Scarf Girl Quotes

We've searched our database for all the quotes and captions related to Scarf Girl. Here they are! All 100 of them:

I am trying to see things in perspective. My dog wants a bite of my peanut butter chocolate chip bagel. I know she cannot have this, because chocolate makes dogs very sick. My dog does not understand this. She pouts and wraps herself around my leg like a scarf and purrs and tries to convince me to give her just a tiny bit. When I do not give in, she eventually gives up and lays in the corner, under the piano, drooping and sad. I hope the universe has my best interest in mind like I have my dog’s. When I want something with my whole being, and the universe withholds it from me, I hope the universe thinks to herself: "Silly girl. She thinks this is what she wants, but she does not understand how it will hurt.
Blythe Baird
Do you want your scarf back?' I asked. 'No, just the girl who goes with it.' Oh my gosh, that guy knows his lines.
Robin Brande (Fat Cat)
I'm not defending their views. I'm defending their right to have their views. There's a difference.
Mohja Kahf (The Girl in the Tangerine Scarf)
Crazy isn´t always what they say it is. It´s not always the old woman wearing sneakers and a skirt and a scarf, wandering around with a shopping cart, hollering at no one, nothing, tumbling through years in her head. No. Sometimes it is a girl wearing boots and jeans and a sweater, arms crossed in front of her, shivering, wandering through the streets at night, all night, murmuring to no one, nothing, tumbling through the strange unreal dimensions in her head.
Marya Hornbacher (Wasted: A Memoir of Anorexia and Bulimia)
So what did Jes say?' I asked again, when my brain felt a bit less scrambled. 'He said I should take good care of you.' 'That's all?' Mal cleared his throat. 'And . . . he said he would pray to the God of Work to heal your affliction.' 'My what?' 'I many have told him that you have a goiter.' I stumbled. 'I beg your pardon?' 'Well, I had to explain why you were always clinging to that scarf.' I dropped my hand. I'd been doing it again without even realizing. 'So you told him I had a goiter?' I whispered incredulously. 'I had to say something. And it makes you quite a tragic figure. Pretty girl, giant growth, you know.' I punched him hard in the arm. 'Ow! Hey, in some countries, goiters are considered very fashionable.' 'Do they like eunuchs, too? Because I can arrange that.' 'So bloodthirsty!' 'My goiter makes me cranky.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
Her actions remind me that, even under unbearable circumstances, one can still believe in justice. And above all, love.
Ji-li Jiang (Red Scarf Girl)
I thought about my beautiful dreams and wondered if they would drift away just like those lovely soap bubbles.
Ji-li Jiang (Red Scarf Girl)
I was willing to take on the struggle to establish myself in a new country because I knew that was the price I would have to pay for the freedom to think, speak, and write whatever I pleased.
Ji-li Jiang (Red Scarf Girl)
Many friends have asked me why, after all I went through, I did not hate Chairman Mao and the Cultural Revolution in those years. The answer is simple: We were all brainwashed.
Ji-li Jiang (Red Scarf Girl)
The religious school she went to, growing up, Ms. Wright said how all the girls had to wear a scarf tied to cover their ears at all times. Based on the biblical idea that the Virgin Mary became pregnant when the Holy Spirit whispered in her ear. The idea that ears were vaginas. That, hearing just one wrong idea, you lost your innocence. One detail too many and you’d be ruined. Overdosed on information.
Chuck Palahniuk (Snuff)
This is the most frightening lesson of the Cultural Revolution: Without a sound legal system, a small group or even a single person can take control of an entire country. This is as true now as it was then. Thirty
Ji-li Jiang (Red Scarf Girl)
We're free agents. We can do what we want." Free agents. When my mother used those words she'd wave her keys. "We're like two bachelorettes," she'd say as we backed out of the drive. The road she took was always by the sea. Floods never put her off. "It'll pass" she'd say when I braced myself in the seat. If a wave hit the car, she'd drive on, floating sometimes for seconds. The wipers could clear off the sand and small stones. Seaweed was the problem. Not the one with poppers. That landed with a thud and rolled like a body off the windscreens. No, the problem was the smaller stuff, bright green and fine that wrapped itself like a feather boa around the side mirror. Usually, with one hand, she could throw it off. But sometimes, it took both her hands as if it were a scarf around Isadora Duncan's neck.
Georgia Scott (American Girl: Memories That Made Me)
My family was too precious to forget, and too rare to replace.
Ji-li Jiang (Red Scarf Girl)
One time her father told her Shakespeare was really an Arab. 'Just look at his name: It's an Anglicization of Sheikh Zubayr,' he said with a straight face.
Mohja Kahf (The Girl in the Tangerine Scarf)
I cannot operate from fear anymore.
Mohja Kahf (The Girl in the Tangerine Scarf)
In the sunlight, snow melts, crystals evaporate into a steam, into nothing. In the firelight, vapors dance and vanish. In the core of a volcano, fragile things burst and disappear. The girl, in the gunfire, in the heat, in the concussion, folded like a soft scarf, melted like a crystal figurine. What was left of her, ice, snowflake, smoke, blew away in the wind. The tiller seat was empty.
Ray Bradbury (The Martian Chronicles)
For in song lies the mystery of Being.
Mohja Kahf (The Girl in the Tangerine Scarf)
You do not know your own beauty, you struggle in grief, but I, I have seen it all, and I know: You yourself are the secret essence.
Mohja Kahf (The Girl in the Tangerine Scarf)
Dear girl with the red scarf, Love was never meant to be conquered. You have to surrender to it. Trust me, after all, I am Mr. Universe.  
Maria La Serra (The Proverbial Mr. Universe)
That's Pete Seeger,' Joy said, indicating the snake with a nod. 'Baker beaned 'im, Dad stuffed 'im, and I named 'im.
Mohja Kahf (The Girl in the Tangerine Scarf)
Juma: I'm not a woman--I don't know HOW to cook! Khadra: Well, it didn't come with my BOOBS!
Mohja Kahf (The Girl in the Tangerine Scarf)
Here was an exposure, her soul an unmarked sheet shadowing into distinct shapes under the fluids. Fresh film. Her self, developing.
Mohja Kahf (The Girl in the Tangerine Scarf)
And together they did eat of the candy corn. And it was good.
Mohja Kahf (The Girl in the Tangerine Scarf)
...Her eyes sparkle like she's about to cartwheel through a mosque.
Mohja Kahf (The Girl in the Tangerine Scarf)
The poor teachers! Trained in the traditional sciences, they were totally lost when trying to teach us about pigs or paddy fields.
Ji-li Jiang (Red Scarf Girl)
What a terrible man, I thought, worse than a traitor. At least a traitor betrays people by telling the truth. Uncle Zhu tried to save himself by telling lies.
Ji-li Jiang (Red Scarf Girl)
If I can help Americans to understand China, and the Chinese to learn about the United States, even a little, I will feel very rewarded. I
Ji-li Jiang (Red Scarf Girl)
Once, one of the girls at school had hit her because she had ‘an ugly scarf’. That was apparently all Elsa had done to her, and she got hit for it.
