love does: It makes you want to rewrite the world. It makes you want to choose the characters, build the scenery, guide the plot. The person you love sits across from you, and you want to do everything in your power to make it possible, endlessly possible. And when it’s just the two of you, alone in a room, you can pretend that this is how it is, this is how it will be.

Wasn't that the point of life? To find someone to share it with? And if you got that part right, how far wrong could you go? If you were standing next to the person you loved more than everything else, wasn't everything else just scenery?

Memory is a funny thing. When I was in the scene, I hardly paid it any mind. I never stopped to think of it as something that would make a lasting impression, certainly never imagined that eighteen years later I would recall it in such detail. I didn't give a damn about the scenery that day. I was thinking about myself. I was thinking about the beautiful girl walking next to me. I was thinking about the two of us together, and then about myself again. It was the age, that time of life when every sight, every feeling, every thought came back, like a boomerang, to me. And worse, I was in love. Love with complications. The scenery was the last thing on my mind.

That is what is wrong with cold people. Not that they have ice in their souls - we all have a bit of that - but that they insist every word and deed mirror that ice. They never learn the beauty or value of gesture. The emotional necessity. For them, it is all honesty before kindness, truth before art. Love is art, not truth. It's like painting scenery.

When love stealthily settles down in our inner world as we dwell through fields of expectations with eyes wide open, unfurling sceneries of wonderment slowly unroll on our path and overwhelm our mindset. ("I seek you")

Even the most beautiful scenery is no longer assured of our love after we have lived in it for three months, and some distant coast attracts our avarice: possessions are generally diminished by possession.

She loved the sea for its storms alone, cared for vegetation only when it grew here and there among ruins. She had to extract a kind of personal advantage from things and she rejected as useless everything that promised no immediate gratification — for her temperament was more sentimental than artistic, and what she was looking for was emotions, not scenery.

If you were standing next to the person you loved more than everything else, wasn't everything else just scenery?

Isn't love the emanation of desire or just a statement of emptiness in expectation? As we long for what is missing and finally hold it, could it be that we may not crave it anymore in the end? Still, if we learn to "enjoy" the precious moments of its presence, it can remain a captivating experience and a mesmerizing adventure. If it keeps on overwhelming us with "joy," love can turn into a magic prism and make it possible to discover a rainbow of twinkles and enchanting sceneries. As our imagination constantly discerns new qualities, the sparkle of love does not expire in the boredom of forgetfulness. (“Twilight of desire“)

The future was going to happen, even if he wasn’t ready for it. Even if he was never ready for it. At least he could make sure he was with the right person. Wasn’t that the point of life? To find someone to share it with? And if you got that part right, how far wrong could you go? If you were standing next to the person you loved more than everything else, wasn’t everything else just scenery?

Love with complications. Scenery was the last thing on my mind.

oh he loves her, just as the English loved India & Africa & Ireland; it is the love that is the problem, people treat their lovers badly. but maybe it is just the scenery that is wrong. maybe nothing that happens on stolen ground can expect a happy ending.

I began my studies with eagerness. Before me I saw a new world opening in beauty and light, and I felt within me the capacity to know all things. In the wonderland of Mind I should be as free as another [with sight and hearing]. Its people, scenery, manners, joys, and tragedies should be living tangible interpreters of the real world. The lecture halls seemed filled with the spirit of the great and wise, and I thought the professors were the embodiment of wisdom... But I soon discovered that college was not quite the romantic lyceum I had imagined. Many of the dreams that had delighted my young inexperience became beautifully less and "faded into the light of common day." Gradually I began to find that there were disadvantages in going to college. The one I felt and still feel most is lack of time. I used to have time to think, to reflect, my mind and I. We would sit together of an evening and listen to the inner melodies of the spirit, which one hears only in leisure moments when the words of some loved poet touch a deep, sweet chord in the soul that until then had been silent. But in college there is no time to commune with one's thoughts. One goes to college to learn, it seems, not to think. When one enters the portals of learning, one leaves the dearest pleasures – solitude, books and imagination – outside with the whispering pines. I suppose I ought to find some comfort in the thought that I am laying up treasures for future enjoyment, but I am improvident enough to prefer present joy to hoarding riches against a rainy day.

There are cities that get by on their good looks, offer climate and scenery, views of mountains or oceans, rockbound or with palm trees; and there are cities like Detroit that have to work for a living, whose reason for being might be geographical but whose growth is based on industry, jobs. Detroit has its natural attractions: lakes all over the place, an abundance of trees and four distinct seasons for those who like variety in their weather, everything but hurricanes and earth-quakes. But it’s never been the kind of city people visit and fall in love with because of its charm or think, gee, wouldn’t this be a nice place to live.

Vietnam, me love you long time. All day, all night, me love you long time. (...) Dropping acid on the Mekong Delta, smoking grass through a rifle barrel, flying on a helicopter with opera blasting out of loudspeakers, tracer-fire and paddy-field scenery, the smell of napalm in the morning. Long time.

Tens of voices announced the time for the prayer. In all the magnificence of the scenery, “God is the Greatest” fits flawlessly, and makes me close my eyes and murmur my supplication.

Mr. Haverbink bowed deeply, muscles rippling all up and down his back, and lumbered from the room. Miss Hisselpenny sighed and fluttered her fan. "Ah, for the countryside, what scenery there abides..., " quoth she. Miss Tarabotti giggled. "Ivy, what a positively wicked thing to say. Bravo.

I was at that age, that time of life when every sight, every feeling, every thought came back, like a boomerang, to me. And worse, I was in love. Love with complications. Scenery was the last thing on my mind.

The Chinese say that there is no scenery in your home town. They’re right. Being in another place heightens the senses, allows you to see more, enjoy more, take delight in small things; it makes life richer. You feel more alive, less cocooned.

It's one of the many reasons I love being around Abigail. We can talk on the phone for five hours straight in the evenings, stopping only to grab our phone chargers or a glass of water, but we can also just sit together and watch the changing scenery through the window.

I ease into the idea of letting go of control and simply let life take the reins. And when I don't hold it so tightly, it doesn't thrash against me so wildly. It calms to a trot and allows me to take in the scenery, experience love, and learn what is important in this world: people, places, memories—not things or perceptions.

Love is art, not truth. It's like painting a scenery.' These are the things one takes from mothers. Once they die, of course, you get the strand of pearls, the blue quilt, some of the original wedding gifts - a tray shellacked with the invitation, an old rusted toaster - but the touches and the words and the moaning the night she dies, these are what you seize, save, carry around in little invisible envelopes, opening them up quickly, like a carnival huckster, giving the world a peek. They will not stay quiet. No matter how you try.

This is what love does: It makes you want to rewrite the world. It makes you want to choose the characters, build the scenery, guide the plot. The person you love sits across from you, and you want to do everything in your power to make it possible, endlessly possible. And when it’s just the two of you, alone in a room, you can pretend that this is how it is, this is how it will be.

Seated across is a silent affair looking into my eyes; blurring the loud scenery. An incapable dream, an unimagined union-I whisper. Then you close your eyes and your soul yells my name. I cradle your peace back-with a sigh and kiss your thought away. Because we are an incomplete pair of Romeo and Juliet left alive by the Montagues and the Capulets; killed by the distance of the sun and the moon.

Life is a one-way journey, so enjoy the scenery.

And if you got that part right, how far wrong could you go? If you were standing next to the person you loved more than everything else, wasn't everything else just scenery?

For a hundred dead stories there still remain one or two living ones. I evoke these with caution, occasionally, not too often, for fear of wearing them out, I fish one out, again I see the scenery, the characters, the attitudes. I stop suddenly: there is a flaw, I have seen a word pierce through the web of sensations. I suppose that this word will soon take the place of several images I love. I must stop quickly and think of something else; I don't want to tire my memories. In vain; the next time I evoke them a good part will be congealed.

Wasn’t that the point of life? To find someone to share it with? And if you got that part right, how far wrong could you go? If you were standing next to the person you loved more than everything else, wasn’t everything else just scenery?