Fredrik Backman (My Grandmother Sends Her Regards and Apologises)
Physics, Chemistry, and Biology had been replaced by Fundamentals of Industry and Agriculture, because of Chairman Mao’s instruction to “combine education with practical experience.
Ji-li Jiang (Red Scarf Girl)
This girl, this girl, and he a man with a business and a secretary and a house with a furnace and bills and a son and a roof with three shingles and a pretty birdpath made of stone that I sometimes see Mrs.Shaw, her tied back with a scarf, cleaning with a dainty skimmer. How does this man, a man like this, like any of them, come to walk at night and stand in a girl’s backyard, and then, smoking and looking up, suddenly feel himself helpless to bher bright magic?
Megan Abbott (The End of Everything)
This is the most frightening lesson of the Cultural Revolution: Without a sound legal system, a small group or even a single person can take control of an entire country. This is as true now as it was then.
Ji-li Jiang (Red Scarf Girl)
Elsa had looked back at the girl in the only way one can look back at someone who has just pointed at a Gryffindor scarf and said, "Ugly bloody scarf." Not totally dissimilar to how one would look at someone who had just seen a horse and gaily burst out, "Crocodile!
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
I asked myself what Palestinians would do if Israel disappeared—if everything not only went back to the way it was before 1948 but if all the Jewish people abandoned the Holy Land and were scattered again. And for the first time, I knew the answer. We would still fight. Over nothing. Over a girl without a head scarf. Over who was toughest and most important. Over who would make the rules and who would get the best seat.
Mosab Hassan Yousef (Son of Hamas: A Gripping Account of Terror, Betrayal, Political Intrigue, and Unthinkable Choices)
To us Chairman Mao was God. He controlled everything we read, everything we heard, and everything we learned in school. We believed everything he said. Naturally, we knew only good things about Chairman Mao and the Cultural Revolution. Anything bad had to be the fault of others. Mao was blameless.
Ji-li Jiang (Red Scarf Girl)
The newspapers and radio were full of the campaign to “Destroy the Four Olds.” The campaign had been expanded to eliminate personal possessions. “If we do not completely eliminate the roots, the plant will grow back,” we heard. “We must eradicate these relics of the past.… We must not allow the reactionary forces to hoard their treasures.…” And every day we heard the drums and gongs that meant the Red Guards were ransacking the houses of class enemies to find and confiscate their hoarded possessions.
Ji-li Jiang (Red Scarf Girl)
KM: Yes. Mrs. Lopez, she's human. And you know, clearly, she'd like people to show some appreciation for her hard work. But if people just, you know, take her pie and don't even say, "Hey, nice pie," they just scarf it down or whatever- MH: I could see how that would get to be annoying. I mean, if you're constantly providing...pie. And getting no positive feedback- KM: Right! And what about your future? I mean, how do you know people are still going to want your pie in the future? Supposing they become a famous rock star or something. People are going to be offering them pie all over the place. If they haven't promised only to eat your pie, well, where does that leave you?
Meg Cabot (Boy Meets Girl (Boy, #2))
Trixie is now fastening the scarf around my neck like a flaccid noose and I feel my chest getting red and patchy and hot underneath her hands.
Mona Awad (13 Ways of Looking at a Fat Girl)
I heard the distant whistle of a passing train, and I wished I could get on it and go far away, to a place without struggle meetings, without class status, without confessions.
Ji-li Jiang (Red Scarf Girl)
You knew you were an Arab if your ride form the airport was two dozen people.
Mohja Kahf (The Girl in the Tangerine Scarf)
[He] [w]ent deep into the cave where wounded men go when they walk around not talking to anyone about what's happening to them on the inside. Also known as Terre Haute.
Mohja Kahf (The Girl in the Tangerine Scarf)
Peeling an eggplant was like unveiling an ivory-skinned woman dressed all in black.
Mohja Kahf (The Girl in the Tangerine Scarf)
Chairman Mao taught us that “inner beauty is much more valuable than outward appearance.” How
Ji-li Jiang (Red Scarf Girl)
Suicide was a crime. It was “alienating oneself from the people,” according to what Chairman Mao said. So
Ji-li Jiang (Red Scarf Girl)
Anger rose in me. Didn’t they know how hard I’d been working to overcome my family background? Now all my efforts were wasted.
Ji-li Jiang (Red Scarf Girl)
Leniency for confession, severity for resistance! Hand
Ji-li Jiang (Red Scarf Girl)
But we can’t allow personal matters to interfere with revolutionary duties. Especially for an important political assignment like the exhibition.
Ji-li Jiang (Red Scarf Girl)
No matter what I did and where I went, the Cultural Revolution followed me.
Ji-li Jiang (Red Scarf Girl)
Life was very hard, so hard that I could hardly breathe sometimes.
Ji-li Jiang (Red Scarf Girl)
A treasure that fire cannot eat. my little secret. I've carried them wrapped in a handkerchief in my bosom through some tight places. Not for nothing do Shamy girls have good boobs.
Mohja Kahf (The Girl in the Tangerine Scarf)
An open car drove by, fleeing into the country. The car was overfilled with people bound for a picnic. There was a jumble of bright sweaters, and scarfs fluttering in the wind; a jumble of voices shrieking without purpose over the roar of the motor, and overstressed hiccoughs of laughter; a girl sat sidewise, her legs flung over the side of the car; she wore a man's straw hat slipping down to her nose and she yanked savagely at the strings of a ukelele, ejecting raucous sounds, yelling 'Hey!' These people were enjoying a day of their existence; they were shrieking to the sky their release from the work and the burdens of the days behind them; they had worked and carried the burdens in order to reach a goal -- and this was the goal.
Ayn Rand (The Fountainhead)
Generally speaking, Americans cussed, smoke, and drank, and the Shamys had it on good authority that a fair number of them used drugs. Americans dated and fornicated and committed adultery. They had broken families and lots of divorces. Americans were not generous or hospitable like Uncle Abdulla and Aunt Fatma; they invited people to their houses only a few at a times, and didn't even let them bring their children, and only fed them little tiny portions of food they called courses on big empty plates they called good china. Plus, Americans ate out wastefully often... Americans believed the individual was more important than the family, and money was more important than anything. Khadra's dad said Americans threw out their sons and daughters when they turned eighteen unless they could pay rent--to their own parents! And, at the other end, they threw their parents into nursing homes when they got old. This, although they took slavish care of mere dogs. All in all, Americans led shallow, wasteful, materialistic lives.
Mohja Kahf (The Girl in the Tangerine Scarf)
Fire, fire! The branches crackle and the night wind of late autumn blows the flame of the bonfire back and forth. The compound is dark; I am alone at the bonfire, and I can bring it still some more carpenters' shavings. The compound here is a privileged one, so privileged that it is almost as if I were out in freedom -- this is an island of paradise; this is the Marfino "sharashka" -- a scientific institute staffed with prisoners -- in its most privileged period. No one is overseeing me, calling me to a cell, chasing me away from the bonfire, and even then it is chilly in the penetrating wind. But she -- who has already been standing in the wind for hours, her arms straight down, her head drooping, weeping, then growing numb and still. And then again she begs piteously "Citizen Chief! Please forgive me! I won't do it again." The wind carries her moan to me, just as if she were moaning next to my ear. The citizen chief at the gatehouse fires up his stove and does not answer. This was the gatehouse of the camp next door to us, from which workers came into our compound to lay water pipes and to repair the old ramshackle seminary building. Across from me, beyond the artfully intertwined, many-stranded barbed-wire barricade and two steps away from the gatehouse, beneath a bright lantern, stood the punished girl, head hanging, the wind tugging at her grey work skirt, her feet growing numb from the cold, a thin scarf over her head. It had been warm during the day, when they had been digging a ditch on our territory. And another girl, slipping down into a ravine, had crawled her way to the Vladykino Highway and escaped. The guard had bungled. And Moscow city buses ran right along the highway. When they caught on, it was too late to catch her. They raised the alarm. A mean, dark major arrived and shouted that if they failed to catch the girl, the entire camp would be deprived of visits and parcels for whole month, because of her escape. And the women brigadiers went into a rage, and they were all shouting, one of them in particular, who kept viciously rolling her eyes: "Oh, I hope they catch her, the bitch! I hope they take scissors and -- clip, clip, clip -- take off all her hair in front of the line-up!" But the girl who was now standing outside the gatehouse in the cold had sighed and said instead: "At least she can have a good time out in freedom for all of us!" The jailer had overheard what she said, and now she was being punished; everyone else had been taken off to the camp, but she had been set outside there to stand "at attention" in front of the gatehouse. This had been at 6 PM, and it was now 11 PM. She tried to shift from one foot to another, but the guard stuck out his head and shouted: "Stand at attention, whore, or else it will be worse for you!" And now she was not moving, only weeping: "Forgive me, Citizen Chief! Let me into the camp, I won't do it any more!" But even in the camp no one was about to say to her: "All right, idiot! Come on it!" The reason they were keeping her out there so long was that the next day was Sunday, and she would not be needed for work. Such a straw-blond, naive, uneducated slip of a girl! She had been imprisoned for some spool of thread. What a dangerous thought you expressed there, little sister! They want to teach you a lesson for the rest of your life! Fire, fire! We fought the war -- and we looked into the bonfires to see what kind of victory it would be. The wind wafted a glowing husk from the bonfire. To that flame and to you, girl, I promise: the whole wide world will read about you.
Aleksandr Solzhenitsyn (The Gulag Archipelago 1918–1956 (Abridged))
Dear girl with the red scarf, People will come and go in our lives. Most of them we won’t give a second thought to as soon as the door closes behind them. But I had always imagined that you would leave the deepest, everlasting mark. -Mr. Universe.
Maria La Serra (The Proverbial Mr. Universe)
I realized that although I have adopted a new country, I cannot forget China. I wonder about Chna's present, and I worry about her future. I have realized that despite all my suffereing, I cannot stop loving the country where I was born and raised.
Ji-li Jiang (Red Scarf Girl)
teachers do not hold bombs or knives, they are still dangerous enemies. They fill us with insidious revisionist ideas. They teach us that scholars are superior to workers. They promote personal ambition by encouraging competition for the highest grades. All these things are intended to change good young socialists into corrupt revisionists. They are invisible knives that are even more dangerous than real knives or guns. For example, a student from Yu-cai High School killed himself because he failed the university entrance examination. Brainwashed by his teachers, he believed his sole aim in life was to enter a famous university and become a scientist—
Ji-li Jiang (Red Scarf Girl)
The words are ludicrous, but not if it's you they're talking about, not if it's you they're locking up. Not ludicrous at all for the ones who continue to be diagnosed as mentally ill. A mouthy girl in cow boy boots or a boy who drapes a scarf on his head to pretend his hair is long like a princess – well, they are targets for the Dr. Madisons of the world.
Dylan Scholinski (The Last Time I Wore a Dress)
Tucked in the back of one of the shelves is a small bottle, rounded with a short neck and closed with a matching glass stopper. He picks it up carefully. It is heavier than he had expected. Removing the stopper, he is confused, for at first the scent and the sensation do not change. Then comes the aroma of caramel, wafting on the crisp breeze of an autumn wind. The scent of wool and sweat makes him feel as though he is wearing a heavy coat, with the warmth of a scarf around his neck. There is the impression of people wearing masks. The smell of a bonfire mixes with the caramel. And then there is a shift, a movement in front of him. Something grey. A sharp pain in his chest. The sensation of falling. A sound like howling wind, or a screaming girl.
Erin Morgenstern (The Night Circus)
Women who get arrested and disappear because they dare to take a scarf off their head in Iran. Women who are arrested and disappear because they drive a car in Saudi Arabia. Women who are arrested or killed for showing their face and hair on social media in Pakistan or Iraq. Those brave women exist all around us, and they want nothing more than to be supported by feminists in the West. ... The free West, where these brave girls used to look to as beacons of light and hope, is supporting their oppressors and ultimately fighting against their progress. In Saudi Arabia, women are burning their niqabs. In Iran, women tie their hijabs on sticks and sway them silently, defiantly in the streets as they are arrested in droves. In the West, we put a Nike swoosh on hijabs.
Yasmine Mohammed (بی‌حجاب: چگونه لیبرال‌های غرب بر آتش اسلام‌گرایی رادیکال می‌دمند)
I stared at the large sheet of paper spread out in front of me, wondering what to write. It was strange. When I had read the newspaper, I had been enraged by the revisionist educational system that had been poisoning our youth for so many years. But now that I actually had to criticize the teachers who taught us every day, I could not find anything really bad to say about any of them.
Ji-li Jiang (Red Scarf Girl)
I was exhausted, and even though I knew it’d be my last night in my own bed, I fell asleep right away and didn’t wake up until Mother called me at five-thirty the next morning. Fortunately, it wasn’t as hot as Sunday; a warm rain fell throughout the day. The four of us were wrapped in so many layers of clothes it looked as if we were going off to spend the night in a refrigerator, and all that just so we could take more clothes with us. No Jew in our situation would dare leave the house with a suitcase full of clothes. I was wearing two vests, three pairs of pants, a dress, and over that a skirt, a jacket, a raincoat, two pairs of stockings, heavy shoes, a cap, a scarf and lots more. I was suffocating even before we left the house, but no one bothered to ask me how I felt.
Anne Frank (The Diary of a Young Girl)
But I’ll never forget. On the day of the Festival of Pure Brightness, I take off all my bracelets. I remember the day when I finally knew a genuine thought and could follow where it went. That was the day I was a young girl with my face under a red marriage scarf. I promised not to forget myself. How nice it is to be that girl again, to take off my scarf, to see what is underneath and feel the lightness come back into my body!