Life is a one-way journey, so don't wait for the destination, but enjoy the scenery.

This is what love does: It makes you want to rewrite the world. It makes you want to choose the characters, build the scenery, guide the plot. The person you love sits across from you, and you want to do everything in your power to make it possible, endlessly possible. And when it's just the two of you, alone in a room, you can pretend that this is how it is, this is how it will be.

I'm sure the scenery is lovely, but it dawns on me that it doesn't matter where we are. Nicholas could be standing in a storm a desert, a vacuum. I wouldn't know the difference, because he's all I see.

We do not need the moon light or the sea waves to be romantic. We do not need nature breaths and rivers scenery to have dreams. We do not even need music tunes or candle lights to be passionate. All we need is enlighten and loving hearts to have and be all that.

But reading is different, reading is something you do. With TV, and cinema for that matter, everything’s handed to you on a plate, nothing has to be worked at, they just spoon-feed you. The picture, the sound, the scenery, the atmospheric music in case you haven’t understood what the director’s on about… The creaking door that tells you to be stiff. You have to imagine it all when you’re reading.

The next thing Jordana says makes me realize that it's too late to save her. "I've noticed that when you light a match, the flame is the same shape as a falling tear." She's been sensitized, turned gooey in the middle. I saw it happening and I didn't do anything to stop it. From now on, she'll be writing diaries and sometimes including little poems and she'll buy gifts for her favourite teachers and she'll admire the scenery and she'll watch the news and she'll buy soup for homeless people and she'll never burn my leg hair again.

His wild and enthusiastic imagination was chastened by the sensibility of his heart. His soul overflowed with ardent affections, and his friendship was of that devoted and wondrous nature that the worldly-minded teach us to look for only in the imagination. But even human sympathies were not sufficient to satisfy his eager mind. The scenery of external nature, which others regard only with admiration, he loved with ardour[...]

Dorian, Dorian," she cried, "before I knew you, acting was the one reality of my life. It was only in the theatre that I lived. I thought that it was all true. I was Rosalind one night and Portia the other. The joy of Beatrice was my joy, and the sorrows of Cordelia were mine also. I believed in everything. The common people who acted with me seemed to me to be godlike. The painted scenes were my world. I knew nothing but shadows, and I thought them real. You came—oh, my beautiful love!— and you freed my soul from prison. You taught me what reality really is. To-night, for the first time in my life, I saw through the hollowness, the sham, the silliness of the empty pageant in which I had always played. To-night, for the first time, I became conscious that the Romeo was hideous, and old, and painted, that the moonlight in the orchard was false, that the scenery was vulgar, and that the words I had to speak were unreal, were not my words, were not what I wanted to say. You had brought me something higher, something of which all art is but a reflection.

My life is joyful and bright because of your love Like the moon who borrows light from the sun But I like those stars, they are moon's friend They never leave moon when they're done. My life is bright because of your love Like the flower borrowing from the sun You're the seer and I am the scenery Bring joy to universe, remains your fun.

Why We Tell Stories I Because we used to have leaves and on damp days our muscles feel a tug, painful now, from when roots pulled us into the ground and because our children believe they can fly, an instinct retained from when the bones in our arms were shaped like zithers and broke neatly under their feathers and because before we had lungs we knew how far it was to the bottom as we floated open-eyed like painted scarves through the scenery of dreams, and because we awakened and learned to speak

This is what love does. It makes you want to rewrite the world. It makes you want to choose the characters, build the scenery, guide the plot.

I didn’t have time to be in my head, thank God. I’d been in my head for months, and it wasn’t a great place to be. I needed a change of scenery.

Was it that he had lived too long in his mind and was tired of the scenery?

As Kate fell into the rhythm of Darby’s stride—horse and rider becoming one—she felt her spirits soar. For a little while, with the scenery blurring by, she was no longer Traitor Kate. No longer the girl despised by a kingdom. No longer the girl cast aside by the friend and prince she had once loved. In moments like these, atop a horse and flying over the ground, she glimpsed her old life. She became Kate Brighton again. Daughter of Hale Brighton, master of horse to the high king. She was free. A girl with a future. Someone who mattered.

Life is a one way journey, So don't waste your moment. Enjoy the beauty and scenery, fill your heart with love and joyment. Life is a one way journey. Always we are getting ready, not for the game of tourney, But for miracles and joy of heady. Life is a one way journey. We always hope and dream to live, but not on a beautiful gurney, but with vigor and beauty to thrive.

the only prospect which is really desirable or delightful, is that from the window of the breakfast-room [...] where we meet the first light of the dewy day, the first breath of the morning air, the first glance of gentle eyes; to which we descend in the very spring and elasticity of mental renovation and bodily energy, in the gathering up of our spirit for the new day, in the flush of our awakening from the darkness and the mystery of faint and inactive dreaming, in the resurrection from our daily grave, in the first tremulous sensation of the beauty of our being, in the most glorious perception of the lightning of our life; there, indeed, our expatiation of spirit, when it meets the pulse of outward sound and joy, the voice of bird and breeze and billow, does demand some power of liberty, some space for its going forth into the morning, some freedom of intercourse with the lovely and limitless energy of creature and creation.

This is what love does: It makes you want to rewrite the world. It makes you want to choose the characters, build the scenery, guide the plot. The person you love sits across from you, and you want to do everything in your power to make it possible, endlessly possible. And when it's just the two of you, alone in a room, you can pretend that is how it is, this is how it will be.

This is what love does: It makes you want to rewrite the world. It makes you want to choose the characters, build the scenery, guide the plot. The person you love sits across from you, and you want to do everything in your power to make it possible, endlessly possible. And when it's just the two of you, alone in a room, you can pretend that this is how it is, this is how it will be.

I have said that in one respect my mind has changed during the last twenty or thirty years. Up to the age of thirty, or beyond it, poetry of many kinds, such as the works of Milton, Gray, Byron, Wordsworth, Coleridge, and Shelley, gave me great pleasure, and even as a schoolboy I took intense delight in Shakespeare, especially in the historical plays. I have also said that formerly pictures gave me considerable, and music very great delight. But now for many years I cannot endure to read a line of poetry: I have tried lately to read Shakespeare, and found it so intolerably dull that it nauseated me. I have also almost lost my taste for pictures or music. Music generally sets me thinking too energetically on what I have been at work on, instead of giving me pleasure. I retain some taste for fine scenery, but it does not cause me the exquisite delight which it formerly did. On the other hand, novels which are works of the imagination, though not of a very high order, have been for years a wonderful relief and pleasure to me, and I often bless all novelists. A surprising number have been read aloud to me, and I like all if moderately good, and if they do not end unhappily–against which a law ought to be passed. A novel, according to my taste, does not come into the first class unless it contains some person whom one can thoroughly love, and if a pretty woman all the better. This curious and lamentable loss of the higher aesthetic tastes is all the odder, as books on history, biographies, and travels (independently of any scientific facts which they may contain), and essays on all sorts of subjects interest me as much as ever they did. My mind seems to have become a kind of machine for grinding general laws out of large collections of facts, but why this should have caused the atrophy of that part of the brain alone, on which the higher tastes depend, I cannot conceive. A man with a mind more highly organised or better constituted than mine, would not, I suppose, have thus suffered; and if I had to live my life again, I would have made a rule to read some poetry and listen to some music at least once every week; for perhaps the parts of my brain now atrophied would thus have been kept active through use. The loss of these tastes is a loss of happiness, and may possibly be injurious to the intellect, and more probably to the moral character, by enfeebling the emotional part of our nature.

What grubworms women are to crawl on their bellies through colorless marriages! Marriage was created not to be a background but to need one. Mine is going to be outstanding. It can't, shan't be the setting--it's going to be the performance, the live, lovely, glamourous performance, and the world shall be the scenery. I refuse to dedicate my life to posterity. Surely one owes as much to the current generation as to one's unwanted children. What a fate--to grow rotund and unseemly, to lose my self-love, to think in terms of milk, oatmeal, nurse, diapers…. Dear dream children, how much more beautiful you are, dazzling little creatures who flutter (all dream children must flutter) on golden, golden wings-- --

The obvious pollution occurring in many places - worst of all, in the planned societies- has encouraged the growth of the environmental movement, which, however, as shown in previous chapters, has an agenda that goes far beyond clean-up and beautification, far beyond the stewardship of nature that is commanded by ancient religious tradition. Embracing the "biospheric vision" in the "spirit of deep ecology", the movement sees human beings as the chief enemy in the struggle on behalf of a deified Nature. The environmental movement, therefore, is the perfect vehicle for population control. It is popular - people do love trees and animals and beautiful scenery - and it is unequivocal in its devotion to reducing human numbers. The environmental agencies of the United Nations, with their chilling blueprints for "demographic transition" and a standardless, undefined but totally planned and controlled "sustainable development", combine the fervor of nature worship with the lack of accountability of an unelected, international bureaucracy.

This is what love does: It makes you want to rewrite the world. It makes you want to choose the characters, build the scenery, guide the plot. The person you love sits across from you, and you want to do everything in your power to make it possible, endlessly possible.

Life is like a train going in circles, the train is comfortable - it has nice scenery, it provides warmth and food & for most a loving atmosphere. Most of the people stay on the train there entire lives, maybe every now and again they may peep out the door, some might even get off only to quickly realise they want back on. Then you have the rare ones who I aspire to be, those who are bored of the train - to them - the thought of living without it, is risky but the reward of tasting life outside of doors and walls excite them enough to try.

What kind of damage is done to our ability to love or understand and thus fully judge one another when daily we’re encouraged to forget that people are people and view them instead as so much pasteboard, scenery, clutter, generalized instances (of murder, of rape, of embezzlement, etc.)?

Whenever I see anything lovely nowadays—a building or a piece of scenery—I think to myself, ‘that’s by Charles.’ I see everything through his eyes. He is England to me.” I heard her say that; it was the sort of thing she had the habit of saying. Throughout our married life, again and again, I had felt my bowels shrivel within me at the things she said.

To live means to cry, to shout, to love, to do silly things, to feel sadness and joy, to laugh, even to experience horrible, frightening things. Beautiful songs, beautiful scenery, nausea, people singing, planes flying across the sky, the thundering hooves of horses, mouthwatering pancakes, the endless darkness of space, cowboys firing their pistols at dawn

Taking pictures is not only about the background, the colorful scenery or the beautiful era but its all about the person who is hidden in that picture with deep feelings of happiness or sorrows. Don't only rely on physical outlook inspite of it go deep down in every single pixel because a picture can show you a lot about the hidden life story of that particular personality.

To live imeans: to cry and shout, to love, to do silly things, to feel sadness and joy, to even experience horrible, frightening things... and to laugh. Beautiful songs, beautiful scenery, feeling nauseous, people singing, planes flying across the sky, the thundering hooves of horses, mouth-watering pancakes, the endless darkness of space, cowboys firing their pistols at dawn...

This is what love does: It makes you want to rewrite the world. It makes you want to choose the characters, build the scenery, guide the plot. The person you love sits across from you, and you want to do everything in your power to make it possible, endlessly possible. And when it's just the two of you, alone in a room, you can pretend that this is how it is, this is how it will be.

This is what love does: It makes you want to rewrite the world. It makes you want to choose the characters, build the scenery, guide the plot. The person you loves sits across from you, and you want to do everything in your power to make it possible, endlessly possible. And when it’s just the two of you, alone in a room, you can pretend that this is how it is, this is how it will be.

This is what love does: It makes you want to rewrite the world. It makes you want to choose the characters, build the scenery, guide the plot. The person you love sits across from you, and you want to do everything in your power to make it possible, endlessly possibly. And when it's just the two of you, alone in a room, you can pretend that this is how it is, this is how it will be" -A

Her pretty name of Adina seemed to me to have somehow a mystic fitness to her personality. Behind a cold shyness, there seemed to lurk a tremulous promise to be franker when she knew you better. Adina is a strange child; she is fanciful without being capricious. She was stout and fresh-coloured, she laughed and talked rather loud, and generally, in galleries and temples, caused a good many stiff British necks to turn round. She had a mania for excursions, and at Frascati and Tivoli she inflicted her good-humoured ponderosity on diminutive donkeys with a relish which seemed to prove that a passion for scenery, like all our passions, is capable of making the best of us pitiless. Adina may not have the shoulders of the Venus of Milo...but I hope it will take more than a bauble like this to make her stoop. Adina espied the first violet of the year glimmering at the root of a cypress. She made haste to rise and gather it, and then wandered further, in the hope of giving it a few companions. Scrope sat and watched her as she moved slowly away, trailing her long shadow on the grass and drooping her head from side to side in her charming quest. It was not, I know, that he felt no impulse to join her; but that he was in love, for the moment, with looking at her from where he sat. Her search carried her some distance and at last she passed out of sight behind a bend in the villa wall. I don't pretend to be sure that I was particularly struck, from this time forward, with something strange in our quiet Adina. She had always seemed to me vaguely, innocently strange; it was part of her charm that in the daily noiseless movement of her life a mystic undertone seemed to murmur "You don't half know me! Perhaps we three prosaic mortals were not quite worthy to know her: yet I believe that if a practised man of the world had whispered to me, one day, over his wine, after Miss Waddington had rustled away from the table, that there was a young lady who, sooner or later, would treat her friends to a first class surprise, I should have laid my finger on his sleeve and told him with a smile that he phrased my own thought. .."That beautiful girl," I said, "seems to me agitated and preoccupied." "That beautiful girl is a puzzle. I don't know what's the matter with her; it's all very painful; she's a very strange creature. I never dreamed there was an obstacle to our happiness--to our union. She has never protested and promised; it's not her way, nor her nature; she is always humble, passive, gentle; but always extremely grateful for every sign of tenderness. Till within three or four days ago, she seemed to me more so than ever; her habitual gentleness took the form of a sort of shrinking, almost suffering, deprecation of my attentions, my petits soins, my lovers nonsense. It was as if they oppressed and mortified her--and she would have liked me to bear more lightly. I did not see directly that it was not the excess of my devotion, but my devotion itself--the very fact of my love and her engagement that pained her. When I did it was a blow in the face. I don't know what under heaven I've done! Women are fathomless creatures. And yet Adina is not capricious, in the common sense... .So these are peines d'amour?" he went on, after brooding a moment. "I didn't know how fiercely I was in love!" Scrope stood staring at her as she thrust out the crumpled note: that she meant that Adina--that Adina had left us in the night--was too large a horror for his unprepared sense...."Good-bye to everything! Think me crazy if you will. I could never explain. Only forget me and believe that I am happy, happy, happy! Adina Beati."... Love is said to be par excellence the egotistical passion; if so Adina was far gone. "I can't promise to forget you," I said; "you and my friend here deserve to be remembered!

I can think of so many motives explaining why someone might enter a community like the Peoples Temple or Heaven’s Gate. Maybe it’s because life is hard and they want to make it better. Because someone promised they could help. Maybe they want their time on Earth to feel more meaningful. Maybe they’re sick of feeling so alone. Maybe they want new friends. Or a new family. Or a change of scenery. Maybe someone they love is joining. Maybe everybody is joining. Maybe it just seems like an adventure.

For a hundred dead stories there still remain one or two living ones. I evoke these with caution, occasionally, not too often, for fear of wearing them out, I fish one out, again I see the scenery, the characters, the attitudes. I stop suddenly: there is a flaw, I have seen a word pierce through the web of sensations. I suppose that this word will soon take the place of several images I love. I must stop quickly and think of something else; I don't want to tire my memories. In vain; the next time I evoke them a good part will be congealed.