Amy Tan (The Joy Luck Club)
By December 1975, a year had passed since Mr. Harvey had packed his bags, but there was still no sign of him. For a while, until the tape dirtied or the paper tore, store owners kept a scratchy sketch of him taped to their windows. Lindsey and Samuel walked in the neighboorhood or hung out at Hal's bike shop. She wouldn't go to the diner where the other kids went. The owner of the diner was a law and order man. He had blown up the sketch of George Harvey to twice its size and taped it to the front door. He willingly gave the grisly details to any customer who asked- young girl, cornfield, found only an elbow. Finallly Lindsey asked Hal to give her a ride to the police station. She wanted to know what exactly they were doing. They bid farewell to Samuel at the bike shop and Hal gave Lindsey a ride through a wet December snow. From the start, Lindsey's youth and purpose had caught the police off guard. As more and more of them realized who she was, they gave her a wider and wider berth. Here was this girl, focused, mad, fifteen... When Lindsey and Hal waited outside the captain's office on a wooden bench, she thought she saw something across the room that she recognized. It was on Detective Fenerman's desk and it stood out in the room because of its color. What her mother had always distinguished as Chinese red, a harsher red than rose red, it was the red of classic red lipsticks, rarely found in nature. Our mother was proud of her ability fo wear Chinese red, noting each time she tied a particular scarf around her neck that it was a color even Grandma Lynn dared not wear. Hal,' she said, every muscle tense as she stared at the increasingly familiar object on Fenerman's desk. Yes.' Do you see that red cloth?' Yes.' Can you go and get it for me?' When Hal looked at her, she said: 'I think it's my mother's.' As Hal stood to retrieve it, Len entered the squad room from behind where Lindsey sat. He tapped her on the shoulder just as he realized what Hal was doing. Lindsey and Detective Ferman stared at each other. Why do you have my mother's scarf?' He stumbled. 'She might have left it in my car one day.' Lindsey stood and faced him. She was clear-eyed and driving fast towards the worst news yet. 'What was she doing in your car?' Hello, Hal,' Len said. Hal held the scarf in his head. Lindsey grabbed it away, her voice growing angry. 'Why do you have m mother's scarf?' And though Len was the detective, Hal saw it first- it arched over her like a rainbow- Prismacolor understanding. The way it happened in algebra class or English when my sister was the first person to figure out the sum of x or point out the double entendres to her peers. Hal put his hand on Lindsey's shoulder to guide her. 'We should go,' he said. And later she cried out her disbelief to Samuel in the backroom of the bike shop.
Alice Sebold
Thomas heard the stamping of hooves of horses, a shout of warning, and the Institute carriage came crashing through the Portal barely remaining on all four of its wheels as it came. Balios and Xanthos looked very pleased with themselves as the carriage spun in midair and landed, with a jarring thud, at the foot of the steps. Magnus Bane was in the driver’s seat, wearing a dramatic white opera scarf and holding the reins in his right hand. He looked even more pleased with himself than the horses. “I wondered if it was possible to ride a carriage through a Portal,” he said, jumping down from the seat. “As it turns out, it is. Delightful.” The carriage doors opened, and rather unsteadily, Will, Lucie, and a boy Thomas didn’t know clambered out. Lucie waved at Thomas before leaning against the side of the carriage; she was looking rather green about the gills. Will went around the carriage to unstrap the luggage, while the unfamiliar boy—tall and slender, with straight black hair and a pretty face—put a hand on Lucie’s shoulder. Which was surprising—it was an intimate gesture, one that would be considered impolite unless the boy and girl in question were friends or relatives, or had an understanding between them. It seemed, however, unlikely that Lucie could have an understanding with someone Thomas had never seen before. He rather bristled at the thought, in an older-brother way—James didn’t seem to be here, so someone had to do the bristling for him. “I told you it would work!” Will cried in Magnus’s direction. Magnus was busy magicking the unfastened baggage to the top of the steps, blue sparks darting like fireflies from his gloved fingertips. “We should have done that on the way out!” “You did not say it would work,” Magnus said. “You said, as I recall, ‘By the Angel, he’s going to kill us all.’ “Never,” said Will. “My faith in you is unshakable, Magnus. Which is good,” he added, rocking back and forth a little, “because the rest of me feels quite shaken indeed.
Cassandra Clare (Chain of Thorns (The Last Hours, #3))
They were interrupted as a young girl walked along the pavement in front of the sessions house, calling, "Flowers! Fresh-cut flowers!" She stopped in front of them. "Posy for the lady, sir?" Ransom turned to the girl, who wore a colorful scarf over her long dark hair and a patchwork apron over her black dress. She carried a flat basket filled with posyes, their stems wrapped with bits of colored ribbon. "There's no need-" Garrett began, but Ransom ignored her, browsing over the tiny bouquets of roses, narcissus, violets, forget-me-nots, and dianthus. "How much?" he asked the flower girl. "A farthing, sir." He glanced at Garrett over his shoulder. "Do you like violets?" "I do," she said hesitantly. Ransom gave the flower-girl a sixpence and picked out one of the posyes. "Thank you, sir!" The girl scurried away as if fearing he might change his mind. Ransom turned to Garrett with the cluster of purple blossoms. Reaching for the lapel of her walking jacket, he deftly tucked the ribbon-wrapped stem of the posy into a buttonhole. "Violets make an excellent blood-purifying tonic," Garrett said awkwardly, feeling the need to fill the silence. "And they're good for treating cough or fever." The elusive dimple appeared in his cheek. "They're also becoming to green-eyed women.
Lisa Kleypas (Hello Stranger (The Ravenels, #4))
So I was hard on the Beast, win or lose, When I got upstairs, those tragic girls in my head, Turfing him out of bed; standing alone On the balcony, the night so cold I could taste the stars On the tip of my tongue. And I made a prayer – Thumbing my pearls, the tears of Mary, one by one, Like a rosary – words for the lost, the captive beautiful, The wives, those less fortunate than we. The moon was a hand-mirror breathed on by a Queen. My breath was a chiffon scarf for an elegant ghost. I turned to go back inside. Bring me the Beast for the night. Bring me the wine-cellar key. Let the less-loving one be me. - an excerpt from Mrs. Beast -
Carol Ann Duffy (The World's Wife)
I knew how easily it could happen, the past at hand, like the helpless cognitive slip of an optical illusion. The tone of a day linked to some particular item: my mother's chiffon scarf, the humidity of a cut pumpkin. Certain patterns of shade. Even the flash of sunlight on the hood of a white car could cause a momentary ripple in me, allowing a slim space of return. I'd seen old Yardley slickers—the makeup now just a waxy crumble—sell for almost one hundred dollars on the Internet. So grown women could smell it again, that chemical, flowery fug. That's how badly people wanted it—to know that their lives had happened, that the person they once had been still existed inside of them.
Emma Cline (The Girls)
It was a lovely night, so warm that he threw his coat over his arm, and did not even put his silk scarf round his throat. As he strolled home, smoking his cigarette, two young men in evening dress passed him. He heard one of them whisper to the other, ‘That is Dorian Gray.’ He remembered how pleased he used to be when we was pointed out, or stared at, or talked about. He was tired of hearing his own name now. Half the charm of the little village where he had been so often lately was that no one knew who he was. He had often told the girl whom he had lured to love him that he was poor, and she had believed him. He had told her once that he was wicked, and she had laughed at him, and answered that wicked people were always very old and very ugly. What a laugh she had! – just like a thrush singing. And how pretty she had been in her cotton dresses and her large hats! She knew nothing, but she had everything that he had lost.