I remember the only time I ever saw my mother cry. I was eating apricot pie. I remember how much I used to stutter. I remember the first time I saw television. Lucille Ball was taking ballet lessons. I remember Aunt Cleora who lived in Hollywood. Every year for Christmas she sent my brother and me a joint present of one book. I remember a very poor boy who had to wear his sister's blouse to school. I remember shower curtains with angel fish on them. I remember very old people when I was very young. Their houses smelled funny. I remember daydreams of being a singer all alone on a big stage with no scenery, just one spotlight on me, singing my heart out, and moving my audience to total tears of love and affection. I remember waking up somewhere once and there was a horse staring me in the face. I remember saying "thank you" in reply to "thank you" and then the other person doesn't know what to say. I remember how embarrassed I was when other children cried. I remember one very hot summer day I put ice cubes in my aquarium and all the fish died. I remember not understanding why people on the other side of the world didn't fall off.

Even fifteen hundred miles away, even on the phone, Georgie was more alive than anything else in his life. He felt his cheeks warm just thinking about seeing her again. That's what Georgie did to him, she pulled the blood to the surface of his skin. She acted on him, tidally. She made him feel like things were happening, like life was happening, and even if he was miserable sometimes, he wasn't going to sleep through it. He ran his hand over his pocket. The ring was still there. It had been there since he left the nursing home. His great aunt had pressed it into Neal's hands. 'I don't need this anymore, I never really needed it, but Harold liked to see it on my finger. It was a family ring,' she said. 'It should stay in the family.' Neal made up his mind as soon as he saw it. The future was going to happen, even if he wasn’t ready for it. Even if he was never ready for it. At least he could make sure he was with the right person. Wasn’t that the point of life? To find someone to share it with? And if you got that part right, how far wrong could you go? If you were standing next to the person you loved more than everything else, wasn’t everything else just scenery?

When I was back in my room, I sat on the edge of my bed and stared at the floor. I took my head in my hands and softly began to weep. I tried to determine the cause for my breakdown… (but) I came to realize that my sadness was caused by my own personal angst. I had come to comprehend my own personal story in a more complete sense. I had a painful childhood, however privileged, and was now actively seeking for those things within myself that would break me away from the bonds of childhood and define me as a man. I was set on living my own life as my own man, not defined by the lives of my parents. And whether I succeeded or not, in the end I would die.

Those who pass their time immured in the smoky circumference of the city, amid the rattling of carts, the brawling of the multitude, and the variety of unmeaning and discordant sounds that prey insensibly upon the nerves, and beget a weariness of the spirits, can alone understand and feel that expansion of the heart, that physical renovation which a citizen experiences when he steals forth from his dusty prison, to breathe the free air of heaven, and enjoy the unsophisticated face of nature. Who that has rambled by the side of one of our majestic rivers, at the hour of sun-set, when the wildly romatick scenery around is softened and tinted by the voluptuous mist of evening; when the bold and swelling outlines of the distant mountain seem melting into the glowing horizon, and rich mantle of refulgence is thrown over the whole expanse of the heavens, but must have felt how abundant is nature in sources of pure enjoyment; how luxuriant in all that can enliven the senses or delight the imagination. The jocund zephyr full freighted with native fragrance, sues sweetly to the senses; the chirping of the thousand varieties of insects with which our woodlands abound, forms a concert of simple melody; even the barking of the farm dog, the lowing of the cattle, the tinkling of their bells, and the strokes of the woodman's axe from the opposite shore, seem to partake of the softness of the scene and fall tunefully upon the ear; while the voice of the villager, chaunting some rustick ballad, swells from a distance, in the semblance of the very musick of harmonious love.

Many people approach Tolstoy with mixed feelings. They love the artist in him and are intensely bored by the preacher; but at the same time it is rather difficult to separate Tolstoy the preacher from Tolstoy the artist—it is the same deep slow voice, the same robust shoulder pushing up a cloud of visions or a load of ideas. What one would like to do, would be to kick the glorified soapbox from under his sandalled feet and then lock him up in a stone house on a desert island with gallons of ink and reams of paper—far away from the things, ethical and pedagogical, that diverted his attention from observing the way the dark hair curled above Anna's white neck. But the thing cannot be done : Tolstoy is homogeneous, is one, and the struggle which, especially in the later years, went on between the man who gloated over the beauty of black earth, white flesh, blue snow, green fields, purple thunderclouds, and the man who maintained that fiction is sinful and art immoral—this struggle was still confined within the same man. Whether painting or preaching, Tolstoy was striving, in spite of all obstacles, to get at the truth. As the author of Anna Karenin, he used one method of discovering truth; in his sermons, he used another; but somehow, no matter how subtle his art was and no matter how dull some of his other attitudes were, truth which he was ponderously groping for or magically finding just around the corner, was always the same truth — this truth was he and this he was an art. What troubles one, is merely that he did not always recognize his own self when confronted with truth. I like the story of his picking up a book one dreary day in his old age, many years after he had stopped writing novels, and starting to read in the middle, and getting interested and very much pleased, and then looking at the title—and seeing: Anna Karenin by Leo Tolstoy. What obsessed Tolstoy, what obscured his genius, what now distresses the good reader, was that, somehow, the process of seeking the Truth seemed more important to him than the easy, vivid, brilliant discovery of the illusion of truth through the medium of his artistic genius. Old Russian Truth was never a comfortable companion; it had a violent temper and a heavy tread. It was not simply truth, not merely everyday pravda but immortal istina—not truth but the inner light of truth. When Tolstoy did happen to find it in himself, in the splendor of his creative imagination, then, almost unconsciously, he was on the right path. What does his tussle with the ruling Greek-Catholic Church matter, what importance do his ethical opinions have, in the light of this or that imaginative passage in any of his novels? Essential truth, istina, is one of the few words in the Russian language that cannot be rhymed. It has no verbal mate, no verbal associations, it stands alone and aloof, with only a vague suggestion of the root "to stand" in the dark brilliancy of its immemorial rock. Most Russian writers have been tremendously interested in Truth's exact whereabouts and essential properties. To Pushkin it was of marble under a noble sun ; Dostoevski, a much inferior artist, saw it as a thing of blood and tears and hysterical and topical politics and sweat; and Chekhov kept a quizzical eye upon it, while seemingly engrossed in the hazy scenery all around. Tolstoy marched straight at it, head bent and fists clenched, and found the place where the cross had once stood, or found—the image of his own self.

When other birds are still, the screech owls take up the strain, like mourning women their ancient u-lu-lu. Their dismal scream is truly Ben Jonsonian.( Wise midnight hags! It is no honest and blunt tu-whit tu-who of the poets, but, without jesting, a most solemn graveyard ditty, the mutual consolations of suicide lovers remembering the pangs and the delights of supernal love in the infernal groves. Yet I love to hear their wailing, their doleful responses, trilled along the woodside; reminding me sometimes of music and singing birds; as if it were the dark and tearful side of music, the regrets and sighs that would fain be sung. They are the spirits, the low spirits and melancholy forebodings, of fallen souls that once in human shape night-walked the earth and did the deeds of darkness, now expiating their sins with their wailing hymns or threnodies in the scenery of their transgressions. They give me a new sense of the variety and capacity of that nature which is our common dwelling. Oh-o-o-o-o that I never had been bor-r-r-r-n! sighs one on this side of the pond, and circles with the restlessness of despair to some new perch on the gray oaks. Then — that I never had been bor-r-r-r-n! echoes another on the farther side with tremulous sincerity, and — bor-r-r-r-n! comes faintly from far in the Lincoln woods. I was also serenaded by a hooting owl. Near at hand you could fancy it the most melancholy sound in Nature, as if she meant by this to stereotype and make permanent in her choir the dying moans of a human being — some poor weak relic of mortality who has left hope behind, and howls like an animal, yet with human sobs, on entering the dark valley, made more awful by a certain gurgling melodiousness — I find myself beginning with the letters gl when I try to imitate it — expressive of a mind which has reached the gelatinous, mildewy stage in the mortification of all healthy and courageous thought. It reminded me of ghouls and idiots and insane howlings. But now one answers from far woods in a strain made really melodious by distance — Hoo hoo hoo, hoorer hoo; and indeed for the most part it suggested only pleasing associations, whether heard by day or night, summer or winter. I rejoice that there are owls. Let them do the idiotic and maniacal hooting for men. It is a sound admirably suited to swamps and twilight woods which no day illustrates, suggesting a vast and undeveloped nature which men have not recognized. They represent the stark twilight and unsatisfied thoughts which all have. All day the sun has shone on the surface of some savage swamp, where the double spruce stands hung with usnea lichens, and small hawks circulate above, and the chickadee lisps amid the evergreens, and the partridge and rabbit skulk beneath; but now a more dismal and fitting day dawns, and a different race of creatures awakes to express the meaning of Nature there.

Dorian, Dorian," she cried, "before I knew you, acting was the one reality of my life. It was only in the theatre that I lived. I thought that it was all true. I was Rosalind one night and Portia the other. The joy of Beatrice was my joy, and the sorrows of Cordelia were mine also. I believed in everything. The common people who acted with me seemed to me to be godlike. The painted scenes were my world. I knew nothing but shadows, and I thought them real. You came—oh, my beautiful love!—and you freed my soul from prison. You taught me what reality really is. To-night, for the first time in my life, I saw through the hollowness, the sham, the silliness of the empty pageant in which I had always played. To-night, for the first time, I became conscious that the Romeo was hideous, and old, and painted, that the moonlight in the orchard was false, that the scenery was vulgar, and that the words I had to speak were unreal, were not my words, were not what I wanted to say. You had brought me something higher, something of which all art is but a reflection. You had made me understand what love really is. My love! My love!

It is no honest and blunt tu-whit tu-whoo of the poets, but, without jesting, a most solemn graveyard ditty, the mutual consolations of suicide lovers remembering the pangs and the delights of supernal love in the infernal groves. Yet I love to hear their wailing, their doleful responses, trilled along the woodside; reminding me sometimes of music and singing birds; as if it were the dark and tearful side of music, the regrets and sighs that would fain be sung. They are the spirits, the low spirits and melancholy forebodings, of fallen souls that once in human shape night-walked the earth and did the deeds of darkness, now expiating their sins with their wailing hymns or threnodies in the scenery of their transgressions. They give me a new sense of the variety and capacity of that nature which is our common dwelling. Oh-o-o-o-o that I never had been bor-r-r-r-n! sighs one on this side of the pond, and circles with the restlessness of despair to some new perch on the gray oaks. Then—that I never had been bor-r-r-r-n! echoes another on the farther side with tremulous sincerity, and—bor-r-r-r-n! comes faintly from far in the Lincoln woods.

Dorian, Dorian," she cried, "before I knew you, acting was the one reality of my life. It was only in the theatre that I lived. I thought that it was all true. I was Rosalind one night and Portia the other. The joy of Beatrice was my joy, and the sorrows of Cordelia were mine also. I believed in everything. The common people who acted with me seemed to me to be godlike. The painted scenes were my world. I knew nothing but shadows, and I thought them real. You came--oh, my beautiful love!--and you freed my soul from prison. You taught me what reality really is. To-night, for the first time in my life, I saw through the hollowness, the sham, the silliness of the empty pageant in which I had always played. To-night, for the first time, I became conscious that the Romeo was hideous, and old, and painted, that the moonlight in the orchard was false, that the scenery was vulgar, and that the words I had to speak were unreal, were not my words, were not what I wanted to say. You had brought me something higher, something of which all art is but a reflection. You had made me understand what love really is. My love! My love! Prince Charming! Prince of life! I have grown sick of shadows. You are more to me than all art can ever be.

Alice's Cutie Code TM Version 2.1 - Colour Expansion Pack (aka Because this stuff won’t stop being confusing and my friends are mean edition) From Red to Green, with all the colours in between (wait, okay, that rhymes, but green to red makes more sense. Dang.) From Green to Red, with all the colours in between Friend Sampling Group: Fennie, Casey, Logan, Aisha and Jocelyn Green  Friends’ Reaction: Induces a minimum amount of warm and fuzzies. If you don’t say “aw”, you’re “dead inside”  My Reaction: Sort of agree with friends minus the “dead inside” but because that’s a really awful thing to say. Puppies are a good example. So is Walter Bishop. Green-Yellow  Friends’ Reaction: A noticeable step up from Green warm and fuzzies. Transitioning from cute to slightly attractive. Acceptable crush material. “Kissing.”  My Reaction: A good dance song. Inspirational nature photos. Stuff that makes me laugh. Pairing: Madison and Allen from splash Yellow  Friends’ Reaction: Something that makes you super happy but you don’t know why. “Really pretty, but not too pretty.” Acceptable dating material. People you’d want to “bang on sight.”  My Reaction: Love songs for sure! Cookies for some reason or a really good meal. Makes me feel like it’s possible to hold sunshine, I think. Character: Maxon from the selection series. Music: Carly Rae Jepsen Yellow-Orange  Friends’ Reaction: (When asked for non-sexual examples, no one had an answer. From an objective perspective, *pushes up glasses* this is the breaking point. Answers definitely skew toward romantic or sexual after this.)  My Reaction: Something that really gets me in my feels. Also art – oil paintings of landscapes in particular. (What is with me and scenery? Maybe I should take an art class) Character: Dean Winchester. Model: Liu Wren. Orange  Friends’ Reaction: “So pretty it makes you jealous. Or gay.”  “Definitely agree about the gay part. No homo, though. There’s just some really hot dudes out there.”(Feenie’s side-eye was so intense while the others were answering this part LOLOLOLOLOL.) A really good first date with someone you’d want to see again.  My Reaction: People I would consider very beautiful. A near-perfect season finale. I’ve also cried at this level, which was interesting. o Possible tie-in to romantic feels? Not sure yet. Orange-Red  Friends’ Reaction: “When lust and love collide.” “That Japanese saying ‘koi no yokan.’ It’s kind of like love at first sight but not really. You meet someone and you know you two have a future, like someday you’ll fall in love. Just not right now.” (<-- I like this answer best, yes.) “If I really, really like a girl and I’m interested in her as a person, guess. I’d be cool if she liked the same games as me so we could play together.”  My Reaction: Something that gives me chills or has that time-stopping factor. Lots of staring. An extremely well-decorated room. Singers who have really good voices and can hit and hold superb high notes, like Whitney Houston. Model: Jasmine Tooke. Paring: Abbie and Ichabod from Sleepy Hollow o Romantic thoughts? Someday my prince (or princess, because who am I kidding?) will come? Red (aka the most controversial code)  Friends’ Reaction: “Panty-dropping levels” (<-- wtf Casey???).  “Naked girls.” ”Ryan. And ripped dudes who like to cook topless.”  “K-pop and anime girls.” (<-- Dear. God. The whole table went silent after he said that. Jocelyn was SO UNCOMFORTABLE but tried to hide it OMG it was bad. Fennie literally tried to slap some sense into him.)  My Reaction: Uncontrollable staring. Urge to touch is strong, which I must fight because not everyone is cool with that. There may even be slack-jawed drooling involved. I think that’s what would happen. I’ve never seen or experienced anything that I would give Red to.