Oscar Wilde (The Picture of Dorian Gray)
Next morning, Emma had more of unusual impressions, from the nightdream she saw before the moment she woke up: The girl flew inside some darkness, feeling really tired; soon, she decided to have a nap laying onto… some Galaxy! She was herself as big as the Universe… Or was it she the part of that macrocosm? Then, Emma jumped down from the space, landing in… her bedroom where she used to fall asleep… and there she noticed her cousin Billy who was entering the room, accidentally touching Clifford’s brown scarf that hung on the moose antlers (which really were there, nailed to the wall and serving as hangers)… The scarves fall down… and she wakes up. Emily closed her eyes again, scrolling her memories about how it felt—to rest on the top of the Galaxy. “Who are we people, in all that global greatness of the space? …Considering things in the ecumenical measure, we are the microbes of the Universe,” the girl discoursed her thoughts.
Sahara Sanders (Gods’ Food (Indigo Diaries, #1))
I’ve been allowed to read more grown-up books lately. Eva’s Youth by Nico van Suchtelen is currently keeping me busy. I don’t think there’s much of a difference between this and books for teenage girls. Eva thought that children grew on trees, like apples, and that the stork plucked them off the tree when they were ripe and brought them to the mothers. But her girlfriend’s cat had kittens and Eva saw them coming out of the cat, so she thought cats laid eggs and hatched them like chickens, and that mothers who wanted a child also went upstairs a few days before their time to lay an egg and brood on it. After the babies arrived, the mothers were pretty weak from all that squatting. At some point, Eva wanted a baby too. She took a wool scarf and spread it on the ground so the egg could fall into it, and then she squatted down and began to push. She clucked as she waited, but no egg came out. Finally, after she’d been sitting for a long time, something did come, but it was a sausage instead of an egg. Eva was embarrassed. She thought she was sick. Funny, isn’t it?
Anne Frank (The Diary of Anne Frank: The Definitive Edition)
I landed on my side, my hip taking the brunt of the fall. It burned and stung from the hit, but I ignored it and struggled to sit up quickly. There really was no point in hurrying so no one would see. Everyone already saw A pair of jean-clad legs appeared before me, and my suitcase and all my other stuff was dropped nearby. "Whatcha doing down there?" Romeo drawled, his hands on his hips as he stared down at me with dancing blue eyes. "Making a snow angel," I quipped. I glanced down at my hands, which were covered with wet snow and bits of salt (to keep the pavement from getting icy). Clearly, ice wasn't required for me to fall. A small group of girls just "happened by", and by that I mean they'd been staring at Romeo with puppy dog eyes and giving me the stink eye. When I fell, they took it as an opportunity to descend like buzzards stalking the dead. Their leader was the girl who approached me the very first day I'd worn Romeo's hoodie around campus and told me he'd get bored. As they stalked closer, looking like clones from the movie Mean Girls, I caught the calculating look in her eyes. This wasn't going to be good. I pushed up off the ground so I wouldn't feel so vulnerable, but the new snow was slick and my hand slid right out from under me and I fell back again. Romeo was there immediately, the teasing light in his eyes gone as he slid his hand around my back and started to pull me up. "Careful, babe." he said gently. The girls were behind him so I knew he hadn't seen them approach. They stopped as one unit, and I braced myself for whatever their leader was about to say. She was wearing painted-on skinny jeans (I mean, really, how did she sit down and still breathe?) and some designer coat with a monogrammed scarf draped fashionably around her neck. Her boots were high-heeled, made of suede and laced up the back with contrasting ribbon. "Wow," she said, opening her perfectly painted pink lips. "I saw that from way over there. That sure looked like it hurt." She said it fairly amicably, but anyone who could see the twist to her mouth as she said it would know better. Romeo paused in lifting me to my feet. I felt his eyes on me. Then his lips thinned as he turned and looked over his shoulder. "Ladies," he said like he was greeting a group of welcomed friends. Annoyance prickled my stomach like tiny needles stabbing me. It's not that I wanted him to be rude, but did he have to sound so welcoming? "Romeo," Cruella DeBarbie (I don't know her real name, but this one fit) purred. "Haven't you grown bored of this clumsy mule yet?" Unable to stop myself, I gasped and jumped up to my feet. If she wanted to call me a mule, I'd show her just how much of an ass I could be. Romeo brought his arm out and stopped me from marching past. I collided into him, and if his fingers hadn't knowingly grabbed hold to steady me, I'd have fallen again. "Actually," Romeo said, his voice calm, "I am pretty bored." Three smirks were sent my way. What a bunch of idiots. "The view from where I'm standing sure leaves a lot to be desired." One by one, their eyes rounded when they realized the view he referenced was them. Without another word, he pivoted around and looked down at me, his gaze going soft. "No need to make snow angels, baby," he said loud enough for the slack-jawed buzzards to hear. "You already look like one standing here with all that snow in your hair." Before I could say a word, he picked me up and fastened his mouth to mine. My legs wound around his waist without thought, and I kissed him back as gentle snow fell against our faces.
Cambria Hebert (#Hater (Hashtag, #2))
Soon, droves of children start to show up, keeping us rather busy. We start tallying up the number of Trolls, Batmans, Lego men, and princesses we see. The most popular costume? Batman and Superwoman with the fabrics and accessories varying from child to child. But my favorite so far is the girl who dressed as Little Debbie, but then again, I may be biased. “I think she might be my new favorite,” Emma says as a little girl dressed as a nurse walks away. “That’s because you’re a nurse, but you can’t play favorites,” I say, reminding Emma of the rules. She levels with me. “This coming from the guy whose favorite child was dressed as Little Debbie.” “Come on.” I lean back in my chair and motion to my head. “She had the rim of blue on her hat. That’s attention to detail.” “And good fucking parenting,” Tucker chimes in, and we clink our beer bottles together. Amelia chuckles next to me as Emma shakes her head. “Ridiculous. What about you, Amelia? What costume has been your favorite so far?” “Hmm, it’s been a tough competition. There has been some real winning costumes and some absolute piss-poor ones.” She shakes her head. “Just because you put a scarf around your neck and call yourself Jack Frost doesn’t mean you dressed up.” “Ugh, that costume was dumb.” “It shouldn’t be referred to as a costume, but that’s beside the point.” I like how much Amelia is getting into this little pretend competition. She’s a far cry from the girl who first came home earlier. I love that having Tucker and Emma over has given me more time with Amelia, getting to know the woman she is today, but also managed to put that beautiful smile back on her face. “So who takes the cake for you?” I ask, nudging her leg with mine. Smiling up at me, she says, “Hands down it’s the little boy who dressed as Dwight Schrute from The Office. I think I giggled for five minutes straight after he left. That costume was spot on.” “Oh shit, you’re right,” I reply as Emma and Tucker agree with me. “He even had the watch calculator.” “And the small nose Dwight always complains about.” Emma chuckles. “Yeah, he has to be the winner.” “Now, now, now, let’s not get too hasty. Little Debbie is still in the running,” Tucker points out. Amelia leans forward, seeming incredibly comfortable, and says, “There is no way Little Debbie beats Dwight. Sorry, dude.” The shocked look on Tucker’s face is comical. He’s just been put in his place and the old Amelia has returned. I fucking love it.