POEM – MY AMAZING TRAVELS [My composition in my book Travel Memoirs with Pictures] My very first trip I still cannot believe Was planned and executed with such great ease. My father, an Inspector of Schools, was such a strict man, He gave in to my wishes when I told him of the plan. I got my first long vacation while working as a banker One of my co-workers wanted a travelling partner. She visited my father and discussed the matter Arrangements were made without any flutter. We travelled to New York, Toronto, London, and Germany, In each of those places, there was somebody, To guide and protect us and to take us wonderful places, It was a dream come true at our young ages. We even visited Holland, which was across the Border. To drive across from Germany was quite in order. Memories of great times continue to linger, I thank God for an understanding father. That trip in 1968 was the beginning of much more, I visited many countries afterward I am still in awe. Barbados, Tobago, St. Maarten, and Buffalo, Cirencester in the United Kingdom, Miami, and Orlando. I was accompanied by my husband on many trips. Sisters, nieces, children, grandchildren, and friends, travelled with me a bit. Puerto Rico, Los Angeles, New York, and Hialeah, Curacao, Caracas, Margarita, Virginia, and Anguilla. We sailed aboard the Creole Queen On the Mississippi in New Orleans We traversed the Rockies in Colorado And walked the streets in Cozumel, Mexico. We were thrilled to visit the Vatican in Rome, The Trevi Fountain and the Colosseum. To explore the countryside in Florence, And to sail on a Gondola in Venice. My fridge is decorated with magnets Souvenirs of all my visits London, Madrid, Bahamas, Coco Cay, Barcelona. And the Leaning Tower of Pisa How can I forget the Spanish Steps in Rome? Stratford upon Avon, where Shakespeare was born. CN Tower in Toronto so very high I thought the elevator would take me to the sky. Then there was El Poble and Toledo Noted for Spanish Gold We travelled on the Euro star. The scenery was beautiful to behold! I must not omit Cartagena in Columbia, Anaheim, Las Vegas, and Catalina, Key West, Tampa, Fort Lauderdale, and Pembroke Pines, Places I love to lime. Of course, I would like to make special mention, Of two exciting cruises with Royal Caribbean. Majesty of the Seas and Liberty of the Seas Two ships which grace the Seas. Last but not least and best of all We visited Paris in the fall. Cologne, Dusseldorf, and Berlin Amazing places, which made my head, spin. Copyright@BrendaMohammed

It's only that... well, if Olivia cannot be with the man she loves, as he has vanished like a bloody 'cowardly'..." She stopped talking abruptly. Yanking herself back like a dog on a leash. Which was a pity, as the words had acquired a fascinating whiff of venom and had begun to escalate in volume. She would have done some squeaking of her own. Genevieve Eversea was beginning to interest him. "If she cannot be with the man she loves..." he prompted. "I do believe she can only to be with someone... impressive." "Impressive..." He pretended to ponder this. "I hope you do not think I presume, but I cannot help but wonder if you're referring to me. Given my rank and fortune, some might describe me as such. And I'm flattered indeed, given that there really are so many other words you could have chosen to describe me." A pause followed. The girl was most definitely a 'thinker.' "We have only just become acquainted, Lord Moncrieffe. I might elect to use other words to describe you should I come to know you better." Exquisite and refined as convent lace, her manners, her delivery. And still he could have sworn she was having one over on him. She seemed to be watching her feet now. The scenery didn't interest her, or it caused her discomfort. And as he watched her, something unfamiliar stirred. He was... 'genuinely' interested in what she might say next.

In 1799, the poet Samuel Taylor Coleridge goes to Germany on a winter walking trip and writes home to his wife about the opposite sense: of winter as a mysterious magnetic season that the wanderer is expelled into for his own good, for the purification and improvement of his soul. “What sublime scenery I have beheld!” Coleridge’s’ words are one of those rare passages of prose that truly mark the arrival of an epoch. It would be impossible to find anything like it in European literature only twenty-five years before… This kind of love of the winter scene is not of the force outside pressing in on the window, bringing family together. Instead it is for the ice-spirit pulling us out. This winter window is wrenched open by the level of the sublime. The new idea (of winter’s beauty) is associated with Edmund Burke’s great essay on the sublime and beautiful from the middle of the eighteenth century. Burke’s was one of the three or four most powerful ideas in the history of thought, because he wrenched aesthetics away from the insipid idea of beauty (physical, manicured) towards recognition of the full span of human sympathy. Oceans and thunderstorms, precipices and abysses, towering volcanoes and, above all, snow-capped mountains- they rival and outdo the heritage of classical beauty exactly because they frighten us; they fill us with fear, with awe, with a sense of the inestimable mystery of the world.

Dear Windowpane, Aren’t you lucky? The sun rays of faith beam on you. How does it feel? Is it enlightenment? Do you feel free, loved, or suffocated? I admire you and envy you at the same time. I admire you because you have the ability to freely open up and let go. I am jealous of you because you have the ability to feel the warm embrace. You get to travel to different places. I know I might be thinking silly, but Windowpane, do you endure a lot of people’s pain? I mean—because many people lean on you, and I am sure you feel their energy, or maybe they tell you their problems. How do you handle all of that? Do you wait for the rain to come; therefore, you can wash off everyone’s problems and create new ones? It seems like you would be filled with clarity because, after all, everyone can see right through you. With that being said, you do not have anything to hide. What is so amazing about you—is that you remind me of water. I can see right through you, and I can see my reflection too. Now that is pretty cool. However, it is a Catch-22 as well. Now, I see you do not carry other people’s problems. You let us look at our reflections and go within to seek the answers we are searching for. Aww, you are something else. I want to give you some advice. Although I love your strategy, make sure that the person who is resting their head on you doesn’t quiet their mind too much. If so, their quiet mind might be filled with too much noise. We do not want that. Here’s a little secret, if a person starts thinking too long, then they are thinking wrong. Keep that in mind. Well, I love the scenery, and I enjoyed the talk. Best of luck to you.

As for the square at Meknes, where I used to go everyday, it's even simpler: I do not see it at all anymore. All that remains is the vague feeling that it was charming, and these five words are indivisibly bound together: a charming square at Meknes. Unboubtedly, if I close my eyes or stare vaguely at the ceiling I can re-create the scene: a tree in the distance, a short dingy figure run towards me. But I am inventing all this to make out a case. That Moroccan was big and weather-beaten, besides, I only saw him after he had touched me. So I *still* know he was big and weather-beaten: certain details, somewhat curtailed, live in my memory. But I don't *see* anything any more: I can search the past in vain, I can only find these scraps of images and I am not sure what they represent, whether they are memories or just fiction. There are many cases where even these scraps have disapeared: nothing is left but words: I could still tell stories, tell them too well [...] but these are only the skeletons. There's the story of a person who does this, does that, but it isn't I, I have nothing in common with him. He travels through countries I know no more about than if I had never been there. Sometimes, in my story, it happens that I pronounce these fine names you read in atlases, Aranjuez or Canterbury. New images are born in me, images such as people create from books who have never travelled. My words are dreams, that is all. For a hundred dead stories there still remain one or two living ones. I evoke these with caution, occasionally, not too often, for fear of wearing them out, I fish one out, again I see the scenery, the characters, the attitudes. I stop suddenly: there is a flaw, I have seen a word pierce through the web of sensations. I suppose that this word will soon take the place of several images I love. I must stop quickly and think of something else; I don't want to tire my memories. In vain; the next time I evoke them a good part will be congealed.