Meghan Quinn (The Other Brother (Binghamton, #4))
March 12 Dear Stargirl, Hey, you're a big girl now. Stop being such a baby. You think you're the only one who's ever lost a boyfriend? Boyfriends are a dime a dozen. You want to talk loss, look at all the loss around you. How about the man in the red and yellow plaid scarf? He lost Grace. BELOVED WIFE. I'll bet they were married over 50 years. You barely had 50 days with Leo. And you have the gall to be sad in the same world as that man. Betty Lou. She's lost the confidence to leave her house. Look at you. Have you ever stopped to appreciate the simple ability to open your front door and step outside? And Alvina the floor sweeper-she hates herself, and it seems she's got plenty of company. All she's losing is her childhood, her future, a worldful of people who will never be her friends. How would you like to trade places with her? Oh yes, lets not forget the footshuffling guy at the stone piles. Moss-green pom-pom. What did he say to you? "Are you looking for me?" It seems like he hasn't lost much, has he? Only...HIMSELF! Now look at you, sniveling like a baby over some immature kid in Arizona who didn't know what a prize he had, who tried to remake you into somebody else, who turned his back to you and left you to the wolves, who hijacked your heart and didn't even ask you to the Ocotillo Ball. What don't you understand about the message? Hel-loooo? Anybody home in there? You have your whole life ahead of you, and all your doing is looking back. Grow up, girl. There are some things they don't teach you in homeschool. Your Birth Certificate Self, Susan Caraway
Jerry Spinelli
It's hard to form a lasting connection when your permanent address is an eight-inch mailbox in the UPS store. Still,as I inch my way closer, I can't help the way my breath hitches, the way my insides thrum and swirl. And when he turns,flashing me that slow, languorous smile that's about to make him world famous,his eyes meeting mine when he says, "Hey,Daire-Happy Sweet Sixteen," I can't help but think of the millions of girls who would do just about anything to stand in my pointy blue babouches. I return the smile, flick a little wave of my hand, then bury it in the side pocket of the olive-green army jacket I always wear. Pretending not to notice the way his gaze roams over me, straying from my waist-length brown hair peeking out from my scarf, to the tie-dyed tank top that clings under my jacket,to the skinny dark denim jeans,all the way down to the brand-new slippers I wear on my feet. "Nice." He places his foot beside mine, providing me with a view of the his-and-hers version of the very same shoe. Laughing when he adds, "Maybe we can start a trend when we head back to the States.What do you think?" We. There is no we. I know it.He knows it.And it bugs me that he tries to pretend otherwise. The cameras stopped rolling hours ago, and yet here he is,still playing a role. Acting as though our brief, on-location hookup means something more. Acting like we won't really end long before our passports are stamped RETURN. And that's all it takes for those annoyingly soft girly feelings to vanish as quickly as a flame in the rain. Allowing the Daire I know,the Daire I've honed myself to be, to stand in her palce. "Doubtful." I smirk,kicking his shoe with mine.A little harder then necessary, but then again,he deserves it for thinking I'm lame enough to fall for his act. "So,what do you say-food? I'm dying for one of those beef brochettes,maybe even a sausage one too.Oh-and some fries would be good!" I make for the food stalls,but Vane has another idea. His hand reaches for mine,fingers entwining until they're laced nice and tight. "In a minute," he says,pulling me so close my hip bumps against his. "I thought we might do something special-in honor of your birthday and all.What do you think about matching tattoos?" I gape.Surely he's joking. "Yeah,you know,mehndi. Nothing permanent.Still,I thought it could be kinda cool." He arcs his left brow in his trademark Vane Wick wau,and I have to fight not to frown in return. Nothing permanent. That's my theme song-my mission statement,if you will. Still,mehndi's not quite the same as a press-on. It has its own life span. One that will linger long after Vane's studio-financed, private jet lifts him high into the sky and right out of my life. Though I don't mention any of that, instead I just say, "You know the director will kill you if you show up on set tomorrow covered in henna." Vane shrugs. Shrugs in a way I've seen too many times, on too many young actors before him.He's in full-on star-power mode.Think he's indispensable. That he's the only seventeen-year-old guy with a hint of talent,golden skin, wavy blond hair, and piercing blue eyes that can light up a screen and make the girls (and most of their moms) swoon. It's a dangerous way to see yourself-especially when you make your living in Hollywood. It's the kind of thinking that leads straight to multiple rehab stints, trashy reality TV shows, desperate ghostwritten memoirs, and low-budget movies that go straight to DVD.
Alyson Noel (Fated (Soul Seekers, #1))
She knew the effort it took to keep one’s exterior self together, upright, when everything inside was in pieces, broken beyond repair. One touch, one warm, compassionate hand, could shatter that hard-won perfect exterior. And then it would take years and years to restore it. This tiny, effeminate creature dressed in velvet suits, red socks, an absurdly long scarf usually wrapped around his throat, trailing after him like a coronation robe. He who pronounced, after dinner, “I’m going to go sit over here with the rest of the girls and gossip!” This pixie who might suddenly leap into the air, kicking one foot out behind him, exclaiming, “Oh, what fun, fun, fun it is to be me! I’m beside myself!” “Truman, you could charm the rattle off a snake,” Diana Vreeland pronounced. Hemingway - He was so muskily, powerfully masculine. More than any other man she’d met, and that was saying something when Clark Gable was a notch in your belt. So it was that, and his brain, his heart—poetic, sad, boyish, angry—that drew her. And he wanted her. Slim could see it in his hungry eyes, voraciously taking her in, no matter how many times a day he saw her; each time was like the first time after a wrenching separation. How to soothe and flatter and caress and purr and then ignore, just when the flattering and caressing got to be a bit too much. Modesty bores me. I hate people who act coy. Just come right out and say it, if you believe it—I’m the greatest. I’m the cat’s pajamas. I’m it! He couldn’t humiliate her vulnerability, her despair. Old habits die hard. Particularly among the wealthy. And the storytellers, gossips, and snakes. Is it truly a scandal? A divine, delicious literary scandal, just like in the good old days of Hemingway and Fitzgerald? The loss of trust, the loss of joy; the loss of herself. The loss of her true heart. An amusing, brief little time. A time before it was fashionable to tell the truth, and the world grew sordid from too much honesty. In the end as in the beginning, all they had were the stories. The stories they told about one another, and the stories they told to themselves. Beauty. Beauty in all its glory, in all its iterations; the exquisite moment of perfect understanding between two lonely, damaged souls, sitting silently by a pool, or in the twilight, or lying in bed, vulnerable and naked in every way that mattered. The haunting glance of a woman who knew she was beautiful because of how she saw herself reflected in her friend’s eyes. The splendor of belonging, being included, prized, coveted. What happened to Truman Capote. What happened to his swans. What happened to elegance. What truly was the price they paid, for the lives they lived. For there is always a price. Especially in fairy tales.