My darling son: depression at your age is more common than you might think. I remember it very strongly in Minneapolis, Minnesota, when I was about twenty-six and felt like killing myself. I think the winter, the cold, the lack of sunshine, for us tropical creatures, is a trigger. And to tell you the truth, the idea that you might soon unpack your bags here, having chucked in all your European plans, makes your mother and me as happy as could be. You have more than earned the equivalent of any university 'degree' and you have used your time so well to educate yourself culturally and personally that if university bores you, it is only natural. Whatever you do from here on in, whether you write or don't write, whether you get a degree or not, whether you work for your mother, or at El Mundo, or at La Ines, or teaching at a high school, or giving lectures like Estanislao Zuleta, or as a psychoanalyst to your parents, sisters and relatives, or simply being Hector Abad Faciolince, will be fine. What matters is that you don't stop being what you have been up till now, a person, who simply by virtue of being the way you are, not for what you write or don't write, or for being brilliant or prominent, but just for being the way you are, has earned the affection, the respect, the acceptance, the trust, the love, of the vast majority of those who know you. So we want to keep seeing you in this way, not as a future great author, or journalist or communicator or professor or poet, but as the son, brother, relative, friend, humanist, who understands others and does not aspire to be understood. It does not matter what people think of you, and gaudy decoration doesn't matter, for those of us who know you are. For goodness' sake, dear Quinquin, how can you think 'we support you (...) because 'that boy could go far'? You have already gone very far, further than all our dreams, better than everything we imagined for any of our children. You should know very well that your mother's and my ambitions are not for glory, or for money, or even for happiness, that word that sounds so pretty but is attained so infrequently and for such short intervals (and maybe for that very reason is so valued), for all our children, but that they might at least achieve well-being, that more solid, more durable, more possible, more attainable word. We have often talked of the anguish of Carlos Castro Saavedra, Manuel Meija Vallejo, Rodrigo Arenas Betancourt, and so many quasi-geniuses we know. Or Sabato or Rulfo, or even Garcia Marquez. That does not matter. Remember Goethe: 'All theory (I would add, and all art), dear friend, is grey, but only the golden tree of life springs ever green.' What we want for you is to 'live'. And living means many better things than being famous, gaining qualifications or winning prizes. I think I too had boundless political ambitions when I was young and that's why I wasn't happy. I think I too had boundless political ambitions when I was young and that's why I wasn't happy. Only now, when all that has passed, have I felt really happy. And part of that happiness is Cecilia, you, and all my children and grandchildren. Only the memory of Marta Cecilia tarnishes it. I believe things are that simple, after having gone round and round in circles, complicating them so much. We should do away with this love for things as ethereal as fame, glory, success... Well, my Quinquin, now you know what I think of you and your future. There's no need for you to worry. You are doing just fine and you'll do better, and when you get to my age or your grandfather's age and you can enjoy the scenery around La Ines that I intend to leave to all of you, with the sunshine, heat and lush greenery, and you'll see I was right. Don't stay there longer than you feel you can. If you want to come back I'll welcome you with open arms. And if you regret it and want to go back again, we can buy you another return flight. A kiss from your father.

The scenery changed from fields and hedges to trees as she drove. They grew denser, and developed into an immense forest. It called to her, filling her body with a buzzing sensation, almost like the vibration of a ringing telephone.

She had been degraded by her husband, betrayed by her sister, abused by fate itself, which had denied her children while the child fathered by her husband, the child that by rights was hers, had been placed in her sister’s relaxed and fun-loving body. The gloom in her soul was made deeper also by the fact that Medea, who had always been on the move herself, was being forced to sit for days at a time by this window where all the movement was outside, in the rolling by of the changing scenery through the window and, to some extent, in the restless movement of other people in the railway carriage.

I stared at my face in the window again and opened my mouth wide, swallowing down the sodium-yellow-and-black scenery beyond like a humpback whale breathing in a ton of krill.

If this were a fairy tale, it would now be time for Captain Durham to play hero. He does not seem to lack the necessary credentials. It is not that he isn’t handsome, or tall, or strong, or that he doesn’t want to help her, or that he doesn’t love her (oh, he loves her; just as the English loved India and Africa and Ireland; it is the love that is the problem, people treat their lovers badly)—all those things are true. But maybe it is just the scenery that is wrong. Maybe nothing that happens upon stolen ground can expect a happy ending.

There are daysI don't want modern lighting, I crave the smell of brown old books, I crave for scenery that speak more contemporary, sometimes I shut my room, light a candle, play Mozart and read James Joyce one of the hardest books I ever tasted. There are days I want to make love, to listen to the dialogue of hearts, the whispers of love, the craziness of loving, there are days I pump whiskey in my well, discharge everything that kills, the poison in my gutter..... above all I pray to…

Angus turned to Domenica. "This view always makes me feel sad. I don't know why, but it does." He drew in his breath, savouring the freshness of the air. Freshly mown grass was upon it, and the smell of lavender, too, from Elspeth's kitchen garden. "Well, perhaps not sad--more wistful, perhaps, which is one notch below actual sadness.

I want to make love to your soul. Sex is not a big enough reason to want you. It’s the sensual journey. It’s these dreams of ecstasy you’ve ignited inside of me that have got me feeling inspired. Let’s take a sensual journey into parts unknown. Savoring each moment, each scenery, along the way. Let’s drown in sensory pleasure. Feel the rapture of intimacy. Our souls intertwined for all eternity.

Time heals all they say That is the furthest from the truth It only helps to keep things locked It just takes a scent or scenery for the lock to be opened again.

To live means: to cry and shout, to love, to do silly things, to feel sadness and joy, to even experience horrible, frightening things . . . and to laugh. Beautiful songs, beautiful scenery, feeling nauseous, people singing, planes flying across the sky, the thundering hooves of horses, mouth-watering pancakes, the endless darkness of space, cowboys firing their pistols at dawn . . .

Intimacy with the Lord without distraction would also mean greater availability for the service of the Lord, his people, and his kingdom, as the Christian experience of millennia has shown. Reflection and Application (7:25–35) This passage, along with Jesus’ commendation of celibacy (Matt 19:12), forms the Magna Carta of the consecrated life. It is primarily a declaration of independence and freedom. The great good of charity, the love of God, which alone outlasts the changing scenery of this world, is worth committing oneself to in celibate consecration as a state of life. If Paul coincides with Plato in saying that the figure of this world is passing away, he does not make the philosophical principle of the changeableness of temporal things the main motive for his praise of virginity. Rather, we are living in a segment of time marked at either end by the Christ event. In the resurrection, which is behind us, the glorious consummation of salvation is forecast and guaranteed. Thus we are living in a new kind of time, because its goal as well as its beginning has been revealed. So radically has the meaning of time been changed that unnecessary involvement in essentially transitory states can be a curtailment of freedom. Virginity, then, is the visible symbol of Christ’s lordship over time.

To live means: to cry and shout, to love, to do silly things, to feel sadness and joy, to even experience hor-rible, frightening things... and to laugh. Beautiful songs, beautiful scenery, feeling nauseous, people sing-ing, planes flying across the sky, the thundering hooves of horses, mouth-watering pancakes, the endless darkness of space, cowboys firing their pistols at dawn ... And next to all the movies that play on a loop inside me, sit the images of friends, lovers, the family, who were with me when I watched them

When you're taking photographs of people, creating the “perfect scenery” is always secondary. It's much more important to capture the emotions. Especially when there's true love.

I want to know I can pick up and go if I feel the need. If I’m feeling all done with what I’m doing, I want to be able to go do something else, somewhere else, soak in new scents, new scenery, new people, new challenges.” She smiled. She realized something else. “I miss the restlessness. The pull to head somewhere new, find something I’ve never seen, learn something I didn’t know.” “It’s comfortable, I would imagine,” he said. “And comforting. It’s what you know, what you understand. Makes you feel like you.” She nodded. “That’s exactly it.” It was a little overwhelming at times, how well he seemed to understand her, to get what she meant. But in the best possible way. “There’s one more part,” she said, finding the courage, knowing she needed to tell him the rest of it. “Of the all I want to have.” “Which is?” She lifted her head then, propped her chin on his chest, and looked into his beautiful blue eyes. “You.” The light that leaped into those eyes was almost startling in its fierceness. His hand stilled in her hair, his body seemed to vibrate a little, as if injected with a sudden shot of life. But he otherwise said nothing, didn’t move, didn’t roll her to her back and kiss her senseless. He just held her gaze and let her see everything her declaration made him feel. That emboldened her to go on, to give voice to the rest of it. “I want to go back to Cameroo, see everyone again, see if it feels the same, if it still calls to me like it did before.” She clung to his gaze. “Feel what it would be like to be there and be with you. Really with you.” She expected him to say something like he’d book her the next flight back, but instead he regarded her for a long moment, and she realized she was trembling by the time he spoke. “That’s a lot of all,” he said. She nodded, unable to say anything more. Then he surprised a gasp out of her by reaching for her and pulling her up on top of him, slowing rolling to his other side and tucking her under the shelter of his body. He slid his leg between hers, leveraged his weight on one forearm, and cupped her cheek in his free hand. He stared down so intently, so deeply into her eyes, she thought she might drown in all that deep, dark, bottomless blue. “Cooper,” she whispered, for once not having any idea what he was thinking. “Maybe there is a way to have it all,” he said, lowering his head to hers. “If you want me, Starfish, we’ll find that way.” “I do,” she said, the sudden prickle of tears surprising her, but it was such a huge rush finally to admit it, to tell him. To tell herself. “But--” “No buts,” he said, kissing the damp from the corner of one eye, then the other. “We’ll sort it out,” he said. “It’s what we do for the people we love.