Melanie Benjamin (The Swans of Fifth Avenue)
Do you like it? You may keep it." "Gee, thanks!" said Celia, parading around Edna's room, searching for a mirror. "I can't think why I ever bought that scarf in the first place, girls. I suppose I bought it during a year when yellow scarves were in fashion. And let that be a lesson to you! The thing about fashion, my dears, is that you don't need to follow it, no matter what they say. No fashion trend is compulsory, remember - and if you dress too much in the style of the moment, it makes you look like a nervous person. Paris is all well and good, but we can't just follow Paris for the sake of Paris, now can we?
Elizabeth Gilbert (City of Girls)
And then a frail little girl peered through the doorway. She was thin (I could tell that, even though she was dressed in an oversized top and oversized jeans), and a bright red scarf covered her head. Across the front of her T-shirt were the words: "BALD IS BEAUTIFUL." She had to be Danielle Roberts.
Ann M. Martin (Jessi's Wish (The Baby-Sitters Club, #48))
Duchess stole a glance at her, bright lips and smoked eyes, hair curled. She wore a cream skirt, navy top cut low, and silk scarf. So much a woman Duchess felt even more a girl. “That’s a lot of tit for church.” “I take my bra off and they’d roll down the aisle.
Chris Whitaker (We Begin at the End)
At a table, in a public library, on a winter Saturday, and yet I felt as if I'd arrived home. That house in North Bennington, another winter ten years earlier, and I as young as a girl could be and yet as old as any other Mother Earth, and I had learned what it was to love. How to be loved and how to provide love, and how to be of service as a gesture to the gods. Had I known how fast it would all go, how little it would amount to, would I have lived each day more consciously? Ah, me. I don't have the faintest idea.
Susan Scarf Merrell (Shirley)
scarf in green and priced
Rosie Clarke (Rainy Days for the Harpers Girls (Harpers Emporium #3))
How could I watch over my girl if I’m dead? The night she tied her scarf around my thigh and then offered me her hand, my life became hers.
Neva Altaj (Darkest Sins (Perfectly Imperfect, #9))
What did the hat say to the scarf?
Wally Brown (Seriously Silly Jokes for Kids: Joke Book for Boys and Girls ages 7-12 (Volume 2))
Montreal October 1704 Temperature 55 degrees “Remember how in Deerfield there was nobody to marry? Remember how Eliza married an Indian? Remember how Abigail even had to go and marry a French fur trader without teeth?” Mercy had to laugh again. It was such a treat to laugh with English friends. “Your man doesn’t have teeth?” “Pierre has all his teeth. In fact, he’s handsome, rich and an army officer. But what am I to do about the marriage?” Sarah was not laughing. She was shivering. “I do not want that life or that language, Mercy, and above all, I do not want that man. If I repeat wedding vows, they will count. If I have a wedding night, it will be real. I will have French babies and they will be Catholic and I will live here all my life.” Sarah rearranged her French scarf in a very French way and Mercy thought how much clothing mattered; how changed they were by what they put on their bodies. “The Catholic church won’t make you,” said Mercy. “You can refuse.” “How? Pierre has brought his fellow officers to see me. His family has met me and they like me. They know I have no dowry, but they are being very generous about their son’s choice. If I refuse to marry Pierre, he and the French family with whom I live will be publicly humiliated. I won’t get a second offer of marriage after mistreating this one. The French family will make me a servant. I will spend my life waiting on them, curtseying to them, and saying ‘Oui, madame.’” “But surely ransom will come,” said Mercy. “Maybe it will. But what if it does not?” Mercy stared at her feet. Her leggings. Her moccasins. What if it does not? she thought. What if I spend my life in Kahnawake? “What if I stay in Montreal all my life?” demanded Sarah. “A servant girl to enemies of England.” The world asks too much of us, thought Mercy. But because she was practical and because there seemed no way out, she said, “Would this Frenchman treat you well?” Sarah shrugged as Eben had over the gauntlet, except that when Eben shrugged, he looked Indian, and when Sarah shrugged, she looked French. “He thinks I am beautiful.” “You are beautiful,” said Eben. He drew a deep breath to say something else, but Nistenha and Snow Walker arrived beside them. How reproachfully they looked at the captives. “The language of the people,” said Nistenha in Mohawk, “is sweeter to the ear when it does not mix with the language of the English.” Mercy flushed. This was why she had not been taken to Montreal before. She would flee to the English and be homesick again. And it was so. How she wanted to stay with Eben and Sarah! They were older and would take care of her…but no. None of the captives possessed the freedom to choose anything or take care of anyone. It turned out that Eben Nims believed otherwise. Eben was looking at Sarah in the way every girl prays some boy will one day look at her. “I will marry you, Sarah,” said Eben. “I will be a good husband. A Puritan husband. Who will one day take us both back home.” Wind shifted the lace of Sarah’s gown and the auburn of one loose curl. “I love you, Sarah,” said Eben. “I’ve always loved you.” Tears came to Sarah’s eyes: she who had not wept over her own family. She stood as if it had not occurred to her that she could be loved; that an English boy could adore her. “Oh, Eben!” she whispered. “Oh, yes, oh, thank you, I will marry you. But will they let us, Eben? We will need permission.” “I’ll ask my father,” said Eben. “I’ll ask Father Meriel.” They were not touching. They were yearning to touch, they were leaning forward, but they were holding back. Because it is wrong? wondered Mercy. Or because they know they will never get permission? “My French family will put up a terrible fuss,” said Sarah anxiously. “Pierre might even summon his fellow officers and do something violent.” Eben grinned. “Not if I have Huron warriors behind me.
Caroline B. Cooney (The Ransom of Mercy Carter)
We cannot choose our families or our class sums. But we can choose our own futures.
Ji-li Jiang (Red Scarf Girl)
Eldon sat beside Tobias, eating his meal with quiet dignity – or as much as he could muster. Lydia’s younger sister Tess was sitting on a highchair across from him, holding her plate to her face and gobbling down her food as ravenously as a beast from a trough. She was wearing a lovely black dress and a matching scarf that were gathering several unfortunate stains. When she felt Eldon staring, the green girl slowly looked up and dragged her fat red tongue across her jagged yellow teeth, gravy and mashed potatoes dripping from her cheeks. “Ugh, Lydia,” complained Wynona and gestured her fingers in disdain. “Can’t you control that little gremlin?
Ash Gray (Wicked Witch Boy)
She wore a tan robe and headscarf, the clothes of a local... but didn't feel like a market regular. She moved slowly and gazed at everything with a child's wonder. Her eyes were large and clear, her hair as black as midnight. She had a warm smile on her pretty lips and was obviously murmuring 'hellos' and 'excuse mes' to people who really didn't care or want to talk. She walked with the grace of a cloud in the wind, like her body weighed nothing at all, and held her head high with easy dignity. Easy. Aladdin felt his heart contract. He had never seen her- or anyone like her- before. When the girl adjusted her scarf, she revealed an intricate diadem in her hair that had a ridiculously sized emerald in it. 'Ah, a rich girl, out for a day of shopping in the market without her servants. Living dangerously, playing hooky.
Liz Braswell (A Whole New World)
So the Cultural Revolution was born out of both Mao’s genuine frustration and his desire to regain the upper hand in a power struggle that threatened his position. His call for “perpetual revolution” mobilized young people into Red Guards who would wage class war against remnants of traditional society, both native and foreign.