But in this moment, I’m asking, would you come?” “I--don’t know.” There was the slightest hint of a tremble in the words. And that wall she’d so hastily put back up wavered just a tic. He traced a finger along the side of her cheek, then over her bottom lip, and felt her body shudder against his. “Would you come back to Cameroo and give this a chance?” He held her gaze for the longest time and thought he’d never tire of the scenery. “I’d consider it,” she finally said, searching his gaze as well. She sighed, then melted against him when he dipped his head, kissed her quietly. “Yes,” she whispered against his lips before he lifted them away. “I would.” “Good,” he said, lips spreading, grin deepening. A car rumbled down the alley, startling them both, and their intimate bubble burst as the outside world intruded once again. Kerry pulled back and then moved fully out of his arms. She made no show of smoothing her shirt or tidying her hair, which made his grin deepen. She might be tangled up when it came to family and future and her real needs and wants, but she was, at core, still the same guileless woman he’d fallen in love with a world away from here.

Skotos performed music in two different genres. When he wasn’t singing about love, his music fell in the genre I can only describe as doucherock. When he was singing about love, he was all about the power ballad. Or even the pop ballad. It just depended on where his cheesy muse took him. Given a choice between listening to Skotos sing and listening to a lawn mower, I would pick the mower. He also spent a good deal of time doing theater. He was a master of melodrama, and there were certain Dynamisians who thought that was the pinnacle of acting. I personally found him over the top. When we were assigned to do a scene together I had to pinch myself to keep from asking him where he spit out all the scenery he’d chewed.

Love is not a store you enter to fulfill your insecurities and unmet needs. Love is not a scenery or a picture perfect thing. Love is not taking. So many people see love as a destination or a servant to fulfill their desires. This is not love. Love is when you look into the mirror and you are at peace with yourself. Love is looking inward to heal all the broken part of yourself and forgive those slow to heal like you would forgive a child that is slow to learn. Love is remembering your inner child and appreciating your past no matter how much you regret it. Love the realization that everything in the past occured to teach you a lesson and improve you, to love you. Love is that moment before you drift off to sleep, that peace in trusting the process. Love is filling your cup first before you seek out another imperfect person , because people are imperfect, then giving from the overflow of your cup. Love is not expecting another human being to give you happiness. Love is knowing your are already overwhelmed with resources to give happiness to yourself and every life you touch. Love is giving. Because only when you give love from a place of fulfillment will you be able to receive the love that will fulfill you.

May 5th 2018 was one of the first nice spring days the beautiful State of Maine had seen since being captured by the long nights and cold days of winter. Ursula, my wife of nearly 60 years and I were driving north on the picturesque winding coastal route and had just enjoyed the pleasant company of Beth Leonard and Gary Lawless at their interesting book store “Gulf of Maine” in Brunswick. I loved most of the sights I had seen that morning but nothing prepared us for what we saw next as we drove across the Kennebec River on the Sagadahoc Bridge. Ursula questioned me about the most mysterious looking vessel we had ever seen. Of course she expected a definitive answer from me, since I am considered a walking encyclopedia of anything nautical by many. Although I had read about this new ship, its sudden appearance caught me off guard. “What kind of ship is that?” Ursula asked as she looked downstream, at the newest and most interesting stealth guided missile destroyer on the planet. Although my glance to the right was for only a second, I was totally awed by the sight and felt that my idea of what a ship should look like relegated me to the ashbin of history where I would join the dinosaurs and flying pterosaurs of yesteryear. Although I am not privileged to know all of the details of this class of ship, what I do know is that the USS Zumwalt (DDG 1000) first underwent sea trials in 2015. The USS Michael Monsoor (DDG-1001) delivered to the Navy in April 2018, was the second ship this class of guided missile destroyers and the USS Lyndon B. Johnson (DDG-1002) now under construction, will be the third and final Zumwalt-class destroyer built for the United States Navy. It was originally expected that the cost of this class would be spread across 32 ships but as reality set in and costs overran estimates, the number was reduced to 24, then to 7 and finally to 3… bringing the cost-per-ship in at a whopping $7.5 billion. These guided missile destroyers are primarily designed to be multi-mission stealth ships with a focus on naval gunfire to support land attacks. They are however also quite capable for use in surface and anti-aircraft warfare. The three ship’s propulsion is similar and comes from two Rolls-Royce gas turbines, similar to aircraft jet engines, and Curtiss-Wright electrical generators. The twin propellers are driven by powerful electric motors. Once across the bridge the landscape once again became familiar and yet different. Over 60 years had passed since I was here as a Maine Maritime Academy cadet but some things don’t change in Maine. The scenery is still beautiful and the people are friendly, as long as you don’t step on their toes. Yes, in many ways things are still the same and most likely will stay the same for years to come. As for me I like New England especially Maine but it gets just a little too cold in the winter!

If you were standing next to the person you loved more than everything else, wasn’t everything else just scenery?

At least he could make sure he was with the right person. Wasn’t that the point of life? To find someone to share it with? And if you got that part right, how far wrong could you go? If you were standing next to the person you loved more than everything else, wasn’t everything else just scenery?

If you were standing next to the person you loved more than everything else, wasn’t everything else just scenery?

Why are you mad at me?” He didn’t look at her. “I’m not mad.” “You’re not happy.” His fingers tightened on the steering wheel. “That was no practice kiss.” “I know it wasn’t. I was trying to give us a reason not to talk about it.” “Oh. So you don’t think we should talk about it?” “I thought guys hated talking things out.” He drummed his fingers on the wheel. “I just don’t want you getting any ideas, that’s all.” Getting any ideas? Emma was speechless for a moment, unable to believe he’d actually said that. “Since I was walking away from you when you spun me around and kissed me, I’d say you’re the one getting ideas.” “Of course I’m getting ideas. You’re hot and I’m not dead. But I know enough not to confuse lust with anything else.” She snorted and looked out her window. “Oh, yes, Sean Kowalski. Your amazing kisses have made all rational thought fly out of my besotted brain. If only you could fill me with your magic penis, I know we’d fall madly in love and live happily ever after.” The truck jerked and she glanced over to find him glaring at her. “Don’t ever say that again.” “What? The ‘madly in love’ or the ‘happily ever after’?” “My penis isn’t magic.” His tone was grumpy, but then he smiled at the windshield. “It does tricks, though.” “The only trick your penis needs to know for the next three and a half weeks is down boy.” How the hell had she gotten herself into this conversation? “To get back to the point, if you think I have any interest in a real relationship with a guy who thinks he’s a better driver than me just because I have breasts, you’re insane.” “It’s not because you have breasts. Women don’t drive as well because they lack a magic penis.” She turned toward the passenger door, letting him know with her body language she had no interest in talking to him anymore. “Why didn’t I tell Gram I was dating Bob from the post office?” He laughed at her. “You’ve met the Kowalskis. You were doomed the minute you said the name out loud.” Doomed, she thought, glaring at the passing scenery. That was a good word for it.

The breeze was calm and the sun beamed between the scattering clouds. Glancing across the rolling heather-covered landscape and toward the burn, he didn't see Remy or anyone else. "Twas too bad that the heather was not in bloom for the sight would have been lovely. Glancing up, he noticed something else. A giant double rainbow spanned across the horizon, one slightly dimmer than the other. "Ah," he halted and turned in the saddle. "Have you ever seen such a bonny rainbow?" Shona gasped. "Nay. 'Tis very bright." Even lovelier, at least to Keegan, was Shona's smile as she took in the scenery. She was so beautiful, his chest ached. Yet, he knew not how he was going to keep her in his life so that he might see her smile every day.