Ji-li Jiang (Red Scarf Girl)
An Yi’s grandma lay on a cart, silent under the white sheet. Her face was covered. It had been smashed in her fall, and of course they would not make a wax replacement for a suicide. Suicide was a crime. It was “alienating oneself from the people,” according to what Chairman Mao said. So we were not in one of the private rooms. We wore no mourning bands. We could not play funeral music for Grandma.
Ji-li Jiang (Red Scarf Girl)
I shut my eyes and pictured Grandma standing on the windowsill, looking down into the courtyard. What was she thinking before she jumped? She must have forgotten about her duties to her country, and her family too. Did she think about her granddaughter rushing back from Shandong for the funeral? Did she remember her blind sister? I wiped at my tears and took a deep breath.
Ji-li Jiang (Red Scarf Girl)
My friends and I had grown up with the stories of the brave revolutionaries who had saved China. We were proud of our precious red scarves, which, like the national flag, were dyed red with the blood of our revolutionary martyrs. We had often been sorry that we were too young to have fought with Chairman Mao against the Japanese invaders, who tried to conquer China; against the dictator Chiang Kai-shek, who ruthlessly oppressed the Chinese people; and against the American aggressors in Korea. We had missed our chance to become national heroes by helping our motherland.
Ji-li Jiang (Red Scarf Girl)
We knew they must be student inspectors. The newspapers had pointed out that the fourolds were also reflected in clothing, and now high school students had taken responsibility for eliminating such dress. For example, any pants with a leg narrower than eight inches for women or nine inches for men would be considered fourolds.
Ji-li Jiang (Red Scarf Girl)
Our beloved Chairman Mao had started the Cultural Revolution in May. Every day since then on the radio we heard about the need to end the evil and pernicious influences of the “Four Olds”: old ideas, old culture, old customs, and old habits. Chairman Mao told us we would never succeed at building a strong socialist country until we destroyed the “Four Olds” and established the “Four News.
Ji-li Jiang (Red Scarf Girl)
Respect the teachers? That’s the nonsense of ‘teachers’ dignity.’ You two are typical ‘teachers’ obedient little lambs,’ do you know that?” Du Hai recited more phrases from the newspaper. The world had turned upside down. Now it was a crime for students to respect teachers. I couldn’t keep calm.
Ji-li Jiang (Red Scarf Girl)
One Monday, all school classes were suspended indefinitely. All students were directed instead to participate in the movement by writing big posters, da-zi-bao, criticizing the educational system. Rolls of white paper, dozens of brushes, and many bottles of red and black ink were brought into the classrooms. The teachers were nowhere to be seen.
Ji-li Jiang (Red Scarf Girl)
The three of us stopped before a da-zi-bao signed “An Antirevisionist.” An Yi read aloud, “‘Although teachers do not hold bombs or knives, they are still dangerous enemies. They fill us with insidious revisionist ideas. They teach us that scholars are superior to workers. They promote personal ambition by encouraging competition for the highest grades. All these things are intended to change good young socialists into corrupt revisionists. They are invisible knives that are even more dangerous than real knives or guns.
Ji-li Jiang (Red Scarf Girl)
Yin Lan-lan had written, “As one of its victims, I denounce the revisionist educational system. Being from a working-class family, I have to do a lot more housework than students from rich families. So I have difficulty passing exams. I was forced to repeat grades three times. And I was not allowed to be a Young Pioneer or to participate in the school choir. The teachers think only of grades when evaluating a student. They forget that we, the working class, are the masters of our socialist country.
Ji-li Jiang (Red Scarf Girl)
Ke Cheng-li doesn’t like working-class kids. He only likes rich kids. He made Jiang Ji-li the teacher’s assistant for math class and gave her higher grades, and he also let her win all the math contests and awarded her a lot of notebooks. We have to ask the question, What is the relationship between them after all?
Ji-li Jiang (Red Scarf Girl)
As soon as the painting was finished, two new rituals, Morning Repentance and Evening Report, began. Now every morning as I returned from the market in the cool morning air, I saw a group at the foot of the propaganda wall. Five or six people who had been landlords or counterrevolutionaries or rightists—people in the Five Black Categories—bowed in front of Chairman Mao. They waved their copies of the Selected Quotations from the Writings of Chairman Mao, the Precious Red Book, in the air and chanted, “Long life to Chairman Mao! Long life! Long life! Long life!” Then one by one they confessed their guilt. In the evening they had to do it again.
Ji-li Jiang (Red Scarf Girl)
I hear her smiling when she describes her outfit: “I made myself fashionable. And diplomatic. They all took my picture. The BBC, Voice of America, and Tolo TV. I had the turquoise scarf—the one you saw the other day. You know it. And the black jacket.” She pauses. “And a lot of makeup. Big makeup.” I breathe in deeply. I am the journalist. She is the subject. The rule is to show no emotion.
Jenny Nordberg (The Underground Girls of Kabul: In Search of a Hidden Resistance in Afghanistan)
Those we love don't go away; they walk beside us every day," a deep voice says, startling me. It's the man with the scarf, but I can't tell if he's speaking to me or to the grave. His voice is resonant, and his accent sounds British. “Unseen, unheard, but always near. Still loved, still missed, and very dear.
Karpov Kinrade (Vampire Girl 8: Of Dreams and Dragons)
Aren’t our dresses exquisite?” Performing a few happy waltz steps, Corinna turned in a circle. “Um, yes. Pull your sleeves up, Juliana, will you?” She tugged at them, but the dress was designed to be off the shoulder. “They won’t go.” He eyed their dresses’ high waistlines and scooped necklines, designed to accentuate the bust. “You’re all going to cover”—at an apparent loss for words, he patted his own chest—“with one of those scarf things, right?” “A fichu?” Madame sniffed. “I think not. These are evening gowns, my lord.” “They don’t look like the pictures my sisters showed me.” “The pictures were but a starting point, my lord. By the time the fashion plates make it here from France, they’re already beginning to pass out of style.” “We shall not be caught in last month’s fashions,” Juliana added. “These gowns are the thing.” “Not in this house, they aren’t!” “Griffin. Good news. The foundry will have the new part cast by the end of the day.” Tris walked in, scanned the room with a low whistle, and settled on Alexandra. “By George, you ladies will put every other girl to shame.” “My sisters won’t be wearing these dresses,” Griffin said. “Of course they will.” Tris tore his gaze from Alexandra and turned to his friend. “While I take apart the pump, you’ll want to head out to the vineyard and see that work on the new pipeline is resumed.” “Very well.” Griffin turned to leave, then swiveled back. “I’m not paying for those dresses,” he warned. “Not until they’re made decent.” Madame Rodale gave a little French-sounding “hmmph.” Tris laughed. “Listen to yourself, old man. You’ve been on campaign far too long. Don’t you want men to find your sisters appealing? Irresistible? Marriageable?” “Not if they’re men like…” “Like us?” Tris suggested helpfully. Griffin’s “hmmph” put the mantua-maker’s to shame. “I need to get to the vineyard,” he muttered and left. “Madame
Lauren Royal (Alexandra (Regency Chase Brides #1))